Memory - Training Book With The Best Teacher
Memory - Training Book With The Best Teacher
CaspianHancock
Woods
Your memory
can be better.
Memory
Imagine if you had a brilliant memory. Think of how much it would improve
your life – whether it’s gaining confidence in social situations, getting
more creative at work, enjoying the power of instant recall, or effortlessly
remembering day-to-day things. All this can happen, so stop imagining and
start getting your memory under control right now with Brilliant Memory
Training.
This step-by-step guide shows you how to build and boost your memory so
Training
you can get the most out of everything you do – and want to do – to reach your
full potential.
BRILLIANT OUTCOMES
• Increase your memory and your power of recall
• Boost your confidence and stretch your creativity
• Learn invaluable new skills and improve old ones
• Remember dates, names and faces – in fact,
anything you want to!
Hancock
memory
training
memory
training
Stop worrying about your memory
and start using it – to the full!
Jonathan Hancock
Edinburgh Gate
Harlow CM20 2JE
Tel: 144 (0)1279 623623
Fax: 144 (0)1279 431059
Website: www.pearsoned.co.uk
The right of Jonathan Hancock to be identified as author of this work has been
asserted by him in accordance with the Copyright, Designs and Patents Act
1988.
Pearson Education is not responsible for the content of third party internet
sites.
ISBN: 978-0-273-74581-5
10 9 8 7 6 5 4 3 2 1
15 14 13 12 11
part 1 Foundations 1
1 Switching on 3
2 Memory building 23
3 Memory boosting 45
4 Taking control 69
5 Global learning 87
Conclusion 235
Further reading 237
Index 239
Thanks are also due to my agent, Caroline Shott, and to all the
members of The Learning Skills Foundation.
And yet . . . I’m so glad I learnt to use my own memory power.
It’s changed my life, and I want this book to change yours.
Anyone can have a better memory. It’s an active skill that you
learn and practise. Ancient civilisations were much more aware
of the best systems and strategies, but there’s no reason why you
can’t start using some powerful techniques immediately and get
so much more out of your memory, however old you are and
whatever your experiences of learning have been like so far.
I’ve written this book to get you started on your own memory
adventure. I want you to see just what a difference it makes when
you know what memory is really about, and how to use yours,
brilliantly.
Memory
boosting
The difference between false
memories and true ones is the
same as for jewels: it is always the
false ones that look the most real,
the most brilliant.
Salvador Dali
the same thing over and over again, but expecting the results to
be different . . .
Concentration
To start training your concentration, why not try counting back-
wards at the same time as counting forwards? Out loud, count
‘one, two, three . . .’ up to ten, and at the same time visualise the
numbers from ten down to one. So as you say ‘one’ you picture
ten, on ‘two’ you see nine, and so on. Can you do it up to and
down from 20, 50, 100? What happens when you carry out the
two counts at different speeds?
You can also train your brain to concentrate with words. See
if you can make up some meaningful sentences in which every
word starts with the last letter of the previous one.
Organisation
You can easily start to train your ‘organised thinking’ skills.
When you create memory sentences, for example, using the
For once the order of the items isn’t important, so why not
organise them in a way that helps your memory? My wife’s
called Lucy, so I might decide it’s useful to have her at the start
of the sentence: light (L for Lucy). I could put electrical and
kinetic next, to give me ‘electric kettle’; and then what about
reordering the last three words as heat, chemical and gravitational:
‘. . . heats cold gravy’.
Lucy’s electric kettle heats cold gravy. It’s a very memorable image.
I can see it, touch it, hear it, smell it, taste it . . . and now I have
a much better chance of remembering those six ideas, thanks to
some careful organisation at the start.
Now cover up the list and see how much of it stuck in your
memory. If your organising and categorising has worked, one
Visualisation
As well as strengthening your visualisation skills, this exercise
will provide you with a useful piece of memory ‘equipment’.
You’re going to build yourself an item of mental furniture to
hold your memories.
Visualise . . . a beautiful oak cabinet. It has two doors at the front
which open to reveal three drawers on the left, three on the right,
and two open shelves in between. See this piece of furniture as
clearly as you can in your mind’s eye. Walk around it, look at it
from close up and from far away and build a very clear picture
of it in your mind. Imagine opening the doors and checking that
each drawer on the left is empty, then the top and bottom shelf,
and finally the three drawers on the right.
