December 2020

EDITOR IN CHIEF
Jer Roque

STAFF
DoubleMark
mkafie
musicalmoose
Ashanti Mills

EDITORS
AarekMG
Amy Hsieh
GUIM
Jonathan Aldrich
Mike Matarazzo
Tristan H

CONTRIBUTORS
Analilia Fierro Iandrum Riley Zielinsky
Ben Horkley Jamin Morden sigmabeta
Bao Vuong Jenn Ganss StevenHigbee
Ben Wallace John Bergan streifig
David Chihlas JohnStacy TheMetricRebel
Dylan R jPseudo xXChickyChuXx
Garrett Hoffman Nathan Ford Zack Wong
Gregory Orosz Nick Marinelli zdmajor7

SPECIAL THANKS
8-bit Music Theory

https://www.vgleadsheets.com
 Website by Jer Roque
VGLeadSheets Android App by sigmabeta
VGLS logo by xXChickyChuXx

https://www.vgleadsheets.com
Symbol Name Spelling Alt. Symbols:

C Major C E G

C- Minor C Eb G Cm, Cmin

C+ Augmented C E G# C#5, C+5, Caug

C5 Power chord C G

C7 Dominant C E G Bb

C9 9th chord C E G Bb D

C11 11th chord C E G Bb D F

C13 13th chord C E G Bb D F A

C△7 Major 7th C E G B CM7, Cmaj7

C-7 Minor 7th C Eb G Bb Cm7, Cmin7

C-△7 Minor Major 7th C Eb G B CmM7, CminMaj7

Co Diminished triad C Eb Gb Cdim

C-7b5 Half-diminished C Eb Gb Bb Cø7

Co7 Fully diminished, C Eb Gb Bbb Cdim7

Diminished 7th

Co△7 Diminished Major C Eb Gb B

7th

C6 Sixth C E G A

C-6 Minor sixth C Eb G A Cm6, Cmin6

C6/9 6/9 C D E G A

Csus2 Suspended second C D G N/A

Csus4 Suspended fourth C F G N/A

Cadd2 Added second C D E G N/A

Cadd9 Added 9th C E G D N/A

Bb/C Jazz sus chord C Bb D F Csus, C9sus4

C-#5 Minor #5 C Eb G# Ab/C

https://www.vgleadsheets.com
1943: The Battle of Midway - Air 20 Baten Kaitos - The True Mirror 53
Battle A
Batman - Stage 1 55
ActRaiser - Fillmore 21
Blaster Master - Area 1 56
The Adventures of Bayou Billy - Side 22
Blaster Master - Area 2 57
Scroll BGM
Blaster Master - Area 3 58
Adventures of Lolo - Floor Theme 23
Blaster Master - Area 4 59
Aerobiz - Europe 24
Blaster Master - Area 5 60
Alan Wake - Children of the Elder God 25
Blaster Master - Area 6 61
Angry Birds - Angry Birds Theme 27
Blaster Master - Area 7 62
Animal Crossing - 7 AM 28
Blaster Master - Area 8 63
Animal Crossing - DJ K.K. 29
Bomberman 64 - Blue Resort 64
Animal Crossing - K.K. Bossa 31
Bravely Default - Horizon of Light 65
Animal Crossing - K.K. Cruisin' 32
and Shadow
Animal Crossing - K.K. Fusion 33
Bravely Default - Love's Vagrant 67
(Aircheck)
Bravely Default - That Person's Name 69
Animal Crossing - K.K. Metal 35
Is
Animal Crossing: New Leaf - Kapp'n's 37
Breath of Fire III - Casually 71
Song
Breath of Fire III - Do Your Best! 72
Animal Crossing - Title 38
Breath of Fire III - Everyday Battle 73
Animal Crossing: Wild World - 2 AM 39
Breath of Fire III - To a Distant 75
Animal Crossing: Wild World - 40
Place
Mountain Song
Breath of Fire II - Century of the 76
Animal Crossing: Wild World - 41
Patriarch
Shampoodle
Breath of Fire II - Wanderer 77
Animal Crossing: New Horizons - 12 PM 42
BS-X (Satellaview) BIOS - Town Theme 79
Animal Crossing: New Horizons - 5 PM 43
1
Animal Crossing: New Horizons - Town 44
Bubble Bobble - Quest Begins / Main 81
Hall
Theme
Animal Crossing: New Horizons - 45
Bucky O'Hare - Red Planet 82
Visitor Arrival
Bug Fables - Mite Knight 83
Animal Crossing: New Horizons - 46
Welcome Horizons Castlevania: Aria of Sorrow - Clock 85
Tower
Apollo Justice: Ace Attorney - The 47
Guitar's Serenade Castlevania: Dawn of Sorrow - Gloomy 87
Memories
Apollo Justice: Ace Attorney - Apollo 48
Justice ~ A New Trial Is In Session Castlevania - Heart of Fire 88

Arms - Grand Prix (Title) 49 Castlevania: Symphony of the Night - 89

Marble Gallery
Baba Is You - Cog Is Push (Solitary 51
Isle) Castlevania - Vampire Killer 91
Castlevania - Wicked Child 92 Chrono Trigger - Delightful Spekkio 129

Castlevania II: Simon's Quest - 93 Chrono Trigger - At the Bottom of 130

Bloody Tears Night

Castlevania II: Simon's Quest - The 94 Chrono Trigger - End of Time 131
Silence of Daylight
Chrono Trigger - Fanfare 1 132
Castlevania III: Dracula's Curse - 95
Chrono Trigger - Frog's Theme [ALT] 133
Beginning
Chrono Trigger - Frog's Theme 134
Castlevania III: Dracula's Curse - 96
Clockwork Chrono Trigger - Gato's Theme 135

Castlevania III: Dracula's Curse - 97 Chrono Trigger - Millennial Fair 136

Aquarius
Chrono Trigger - Robo's Theme 137
Castlevania III: Dracula's Curse - 98
Chrono Trigger - Schala 138
Encounter
Chrono Trigger - Sealed Door 139
Castlevania III: Dracula's Curse - 99
Mad Forest Chrono Trigger - Secret of the Forest 140

Castlevania III: Dracula's Curse - 100 Chrono Trigger - To Far Away Times 141
Prelude
Chrono Trigger - Tyrano Lair 143
Castlevania: Aria of Sorrow - Ruined 101
Chrono Trigger - Undersea Palace 145
Castle Corridor
Chrono Trigger - Wings That Cross 147
Catherine - Act on Instinct 103
Time
Celeste - First Steps 105
Chrono Trigger - World Revolution 149
Chrono Cross - The Bend of Time 107
Chrono Trigger - Yearnings of the 151
Chrono Cross - Arni (Home World) 109 Wind

Chrono Cross - Shore of Dreams 111 Contra - Ending 152

(Another World)
Contra - Jungle 153
Chrono Cross - Gale 112
Crystalis - Overworld Theme 155
Chrono Cross - Home Guldove 113
Cuphead - Die House 157
Chrono Cross - Plains of Time ~Home 115
de Blob - Blissful 159
World~
DELTARUNE - Field of Hopes and Dreams 161
Chrono Cross - Radical Dreamers 117
DELTARUNE - Rude Buster 163
Chrono Cross - Scars of Time 119
Diddy Kong Racing - Ancient Lake 165
Chrono Cross - The Girl Who Stole the 121
Stars Diddy Kong Racing - Pirate Lagoon 166

Chrono Trigger - Black Omen 122 Diddy Kong Racing - Star City 167

Chrono Trigger - Chrono Trigger 123 Digimon: Battlespirit - Terriermon's 169

Stage
Chrono Trigger - Corridors of Time 124
Digital Devil Story: Megami Tensei II 170
Chrono Trigger - Crono & Marle ~ A 125
- Ex-Convict
Distant Promise
Donkey Kong - Title 171
Chrono Trigger - Decisive Battle With 127
Magus Donkey Kong 64 - Angry Aztec 173
Donkey Kong 64 - Candy's Theme 175 EarthBound - Winters 215

Donkey Kong 64 - DK Rap 176 EarthBound - You've Come Far, Ness 216

Donkey Kong Country - Aquatic 177 EarthBound - Your Name, Please 217
Ambiance
EarthBound Beginnings - Fallin' Love 218
Donkey Kong Country - Bonus Room 179
F-Zero - Big Blue 219
Blitz
F-Zero - Fire Field 221
Donkey Kong Country - DK Island Swing 181
F-Zero - Mute City 223
Donkey Kong Country - Gang-Plank 183
Galleon F-Zero - Silence 224

Donkey Kong Country - Simian Segue 185 Fell Seal: Arbiter's Mark - Hurry Up! 225

Donkey Kong Country 2 - Forest 187 Final Fantasy - Chaos Temple 227
Interlude
Final Fantasy - Corneria Castle 228
Donkey Kong Country 2 - Jib Jig 189
Final Fantasy - Matoya's Cave 229
Donkey Kong Country 2 - Snakey 191
Final Fantasy - Opening Theme 230
Chantey
Final Fantasy - Main Theme 231
Donkey Kong Country 2 - Stickerbush 192
Symphony Final Fantasy - Town 232

Doom - E1M1 (At Doom's Gate) 193 Final Fantasy II - Castle Pandemonium 233

Double Dragon - Double Dragon 195 Final Fantasy III - Eternal Wind 234

Dr. Mario - Fever 197 Final Fantasy IV - Battle 1 235

DuckTales - African Mines 199 Final Fantasy IV - Chocobo-Chocobo 236

DuckTales - Amazon 200 Final Fantasy IV - Illusionary World 237

DuckTales - Stage Select 201 Final Fantasy IV - Red Wings 238

DuckTales - Himalayas 202 Final Fantasy IV - Rydia 239

DuckTales - The Moon [ALT] 203 Final Fantasy IV - Theme of Love 240

DuckTales - The Moon 204 Final Fantasy IV - Welcome to Our 241

Town!
DuckTales - Transylvania 205
Final Fantasy V - Ahead On Our Way 242
EarthBound - Eight Melodies 206
Final Fantasy V - Battle 1 243
EarthBound - Hotel 207
Final Fantasy V - Battle at the Big 245
EarthBound - Onett 208
Bridge
EarthBound - Paula's Theme 209
Final Fantasy V - Lenna's Theme 247
EarthBound - Snowman 210
Final Fantasy VI - Another World of 248
EarthBound - The Metropolis of 211 Beasts [ALT]
Fourside
Final Fantasy VI - Another World of 249
EarthBound - Threed, Free At Last 212 Beasts

EarthBound - Twoson 213 Final Fantasy VI - Aria di Mezzo 250

Carattere
EarthBound - Venus Live! 214
Final Fantasy VI - Battle Theme 251
Final Fantasy VI - Blackjack 252 Final Fantasy VIII - Don't Be Afraid 290

Final Fantasy VI - Celes 253 Final Fantasy VIII - Eyes on Me 291

Final Fantasy VI - Cyan 254 Final Fantasy VIII - Shuffle or 293

Boogie
Final Fantasy VI - Dancing Mad (Part 255
4) Final Fantasy VIII - The Man with the 294
Machine Gun
Final Fantasy VI - Devil's Lab 257
Final Fantasy VIII - Waltz for the 295
Final Fantasy VI - Edgar and Sabin 258
Moon
Final Fantasy VI - Forever Rachel 259
Final Fantasy IX - Battle 1 297
Final Fantasy VI - Gau 260
Final Fantasy IX - Crossing Those 298
Final Fantasy VI - Gogo 261 Hills

Final Fantasy VI - Johnny C. Bad 263 Final Fantasy IX - Vamo' alla 299
Flamenco
Final Fantasy VI - Kefka 265
Final Fantasy IX - You're Not Alone 300
Final Fantasy VI - Kids Run Through 266
the City Corner Final Fantasy X - Suteki Da Ne? 301

Final Fantasy VI - Locke 267 Final Fantasy X - To Zanarkand 303

Final Fantasy VI - Mog 268 Final Fantasy X-2 - 1000 Words 305

Final Fantasy VI - The Prelude 269 Final Fantasy XI - Ronfaure 307

Final Fantasy VI - Relm 271 Final Fantasy XI - Selbina 309

Final Fantasy VI - Searching for 272 Final Fantasy XIII - The Yaschas 310
Friends Massif

Final Fantasy VI - Shadow 273 Final Fantasy XIV: A Realm Reborn - 311
Ruby Sunrise
Final Fantasy VI - Slam Shuffle 274
Final Fantasy XIV: Heavensward - 312
Final Fantasy VI - Terra [ALT] 275
Blackbosom
Final Fantasy VI - Terra 276
Final Fantasy XIV: Shadowbringers - 313
Final Fantasy VI - The Decisive 277 Neath Dark Waters
Battle
Final Fantasy XIV: Stormblood - 315
Final Fantasy VI - The Mystic Forest 278 Crimson Sunrise

Final Fantasy VII - Aerith's Theme 279 Final Fantasy XIV: A Realm Reborn - 316
Where the Heart Is
Final Fantasy VII - Ahead On Our Way 280
Final Fantasy XV - Main Theme from 317
Final Fantasy VII - Birth of a God 281
FINAL FANTASY
Final Fantasy VII - Cid's Theme 283
Final Fantasy XV - Up for the 319
Final Fantasy VII - Costa Del Sol 284 Challenge

Final Fantasy VII - J-E-N-O-V-A 285 Final Fantasy Tactics - Bland Logo ~ 321
Title Back
Final Fantasy VII - Reunion 286
Final Fantasy Tactics - Tutorial 322
Final Fantasy VII - Those Who Fight 287
Further Fire Emblem - Theme of Fire Emblem 323

Final Fantasy VII - Tifa's Theme 289 Fire Emblem - Together, We Ride 324
Fire Emblem: Awakening - Id ~ 325 Kingdom Hearts - Hollow Bastion 367
Serenity
Kingdom Hearts - Simple and Clean 369
Fire Emblem: Awakening - You May Call 326
Kingdom Hearts II - Lazy Afternoons 371
Me Marth
Kingdom Hearts II - Magical Mystery 372
Fire Emblem: Fates - Lost in Thoughts 327
All Alone Kirby Air Ride - Legendary Air Ride 373
Machine
Gimmick! - Good Morning 330
Kirby and the Amazing Mirror - 374
Gitaroo Man - The Legendary Theme 331
Rainbow Route
Godzilla: Monster of Monsters - 333
Kirby Super Star - King Dedede 375
Password
Kirby Super Star - Marshmallow Castle 376
Golden Sun - Kolima Forest - Mogall 334
Woods Kirby Super Star - Meta Knight's 377
Revenge
Goldeneye 007 - Byelomorye Dam 335
Kirby Super Star - The Gourmet Race 378
Gradius II - Burning Heat 336
Kirby Super Star - Vs. Marx 379
Gradius II - Heavy Blow 337
Kirby's Adventure - Butter Building 380
Gradius III - Sand Storm 338
Kirby's Adventure - Grape Garden 381
Grim Fandango - Manny & Meche 339
Kirby's Adventure - Orange Ocean 382
Guilty Gear X - Holy Orders (Be Just 341
or Be Dead) Kirby's Adventure - Rainbow Resort 383

Guilty Gear XX - Blue Water, Blue Sky 343 Kirby's Dream Course - Jigsaw Plains 384

Hidden My Game by Mom - Main Theme 345 Kirby's Dream Land - Float Islands 385

Hollow Knight - Dirtmouth 347 Kirby's Dream Land - Green Greens 386

Ice Climber - Title 348 Kirby's Epic Yarn - Patch Castle 387

Illusion of Gaia - Drifting Endlessly 349 Kirby's Return to Dream Land - Sky 388
Tower
Incredible Crisis - Taneo Dance Fever 350
Klonoa: Door to Phantomile - Untamed 389
Incredible Crisis - Tondemo Crisis! 351
Heart
Theme #1 (We Are One)
Knuckles' Chaotix - Door Into Summer 390
Katamari Damacy - Katamari On the 353
Rocks Knuckles' Chaotix - Evening Star 391

Katamari Damacy - Lonely Rolling Star 355 Koudelka - Waterfall 393

Kid Icarus - Underworld 357 Later Alligator - Alligator Blues 395

Kid Icarus: Uprising - Dark Pit's 359 The Legend of Heroes: Trails in the 396
Theme Sky - Silver Will

Killer Instinct - The Instinct 361 The Legend of Zelda: A Link to the 397
Past - Dark World (Lorule)
The King of Fighters '95 - Stormy 363
Saxophone The Legend of Zelda: A Link to the 398
Past - Hyrule Castle
Kingdom Hearts - Dearly Beloved 364
The Legend of Zelda: A Link to the 399
Kingdom Hearts - Hikari 365
Past - Kakariko Village
The Legend of Zelda: A Link to the 400 The Legend of Zelda: Ocarina of Time 421
Past - Lost Ancient Ruins - Title

The Legend of Zelda: A Link to the 401 The Legend of Zelda: Ocarina of Time 422
Past - Opening Demo - Zora's Domain

The Legend of Zelda: A Link to the 402 The Legend of Zelda: Oracle of 423
Past - Princess Zelda's Rescue Seasons - Horon Village

The Legend of Zelda: Breath of the 403 The Legend of Zelda: Oracle of 424
Wild - Goron City (Day) Seasons - Tarm Ruins

The Legend of Zelda: Breath of the 404 The Legend of Zelda - Overworld 425
Wild - Kass's Final Song
The Legend of Zelda: Skyward Sword - 426
The Legend of Zelda: Link's Awakening 405 Ballad of the Goddess
- Ballad of the Wind Fish
The Legend of Zelda: Skyward Sword - 427
The Legend of Zelda: Link's Awakening 406 Crimson Loftwing
- Mabe Village
The Legend of Zelda: Skyward Sword - 428
The Legend of Zelda: Link's Awakening 407 Groose's Theme
- Richard's Villa
The Legend of Zelda: Skyward Sword - 429
The Legend of Zelda: Link's Awakening 408 Skyloft
- Tal Tal Heights
The Legend of Zelda: Spirit Tracks - 430
The Legend of Zelda: Majora's Mask - 409 Overworld Adventure
Astral Observatory
The Legend of Zelda: The Minish Cap - 431
The Legend of Zelda: Majora's Mask - 410 Minish Village
Boat Cruise
The Legend of Zelda: The Wind Waker - 432
The Legend of Zelda: Majora's Mask - 411 Beedle's Shop
Milk Bar
The Legend of Zelda: The Wind Waker - 433
The Legend of Zelda: Majora's Mask - 412 Dragon Roost Island
New Wave Bossa Nova
The Legend of Zelda: The Wind Waker - 434
The Legend of Zelda: Majora's Mask - 413 Grandma's Theme
Song of Healing
The Legend of Zelda: The Wind Waker - 435
The Legend of Zelda: Ocarina of Time 414 Inside the Pirate Ship
- Gerudo Valley
The Legend of Zelda: The Wind Waker - 436
The Legend of Zelda: Majora's Mask - 415 The Great Sea
Horse Race/Horse Race Goal
The Legend of Zelda: The Wind Waker - 437
The Legend of Zelda: Ocarina of Time 416 Title Theme
- Kokiri Forest
The Legend of Zelda: Twilight 439
The Legend of Zelda: Ocarina of Time 417 Princess - Hyrule Field
- Lon Lon Ranch
The Legend of Zelda: Twilight 441
The Legend of Zelda: Ocarina of Time 418 Princess - Midna's Lament
- Lost Woods
Live A Live - Live Over Again 442
The Legend of Zelda: Ocarina of Time 419
Lost Odyssey - Neverending Journey 443
- Shop
Lufia & the Fortress of Doom - The 444
The Legend of Zelda: Ocarina of Time 420
Earth
- Song of Storms
Lufia II: Rise of the Sinistrals - 445 Mario Kart: Double Dash!! - Rainbow 477
Gate of Journey Road

Lufia II: Rise of the Sinistrals - 446 Mario Kart DS - Rainbow Road 478
Battle #2
Mario Paint - Creative Exercise 479
Lufia II: Rise of the Sinistrals - 447
Mario Paint - Monkeys 480
Final Battle
Mario Party - Rainbow Castle 481
Luigi's Mansion - Professor E. Gadd's 448
Laboratory Mario Party 2 - Horror Land 482

Luigi's Mansion - Luigi's Mansion 449 Mario Party 2 - Walking Underwater 483

Luigi's Mansion 3 - E. Gadd's 451 Mario Party 3 - Woody Woods 484

Shopping Network
Marvel vs Capcom 2 - Character Select 485
Lunar: The Silver Star - Wind 453
Mega Man - Bomb Man 486
Nocturne
Mega Man - Cut Man 487
The Magic of Scheherazade - Overworld 454
Mega Man - Elec Man 488
Maniac Mansion - The Boys Are Still 455
Back (Dave's Theme) Mega Man 2 - Air Man 489

Mario & Luigi: Bowser's Inside Story 457 Mega Man 2 - Bubble Man 490
- Cavi Cape
Mega Man 2 - Crash Man 491
Mario & Luigi: Superstar Saga - 458
Mega Man 2 - Dr. Wily Stage 1 492
Teehee Valley
Mega Man 2 - Flash Man 493
Mario Kart 64 - Koopa Troopa Beach 459
Mega Man 2 - Heat Man 494
Mario Kart 64 - Choco Mountain/Battle 460
Arenas Mega Man 2 - Opening & Title 495

Mario Kart 64 - Frappe 461 Mega Man 2 - Metal Man 497

Snowland/Sherbet Land
Mega Man 2 - Password 498
Mario Kart 64 - Kalimari Desert 462
Mega Man 2 - Quick Man 499
Mario Kart 64 - Bowser's Castle 463
Mega Man 2 - Wood Man 500
Mario Kart 64 - Mario Kart 64 Theme 464
Mega Man 3 - Gemini Man 501
Mario Kart 64 - Moo Moo Farm/Yoshi 465
Mega Man 3 - Magnet Man 502
Valley
Mega Man 3 - Shadow Man 503
Mario Kart 64 - 3 Raceways/Wario 467
Stadium Mega Man 3 - Snake Man 504

Mario Kart 64 - Rainbow Road 469 Mega Man 3 - Spark Man 505

Mario Kart 64 - Toad's Turnpike 470 Mega Man 9 - Hornet Man 506

Mario Kart 64 - Victory Lap 471 Mega Man 9 - Splash Blue 507

Mario Kart 64 - Winning Results 472 Mega Man X - Opening Stage 508

Mario Kart 7 - Rainbow Road 473 Mega Man X - Spark Mandrill 509

Mario Kart 8 - Dolphin Shoals 475 Mega Man X - Storm Eagle 510

Mario Kart 8 - Sunshine Airport 476 Mega Man X2 - Bubble Crab 511
Metal Gear Solid - Metal Gear Solid 513 Octopath Traveler - Cyrus, the 555
Main Theme Scholar

Metro-Cross - Main Theme 515 Octopath Traveler - Determination 556

Metroid - Brinstar 516 Octopath Traveler - H'aanit, the 557

Hunter
Metroid - Kraid's Lair 517
Octopath Traveler - Olberic, the 558
Metroid - Title BGM 518
Warrior
Metroid II: Return of Samus - Surface 519
Octopath Traveler - Ophilia, the 559
of SR388
Cleric
Metroid Prime - Ice Valley 521
Octopath Traveler - Primrose, the 560
Minecraft - Wet Hands 523 Dancer

EarthBound Beginnings - Magicant 524 Octopath Traveler - The Cliftlands 561

EarthBound Beginnings - Pollyanna (I 525 Octopath Traveler - Therion, the 562

Believe In You) Thief

Mother 3 - Gentle Rain 526 Octopath Traveler - Tressa, the 563

Merchant
Mother 3 - Name These Children 527
Okami - Dragon Palace 564
Mother 3 - Monkey's Delivery Service 528
Okami - Okikurmi the Hero 565
NBA Jam - Team Select 529
Okami - Tribe of Heavenly Kami 566
Neo Turf Masters - Baden National 531
Golf Course One Must Fall: 2097 - Main Theme 567

