All Creatures of Our God and King

"Canticle of Brother Sun", St. Francis of Assisi Melody from

Paraphrased by William Henry Draper Geistliche Kirchengesäng (Cologne, 1623)
arranged by John Rutter
Stately ( = )

  
    
All Voices

  
           
Verse 1

 
 All crea-tures of our God and King, Lift up your voice and with us sing, Al - le -

       
      
       
6

 
lu - ia! Al - le - lu - ia! Thou burn-ing sun with golden
- beam, Thou sil-ver moon with soft-er

  
              
  
11 cresc. cresc.

     
gleam! O praise Him! O praise Him! Al - le - lu - ia! Al - le - lu - ia! Al - le - lu -

            
      
Tenors and Basses

   
All Voices

17


Verses 2 & 5


 Thou
 And
rushing wind that art so strong, Ye clouds that sail in Heaven a - long, O
ia!
all ye men of ten-der heart, For - gi - ving o - thers, take your part, O

        
     
      
Tenors and Basses


  

22


praise Him! Al-le - lu - ia! Thou ris - ing moon, in praise re - joice, Ye lights of evening, find a
sing ye! Al-le - lu - ia! Ye who long pain and sor - row bear, Praise God and on Him cast your

University of Santo Tomas Liturgikon Vocal Ensemble

  All Voices  
           
    
27 cresc.

   
cresc.

  
voice!
O praise Him! O praise Him! Al - le - lu - ia! Al - le - lu - ia! Al - le - lu -
care!

    
Sopranos and Altos

           
     

33
Verse 3

 
ia!
 Thou flow-ing wa-ter, pureand clear, Make mu-sic for thy Lord to hear, Al - le -

   
     
 
      
Tenors and Basses


  

38

 
lu - ia! Al - le - lu - ia! Thou fire so mas-ter-ful and bright, That giv-est man both warmth and

        
 
43
           

light.
O praise Him! O praise Him! Al - le - lu - ia! Al - le - lu - ia! Al - le - lu

  
   
       

     
49
Verses 4 and 6

S 
 Dear
 And mo - ther earth, who day by
thou most kind and gen-tle
day
Death,
Un
Wait
-
-
fold-est bles - sings on our
ing to hush our lat - est

  
    
A
                
 Dear
 And mo - ther earth, who day by
thou most kind and gen-tle
day
Death,
Un
Wait
-
-
fold-est bles - sings on our
ing to hush our lat - est

          
T            
 Dear
ia!
 And mo - ther earth, who day by day Un - fold-est bles - sings on our

       
thou most kind and gen-tle Death, Wait - ing to hush our lat - est

            
B   
 Dear
ia!  And mo - ther earth, who day by
thou most kind and gen-tle
day
Death,
Un - fold-est
Wait - ing to
bles
hush
- sings on our
our lat - est
          
   
53

 
way, O praise Him! Al - le - lu - ia! The
breath, O praise Him! Al - le - lu - ia! Thou

  
                     
way, O praise Him! O praise Him! Al - le - lu - ia! The flow'rs and
breath, O praise Him! O praise Him! Al - le - lu - ia! Thou lea - dest

                   
    
way, O praise Him! O praise Him! Al - le - lu - ia! The flow'rs and

       
breath, O praise Him! O praise Him! Al - le - lu - ia! Thou lea - dest

  
       


way, O praiseHim! praise Him! Al - le - lu - ia! The flow'rs and
breath, O praiseHim! praise Him! Al - le - lu - ia! Thou lea - dest

    
           
56


flow'rs and fruits that in thee grow, Let them His glo - ry al - so
lea - dest home the child of God, And Christ our Lord the way hath

 
              
fruits that in thee grow, Let them His glo - ry al - so
home the child of God, And Christ our Lord the way hath

               
   
fruits that in thee grow, Let them His glo - ry al - so

    
home the child of God, And Christ our Lord the way hath

          
 
fruits that in thee grow, Let them His glo - - - ry al - so
home the child of God, And Christ our Lord the way hath
      
      
59

   
show. O praise Him! O praise Him! Al - le - lu - ia! Al - le -
trod.


          
          
show. O praise Him! O praise Him! O praise Him! Al - le - lu - ia! Al - le -
trod.

       
        
show. O praise Him! O praise Him! Al - le - lu - ia! Al - le -

  
trod.

         

 
 
show. O praise Him! O praise Him! Al - le - lu - ia! Al - le -
trod.

  
    
63

    
Verse 7

lu - ia! Al - le - lu - - - - - ia!

  
        
 
 
lu - ia! Al - le - lu - - - - - ia!
 Let

   
           
 
lu - ia! Al - le - lu - - - - - ia!
 Let

          
     
lu - ia! Al - le - lu - - - - - ia!
 Let
  
   Descant
               
  
66 cresc.
(Sopranos)

 Let all things their Cre - a - tor bless, And wor-ship Him O

  Melody (All Other Voices) 

   
cresc.

               
all things their Cre - a - tor bless, And wor-ship Him in hum-ble - ness, O

              
     
70

 
praise Him! Al - le - lu - ia! Al - le - lu - ia! Al - le - lu -

     
     
        
praise Him! Al - le - lu - ia! Praise, praise the Fa-ther, praise the Son, And



          
74


cresc.

ia! O praise Him! Al - le -

     
        
cresc.

   
praise the Spi - rit, Three in One! O praise Him! O praise Him! Al - le -

  
           
 
          
78
cresc.

 
lu - ia! Al - le - lu - ia!
  
Al - le - lu - ia!

   
          
cresc.