Now you can put in some memories. Here’s a list of eight coun-
tries that you want to talk about at a meeting, in this precise
order:
You might see yourself putting a model of the Eiffel Tower in the
first drawer; then part of the Great Wall of China in the drawer
below, followed by Sydney Opera House in the one beneath.
And when you cover the printed list and open the doors of the
cabinet in your mind, what can you see . . . ?
Imagination
More than just seeing images vividly, you need to be able to
transform them memorably in your mind. Imagination is at the
heart of artificial memory; and the good news is that you can
train it to be brilliant.
First, play around with the size and shape of each object. The
book could be the biggest in the world. The coat might be only
just big enough for an ant to wear. Perhaps the car is the longest
stretch limo in history; the plate octagonal; the apple flat enough
to post under a door. Picture all the images in your mind’s eye
and get used to using imagination to make them special.
Next, add one unusual detail to each picture. Use all the five
senses imaginatively. What’s odd about the way the book looks?
What strange noise does the coat make? Does the tree feel funny,
or smell of something, or even have a memorable taste if you
imagine biting into its bark . . . ?
Creativity
Brilliant memory involves creativity on a number of different levels.
You pick and choose from a range of strategies. You find creative
ways to organise, visualise and re-imagine information. You invent
clever images to remind you of complex or abstract ideas. And, as a
result, you start using your memory to boost your creativity. You’re
motivated and alert, thinking in pictures and patterns, and able to
bring together knowledge, experience and a wealth of new observa-
tions and ideas to produce some truly creative results.
brilliant exercise
Practise your creative thinking skills by finding images to represent the
following bits of information: random words picked from a dictionary. Use
the way the words look, how they sound, any associations that come to
mind, and every other possibility that opens up when you inject creativity
into your learning.
What image ‘says’ velocity to you? A cheetah, a jet plane, Usain Bolt?
And what about this particular word, which could be easily confused with
‘speed’ or ‘fast’? Maybe the plane is jetting over Velo City, home to the
fastest animals and humans on earth?
Total is another abstract idea, so perhaps you make it as bright and exciting
as a telethon ‘totaliser’, getting huge cheers at it’s used to announce the
latest total; or just break it down into a cute little boy: ‘tot Al’.
You might picture a happy hippie . . . ‘a teen’ becoming eighteen . . .
whatever combination of real meanings, creative associations and clever
word-play produces the image clues that your memory loves.
And what about some names? Here are five Roman goddesses. If you
wanted to learn them, for a talk, a test, or just to strengthen your historical
knowledge, you’d need to turn them into images – and you’d have to think
very creatively to come up with the pictures to use.
Is Vesta only wearing a vest? Is Terra acting like a terror? Maybe Ceres
cares, Minerva works down a mine, Venus loves exotic venues . . . ?
This creative interpretation of the material gets you well on the way to
remembering it brilliantly. And when you’ve got your five images, why
not spend a moment trying to organise them creatively, connecting them
together somehow to keep them in your mind. Is there a clever way you
could order them, categorise them, combine them into a single scene or
link them into a story?
Humour
It’s probably not possible to train your sense of humour
(although you could explore some different types of comedy,
brilliant exercise
Here are two ideas to try. First, take the following famous names and put
them into a funny story involving every kind of visual comedy you can
imagine. Steal ideas from all the comedy films you’ve seen. Use slapstick,
surprise, practical jokes, farce, coincidence, misunderstanding . . . anything
you can think of to raise a smile.
Maybe Mickey Mouse slips on a banana skin and lands on top of Elvis in
the middle of a song – and he jumps into a cupboard where Napoleon has
accidentally covered Madonna and Harry Potter in custard . . .
Visualise the events being played out in front of a packed audience, and
exaggerate the sound of their laughter at each moment of madness.