New Super Mario Bros. - Castle 533 Ori and the Blind Forest - Main Theme 568

New Super Mario Bros. - Overworld 534 Paper Mario: The Thousand Year Door - 569
Peaceful Petalburg
New Super Mario Bros. - Overworld 535
(Versus Mode) Paper Mario: The Thousand Year Door - 570
Story of the Thousand Year Door
NieR - Song of the Ancients ~ Devola 537
Paper Mario - Title Screen 571
NieR: Automata - A Beautiful Song 539
Paper Mario - Wish of the Princess 572
NieR: Automata - City Ruins - Rays of 541
Light Papers, Please - Theme 573

NieR: Automata - Vague Hope - Cold 543 Paradise Killer - Paradise (Stay 575
Rain Forever)

Octopath Traveler - A Sea Breeze 545 Persona 3 - Poem of Everyone's Souls 577
Blows (Velvet Room)

Octopath Traveler - A Settlement in 547 Persona 4 - Alone 579

the Red Bluffs
Persona 4 - Heartbeat, Heartbreak 580
Octopath Traveler - Alfyn, the 548
Persona 4 - Heaven 581
Apothecary
Persona 4 - Junes Theme 582
Octopath Traveler - Battle I 549
Persona 4 - New Days 583
Octopath Traveler - Battle II 551
Persona 5 - Beneath the Mask 585
Octopath Traveler - Battle III 553
Persona 5 - Last Surprise 587
Persona 5 - Layer Cake 589 Pokémon Black & White - Anville Town 623

Persona 5 - Price 591 Pokémon Black & White - Driftveil 624

City
Persona 5 - Rivers in the Desert 593
Pokémon Black & White - Route 10 625
Persona 5 - Sunset Bridge 595
Pokémon Black & White - The Dreamyard 626
Persona 5 - The Days When My Mother 596
Was There Pokémon Colosseum - Mt. Battle 627

Persona 5 - Tokyo Daylight 597 Pokémon Diamond & Pearl - Bicycle 629

Persona 5 - Wake Up, Get Up, Get Out 599 Pokémon Diamond & Pearl - Eterna 631
There Forest

Persona Q2: New Cinema Labyrinth - 601 Pokémon Diamond & Pearl - Jubilife 632
Invitation to Freedom City (Day)

Phantasy Star - Dungeon 2 603 Pokémon Diamond & Pearl - Route 203 633
(Day)
Phantasy Star - Dungeon 1 604
Pokémon Diamond & Pearl - Team 635
Phantasy Star - Sky City 605
Galactic HQ
Phantasy Star II - Secret Ways 606
Pokémon Gold & Silver - Cherrygrove 637
Phantasy Star IV: The End of the 607 City
Millennium - The End of The
Pokémon Gold & Silver - Goldenrod 638
Millennium
City
Phoenix Wright: Ace Attorney - Simple 608
Pokémon Gold & Silver - Ice Path 639
Folk
Pokémon Gold & Silver - Lavender Town 640
Phoenix Wright: Ace Attorney - 609
Pursuit - Corner the Culprit Pokémon Gold & Silver - National Park 641

Phoenix Wright: Ace Attorney - Maya 610 Pokémon Gold & Silver - Violet City 642
Fey - Turnabout Sisters 2001
Pokémon Gold & Silver - Ecruteak City 643
Phoenix Wright: Ace Attorney - The 611
Pokémon Gold & Silver - New Bark Town 644
Steel Samurai - Warrior of Neo Olde
Tokyo Pokémon HeartGold & SoulSilver - 645
Pokégear Radio: Pokè Flute
Phoenix Wright: Ace Attorney - 612
Victory! - Our First Win Pokémon Mystery Dungeon: Explorers of 647
Sky - Barren Valley
Phoenix Wright: Justice for All - 613
Pursuit - Confront the Culprit Pokémon Mystery Dungeon: Explorers of 649
Sky - In the Morning Sun
Phoenix Wright: Trials and 614
Tribulations - Godot ~ The Fragrance Pokémon Mystery Dungeon: Explorers of 651
of Dark Coffee Time & Darkness - Treasure Town

Phoenix Wright: Trials and 615 Pokémon Mystery Dungeon: Gates to 652
Tribulations - Pursuit - Catch the Infinity - Sympathy and Sincerity
Culprit
Pokémon Mystery Dungeon: Red & Blue 653
Pilotwings - Light Plane 617 Rescue Team - Run Away/Fugitives

Pilotwings 64 - Birdman 619 Pokémon Mystery Dungeon: Red & Blue 654
Rescue Team - Friend Area - Swamp
Plants vs. Zombies - Zombies On Your 621
Lawn
Pokémon Mystery Dungeon: Red & Blue 655 Rygar - Palace of Dorago 693
Rescue Team - Pokémon Square
Scott Pilgrim vs. the World: The Game 695
Pokémon Red & Blue - Pallet Town 657 - Another Winter

Pokémon Red & Blue - Opening 658 Scott Pilgrim vs. the World: The Game 697
- Cheap Shop
Pokémon Red & Blue - Route 1 659
Secret of Mana - A Curious Tale 699
Pokémon Red & Blue - Celadon City 660
Secret of Mana - Fear of the Heavens 701
Pokémon Red & Blue - Lavender Town 661
Secret of Mana - Phantom and a Rose 703
Pokémon Red & Blue - Pokémon Center 663
Theme Secret of Mana - Prophecy 704

Pokémon Red & Blue - Rival Appears 664 Shadow of the Colossus - Revived 705
Power
Pokémon Ruby & Sapphire - Dive 665
Shantae: Half-Genie Hero - Dance 707
Pokémon Ruby & Sapphire - Fortree 667
Through the Danger
City
Shenmue - Sedge Flower 709
Pokémon Ruby & Sapphire - Route 101 668
Shin Megami Tensei - Ruins 710
Pokémon Ruby & Sapphire - Ever Grande 669
City Shin Megami Tensei III: Nocturne - 711
Title Loop 2
Pokémon Ruby & Sapphire - Sootopolis 670
City Shining Force 2 - Lively Town 713

Pokemon Super Mystery Dungeon - 671 Shovel Knight - Courage Under Fire 715
Serene Village (Armorer Village)

Pokémon Sword & Shield - Battle Tower 673 Shovel Knight - High Above the Land 717
Battle Theme (The Flying Machine)

Pokémon X & Y - Snowbelle City 675 Shovel Knight - Strike the Earth! 719
(Plains of Passage)
Portal - Still Alive 677
Silent Hill 2 - Theme of Laura 721
Professor Layton and the Unwound 679
Future - The Unwound Future Silent Hill 4 - Waiting for You 723

Professor Layton and the Curious 681 Silver Surfer - World 1 725
Village - Professor Layton's Theme
Silver Surfer - Hi Score 727
Punch-Out!! - Boxing 683
SimCity - Main Menu 729
Punch-Out!! - Training 684
SimCity - Title Screen 730
Rayman: Origins - Lum King 685
Sonic & Knuckles - Lava Reef Zone 731
Red Dead Redemption 2 - Cruel World 686 (Act 1)
(by Willie Nelson)
Sonic & Knuckles - Mushroom Hill Zone 732
Rhythm Heaven - Tunnel 687 (Act 2)

River City Girls - The Hunt 688 Sonic the Hedgehog 3 - Special Stage 733

River City Ransom - Running Around 689 Sonic Advance - Neo Green Hill Zone 734
the City Act 1

Rockman & Forte - Museum (Opening 691 Sonic Adventure - My Sweet Passion 735
Stage)
Sonic Adventure - Pleasure Castle 737 Sonic the Hedgehog 3 - Hydrocity Zone 770
...for Twinkle Park (Act 1)

Sonic Adventure - Unknown from M.E. 739 Sonic the Hedgehog 3 - Ice Cap Zone 771
Act 1
Sonic Adventure 2 - 34°N, 12°E... for 741
Mad Space Sonic the Hedgehog 3 - Marble Garden 772
Act 1
Sonic Adventure 2 - Bright Sound... 743
for Dry Lagoon Sonic Unleashed - Apotos Night 773

Sonic Adventure 2 - Fly in the 745 Sonic Unleashed - Arid Sands - Night 775
Freedom
Sonic Unleashed - Spagonia - Day 777
Sonic Adventure 2 - Live & Learn 747
Space Harrier - Theme From Space 779
Sonic Adventure 2 - Escape From the 749 Harrier
City... for City Escape
Splatoon - Splattack! 781
Sonic & Knuckles - Flying Battery 751
Splatoon 2 - Inkoming! 783
Zone (Act 1)
Star Fox - Corneria 785
Sonic Lost World - Windy Hill - Zone 752
2 Star Fox - Credits 787

Sonic Mania - Stardust Speedway (Act 753 Star Fox - Space Armada 789
1) [ALT]
Star Fox 64 - Area 6 791
Sonic Mania - Stardust Speedway (Act 754
Star Fox 64 - Enter Star Wolf 793
1)
Star Ocean: The Second Story - The 795
Sonic Mania - Studiopolis Zone (Act 755
Venerable Forest
1)
Stardew Valley - Spirit's Eve 796
Sonic Spinball - Toxic Caves 757
Festival
Sonic the Hedgehog - Green Hill Zone 759
Stardew Valley - Stardew Valley 797
Sonic the Hedgehog - Marble Zone 760 Overture

Sonic the Hedgehog - Spring Yard Zone 761 StarTropics - Alien Spaceship 798

Sonic the Hedgehog - Star Light Zone 762 StarTropics - Cruising on the Ocean 799

Sonic the Hedgehog 2 - Aquatic Ruin 763 StarTropics - Dungeon 800

Zone
Street Fighter V - Theme of Karin 801
Sonic the Hedgehog 2 - Casino Night 764 Kanzuki
Zone
Streets of Rage 2 - Dreamer 803
Sonic the Hedgehog 2 - Chemical Plant 765
Streets of Rage 2 - Go Straight 804
Zone
Streets of Rage 2 - Wave 131 805
Sonic the Hedgehog 2 - Emerald Hill 766
Zone Super Ghouls 'n Ghosts - Continue 806

Sonic the Hedgehog 2 - Mystic Cave 767 Super Mario 3D Land - Overworld 807
Zone
Super Mario 3D Land - Special World 8 808
Sonic the Hedgehog 3 - Angel Island 768
Super Mario 3D World - Super Bell 809
Zone (Act 1)
Hill
Sonic the Hedgehog 3 - Gumball Bonus 769
Super Mario 64 - Koopa's Theme 810
Super Mario 64 - Dire Dire Docks 811 Super Mario Galaxy 2 - Starship Mario 844

Super Mario 64 - Staff Roll 813 Super Mario Galaxy 2 - World 3 845

Super Mario 64 - File Select 815 Super Mario Kart - Choco Island 846

Super Mario 64 - Inside the Castle 816 Super Mario Kart - Koopa Beach 847
Walls
Super Mario Kart - Mario Circuit 848
Super Mario 64 - Main Theme 817
Super Mario Kart - Rainbow Road 849
Super Mario 64 - Slider 818
Super Mario Land - Birabuto Kingdom 850
Super Mario 64 - Snow Mountain 819
Super Mario Land 2 - Staff Roll 851
Super Mario 64 - Powerful Mario 820
Super Mario Land 2 - Treetop 853
Super Mario Bros. - Invincible 821
Super Mario Odyssey - Bubblaine 855
Super Mario Bros. - Overworld 822
Super Mario Odyssey - Jump Up, Super 857
Super Mario Bros. - Underwater 823 Star!

Super Mario Bros. - Underworld 824 Super Mario Odyssey - Steam Gardens 859

Super Mario Bros. 2 - Character 825 Super Mario RPG - Beware the Forest's 860
Select Mushrooms

Super Mario Bros. 2 - Overworld 826 Super Mario RPG - Rose Town 861

Super Mario Bros. 2 - Underground 827 Super Mario Sunshine - Delfino Plaza 863

Super Mario Bros. 3 - Athletic 828 Super Mario World - Athletic 865

Super Mario Bros. 3 - Ending (Part 2) 829 Super Mario World - Ending 867

Super Mario Bros. 3 - Ending 830 Super Mario World - Fortress Boss 869

Super Mario Bros. 3 - Hammer Bros. 831 Super Mario World - Map 1 871

Super Mario Bros. 3 - Overworld 832 Super Mario World - Map 2 872

Super Mario Bros. 3 - Underground BGM 833 Super Mario World - Map 4 873

Super Mario Galaxy - Good Egg Galaxy 834 Super Mario World - Map 5 874

Super Mario Galaxy - Gusty Garden 835 Super Mario World - Overworld 875
Galaxy
Super Mario World - Special World 876
Super Mario Galaxy - Rosalina in the 837
Super Mario World 2: Yoshi's Island - 877
Observatory
Athletic
Super Mario Galaxy - Space Junk Road 838
Super Mario World 2: Yoshi's Island - 878
Super Mario Galaxy - The Honeyhive 839 Flower Garden

Super Mario Galaxy - Waltz of the 840 Super Mario World 2: Yoshi's Island - 879
Boos Intro Music Box Theme

Super Mario Galaxy 2 - Cloudy Court 841 Super Metroid - Brinstar Red Soil 880
Galaxy Swampy Area

Super Mario Galaxy 2 - Green Star 842 Super Metroid - Galactic Warrior - 881
Theme of Samus Aran
Super Mario Galaxy 2 - Sky Station 843
Galaxy Super Metroid - Theme of Super 883
Metroid
Super Smash Bros. Brawl - Super Smash 885 Wave Race 64 - Main Title 922
Bros. Brawl Main Theme
Wii - Wii Shop Channel 923
Super Smash Bros. Melee - Menu 1 887
Wild Arms - To the End of the 925
Super Smash Bros. Ultimate - Menu 889 Wilderness

Street Fighter II - Balrog's Theme 891 Wild Arms - Not Just Any Kid, But A 927
Lady! (Jane's Theme)
Street Fighter II - Guile's Theme 892
Wild Arms - Port Town Theme 928
Street Fighter II - Ken's Theme 893
Wild Arms - Village of the Elw 929
Street Fighter II - Ryu's Theme 894
Wild Arms - Wh-What? (Zed's Theme) 930
Super Street Fighter II (Arcade) - 895
Vega's Theme [ALT] Xenoblade Chronicles - Gaur Plain 931

Street Fighter II - Vega's Theme 896 Xenoblade Chronicles 2 - Mor Ardain - 933
Roaming the Wastes
Tales of Phantasia - Desolate Road 897
Xenogears - My Village is Number One 935
Teenage Mutant Ninja Turtles: Turtles 898
in Time - Neon Night-Riders Xenogears - Shevat, the Wind is 937
Calling
Teenage Mutant Ninja Turtles: Turtles 899
in Time - Sewer Surfin' Xenogears - Singing of the Gentle 938
Wind
Teenage Mutant Ninja Turtles - 900
Underwater Yakuza 0 - Interplanetary Spark 939

Tetris - Korobeiniki (Tetris Type-A) 901 Yoshi's Story - Ending Story 941

Tetris - Type-B 902 Yoshi's Woolly World - Shy But Deadly 943

Thunder Force IV - Metal Squad 903 Ys VIII - Sunshine Coastline 945

Treasure Hunter G - Sad Freedom 905 Zelda II: The Adventure of Link - 947
Battle Theme
Tyrian - Tyrian, the level 906
Zelda II: The Adventure of Link - 948
U.N. Squadron - Desert 907
Inside House
Under Night In-Birth - Night Walker 909
Zelda II: The Adventure of Link - 949
(Linne)
Palace Theme
UNDERTALE - Bonetrousle 911
Zoda's Revenge: StarTropics II - 950
UNDERTALE - Determination 912 Dungeon 1

UNDERTALE - Dogsong 913

UNDERTALE - Fallen Down (Reprise) 914

UNDERTALE - MEGALOVANIA 915

UNDERTALE - Once Upon a Time 916

UNDERTALE - Snowdin Town 917

UNDERTALE - Spooktune 918

Valkyrie Profile - Confidence in the 919

Domination

Wario's Woods - Title Theme 921

 20
Bass Air Battle A
from 1943: The Battle of Midway
Composed by Yoshihiro Sakaguchi
Transcribed by Mike Matarazzo
 = 180

  
Intro N.C.
                      


     
A

                 
C♯- E/B A F♯/A♯ G♯/B♯
    

        
                 
C♯- E/B A F♯/A♯ G♯/B♯ C♯
    

       
B D♭ F-/C G♭/B♭ D♭

      

           
A♭
    
E♭- C D♭

    

       
D♭ F-/C G♭/B♭ D♭

      

             
E♭- C A♭ D♭

   
D.S.
https://www.vgleadsheets.com
21
Bass Fillmore
from ActRaiser
Composed by Yuzo Koshiro
Transcribed by DoubleMark and musicalmoose


Rock  = 117

        
G-/B♭
           
A D/F♯
     
C- F-/A♭ C-/G

    
  
 
                        
G

      

  
         
B G-/B♭
  
C- F/A F-/A♭

  

  
         
C- F/A F-/A♭

  


                          

G B B♭
 
C- A♭ A B♭
   
  


        

1. 2.

         
G

E♭ G-/D D E♭/D E♭

 

          F♯
        
C A♭ 

G G

        

        F  G 
B/CA♭
                     
D C-

   

           
B/C A♭
            
C- F G

          
D.C.
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 22
Bass Side Scroll BGM
from The Adventures of Bayou Billy
Composed by Kyouhei Sada, Hidenori Maezawa,
Tsutomu Ogura, & Jun Funahashi

                                  
Funk  = 129 Transcribed by Ashanti Mills

 
     
Intro
         
C♯-
  



                            
A C♯-

        


                             
( C♯- )
      
N.C.

                            

 
B C♯- A G♯-
     

                          
   
C♯-
      

        B         B
          
C F♯- F♯-
 
N.C. N.C.

D.S.

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23
Bass Floor Theme
from Adventures of Lolo
Composed by Hideki Kanazashi
Transcribed by AarekMG

 
C  F
   
    F
  C  D
March  = 150

        
                
A D D C F C D
 
G G G
   
   

   
C  F
    
     F
      
               
  
C F D G

D D C

G G G
  
  

C                   D    G
       

G/B
 
A-
 
B
        


     F   
 C- 
     E♭     A     D   
  

B♭
       
 
D.C.

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 24
Bass Europe
from Aerobiz
Composed by Taku Iwasaki
Transcribed by sigmabeta


 = 96


                           
A- D  /A F/A G/A
         

         
                 
D  /A
 
A- F/A G/A

  
 

   
                    
A F A-

    



                 
E

               
F B♭

 
D.C.

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25
Bass Children of the Elder God
from Alan Wake
Composed by Old Gods of Asgard (Poets of the Fall)
Transcribed by DoubleMark
Rock  = 95
           
          

        
Intro C♯-

  


Rhythm and bass unison; extreme melodic noodling

                B  C♯-
          
E
    
A C♯- B A♯

                    A  C♯-
      / / E B
A♯
    
C♯-

A
    
F♯
    
F♯ E
  
E
      
F♯
    
  
F♯ E
      
B

      

           
A/C♯ B/C♯
   
 
       
 
C
 
C♯-
 

          
Rhythm comp with [Intro]

       
A/C♯
 
B/C♯
     
  


C♯-
 

               B   C♯-
                B A♯
E

    
D C♯-

                    A  C♯-
           
A♯
    
C♯- / / E B

A
    
F♯
    
F♯ E
  
E
      
F♯
    
  
F♯ E
      
E

      
https://www.vgleadsheets.com
            
26
A/C♯ B/C♯
        
 
   
 
F

C♯-
 
Rhythm comp with [Intro]

          


B/C♯
  
A/C♯
 
C♯-
        
  
C♯-
 

    
 
   
   
  
( C♯- ) E B C♯-
     
        
G
           
Rhythm play hits only

 
( C♯- ) 
    
                               
 E B C♯-

   
 
N.C.
               

G♯  G F♯  G G♯  G F♯  E

    
                              
          


                
C♯-

Rhythm comp with [Intro]

A
    
F♯
            
F♯ E
 
E
      
F♯
    
 
H F♯ E

      


C♯-

      
I

Rhythm comp with [Intro] to end, drums out Drums in


F♯

                 

B/C♯

A/C♯
   
         
     
C♯-
 
C♯-

  
Play 4x
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27
Bass Angry Birds Theme
from Angry Birds
Composed by Ari Pulkkinen
Transcribed by AarekMG

      
                   
E-


 = 120

  
             E-

   
             E-
  
           
G G
   
A
   
E-

         
  A
      G
   
 
 
 
      
      A  E-

G B- G B-
   
E-

   

   
B E- N.C./B E- N.C./F
     
               
            

               

  
   
                
E-
 

    
                  
C E-

             

                                             
E-

                   
           
                  
G E-

              
 
 

              
  
E-
   
D.S.
https://www.vgleadsheets.com
 28
Bass 7 AM
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by JohnStacy
 = 94

        

E♭ F- E♭ F- F♭

         


 
E♭ F- G- C/B♭
  
                  


 
F- G- A♭

            
B♭

    

 
E♭ F- G- C/B♭
  
                  


  
    
F- G- A♭

         
B♭

 

          
E♭ F- E♭ F- F♭

       
D.C.

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29
Bass DJ K.K.
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by Mikhail Ivanov
Pop  = 138


E- G E- G A G E- G E- G A G E- G E- G A G
                        
Awoooooo!


E- E-
                  
               

   
A E- D C B-
         
D
              
Rhythm simile

     
E- D C D E-
              

         
     
 
        
B A- E- E-

B- A- B-

   

                     
  
E- E-
1.

 
A- B- A- B-
  


    
E- G E- G A G E- G E- G A G E- G E- G A G E-
2.

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   
30

   
C E- D C B-
         
D

               

 
1. 2.

            
E- D C D E- E-
       
 
N.C.
   
 

         
     
 
        
D A- E- E-

B- A- B-

   

                         

E- E-
1. 2.

  
A- B- A- B- E-
  


         
     
       
E C- F- C- F-

B♭- B♭-

 

                  
C-
     
C- F- B♭-

B♭-

 

F- A♭ F- A♭ B♭ A♭ F- A♭ F- A♭ B♭ A♭ F- A♭ F- A♭ B♭ A♭ F-
      

Awoooooo!

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31
Bass K. K. Bossa
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by JohnStacy
 = 128


G 
                    
 

         
       
A G C
     



    
 
A- D G  D- /A♭
        

    
   
  
     
G  C B- E  
  

   
          
1. 2.
A D   G  D- /A♭ G 
    

To Coda 3

       3
   
B C♯-  F♯ B- E   A- D
          
3 3

              
G  C♯-  F♯ C F B- E  
     
 
3 3

               
A A- B- E
 
  

    
      
A D-  D   G
      
 D.S. al Coda
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 32
Bass K.K. Cruisin'
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by Ashanti Mills


Swing  = 84

         
       
C♭ B♭

        
N.C. N.C.

  

 


             
AC♭ B♭ E♭- A♭

      
3

      
C♭ B♭ E♭-

F♭/G♭

        
 

          

C♭ B♭ E♭- A♭

      
3

          
1. 2.

      
C♭ B♭ E♭-
   
E♭- F♭/G♭

 


                      
B C♭ B♭ E♭- A♭

            


        
1. 2.

      
B♭ E♭- E♭-
    
C♭ F♭/G♭

    
    D.S.

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33
Bass K.K. Fusion (Aircheck)
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by Mikhail Ivanov

       G   F/
 
             
G♭ C- / A♭ G- C
 
Funk  = 108

Drum intro

A♭/B♭
     
   

  
A
 
    

 B♭ )     
   

  
( A♭/ B♭/C
   
     

    
     
         
A♭/B♭ B♭/C

                      
B D♭/E♭ D♭/E♭
   
 

                             
         


    
                       
B♭/A♭ F
 
D♭/E♭ G♭ G-
 
С-/G
 
 
Bass simile

A♭/B♭
     
   

   
     
 D.S.
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34
35
Bass K.K. Metal
from Animal Crossing Composed by Kazumi Totaka
Transcribed by Mikhail Ivanov

Metal  = 143

   
E♭ C B♭ C E♭ C B♭ G

  
 

    
    


   
   

 

    
         
   

  
E♭ C B♭ C E♭ F G♭ F E
 


  
 
 







 
 















      


 
                
A E♭ C
B♭ C E♭ C B♭ G E♭ C B♭ C E♭ F G♭ F E

          
  
Rhythm simile

     
E♭ C B♭ C E♭ C B♭ G E♭ C B♭ C E♭ F G♭ F E

    
To Coda

 
B E♭ C B♭ C E♭ C B♭ G E♭ C B♭ C E♭ F G♭ F E

                    



               
E♭ C B♭ C E♭ C B♭ G E♭ C B♭ C E♭ F G♭ F E A♭ B♭
                


 

 

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 36
E♭ C B♭ C
       
                            
C

    
C E♭ F G♭ F E
    
           
     
 
        

E♭ C B♭ C
       
                         
    
C E♭ F G♭ F E
    
           
     
       


 
D E♭ C B♭ C E♭ C B♭ G E♭ C B♭ C F C

                            

 
C A♭ E B♭

                
Awoo!