    
  Jose Mari Y. Javato
October 26, 2012
lu - ia! Al - le - lu - ia! Al - le - lu - - - - ia!
 Nearer, My God, to Thee
Sarah Flower Adams Lowell Mason

Gently 

        
       
1. Near - er, my God, to thee, near - er to thee!
2. Though like the wan - der - er, the sun gone down,
3. There let the way ap - pear, steps un - to heaven;
4. Then, with my wak - ingthoughts bright with thy praise,

        
5. Or if, on joy - ful wing cleav - ing the sky,

     
    


    
5

           
E'en though it be a cross that rais - eth me,
Dark - ness be o - ver me, my rest a stone;
All that thou send - est me, in mer - cy given;
Out of my sto - ny griefs Be - thel I'll raise;

       
Sun, moon, and stars for-got, up - ward I fly,

      
   

   
            
9

     
Still all my song shall be, near - er, my God, to thee;
Yet in my dreams I'd be near - er, my God, to thee;
An - gels to bec - kon me near - er, my God, to thee;
So by my woes to be near - er, my God, to thee;

        
     
Still all my song shall be, near - er, my God, to thee;

     
 

    
13

          
 

       
1-5. Near - er, my God, to thee, near - er to thee!

       
   
 Jose Mari Y. Javato
May 5, 2012
University of Santo Tomas Liturgikon Vocal Ensemble
 Pope's Mass
Kyrie Fr. Manuel Maramba, OSB

 
Em Am Bm G/B Bm Em

                   

(Males) Pa- ngi-no - on, ka-a - wa - an mo ka - mi, ka-a - wa - an mo ka - mi.


Em Am Bm G/B Bm Em

             
7

        
Fine

  
S


A

Pa - ngi - no - on, ka-a - wa - an mo ka - mi, ka - a - wa - an mo ka - mi.

      

      
      
      
       
Fine

 
T
B


       
Em D G C D G C B

        
13


(Males) Kris - to, ka-a - wa - an mo ka - mi, ka-a - wa - an mo ka - mi.

D.C. al Fine


         
Em D G C D G C B

         
19
S
A       
Kris - to, ka-a - wa - an mo ka - mi, ka-a - wa - an mo ka - mi.

                     
D.C. al Fine

T
B
   
University of Santo Tomas Liturgikon Vocal Ensemble
 Pope's Mass
Gloria Antiphon by Jean-Paul Lécot
Verses and Choral Arrangement by Fr. Manuel Maramba, OSB

 
Antiphon

D Bm A D G D G D/A A

          
  

   
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

      
Soprano     
    

 
Glo - ri - a Glo - ri - a in ex - cel - sis De - o


Alto                  


Glo - ri - a Glo - ri - a in ex - cel - sis De - o

               
Tenor   

     
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

            
Bass

Glo - ri - a Glo - ri - a in ex - cel - sis De - o

   
   
 
 
D Bm A/C F /A Bm G A 7/G D/F A7 D

   
5

   
Fine

  

     

Glo - ri - a Glo - ri - a in ex - cel - sis De - o

         
 
Fine
S  

  
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

     
           
Fine
A 

 
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

              
  
Fine
T  
         
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

        
Fine
B 
Glo - ri - a Glo - ri - a in ex - cel - sis De - o

University of Santo Tomas Liturgikon Vocal Ensemble

 
  
     
D G A D A D/F

    
9 1.

      
At sa lu - pa'y ka - pa - ya - pa - an sa ma - nga ta - ong

   
Em A7 D D G

     
15

      
ki - na - lu - lug - dan ni - ya. Pi - nu - pu - - - ri ka

 
   
D A Bm D

            
21


na - min. Di - na - ra - ngal ka na min. Si - na - sam -


  
Bm Em A A7 D
27

          
ba ka na - min. I - pi - nag - bu - bun -

   
Bm A D G Em A

         
33

  
yi ka na - min. Pi - na - sa - sa - la - ma - tan ka na -

D/F  D/F 
    
Bm G E m/G

    
39

  
min da - hil sa da - ki - la mong ang - king

  
A D Bm

    
45

    
ka - pu - ri - han. Pa - ngi - no - ong Diyos,

D/F 
         
G D G E

  
51

 
ha - ri ng la - ngit, Diyos A - mang ma - ka - pang - ya -

D/F 
   
A A7 D

 
57

     
ri - - - han sa la - hat.
 2.

   
D A D/F G A7 Bm

   
62

    
Pa - ngi - no - ong Diyos, He - su - kris - to,

D/F 
     
G A7 D Bm G G

 
    
70

   
bug - tong na a - nak. Pa - ngi - no - ong Diyos, Kor - de -

 
A Bm E m/G Em A7 D


79

            
ro ng Diyos, A - nak ng A - ma.

B B


     
Dm F Dm Am

           
88

    
(Lalaki) I - kaw na nag - a - a - lis ng ma - nga ka - sa - la - nan ng san - li - bu - tan,

B

Gm C F Am Dm

       
96

     

(Lahat) ma - a - wa ka, ma - a - wa ka sa a - - - - min.

B B
     
Dm F Dm Am

           
104

    
(Lalaki) I - kaw na nag - a - a - lis ng ma - nga ka - sa - la - nan ng san - li - bu - tan,

Gm C F B Am Dm

        
112

          
(Lahat) tang-ga - pin mo, tang-ga - pin mo ang a - ming ka - hi - li - ngan.

B B
     
Dm F Dm Am

           
120

    
(Lalaki) I - kaw na na - lu - luk - lok sa ka - - - nan ng A - ma,

B
    
Gm C F Am Dm

        
128

      
(Lahat) ma - a - wa ka, ma - a - wa ka sa a - - - min.
 Tempo I°

       
 
D Bm D A Bm

         
137 3.

  
Sa-pag - kat i -kaw la - mang ang ba - nal. I -kaw la - mang ang Pa - ngi - no -

F m D/F 
         
  
G A Bm E m/G Em

     
144

 
on. I -kaw la - mang, O He - su - kris - to ang ka - ta - as - ta - a -

  
A G Em A D/A A

  
152

           
san. Ka - sa - ma ng Es - pi - ri - tu San - - - to sa ka

D/F 
      
D A D A 7/C D G Em A

 
158

    
da - ki - la - an ng Diyos A - ma.

    
   
D G E A

     
166

S 


A - - - - men A - - - -

        
A    


A - - - - men A - - - - - men

       
T         

   
            
A - - - - men A - - - -

A - - - - men A - - - - - men

           
 
Bm E m/G D/A A D
174

S 

 
men A - - - men A - - - - - men.

