The Bamboo Ensemble rubbing, plucking, or blowing the substance of the These instruments have no definite pitch.

f the These instruments have no definite pitch. Its sound is C. Idiophone

Bamboo (of the grass family) is known for its tall hollow instruments itself. produced by striking or These instruments have no definite pitch. Its sound is
stems and considered The Bamboo Ensemble rubbing, plucking, or blowing the substance of the produced by striking or
one of the fastest growing plants around the world. It has Bamboo (of the grass family) is known for its tall hollow instruments itself. rubbing, plucking, or blowing the substance of the
been used for everyday stems and considered The Bamboo Ensemble instruments itself.
objects like dishes, chopsticks, furniture, flooring, decorative one of the fastest growing plants around the world. It has Bamboo (of the grass family) is known for its tall hollow The Bamboo Ensemble
paneling, and musical been used for everyday stems and considered Bamboo (of the grass family) is known for its tall hollow
instruments for over 4000 years. They are notable for their objects like dishes, chopsticks, furniture, flooring, decorative one of the fastest growing plants around the world. It has stems and considered
economic and cultural paneling, and musical been used for everyday one of the fastest growing plants around the world. It has
significance around Asia as raw products or materials for instruments for over 4000 years. They are notable for their objects like dishes, chopsticks, furniture, flooring, decorative been used for everyday
building, food source, economic and cultural paneling, and musical objects like dishes, chopsticks, furniture, flooring, decorative
accessories, paper and utensils/tableware. significance around Asia as raw products or materials for instruments for over 4000 years. They are notable for their paneling, and musical
building, food source, economic and cultural instruments for over 4000 years. They are notable for their
A. Aerophones accessories, paper and utensils/tableware. significance around Asia as raw products or materials for economic and cultural
These musical instruments produce sound primarily by the building, food source, significance around Asia as raw products or materials for
vibration of A. Aerophones accessories, paper and utensils/tableware. building, food source,
the air within. These musical instruments produce sound primarily by the accessories, paper and utensils/tableware.
vibration of A. Aerophones
This includes the following: the air within. These musical instruments produce sound primarily by the A. Aerophones
1. Suling vibration of These musical instruments produce sound primarily by the
It is a generic term for flute in most Indonesian language and This includes the following: the air within. vibration of
applied to the ring flute by the Muslim Jamamapun, 1. Suling the air within.
Maguindanao, Sama, It is a generic term for flute in most Indonesian language and This includes the following:
Tausug and Yakan. The Maguindanaon suling is the most applied to the ring flute by the Muslim Jamamapun, 1. Suling This includes the following:
common aerophone instrument and the smallest among the Maguindanao, Sama, It is a generic term for flute in most Indonesian language and 1. Suling
bamboo Tausug and Yakan. The Maguindanaon suling is the most applied to the ring flute by the Muslim Jamamapun, It is a generic term for flute in most Indonesian language and
flutes. common aerophone instrument and the smallest among the Maguindanao, Sama, applied to the ring flute by the Muslim Jamamapun,
bamboo Tausug and Yakan. The Maguindanaon suling is the most Maguindanao, Sama,
2. Palendag flutes. common aerophone instrument and the smallest among the Tausug and Yakan. The Maguindanaon suling is the most
(also called Pulalu among the Manobos and Mansaka, bamboo common aerophone instrument and the smallest among the
Palandag among Bagobo, Pulal among Bukidnon, and 2. Palendag flutes. bamboo
Lumundeg among Banuwaen). It is a lip valley flute regarded (also called Pulalu among the Manobos and Mansaka, flutes.
as the toughest bamboo flute to play as the player must Palandag among Bagobo, Pulal among Bukidnon, and 2. Palendag
shape his or her lips against its tips to make a sound. To the Lumundeg among Banuwaen). It is a lip valley flute regarded (also called Pulalu among the Manobos and Mansaka, 2. Palendag
Maguindanaon and other vernacular, Palendag literally as the toughest bamboo flute to play as the player must Palandag among Bagobo, Pulal among Bukidnon, and (also called Pulalu among the Manobos and Mansaka,
means mourning, groaning and crying for grief. In Islam, this shape his or her lips against its tips to make a sound. To the Lumundeg among Banuwaen). It is a lip valley flute regarded Palandag among Bagobo, Pulal among Bukidnon, and
flute’s lamentation is a symbol of sorrowing Maguindanaon and other vernacular, Palendag literally as the toughest bamboo flute to play as the player must Lumundeg among Banuwaen). It is a lip valley flute regarded
soul being parted from the Divine Beloved. means mourning, groaning and crying for grief. In Islam, this shape his or her lips against its tips to make a sound. To the as the toughest bamboo flute to play as the player must
flute’s lamentation is a symbol of sorrowing Maguindanaon and other vernacular, Palendag literally shape his or her lips against its tips to make a sound. To the
3. Tumpong soul being parted from the Divine Beloved. means mourning, groaning and crying for grief. In Islam, this Maguindanaon and other vernacular, Palendag literally
(also called inci among the Maranao) is the most common flute’s lamentation is a symbol of sorrowing means mourning, groaning and crying for grief. In Islam, this
flute played by the Maguindanao. It makes sound through a 3. Tumpong soul being parted from the Divine Beloved. flute’s lamentation is a symbol of sorrowing
bamboo reed on top of the instrument and when the air (also called inci among the Maranao) is the most common soul being parted from the Divine Beloved.