 
C A♭ D B♭
          
 
3
D.C. al Coda



E♭ C B♭ C E♭ C B♭ G

 
 

    
    


   
   

 

    
         
   

 
E♭ C B♭ C E♭ F G♭ F E E♭
       
 
 

    
    


   
   





     


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37
Bass Kapp'n's Song
from Animal Crossing: New Leaf
Composed by Kazumi Totaka
Transcribed by AarekMG

            C♯-       
Ballad   = 70 A A

  

              
B- D♯ E N.C.

 

   
B
           
A F♯- D E

   


         
        
C♯- F♯- D D♯

 


      
E N.C.

Kapp'n Banter

          
    
C A F♯- C♯- D♯

 

           

E

 
B- A D- A

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 38
Bass Title
from Animal Crossing
Composed by Kazumi Totaka
Transcribed by Ashanti Mills

    

 = 116

Drum intro

         B♭
F
        
A G- E♭
      
F F/A

 
   
       
E♭

          
F
    
G-
 
F F/A B♭

   
 
           
D- G- D- G-

B
 

     
B♭
 C-  F
D- E♭
   
E♭
     
rit.

 
  
C
  
N.C.
    




               

F G- F/A F B♭ E♭


         F  
  
F/A
 
F G- B♭ E♭


       
D D♭ E♭ D♭ E♭ D♭ E♭ D♭

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39
Bass 2 AM
from Animal Crossing: Wild World
Composed by Kazumi Totaka
Transcribed by JohnStacy
Swing  = 90

   
A G A G
       

    
A A G A G
      

     
F♯- B E E

  

         
D C♯ C♯- F♯

  
B- E A A

    


 
B F♯- B E E

       

  
C♯- F♯ B E A

       

  
D C♯- B- E
            
D.C.
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 40
Bass Mountain Song
from Animal Crossing: Wild World
Composed by Kazumi Totaka
Transcribed by AarekMG
  = 60

             
A C G  /B G C
         
3

     
      
G  /B G G  /F

C C/E

      
3

                  
     
B F C/E

 
                   
G  /D C

                  
     
F C/E

 C 
           
G

D.C.

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41
Bass Shampoodle
from Animal Crossing: Wild World
Composed by Kazumi Totaka
Transcribed by AarekMG
 = 137

  
N.C.

Drum intro


 F
                
A
        
C C F

       

 
                           
C F C F A

     

                        
B G/D G G/D G A/E A A/E A

        
C
       
F
    
G/D G G/D G
       


C F
             
D.S.

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 42
Bass 12 PM
from Animal Crossing New Horizons
Composed by ACNH Sound Team
Transcribed by Bao Vuong
Upbeat pop  = 90

     
A D A
    
    
  

(Bass) Bass simile

    
  
D A  E/F♯
 
           
 

 
    
A
  

      
E

D C B D/ G/A

         
    
    

                    
A A D
   
B ( G/A ) G/A

 

( D ) C♯-   B-

    
C

    
   
    
   

 

D/E C♯/D♯

   
    
      
      
D.C.
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43
Bass 5 PM
from Animal Crossing: New Horizons
Composed by Yasuaki Iwata
Transcribed by AarekMG
Funk; swing 16ths  = 73
 
  

                        
B- A
              
D/E E/F♯



      D/E   A
  
      
A B-
 
E/F♯

Background simile

     D/


        
   
E

B- A A B-
  
/ /

      E/F♯   B
 
      
B C♯- F♯ G♯-
 
F♯/G♯

     E/

          
     F♯
   
F♯ F♯-
   
C♯-  A/B B B♭-

   

       
    
C B- A
    
D/E E/F♯ / / D♯/F♯

   C♯- 
     
G
 
B- D

F♯

 
 

                        
B- A
        
D/E E/F♯
     
D.C.
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 44
Bass Town Hall
from Animal Crossing: New Horizons
Composed by ACNH Sound Team
Transcribed by sigmabeta

A- 
           B♭-
Light samba  = 90

            
A F G- B♭  A- G- C



           D♭
    
   
F G- A- D-  C E♭ F

A- B♭    
    
D
  
B G- A- G- C

F

A-    
        
F G- D- G C E♭ F



         

 
               
C B♭   E♭
 


    
       
G C
       

  
C
 
N.C.

D.C.

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45
Bass Visitor Arrival
from Animal Crossing: New Horizons
Composed by ACNH Sound Team
Transcribed by Ashanti Mills


Bossa  = 77


                
G A- B- B♭
 

     
    
A- C  /D C /D G C
     


   
G C G C C/D
   
D/E F♯/A
    
 

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 46
Bass Welcome Horizons
from Animal Crossing: New Horizons
Composed by Kazumi Totaka
Transcribed by xXChickyChuXx and Jer Roque

 F /E♭ B♭/D   
 = 102

        
   
   
G/D
  
A F B♭-/D♭ F/C B♭/C

 F /A  B♭  
   
    
G
  
 B♭-/D♭
     
F F/C

   E♭
D♭/
 
B D♭

 
E♭ D♭

        
   C
  
( D♭/E♭ ) A♭ B♭/

 
B♭/C
   
  
N.C.
 

F/ A

C     F/
  A  B♭
C    
 
D- D-
    
     
C
 
B♭

 

 C♯   
G /
     
E
 
F♯-

A/ D/

D

D F

  


   
 
 
  
B♭
      
A
  

B♭/C
  
Fine

        
F/E♭ C F/E♭ C
   
F B♭/D F B♭/D

    D.C. al Fine
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47
Bass The Guitar's Serenade
from Apollo Justice: Ace Attorney
Composed by Shu Takumi
Transcribed by Jer Roque
 = 85


         
   
F
A E A
          


   
             
D D- C D E
    
         

  F-   
F♯-
           
B F E B B♭
        
3

            
G-  A   D D-
   
C♯

 
3
 3 3


      
 
B♭ B- E A
        
3 3 D.C.

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 48
Bass Apollo Justice ~ A New Trial Is In Session
from Apollo Justice: Ace Attorney
Composed by Toshihiko Horiyama
Transcribed by mkafie & sigmabeta
 = 126

     
Intro G♯- G♯-/F♯ E D♯-

     


     D♯- 
          
A G♯- G♯-/F♯ E
    
       

F♯
                
  
C♯- D♯- E♯- 
1.



 

       
          
C♯- D♯- E
2.
F♯

     
 

           
G♯-/F♯ E D♯-
 
B G♯-

    


    
C♯- D♯- E♯- 
    
F♯


D.S.

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49
Bass Grand Prix (Title)
from Arms Composed by Atsuko Asahi & Yasuaki Iwata

Transcribed by Ashanti Mills

Rock, Latin fusion  = 126

       
N.C.

Drum intro


              E 
         
A

F♯- D


          E 
         
 


F♯- D

E
                 
             
F♯- D

  

     
                

           
F♯- D E

   
        
          

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     
50

                
B F♯


        
D E B

              
      
F♯


 
          
D E B

D
                      
    
C
 
E F♯ B
  

C♯-
D
            C♯   
     
 
B
   
D.S.

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51
Bass Cog Is Push (Solitary Isle)
from Baba Is You
Composed by Arvi Teikari
Transcribed by Ben Horkley
Slow groove  = 62

                     
A♭ ( )

N.C. A♭ A♭

           

A pedal throughout

    
A♭ ( )

( A♭ ) A♭ N.C./Ab

          
Drums in

 
       
      
A A♭ A♭ ( )
 
A♭

 
Rhythm sim. to intro

    A♭/
     
1. 2.

   
         
A♭  A♭
 
A♭/
 
A♭ A♭

 

 
                                       
B

N.C.

 

 
        
          
C A♭ A♭ ( ) A♭  A♭
  
A♭

 

A♭/
        N.C.
                        
A♭

  
D.C.

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52
53
Bass The True Mirror
from Baten Kaitos
Composed by Motoi Sakuraba
Transcribed by Ben Wallace
Burnin'  = 200

    
D E♭

D D
 


        
A G- F E♭ C E

              
3 3

             
        
A- 3 B E- D C B B

  
3 3 3

B♭  B♭  G 

        
B A♭ A♭
1.


C- B♭ C- G

 

       
C C- C-/B♭ A♭
2.

                        

           

   C-/B♭ 

  
G G C-

     
               
         


    
A♭
3 G G A 

  
A

           
    
    

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 54

    
D
 
B A/B G/B F♯/B
 

                   
B A/B G/B F♯/B

3 3

                 
E C E-/B A- B B C E-/B A-

 
3

  
         
B/D♯ E-

A- D D/F♯ G E /G♯ A- B B

     B-
      
F

E- B- C A-

3

     B-
       
E- B- C A-

3

      
G E- D E- D A- D
     
C C G/B C D
   

       
   
Mad solos

            B  D D
E/G♯
       
D/F♯ B
H B/D♯
  
E- G A-

 
D.S.
https://www.vgleadsheets.com
55
Bass Stage 1
from Batman
Composed by Naoki Kodaka
Transcribed by AarekMG

      
 = 258
B-


  
    

     
( B- )

Bass simile

           
         
A

B-

    

       
          
                    
C F♯- 1. 2.

   

      A
      
     
B

B-
   

        
      
       
G F♯

    

   
     
 

 

            
B- G


      F♯
     
     
 

        
 
1.

  
A



         
           
  
A
2.
D F♯

    
D.C.
https://www.vgleadsheets.com
 Area 1
56
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG

             

 = 150
                         


                            
                            
                            


          

   

  
A
          
G E♭ F E♭ F


          
     
G
            
1.
E♭ F E♭ F

 G 
 
          
2.
E♭ F E♭ F

 
 A       A     
 
G

B G

3 3 3

 A        F♯
 
       
G

3 3

    
C

                      
E♭ F E♭ F E♭ F E♭ F

 

 
                     
D G F/G G F/G

 D.S.
https://www.vgleadsheets.com
 Area 2
57
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG
Swing 8ths  = 150

           

A-
           
      
3 3 3 3 3 3 3 3


             
A A G/A A F G
   
3 3

       
3 3 3

             
A G/A A F G
   
3 3

       
3 3 3


               
B E F/E G/E F/E E

            
E F/E G/E E

D.S.

https://www.vgleadsheets.com
 Area 3
58
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG
E E
  
       

 

 

 

 

 

 

 

 = 150

        

A/E A-/E

  
       

       

       


       

  
         
  
A E
     
D

  

  
        
          
E D

 
      
           
B

A E♭


     
              
 
A B
 
D.C.

https://www.vgleadsheets.com
 Area 4
59
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG

      
 = 113

                      

C B♭ C C-



   
 
                            
A♭ G

          
                       
  
C B♭ A♭ G

         
          
     
G

A♭


Molto rall. "wom"
D.C.

https://www.vgleadsheets.com
 Area 5
60
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG
 = 129

                            
A A G A G
  

     
               
F C D E

    

                           
B A G A G

 

   
         
  
   
F C B E

  

         
    
C
   
A G A G
  
   
  
   
D.C.

https://www.vgleadsheets.com
61
Bass Area 6
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG

            
 = 129

                            
G F



       
            
G
 
F

          

                                  
 
A C-

B♭ 
      C- 

       
  
        
 
 
(Bass)

                                
( C- )
 


  )
( C-
                          
 


                C-
 
A♭
 
B♭

 
(Bass)


           
C-

                         
D.S.
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 Area 7
62
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG

           
Intro A-


 = 180

     
Drum intro
(Bass)

 A-    G        
E
  
 
A F

  
Bass simile

A-    G         
 
F G A-
  

                                
B A- G-

 

  
                                               
1. 2.

A- B♭ ( A- ) B♭

 

   
                            
C E G F

             
E G B♭
                  

                             
A-

D.S.
Fade melody out
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 Area 8
63
Bass
from Blaster Master
Composed by Naoki Kodaka
Transcribed by AarekMG

        
   

N.C.
  
 = 90

  

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 64
Bass Blue Resort
from Bomberman 64
Composed by Akifumi Tada
Transcribed by AarekMG

    
        
     
 = 115 F
   
    


   
 
   
Drums on 2x

    E   E  
               
F F
   
A

  
Rhythm simile


  F
  
              
G-
   
E♭

D
   
    
6

 
6

C-     
          
F
 
B D- G

   

G♭
                           
C♭ F

C-
      

3

          
E♭
    
D-
     

C


    

   B♭ B♭ A♭
  
F
             
B- 3 C
       
A- 3
 
C- D- E♭

        
   
3 3 D.C.

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65
Bass Horizon of Light and Shadow
from Bravely Default
Composed by Revo
Transcribed by Analilia Fierro

  
       E        

 = 120

          
A A
N.C F♯- C♯-
  

D     A 

 G   
  
E
 
   
  

F
 
    
      
B
  
F G

 

             
     
G E N.C.
   
 

            
  
C A- G C F G C C♯

   
3 3

         
      
D- G C F B E D-

3 3

   E
 D- E

      
E D-

D.C.

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66
67
Bass Love's Vagrant
from Bravely Default
Composed by Revo
Transcribed by mkafie
Orchestral disco polka  = 164
F♯- F♯-
                   
F♯- E F♯- E E E
             
  
 
                
3 3 3 3



     
 
  
       A    
            
A F♯- B- E

      
   
      
G♯-  F
  
1.
D C♯ D E



         
  
    
G♯- 
2.
C♯ D E F F♯- E F♯- F
   
3 To Coda

  
        
                  
A♯

F♯- E D C♯ F♯- E/G♯ A

 
B

3

3 3


 
 
    
          
    
G♯-  C♯

 
EB- A D
    
  
3

E/G♯  A
  
     
  
  
      
A♯
           
F♯- E D C♯ F♯-

 
3

3 3

       

            
G♯-  C♯
  
B- A D E

       
 
3 D.S. al Coda
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 F♯-

68
    
E F♯- E F♯- E F♯- E
          

     
   

     
  

         
  

Solo over coda 3 3

3

    E    
 
      
F♯- E F♯- F♯- E F♯-
          
          
3
Unison

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69
Bass That Person's Name Is
from Bravely Default
Composed by Revo
Transcribed by mkafie

      
 
A- G F E- D- E E A- G F E- D- E E
  

 = 158
   
             
      

    D-

C

A-
                          G C    F
  
A C♯


G F C D-/F G

 

Small note first time only

A-  C
   
                                 
C♯
B E G F C D-/F G

    G C    F   
E

       
   
D- B F F♯ E/G♯

    

       


    
    
B F♯- D

    

   
 
 

   
 
  


 
                
1. 2.

      
D D


F♯- C♯ B-
        

     
         

  D 
  
               
C E- C G E- C D D

 D 
  G C   D   
     
    
E- C

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 C♯-       B 
            E 
70
   
D

A B


         
A
                   
E D♯ G♯
 
 
C♯-     B 
        B    E    
     
A


                             
A E D♯ G♯

 
A
 
       B
      
A C♯-


B G♯-
  
      
3

G♯- 
 
F♯-


       
F♯- G♯ G♯ C♯- B A G♯ G♯
    
     


     
                            

E B♭- F/A B♭- A♭/C
    

                               
 
D♭ A♭/C D♭ B♭/D

 

   
                        
  
 
E♭- B♭/D E♭- C/E

 

                           D♭  F/
 C   
 
1.
F F E♭- B♭-/

 


                                 
2.
F F


                           
F F G- A♭
   


 


 D.S.
https://www.vgleadsheets.com
71
Bass Casually
from Breath of Fire III
Composed by Akari Kaida
Transcribed by DoubleMark & musicalmoose
Fusion  = 108

     
B♭ Falt/B B♭ F  
       
B♭/E♭ B♭/E♭

   

 B♭ B♭/E♭ A  /B B♭ B♭/E♭ Falt/B
       
                     
A

   
3

                     
B♭ B♭/E♭ F B♭- E♭ A♭- D♭

  
Groove simile

              
 
    
B♭ B♭/E♭ A/B B♭ B♭/E♭ Falt/B

    

                 
 
       
B♭ B♭/E♭ F B♭- E♭ A♭- D♭

      
B B♭- E♭- A♭- D♭

     
             
  


           
B♭- E♭- A♭- F
    
D♭-/G♭

                   

                
C B♭ A  /B B♭ Falt/B

B♭/E♭ B♭/E♭

         
Opt. ad lib.   

     
B♭ A  /B B♭ F  
     
B♭/E♭ B♭/E♭
            
 D.S.
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 72
Bass Do Your Best!
from Breath of Fire III
Composed by Akari Kaida
Transcribed by DoubleMark
Jazz fusion  = 136

           
D- G
    
               
F
 
   

     

  



        
F G

A D-
    
      
  
 


Rhythm simile

          
  
D- / / F G

              
               
B D- E-/D / / F G


(Opt. ad lib)

 
        
                              
D- E-/D F G


        
                     
C A♭ G- F E♭ 

   
D- C/D
  
D.S.

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73
Bass Everyday Battle
Breath of Fire III
Composed by Akari Kaida & Yoshino Aoki
Transcribed by DoubleMark

 
 = 142


    
N.C. A A-

    

      
 





 
 





 
 



 

         

A-



            




 
          
      

     
A-

          
        
  
       

  
A-


            




 
          
    

      
  
B F E- F G

              


                                   
F E-
     
D N.C.
    

  

https://www.vgleadsheets.com
   
74

    
C A- C/G F
     
      

      
D- E♭ B♭/E A  /G
  

  


 
F       
                   

G
    



       
  
F G-
  
G
        
        
 D.S.



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75
Bass To a Distant Place
from Breath of Fire III
Composed by Akari Kaida & Yoshino Aoki
Transcribed by DoubleMark
Swing 16ths  = 100

             
A A♭- B♭ E♭- E♭-

   

   
             
A♭- B♭ E♭- E♭-



            
A♭- B♭ E♭- E♭-

  

              
   
A♭- B♭ E♭-

 

      
  
B A♭- G♭

        

             
A♭- G♭

      

              
C- 
     
F-  B♭ E♭- D♭

  

    

      
C♭/G♭
 
B♭ N.C.


D.C.
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 76
Bass Century of the Patriarch
from Breath of Fire II
Composed by Yuko Takehara
Transcribed by Jamin Morden
Maestoso  = 118

 
      
F B♭/F F B♭/F
    
A

    

       
F B♭/F F B♭/F
    

      
A♭ D♭/A♭ A♭ D♭/A♭
            
B

      
A♭ D♭/A♭ A♭ D♭/A♭
      


D.C.

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77
Bass Wanderer
from Breath of Fire II
Composed by Yuko Takehara
Transcribed by Gregory Orosz
 = 130


A-

D  
  
  



A-      
 
A D/A A- D/A

A-    
 
D/A

F      


A-  A
  
D/ A- D/A

     
        
B
  
F G

A-      
 
D/A A- D/A

D.S.

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78
79
Bass Town Theme 1
from BS-X (Satellaview) BIOS
Composed by Akito Nakatsuka, Naoto Ishida, Yuichi Ozaki
Transcribed by Jonathan Aldrich

 B         

Swing  =90
D    
    
Intro E-
  
A


     
           
A D E

     

   
      
E-
  
A F♯- F- E- A
      
    

    
       
D E

   
  

 A D   
         
E-

D N.C.

   G♯      
   
B G F♯- B
   

        

E- A D B


             
E- F♯-

   

G♯  A
           
G N.C.

 

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      
80

           
C D E

     

   
      
E-
  
A F♯- F- E- A
      
    

    
       
D E

    
 

   A  D     
     
E- N.C.
 
D

D.S.

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81
Bass Quest Begins / Main Theme
from Bubble Bobble
Composed by Tadashi Kimijima
Transcribed by AarekMG

  
 = 129 D-/F E♭/G F/A
               
E♭  F F♯ B♭/F

B♭/D C- C-/D C-
     
  


                                    
A B♭ G-


                                     
B♭ G- B♭



            
      
B F/A B♭
     
F/A B♭

       C-  G-  C-
       
E♭ B♭/D
  



            
      
F/A B♭
     
F/A B♭

       C-    
        
E♭ B♭/D
 
F B♭

 D.S.

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 82
Bass Red Planet
from Bucky O'Hare
Composed by Tomoko Sumiyama
Transcribed by streifig

 
Rock  = 220

   
                        
A- C D A- G

           
                   
A- C D A- G

         G
   
   
        
A A-
 

        
  G
     
        
A-

 

                  
  
B
  
F C

  

             
       
D- E F E

       



                    
    
F C

  

             
           
D- E G F E

 
D.C.
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83
Bass Mite Knight
from Bug Fables
Composed by Stefan Moser
Transcribed by Ben Horkley


8-bit fight music  = 150
            

E
          
     
 

( E )  
         
 
           
  

 


                           
A E-
 
D A- B-

 

A-/C  B
                   
1. 2.


E- D A- A-/C B-
 


E-
    
         
  
  
 
G A- B-

  
B
   


E-
    
          
    
D A-/C B- B
1. 2.

    
 
D.C.

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84
85
Bass Clock Tower
from Castlevania: Aria of Sorrow
Composed by Michiru Yamane
Transcribed by DoubleMark & musicalmoose


                 B                          
 = 106

    
Intro A-

No drums

  B♭
                   A-
       
                         

C-                D                        
         
 


             G-
                        
E♭

  


 Half-time feel

                 
A G-

    
                    
Drums in

     

                 
( G- )

    
                    
    
https://www.vgleadsheets.com
                 
86


B A  /G A♭/G
   
G- G- E♭ F♯- D
     

G-    A /G             
    
A♭/G A /C♯
         
G- C- D D
  
  
 
Rock  = 

    
G-


              
  
C G-

     C-  D  D
     
E♭
 
A

              

A  /G
  
G- A♭/G G-

              
   
E♭ C- A D



N.C.             
  
D

    

                   

N.C.
     

                      
     
N.C.
      
 D.S.
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87
Bass Gloomy Memories
from Castlevania: Dawn of Sorrow
Composed by Konami Kukeiha Club
Transcribed by GUIM
 = 125

              
A
  
C- G/B E/B♭ F-/A♭

   

         
F- G F- G
  
    

       
C-/E♭ C/E F♯°
       
B C- B/D F- G

  
D.C.

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 88
Bass Heart of Fire
from Castlevania
Composed by Kinuyo Yamashita
Transcribed by GuitarJoe48
Rock  = 130

    
     
  
Intro
       
C-

     
 
     
 
(Bass)


                
A C-

    
     
       

      
             
G
   
A♭ B♭ G

            

                                
B C- B♭

  

                               

A♭ G

  

                                           
C C- A♭ F- G- A♭ B♭

      
  
C-
      
    
     
           
 
(Bass) D.S.
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89
Bass Marble Gallery
from Castlevania: Symphony of the Night
Composed by Michiru Yamane
Transcribed by DoubleMark
. = 136
 
 
E-
          
     
  

 

 

 



                
A E- C F♯ F E-

        

      
E-
 
C

F♯

     
F
 
E-
  
     

     
A-      
A-      
  
B A- A- E-/G F♯ F

   
          
E-
     
       
   

                   
C E- C F♯ F E-

      


        
E- C F♯

     
F
    
E- E- E- E-

      

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                   
90


F

D A- A- A- A- E-/G F♯

   
          
E-
     
       
   

A-
     
A-
  
D-

    
E

   


  

   
      
G-

  


 
A
     


           
     

 
   
     

    

A A N.C.

    
D.S.

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91
Bass Vampire Killer
from Castlevania
Composed by Kinuyo Yamashita
Transcribed by JohnStacy

 
 = 130

                
D- G/D B♭ C D- G/D
B♭ C
         
          

               
       
A

D- B♭

               
        
D- B♭


                                       
B C♯ D- E D- C♯ D- E A

   
      
               
C D- B♭ C D- B♭ C

D.C.

