Jelyn Q.

Madia

Art history in the Philippines?

Artistic paintings were introduced to Filipinos within the 16th century when the Spaniards
arrived within the Philippines. During this point, the Spaniards used paintings as visual aid for his or her
religious propaganda to spread Catholicism throughout the Philippines. PAINTING, The Spanish friars
introduced Western painting within the Philippines to artisans who learned to repeat on two-
dimensional form from the religious icons that the friars brought from Spain. For the primary centuries
of Spanish colonization, painting was limited to spiritual icons. The traditional arts within the Philippines
encompass folk architecture, maritime transport, weaving, carving, folk humanities, folk (oral) literature,
folk graphic and plastic arts, ornament, textile, or fiber art, pottery, and other artistic expressions of
traditional culture. Art within the Philippines the event of Philippine Art comes in three major traditions:
-Ethnic Tradition -Spanish Colonial Tradition -American Colonial and Contemporary Traditions Ethnic
Tradition before Colonization, the Philippines already has its indigenous art. While drawing on Western
forms, however, the works of Filipino painters, writers, and musicians are imbued with distinctly
Philippine themes. By expressing the cultural richness of the archipelago altogether its diversity, Filipino
artists have helped to shape a way of national identity.

Asian Art history including Israel and two other Asian counties of your choices

The history of Asian art includes a huge range of arts from various cultures, regions and religions
across the continent of Asia. The major regions of Asia include Central, East, South, Southeast, and West
Asia.

Japanese art and architecture is works of art produced in Japan from the beginnings of human
habitation there, sometime within the 10th millennium BC, to this . Japanese art covers an honest range
of art styles and media, including ancient pottery, sculpture in wood and bronze, ink painting on silk and
paper, and a myriad of other sorts of works of art; from past until the contemporary 21st century.

The kind rose to great popularity within the metropolitan culture of Edo (Tokyo) during the last
half of the 17th century, originating with the single-color works of Hishikawa Moronobu in the 1670s. At
first, only India ink was used, then some prints were manually colored with a brush, but within the 18th
century Suzuki Harunobu developed the technique of polychrome printing to produce nishiki-e.

Japanese painting (絵画, Kaiga) is one of the oldest and most highly refined of the japanese arts,
encompassing an honest kind of genre and styles . As with the history of Japanese arts generally , the
history of Japanese painting could also be an extended history of synthesis and competition between
native Japanese aesthetics and adaptation of imported ideas.

The origins of painting in Japan date well back to Japan's prehistoric period. Simple stick figures
and geometric designs are often found on Jōmon period pottery and Yayoi period (300 BC – 300 AD)
dōtaku bronze bells. Mural paintings with both geometric and figurative designs are found in numerous
tumulus from the Kofun period (300–700 AD).

Ancient Japanese sculpture was mostly derived from the idolatry in Buddhism or animistic rites
of Shinto deity. In particular, sculpture among all the humanities came to be most firmly centered
around Buddhism. Materials traditionally used were metal—especially bronze—and, more commonly,
wood, often lacquered, gilded, or brightly painted. By the top of the Tokugawa period, such traditional
sculpture – apart from miniaturized works – had largely disappeared due to the loss of patronage by
Buddhist temples and the nobility.

Ukiyo, meaning "floating world", refers to the impetuous young culture that bloomed within the
urban centers of Edo (modern-day Tokyo), Osaka, and Kyoto that were a world unto themselves. It is an
ironic allusion to the homophone term "Sorrowful World" (憂き世), the earthly plane of death and
rebirth from which Buddhists sought release.

Buddhist art originated within the Indian subcontinent within the centuries following the
lifetime of the historical Buddha within the 6th to 5th century BCE, before evolving through its contact
with other cultures and its diffusion through the remainder of Asia and therefore the world. Buddhist art
traveled with believers because the dharma spread, adapted, and evolved in each new host country. It
developed to the north through Central Asia and into East Asia to make the Northern branch of Buddhist
art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India,
Buddhist art flourished and even influenced the event of Hindu art, until Buddhism nearly disappeared
in India round the 10th century CE due partially to the vigorous expansion of Islam alongside Hinduism.

A common visual device in Buddhist art is that the mandala. From a viewer's perspective, it
represents schematically the right universe. In various spiritual traditions, mandalas could even be
employed for focusing the attention of aspirants and adepts, a spiritual teaching tool, for establishing a
sacred space and as an aid to meditation and trance induction. Its symbolic nature can help one "to
access progressively deeper levels of the unconscious, ultimately assisting the meditator to experience a
mystical sense of oneness with the last word unity from which the cosmos altogether its manifold forms
arises. The psychoanalyst Jung saw the mandala as "a representation of the centre of the unconscious
self, and believed his paintings of mandalas enabled him to identify emotional disorders and work
towards wholeness in personality.