stream produced is passed over an airhole atop of the flute played by the Maguindanao. It makes sound through a 3. Tumpong
instruments. bamboo reed on top of the instrument and when the air (also called inci among the Maranao) is the most common 3. Tumpong
4. Saunay stream produced is passed over an airhole atop of the flute played by the Maguindanao. It makes sound through a (also called inci among the Maranao) is the most common
It is a six-holed bamboo reed (thin strip materials made from instruments. bamboo reed on top of the instrument and when the air flute played by the Maguindanao. It makes sound through a
giant cane) flute capped by a sampung simud (mouth guard), 4. Saunay stream produced is passed over an airhole atop of the bamboo reed on top of the instrument and when the air
wherein the house of the resonating chamber is made of It is a six-holed bamboo reed (thin strip materials made from instruments. stream produced is passed over an airhole atop of the
palm leaves and the trumpet part is made of coconut leaf. giant cane) flute capped by a sampung simud (mouth guard), 4. Saunay instruments.
Saunay music (tiawag kasi) is among the repertoire for wherein the house of the resonating chamber is made of It is a six-holed bamboo reed (thin strip materials made from 4. Saunay
Tausug instrumental music. palm leaves and the trumpet part is made of coconut leaf. giant cane) flute capped by a sampung simud (mouth guard), It is a six-holed bamboo reed (thin strip materials made from
Saunay music (tiawag kasi) is among the repertoire for wherein the house of the resonating chamber is made of giant cane) flute capped by a sampung simud (mouth guard),
B. Chordophones Tausug instrumental music. palm leaves and the trumpet part is made of coconut leaf. wherein the house of the resonating chamber is made of
These are stringed instruments that produce sounds by Saunay music (tiawag kasi) is among the repertoire for palm leaves and the trumpet part is made of coconut leaf.
plucking, striking, or bowing the strings attached to them. B. Chordophones Tausug instrumental music. Saunay music (tiawag kasi) is among the repertoire for
These are stringed instruments that produce sounds by Tausug instrumental music.
1.Serongagandi plucking, striking, or bowing the strings attached to them. B. Chordophones
(Maranaw bamboo zither) These are stringed instruments that produce sounds by B. Chordophones
This is an embellished guitar-like 1.Serongagandi plucking, striking, or bowing the strings attached to them. These are stringed instruments that produce sounds by
instrument which is made of bamboo tube (Maranaw bamboo zither) plucking, striking, or bowing the strings attached to them.
closed by a node at both ends. This is an embellished guitar-like 1.Serongagandi
instrument which is made of bamboo tube (Maranaw bamboo zither) 1.Serongagandi
2. Togo or Tangkel closed by a node at both ends. This is an embellished guitar-like (Maranaw bamboo zither)
(Polychordal tube zither) instrument which is made of bamboo tube This is an embellished guitar-like
This instrument of Maguindanao is made from bamboo tube 2. Togo or Tangkel closed by a node at both ends. instrument which is made of bamboo tube
closed on both ends by nodes. It is approximately 50cm long (Polychordal tube zither) closed by a node at both ends.
with small opening for This instrument of Maguindanao is made from bamboo tube 2. Togo or Tangkel
more resonance. closed on both ends by nodes. It is approximately 50cm long (Polychordal tube zither) 2. Togo or Tangkel
with small opening for This instrument of Maguindanao is made from bamboo tube (Polychordal tube zither)
C. Idiophone more resonance. closed on both ends by nodes. It is approximately 50cm long This instrument of Maguindanao is made from bamboo tube
These instruments have no definite pitch. Its sound is with small opening for closed on both ends by nodes. It is approximately 50cm long
produced by striking or C. Idiophone more resonance. with small opening for
more resonance.