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 92
Bass Wicked Child
from Castlevania
Composed by Konami Kukeiha Club
Transcribed by DoubleMark
 = 180

                               
Intro D- B♭
      

                            
D- B♭

      
     
    A       
    A 
    
B/A B♭/A B/A B♭/A
       
A- A-

 

  
                    
A B♭
 
D-

    
  
              
B♭
      
D-

C      
                 
B
  
D-

   

C      
                 
  
D-

   

    
      

       
C D- C

  
 A      A   

  
          
B♭
 
 D.S.
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93
Bass Bloody Tears
from Castlevania II: Simon's Quest
Composed by Kenichi Matsubara
Transcribed by Jer Roque
 = 130

                  
B♭- F B♭- F

        

                                   
1. 2.
A B♭- F- F- F

A♭ G♭

 


  A♭
  G♭
    
   B♭- A♭
  G♭
     
  
B
     
B♭- A♭ A♭


D.C.

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 94
Bass The Silence of Daylight
from Castlevania II: Simon's Quest
Composed by Kenichi Matsubara
Transcribed by AarekMG

  
 = 113

      G-
        G-
   
    
G- G-
   
Intro

           

G- G-

   
          
         
A D   D  

   F/ A
  B♭
     C♯     D

                
G   / B

B D/F♯ G- C-

  F/
  B♭   C- D G-   
G- A
            
C

G- F/A B♭ C- D G- D
 
    

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95
Bass Beginning
from Castlevania III: Dracula's Curse
Composed by Konami Kukeiha Club
Transcribed by Jer Roque

           
D- C/D C/D G/D G/D G-/D A
       
 = 132

    
A
          
D- C/D C/D G/D G/D G-/D A
           
    

    A    
            
         
A D- D-

     
E E♭ E

    A    
                                  
D- E E♭ D- G♯

   

                                          
B B♭ D-/A G♯ A
        


     
    
E
    
D- A G♯ G- G♯ A A

      

    
C

   
D- C B B♭ C D- C

      
    


                        
  
B B♭ A

  D.C.
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 96
Bass Clockwork
from Castlevania III
Composed by Konami Kukeiha Club
Transcribed by JohnStacy
D    
                
   
 = 130

          
    
G- A   A D   G-


G-
    
          
/ A A♭ G-



   
D

                               
A G- A G- A

  
   
C♯
      
G- A G-/B♭ C- D
      
          

       F♯ 
  A 
            

        
G- A G- D

    C-   C♯  
 
   
G-/B♭ D
         
G- A D

 



    


       
D
 
B E♭ E♭ D

     D    
         
D
 
E♭ C♯

G-         F♯
   
   
F♯/G G-

  
D.C.
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97
Bass Aquarius
from Castlevania III: Dracula's Curse
Composed by Konami Kukeiha Club
Transcribed by DoubleMark & musicalmoose
 = 130

               
A D-/C

D-
                

            
D-/B
  
B♭ C C♯

           


     
                        
B A  

D- C G- B♭

         

     
                         
D- C G- B♭ A  

         


                              
         
       
C A♭ E- /G F D-/  B♭ E♭ A 

                          
                  
A♭ E- /G D-/F B♭ E♭ A  
 
D.C.

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 98
Bass Encounter
from Castlevania III: Dracula's Curse
Composed by Konami Kukeiha Club
Transcribed by GUIM

  G- A F-

  
E /G♯
        
A- B E  


 = 113



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99
Bass Mad Forest
from Castlevania III: Dracula's Curse
Composed by Konami Kukeiha Club
Transcribed by AarekMG

       A    
 = 130

 
 
D-

   
N.C.
    
            
  
(Bass)

     B
           A  
   

        

A D- B♭
 

  


                                      
B B♭ D-/A D/A♭ A

  

                   
  
D-/A D/A♭
   
B♭ A
   

                  

A 
       
E  
        
C D- D-/A E   A   D- D-/A
 
D.C.

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 100
Bass Prelude
from Castlevania III: Dracula's Curse
Composed by Konami Kukeiha Club
Transcribed by Jonathan Aldrich
 = 82

 
               
A N.C.
     

F     D♭    
     
 
G/D G
   

     D- /C       B  

 
  
    
B D  /C 
  
C-
  

  
    

                 
C C- D  /C D- /C C  

 
Pedal bass, rhythm simile

F/ C
  
1. 2.

             
F-/C G G G

     
 

                 
   
D A♭ C-/E♭ B♭-/D♭ G/D G

                 
   
A♭ C-/E♭ B♭-/D♭ G G

 
        
        
E E♭ B♭-/E♭ A♭/E♭ A♭-/E♭ D♭/E♭

 

    
        
        
E♭ B♭-/E♭ A♭/E♭ D♭

 
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101
Bass Ruined Castle Corridor
from Castlevania: Aria of Sorrow
Composed by Michiru Yamane
Transcribed by AarekMG

                        
A D-
     
C B♭ A A
    
    
 = 138

       
  

     C  
                   
D- B♭ C D-

    B♭ 
        
         
B D- C D-/A A
  

  
        
  
  
  
D- C B♭ C


      
C

D- F-

 

      
D- B♭-

    

      
A B♭ C A
     
N.C

        

         
     
A B♭  A
  
E N.C.

      
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 
102

   
               

D B♭- A♭ G♭ B♭-/F F

      

         
           
B♭-
 
B♭- A♭ G♭ A♭

  

                                  
E C♯- B A G♯ G♯
   

                 
       
C♯- B F♯- G♯-


     
F G G♯/F♯ C♯-/E C♯/E♯ C♯/E♯

     

        
F♯ F♯- G A A
    
D.S.

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103
Bass Act on Instinct
from Catherine
Composed by Shoji Meguro
Transcribed by Ashanti Mills
Jazzy pop, swing 8ths  = 70

          
   
A- D G C A- D G C

 

    
      
A A- D G C
    
  
       
G

       

A- D N.C.
 
 

      
  
B A- D G C
    
   

   
 
A- D G C
       
  

    
      
A- D G C
    
  

   
 
A- D G C
       
  

    
C A- D G C A- D G C
     
     
   
Solo to end

          
A- D G C D G C

A-

 
Vamp
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104
105
Bass First Steps
from Celeste
Composed by Lena Raine
Transcribed by AarekMG

     
   
 = 90 E
       
  
Play 4x E Play 4x

   
   
   
           
Rhythm simile

 
E  D A E  D A
          
 
A

            

 
          
Background simile

      
 

        
E D A E D A

   


  

 
Groove simile


 C
   
        
G C E E- D E-
     

           
   
C C


G E E- D E-

 


   
E

E-
      
Play 4x
      
      
3

      
3

 

    
 
3 3

        

      G
 C
    

  
           
B G F F C

     
 C
    
Groove simile

     

   
F
  

G G F C

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       

   
106
 C
       
G C E E- D E-


        
           
 C

G C E E- D E-

    
E
  
E- Play 4x
 
3 3 3 3

             
             
 
  
      
     


        
   
C E E  /D E E  /D
     


    
      
E E /D
    
E E  /D

 

  E-
   
 
       
E-
  
C  C

           
E-
   
C  C E-
 


   
                     

    
D E-


                            

    
E- E
 
D.C.
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107
Bass The Bend of Time
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by Iandrum
Lullaby  = 82

        
A A  /D
  
D D
  


            
D G A A

         
D G/D F♯/A♯ B- G♯



       
E- A
 
D D

   
      
B D/F♯ G A A♯

       
   
B- E- A A

  
        
A♯ B-

D/F♯ G A

      
G
  
E- A A


D.C.
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108
109
Bass Arni (Home World)
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by DoubleMark

            

 = 122 A E♭ A♭ E♭ A♭

     
3 3

           
E♭ A♭ B♭ E♭

     
3

   
      
B E♭ B♭- C- A♭

    
              
E♭ D-  C- E♭/A♭ F-/B♭ E♭/D♭ E♭

          
    
C C♭



      
      
G♭



            
C♭



            
G♭ D♭-/F♭ E♭ E♭



B♭- C♭         
E♭
  
E♭
   
D♭


A♭-


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 A♭  D♭   

110

   
D E♭ E♭

     
E♭
E♭
  
A♭ D♭

F-  D♭   
    
E♭ E♭

  
         
D♭
 
A♭/C

            
  
C♭

B♭ B♭

 
D.S.

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Bass
111
Shore of Dreams (Another World)
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by mkafie
 = 86

 
D- B♭
 
 

   
 

          
   

 
C
 
  
F
          
    
   

    
      
A D- B♭ C

F

 

    
      
D- B♭ C

F

 

    

B B♭ A- D
    

         
B♭ A- G A  
 
D.C.

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 112
Bass Gale
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by Tristan H

         
   
  = 110

     
N.C.
           
       

  
                            

A E

  
   
Rhythm 2+2+2+3

      
                              
B
      
E D/E B/E A/E

    
A B♭ G
   

          
             
C A B♭ G A B♭ G A B♭ G


Groove simile

                  
           
A B♭ G A B♭ G A B♭ A G B♭ G

                         
D A

        
D.S.

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113
Bass Home Guldove
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by mkafie
 = 155


N.C.
 


 



 



 



 


          
      
A G
 
G G G
   
     G 
C-/     
    
G

G E-/G
   
     
   
D♯
       
C G/B E-

  

           
C D D G
           
      
3

           
        
B G G
 
G G

    
     D♯
         C     
  
G E-
   

     
         
D♯
 
C G/B E-

  

           
C D

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   
114

      
C
     
F E-

  

      
       
F

E-

     


  
E-
             
F

 
 

        
          
F G A A

   
3


                    
D D  /C C/B♭

G/B F/A

 
  

A-   
      
G/B
    
B♭/A♭
 
E♭/G

 

G

              
   
C D E-
    
    
  
   
 
D.S.

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115
Bass
Plains of Time ~Home World~
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

 = 100

        
   
   
B♭-
     
G♭ A♭

        
   


     B♭
  
  
F-
        

G♭
 
B♭
  
 
 

   

    
              
AG♭ A♭ B♭-



   F-       
1. 2.

    
G♭ B♭ B♭
 
B♭ B♭

   

                     
    
B
 
A♭- F-

 
3

                    
       
A♭- F-

 
3

          
   
E♭-
 
F♭

 
3

            
C♭ A♭-

B♭


D.C.
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116
117
Bass Radical Dreamers
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by AarekMG
 = 144

      
G
           
A B- A


                          
G A E E B B
1. 2.



    
   
     
A G
   
A B- A

    
  
No Repeat on D.S.

    
          
 

G E- F♯-
   
A

    
  

   
             
G
  
A B- A

   
  

   
     
G
    
A F♯
  

    A
                    
 
B G A F♯- B- A G A B-
     


                        
G A F♯- B- A G A
   
To Coda 
https://www.vgleadsheets.com
    
118
C G B-
        
A A


1st time only

                          
G A E E B B
1. 2.


D.S. al Coda

  F♯-
        
G
   
B- A A E E
       


     
D G
           
B- D A A

     
G
           
B- A A

 
G
 D A
 A  G   

A
     
B- B- A

D    
 
G
  A   
A
  A
G B- A

   
B-


  
G
  D       A
G B-
   
B- A A A
 



 
   
G 
       
A B- A


1st time only

                           
G B- G A
1. 2.
A B


Rit
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119
Bass Scars of Time
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by DoubleMark


 = 80


E-      
             
 








                  
A E- C


                  
E- F

                       

E- G D E- C G D C

 
3 3

 = 112

    
B E- C/E D/E C/E E- C/E D/E C/E

D/E       C/
 E
                      
E- E C/

D/E       C/
 E
                      

E- E C/


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 120

              
D/E  
       
1. 2.

    
C E- C/E D/E
  
C/E E- C/E D/E C/E C/E

    

C
    E- E- 
   
D
   
D C D

C
    E- 
D  E-
             

1.,2. 3.
D
    
C D E- C

 

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121
Bass The Girl Who Stole the Stars
from Chrono Cross
Composed by Yasunori Mitsuda
Transcribed by Iandrum

   E-
Ballad  = 60

    C          
   
A E- D/C C

 
3

    
   
E- C E- D/C C

   C      
    
E- E- D/C C

    

        E-
   
B 
  
A- F
         


         
A- F E-
       

  
 
 


A- B- A- B- A- B- E E

   

C
        

  
D.C.

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 122
Bass Black Omen
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by DoubleMark
 = 175

   B-
C- E♭-
  
      


 
 
   

    

 


     
    
    


  
A G-
           
  


               
  


B C- E♭- C- E♭-
                           
  
                                    
 

                 
C- E♭- C- E♭-


        
D- D♭- C- C- B- B♭- A-
    
 


   
A-
C A- B♭- B-
      
                  
             
(Bass) D.S.
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123
Bass Chrono Trigger
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

    
        
 = 132
E-

  
F♯-

A- F
  

                    
  
A A- F♯-
    


                 
      
A- F♯-


            
E-
 
F
    


   
1. 2.

                   
C F E- E-

           
B G B-
    
A


1. 2.

   
  
C
            
F♯-
  
G

B B

   

    
                 
D C
 

               
 
D E

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 124
Bass Corridors of Time
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque
 = 112

  
N.C.

     
               
         

   
A D F♯-

  

 

 

   

 

 

 
         

             
         
D C♯-
  

             
           
D F♯-
 


      
    
    
D
  
C♯-

                   
D F♯-
 
E

      
     
B D F♯- D C♯-
    

          
D F♯- D C♯- F♯-
   
 
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125
Bass Crono & Marle ~ A Distant Promise
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

        

A♭ B♭/D

E♭ E♭

  

      
C- F

B♭ B♭

  

           
G- C F- B♭

  

      
 
C- B♭

E♭ B♭/D

       
 
A♭ E♭/G F- B♭

  

      
 
E♭ E♭

  

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126
127
Bass Decisive Battle With Magus
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by AarekMG



 = 90

    
(Bass)

E- D-/F  
         
E- D-/F E- D-/F E- G

      
     



  = 80

     

E-
 
A D-/F E- G E- D-/F E- G
 
   
        
 

   
   
E-
 
D-/F E- G E- D-/F E- G

         
   


   D-/   G   D-/  

     
E-

E- F

F E- E- G

3 3 3 3
Background continue simile

   D-/   G   D-/
     
E-

E- F

F E- E- G

3 3

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           
128

    
B A- G F G

3 3
3

  
        
E

D-
 
A- G
 

     C/E♭    A-
         
              
E♭ D

C A- D

       

    
         
C/E♭    A-
  
 
 
    
 E♭ D
 
A- D

       

 = 120

     
        
D N.C.
 


D.S.

     




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129
Bass Delightful Spekkio
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Tristan H
Second line  = 95

         
 
N.C.

     
1. 2.


Percussion intro (Bass)

 F  
1. 2.

            
B♭/F B♭/C
            
B♭ /C

       

F
  B♭

    
     
 
A F C



F
  B♭

    
     
 
F/C C F 1. 2.

    

    
B
 
F B♭ F C

    

  

F/C C
 


  
       
F
       
F B♭



F
  B♭

    
     
 
C F C



F
  B♭

    
     
 
F/C C F 1. 2.

  
                   

D N.C.

     
Bass + percussion D.S.
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 130
Bass At the Bottom of Night
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by John Bergan
 = 88 
   
A D- G-
  
Intro N.C.
        
  
No bass

    
    
B♭ A     A  
  
F

   

          
D- G-
  
Bass in

          
B♭
  
C D D



  
G- C A C♯
       
D- C
    

  
 

B

   

  
          
B♭ G- A A

D.S.

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131
Bass End of Time
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by DoubleMark
 = 150


D-/F E- D-/F E- D-/F E- B
 
  
 
 


  
 
 


  
 
 

 
    













    
    
A
 
D-/F E- D-/F E- D-/F E- B
      

 
D-/F D-/F
    
E- E-
  

    

       


D-/F
   
E- B
  


   
     


 
B E-
          
       

    
   
E- D-
     
    
 

   
       
E- D-
  
  
   

      
      
C-

A B


D.C.
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 132
Bass Fanfare 1 (Lucca's Theme)
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Mike Matarazzo

     C   D   
             
  = 140

   
D C B♭
   


  D            
Disco  = 

   
    



A D
   
G A G A
 
3 3 3 3 3 3
3 3

     D       D 
              
G A C B♭ C
 
3 3 3 3 3
3 3

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133
Bass Frog's Theme
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque
  = 125

                           
Intro A- G F G
  

 
                         

A- G F G A-


             F
   
A
 
A- C G

       


                
A- G F E E

     G
             G
   

B F F A- F D E
  

     G        
     G   
     
F F A- F A-
   

Transposed up a half step from concert Ab minor original https://www.vgleadsheets.com

 134
Bass Frog's Theme
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque
  = 125

                              
Intro G♯- F♯ E F♯

  

                               
G♯- F♯ E F♯ G♯-

 

             
   
A
 
G♯- B E F♯

   
      


                  
G♯- F♯ E D♯ D♯

 


                      
  
B E F♯ E G♯- E F♯ C♯ D♯

   

                             
E F♯ E G♯- E F♯ G♯-

    

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135
Bass Gato's Theme
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Gregory Orosz

  
 = 100

          

A D-


      D-
     
B A-

D.C.

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 136
Bass Millennial Fair
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by DoubleMark

     
D
    
. = 65

           
 
C G A
   
 Ha!

     
D
                       
   


          
                        
A D A- D

   


                               
   
A-

D D

    
Ha!

   
G
     
B
 
G A G A D A


             
  

   
G
    
     
C
 
G A G A D A
  

       
 

                  
1. 2.

     
C D/F♯

G E/G♯ A A A A

       
  
        
D
      
D

       

   
     
D C G A

            
     Ha! D.S.

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137
Bass Robo's Theme
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque
 = 116

      
N.C.



                        
A G A A/B B- A G A D

                        
G A A/B B- A G A B

 

                           
B D F♯- G A D F♯- G A

   

                   
D F♯- G A B B


D.S.

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 138
Bass Schala
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by AarekMG


 = 81

            
N.C.
     

 

    
B♭
 
N.C.

    


B♭-
       
A G♭ A♭

       

        
G♭ A♭ B♭

    

B♭-
       
G♭ A♭

       

   
G♭ A♭ B♭

          
3

              
N.C.
                       
        
D.S.

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139
Bass Sealed Door
from Chrono Trigger
Composed by Nobuo Uematsu
Transcribed by Jamin Morden

     
      
 

 

C- F-/C C-

  
 = 200 A



     
  
C- F-/C G- A♭
  
 
       

       
C C/

C- C-
     
 

       
                 

B
  
B♭- D♭-

   

F-       B-  

    
A♭-

   

 
 A  F- 
 

     
D.S.

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 140
Bass Secret of the Forest
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

    
G♭
       
 = 76

   
 

 

 

 

 

 

 

 

   
F-
               

                


        
A G♭ F-

               

       
        
G♭ F-
         
 

                
G♭ F-

        

B
   

3 3
 
3
3

                
G♭ F-
 
        
  

3 3

            
3

                     
C E♭- C♭ B♭-
E♭- C♭ C- F

  


           
D B♭- G- E♭- F-

         
              

   
E♭/D♭ D♭ C- F F

        D.C.
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141
Bass To Far Away Times
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque
 =132

  
  
  

Intro D♭


   
           

 
      

   

              
D♭

       
Background simile

         
C- B♭- G♭ /
   
D♭ A♭ A♭

  

           
                
A D♭ F- G♭ A♭ B♭- E♭ A♭ A♭


 

               
           
D♭ F- G♭ A♭ B♭- E♭ A♭ A♭




                 
B
         
1.
F- G♭ F- G♭

    

                          
F- G♭ E♭ C♭ A♭

        

B♭-  A♭
     G♭
                          
2.
C  F- B♭- E♭-
 
D♭ A♭ A♭

       
      
   A♭     G♭
     
                  
B♭-  F- B♭- E♭-
 
D♭ A♭ A♭

     
      
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 142

                            
D B♭- A

        

   
A♭ G-

                            
   

  
E♭ D-

                               
   
E♭
                       
B♭

D

         

            
D

    


                                    
E G- E-

      
   
1. 2.




D- 
           
   
E♭

   

              
B♭ E♭ C/D



 D
  
            
   

 


   



 
 
31
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143
Bass Tyrano Lair
from Chrono Trigger
Composed by Nobuo Uematsu
Transcribed by Tristan H
 = 90

     
Intro A /G G- A /G G- C♯/G
    
G- E♭/G G- G-
  

      
A /G G-
   
D/A G- E♭/G G-
 

C-  C- G  

         
E♭ F
 
Rock  = 70



                                     
A G B♭

       

 A♭ A
                B♭
D♭
             
        
  

                             
B E  E♭  E  G

    

                   

E  E♭  D  C♯ 
1.


  

        
C♯  C 
2.

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  
144

       
C C♯- C♯ C♯- A C♯- C♯ C♯- A♯

     
B B

            
  


         
C♯- C♯ C♯- A C♯- C♯ C♯- A♯

   
      
  
  
3 3 3

    D    D
  
A♭

              D.S. 
    
     

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145
Bass Undersea Palace
from Chrono Trigger
Composed by Yasunori Mitsuda
 = 144 Transcribed by Tristan H
N.C.   
   
           
Intro

 
       

   
       
(Bass)
N.C.   
   
  
       
       


  
     


     
A F-

F-/G

    
Rhythm simile

   
A♭

B♭ B♭ B♭/E♭

 
    

   
 F-
      
B F-/G

        
A♭ B♭ B♭ B♭/E♭

   


3

  
 F-
       
  
F-/G


3

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    
B♭ B♭

146
A♭
  
B♭/E♭

     
C D-

     

          
C♯-

  

3

         
C-

   
 
3

Play 4x
N.C.             
     

  
      
 
            
            

D

 

     
         
(Bass)

  
E N.C./F N.C.

  
  
D.S.

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147
Bass Wings That Cross Time
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by sigmabeta
 = 136

           
          
Intro G- E♭
D-
 
F G G
    

             
A G- A-
      
   

                          
G- F/E♭ E♭
   

     
B♭
         
A-
   
D- E♭
  
  

  
1. 2.

                    
B♭ C D D D D

     
    
          
C♭
  
B F-

 

     
B♭-
        
E♭
  
E♭

  

          
          
C♭
   
F-

     


       
     
B♭-
 
      
E♭
   
E♭

 
D.C.
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148
149
Bass World Revolution
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Tristan H
 = 160

                 

Intro C- F/C D♭/C C-
 

         

( C- ) F/C

        
D♭/C C-

   
 

A 

     
  


    
  
A
 

1. 2.

          
    
           
B F G F C/G G



              
   
F G A
1.

  

 
  
     
   

    
    
( A )
     


                       

                   
2.
A B♭ A C A B♭ A C A B♭

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   
        
150

               

A♭ A
             
A C A B♭ A C

         A♭
 G
  G♭
   
E♭-/A♭
 
C
 


    G♭     F
       
F G♭
    
G♭ 1.
F G♭
2.
F
F G♭
  


       
       
A♭ G B B♭ E♭ G♭ A♭
     
D

   
    

   
     
F 


   
D.S.

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151
Bass Yearnings of the Wind
from Chrono Trigger
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

       
   
D-
   
A B♭ A- F
  
 = 84 C C/E
 

   C 

G
  
D-

C

     
  
D-
   
B♭ A- F
 
C C/E

    A-
  D D    
1. 2.
G-
  
D- D
 
D

 

       
B B♭ A- D-
  

    
G- C F F
   

            
B♭ B- 


       
G- A A
  
G♯

To A D.S.
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 152
Bass Ending
from Contra Composed by Hidenori Maezawa & Kyouhei Sada
Transcribed by Mikhail Ivanov

Rock  = 150

       
     
A C
 
C C C/E
   

              

F C/E G

         
   
C C C C/E
    

            
 
F C/E G

      

          
    
B C A-/B♭

B A-

 
  

              
D- D-

C♯ E-/B G



     
 = 130

 
         
Outro N.C.
  
         
  
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153
Bass Jungle
from Contra
Composed by Hidenori Maezawa and Kyouhei Sada
Transcribed by AarekMG

 
 = 150

       
    
N.C.

