Opening scene – INT: BEDROOM – MORNING

BONNIE wakes up; Extra close up on BONNIE’s eyes while she’s still asleep + when she wakes (eyes
open). Zooms out to a mid-shot from her eyes to mid shot.

Audio: Diegetic Sound - sheets rustling, breathing

Shot Type: Extra Close Up to Mid shot

Scene 1 - INT: BEDROOM - MORNING

BONNIE waking up II; Bird’s eye view. Ticking is playing in the background, before she wakes up –
zooming stops when her eyes open. From this, there is silence until the end of the scene.

Audio: Diegetic Sound - sheets rustling, clock ticking

Shot Type: Zooming Bird's Eye View Shot

Scene 2 – INT: BEDROOM – MORNING

BONNIE gets up; Mid Shot, BONNIE getting up and sitting on the side of the bed, putting her robe on,
looking at her husband and walking out of the shot to the bathroom. Only the rustling of the bed can
be heard.

Audio: Diegetic Sound - Sheets rustling

Shot Type: Mid Shot

Scene 3 - INT: BATHROOM/HALLWAY - MORNING

BONNIE walks into bathroom; Mid shot of her walking into the bathroom from the inside outside.

Audio: Diegetic sound - Door Opening

Shot Type: Mid Shot

Scene 4 - INT: BATHROOM - MORNING

BONNIE is getting dressed; CU cut shots on her grabbing clothes, doing her buttons, tying her apron.

Audio: Diegetic sound - Clothes rustling

Shot Type: Close-up Shot

Scene 5 - INT: BEDROOM - MORNING

BONNIE quietly walks into bedroom; Mid-shot of the inside of the room, Bonnie walking in quietly.
Audio: Diegetic Sound - Footsteps
Shot Type: Mid-Shot

Scene 6 - INT: BEDROOM - MORNING

BONNIE is doing her hair and makeup on vanity; BONNIE putting on lipstick, blush, and doing her hair
– utilizing vanity mirror.

Audio: No Sound (No diegetic or non-diegetic sound)

Shot Type: Close up/Ultra Close up Shot

Scene 7 - INT: BEDROOM - MORNING

BONNIE is quietly leaving from the vanity to begin making breakfast; Mid Shot of her getting up from
the vanity and walking out the door. Panning shot, focus on BONNIE placing the brush down, and
walking out the door.

Audio: No sound (No diegetic or non-diegetic sound)

Shot Type: Mid shot, panning

Scene 8 - INT: KITCHEN - MORNING

BONNIE is walking through a set of open doors into the kitchen; Mid shot (still) of her walking
through the entryway and past the camera.

Audio: Diegetic sound (footsteps)

Shot type: Mid shot

Scene 9 - INT: BEDROOM - MORNING

DOUGLAS wakes up and gets ready (getting ready is not shown); medium shot (not including
DOUGLAS' face as he is faceless for the early parts of the film) of DOUGLAS rubbing his eyes, sighing
and getting out of bed (out of frame).

Audio: Diegetic sound (rustling, DOUGLAS' sigh)

Shot type: Medium shot

Scene 10 - INT: KITCHEN - MORNING

BONNIE is cooking breakfast; Close up shot which gets closer (NOT ULTRA CLOSE UP) of BONNIE
cooking breakfast, - pouring cooking oil, cracking egg - focus on pan.
Audio: Diegetic sound (sizzling, clicking of stove)
Shot type: Close up

Scene 11 - INT: KITCHEN - MORNING

BONNIE is cooking breakfast II; Close up on BONNIE opening packet of bacon.

Audio: Diegetic sound (plastic rustling)

Shot type: Close up

Scene 12 - INT: KITCHEN - MORNING

BONNIE is cooking breakfast III; Ultra close up on pan with egg cooking as bacon is placed.

Audio: Diegetic sound (bacon sizzling)

Shot type: Ultra Close Up

Scene 13 - INT: KITCHEN - MORNING

BONNIE is plating the breakfast; Close up on pan of BONNIE using a spatula to put the food on a
plate.

