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Tips On Teaching Music To Adults - For The Trainer

This document discusses different learning strategies and principles for teaching adults music. It emphasizes using multiple senses like sight, hearing, and touch. It also discusses the importance of short and long-term memory as well as declarative and procedural knowledge when learning music. Additional factors that influence learning like ability, prior knowledge, motivation, readiness, and experience are examined. The document also provides examples of cognitive strategies like clustering, memory aids, repetition, and making comparisons that can help with information retention when learning music.

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0% found this document useful (0 votes)
306 views5 pages

Tips On Teaching Music To Adults - For The Trainer

This document discusses different learning strategies and principles for teaching adults music. It emphasizes using multiple senses like sight, hearing, and touch. It also discusses the importance of short and long-term memory as well as declarative and procedural knowledge when learning music. Additional factors that influence learning like ability, prior knowledge, motivation, readiness, and experience are examined. The document also provides examples of cognitive strategies like clustering, memory aids, repetition, and making comparisons that can help with information retention when learning music.

Uploaded by

api-640456912
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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LEARNING IS CHANGE …..

USING OUR SENSES!


SHORT TERM
CHUNKING INFORMATION
TOGETHER
SIGHT – VISUAL INSTRUCTION BY
DEMONSTRATION OR MATERIAL

HEARING – MUSIC RECORDING EXAMPLES


Memory AND/OR INSTRUCTOR PLAYS INSTRUMENT

TOUCH – ABILITY TO TOUCH AND DISCOVER


HOW THE INSTRUMENTS FUNCTION

VS.

DECLARATIVE - ALLOWS US TO NAME, EXPLAIN AND TALK ABOUT MUSIC

LONG TERM
CHILDHOOD AND CLASSROOM
MEMORIES

PROCEDURAL - PROCEED TO PLAY THE CHOSEN INSTRUMENT

&

ABILITY / PRIOR KNOWLEDGE / MOTIVATION


ABILITY – THE CAPACITY WITH WHICH WE WERE BORN THAT ENABLES US TO ACQUIRE NEW SKILLS AND KNOWLEDGE
VARIES.

STRENGTHS VS. WEAKNESSES

 PARENTS ARE MUSICALLY INCLINED  NO FAMILY HISTORY OF MUSIC


 GROWING UP IN A HOME WITH MUSICAL INSTRUMENTS  NO MUSICAL INSTRUMENTS OR
OR MUSIC BEING PLAYED MUSIC PLAYED IN THE HOUSE
 BORN WITH PERFECT PITCH OR A BEAUTIFUL  TONE DEAF, AWFUL AT SINGING
SINGING VOICE  NO RHYTHM AT ALL
 DANCE/RHYTHM IN CLASSES OR
FAMILY EVENTS MOTIVATION – DESIRE TO ACHIEVE SOMETHING

PRIOR KNOWLEDGE – WHAT A PERSON


VALUE – THE INSTRUCTOR HAS AN IMMENSE AMOUNT OF MUSIC
ALREADY KNOWS ABOUT WHAT HE OR
KNOWLEDGE THEREFORE STUDENT WILL GET MORE VALUE OUT OF
SHE IS BEING TAUGHT
THE COURSE
MOOD – INSTRUCTOR NEEDS TO CREATE AN ATMOSPHERE THAT
 MUSICAL BACKGROUND IN THE FAMILY
MAKES THE STUDENTS WANT TO LEARN IN A POSITIVE ENVIRONMENT
 TOOK MUSIC LESSONS PRIVATELY
CONFIDENCE – INSTRUCTOR NEEDS TO GIVE THE STUDENTS ENOUGH
 TOOK MUSIC CLASS IN SCHOOL
ENERGY AND ENTHUSIASM SO THEY CAN ACCOMPLISH THEIR GOALS

WHAT’S IN WHAT IS MY
IT FOR ME? BACKGROUND?