    


         
                               
A F-

       
                 
                 
                

  
N.C.

 

                            
   

N.C. 
 
          
C-
    

   
             
B

  
F B♭ E♭ G- F C-

  

     F    F
               
C-/E♭ B♭ E♭ G-

   

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                  
154

      
C
   
G- F E♭ F


     

   

 
             
G- F E♭ F

          F
        
F

         
G- E♭

                 
      
E♭ F
    
G-

                               
N.C.

D.S.
No bass

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155
Bass Overworld Theme
from Crystalis
Composed by Yoko Osaka
Transcribed by Ben Wallace

          
 = 150


                    
A B♭ C A- G- B♭ C C/E F

         

 

                            
B♭ C A- G- B♭ C C/E / C B
     
 

                                        
B B♭ G/B C

 

       
                  
C


B♭ B♭/D C A- A-/C D- B♭ C

 


         
  
D D F E♭ D F E E♭
    
E


      
     
D F E E♭
 
D- C A/C♯

 
G-  B♭   
              C 
 
            
D F
E E♭ D- F

         

                    

      
D-

(D-
 )            
      
    

D.C.
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156
157
Bass Die House
from Cuphead
Composed by Kris Maddigan
Transcribed by AarekMG

  
B
 
    
E- G
   
Swing  = 75
    
    
 
Drum intro (Bass)

      
          
A B

E- G

   
Bass simile

 
      
       

B

E- E-

      

      
          
B

E- G

   


      
  
    
B

E- E-

     
  
                  
B B
     
E- G

   

     
        
B

         
E- E-

  
     
           
            
C E-

           
      
         
            
E-

    
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 
158

   
B
 
E- G

              
D B
    
E- G

  

     
   
    

B
       
E- E-
  

                 
B

E- G

   


 

      
      
B
   
E- E-

  
3

   
 
E-
                
            
E
  
     

   
 
E-
               
          
   

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159
Bass Blissful
from de Blob
Composed by John Guscott
Transcribed by Ashanti Mills
Samba  = 95

      
Intro F♯

          
 


              
         
F♯ N.C.

    


  
                     
A E B  N.C.

         


  
               
        
E B 

   
       

      
A♭
               
B B♭- E♭

      
   

             
       
         
B♭- E♭ A♭ A♭ 

 

     
A♭
                       
B♭- E♭

    

     
                     
B♭- E♭ E/F♯

     

  
                     
C E B 

         

https://www.vgleadsheets.com
 
160

        
        
E B 

            
        

      
A♭
      
                
D B♭- E♭

    
 F   
              
F
           
B♭- E♭ A♭

 
           F  
    
F  

B♭- E♭  E♭ C- C-
            


                E♭  A♭

     
  
B♭- E♭ 
 
 A♭  F♯


                                
EB♭- E♭ A♭

 

                          
B♭- E♭ A♭ F   F

                          
B♭- E♭ C- C- F   F

                          
B♭- E♭ A♭ F   F

                          
B♭- E♭ A♭ F   F

                         
B♭- E♭ A♭ Repeat and fade out

 
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161
Bass Field of Hopes and Dreams
from DELTARUNE
Composed by Toby Fox
Transcribed by musicalmoose, DoubleMark, & Jer Roque
 = 125

    
G- 
 
A G- G- D-

F F G F
      
  

     
   

   
E♭ D- E♭ D- E♭ D- E♭  D-

        


 





  


    
B G- F G- F G- F G- F


Background continue simile

    
  
G- G- G- G-
 
F F F F

   
 D-
 
D-
  
E♭ E♭ D- E♭ D- E♭

    


D- E♭ 
             
E♭ D- E♭ D- E♭ D-
   

To [B]

     D-     E♭
    F
        
C-
C F♯ G-

F

 

           
                   
C- D- E♭ F F♯ G- F

  
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                           
162
D E♭
       
F G- D- E♭

       
    
   
Cue on 2x only


1. 2.

                               
C- F F♯ G- F
       
F B♭ F

          

           
D/F♯
      
C- F F♯ E♭
     
G- F F
   

       


  
E G- G- G- G-
   
F F F F

      

Comp with [A]

       
G- F G- G- G-
 
F F

     

         
E♭ D- E♭ D- E♭ D- E♭ D-
    

    
E♭ D- E♭ D- E♭ D- E♭ D-
       
   

     
    F
       
      
F C- D- F♯ G-

E♭ F

  

  
1. 2.

       
                  
C- D- E♭ F F♯ G- F G-

  
D.C.
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163
Bass Rude Buster
from DELTARUNE Composed by Toby Fox
Transcribed by AarekMG,
musicalmoose, DoubleMark & Jer Roque


 = 140

     
F♯- G B- C♯- F♯-
      
    

          


   

F♯- G C♯- F♯-
   
D E F♯-
      

       
 


  
B- 
      
          
G
 
A F♯- C♯- F♯-

  

 D      
     
C♯- F♯-
      
G
 
F♯- F♯-

E



         
             

B G F♯- G A
 


    F♯-
    C♯
            
G
1. 2.

      
D
  
D C♯



G    C♯- 
   
F♯-  B-   
     
        

F♯-  G    
   

D C♯- F♯-
      
  
 

https://www.vgleadsheets.com
        
           
164
C F♯- G B- F♯-

C♯-

        
       
F♯- G
  
D C♯

F♯-

  
                       F♯-
G
  
C♯-
   
B-

F♯-
 


F♯-
       

G
 C♯-
         
D F♯- E F♯-
 

 
     
C♯-
        
D D C♯ F♯-
  

     F♯     
D/A
 
E/G♯

      
    
B- C♯/E♯

   
       
         
C♯
 
D
 
F♯- C♯-

     D C♯-
                 
B- C♯/E♯ F♯- E F♯-
  
D.C.
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165
Bass Ancient Lake
from Diddy Kong Racing
Composed by David Wise
Transcribed by Mike Matarazzo


                                     

D
   
 = 126 G A D A- D A- D A- D A-
     

               
D A- D A-
     
D A-

D

    
A-
B

 

    
     

        
C C
 
G D C G C D C

     D
           
              
C
  
G C G C D G

               
D A- D A- D
  
A-
   

D

A-
   

D

        

A- D 
 
 
                               
     
E DA- D A- D A-
 

     
     

       
F

C
 
G D C G C D C

     D
           
       
        
   
C
    
G C G C D G

                      
G D A- D A- D A- D A-

     

       
                             
D A- D A- D A- D

   
3 3
 D.S.
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 166
Bass Pirate Lagoon
from Diddy Kong Racing
Composed by David Wise
Transcribed by Mike Matarazzo
 = 132

 
G
 
      
     
  
Intro C D-
 

 
 

 
G
 
  
     
 
  
C D-


 
 

            
    
A C D- G C
 

       
G
                  
D- G C D-


C       G     
D-  
        

    G
     E-   
B D-

F

 F 
   E-     G    
 
D-
 



         
       
CC D- C G

 
 
         

 

       
1. 2.

     
D C
          
D- G D- G
  
N.C.

   
  
Drum break, 8 bars D.S.
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167
Bass Star City
from Diddy Kong Racing
Composed by David Wise
Transcribed by Mike Matarazzo
 = 138

  
      
A N.C.
     
Drums Bass

                           
 
 
C B♭ F C B♭ F
    

Bass simile

                
                
B C B♭ F C B♭ F



A-
 
F D- E


   

         F                E     
   
C A- D-

 

                   
     
A- F D- E

        
B♭ F

 

  
C B♭ F C B♭ F
                            
    

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            
168

           
D
 
C B♭ F C B♭ F


    C
              
C B♭ F B♭ F

 
   
       


A♭/C B♭/C

E C


  
  
B♭/C
 
 
     
 
C A♭/C


 
C    
 
     
  
A♭/C B♭/C

 
    
B♭/C
   
 
C

 

   
A♭/C


  
N.C.

Drums D.C.

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169
Bass Terriermon's Stage
from Digimon: Battlespirit
Composed by Kenji Yamamoto
Transcribed by Ashanti Mills


Dixieland  = 108

       
  
N.C.

    


   
A C
   
E♭

        
 

            
F- B♭

     
3

  
   
C
 
E♭

          

           
F- B♭ E♭ N.C. E♭ F- F♯ G-

        

            
B A♭ E♭/G

    
 

      
F- B♭ E♭ F- F♯ G-

             
 

             
A♭ E♭/G

    
  

              
F B♭

   
3 D.S.
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 170
Bass Ex-Convict
from Digital Devil Story: Megami Tensei II
Composed by Tsukasa Masuko
Transcribed by Gregory Orosz

  C♯-
Rock  = 110

   
Intro

                          
     
(Bass)

 
( C♯- )
  
N.C.
                    
  


      
             
A C♯-


Bass Simile

     
              
( C♯- )

                  
       
B F♯ E C♯- F♯ E C♯-

   
               
F♯ E C♯- A B C♯-
   
  
3 3

      
( C♯- ) N.C.

D.S.

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171
Bass Title
from Donkey Kong
Composed by Yukio Kaneoka
Transcribed by Jer Roque

               
     
F G- B♭ C

 = 130

     B♭      
   
A-
  
F F/C F

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172
173
Bass Angry Aztec
from Donkey Kong 64
Composed by Grant Kirkhope
Transcribed by Ashanti Mills

     
 
 = 110

 Drum intro

               
                  
A N.C.

  

          

( N.C. ) / / G♭ E♭
          
        

F E♭ G♭ F E♭
    
                               
B

  

                
F E♭ G♭ F E♭
        
             


        
                             
C E C G♯-

        
                                       
E C G♯- F♯ C

F E♭ G♭ F E♭

                                          
D

  

                
F E♭ G♭ F E♭
 
                     
  

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 ♭ ♭
174


               
F F
  
E G♭ G♭

          
6

 
3

         
        
       
  
  
F F
G♭ G♭

♭ ♭


3 6

    
F B♭ A♭ C♭ B♭ A♭
 
          
                  

                 
B♭ A♭ C♭ B♭ A♭

                    


   
G B A C B A
                 
          

   
                    
B A C B A

      

      ♭       ♭
          
B B

   
H C C
   
3 D.S.
6

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175
Bass Candy's Theme
from Donkey Kong 64
Composed by Grant Kirkhope
Transcribed by Ashanti Mills

A C
      
 
          
Delta blues = 95

 F                 
  
C
    

   
 
                
 C C/E C/E♭ D- C

G


      
3 3 3

              
 
B C
     
     
   
3

   

F           C     
  
         
           

C 
              
G C/E♭ D- C

C/E

       
                
D.S.


3 3 3
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 176
Bass DK Rap
from Donkey Kong 64
Composed by Grant Kirkhope
Transcribed by Ashanti Mills
Hip-hop  = 126

        
Intro E

Play 4x

 
Vocals: ...this monkey rap. Huh!

           
Donkey Kong E

  
Play 6x



 
  
  

     
Vocals: ...He's the first member of the DK Crew! Huh!

 
Tiny Kong E
      
Play 6x

 
Saxophone solo Vocals: ...she's one cool Kong! Huh!

 
       
     
Lanky Kong
    
E Play 6x

 
Trombone solo Vocals: ...just digs this tune! Huh!

       
Diddy Kong 
      
E Play 6x

 
Guitar solo Vocals: ...'cause he's after you! Huh!

      
Chunky Kong E
       
Play 8x

 
Timpani solo Vocals: ...one hell of a guy! Huh! Spoken: Come on, Cranky,
take it to the fridge!

       
Outro E

 

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177
Bass Aquatic Ambiance
from Donkey Kong Country
Composed by David Wise
Transcribed by Jer Roque
 = 76
C-               
  
         
Intro
     


 
       
A♭
       
       
        

   
N.C.

C-   
                     
       


 
       
A♭
        
    
          

 
F-
                       
        

 D       
 
B♭/
       
       
       

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  
178

   
A C- A♭



   
         
     

    
C- A♭

   

   
F-
                       
B♭/D

        

     
        
B C- A♭

   
  

    
               
C- A♭

   

                  
   
F-
 
B♭/D

 

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179
Bass Bonus Room Blitz
from Donkey Kong Country
Composed by David Wise
Transcribed by Jer Roque
Uptempo  = 108

  
 

Intro
 
  
F G C
 



    
        


A
  
C G A- F

          F    
  G
     
C G C

           
       
B
     
C E F F♯

C             
          

G
  
G F C

                          
Break N.C.

 

 
                     
  
3 3 D.S.
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180
181
Bass DK Island Swing
from Donkey Kong Country
Composed by David Wise
Transcribed by Ashanti Mills

                 Vamp  Vamp 

Light swing  = 104
Intro 
                                 
     
Vamp

  3 
Drum beat Rhythm simile Rhythm simile

 
A

      
(Bass)
Rhythm simile

                    
A G G

Bass simile Echo Echo Echo Echo

                    
A G G

Bass in Echo Echo Echo Echo


N.C.

        
           
(Bass)
A- E- F G A- E-
 
F  G
      
  

   


3
Bass simile

A- 
 
     

 
      
   
B E
   


            A-

           
E

   
 


 
      

 
            

E
   
A-
 

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 
      
182
E 
   
            

A-
 

        
    
E A-

N.C.

Drum fill

 = 72

                                
C D
  
Rhythm simile

     

G- C/G G- G- C/G G-
         
  
      
  
Echo

            
   

  C/G   
  
  
 
G- G-
       
 
Rhythm simile

            
  
   G-/ C       

E♭
     
 
G-
   
 
Rhythm simile

            
   

   
  
   
 
G- G-
       
 
Rhythm simile

     
  
                               

  
N.C. G- G-

D.S.
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183
Bass Gang-Plank Galleon
from Donkey Kong Country
Composed by David Wise
Transcribed by Jer Roque
 = 110

 C 
             
Intro B♭ C F
 

                        
F B♭

                        

 
F B♭ C F A  

                  

B♭ F
       

          
 C♯
                  
B♭ B C


          

D-


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 184
 = 132

 
         
A

D- B♭ C D- B♭ C D-

   D-    D-
      
D- B♭ C B♭ C

                
B
         
D- B♭ C D- C

                          
D- B♭ C D- C

          
          
C D- B♭ C D-

          
          
D- B♭ C D-

                          
D- B♭ C D- C

     
                      
D- B♭ C D- C


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185
Bass Simian Segue
from Donkey Kong Country
Composed by Eveline Novakovic
Transcribed by mkafie
 A
  A 
            
  
   

           
  

 = 100

 

 
      
             
B A
              
 
   
      
A
      
D
    
           


   
 

  

                     
                  
A
                     

C
                    

            
 
    
D D
         
 

 

    
G
   
      
3

  
E D
       
                
   
   

 
      
     
      
F D  
 
          

                  
      
 
    


( D )

          

D.S.
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186
187
Bass Forest Interlude
from Donkey Kong Country 2
Composed by David Wise
Transcribed by AarekMG
 = 97

  
A♭ F- B♭
                       
        

  
A♭ F- B♭
                     
        

             


A A♭ F-
  
B♭


3


                         
A♭ F-

B♭

 
3

     
B
           
C-/F B♭

                      
C-/F B♭

 

                         
C-/F B♭

 
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 188

                   
C A♭ F-
  
B♭


3

    B♭
   
            
A♭ F-

    
3

    
D
           
D- F A- C

                
D- F A- C

                       
D- A/C♯ A/C B♭

                  
A♭ F- C-/B♭

B♭


3 D.C.

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189
Bass Jib Jig
from Donkey Kong Country 2
Composed by David Wise
Transcribed by Gregory Orosz
Jig   = 120

       
             
Drum Intro

                  
 
A N.C.

   

            
      
( N.C. )

   

            
B
 
F♯- C♯- D A

 
  

  
          
B- F♯- B- E
       

       A     A      
 
C A D/A D/A F♯- E/G♯

   
     
       A        
F♯-/C♯
E/B A/C♯

D/A
  
A D/A A

   

                
D B F♯ B F♯
  

                      
B F♯ G D E

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                   
190

 
E N.C.

   

            
      
( N.C. )

   

            
F
 
F♯- C♯- D A

 
  

     
    
B- F♯- B- E
       
 D.C.

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191
Bass Snakey Chantey
from Donkey Kong Country 2
Composed by David Wise
Transcribed by Jer Roque

  B♭ F   
                 
 B♭
 = 80

 
F
 
Intro C C


 
                               

(F) B♭ F

   
             
B♭
C F B♭ C F

 Drum fill

               B♭
               
A F

                     
F B♭ C F C

 

             
            
F B♭

                  
              
 
F B♭ C F C B♭ C F

  

                   
     
B B♭ F B♭ C

                  
A/C♯ A
 
F B♭ D-

 
 

                  
G C
  
D.S.
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 192
Bass Stickerbush Symphony
from Donkey Kong Country 2 Composed by David Wise
Transcribed by 8-bit Music Theory
Lead Sheet by DoubleMark


     
A- C
 
 
  


 = 98

      
                  

 
         
A F E- A-

G/B E-/G

  
      
F E- A-
     
G/B E-/G

                 
B F E- A-

G/B E-/G

 

       E-/
 
          
F E- A-

G/B G

 
   

          
         
D- C/E F F/G G
     
 D.C.

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193
Bass E1M1 (At Doom's Gate)
from Doom
Composed by Bobby Prince
Transcribed by AarekMG

 
Metal  = 200

           
                      
A E-

E E- E
1., 2., 3.

 
      
         

4.
N.C.

              
                    
B E-

E E- E
1.

 
 
 
             
2.
N.C.

     A
  
 A-       
                     
1.
A

A-
2.

 


               
2.
N.C.
 

               
                    
C E-

E E- E

 

         
               
      
C♯- C♯ C♯- B- B


              
                               
E- E E- N.C.

 
https://www.vgleadsheets.com
 E-    
           
194

                    
D

E E- E
1.

 

        
      
2.
N.C.
     

     
              E
  
E-

               
1.
E E-

E

 


       
       
2.
N.C.


          
                              
 
A
1.
A A-


A-

 

      
          
2.
N.C.


            E
 
         
E-

               
F E-

E

 

   C♯- B-   
          
                             
C♯- C♯ B

               
             
E-
             
E- E N.C.
       
   
D.C.
https://www.vgleadsheets.com
195
Bass Double Dragon
from Double Dragon
Composed by Kazunaka Yamane
Transcribed by AarekMG
 = 182

  
  
                  
A

B♭/G C/G B♭/G C/G B♭/G C/G B♭/G C/G

    

          N.C.
        
      
B♭/G C/G B♭/G C/G
B♭/C A/C♯

      
3

3  3 3 3
3

    
               
B G

D- C F

 

    
 
  
   
B♭ D-/A G-

 

    
               
G

D- C F

 

 
    
 
  
   
 
C

B♭ D-/A E♭

     
      
C
 
G- A- B♭ G- A- D-

 

            
G- A- B♭ C

 D.C.
https://www.vgleadsheets.com
196
197
Bass Fever
from Dr. Mario
Composed by Hirokazu Tanaka
Transcribed by Ashanti Mills

            
   

 = 151

(Bass)

                         
A A- A♯ G/B
           
G C G C G C G

                       
    
G C G C G C N.C.

Discordant beeps

 C     F     C     F  C     F    D    G
 G 
 
B 


                     

C F N.C. C F N.C. C/E D- G  C
  
Unison Unison

   
  
C A- D- G

C G/B C/G F C/E


    D-
 
A- G

C G/B C/G F C/E


                     

D C F N.C. C F N.C. C/E D- G  C
  
Unison Unison
https://www.vgleadsheets.com
 198
   

E
   
N.C.
           
           
(Bass)

   
    
( N.C. )
           
           

         
( N.C. )
      

D.S.

https://www.vgleadsheets.com
199
Bass African Mines
from Ducktales
Composed by Hiroshige Tonomura
Transcribed by AarekMG
 = 129

             
     
A A

E-


 

    
                 
B-

E-


      
    
 
E-  
        
A
   

 
     
       
E-  
 
B-
  


         
        

    
B A


      
            
 
    
E-



       

   
A

B-

            
3

 3


         
A
              
B-
 
D.C.
https://www.vgleadsheets.com
 Amazon
200
Bass
from DuckTales
Composed by Hiroshige Tonomura
Transcribed by AarekMG

 
 = 113

   
       
A- A-
    
C D- G C D- G
    
  
      
 

     

   

  
    
A

   
C D- G


           
 
       
E

   
C D-


    
  
G/B 
                     
F♯ G A- A♯

   
A-A♭ C/G

 
Swing 16ths  = 80

C         
                  
B E-/B

 
        
             

      
       
3

           
E/
B♭ A F/

 

              
         
3

       

      A
              
C/G

      
F F♯ F F♯ C A- A♭ B♭ C

 D.C.
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201
Bass Stage Select
from DuckTales
Composed by Hiroshige Tonomura

           
Transcribed by AarekMG

     
A/C♯

    
 = 150 D E D


 
          



  

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 202
Bass Himalayas
from DuckTales
Composed by Hiroshige Tonomura
Transcribed by AarekMG

  
 = 113

         

N.C.

  

         
A
            
F♯ C♯

  

   
 


            
           
B F♯

   
3


   
 

    
D♯-

  

      
3
F♯
  
B
  

3 3

    
           
    
C♯ C♯

F♯

  

          
 F♯     
           
B

      

          

          
 
B D E

 
         
  D♯-
     
F♯  
   
     
A♯-/E♯

            
3

    
              
D C♯


3 D.S.
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203
Bass The Moon
from DuckTales
Composed by Hiroshige Tonomura
Transcribed by Jer Roque

  
 = 180
  
    F
           
      
   
Intro G

       

 
E-
 E♭    
G
   
     
   
    
    

      
7

           
A

     
13 G D/F♯ C/E G/D

C   
         
C♯ C/D D


17

  C/ E     

G D-/F C-/E♭
      

21

   
   
           
G/D C♯ D E♭ F G

 
25

      
          
B

      
E♭ F B♭ C- D

29 3

 

         D    
        
E♭ F B♭ C-
  
33

  
E♭ / / E♭ F
  
37

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 204
Bass The Moon
from DuckTales
Composed by Hiroshige Tonomura
Transcribed by Jer Roque
     
 = 180     F♭
                
     
   
Intro G♭

        

   D         
  
   
E♭- G♭
         
    
  
     
7

              
A

     
G♭ D♭/F C♭/E♭ G♭/D♭


13

C♭   
            
C C♭/D♭ D♭

 
17

  E♭  
C♭/   
    
G♭ D♭-/F♭ B-/D

       

21

   
     

           
G♭/D♭ C D♭ D E G♭

  
25

           
      
B E
       
29 D A 3 B- C♯

              
        
D E B- C♯

 
33

 
 
D / / D E

37

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205
Bass Transylvania
from DuckTales
Composed by Hiroshige Tonomura
Transcribed by AarekMG


 
 = 150

      
N.C.



 
             
A A-

      

 
D-   
          
           



 
             
A-

      

        

D-
 
 
 
 
     
            
              

 
                    C
B F

C E♭ A♭


C      E♭
      
       
 
  3
        
F E
 
3 D.S.

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 206
Bass Eight Melodies
from Earthbound
Composed by Keiichi Suzuki
Transcribed by JohnStacy

                        
A B-/F♯ E-

G C D G A

 = 59

  

D          D
 
E-

B-

G E♭ G/ A/C♯
 


     
1. 2.

          
D

C D G G G/F C/E
 
  D.S.

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207
Bass Hotel
from Earthbound
Composed by Hiro 'Hip' Tanaka
Transcribed by JohnStacy

                       
N.C. C- F-

  
 = 144

 
3

             
 
B♭ G♯ G N.C.

           

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 208
Bass Onett
from Earthbound
Composed by Keiichi Suzuki
Transcribed by JohnStacy
Light rock  = 104
G G C
             

 = 116

   
Intro F G C F F/E D- D-
      
    
  
(Bass)

 
        
                
A C D- C D- C D- C D-

    
Bass continue sim.