Western Art history including any three countries as examples

The history of Western painting represents endless, though disrupted, tradition from antiquity
until this time. Until the mid-19th century it had been primarily concerned with representational and
Classical modes of production, after which era more modern, abstract and conceptual forms gained
favor.

Roman art; a definition that has resulted during a separation of artworks produced within the
Roman period into "Greek" and "Roman" categories. The study of the "Greek" category as an area of the
study of Roman otium or private life has actually perpetuated a division of cloth along the same old
lines. The chapter argues that these separate categories created within Roman art can't be sustained.
On closer scrutiny they quickly collapse into each other , and that they must be accepted as parts of an
equivalent visual culture. The author argues that the massive numbers of Attic originals should even be
included within the definition of Roman visual culture. The chapter explains how Roman visual culture
actually works. For the Romans, all the visual arts of the Greek tradition, from archaic to late Hellenistic,
were simultaneously present. The Romans originated in central Italy, influenced by other local Italian
cultures, notably those of Etruria, but from the 5th century they came into contact with the Greeks and
from then onwards, the Roman Republic absorbed many aspects of first Classical then Hellenistic art.
Roman art could also be a really broad topic, spanning almost 1,000 years and three continents, from
Europe into Africa and Asia. The first Roman art are often dated back to 509 B.C.E., with the legendary
founding of the Roman Republic , and lasted until 330 C.E. (or much longer, if you include Byzantine art).
There are four main sorts of Roman mural that are found: Incrustation, architectural, ornamental, and
complex . Each style is exclusive , but each style following the primary , contains aspects of every style
previous thereto . Any original paintings were created before the eruption of Vesuvius.

European art is arranged into variety of stylistic periods, which, historically, overlap one another
as different styles flourished in several areas. Broadly the periods are, Classical, Byzantine, Medieval,
Gothic, Renaissance, Baroque, Rococo, Neoclassical, Modern, Postmodern and New European Painting.
European humanistic discipline began with early mobile anthropomorphic carvings within the Paleolithic
era, also as cave paintings reflecting the wildlife . Europe took a particular turn from other regions with
the rise of the Greek empire, and Greek classical art and architecture influenced later European art for
many years. Influenced European art , before the 1800s, the Christian church was a significant influence
upon European art, the commissions of the Church, architectural, painterly and sculptural, providing the
most source of work for artists. The history of the Church was considerably reflected within the history
of art, during this era . Modern art may be a general term, used for many of the art from the late 19th
century until approximately the 1970s. (Recent art production is more often called Contemporary art or
Postmodern art). Modern art refers to the then new approach to art where it had been not important to
represent a topic realistically — the invention of photography had made this function of art obsolete.
Instead, artists started experimenting with new ways of seeing, with fresh ideas about the character ,
materials and functions of art, often moving further toward abstraction.

Modern art began as a Western movement, particularly in painting and printmaking, then
expanding to other visual arts, including sculpture and architecture within the mid-19th century. By the
late 19th century, several movements which were to be influential in modern art had begun to emerge:
Impressionism, centered around Paris, and Expressionism, which first emerged in Germany.

The influences were varied: from exposure to Eastern decorative arts, particularly Japanese
printmaking, to the colouristic innovations of Turner and Delacroix, to an enquiry for more depiction of
common life, as found within the work of painters like Millet. At the time, the widely held belief about
art is that it should be accurate in its depiction of objects, but that it should be aimed toward expressing
the ideal, or the domestic. Thus the foremost successful painters of the day worked either through
commissions, or through large public exhibitions of their own work. There were official government
sponsored painters' unions, and governments regularly held public exhibitions of latest fine and
ornamental arts.

Canadian art refers to the visual (including painting, photography, and printmaking) also as
plastic arts (such as sculpture) originating from the geographic area of up to date Canada. By the 1960s,
contemporary European and American trends—such as Pop Art and conceptual art—dominated
Canadian painting. Still, landscape remained the favourite theme of the various painters, whether during
a standard or an avant-garde style. Sculpture in Canada was for several years much less avidly pursued
than painting. Canadian identity refers to the unique culture, characteristics and condition of being
Canadian, also because the many symbols and expressions that set Canada and Canadians aside from
other peoples and cultures of the world. The main culture of Canada , In its broadest sense, Canadian
culture is a mixture of British, French, and American influences, all of which blend and sometimes
compete in every aspect of cultural life, from filmmaking and writing to cooking and playing sports.