   
A    

     
A - - - - - - - - - - - - men.

T  
      


 

     
men A - - - - - men A - men A - men.

      
B 
Jose Mari Y. Javato
A - men A - men A - - - - - - men. December 19, 2011
 I

kIusika: F. P Bontiveros S.T

(IMTPO - - - ) Pa - -pu-ri AaDiyos, pa - pu-ri sa Eyos, pe-

pu- ri s a Diyos s a ka- i - t a - a - san. At s a l u - p a l y ka-pa-p-pa-w,

a t sa l u - p a ' y ka-pa- ya-pa-m, sa m- ga t a - ong ki-na - l u - lug-dan

si-na- san-ba ka ne-pin, i- ri- nag- bu-bun-yi ka ca-pin.

I
Pi- ne-sa-sa- le - ra-i;arL ?.a ne. -- min de. - hi1 s a b-ki-la

mow ang-king ke- pu - ri' -- han .

Pe- ngi-no-org Myos, harri ng la-wit, Myos A- m e ~ g ma- ka- -

pang-ya-ri-han sa l a - het . Pa-ngi- no-ong He- s u - h i s - t o , bug-

t o r g na A - nakt Fa- ngi- no-ong Ciyos, Kor- de-ro ng Giyos, A-ca!s 9

s A-

Pa -- pu-ri sa Diycs, pa -. pu- r i s a Diyos, pa-

pu-ri s a E y o s s a ka- i - ta-a- s m .

 T- kaw na nag-a- a - l i s ng m- &a ka-sal- a- nan

.ng s a n - l i - bu- t a n , Ma- a- wa ka, ma - a- wa k- s a a - - - - min. Y~-

kaw na nag-a- a - lis .rg m- ga ka-sal- a-fien ng sm- i i - b u - tan,

a-cing ka- hi-li-nga?. I - kaw na n a - l u - l a - l o k sa ka-nax' rg A - rca, m-

a- wa ka, ma- a- wa Lra s2 ' 2 - - cin.

-
Pe - - pu-ri s a Mjros, ...

Sa- pag-kat I-kaw la-marig eng ba-nel, a t m g Ka-ta-as- ta - a-san, I-

kar ls-mar,&, 0" He-su-his - t o , ang Pa-ngi-no - on. Ka - s a - ~ sng Es-

pi-ri-tu San-to sa ka-da- k i - la-a,~?ng Giyos A- ma, A - men. Ilg

Giyos A- m, A - - nen. Pa - FU-ri s e Myos, pe- pu-ri s a Myos, pa-

pu-rf s a Diyos s a ka- i - ta - - - s=.

 Celtic Alleluia
Christopher Walker and Fintan O’Carroll

 
               
     

Descant Al - le - lu - ia! Al - le - lu - ia!

      
        
           
       
Soprano

 
Alto

   

Al - le - lu - ia! Al - le - lu - ia!

            
          
Tenor
Bass   

                   

5

    


Al - le - lu - ia! Al - le - lu - - ia!

   
      

            
          

     
     
    
Al - le - lu - ia! Al - le - lu - - ia!

        
     
   

 
     

 
 Jose Mari Y. Javato
December 30, 2011

University of Santo Tomas Liturgikon Vocal Ensemble

 Panalangin Sa Pagiging Bukas-Palad
Fr. Timoteo Jose Ofrasio, SJ Roch Jand Arboleda and Fr. Manuel Francisco, SJ

B  M7 A m7 G m7 C sus4 C7

             
 
 
  

B  M7 C/B 

F C /E A m7 Dm

    
5

                  
S
A


Pa - ngi - no - on, tu - ru - an mo a - kong ma-ging bu - kas pa - lad.

                     
          

T
B

B  M7 C/B  Am Dm B  M7

     
   
11

       
         
S
A

            
Tu - ru - an mo a - kong mag - ling - kod sa I - yo na mag-bi - gay ng

    
T
B
          


B  M7

A m7 A7 Dm A m7 G m7

      
16
S
A              

        
             
a - yon sa na - ra - ra - pat na wa-lang hi - ni - hin - tay mu - la sa

  
T
B  

C sus4 C7 B  M7 A m7 G m7 A m7

                    
22

   

   
Na ma - ki - ba - kang 'di i - na - a - lin - ta - na ma - nga hi -

S
A
       

      
'Yo. Ooh

T     
B

University of Santo Tomas Liturgikon Vocal Ensemble

 B  M7 A m7 G m7 A m7 B  M7

                  
27

  
rap na di - na - ra - nas. Sa t'wi - na'y mag - su - mi - kap na hin - di hu - ma - ha -

S
A            

       
Ooh Ooh

  
T
B 

A m7 G m7 A m7 B  M7

            
32

  
nap ng ka - pa - lit na ka - gin - ha - wa - an.

S
A          

    
   
(Ooh) Ooh

T
 
B

 
C sus4 C7 F M7 G m7 A m7 G m7

                 
36

       
S
A

                   
(Ooh) Na di nag - hi - hin - tay kun - di ang a - king ma - ba - tid na

   
T
B  

B  M7
 
F M7 G m7 C sus4 C7

           
41

      
D.S. al Coda


S
A

    
        
ang lo - ob mo'y siyang si - nu - sun - dan.

 
 
D.S. al Coda
T
B
si - nu - sun - dan.

B  M7

G m7 C sus4 C7 A m7 G m7 C sus4 C7 F M7

        
45

        
S
A


la sa 'Yo. Ooh

    


 


 



 
 
T
B
Jose Mari Y. Javato
March 27, 2012
 Pope's Mass
Sanctus Fr. Manuel Maramba, OSB

  
D G C A m/C G/D D G

             
 
Sanc - tus, Sanc - tus, Sanc - tus Do - mi - nus.

            
       
G C A m/C G/D D G

 
6

S  

 
Sanc - tus, Sanc - - - tus, Sanc - tus Do - - - mi - nus.

            
A
 

Sanc - tus, Sanc - tus, Sanc - tus Do - mi - nus.