       
      
           
C
D- C D- C
D- C D-

    

G♯ A- 
 
                        
/ A- A♭

1.
F G/B E- D- G F

  

   C/G  D/
      G
        
B 2.
A- A♭ F♯ F C / / E-/B

  

  A♭ 
 C/G  D/
      F♯    G
   F  
  
F
 
A- F♯



C D-

     
 
D.S. to [A]
(Bass)
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209
Bass Paula's Theme
from Earthbound
Composed by Keiichi Suzuki & Hirokazu Tanaka
Transcribed by Ashanti Mills


 = 60
C♯-/G♯   B-/
 F♯
     
   
A A-/E G♯-/D♯


C♯-/G♯ 
   B-/
 F♯    
    
A-/E G♯-/D♯

      G
 = 60

         
B E/C♯ E/B E /A E/ / E / /
  


     G
          
E/C♯ E/B E /A E/ / E / /
 
 D.C.

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 210
Bass Snowman
from Earthbound
Composed by Hirokazu Tanaka
Transcribed by AarekMG
  = 59

               
A C
    

   

G
 

     
  
    

               
C
   

      
G
   
  
  


             
       
B E♭

 

D   
     
     

         
          
E♭

 

                      
D

  

  
D
        
N.C.

          D.C.
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211
Bass The Metropolis of Fourside
from Earthbound
Composed by Akio Ohmori
Transcribed by mkafie

   
   
N.C.

 = 90

      
   
G C  G C  / / C  A-/D
       



G   D   
          
A G F F E- A

    D         E        D
    
A- B- A-

             
G F G G F G
1.


F F



       
B F♯ F♯
2.

  
B- B- B-
    

             

A A
 
D D E A


        
C F  E♭ D
  
                      
     
D.S.

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 212
Bass Threed, Free At Last
from EarthBound
Composed by Keiichi Suzuki
Transcribed by Tristan H

   
             
  
A D
  
G-/D D
   
 = 98

       
      
G-/D
      
D D
  
 

                      
C D C D

 

   
1. 2.

         
C D (D)
     



       A  
 A-    G
   
B B♭ A
  

  F 
          
   
G- E♭ D G
 
  D.S.

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213
Bass Twoson
from Earthbound
Composed by Keiichi Suzuki
Transcribed by Jer Roque

  
D/G   D/G       
 = 122
D

 
G G G
    
 
 


3

       
A B- E-

G B
     

 
C D E- C D C D E- C D

                

       
B- E-

G B
     

 
C D G D G C D G

             

        
         
B E- C D G D
  
3


E- A D D D D

        

    

D
 
N.C. G

       
    D.S.
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 214
Bass Venus Live!
from Earthbound
Composed by Keiichi Suzuki
Transcribed by JohnStacy
Swing  = 118


      
A- D A- D
         
 


          
A A- D F E E
   


         
A- D F E-
     

        
D- F G G
          
 


1. 2.

  
E E

D-/F N.C.

   

           
B D D C
 
C

   
C   
   
D D
  
D/E


            
B♭ A- C♯- 
 
B/D

 

     
 
B♭ A D

N.C.
 
D.S.
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215
Bass Winters
from Earthbound
Composed by Keiichi Suzuki
Transcribed by JohnStacy

         
A C/E
 
B/D♯ E-
  
 = 87

                     
 
A D A/C♯ D/C G D/F♯ G/F C D

        D        
1. 2.

     
G C C/B C C B G

 

      C      C 
  
        
B D- A- D
 
G

   
            
     
E♭ E♭

D G D D G

 
D.S.

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 216
Bass You've Come Far, Ness
from EarthBound
Composed by Keiichi Suzuki
Transcribed by Tristan H

  
Funk shuffle, swing 16ths  = 70

E♭
A
    
F
 
Intro

   E♭

Straight 16ths

 
F

A♭ A♭/C
    


 Swing 16ths

            
    
A B A
  
C♯ A

 

A♭ G♭  
   F♭
   

B D- D-/G
 


 
C

  
C  (no) C C
  

 

drum fill D.S.

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217
Bass Your Name, Please
from Earthbound
Composed by Hirokazu Tanaka & Keiichi Suzuki
Transcribed by Ashanti Mills
Swing 16ths  = 96

    
Intro N.C.
 
                

      
     
   
(Bass melody to [C])

       
        
N.C.

                               

    
A
        
N.C.

                                   

       
           
N.C.

                           

           
B N.C.
  

       
       

                           

           
N.C.
  

      
       
                           

 
G G
  
                
C G G G C C C C

  
        
No bass/No root

   
G G
           
G G G C C C C
                  
   
Bass/Root returns D.C.
https://www.vgleadsheets.com
 218
Bass Fallin' Love
from EarthBound Beginnings
Composed by Hirokazu "Hip" Tanaka
Transcribed by Ashanti Mills
 = 100

   
     
Intro G- F  G- F 
 
No bass or percussion

   
    
F  F
   
A E♭ E♭

Bass and percussion enter

   
    
F F
   
E♭ E♭

           

F 

F 
  
B E♭ E♭


          
F  F 
  
E♭ E♭
  
D.C.

https://www.vgleadsheets.com
219
Bass Big Blue
from F-Zero
Composed by Yumiko Kanki and Naoto Ishida
Transcribed by AarekMG
 = 210


      
B♭-
 
A♭ B♭-

          


     
B♭-

A♭ B♭-

            
 
 
 


     
B♭-

A♭ B♭-

               
  

      
B♭- F
   
A♭

             

          
A
    
B♭- A♭

     


               
B♭- A♭

 


         
             
F-

G♭ A♭ G♭

  
3 3 3 3

 
                
G♭ A♭ B♭


https://www.vgleadsheets.com
           
220

              
B G♭ F-

  
3

   
         
            

G♭ F-

 

  
                      
G♭ F-



                   
          
G♭ F-



       

F-

                   
G♭
 
 
3

3 3 3 3
3 3 3

          
 
G♭
   
F- F
  
N.C.

        D.C.

https://www.vgleadsheets.com
221
Bass Fire Field
from F-Zero
Composed by Yumiko Kanki
Transcribed by Ashanti Mills

 
Rock  = 210

     
F-

 
                              
              
       
   

F- 
        
   
Rhythm simile

  
                                 
A F-

      

            
          
     
F-

    
     

      
         
       
       
F-

      

           
B D♭ E♭ F D♭ E♭ F

    

          
 G♭   
       
F♭

    
E♭ E♭ G♭ A♭

            
E♭-

      
   


        

https://www.vgleadsheets.com
   
                                
222


C F-

      

   
        
F A♭ G F/E♭
      
F-

   
 

A♭ G- E♭

               


F A♭ B♭ A♭ F
  
 A♭ B♭ F
  
      
A♭
  
   

     
                                         
D D♭ E♭ 3
  
3 3


3 3 3 3 3 3 3 3 3 3 3 3 3

                 
F

      


     
                                         
D♭ E♭ 3
  
3 3


3 3 3 3 3 3 3 3 3 3 3 3 3

                      
F

   
Unison D.C.

https://www.vgleadsheets.com
223
Bass Mute City
from F-Zero
Composed by Yumiko Kanki
Transcribed by Bao Vuong
 = 193

           
Intro C-
               
F E♭ F
       
 


                          

C- F E♭/B♭ F/C
       

        

              
A
   
C- G- C- G-

  
  

               
         
D♭ A♭ D♭ A♭
   
  

        
       
A- /G
  

B F/C F/G F/C
        
  
  
 

   
       
D♭/C♭
   
     
  
           
 

 

 

   
E♭-

E♭-/E
 
C♭
      
     
D♭/C♭
 
C


 
 


       
G/C
     
C♭
             
E♭-/G♭ E♭-/D♭

        
3 3 D.C.
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 224
Bass Silence
from F-Zero
Composed by Yumiko Kanki


Transcribed by Mike Matarazzo

   
 
 = 156

         
N.C.




   
A D♭
 
E♭ E♭


Rhythm simile

     
C♭ A (no) A

       

N.C.
     
G♭ E♭

F♭


Unison

       
B A♭- A♭-

D♭ D♭

                
A♭- E /D E♭

             
        
E♭- F- N.C.

   
Unison D.S.

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225
Bass Hurry Up!
from Fell Seal: Arbiter's Mark
Composed by Jan Morgenstern
Transcribed by musicalmoose & DoubleMark
 = 205

   
A D E/G♯ D E/G♯

                               
                   

      
G/B♭ G/D♭ C   C

                                     

   

  
      
F-

        

             C-/
          

                       
F C
 
B E♭ B♭- A♭


 
              B♭-
       

                    
F- D♭ C

  

  
C D♭ E♭ F- E♭ B♭- D♭ E♭ F- E♭ B♭-
 
                   

                


                  
D♭ E♭ F- E♭ B♭- D♭ E♭ F- C

      
 
Background simile

     
D

F A♭-

    
    


    

E♭- A

              
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   
226

      
  
E- C-

     

   C   
        
G-

   

        
E =

 
F-

  
     

         
                          
F F

 
                  
1.

   
  


      
(2x only)

 
        
D♭
    
2.
E♭

    
          


      
        
G
 
A♭ G♭- A♭ A

                


                        
A♭ G♭- A♭ A

            
 

     
A 
                     
H A♭-
    
  

  
                   
A  A  
     
A♭-
 


  
A- B♭ 
                   
     
  

  
A- A A  
                   
     
  
D.C.
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227
Bass Chaos Temple
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 150

      
  
A E- D C / / D /
 

D
       
A/C♯
 
E- C


        
B

G D E- B-
 

        

C F D D/F♯

D.C.

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 228
Bass Corneria Castle
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by Jer Roque

                 
D A/C♯ B- F♯/A♯

 = 95

   


   G-        
        
G D B E- A A
  

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229
Bass Matoya's Cave
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 151

                  
     
A B- E- G / A A  /G D G B- A
  

            

B
    
F♯- B- G A

3

        
  
F♯-
     
B- C A A
 

        
C D E-/D D E-/D
    
D G/D D G/D

      
F♯
         
D G/D D E-/D D G/D D F♯


D.C.

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 230
Bass Opening Theme
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 94

   
A F C/E B♭/D C B♭ G  /B C C
    
         

 
1. 2.


G  /F C  /E C

G-/B♭ D/A G- D/F♯ G- C

              
 

  
B D D-

B♭ F E♭ G- F E♭
          

     
G- D♭ C
    
A♭
     
D.C.

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231
Bass Main Theme
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by Jamin Morden
 = 150

       D/F♯ 
 
A G


   

A-
       E/G♯ 
    


   D
  
      
   
B C B E

A-     B♭
 
F D
     
D.C.

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 232
Bass Town
from Final Fantasy
Composed by Nobuo Uematsu
Transcribed by John Bergan
 = 90

          
    
A G  /F E

C G/B A- C/G F C
  

  D   
     
B G
      
A- G C B♭ G
   
D.C.

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233
Bass Castle Pandemonium
from Final Fantasy II
Composed by Nobuo Uematsu
Transcribed by JohnStacy


 = 132

    
A- G F G
      

             
A- E/G♯ C/G D

     
E
    
F A- D-
      

  
E D- E
  
F B/D♯

    
  D.C.

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 234
Bass Eternal Wind
from Final Fantasy III
Composed by Nobuo Uematsu
Transcribed by Gregory Orosz
 = 120

         
Intro N.C.
 
   
   
    
 
    





 C     
 
A

A-

F        
         
E- E
1. 2.

 
             
B

F E-




             
D- C♯- E

 
          
 
F E-




     
B♭
    
B- E

D.S.
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235
Bass Battle 1
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by Bao Vuong
Rock  = 167

 
      
 
Intro 6

      
  
 

 

6

               

     G G 
  A-      
 


C/E D- 
     
A

F

 

     B/E C/E  E
   
C/E D- B/
F G♯

   C

      
C

 
G
B
 
 
 

  A-

           

 
A- E

1. 2.

  
 




E-/F 
  
D-/F    E-/F F
 
 
C F E-/F

  
        
B

         
         

D.S.
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 236
Bass Chocobo-Chocobo
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 140

      
A

       
G F G F G F G F
            


   
        
G F G F G F G F

             


   
      
B C D G C D G

           


        
              
C D G F A- D

   
D.C.

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237
Bass Illusionary World
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by GUIM

           
. = 78 F-∆

  


   
C∆ 
  


 
F∆
      
A- E/G♯ C/G D/F♯ E

       


  
F∆
     
A- E/G♯ C/G D/F♯

      

      
B-  E

D.C.

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 238
Bass Red Wings
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by Tristan H
March  = 133

                                        
Intro G
        
3 3 3 3 3 3


    
     
A G

G 

D♭/G

        
 
E♭/G

     

G G


                                     
           
3 3 3 3 3 3


      
        
B B♭ B♭/E B♭
      
3

   
3

                    
  
D♭ D♭/G D♭
    
 
3
3

         
     
A♭
  
3 D.S.
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239
Bass Rydia
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 76

           
A C A- F G G
      

             
C A- F G G
  

    
          
B E- A- F C/G G / G
  

          
A-

C D- F/G
   

         
A♭ F- C D- /C C /
    
 

 
 
  D.C.

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 240
Bass Theme of Love
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by Bao Vuong

A D-        E-       
        
G A-
   
Ballad  = 76

           
      
D- G C A
1.




            
 
D- D♯ E-
2.

 
A- G

  G/F      A-

      
F

B E-
 
A-/G

 

F            
 
D♯
  
E G

D.S., take 2nd ending

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241
Bass Welcome to Our Town!
from Final Fantasy IV
Composed by Nobuo Uematsu
Transcribed by John Bergan

    
 = 76

               
C♯-  F♯

A D- C♯- D B-
 

            
         
D- A B- E A A


         B         
           
D- G C C E

D.C.

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 242
Bass Ahead On Our Way
from Final Fantasy V
Composed by Nobuo Uematsu
Transcribed by mkafie

  C
 = 140

     
C C C C C
   
C C C C C C C C C C



    
       
   
A C D  /C C- F  /G E♭ F E♭ F

     
         
C D  /C C- F  /G E♭ F G G

E♭     F /E♭   
            
G-/F
 
B D- G-

E♭       
      G 
 
F/E♭ D- / G  /F

C-     
          
C-  B♭ F-/A♭ G♭ F-

D.S.

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243
Bass Battle 1
from Final Fantasy V
Composed by Nobuo Uematsu


Transcribed by Mike Matarazzo
 

       
   
       
N.C.
 

 = 162

   



    
A G  /F

        
A- A-

      

          
G  /F E

       
A- C

   

       E-  
  

                   
A

B F D- E-/G

   
C D- E- F
 
G

          

          
F F- E  

E

D.S.

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244
245
Bass Battle at the Big Bridge
from Final Fantasy V
Composed by Nobuo Uematsu
Transcribed by Mike Matarazzo

      
 = 180

   
  
F F/E♭ F/D♭ F/E♭
   
   
 
 
 


      
   
  
A F
           
   
   
 
 
 



1.

   
F
       
C   B   B♭ A  
 
     
               
 

    
C   B   B♭ A   A♭
2.
F

                    
      
 

                
       
F-

      
3

 

      C      D♭   
           
       
1. 2.

        
B F- E♭

E♭ D♭

    

C-    
  
G
  
C

 

      
            
B♭ F

  
  
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          C-      
246

  
D A♭ B♭

 

 A
        
     G  
  
    
 
 


A♭ 

G
 F♯
 

G 
A♭
  
G
 F♯
  

G
   
  
  


C-     C-/ G     
B♭/D
 
A♭/E♭
     
A
G
  
  
F-
    
E G/B
  
 

       
    
                 B♭ 
F E E♭ C   B  
          
 
 
C-

        

3

                                     
A   A♭ A   A♭
  


                  
F-

  
  3 D.S.

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247
Bass Lenna's Theme
from Final Fantasy V
Composed by Nobuo Uematsu
Transcribed by mkafie
 = 80


 
F G  /F
   
 




          
A F G  /F E-
   
A-
  


F G  /F E- A

          
       


     
      
F
B G  /F E- A-

G

      


F G  /F E- F

      
        

       
   
D  /C C- F  /C B♭ A♭
   
C C

 

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 248
Bass Another World of Beasts
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by DoubleMark

     
 = 180

    
E- A E-

  
    
 
     

             
       
E- F E-

                 
C/E E- C/E F
 

                           
B E-
  
3 3
3 3

Transposed up a half step from concert Eb minor original https://www.vgleadsheets.com

249
Bass Another World of Beasts
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by DoubleMark

        
 = 180

    
D♯- A D♯-

  
   
     
   

              
         
D♯-  E D♯-

              
B/D♯ D♯- B/D♯ E

      

                               
B D♯-

      
3 3

3 3

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 250
Bass Aria di Mezzo Carattere
from Final Fantasy VI Composed by Nobuo Uematsu
Lyrics by Ted Woolsey
Transcribed by Jer Roque
 = 70

   
D      
D       
 
C C
            
   

       
      
A
   
D F♯- G F♯-

                        
E- D C♯ C♯ F♯- A

    

           F♯-
  
                 
B D
 
F♯- G E- D
  
To Coda

 
1.,3. 2.

                  
F♯- A A
 
C♯ C♯ B-

     

 
C A/C♯ G/B D/A A/G D/F♯ A/E D A/C♯ G/B A B-
       
          


B-  G  A  
 
  
F♯
  
E-/G B-
  
     


A
     
B- G E- A B- G   B-
 
         
A

D
 
    

D.S. with repeat, then al Coda

  E- 
 
  
A
  
G D
 
  

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251
Bass Battle Theme
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Mike Matarazzo

 
 

N.C.

 

 = 170

 
                
 

      
A

    
A- B♭ A- B♭ A- B♭ B♭

           

       
A- B♭ A- B♭ A- B♭ B♭

            

         
B E♭/B♭
      
A- B♭ A- G- B♭ A- B♭ A- G-

   
                           
 

      
C

    
A- B♭ A- B♭ A- B♭ B♭

           

       
A- B♭ A- B♭ A- B♭ B♭

            

    
D B♭/A A- E/A A- N.C.
    
     
     



E/A A-
  
     
B♭/A A- A- B♭
    
   
 


                   
    
C B♭ A C/G G♯ A E

 
D.S.
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 252
Bass Blackjack
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Tristan H

        A C
 = 144

                         
C-
 
N.C.
     

  
B- A-
  
    


F-
 
G

       
   

        
     
1.
B♭ G G
  

         
   
B- F♯-
2.

   
B
      
F A-
     

   
            
F A-

 

           
A♭ G
 

          
G
  
A♭

D.S.
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253
Bass Celes
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 120

       
B- D-

    

         
F- B♭  = 70


Rit.


G- 
     
                       
A E♭ A♭

G- F- E♭

  

    
1. 2.

          
D D G- B♭/F B♭ C-

 

  
    
B F♭ D♭

G♭ E♭ C♭ E♭ E♭

          
D.S.

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 254
Bass Cyan
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG

  
                  
A C-


 = 75

             
  
C-

  

           
C-

        

           
B A♭ E♭ A♭ E♭

    
   

 
    
A♭ E♭ C♭ F♭ B♭

         
    D.S.

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255
Bass Dancing Mad (Part 4)
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by DoubleMark


Free time

  
           
Intro F- F-  F- F- 
 
N.C.

    

         
Prog rock  = 130

            
A C♯-


(Bass)

                            
B C♯-

  
                  
      
F♯-
 

                         
C♯-
  
                  
    
F♯-
  

               

G♯ A B G♯/B♯ C♯-
     

                   
        

             
  
G♯ A B G♯/B♯ C♯-
  

                          
    
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       
256
C-  
     
                 
C

  

      

C-  
      
              
 

                    
1. 2.


C♯- G♯ A B G♯/B♯ C♯-

  

                  
   
G♯ A B G♯/B♯ C♯ G


B/D♯      D  
Half-time ballad  = 90

 C♯-  B C♯/B  F♯

 

     
D E F♯-

   
           
D♯ G♯/D♯ C♯ C♯- A C♯-/G♯

G♯/F♯   
        
1.
G♯ G♯ /F♯

          
       
2.
G♯ G♯/F♯ G♯/F♯

Prog rock  = 130

 
   
C♯-

(Bass comp with [A]) Laugh like Kefka D.S.

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257
Bass Devil's Lab
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG

    

 = 85

(Percussion Only)

            

                
               
(Bass)

         
              
   
A C♯- E F♯ C♯-

        

                
          
C♯- E F♯ C♯-

   

A        
           
        
B E F♯


C       
       
    
     

         
E E
 
G♯ G♯/F♯ E E
   
D.S.

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 258
Bass Edgar and Sabin
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 90

    
A C♯- F♯/C♯ C♯- F♯/C♯ C♯- F♯/C♯ A B E B/D♯

    
               
3

   
C♯- F♯/C♯ C♯- F♯/C♯ C♯- F♯/C♯ A B C♯ C♯
 
                      
3

Rit

  
B C♯-
  
A G♯- E F♯- D G♯
              


  
   
A G♯- E G♯-/D♯ D

          

 
D

       
Rit D.C.

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259
Bass Forever Rachel
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 92

   E-/
 G  
   
A E- D C A- F
           

         
D
   
D- C B♭ G- D

    

    
     
B
  
G- F E♭ B♭

        
 
C- G-
  

         
A D

A/C♯

    
      
C

G- F E♭ B♭

        
A♭ D G G

D.C.
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 260
Bass Gau
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG

       

A A
 
C♯-/G♯ F♯- B E
        
 = 80

    
D♯- /A
      
B- B-/A G A C♯-/G♯
       

           
B
 
A C♯-/G♯
  

     
F♯- C♯-/G♯ A B C♯
  
 D.S.

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261
Bass Gogo
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG

          
  
 = 80

  

 Swing  = 120

                        
      
A G-
 
D G- E♭ A D


3 3

             D 
C-
               
G- D  G-
   
G- D G-


3 3

                  
          
B C F B♭


3

    3
C B♭
  
N.C.

                    
3 3

 
N.C. G

      
3 3

  D.S.

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262
263
Bass Johnny C. Bad
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG
Swing  = 221

                                       

A E
  

  
 
 

  
 

 
3 3

                                        
A E
    
     

                     

3

 
3

 
         
B A E
          
 3

                                     
E
         
     

 
3 3

                                        
   
A E
    
     
   
3

                                        
3
B A E

 
3 3 3 3 3 3 3 3

   
B E
              
 

  
A E

               


  
B A E

                

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 264

   
E
              
 
Bass Solo

  
A E

               


   
B A E

           


           
    
C E
         
       

A

                     
E

         

   
B

A

                        
E

3 3

   
E F
                                   
D E F♯ G G♯

                     
3

     
               
A E
           
 
3

 
               
                
B A E

   D.C.
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265
Bass Kefka
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Tristan H


                  
 = 80


           
A N.C.

 

 
                              
( N.C. )
    
    

                        
B B♭- B♭/F G♭

 

 
          
      
    
( G♭ ) N.C.

    

                         
C B♭- B♭/E G♭

 


                   
    
( G♭ ) N.C.
  
 

       
           
D B♭-/D♭ F/C

              
B♭- N.C. B♭- N.C. B♭-

       
B♭- D♭/A♭ G♭ G♭ N.C.

      
 

D.C.
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 266
Bass Kids Run Through the City Corner
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by mkafie
 = 110 
     
A G
 
D E- G B-
                

  
 
C A- F D
       

 
G

G E- B-
         

     
C G  /F
 
C D G G
     

      
B G

C D B-
 


   
    
A-
 
C D G B-/F♯

          
E- A E- F

     
C D C G A- /G
   
D.S.
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267
Bass Locke
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Jer Roque


 = 140

  
          
A C/E D/F♯

G D/F♯ G

3

 B♭ A-
    
      
A♭
 
D
  
G G
1. 2.

3


   C    B♭  F 
  
B D-


   C    B♭   F   
   
D-
   
A- G- E♭

          
C D♭ F- C- D♭

  C/ D   D
    
D♭ B♭-

D.C.

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 268
Bass Mog Composed by Nobuo Uematsu
from Final Fantasy VI
Transcribed by AarekMG


     
 N.C.
   
 = 79


   

    
A D♭
   
F

             
3 3



   
D♭ E♭
     
F G♭

           
3 3

      
B

       
G F
 
         

                        
G A♭ B
  
      

                  
C B

D.S.