Audio: Diegetic sound (sizzling)

Shot type: Close up

Scene 14 - INT: STAIRCASE - MORNING

DOUGLAS is going downstairs; High angled shot of DOUGLAS going down the stairs to retrieve his
fedora and go to work.

Audio: Diegetic sound (footsteps)

Shot type: High angled shot

Scene 15 - INT: KITCHEN/DINING ROOM - MORNING

BONNIE is setting the table for breakfast; Medium shot with focus on dining table. BONNIE holds the
plates and takes them to the dining table. ENTER - DOUGLAS. BONNIE asks DOUGLAS to have
breakfast, she is ignored. BONNIE, downtrodden, leans against the table and looks to the floor.

BONNIE
Good morning Dear, Have some breakfast.
 DOUGLAS
...

Audio: Diegetic sound (footsteps and dialogue)

Shot type: Medium shot

Scene 16 - INT: KITCHEN/HALLWAY - MORNING

DOUGLAS is leaving for work; Mid shot of BONNIE looking upset while in the background DOUGLAS
walks down the hall to go to work, puts on his fedora. Reaction shot. BONNIE turns her head to look
at DOUGLAS as he leaves.

Audio: Diegetic Sound (Footsteps)

Shot type: Mid shot

Scene 17 - INT: DINING ROOM - MORNING

BONNIE sits down at the table to eat; Panning mid shot of food to BONNIE's face as she eats
breakfast alone.

Audio: Diegetic Sound (Cutlery clattering)

Shot Type: Panning Mid-Shot

Scene 18 - INT: LIVING ROOM - AFTERNOON TO EVENING

BONNIE flashes back while doing house chores; Panning cut shots of BONNIE being yelled at by
DOUGLAS (no diegetic sound), edited to 'disturb' BONNIE as she works.

Audio: Diegetic Sound + Non-diegetic silence

Shot type: Panning Zoom Out Mid-Shot with cut shots

Scene 19 - INT: HALLWAY - NIGHT

BONNIE goes to open the door after hearing a knock; Full-shot with the top of BONNIE's head
intentionally cut off, in order to keep DOUGLAS anonymous/faceless. BONNIE opens the front door
and is greeted by a slap.

Audio: Diegetic sound (slap, door opening, footsteps)

Shot type: Full Shot

Scene 20 - INT: HALLWAY - NIGHT

BONNIE is slapped by DOUGLAS; Medium Close up of BONNIE as DOUGLAS slaps her and walks into
the house.

Audio: Diegetic Sound (slap)

Shot Type: Medium Close up

Scene 21 - INT: LIVING ROOM - NIGHT

DOUGLAS sits down on the recliner; High angle shot of DOUGLAS sitting down and reaching for a
glass.

Audio: Diegetic Sound

Shot Type: High Angle Shot

Scene 22 - INT: HALLWAY TO KITCHEN - NIGHT

BONNIE walks from the hallway into the kitchen to cook dinner. Focus is on her feet, Medium shot.

Audio: Diegetic Sound

Shot Type: Medium Shot

Scene 23 - INT: LIVING ROOM - NIGHT

DOUGLAS demands for a drink; High angled shot of DOUGLAS slamming his empty glass into the
table just next to him and demands harshly for BONNIE to get him a drink.

DOUGLAS
BONNIE get me my drink!

BONNIE
...

Audio: Diegetic Sound

Shot Type: High angled shot

Scene 24 - INT: KITCHEN/LIVING ROOM - NIGHT

BONNIE begins cooking dinner; CU shots/Medium CU shots of BONNIE cooking steak, softening it,
placing it on the pan and plating it. While this is happening, cut shots of DOUGLAS' murder -
bludgeon to the head, dragging the body - will be put occasionally to insinuate BONNIE kills him.

Audio: Diegetic Sound

Shot Type: CU/Medium CU and High angled shot
Scene 25 - INT: DINING ROOM

BONNIE settles down to eat dinner; Panning out shot of BONNIE enjoying dinner with her now dead
husband. Cut shots of another panning out shot with BONNIE alone, not eating, will be placed to give
an 'inconclusive' type ending.

Audio: Diegetic Sound

Shot type: Panning out Mid shot

End.