T                       

 
Sanc - - - tus, Sanc - tus, Sanc - - - tus Do - mi - nus.

        
 
B

Sanc - tus, Sanc - tus, Sanc - tus Do - mi - nus.

Verse 1 (Melody in Sopranos)

 
G Em C D G Am D

      
11

S      


Ho - ly, ho - ly, ho - ly Lord God of pow'r and might. Ho -

           
 
A

 
Ho - ly, ho - ly, ho - ly Lord God of pow'r and might. Ho -

    
T        

    
Ho - ly, ho - ly, ho - ly Lord God of pow'r and might.

              
B
   
Ho - ly, ho - ly, ho - ly Lord God of pow'r and might. Ho -

University of Santo Tomas Liturgikon Vocal Ensemble

 Refrain (Melody in Altos)

        
G D G C Am D G

        
18

 
Fine
S


san - na, ho - san - - - na in the high - - - - est.

         
        
Fine
A

  
san - na, ho - san - - - na in the high - - - - est.

       
         
Fine
T

  
         
Ho - san - - - - - na in the high - - - - est.

     Fine
B

san - na, ho - san - - - na in the high - - - - est.

Verse 2 (Melody in Sopranos)

     
G Em Am G C/G D

    
22

  
to Refrain
S


Hea - ven and earth are filled with your glo - - - ry. Ho -

        
to Refrain
A
       

Hea - ven and earth are filled with your glo - - - ry. Ho -

              

to Refrain
T

  
Hea - ven and earth are filled with your glo - - - ry.

          
  
to Refrain
B

Hea - ven and earth are filled with your glo - - - ry. Ho -

Verse 3 (Melody in Altos)

           
 
G C G A m/C D G/D D

   
27

 
to Refrain
S


Bless - ed is he who comes in the name of the Lord. Ho

           
to Refrain
A
  

Bless - ed is he who comes in the name of the Lord. Ho

       
         
to Refrain
T

 
Bless - ed is he who comes in the name of the Lord.

  
            
to Refrain
B 
Bless - ed is he who comes in the name of the Lord. Ho
Jose Mari Y. Javato
January 7, 2012
 Santo
Fr. Manuel V. Francisco, SJ

Am D/F  G C/E F D/F  G

                   

C G/B F/A G/B C G/B Am D/F  G

  
10

             

S
A

San - to, san - to, san - to, Diyos ma - ka - pang - ya - ri - han.

T              
San - to, san - to, san - to, Diyos ma - ka - pang - ya - ri - han.

     
B         
San - to, san - to, san - to, Diyos ma - ka - pang - ya - ri - han.

F C/E Dm C

      
17
S
A         
Pus - pos ng l'wal - ha - ti ang la - ngit at lu - pa. O -

        
T        


Pus - pos ng l'wal - ha - ti ang la - ngit at lu - pa.

               
B

Pus - pos ng l'wal - ha - ti ang la - ngit at lu - pa. O -

Am D/F  G C /E F D /F  G

    
          
22
S
A      
sa - na, O - sa - na sa ka - i - - - ta - a - san!

T                    
O - sa - na, O - sa - na sa ka - i - ta - a - san!

           
B  
sa - na, O - sa - na sa ka - i - - - ta - a - san!

University of Santo Tomas Liturgikon Vocal Ensemble

 C G/B F/A G/B C

 
29

                
S
A

Pi - nag - pa - la ang na - ri - to sa nga - lan ng Pa - ngi - no - on. O -

T                   
Pi - nag - pa - la ang na - ri - to sa nga - lan ng Pa - ngi - no - on.

                 
B 
Pi - nag - pa - la ang na - ri - to sa nga - lan ng Pa - ngi - no - on. O -

Am D/F  G C /E F D /F  G

    
          
36
S
A      
sa - na, O - sa - na sa ka - i - - - ta - a - san!

T                    
O - sa - na, O - sa - na sa ka - i - ta - a - san!

           
B  
sa - na, O - sa - na sa ka - i - - - ta - a - san!

E Am D/F
 G C /E F

   
          
43
S
A      
O - sa - na, O - sa - na sa ka - i - - - -

T                   
O - sa - na, O - sa - na sa ka - i - taa -

          
B  
O - sa - na, O - sa - na sa ka - i - - - -

G G7 C

 
50
S
A   
ta - - - a - - - san!

T      
san! O - sa - - - na!

B
      Jose Mari Y. Javato
September 4, 2012

ta - - - a - - - san!
 Pope's Mass
Memorial Acclamation Fr. Manuel Maramba, OSB

A E
 
Cm Fm Cm

            
  
Soprano
Alto

Your death, O Lord, we com-me-mo - rate. A - men.

             
Tenor
Bass    

E

F Dm Cm Gm


             
7

        
S
A

Your glo - ry as the ri - sen Lord, now we ce - le - brate. A - men.

      
          
  

 
T
B   

B
           
Cm Fm C

         
13
S
A            
Your re - turn as Lord in glo - ry, to - ge-ther we a-wait. A - men.

           
     
   
 

T
B 
Jose Mari Y. Javato
January 12, 2012

University of Santo Tomas Liturgikon Vocal Ensemble

Si Kristo ay Gunitain
Fr. Felipe Fruto Ll. Ramirez, SJ

         
    
G A D

 
(Intro)


  
D G D G D

           
4

   


Si Kris - to ay gu - ni - ta - in: Sa - ri - li ay i - ni -

     
        
Si Kris - to ay gu - ni - ta - in: Sa -

E 7/G  F  m7

A E m7 A B m7

 
11

           

ha - in bi - lang pag - ka - i't i - nu - - min, pi -

               
   
ri - li ay i - ni - ha - in na bi - lang pag - ka - i't i -

   
E m7 A sus4 A7 G A

     
17

      

    
nag - sa - sa - lu - han na - tin, hang - gang sa siya'y du-ma-

          
       
nu - min, pi - nag - sa - sa - lu - han na - tin, hang -

F  m7

B m7 E m7 A7 D

  
23

       
 
ting, hang - gang sa siya'y du - ma - ting.