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269
Bass Prelude
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 80


A 
  
C
       
  
    
  
  
 
    
 
   

 
A-

  

  

 
  
    
  
 


    
  
   

    
F/A
   
  
 
  
   
 

 
    
  

G/B
    

  
    
  
   
 

 
    
  

 
A♭
   
       
 
    

   
     
 
 
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 270
 
 
B♭
  
    
   
    
 
    
    
 
 

 C    
 
B A-


 
Background cont. simile

     
   

A-
C     


    
  
  

 
 
   
F G

 
       

   
 B♭
 
 A♭
     
 

  
       
Repeat forever and ever...

    
 

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271
Bass Relm
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG

     
G♭ A♭-/G♭ G♭
   
C♭/G♭ G♭ G♭
  
 
 = 70
     
 

         
G♭ 

   
A C♭/G♭ G♭
    
 
    
 
 

   
G♭ 

       
A♭-/G♭ G♭

G♭

 

  
 

 
 
  

    
B
 
E♭- B♭- C♭ G♭ G♭

           

        
  
E♭- B♭- C♭ F♭ D♭ D♭
    
 
       
D.S.

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 272
Bass Searching for Friends
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by DoubleMark
 = 124


B-/A A-

A- D/A
   

F 
        
A F D-
   
A- E C D/E E

 

F        
   
1. 2.


E-/G E- D E

A- A- A A



         A-
  
B F G  /F E-

D-

G
        
C

 A-

          A
  
F G  /F E-

      C-  
D-
     
B♭

E♭

    
D/E E

D.S.
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273
Bass Shadow
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG
  = 58

       
E-
        


                    
         
E- G C/ B- E- E- C B- E-

       A     F♯-
  B              
G
 
G

E- C B-/D E-

 D.C.

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 274
Bass Slam Shuffle
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by AarekMG



Swing 8ths  = 114
       
                       


          
             
A A-

 
3

  

           
            
A-

 
3

 

            
             
C-
  

3

           
            
A-

 
3

 

      
B E

                           
   

    
A
                   
   

            
N.C. A-
   
3

3 3 D.S.
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275
Bass Terra
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Jer Roque

 = 80 
  
                         
A- A A- E- A- E-
    


1. 2.

     
       
C G F D- A- A-

        

             
B C G C G

   

  
A- E- F D- A-
         
 

   
C
 
C F D- G
  

         
E- A- D F/G G A-
     
D.S.

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 276
Bass Terra
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by Jer Roque
 = 80 
    
A G♯-
                       
G♯- D♯- G♯- D♯-

    
 


1. 2.

         
B F♯ E C♯- G♯- G♯-

                 

          
B
     
B F♯ B F♯

    

 
  
G♯- D♯- E C♯- G♯-
        
 

  
C

B E C♯- F♯

      

          
D♯- G♯- C♯ E/F♯ F♯ G♯-

       
D.S.

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277
Bass The Decisive Battle
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by JohnStacy

                             
 = 106


A A-

                             

A-

 G
  E- 
     G
  
E- 
 
           
F A- F A-

  
      
                   
B E- E E

A- G F D-

  

         
E E
      
E-
 
A- G F

 
     

  
                 
C F
G A- G C/E G F G D D
           

 E- F 
                 
F C D F♯




                
G F C/E D-
   
D.C.
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 278
Bass The Mystic Forest
from Final Fantasy VI
Composed by Nobuo Uematsu
Transcribed by DoubleMark
 = 120

        
A- A- A- A- A- A- A- A-


    
        
A A- A- A- A- A- A- A- A-

    
         
A- A- A- A- B♭ C/B♭ B♭ B♭

B♭   B♭     
C
 
G-/B♭ A- A- A- A-
 

 
A- A- A- A-

  

         

B
  
F D- F F/A

    


    
C C C C C C
   
C C
     

    
     
F D- E♭

       

         
F G A- /G C/G A- /G

D.S.
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279
Bass Aerith's Theme
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by DoubleMark

      
 = 72

   A-/
 E  
   
D
 
D A-/E
  
No bass

  A-
 
                
D B♭ G- D

Bass in

        
      
A B- F♯-/A G D/A

      
 
F♯-/A G


  G   
   
F♯-/A


      
     
B G B- E-/G F♯-
  
D B- A/C♯ G/D

          E-     
        
A/E G/A G D

    
           
N.C.

D.C.
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 280
Bass Ahead On Our Way
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by mkafie
 = 70

                 

A

 
G E- A- D B-


    C-       
      
D
    
C G E- A- A- 

                 
  
G E- A- D B-

    C-  G
          
  
     
C E- A- D G

 

 
B D D

G E- A-

      
         

           
D
   
B- E- A-

         

      
G E- A- D
            
D.C.
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281
Bass Birth of a God
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by DoubleMark
 = 190

     
A

             
A

 
  
     
 
      
  
     
 
     

     
( A )

             
     
    
 
                    
   

        
B D/A A- D/A A-

Backgrounds as [A]

        
B-/A N.C.

    
   
 Backgrounds out Huge bend down and back!

 
                  
A

C


A- B-/A A-

  
Backgrounds as [A]

          
        
D/A

            
A- B-/A A-

   

               
            
D A-
      
Backgrounds as [A]

( A- )
              
              

https://www.vgleadsheets.com
                  
282

      
E C E-

   

       
        
 
G-
 

                    
     
D-
    
F C-

             
G

B♭-

    
       
( B♭- )



       
     
H

   
D-

          

                              
    
A- G- N.C.
   

   
  
I A



 
  
    
       
  
    
      


( A )
     
                     
   
D.S.
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283
Bass Cid's Theme
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by JohnStacy
 = 90

           
A

C- E♭ G-

 

       
     
D- F A-

 

A♭  C-
            

F

  

   
     
G- F- G G

     

        
B E♭ B♭/D C- E♭/B♭

        

 
A♭ B♭ E♭ B♭

          

        
E♭ B♭/D C- E♭/B♭

        

         
A♭ B♭ E♭

 
  D.C.
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 284
Bass Costa Del Sol
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by Jer Roque
Bossa  = 118

    
A- D A- D
            

  
    
A- D A- D
          

                
     
D

A A- D A-

   

       
        
    
C
G- C G-
  

                
     
D

A- D A-

   

      
        
    
C
G- C G-
   

 F 
      
 
B♭ B♭

F

B
   
   

 G
     
A

G A 

   
     

D.C.
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285
Bass J-E-N-O-V-A
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by TheMetricRebel
 = 180

    
Intro N.C. E   / D
     
  
 
 
 

 
 

 
 
 
  

                         
  
E   / D
  
D- D-


              
A D-

       
      
F- C-

A-     
      
E-


     
       
G- D-
 

                   
  
B A♭/F B♭/F

F G/F

C 
  


D.S.
       
                   
   

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 286
Bass Reunion
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by TheMetricRebel

    
 E-

 = 152 F-
       
  
                   
           

     
   
A E♭- D-
 
  

           
    
E♭- D-

      
E- F-

     

              
E- C B-

  

         
B E- D-
   
3

              
C- B♭

3

         
G-

A-
   

              
F-

G G

3 D.C.
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287
Bass Those Who Fight Further
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by Jer Roque
Rock shuffle   = 170

 
Intro A-
             
       

           

    


C-
              
                         
 

                          
       
A
        
A- C-
      
Background simile

     
D-/A E/G♯ A-

                               

A- E C G F

         
B

   

                              
C E


A- A-

       

                                           

A- E A-
  

       
  
        

        
G C G C A D- A B♭
        
D

                  

                
     
E

D-

   
         
A-

       
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                   
288

   
F D-


   
     
Background simile

   
         
A-

       

         

                   
   
G D-


   
     
Background simile

    

E
  
A- C D G

      
            
 
       
  

    
     
    
A-

    

    
D.S.

Comp with [Intro]

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289
Bass Tifa's Theme
from Final Fantasy VII
Composed by Nobuo Uematsu
Transcribed by mkafie
Ballad  = 80

        
   
F A B♭-/F F B♭-/F


                 
1. 2.

  
C-

F F

 

         
   
 
B F F

 
B♭-/F

       

 
              
A- B♭ D-/A G-
F

    

               
G-
 
C F
 

               
1. 2.

   
E♭ D- G G
 
D.C.

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 290
Bass Don't Be Afraid
from Final Fantasy VIII
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 165

        
N.C.
 

 
 
 
 

           

 

 


    

 




      

B♭/A♭

D F G
  

 
      

  
D-/A
    
A

A- F/A

      

         
          
G

G A-
         
    

  
D-/A
    
A- F/A

     


    A-  
 
 
       
  
         
G
       

       
D-/A
    
D/A
     
B A- D-/A A-

 
A- D/A A-
     
   

 

             
D-

D-

 
A- A D/ D-/A
 
A- G/D B♭/D

          D- /A F
   
A- D/A
    
A- F F F
                 
 
D.S.
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291
Bass Eyes on Me
from Final Fantasy VIII
Composed by Nobuo Uematsu
Transcribed by Amy Hsieh
 = 90

   
Intro G C A-
 
   
   


F
   

E- D-


F/G G
  
        

      
G
   
A
     
C A- D-/F G

 

 

        
     E-
    
    
G
     
C E- F G A-

   

                     
  
F♯
   
F-
1.
F C B♭ A-

   


    
G  /F

          
F G C/E
2.

 

       
D- G G-
  
C C
  
3
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           
292

      
B
 
F C

  
3

         
       
G

B♭ C G- C

 
3 3

           
  
F E-

F A

  
3

 
   
G

       
D- F
 
F/G C
 
 No repeat 1x To Coda

 
C
   
A-
 
F C/E D- E-
   
        

     

  
          
 E

C/ D- G♯- 

F F/G G A- E-/G
       
  


D.S. al Coda

 C  
      
          
     


   
     
        
rit.
  
  

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293
Bass Shuffle or Boogie
from Final Fantasy VIII
Composed by Nobuo Uematsu
Transcribed by AarekMG
Swing  = 120

    
Intro F


                          
A F

 

                          
F

 

                 
  
B♭ F

F     
                  
B♭

  
         
C B♭
 

    
F C

D.S.
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 294
Bass The Man with the Machine Gun
from Final Fantasy VIII
Composed by Nobuo Uematsu
Transcribed by AarekMG
 = 120


       
 
D-
       


   
 

( D- )
    

         

  
Layer over previous

         
         
A D-

    
  
D-
1.




                   

2.
B♭



    
D-/A
3.


G- B♭ C

     A-
        G-
      
D- C-

B

D/ F♯
     A   
            

B- G E-

F/ A
    
C       G-

D- B♭

  

D.C.
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295
Bass Waltz for the Moon
from Final Fantasy VIII
Composed by Nobuo Uematsu


 
Transcribed by Jer Roque

      
          

Waltz  = 168

      
         


   
A
 
F


    A-     C
             
D-F B♭ C F B♭

    
Repeat 8va

    A-
       F 
       
 
D-
1.

 
B♭ G-/D D G/ D-

   
         
C  /E
 
CB♭ D- F B♭ F B♭

 

    A-  B♭   B
  C
       
B♭
  
    
D-
2.


C F/ A

B♭    F  
  
          
F B♭ F

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           
296

 
B B♭

F

3

C           
  
F



       
A-
  D 

B♭
 
3

   
    
     
G-
 
F/C

 

  
 N.C.
      
B♭/F B♭-/C F C

           


    
     
   
   

     
D.S.

        


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297
Bass Battle 1
from Final Fantasy IX
Composed by Nobuo Uematsu

 
Transcribed by Mike Matarazzo

 
  
N.C.
                

 = 160

  
3

 

         

3 3
Bass and rhythm

      
3


       
  
A

A-

 
Bass and rhythm simile

           
     
F
1.

   
G
  
  
         
    
 
B
  
A-
2.


F
   
Bass and rhythm simile

     
 
F/G A-



           
Bass and rhythm simile

  
D- E-

G

C F

         E/G♯
     
F D/F♯

G


 D-       C
    
G

D A-


      D  /F♯       
 
G
 
A- G

  
D.S.
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 298
Bass Crossing Those Hills
from Final Fantasy IX
Composed by Nobuo Uematsu
Transcribed by DoubleMark
 = 100

    
G D-/F
   
       
       


 

   
1. 2.



F

        
G F
           
      
     


            

A

G E- C B-

        
    
D

C G A-

B-         C-  
  
E A-

     
1. 2.

      
D
 
G C G G



    D       E  
    
B C B-

A-         

C F

E-/G D- E-

      
C D 

D

   
D

    
  
D.S.
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299
Bass Vamo' alla Flamenco
from Final Fantasy IX
Composed by Nobuo Uematsu
Transcribed by DoubleMark
. = 91

   
A- F/A F♯- /A F/A A-
         
Intro

  
 Percussion intro

             C    
       
A A- E A- G

 

                     

G  /B F E A- E

  

              B              
   
A- G C G / F E A-

  
To Coda

           
            
B A- E A- E- F E A-

A-

    

      
       
    
E A- D- E♭ E  


D.S. al Coda

 
                                   
 A D- A- B♭ A

         E
           
D- A-
F F G F

 
           
E F G F E

D.S.
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 300
Bass You're Not Alone
from Final Fantasy IX
Composed by Nobuo Uematsu
Transcribed by JohnStacy
 = 142


A- F A- F A- A A- F E-
        


         
A A- E- A- F C D F C/E D- D♯ E

            



1. 2.

            
E- C F

A- E- A- F C/E D- E- A- A-

        

  
              
B A- C D F A- C E- E

  

   
     
    
F
C F C/E D- A-/C D- E- F
      

    
           
A- C D F A- C E- E

 

   
         
F
C F C/E D- A-/C D- E- A-

     
D.C.

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301
Bass Suteki Da Ne?
from Final Fantasy X
Composed by Nobuo Uematsu
Transcribed by Amy Hsieh
 = 70
N.C.  


G- C
 
A- D- C B♭ A- F / A A
       
 

  

      


B♭ C

A- D-
   
G- A-  D-
    
      
 
 
 


             
      
A D-
  
C F C F C D- A-



D-       
    
1. 2.


          
 
         
D- C F C B♭ A- G G

 

    C                  

B

F D- B♭ F C B♭

        
        
F C D- A- B♭ F B♭
    

   
      
         
A- B♭ A-

To Coda

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 
302
G-


B♭ C A- D- C F A B♭ C
 3         
C
 
    
         
    
   3
5

A- D- G- A- B♭ A-/C

 
     
        
      
 

     
3


3

    

 
3 3

E-/D E-/D
  E-/D
  
D-

D.S. al Coda

 
 
          
A-/ D
   
B♭ G- D-

 
 


N.C. D
  
       
    
 

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303
Bass To Zanarkand
from Final Fantasy X
Composed by Nobuo Uematsu
Transcribed by mkafie

 D  C D C 
 B-
 = 90

 
    
E-

  

           F 
     
A-
 
C B-


   
  
 
                
A E- C D G E- C D G
 


        A- B- C
                 
E- C D G C D
  


 E-
      F♯-
    B
    
B

B F
 
A- G B- A-
 

            
B- G A F♯- C♯- G F♯- F♯- B
      
D.S.

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304
305
Bass 1000 no Kotoba
from Final Fantasy X-2
Composed by Noriko Matsueda & Takahito Eguchi
Transcribed by AarekMG
 = 80

  
B
       

    
    
 

 
        
          
A C♯- B/F♯ E D♯-
B/D♯ G♯-

           

         
C♯- G♯- F♯- B
        
E/F♯ G


 
 



    
E
   
E/F♯ B B

         

   
       
B E D♯- C♯- E/F♯ D♯/G G♯-

               

   
E D♯- G♯- C♯- D♯- D♯/G G♯-
             
  
        

    
E D♯- C♯- E/F♯ D♯/G G♯-

                  

        

E D♯- G♯- C♯- D♯- E F- E/F♯ F♯
    
        
              
      

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   
306

                
C E G♯-
   
1.
E/F♯ B/D♯

            

F♯
          
E G♯-
      
F♯ G F♯/A♯

     
  
 
    

                           
E
2.
F♯/A♯ F♯ F♯ G♯ G♯

   

 E/G♯  F♯/A♯
      
   
D C♯-/E D♯-/F♯
       

    
 
        
3 3

B B C♯- B/D♯ G♯-

  
     
 
         
 
3

  
      
3 3


                  

E E G♯- D♯-/A♯
   
E/F♯

            

E F♯ G♯-

          
1.
F♯ G F♯/A♯
  
 


  
           
 

        
          
E
2.

 
E/F♯ G♯ F♯/A♯

  
Freely

 
G♯-/B G♯/C♯ G♯ G♯
  
 
   
  


 



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307
Bass Ronfaure
from Final Fantasy XI
Composed by Nobuo Uematsu
Transcribed by zdmajor7

          

Pavane  = 84

D
          
            
A D♯ E-

E- C
G B- C

Rhythm simile

                             
E- C B- C G D E- D E- D E-
  

    
  
          D     
          
C B- D♯ E-

( E- ) C G

   
                  
        
C B-
    
( E- ) C G D E- D E-

C  C
     
      
B
  
E- D E-

C   C
          

  
             
E- D E-


D
           
              
C E- D♯ E-

C B- C G

                        
E- C B- C G D E- D E-
    
https://www.vgleadsheets.com
    
            
308


D G D / / D E- B-

        
     
C G A- B-

        
     
A
 
C G B

D
        
              
E D♯ E-

E- C B- C G

                          
E- C B- C G D E- D E- D E-
  

     
F E- E-
             
E- A



            
E-
        
A A
      


          
6 B-
C


A C D
      E
E- F♯ /E A-/E
 
/ E- /

      E
E- F♯/E A-/E
 
D.S.
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309
Bass Selbina
from Final Fantasy XI
Composed by Naoshi Mizuta
Transcribed by AarekMG
Jig   = 106

         
D/E E D/E E


A-            

  A-        A-  G
           
G

A A- A-
   
G G

  A-        A-  G          A-
F    G
   G          
 
A- A-
  
G

    
 
B

A- D/A E-/A D/A A- D/A E-/A D/A

 D/A   D/A          D/
               A  
E-/A

 
A- E-/A A-
   
D/A

 D/A   D/A           D/
               A  
E-/A

 
A- E-/A A-
   
D/A

   
                                 
 
C D- G  /B C A- D- G  /B A- A/C♯

    

                                      
   
D- G  /B C A- D- B E

    
D.S.
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 310
Bass The Yaschas Massif
from Final Fantasy XIII
Composed by Masashi Hamauzu
Transcribed by musicalmoose & DoubleMark
 = 80

    
G A♭ G A♭



     
  
G
A A-



   D  
   
             
1. 2.

A- G F♯- 

  
G

 

               
B F♯-  B E-
  
 

      
   
 A♭

A A-

  C-
    
C G G C


   
      
E
      
B- A- D

           
G A♭ G A♭

D.S.
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311
Bass Ruby Sunrise
from Final Fantasy XIV: A Realm Reborn
Composed by Masayoshi Soken
Transcribed by Nathan Ford
Latin  = 110 
   
                   
            
D♯ A D
E- A D D♯ E- A

  
  

     
                              
 
D
D♯ E- A D D♯ E- A
  


    
           
            
D
B D♯ E- A D D♯ E- A
 
  

  
                               
 
D E- D♯
A D D♯ E- A

     

 
C D D
1.

 
D G/D G-/D
           
  
             

  
D D
  
D G/D G-/D
  

      
                 

 
D D G/D G-/D
2.

   
             
 

 
D
 
D G/D G-/D
  
          
  D.S.
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 312
Bass Blackbosom
from Final Fantasy XIV: Heavensward
Composed by Masayoshi Soken
Transcribed by Nathan Ford
 = 120

               

A A♭ G C- F  /A A♭ G- F- G / G

     
3 
3 3 3 3 3

  
A♭ G C- F- E♭ D
           
F /A G / G
      

3 3 3 3 To Coda

     

 
N.C.

 
 
     
1.

      
   

    
       
     

         
 
  
 
   
    
      
   

       
     


 


  

                  
B F- F- F- F A♭ A♭-

 
3 3

  
 
F G G

A♭ A♭-
    

D.C. al Coda

        

A♭ B♭/ B♭ F/G


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313
Bass Neath Dark Waters
from Final Fantasy XIV: Shadowbringers
Composed by Masayoshi Soken
Transcribed by AarekMG

 
 = 80
A- B- A- B-
      
     
E E
  

 
           
 
 
         
A E A- B- E
A- B-

 

                    
B-
 
E A- B- E A-

       

    C-     
       
D-
     
G D- G C-
      

          
  
C- D-
C- D-
          
G G
   

                   
B F G-
1.
C- B♭- E♭

     
  
8va on repeat


           A♭
               
F
G- C- B♭- E♭ B♭ B♭
2.

       
B♭ /

  
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             
314

    
C C♯- B♭- /C E E
  
B-

3 3 3

  A-    G♯-    C♯

  
A♯- 
 
3 3

 A  
  
     
F♯- G♯-

D.C.

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315
Bass Crimson Sunrise
from Final Fantasy XIV: Stormblood
Composed by Masayoshi Soken
Transcribed by AarekMG

B♭ 
  
                               
A D D  /C B♭ A- D D  /C A-

 = 63

Drum Intro

                     

  
D  /C
 
D B♭ A- G- A- D D


  G-
 
                      
B B♭ A- A-

  E♭

                 
B♭ A- C
 

 C     

 
                
C
 
B♭ C A- D- B♭ C G- A- B♭

       

D-        C     D-     B♭
     C     D
 D  
 B♭
   
A- G

 
 C C 
        D 
        
C C 
  
        
D

  
D B♭ D- B♭ B♭ C

    G-
     A-
        
  
B♭

A- D-

     A-
     D
   D 
    
G-

D.S.
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 316
Bass Where the Heart Is
from Final Fantasy XIV: A Realm Reborn
Composed by Masayoshi Soken
Transcribed by AarekMG
 = 93

    
A / / / A♭


 
         
                
A A A♯ B- E B-A♯
E

A

    
 

     
            
E♭ F
A  /G
       
  
  
  

     
                        

B A    A♯ B- E

A♯ B- E A

    

                 
C A A♯ B- D- C♯- F♯- B- D-/F
      


                 
A A♯ B- D- C♯- F♯- B- D-/F
    
 


     A♯ B-     E
           
D A♯ B- E
   
A A

   
A / / / A♭

D.C.
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317
Bass Main Theme from Final Fantasy
from Final Fantasy XV
Composed by Nobuo Uematsu

 
Transcribed by Jer Roque & zdmajor7

 
Freely


  
F

March  = 94

       
      
A F C G  /B C

C/E B♭/D B♭ C

 

 G-      
1. 2.

        
G  /F C C /E C 
 
G-/B♭ D/A D/F♯ G-

B♭  F         
 
B D-
 
E♭ D G- F E♭

C     
    
F B♭ C F

B♭  F         
 
D-
 
E♭ D G- F E♭

 A♭  G-            

D♭ B♭-


      
B♭

C

Outro
 
  

 

       F 
  
E♭

 

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318
319
Bass Up for the Challenge
from Final Fantasy XV
Composed by Yoko Shimomura
Transcribed by AarekMG
 = 176

   
               
 
F- E♭

 

  
       

       
  
F- E♭

           
A F- E♭

       


     
   
D♭ G♭

         


       C-
        
C♭ B♭

  
     
      
E♭
  
F-

   

      
          
G♭

D♭

  

C♭              C-

B♭

    


      
B F- E♭


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     
  
320

         
            
F- E♭

    

              
    
C B♭- E♭

   

   
               
 
B♭- E♭

    3 3

    
              
B♭- E♭

   

               
    
B♭- E♭

    
3 3

             
     
G♭ G

        

       
A♭ A♭

  

    
D
   
D♭- C-
           


      
 
D♭- C-
           

D.C.
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321
Bass Bland Logo ~ Title Back
from Final Fantasy Tactics
Composed by Hitoshi Sakimoto
Transcribed by Jer Roque
 = 120


 
 
Intro N.C. E-
     
E- A- E/ E- D G/D G
       
                    
 
E pedal

     
          
A C A- G G

     
                  
F D- B♭ D♭

 

C- F-  C-
 
C/ C-
                     
B♭
     C-

     
    
 
C pedal

             
               

B G


7

            /
         
( G ) G /

/ N.C.

