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(Free Scores - Com) Bosch Jacques Brimborion 30875

This document is a musical score titled "Brimborion Romance sans Paroles" composed by Jacques Bosch in 1895. It contains musical notation for a guitar solo piece in 6 sections over 41 measures. The piece is marked "Andante grazioso" with a tempo of 72 beats per minute.

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0% found this document useful (0 votes)
188 views4 pages

(Free Scores - Com) Bosch Jacques Brimborion 30875

This document is a musical score titled "Brimborion Romance sans Paroles" composed by Jacques Bosch in 1895. It contains musical notation for a guitar solo piece in 6 sections over 41 measures. The piece is marked "Andante grazioso" with a tempo of 72 beats per minute.

Uploaded by

georgia
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Guitar Solo.

Jacques Bosch
1826 - 1895

Brimborion
Romance sans Paroles
Op. 11
Brimborion
5th = G (sol) Romance sans Paroles
6th = D (ré)
Jacques Bosch
Andante grazioso q = 72 Op. 11
rit.
       
3 3 ½CVII
  
            
3 3  4 4

  
2 2
1

  
1

        

      

  
Guitar 0

p    
0

2

  

3
    
3 3

                                  


5
2 4 4
rit.
4 2

3

                
1

  
 
 f   
p

 
          
         
3 3

 


4
10
        
         
1

        

 
   
 2    f 

   
3
                        
        
15
                      
  
      
   

   
            
              
3


20
     
        
   
 

  p 
     
25
        
 
                                          
  

         
                                       
  
29

    
  
Transcription by Tony Wilkinson 2011.
    
3

      

33

          



  

     
37
   

        

   
 
                  

  
Vibrato
    
rit.  

                    
41
     
             

    
  dim.  
mf

    
     
        
       
45
   
                 
      
   pp  
mf

 
3
         
3
   
       
49
   
                        
              
      
mf
   
Tempo 
     
3
  
Animato 3 3

                                
53

        
 
  

  


          
3

 
3
    
   
57
   
    
      
   
        
       
     

mf

    3
             
3

3
 
         
  
       

61

 
           
 
 
   
3
 
4 3

                      
3

       
65 
       
           
 
   
0


  

       
p

3 3
            
3 rall.
 
nat.

  
69
               
  
  
              12

     harm
cresc.


harm

 
Tempo

3

                        
Ad libit. 3 19


73

                 
 
nat.
 
    


             
Ad libit.
rall.
            

78



   


               
      
  

    
      

82

          



  

         
                                       
  
86

    
  

    
rit.  
   
                                     
90  
      
   
  dim.  
mf
  
              
rit.
  
94
                  
                             
     
     12
 
mf harm 

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