        
     
gang du - ma - ting, hang - gang sa siya'y du - ma - ting.

     
G A D

      
28

 
Jose Mari Y. Javato
January 1, 2012

University of Santo Tomas Liturgikon Vocal Ensemble

 Pope's Mass
Great Amen Fr. Manuel P. Maramba, OSB

B
     
F Dm Gm C F Dm C

Soprano        
A - men. A - men. A - men. A - men. A - men. A -

          
Alto
   

  
A- men. A - men. A - men. A - men. A - men. A - men.

Tenor             

         
A- men. A - men. A - men. A - men. A - men. A - men. A -

    
Bass 
A - men. A - men. A - men. A - men. A - men. A -

B D 7 B
                    
F A Gm F F

 
5

S 
men. A - - - men. A - - - men. A - - - - - men.

A                 

  
A - men. A - men. A - - - - - - men.

T                    

         
men. A - - - - men. A - - - men. A - men. A - men.

  
B     
- - men. A - men. A - men. A - - - - men. A - men.
Jose Mari Y. Javato
January 1, 2012

University of Santo Tomas Liturgikon Vocal Ensemble

 Ama Namin
Fr. Manuel V. Francisco, SJ
arranged by Paulo Tirol

Mapagdasal  
D/F 


(Intro:) G Em E m/D

             
   

D/C 

 
A sus4 A D B sus4 B Em


     
4

            
Unison

  
S
A

A-ma na - min, su -ma-sa - la-ngit ka. Sam-ba - hin ang nga - lan mo. Ma-pa-sa -

 Unison   
T                     
B

D/F 


C /E A7 D

         
9 Divisi
S
            

A

a - min ang ka - ha - ri - an mo. Sun - din ang lo - ob mo di - to sa

      
                
Divisi


T
B

D/F  D/F 

 
G G

                        
13

  
S


A

   
lu - pa pa - ra nang sa la - ngit. Big-yan mo po ka-mi nga - yon ng

                 
         

T
B

University of Santo Tomas Liturgikon Vocal Ensemble

  

Em A7 Bm B m/A Em A7 F /A Bm B m7/A


                   
17

 
3

  
S


A
3


a - ming ka - ka - nin sa a - raw a - raw. At pa - ta - wa - rin mo ka - mi sa

                  
      
3

T
B
 
3

A 7/C  D/F 

 
Em E m7/D A G

          
   
21

     
cresc.

           
S


A

  
a - ming ma-nga sa - la pa-ra nang pag - pa - pa - ta-wad na - min sa nag-ka - ka -

 
                         

     
T
B

Bass Divisi

D/F  F /A  E/G 

 
G Em A7 B m B m7/A

                             
25

 
 
S


A


    
sa - la sa a - min. At huwag mo ka-ming i - pa-hin - tu-lot sa tuk - so. At ia-
        
                  
               
 
T
B

D /F  E  M7

 
Em E m7/D A sus4 A7 G Em D9

   
30


             
S
A

dya mo ka-mi sa la - hat ng ma-sa - ma. Ooh.

        
            
T
B   
Jose Mari Y. Javato
November 2, 2012
Pope's Mass
Lord's Prayer Doxology Fr. Manuel P. Maramba, OSB

 
F Dm Gm C

           
Sa - pag - kat i - yo ang ka - ha -

F Dm Gm C F/A

         
5


ri - an, at ang ka - pang - ya - ri - han

B /D B

 
F7 Am

          
9

at ang ka - pu - ri - han mag - pa - kai - lan -

B


F/A Gm C F

      
13

  
Jose Mari Y. Javato
man. A - men, A - - - - men. January 1, 2012

University of Santo Tomas Liturgikon Vocal Ensemble

Pope's Mass
Agnus Dei Fr. Manuel Maramba, OSB
Choral Arrangement by Jan Neland Cabuguas


                
Em C D G Em


Males

 
Kor - de - ro ng Diyos na nag - a - a - lis ng ma-nga ka-sa - la - nan ng san - li - bu-

5
 B
m G

          
Am D
 G Em Bm Em

            
Tutti Males

    

   
             
tan, ma - a - wa - ka, ma - a - wa - ka sa a - - - min. Kor -

 
 



                
10 Em C D G Em

   
de - ro ng Diyos na nag - a - a - lis ng ma-nga ka - sa - la - nan ng san - li - bu -

14
 
Bm G

        
Am D

G Em Bm Em Males

            
Tutti

      

      
             
tan, ma - a - wa - ka, ma - a - wa - ka sa a - - - min. Kor -

 
 



                
19 Em C D G Em

   
de - ro ng Diyos na nag - a - a - lis ng ma-nga ka - sa - la - nan ng san - li - bu -

23
 
Bm G

          
Am D

G Em Bm

Em

  
Tutti

              
  
     
                  
tan, i - pag-ka - lo-ob mo sa a - min ang ka - pa - ya - pa - an.


    
  Jose Mari Y. Javato
January 12, 2012

University of Santo Tomas Liturgikon Vocal Ensemble

 Kordero ng Diyos
Fr. Manuel V. Francisco, SJ
Additional Arrangement by Francisco Z. Reyes, Norman Agatep and Gino Torres

Malumanay  E/G  G  m7 F  m7

      
A M7 B sus4

       
E

       

E /G  E/G 

  
B E A M7

 
7

             

Kor - de - ro ng Diyos na nag - a - a - lis ng ma -

F  m7 E /G  Gm C 7

  
B sus4 E M7

  
12

         
 
nga ka - sa - la - nan ng mun - do, ma - a - wa ka sa

Fm F  m/E F  m6 G 7 C m F /A  F 7

 
B sus4

     
18

        
a - min. Kor - de - ro ng Diyos, ma - a - wa ka.

E/G  A M7/G  F  m7


B E9 A M7


24

                

Soprano
Alto
Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -


Tenor              
      

  
Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -

                
Bass 
Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -

E/G  Gm C 7 Fm


B E M7

    
30

      
 
la - nan ng mun - do, ma - a - wa ka sa a - min.

