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Verdi - La Donna Mobile Short Version

The document is a musical score for "La Donna è Mobile" from Giuseppe Verdi's opera Rigoletto. The score contains the lyrics and musical notation for the aria sung by the character Duke of Mantua. It is written for solo voice with piano accompaniment. The lyrics describe women as fickle and inconstant, changing their affections easily. The music is in 4/4 time and has a lively allegretto tempo throughout the aria.

Uploaded by

Ben B. Potvin
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
306 views2 pages

Verdi - La Donna Mobile Short Version

The document is a musical score for "La Donna è Mobile" from Giuseppe Verdi's opera Rigoletto. The score contains the lyrics and musical notation for the aria sung by the character Duke of Mantua. It is written for solo voice with piano accompaniment. The lyrics describe women as fickle and inconstant, changing their affections easily. The music is in 4/4 time and has a lively allegretto tempo throughout the aria.

Uploaded by

Ben B. Potvin
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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La Donna è Mobile

    
    
Giuseppe Verdi

   
Vincent


        
Allegretto ( = 138)

       
               
   
 


    

     
          
    
5

        
              
   

     
          
10

         
            

 con brio

  

    
   

       


15

         


      
   
legato

        
  
  
     



20

         


       
    

     

         

   
25

  
     
         
  




      

      
      
29


      
       

  

      
          
     
 
33 3

     
          
     
 leggiero

     


    

   
  

          
    
 
37

        
               
3 3 3

    

            


       
        
        
41

       
3 3 3

               

 
con forza

   
2

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