READINESS EXPERIENCE
 FIND OUT THEIR MUSIC HISTORY, CULTURAL
*ALWAYS FOCUS TRAINING ON YOUR
LEARNER’S NEEDS SO….. 4 KEY BACKGROUND, STRENGTHS AND WEAKNESSES
 DEPENDING ON THEIR EXPERIENCE WITH MUSIC,
 FIND OUT1. WHAT THEY WANT TO ACHIEVE
Readiness
IN THE CLASS
ADULT USE APPROPRIATE VOCABULARY AND SLOWLY
INCORPORATE MORE MUSIC TERMINOLOGY
 WHAT ARE THEIR PRIORITIES AND LEARNING  DRAW OUT ANYTHING THAT CAN BE VISUAL AND
ATTITUDES FOR LEARNING MUSIC
 SHOW THEM ANYTHING IS POSSIBLE IF YOU PRINCIPLES GET THEM TO DRAW/COPY IT AS WELL
LISTEN, WANT TO LEARN, AND PARTICIPATE

I WANT TO BE LET ME
IN CHARGE!
TRY!
AUTONOMY ACTION
 ALWAYS STRESS PRACTICING
 CREATE AS MANY OPPORTUNITIES FOR CLASS
 ONCE LEARNERS ARE COMFORTABLE WITH THE
PARTICIPATION
BASICS, HAVE THEM APPLY THEIR LEARNING
 ASK FOR IDEAS, SUGGESTIONS AND/OR EXAMPLES OF
IMMEDIATELY EX. PLAY A SONG THEY HAVE ALWAYS
WHAT THEY WANT TO LEARN AND/OR PAST
WANTED TO LEARN
SITUATIONS
 ONCE THEY HAVE UNDERSTOOD THE THEORY ASPECT,
 REINFORCE INDEPENDENT AND INNOVATIVE IDEAS
HAVE THEM APPLY IT EX. WRITE THEIR OWN SONG
PLANNING
 DOES THE LEARNER WANT TO ACHIEVE THEIR EXPECTATIONS? IF YES…

 WILL THE LEARNER PRACTICE DAILY?


 WILL THE LEARNER ASK QUESTIONS IF THEY DO NOT UNDERSTAND?
 DOES THE LEARNER HAVE AN INSTRUMENT AT HOME OR WILLING TO RENT OR BUY ONE?

 DOES THE LEARNER HAVE A DESIGNATED ROOM AT HOME FOR LEARNING AND PRACTICING
AWAY FROM ANY DISTRACTION?
 IS THE LEARNER WILLING TO CREATE A PRACTICE SCHEDULE IN ADDITION TO THE CLASSES?

SELECTING
 EXPLAIN WHAT THE INSTRUCTOR’S EXPECTATIONS ARE OF THE LEARNERS.

 WILL THE LEARNERS KEEP FOCUSED IN CLASS AND OUT OF CLASS WHILE PRACTICING?

 WHAT ARE OUR GOALS (AS A GROUP AND INDIVIDUALLY) AND WILL WE ACCOMPLISH THEM?

 PROVIDE THEORY KNOWLEDGE WITH DRAWINGS/EXPLANATIONS THAT ARE APPROPRIATE TO


WHAT THE INDIVIDUALS ARE LEARNING.
 CREATE TESTS AND OPPORTUNITIES THAT CONCENTRATE ON WHAT HAS BEEN TAUGHT WEEKLY.
CONNECTING
 HAVE LEARNERS REMEMBER ANY MUSICAL HISTORY FROM THEIR PAST AND LINK WITH THE
CURRENT LESSONS.
 USE ANY FAMILIAR EXAMPLES (IE. CURRENT MOVIES, MUSIC ON THE RADIO) THAT CAN HELP
LEARN A NEW CONCEPT BETWEEN THE KNOWN AND THE UNKNOWN.

TUNING
 PROVIDE AS MUCH PRACTICE/REPETITION AS POSSIBLE SO THE LEARNER CAN APPLY
IMMEDIATELY.
 CREATE SIMPLE (AND KNOWN) EXAMPLES THEN GRADUALLY INCREASE THE DIFFICULTY.