. . . up the hill as far as the church, then right on to the main road for 12
miles. When you get to the garage, take the next left, go past the factory,
under the railway bridge and then right at the school. The house you want
is number 88, with a blue door.
brilliant impact
British comedy star Al Murray says he finds it hard to remember new
people he meets at parties. But when he’s on stage, even working at
speed and under great pressure to perform, he’s able to interact with the
audience and remember many of their names. He turns them into new
characters for his act, finds comedy in their names, jobs, hobbies, opinions
. . . and he can remember them all with ease. Making things funny simply
makes them more memorable.
We’ve learnt much more about how the brain does specific
things, but we’re still at the very edge of understanding how its
tangle of systems becomes memory – and, especially, where the
memories are made and kept.
beginning the process that will lead to some of it being stored for
longer than the passing moment . . . .
Holding sounds
Consider what happens when someone calls out their phone
number to you. As you look for a pen and paper or your own
phone, you’re probably repeating the digits to yourself, either
under your breath or in your imagination, keeping the fast-
decaying information in your head for long enough to record
it somewhere else. You’re making use of your phonological loop.
Holding images
When you see a diagram or watch something moving you retain
it as a picture in your head – for a while. This is your visuo-
spatial sketchpad in action, and it also plays a role in planning
movements. As someone gives you directions (‘over the bridge,
right at the traffic light, past the pub. . .’) you’re likely to create a
mental picture and focus on it intently, trying to keep this imagi-
nary map in front of your mind’s eye.
Holding sequences
Your brain can integrate different sorts of information to form
memorable sequences and structures, as words form into sen-
tences, for example, or sights and sounds make up movie scenes.
There’s a limit, after which the sequence itself isn’t enough, but
up to that point you can remember ‘the story so far’ thanks to
the natural power of the brain’s episodic buffer.
brilliant exercise
Throughout the history of memory testing, word lists have been used to
investigate individuals’ particular abilities, as well as to highlight common
experiences and effects. To make the most of the following powerful
experiment, try your best to switch off any active memory strategies and then
ask someone to read the word list to you out loud. Just listen to the words
and see which ones your brain retains without any conscious effort from you.
box coat oven key shark pan Elvis Presley car hole whale
laugh pencil sharpener modern octopus hat trophy grey
murder rose pin starfish book firework toast seahorse barrel
fast apple
It’s also easier to hold on to words from the end of the list. There
may be ‘interference’ from the information that’s come before,
but there are no new words to overload your memory and not
long to wait before you get the chance to answer. Your spirits
tend to pick up towards the end of a learning session, adding to
the power of the recency effect.
Surprise!
Information sticks more easily when it stands out in some way.
It’s another simple but incredibly powerful point. In this list,
you were much more likely to remember the words Elvis and
Presley: the only person – and a pretty outstanding one at that
– amongst many mundane ideas. The next time you compose a
shopping list, pick the two most important items, write them in
larger letters using a different colour and style, and see if they’re
easier to remember. The Von Restorff effect says they will be. You
could even add a completely inappropriate word somewhere in
the list – astronaut, banshee, Constantinople – and see how quickly
it comes to mind later on.
Joined-up thinking
Connections are also incredibly powerful. In the list you saw,
pencil and sharpener were clearly linked, as were all the sealife
words: shark, whale, octopus, starfish, seahorse. Spotting patterns
triggers memory and allows your brain to cluster the individual
bits together, and ‘chunking’ is a well-known memory tactic:
grouping information into more manageable bundles. So 12, 24,
10, 16 isn’t really any harder to hold in the mind than 2, 4, 0, 6,
and shoe, cake, banana, tree, elephant is as easy at s, c, b, t, e. Your
brain does it naturally all the time, but you can also start to do
it consciously: learning guest-list names in pairs, for example,
or organising your Christmas buying list into ‘themed’ groups
of gifts.
Think about the other words you remembered. Some will prob-
ably be easy to picture, like trophy or firework. Others will evoke
senses – toast – inspire an emotional reaction – murder – or
simply catch your attention in some other way, perhaps con-
necting to something you’re doing today or prompting you to
notice an item nearby.
Eminently forgettable
And the words you’re least likely to remember? They’re the ones
in the middle of the list, with nothing to make them stand out,
no connections with other words, hard to picture, uninspiring,
abstract . . . And how well that describes so much of the informa-
tion you struggle to remember in real life! No wonder so many
things never get any further than your short-term memory.