C. Idiophone 6. Islamic music is monophonic, consisting of a single line of 6. Islamic music is monophonic, consisting of a single line of (stressed and unstressed beats)
These instruments have no definite pitch. Its sound is melody with the melody with the 5. Islamic music is transmitted orally.
produced by striking or absence of harmony. It is played by a single instrument absence of harmony. It is played by a single instrument 6. Islamic music is monophonic, consisting of a single line of
rubbing, plucking, or blowing the substance of the player without player without melody with the
instruments itself. accompanying harmony or chords. accompanying harmony or chords. absence of harmony. It is played by a single instrument
player without
1. Kubing 1. Kubing accompanying harmony or chords.
The kubing (Jew’s harp/Jaw harp) is also known as The kubing (Jew’s harp/Jaw harp) is also known as
barambaw among the Tagalog, Kinaban among the barambaw among the Tagalog, Kinaban among the 1. Kubing
Mangyan, Kumbing among the Manobo and kollibaw among Mangyan, Kumbing among the Manobo and kollibaw among The kubing (Jew’s harp/Jaw harp) is also known as
the Negritos. the Negritos. barambaw among the Tagalog, Kinaban among the 1. Kubing
Mangyan, Kumbing among the Manobo and kollibaw among The kubing (Jew’s harp/Jaw harp) is also known as
2. Bamboo xylophone 2. Bamboo xylophone the Negritos. barambaw among the Tagalog, Kinaban among the
These instruments have its sources in the Malay These instruments have its sources in the Malay Mangyan, Kumbing among the Manobo and kollibaw among
Archipelago. They Archipelago. They 2. Bamboo xylophone the Negritos.
are found throughout Palawan and the Southern Philippines are found throughout Palawan and the Southern Philippines These instruments have its sources in the Malay
in Mindanao in Mindanao Archipelago. They 2. Bamboo xylophone
and the islands in the Sulu Sea. and the islands in the Sulu Sea. are found throughout Palawan and the Southern Philippines These instruments have its sources in the Malay
in Mindanao Archipelago. They
a. Gabbang (native xylophone of Sulu) a. Gabbang (native xylophone of Sulu) and the islands in the Sulu Sea. are found throughout Palawan and the Southern Philippines
It is considered as an important and the most popular It is considered as an important and the most popular in Mindanao
instrument in Sulu. It is used to accompany Tausug vocal instrument in Sulu. It is used to accompany Tausug vocal a. Gabbang (native xylophone of Sulu) and the islands in the Sulu Sea.
music (songs for entertainment) Sindil (sung verbal music (songs for entertainment) Sindil (sung verbal It is considered as an important and the most popular
competition), Liangkit (long solo pieces) and folk narrative competition), Liangkit (long solo pieces) and folk narrative instrument in Sulu. It is used to accompany Tausug vocal a. Gabbang (native xylophone of Sulu)
song parang sabil as kissa. song parang sabil as kissa. music (songs for entertainment) Sindil (sung verbal It is considered as an important and the most popular
competition), Liangkit (long solo pieces) and folk narrative instrument in Sulu. It is used to accompany Tausug vocal
b. Kulintang a Tamlang b. Kulintang a Tamlang song parang sabil as kissa. music (songs for entertainment) Sindil (sung verbal
It is a different kind of bamboo xylophone of the It is a different kind of bamboo xylophone of the competition), Liangkit (long solo pieces) and folk narrative
Maguindanaon that uses a thick variety of bamboo. It Maguindanaon that uses a thick variety of bamboo. It b. Kulintang a Tamlang song parang sabil as kissa.
produces a sound by hitting the ends of the blades. produces a sound by hitting the ends of the blades. It is a different kind of bamboo xylophone of the
Maguindanaon that uses a thick variety of bamboo. It b. Kulintang a Tamlang
3. Tagutok / Kagul 3. Tagutok / Kagul produces a sound by hitting the ends of the blades. It is a different kind of bamboo xylophone of the
(also called garakot in Maranao, tagutok in Yakans and (also called garakot in Maranao, tagutok in Yakans and Maguindanaon that uses a thick variety of bamboo. It
Bantula or taguntong in Bukidnon). This type of bamboo- Bantula or taguntong in Bukidnon). This type of bamboo- 3. Tagutok / Kagul produces a sound by hitting the ends of the blades.
scraper gong or slit drum of the Maguindanaon and Visayans scraper gong or slit drum of the Maguindanaon and Visayans (also called garakot in Maranao, tagutok in Yakans and
is played in the rice paddies to guard against/scare away is played in the rice paddies to guard against/scare away Bantula or taguntong in Bukidnon). This type of bamboo- 3. Tagutok / Kagul
voracious birds. voracious birds. scraper gong or slit drum of the Maguindanaon and Visayans (also called garakot in Maranao, tagutok in Yakans and
is played in the rice paddies to guard against/scare away Bantula or taguntong in Bukidnon). This type of bamboo-
voracious birds. scraper gong or slit drum of the Maguindanaon and Visayans
Nature and Elements of Islamic Music Nature and Elements of Islamic Music is played in the rice paddies to guard against/scare away
1. Islamic music for rituals (basically vocal) and music for 1. Islamic music for rituals (basically vocal) and music for voracious birds.