 CREATE A VARIETY OF WAYS TO PRACTICE AND LEARN MUSIC (IE. GAMES, MUSIC LISTENING AND
PLAYING).
 CREATE EVALUATIONS AFTER CERTAIN KEY LEARNING POINTS TO MAKE SURE THE LEARNER
COMPREHENDS THE CONTENT.
MONITORING
 HAVE THE LEARNERS PLAY ALONG TO BACKGROUND MUSIC SO THEY EXPERIENCE PLAYING IN
AN ENSEMBLE.
 HAVE THE LEARNERS PERFORM WEEKLY LESSON SONGS IN FRONT OF OTHERS SO THEY HAVE A
CHANCE TO BE EVALUATED BY THEIR PEERS.
 RECORD LEARNERS PLAYING TO PROVIDE INSTRUCTOR FEEDBACK AND PERSONAL FEEDBACK.

 ASK LEARNERS WHERE THEY ARE HAVING DIFFICULTIES.


CLUSTERING – DIFFERENT WAYS TO RETAIN
INFORMATION. ANY FORM OF LOGICAL GROUPING
FACILITATING PERCEPTION, COMPREHENSION,
1 SPATIAL - LAYING OUT
INFORMATION TO BE
STORAGE AND RETRIEVAL. LEARNED IN SOME KIND OF
VISUAL MANNER

CIRCLE OF 5ths &


CIRCLE OF 4ths

6 ADVANCE
LOOKING AHEAD TO

MEMORY AIDS
6 COGNITIVE FUTURE
INFORMATION. LINKS
TOOLS OF RETENTION
EASY WAY TO STRATEGIES PRIOR KNOWLEDGE TO
NEW MATERIAL AND
REMEMBER LETTERS, MAKES COMPARISONS
WORDS, IMAGES MENTAL METHODS WE AND LOGICAL
THAT HELP LEARNERS LINKAGES.
USE TO STUDY AND
STORE AND RETRIEVE
LEARN WITH  BASIC NOTATION
MORE COMPLEX
LEARNING LEADS TO
MATERIAL
PLAYING AND/OR
CREATING SONGS.
 ACRONYMS,

3
ACROSTICS/RHYMES/
KEY WORDS/FLASH
CARDS/MEMORY
GAMES

IMAGE-RICH COMPARISON

5 4
ANALOGIES, METAPHORS AND COMPARISONS
CONNECTION BETWEEN WHAT LEARNERS
ALREADY KNOW (THE FAMILIAR) AND WHAT IS
TO BE LEARNT

REPETITION – PRACTICE….PRACTICE…..PRACTICE!
References:
Stolovitch, H. D., Keeps, E. J., & Rosenberg, M. J. (2020). Telling Ain’t Training. Alexandria, VA: ASTD Press.

https://www.pinterest.ca/pin/524810162797301126/

https://takelessons.com/blog/reading-piano-notes

https://en.wikibooks.org/wiki/Piano/Reading_Music

https://www.teacherspayteachers.com/Product/Music-Symbols-BINGO-4393289

https://www.cartoonstock.com/directory/p/piano_player.asp

https://www.shutterstock.com/search/stick+man+creative

https://www.musicnotes.com/now/tips/circle-of-fifths-guide/

https://www.dreamstime.com/eyeball-cartoon-mascot-character-magnifying-glass-eyeball-cartoon-mascot-character-
magnifying-glass-illustration-image120113530#_

https://plannersweb.com/1996/10/bending-your-ear/ear-big-listening/

https://www.redbubble.com/i/poster/Music-Dynamics-Chart-Music-Theory-Aid-Read-Music-by-
JackCurtis1991/48336780.LVTDI

https://www.teacherspayteachers.com/Product/Music-flashcards-846499

https://www.twinkl.ca/resource/t2-mu-007-musical-notation-cards

https://www.pngitem.com/middle/bJbhJb_ankreuzen-clipart-symbol-symbol-check-in-a-box/

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