Get organised
Far too often we struggle to remember information in its most
forgettable form. A computer can either cope with a particular
format or it can’t, and tells you so; but most of the time we
just push on and try to make material stick, however badly it’s
presented. Our brain does its best to break the task into manage-
able chunks and to find useable patterns – but having a brilliant
memory involves a much more conscious approach. Like the
ancient masters of the art of memory, you find a new design for
your data: one that matches the way your brain works best.
Matchmaking
Even simple attempts at organisation can make a big difference.
Suddenly the puzzle has fewer pieces, and it can even start to
feel like it’s solving itself, giving clues about what goes where.
You can see this in action by re-reading the word list as a set
of fifteen pairs rather than thirty individual ideas. Spend a few
moments now looking through the information – basically, the
same list – in this new form, thinking about each pair as a single
item. Even without much effort you’ll find that your brain is
picturing the two words combined in some way or spotting
something that links them.
box, coat oven, key shark, pan Elvis, Presley car, hole
whale, laugh pencil, sharpener modern, octopus
hat, trophy grey, murder rose, pin starfish, book
firework, toast seahorse, barrel fast, apple
True, you’ve now looked through the list a second time – but in
real life, re-reading information doesn’t always make much of a
difference. This time, see whether it’s had any impact on your
learning. How many of the thirty words can you remember now?
And to get a feel for the ‘glue’ your brain can use to hold the
pieces together, see if you can remember what came after each
of the words below.
Storytelling
When you give it a chance, your brain loves to tell stories, finding
some sort of logic to structure separate pieces of information.
There’s a natural instinct to ‘put two and two together’ – and,
in memory terms, when it does make five, that’s even better!
Unusual outcomes are the ones that stick in the mind, as long as
there’s some degree of method in the madness.
. . . a huge box packed with expensive fur coats. In the pocket of one
of the coats you find an oven key, and when you use it to unlock
a secret compartment in your oven you discover something unusual
inside: a shark pan, full of great white sharks. One of the sharks is
chasing Elvis Presley, but he manages to crawl through a car hole
and escape, dodging all the cars that are also coming in and out
through the hole. Just when Elvis thinks he’s free, he hears the deep,
booming sound of a whale laugh, so he hides behind a giant pencil
sharpener – where he meets a very modern octopus who’s also in
hiding. In each one of the octopus’ eight tentacles is a hat trophy, its
prizes for winning a hat-making competition. Elvis looks carefully
at one of the hat-shaped trophies and sees a strange image on it: a
Remembering . . .
Put it to the test. Start by looking into the huge box, see what
you find – and where the story takes you. How many of the thirty
words do you know now, and how well can you remember the
order?
See what happens when you try to recall the list backwards. The
apple was fast in the barrel full of seahorses, catching toast from
. . . what? Can you make it all the way back to the start of the
story?
●● Which of these words was not on the original list: hat, oven,
candle, modern?
●● How many of the words ended in a vowel?
Remembering like this may seem silly to start with, but it works,
allowing you to perform precise, controlled feats of recall.
Suddenly, instead of just being thankful for whatever your brain
happens to hold on to, you’re taking active control – and reaping
the rewards. You strengthen your concentration, kick-start your
creativity, and develop a range of key thinking skills that will
serve you well in many different tasks. And, above all, you get a
glimpse of what it might feel like to be able to remember any-
thing. If you can learn a list of thirty random words, backwards,
forwards and inside out, what else might you be able to do?
And yet . . . some memories are there for the long haul. Some
information goes through the whole memory process, starting as
sensory inputs, being held in working memory and short-term
storage, then getting filed in a much more long-lasting way, with
no further need for repetition and rehearsal. Enough has been
done to it to achieve something close to permanence.
brilliant recap
●● Training your core thinking skills is a vital part of boosting your
memory.
●● Memory is a complex set of systems involving many parts of
the brain.
●● There are clear patterns to remembering and forgetting in
practice.
●● Short-term memory is very short, but the crucial first step to
learning anything.
●● Memory techniques make the most of the way your brain
works best.