  
            
la - nan ng mun - do, ma - a - wa

                
la - nan ng mun - do, ma - a - wa ka sa a - min.
University of Santo Tomas Liturgikon Vocal Ensemble
 F  m/E F  m6 G 7 Cm F  sus4 F 7
  
B sus4

     
36

        
Kor - de - ro ng Diyos, ma - a - wa ka.

             

ka sa a - - - min. O Diyos, ma - a - wa

          
    
Kor - de - ro ng Diyos, ma - a - wa ka.

C sus4 F F /A B  M7 F/A G m7

    
41

             

Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -

  
            
   

 
ka. Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -

               
 
Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa -

C C m7 F7 B Bm A7

          
47

      
la - nan ng mun - do, i - pag - ka - lo - ob mo sa


            

    
la - nan ng mun - do, i -

        
 
la - nan ng mun - do, i - pag - ka - lo - ob mo sa

     
Dm G/B G m7 C F F/A

      
52

       
  
a - min ang ka - pa - ya - pa - an.

           
 
pag - ka - lo - ob mo ang ka - pa - ya - pa - an.

          

a - min ang ka - pa - ya - pa - an.

B  M7

 
A m7 G m7 C7 F

    
 
58

 
Jose Mari Y. Javato
September 2, 2012
 Ave verum corpus (KV 618)
Wolfgang Amadeus Mozart


Adagio
 
             
sotto voce

Soprano   


A - ve, a - ve ve - rum cor - pus, na - tum


     
sotto voce

Alto         

A - ve, a - ve ve - rum cor - pus, na - tum


            
sotto voce

Tenor


A - ve, a - ve ve - rum cor - pus, na - tum

            
sotto voce
Bass

A - ve, a - ve ve - rum cor - pus, na - tum


              
8

S       
de Ma - ri - a vir - gi ne, ve - re pas - sum im - mo - la - tum in


                 

A

de Ma - ri - a vir - gi ne, ve - re pas - sum im - mo - la - tum

          
T        
de Ma - ri - a vir - gi ne, ve - re pas - sum im - mo - la - tum

                  
B 
de Ma - ri - a vir - gi ne, ve - re pas - sum im - mo - la - tum

 
               
15


cru - - - - ce pro ho - mi - ne. Cu - jus la - tus


A              


in cru - ce pro ho - mi - ne. Cu - jus la - tus

          
T    


in cru - ce pro ho - mi - ne. Cu - jus la - tus

           
B   
in cru - ce pro ho - mi - ne. Cu - jus la - tus

University of Santo Tomas Liturgikon Vocal Ensemble

  
             
24

S        
per - fo - ra - tum un - da flu - xit et san - gui ne, es - to


                

 

A

per - fo - ra - tum un - da flu - xit et san - gui ne, es - to

  
T                   
per - fo - ra - tum un - da flu - xit et san - gui ne,

               
B     
per - fo - ra - tum un - da flu - xit et san - gui ne,

 
                
31

S     
no - bis prae - gus - ta - tum in mor - - - - tis ex - a - mi - ne, in


                 
  


A

no - bis prae - gus - ta - tum in mor - - - - tis ex - a - mi - ne,

        
T             
es - to no - bis prae - gus - ta - tum in mor - tis ex - a - mi - ne,

                   
B   
es - to no - bis prae - gus - ta - tum in mor - tis ex - a - mi - ne,

     
           
38

S
  


mor - - - - - - - - tis ex - a mi ne.


A              
  

in mor - - - - - - tis ex - a mi ne.

   
T              


in mor - - - - - - tis ex - a mi ne.

        
B    
Jose Mari Y. Javato
in mor - - - - - - tis ex - a mi ne. September 3, 2012
 Holy Art Thou
Largo from 'Xerxes', HWV 40 George Frideric Handel
arranged by Leigh Kingsmill

 
Larghetto
 
            
3

Soprano
 


Ho - - - - ly art Thou, Lord God al - might - y,

 
  
Alto
            

Ho - ly, most ho - ly art Thou, Lord God al - might - y, ho -

  
Tenor               


Ho - ly, most ho - ly art Thou, Lord God al - might - y, ho -

        
Bass
       
Ho - ly, most ho - ly art Thou, Lord God al - might - y, ho -

          
       
7 cresc.

S  

ho - ly art Thou, ho - ly art Thou, Lord God Al - might - y, Who

 
                 
cresc.
A


- ly art Thou, ho - ly art Thou, Lord God Al - might - y, Who

              
    
cresc.
T


- ly art Thou, ho - ly art Thou, Lord God Al - might - y, Who

    
             
cresc.
B

- ly art Thou, ho - ly art Thou, Lord God Al - might - y, Who

University of Santo Tomas Liturgikon Vocal Ensemble

            
      
13

S  
wort and art, Who wort and art, and art to come.


A                 


wort and art, Who wort and art, and art to come.

   
T                 
wort and art, Who wort and art, and art to come. Ho - - - - ly art Thou,

              
B  
wort and art, Who wort and art, and art to come.

          
 
20

   
3

     
cresc.
S

  
Ho - ly art Thou, Lord God Al - might - y, Glo - ry and maj - es - ty

 
        
cresc.
A
      

  
Ho - ly art Thou, Lord God Al - might - y, Glo - ry and maj - es - ty

      
       
cresc.
T
   

 
Ho - ly art Thou, Lord God Al - might - y, Glo - ry and maj - es - ty

       
  
cresc.

B        
Ho - ly art Thou, Lord God Al - might - y, Glo - ry and maj - es - ty

 
 
            
26

     
cresc.