entertainment are entertainment are Nature and Elements of Islamic Music
important parts of their culture. They are owned tradition important parts of their culture. They are owned tradition 1. Islamic music for rituals (basically vocal) and music for
across the across the entertainment are Nature and Elements of Islamic Music
centuries, an indigenous musical practice that forms part of centuries, an indigenous musical practice that forms part of important parts of their culture. They are owned tradition 1. Islamic music for rituals (basically vocal) and music for
Malay tradition Malay tradition across the entertainment are
within Southeast Asia (Usopay Cadar1996). The use of within Southeast Asia (Usopay Cadar1996). The use of centuries, an indigenous musical practice that forms part of important parts of their culture. They are owned tradition
bamboo idiochord (across between idiophones and bamboo idiochord (across between idiophones and Malay tradition across the
chordophones; the strings of the instruments chordophones; the strings of the instruments within Southeast Asia (Usopay Cadar1996). The use of centuries, an indigenous musical practice that forms part of
are the same materials as its resonating body and are raised are the same materials as its resonating body and are raised bamboo idiochord (across between idiophones and Malay tradition
by inserting by inserting chordophones; the strings of the instruments within Southeast Asia (Usopay Cadar1996). The use of
sticks to serve as bridge), bamboo flutes and simple singing sticks to serve as bridge), bamboo flutes and simple singing are the same materials as its resonating body and are raised bamboo idiochord (across between idiophones and
within a limited within a limited by inserting chordophones; the strings of the instruments
range in tetra chordal scale (ascending series of four notes, range in tetra chordal scale (ascending series of four notes, sticks to serve as bridge), bamboo flutes and simple singing are the same materials as its resonating body and are raised
C,D,E,F and C,D,E,F and within a limited by inserting
G,A,B,C) indicate practices that are common and very old in G,A,B,C) indicate practices that are common and very old in range in tetra chordal scale (ascending series of four notes, sticks to serve as bridge), bamboo flutes and simple singing
Malaysia. Malaysia. C,D,E,F and within a limited
2. Islamic vocal music predominates over the instrumental 2. Islamic vocal music predominates over the instrumental G,A,B,C) indicate practices that are common and very old in range in tetra chordal scale (ascending series of four notes,
music. It displays an music. It displays an Malaysia. C,D,E,F and
individual soloistic art of singing and vocal techniques, and individual soloistic art of singing and vocal techniques, and 2. Islamic vocal music predominates over the instrumental G,A,B,C) indicate practices that are common and very old in
small ensemble small ensemble music. It displays an Malaysia.
where the soloist is usually predominating. where the soloist is usually predominating. individual soloistic art of singing and vocal techniques, and 2. Islamic vocal music predominates over the instrumental
3. Improvisation is highly encouraged and permitted. The 3. Improvisation is highly encouraged and permitted. The small ensemble music. It displays an
artist is given a artist is given a where the soloist is usually predominating. individual soloistic art of singing and vocal techniques, and
relatively high degree of artistic freedom; being free from relatively high degree of artistic freedom; being free from 3. Improvisation is highly encouraged and permitted. The small ensemble
following a following a artist is given a where the soloist is usually predominating.
preconceived plan, and allowing the music’s structure to preconceived plan, and allowing the music’s structure to relatively high degree of artistic freedom; being free from 3. Improvisation is highly encouraged and permitted. The
emerge genuinely emerge genuinely following a artist is given a
from its details forming a work. from its details forming a work. preconceived plan, and allowing the music’s structure to relatively high degree of artistic freedom; being free from
4. The rhythms are organized into rhythmic mode- (iqa’at/iqa) 4. The rhythms are organized into rhythmic mode- (iqa’at/iqa) emerge genuinely following a
patterns of beats patterns of beats from its details forming a work. preconceived plan, and allowing the music’s structure to
that repeat every measure, a cyclical patterns of strong and that repeat every measure, a cyclical patterns of strong and 4. The rhythms are organized into rhythmic mode- (iqa’at/iqa) emerge genuinely
weak beats weak beats patterns of beats from its details forming a work.
(stressed and unstressed beats) (stressed and unstressed beats) that repeat every measure, a cyclical patterns of strong and 4. The rhythms are organized into rhythmic mode- (iqa’at/iqa)
5. Islamic music is transmitted orally. 5. Islamic music is transmitted orally. weak beats patterns of beats
that repeat every measure, a cyclical patterns of strong and
weak beats
(stressed and unstressed beats)
5. Islamic music is transmitted orally.
6. Islamic music is monophonic, consisting of a single line of
melody with the
absence of harmony. It is played by a single instrument
player without
accompanying harmony or chords.