S
  

in heav'n are Thine. Earth low - ly bend -ing, Swells the full har - mo-ny,


       
     
cresc.
A
      

in heav'n are Thine. Earth low - ly bend -ing, Swells the full har - mo - ny,


                
cresc.
T
  

in heav'n are Thine. Earth low - ly bend -ing, Swells the full har - mo - ny,

          
        
cresc.
B

in heav'n are Thine. Earth low - ly bend -ing, Swells the full har - mo - ny,
           

       
32

S   

  
Bless - ing and glo - ry to the Lamb for ev - er - more, for

         
A         

  
Bless - ing and glo - ry to the Lamb for ev - er - more, for

  
T            

           
Bless - ing and glo - ry to the Lamb for ev - er - more,

      
B 
Bless - ing and glo - ry to the Lamb for ev - er - more, for wor - thy art


          piu cresc.
           
37

S 

 piu cresc.
wor - thy, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give


A                   

 
wor - thy, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

       piu cresc.
     
T      

  piu cresc. 
    
wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

         
B

Thou, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

         maestoso
              
43

 
3

 
thanks to thee for ev - er - more give thanks for ev - er more. Let all


        
maestoso

A       
  maestoso
thanks to thee for ev - er - more Let all

  
T            

  maestoso
thanks to thee for ev - er - more Let all

B
              
thanks to thee for ev - er - more Let all
           
           
49

S  
na - tions and kin - dreds and peo - ples give thanks to thee for ev - er more. Ho -


A                   
na - tions and kin - dreds and peo - ples give thanks to thee for ev - er more.

       
T           

    
na - tions and kin - dreds and peo - ples give thanks to thee for ev - er more.

            
B

na - tions and kin - dreds and peo - ples give thanks to thee for ev - er more.

      
55

S      
- - - - ly art Thou, Ho - ly art Thou,

       
      
      
60


cresc. 3

 
piu cresc.
S
 
Lord God Al - might - y, glo - ry and maj - es - ty in heav'n are

   
     
65

S          


Thine. Earth low - ly bend - ing, Swells the full har - mo - ny,


   
A
            


Earth low - ly bend - ing, Swells the full har - mo - ny,

       
     
T
  

Earth low - ly bend - ing, Swells the full har - mo - ny,

         
B
     
Earth low - ly bend - ing, Swells the full har - mo - ny,
           

       
70

S   

  
Bless - ing and glo - ry to the Lamb for ev - er - more, for

         
A         

  
Bless - ing and glo - ry to the Lamb for ev - er - more, for

  
T            

           
Bless - ing and glo - ry to the Lamb for ev - er - more,

      
B 
Bless - ing and glo - ry to the Lamb for ev - er - more, for wor - thy art


          piu cresc.
           
75

S 

 piu cresc.
wor - thy, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give


A                   

 
wor - thy, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

       piu cresc.
     
T      

  piu cresc. 
    
wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

         
B

Thou, wor - thy art Thou; let all na - tions and kin - dreds and peo - ples give

         
   
81

S  


thanks to thee for ev - er - more

   
A          

 
thanks to thee for ev - er - more

  
               
3

      
thanks to thee for ev - er - more give thanks for ev - er

       
B   
3
thanks to thee for ev - er - more give thanks for ev - er
       
        
86

S 

  
Let all na - tions and kin - dreds and peo - ples give

A            

  
Let all na - tions and kin - dreds and peo - ples give

            
T   

    
more. Let all na - tions and kin - dreds and peo - ples give

       
B 
more. Let all na - tions and kin - dreds and peo - ples give

 
        
90 rit.

S  


thanks to thee for ev - er more.


A           

  
thanks to thee for ev - er more.

          
T 

thanks to thee for ev - er more.

        
B  Jose Mari Y. Javato
February 3, 2013

thanks to thee for ev - er more.

 Tanging Yaman
Fr. Manuel V. Francisco, SJ
Additional arrangement by Norman Agatep

  
G7 C M7 D/C B m7 Em

        
Soprano
        
   
I - kaw ang a - king ta - nging ya - man na 'di lu -

Alto                 

     
I - kaw ang a - king ta - nging ya - man na 'di lu -

           
Tenor   
   
       
I - kaw ang
a - king ta - nging ya - man na 'di lu -

      
Bass

I - kaw ang a - king ta - nging ya - man na 'di lu -

 
  
A m7 A m m aj7 Am D7 G G7 C M7

           
6

S
  

bu - sang ma - sum - pu - ngan. Ang ni - lik - ha mong

 
A                 

     
bu - sang ma - sum - pu - ngan. Ang ni - lik - ha mong

         
T
 

  
    
     
bu - sang ma - sum - pu - ngan. Ang ni - lik - ha mong

 
B

bu - sang ma - sum - pu - ngan. Ang ni - lik - ha mong


D/C B m7 Em A m7 D7 C/G G

           
11

    
Fine
S
 

ka - rik - tan, sul - yap ng 'Yong ka - gan - da - han.

            
Fine
A
       

ka - rik - tan, sul - yap ng 'Yong ka - gan - da - han.

                   
Fine
T


            
ka - rik - tan, sul - yap ng 'Yong ka - gan - da - han.

B
    
Fine

ka - rik - tan, sul - yap ng 'Yong ka - gan - da - han.

University of Santo Tomas Liturgikon Vocal Ensemble

  
  
C D/C B m7 Em Am A m m aj7

    
18 1.

            
I - ka'y ha - nap sa t'wi - na ni - tong pu - song i - kaw la -

     
Am D7 G G7 C M7 D/C B m7

       
24

  
mang ang sa - ya. Sa gan -da ng u - ma - ga,

  
      
Em A m7 D7 G

      
30


na - ngu - ngu - li - la, sa - 'Yo, sin - ta.

 

C D/C B m7 Em Am A m m aj7

               
34 2.

  
Descant 3 3

  
I - ka'y a - king ha - nap ha-nap sa t'wi - na. Sa kap - wa

 Melody         
2.

         
I - ka'y ha - nap sa t'wi - na. Sa kap - wa ko ki - ta la -


Am D7 G G7 C M7

          
40

   
ko ki - ta la - ging na - da - ra - ma. Sa i - yong

 
        
  
ging na - da - ra - ma. Sa i - yong

 
D/C B m7 Em A m7 D7 G

 
             
44

   
ma - nga lik - ha, ha-ngad pa rin ang 'Yong muk - ha.

   
             
     

ma - nga lik - ha, ha-ngad pa rin mas-dan ang 'Yong muk - ha.
Jose Mari Y. Javato
January 5, 2013
 Joyful, Joyful, We Adore Thee
Henry van Dyke Ludwig van Beethoven
arranged by David T. Clydesdale

A

   
B         
       
 Joy - ful, joy - ful, we a - dore Thee, God of glo - ry, Lord of love;

 
       
9

B        
Hearts un - fold like flow'rs be - fore Thee, hail thee as the sun a - bove.

        
      
13

T    
Melt the clouds of sin and sad - ness; drive the dark of doubt a - way;

  
B                
Melt the clouds of sin and sad - ness; drive the dark of doubt a - way;

       
    
17

T        
Gi - ver of im - mor - tal glad - ness, fill us with the light of

       
B           
Gi - ver of im - mor - tal glad - ness, fill us with the light of

 

21

T    


day!

  
B   
day!
B

     
          
25

S  
All Thy works with joy sur - round Thee, earth and heav'n re - flect Thy rays,


           
A
     
All Thy works with joy sur - round Thee, earth and heav'n re - flect Thy rays,

     
       
29

S     
Stars and an - gels sing a - round Thee, cen - ter of un - bro - ken praise.

 
        
A
       
Stars and an - gels sing a - round Thee, cen - ter of un - bro - ken praise.

University of Santo Tomas Liturgikon Vocal Ensemble

 
       
33

T          
Field and fo - rest, vale and moun - tain, flow' - ry mea - dows, flash - ing sea,

              
B   
Field and fo - rest, vale and moun - tain, flow' - ry mea - dows, flash - ing sea,

       
       
37

S     
Chan - ting birds and flow - ing foun - tain call us to re - joice in

     
          
A
   
Chan - ting birds and flow - ing foun - tain call us to re - joice in

 

41

S   


Thee.


A     
Thee.
C

      
         
45

S  
 Thou art gi - ving and for - gi - ving, e - ver bless - ing, e - ver blest,


   
A
             
 Thou

art gi - ving and for - gi - ving, e - ver bless - ing, e - ver blest,

  
T               
 Thou art gi - ving and for - gi - ving, e - ver bless - ing, e - ver blest,

              
B   
 Thou art gi - ving and for - gi - ving, e - ver bless - ing, e - ver blest,

       
      
49

S    
Well - spring of the joy of li - ving, o - cean depth of hap - py rest!


  
A
              


Well - spring of the joy of li - ving, o - cean depth of hap - py rest!

                 
T

Well - spring of the joy of li - ving, o - cean depth of hap - py rest!

    
           
B 
Well - spring of the joy of li - ving, o - cean depth of hap - py rest!
 
        
53

S          
Thou our Fa - ther, Christ our Bro - ther, all who live in love are Thine;


           
A
     


Thou our Fa - ther, Christ our Bro - ther, all who live in love are Thine;

             
T    
Thou our Fa - ther, Christ our Bro - ther, all who live in love are Thine;

             
B   
Thou our Fa - ther, Christ our Bro - ther, all who live in love are Thine;

       
    
57

S        
Teach us how to love each o - ther, lift us to the joy di -

   
A                 


Teach us how to love each o - ther, lift us to the joy di -

        
T            
Teach us how to love each o - ther, lift us to the joy di -

      
B
            
Teach us how to love each o - ther, lift us to the joy di -

   
  
61

S    

 
vine.

 
A       

   
vine.

T       

 
vine.

      
B  
vine.
 D

             
      
69 Majestic Broader
S

 Mor - tals, join the migh - ty cho - rus, which the mor - ning stars be-gan;

 
A                 
 Mor - tals, join the

migh - ty cho - rus, which the mor - ning stars be-gan;

        
T         
 Mor - tals, join the
    
migh - ty cho - rus, which the mor - ning stars be-gan;

          
B   
 Mor - tals, join the migh - ty cho - rus, which the mor - ning stars be-gan;

           
        
73

S

Fa - ther love is reign - ing o’er us, bro - ther love binds man to man.


A                 

Fa - ther love is reign - ing o’er us, bro - ther love binds man to man.

       
T          


      
Fa - ther love is reign - ing o’er us, bro - ther love binds man to man.

         
B  
Fa - ther love is reign - ing o’er us, bro - ther love binds man to man.

            
 
77

E - - - ver sing - ing, vic - tors in the midst of strife,


A               


E - - - ver sing - ing, vic - tors in the midst of strife,

        
T         

        
E - ver sing - ing, march we on - ward, vic - tors in the midst of strife,

        
B 
E - ver sing - ing, march we on - ward, vic - tors in the midst of strife,
          
        
81

S 
Joy - ful mu - sic leads us on - ward in the tri - umph


A                 


Joy - ful mu - sic leads us on - ward in the tri - umph

           
T   

  
Joy - ful mu - sic leads us on - ward in the tri - umph

           
B  
Joy - ful mu - sic leads us on - ward in the tri - umph

  
      
85 Faster
S

song of life.

 
A       

  
song of life.

T       

  
song of life.

    
B 
song of life.

   
              
89

S 


Joy - ful, joy - ful, we a - dore Thee, Joy - ful, joy - ful, we a - dore Thee.


       

        
A 
Joy - ful, joy - ful, we a - dore Thee, Joy - ful, joy - ful, we a - dore Thee.

         
         
93

T 

  
       
   
   
Joy - ful,
we joy - ful,
a - dore Thee, Joy - ful,
we joy - ful,
a - dore Thee.

B
  
Joy - ful, joy - ful, we a - dore Thee, Joy - ful, joy - ful, we a - dore Thee.
           
 
   
97

God of glo - ry, God of glo - ry,

       
A      

   
God of glo - ry, God of glo - ry,

        
T   

        
God of glo - ry, God of glo - ry,

   
B 
God of glo - ry, God of glo - ry,

      
 
101

S 
Lord of love!

        
A  

     
Lord of love!


T  

     
Lord of love!

 
B 
Jose Mari Y. Javato
Lord of love! December 19, 2011