 

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 322
Bass Tutorial
from Final Fantasy Tactics
Composed by Hitoshi Sakimoto
Transcribed by AarekMG

  
 = 130

   
A A


                 G

               
 
A A
 

               G
                
      
A

A A A


                  G
           
 
B A
 

     
            
 
               G
                    A
A

       
A


         
     
  
                

   

     A   G       
 
C B- A B- A A
  
D
        

  A    G 
B-  A
  D 
         
B- A E
       

     
A A A

D.S.
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323
Bass Theme of Fire Emblem
from Fire Emblem Series
Composed by Yuka Tsujiyoko
Transcribed by JohnStacy

 A♭
     B♭
 = 120

  B♭
   
A E♭ F-



 A♭  
      B♭
  
E♭/G F-

 A♭
       B♭ B♭
  
E♭ F-

 A♭  
      
  
F- B♭ E♭
  
E♭/G

           
     
B F- B♭ C- G

E♭ A♭

  

C-   A♭
  A 
   B♭ B♭
          
A♭ B♭ E♭

 
D.C.

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 324
Bass Together, We Ride
from Fire Emblem
Composed by Yuka Tsujiyoko
Transcribed by JohnStacy
 = 214

   
                            
A B♭ C B♭

                    
A A B♭

         

   
                          
C B♭ A

  

                     
 
A D- B♭ G- A  

                       
D- B♭ G- A  

              
D- B♭ D-
 
C

   
 D.C.

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325
Bass Id ~ Serenity
from Fire Emblem: Awakening
Composed by Hiroki Morishita and Rei Kondoh
Transcribed by Ashanti Mills


Adagio, freely

           
A♭ G♭ A♭ G♭ N.C.

    
3

G♭ 
             

A A♭ G♭ A♭ G♭ A♭ G♭ A♭

  

   
3

    
    
F♭ A♭ G♭ G♭

       C♭  

A♭ F♭ D♭
  


  D♭

 
A G♭- D♭
 
  
      

    
          
B D A C B-

     
        
B♭- A- G G

   E♭  
     
C

F D-

       
  
 
D♭ C- F E♭


D.C.
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 326
Bass You May Call Me Marth
from Fire Emblem: Awakening
Composed by Hiroki Morishita
Transcribed by Ashanti Mills

       
               
A F G E- F G E- A/C♯

Freely
 

F       
                   
E♭ D- E♭ F D- E♭ D



D♭/F   
       
B C E♭- B♭/F

 

  A/B   

G♭

G/A

    
 

G♭/
 A♭   
     
C



( G♭/
 A♭ )  
    


G/ A  
  

( G/
 A)  
    
D.C.
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327
Bass Lost in Thoughts All Alone
from Fire Emblem: Fates
Composed by Hiroki Mishotia
Transcribed by Ashanti Mills

           
Rubato

             
   
 = 72

   
 

             
          
          
 = 120

 
  

Intro C♯-

 


    
1. 2.

                             
AC♯- E/B A G♯- F♯- G♯- A G♯ G♯- C♯ C♯

    
Rhythm simile

A
       
             
B A♯- B/C♯ D♯-/C♯ D♯- D C♯-
  

             
A
 
F♯- G♯- G♯ G♯ A♯ A♯
   

B♭ 
    D♭   
 
B♭
 
 
         
C♭
  
C B♭- G♭ F-
 
E♭- G♭/ A♭-

 

E♭- 
 

         
D♭-

G♭
     

     
C-  C♭ A♭- B♭- C♭ N.C.


To Coda
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         
328
D A♭ A♭- B♭ B♭- F-


   
F♭ F♭ A A 

A♭ A♭

D.S.

 
           
    
 
 
  
F♭ E♭- F♭

D♭ C♭


                      
F♭
1.
G♭ A♭ A♭

  


  
C♯-
     
 
  
F♯-
 
G♯- A
   G♯
E 2.
B A G♯-
    

     
  
       
C♯- G♯- F♯-
 
B A G♯- C♯ C♯
    

A
       
             
F A♯- B/C♯ D♯-/C♯ D♯- D C♯-
  

             
A
     
F♯- G♯- G♯ G♯ A♯ A♯


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329
B♭ 
    D♭   
 
B♭
 
 
         
C♭
  
G B♭- G♭ F-
  
E♭- G♭/ A♭-

 

  

       
D♭-
 
G♭
    

     
E♭- C-  C♭ A♭- B♭- E♭- C♭



B B
    
 
   
 
     
  
H C

E- G/D B- A- B- C

 
G
 
       
D-
  
     
E- C♯-  C A- B- C

   
    
C D E

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 330
Bass Good Morning
from Gimmick!
Composed by Masashi Kageyama
Transcribed by Tristan H

         
             
A C F C F E- A-

   
 = 100

     
( A- ) F
    
G C/G A-/D G
    

      

 = 95
 
        
C F D- G C
 
   

     
B

  G 
                 
C F D-  C
 
     

                   
  
C A- E- E-  F

G 
              
              
F- F

C

 

  
 = 100

                           
F E- A- F E- A
 
D

     
           
F E- A- D- G C C
       
  
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331
Bass The Legendary Theme
from Gitaroo Man
Composed by COIL
Transcribed by DoubleMark
 = 80

      
E A E A


   A   
E
 
E
  
A

        
 

     
E
 
A E

 
A A

   

      



       
F♯-
            
G♯- C♯ A- B

         



      
E
 
E

    
A A

        

    
    
F♯-
   
G♯- C♯ A- B

    

            


                       
B E A A-

   

  
G♯-
          
C♯ F♯-
  
A-

B
     
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 
332

    
E
 
C E

     
A/E A/E

      
 
Solo freely over melody


      
    
E F♯-
            
C♯ A- B

        

                       
D E A A-

   

                  
G♯- C♯ F♯- A- B
     

                       
E A G♯ G♯/B♯

   

        
      
C♯- F♯ F♯- B

 End soloing

     
E
 
E E

 
A/E A/E

   

      




E
        


  
E E

          

A/E A/E

  
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333
Bass Password
from Godzilla: Monster of Monsters
Composed by Masatomo Miyamoto
Transcribed by GUIM

     
C- E- C- A♭-
 
 = 109

 

     
     
C- E- C- A♭-

 

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 334
Bass Kolima Forest - Mogall Woods
from Golden Sun
Composed by Motoi Sakuraba
Transcribed by Gregory Orosz
 = 90

  
 
A A- G F♯ F
           

  
   
A- G F♯ F

        

     
            
C B- A- C B- A- A/C♯
  


                 
D- D♯ E- B-

 


        
C D E-

           
      
Waltz

   
B A- E/G♯ A- D/A

          
    
 
G/B G/B

D-/A C

           
        
A- E/G♯ A- D/A

         
    
 
G/B G/B

D-/A C

D.C.
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335
Bass Byelomorye Dam
from Goldeneye 007 Composed by Graeme Norgate,
Grant Kirkhope, & Robin Beanland
Transcribed by Jer Roque

        
 = 140

 
 
Intro

      

   
          
A E- E- E- E- E-

     
        
E- E- E-

E- E-


Repeat first time only.

              
B C D C D E-

          
 
C D C D E- E- E- E-

E-  E-
            

C E- E- E- E- E- E-
    
  

        
E- E- E- E- E- E-
1.


E- E-

                 

          
         
C D C D E- C D C D
2.

                       
D B C D D♯ E- B
     
D.S. to [A]
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 336
Bass Burning Heat
from Gradius II
Composed by Motoaki Furukawa
Transcribed by Mike Matarazzo
. = 160
A♭/C  B♭/C  
 
                            

A C A♭/C B♭/C C
  
      

 
                              
C/B♭ F/A E♭ F

           
        
F
        
    
B B♭ B♭/A♭ G♭

          
E♭/B♭

         
D♭/A♭
       
B♭/A♭
 
B♭ G-

D.C.

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337
Bass Heavy Blow
from Gradius II
Composed by Hidenori Maezawa & Yukie Morimoto
Transcribed by Mike Matarazzo

 B♭/
G A/ G  G
 A♭/  B♭/
G C/ G  
  = 172

G G  
E♭/G
    
Intro

F/G


            
          
F

  
A E♭


G F


G
   E  E♭
C-/  
1. 2.
G  /F C / G
 
    
 
F/ E♭
           
        
F
  
B E♭ G-/E♭ C-/E♭


G
 F    N.C.
   
             
E

  

 
F/ E♭
         
     
Bass in unison

    
E♭ G-/E♭ C-/E♭


 F F    
   
D D
 

             
     
C G G/F

               
  
1. 2.

C C
   
D D
   
    
G-/E♭


D.C.
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 338
Bass Sand Storm
from Gradius III
Composed by Konami Kukeiha Club
Transcribed by Mike Matarazzo
  = 162

     
A

G F/G
        

   
  
 
G F/G
   

     
B
  
G F/G

   

     
G F/G

     

   
         
C C B- A- D
          

       
                    
C B- E♭  F G

        
    

Bass

    
D
  
G D/F♯ E- C D

          

          
G D/F♯ E- C D

      
D.C.
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339
Bass Manny & Meche
Grim Fandango
Composed by Peter McConnell
Transcribed by zdmajor7
Tango  = 94

         F♯
                 

A E- B/D♯ F B/D♯
  
B /
  
Freely 3

       A- C       F♯-

E
      A♯ 
  
G-
    
F♯/ B

 
           F♯   
  B  B 
E
 
B
   
A- A

E-      A-   C  

    
N.C. E-/G

       
B/A N.C. C
   
N.C.


   A-    B   B 
               
F♯ F♯ 

E
 
C A
  
E

E-      A-   C
  
     
B/A N.C.
     
N.C. E-/G


  A-
     E-/
  G    B  /F♯
 

         
E
      
D

E-

       

 3 (Bass)
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340
341
Bass Holy Orders (Be Just or Be Dead)
from Guilty Gear X Composed by Daisuke Ishiwatari
Transcribed by DoubleMark
& musicalmoose
 = 238

    
Intro E- C
     
B
  
E-/G B/F♯ B/D♯ E-
       
    
3
Melody and bass only

      
E- E-/D C E-/G F♯ B
       
       
3


 3

           

A E-
           
     
    G♯
C    B-     A-
    F♯
    
      
B

Drums enter



B

E-
         
   
               



E-
      

      
              

           
C E- B/D♯
        
 

    
   
C E/B A- B
         
 

                
E- B/F♯ E-/G E/G♯
  
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    
342

      
A- B E-
    

       
D C D E-

   
   

  
F♯ B E-
            
    

       
C D E-

   
   

     

F♯ B D♯

      

  

  
    


        
E

E- A- D G
         

B
 
F♯
  
   
C D G

          

    G
    
         
E- A- D
  

     
      
F♯- 

B E-

 D.S.
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343
Bass Blue Water, Blue Sky
from Guilty Gear XX
Composed by Daisuke Ishiwatari
Transcribed by DoubleMark
Half time  = 196

                       
       
Intro F♯- G♯-
    
 
Let chords ring

                 
 

A
     
B
     
F♯-

 Fast rock, chug away

 A
 
F♯- G♯-
  
 
 
A

Background cont. simile

             
       
A B A F♯-
    
   

 A
  
F♯- G♯-
  
 

Background cont. simile

  
           
A B G♯- A
    
 

 


https://www.vgleadsheets.com
               
344

         
B A B C♯-

   

         
            
C♯- A B A A G♯- F♯-
1. 2.

       
   

                     
C F♯- G♯- A

     

 B 
     
A B G♯- F♯- A
  

      
                    
 


          
      
D

A G♯- C♯- A

 

        
                
A G♯- C♯ B A G♯ A

          
     
A G♯- C♯- C

 

          
              
C B A B A G♯ F♯-


D.S.
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345
Bass Main Theme
from Hidden My Game by Mom
Composed by hap inc.
Transcribed by Amy Hsieh

     A     E     B   
 = 142E
                    
    
E
  

     A     E   B   E   
E
                           
E
       

            
A
    
E A E B
 

        
       
      
E A E B E N.C.
    


          
       
  
B E A E B

  
  
     

   

2nd time only

          
 

  
E A E B E E
1. 2.

      
        
    To Coda 

   


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 G
     
  
    
346


     
  
A B 

C

  

G     
  
          
B 
 

A

  

                 
D E E A E B


  
           
  
    
E E A E B E

                  
E E A E B


                
  
    
E E A E B E

         
E E A E B E A E B

D.S. al Coda

     E
E B

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347
Bass Dirtmouth
from Hollow Knight
Composed by Christopher Larkin
Transcribed by AarekMG
 = 90

                
A E- E-  E- D C
  
3 3

              

E- E-  C G/D F G
 
3

  
    
E- 
  
E- C B- G
     
A
 
3

             E-/G

B E- C A- E-/G E- C  A

3 3

    F/A    B♭ C
 
F G

3 3 Rall D.C. al Coda

To Coda

  B♭ C 
   
E-

Rall
   

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 348
Bass Title
from Ice Climber
Composed by Akito Nakatsuka
Transcribed by JohnStacy

                      
Swing  = 172

         
C
     

 
                   
        
F C
   

3 3 3 3
3

      
                 
F
      
C
      
G G

3 3 3 3 3 3 3 3 D.C.

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349
Bass Drifting Endlessly
from Illusion of Gaia
Composed by Yasuhiro Kawasaki
Transcribed by DoubleMark
Ballad  = 88

      
A A
    

    
A  /G D
      

    
B D- C♯-
   

    
B- B- 
    
D.C.

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 350
Bass Taneo Dance Fever
from Incredible Crisis
Composed by Tokyo Ska Paradise Orchestra
Transcribed by DoubleMark
Half-time swing feel  = 90

             
    
F

A B♭
      

 F       

   
B♭
  
(3x)



     
F- G♭- 


Straight funk  = 180

  
F-
         
     
B B♭

       


       
1. 2. 3.

  
F-
           
N.C.
    
B♭
   
B♭

   

      
F-


      
  
B♭
   
C

  

   
F-

    

    
F- G♭-  F-

   
  
 
D.C.
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351
Bass Tondemo Crisis! Theme #1 (We Are One)
from Incredible Crisis
Composed by Tokyo Ska Paradise Orchestra
Transcribed by DoubleMark
Ska  = 180
A   B-   A   B-  
      
Intro
   
         
A B- A B-
   
 
   
    
(Bass)

D
           D    E
         
A
         
A E A

    D
       D    E 
                     
A E A

                   
B
  
A D E A D E

    

                   
    
A D E A D E

   

                             
A D E A D E
 


            A 
      
A D E D E

   
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    D       D       D  
352

  
C
    
F♯ F♯ F♯


                 
E

   
                   
E

D
           D    E
         
D
         
A E A

    D
              A  
    N.C.
             
A E A

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353
Bass Katamari On the Rocks
from Katamari Damacy
Composed by Yuu Miyake
Transcribed by DoubleMark & musicalmoose

  
        
 = 160

 
                

        
A B
     
A B A

       

     F♯
    
              
B B
 
A

     


                   B   A  

1. 2.

     
F♯
          
F♯

   
B A

        
 
   
 

          

              
C
 
B A F♯ B

       

                                 
A F♯ E D G

     


                  
    
B

B A F♯

     
 

                             
D N.C.

     

                           
    

                           
    
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        
354

      
B
  
E

    
          
            
E E E E E
  
 
         
  
           
A A- A A-
  
   
 
    
     
 
        
B
     
  
    
 


              

             
F B A F♯ B

       
         D   
          
E
            
A F♯ G

     

           
             
B A F♯

       
 
 
  
                       
G
 
B A F♯

          
   
   
 A
                   
 
B F♯

        


 
  


   

  
    
Comp with [B]

     
     
   
E D G

          

 

 


    
A   F♯ 
                         
B
     
B

       
    
   
    D.C.
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355
Bass Lonely Rolling Star
from Katamari Damacy
Composed by Yoshihito Yano
Transcribed by musicalmoose, DoubleMark, & Jer Roque

  
Half-time feel  = 170

      
E♭ A♭/E♭ D♭/E♭ G♭/E♭ F-
                
Intro

          


Bottom part on repeat only

4/4 time

                       
A♭ D♭ G♭ F- F-/G
   
E♭

       

                

Verse E♭ A♭ D♭ F- F-/G

G♭



        
          
A♭ D♭ F- F-/G

E♭ G♭

  
Repeat on 1x only

        F♯  G-
 
            
Prechorus A♭ A C

 

     B♭   
    
F-

     
  


              
  
Chorus E♭ D♭ / / C A♭ A♭- D♭

   

                  
/ / C A♭ B♭
1.
E♭ B♭- B♭

  
  
Jump to [Intro], skip repeat in [Verse]
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 356
2., 3.

               
A♭- B♭ E♭ B♭/D D♭ / / C

 


          
D♭
 
A♭ A♭-

 

      
         
E♭ B♭- / / C A♭ B♭ B♭ 

  
 
To Coda

    


Bridge G- C F- B♭

   
    

    

G- C F-  
   
 
B♭
 
 

  
   
 

 
         

Bridge 2 A♭/C A♭/E♭ B♭ B♭/A♭ A♭/C A♭/E♭ B♭ B♭/A♭ E♭
    
                 
  

 
     

A♭/C A♭/E♭ B♭ B♭/A♭ A♭/C A♭/E♭ B♭ B♭/A♭ G-
      
                 
    

    
                   
E F- B♭/D B♭- E♭ A♭ F- B♭


D.S. to [C] al Coda

  E♭
   
C
 
D♭ / /
     
 
  

    

Top part on 1x only 1. 2.

 
A♭ A♭- A♭- B♭ A♭ E♭
  
 
        
 
       

 
   
          


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357
Bass Underworld
from Kid Icarus
Composed by Hirokazu Tanaka
Transcribed by John Bergan
 . = 150

   
N.C.

                 
Bass

G   

             G♭ D♭
           
A A♭ A♭
 
   
Ab pedal (bass simile)

E♭/G A♭ /G♭ D♭/

  F         A♭
         
    
F♭
  
A♭
1. 2.

  
B A♭

   

    D♭/
 F       B♭
   D     
E♭-/G♭ C/G♭
  
C G♭ A♭/E♭ / D♭ E♭

  

  

      
       
D♭/F E♭-/G♭
D A♭ A♭/E♭ E♭ D♭

    
    

              
E♭
A♭/C   B♭-
  
   
          
D.C.

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358
359
Bass Dark Pit's Theme
from Kid Icarus: Uprising
Composed by Motoi Sakuraba
Transcribed by Ashanti Mills
 = 126

          
            
Intro E-

     
 

                                             
A E- D C D

                                                 
E- D C D

                
              
C D E- B C D B
     
B

             
                          
E-

         

             
                        
A- B C B
       
C

                 
A- B C B
   
      

                    
C B A- B A- B B

             

   
    
  
B♭ B♭ B

D E- E- E- E

        

   
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      
360

     
C B A- B
     
E

       

              
B  
 
C B A- B
      
  
3

E- E E- E

F

  


              
B♭ B♭
    
E- E-
               
  


      
E-

 D.C.

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361
Bass The Instinct
from Killer Instinct
Composed by Robin Beanland
Transcribed by sigmabeta
 = 116

        
E- C/E D/E E-


  
A E-
     


                
With murderous intent

  
C/E
    
                

  
D/E
    
                

 
        
E-

               

           
   
B E-

  
C/E

 

       E-   
                      
D/E E-
1. 2.

  

         
C C D  /C
  

   
    
C
  
D

     

  
3 To Coda
3
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 362


D E

       

   
E
  
E- C/E D/E E-

       


F E
 
                     
[Viciousness Intensifies]

       
E

              
D.S. al Coda

   E-        
        
C/E

 

   
        
  


D/E E-
1.


     


 
     
E- E-
2.

     


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363
Bass Stormy Saxophone
from The King of Fighters '95
Composed by SNK Sound Team
Transcribed by sigmabeta

         
A A-
  
Funk  = 122

Drum intro Solo

      
    
( A- )
        



          
    
A-
B
        
    

           
      
( A- )
        
1. 2.

   

    
C A-
           
Solo

  
                
( A- )
       

F           
  
          
D

3

 E♭           D-
    
D/E
    
3 D.S.
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Bass Dearly Beloved
from Kingdom Hearts
Composed by Yoko Shimomura
Transcribed by DoubleMark
 = 57

  
A♭ B♭ E♭

       
   
   

 
A♭ B♭ C-
  
 
 
 
 
     

           
A
 
A♭ B♭ E♭

 

      
C-
    
A♭ B♭

    

            
 
A♭ B♭ E♭

 

 B♭
    
C-
 
A♭


D.C.

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365
Bass Hikari
from Kingdom Hearts
Composed by Hikaru Utada
Transcribed by Amy Hsieh
 = 88

            

         
A E♭ G- C- B♭
   

                   E♭
         F 
   
G- F E♭/F N.C.

             
   
B

C- B♭

   

         
          
C- B♭
   
 

            
             
C G
         
A♭ C-
  

           
        
A♭ G A♭ B♭ G G
    

      G-       C-       B♭ 
         
D
  
E♭

  

                  E♭
          F 
    
G- F E♭/F N.C.

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       
E
    
C- B♭

   

           
       
C- B♭
   
 

            
             
F G
         
A♭ C-
  

                
        
A♭ G A♭ B♭ G G
  

       G-       C-       B♭ 
         
G E♭

   

                 E♭/F 
     F 
  
G- F E♭


E♭        C- 
             
H G- B♭

 

    
F
                          
E♭/F

G- F E♭



E♭        C- 
              
I G- B♭

  

    
F
                          
E♭/F

G- F E♭ Play 4x


Melody 1st time only
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367
Bass Hollow Bastion
from Kingdom Hearts
Composed by Yoko Shimomura
Transcribed by DoubleMark
 = 180

   
                                              
A B-


              
                                      
  
B B-

 

 
                       
B-

                   
B-/F♯

           

      E-
    D

G F♯-
       E-       
 
C G 
   
F♯- D

 
                        
D B-

                    
       


  

 
                        
B-

                    
C

     


   

D.C.
https://www.vgleadsheets.com
368
369
Bass Simple and Clean
from Kingdom Hearts
Composed by Hikaru Utada
Transcribed by Amy Hsieh
 = 88

              
         
A
 
E♭ G- C- B♭
   

                   E♭
          F 
    
G- F E♭/F N.C.



          
        
B

C- B♭

     

           
            
C- B♭

   

            
      
C G
      
A♭ C-

            
        
A♭ G A♭ B♭ G G
    

            
              
D E♭ G- C- B♭

 

                   E♭
      F      F 
     
G- F E♭/ N.C.


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           
370

        
E

C- B♭

     

       
                    
C- B♭
  


                  
F G
      
A♭ C-

                
        
A♭ G A♭ B♭ G G
  

               
            
G E♭ G- C- B♭

  

                   E♭
            F 
   
G- F E♭/F


         C-  
             
H E♭ G-

B♭
 

   
F
                          
E♭/F

G- F E♭



         C-  
              
I E♭ G-

B♭

  

   
F
                          
E♭/F

G- F E♭ Play 4x


Melody on 1x only
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371
Bass Lazy Afternoons
from Kingdom Hearts II
Composed by Yoko Shimomura
Transcribed by mkafie
 = 74

  
C /G C /G C/G
    
G G C/G G G
   
    
  
   
   

     
A C/G C/G

G D/F♯ F E- C-/G G /
       

   A/E

G
  
C G D/F♯
            


B- /F
 E

B
           
A- C/G F♯ F♯/A
           

           
  
E- B/D♯ E-/D A/C♯ C C/G D B  
  

           
    
  
C E-/D A/C♯
 
E- B/D♯ C D


   
C /G C /G C/G
  
G G C/G G G

       
 
  
 


  
    D.S.

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 372
Bass Magical Mystery
from Kingdom Hearts II
Composed by Yoko Shimomura
Transcribed by Nathan Ford
 = 70

          
                      
B♭ 
 
 
 
A D-

     

    
     
B♭/D
   
C♯
 
D.C.

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373
Bass Legendary Air Ride Machine
from Kirby Air Ride
Composed by Hirokazu Ando, Shogo Sakai, Tadashi Ikegami, Jun Ishikawa
Transcribed by Jonathan Aldrich
March  = 152

    
Intro
     
F F/G♭

   



      B♭
    F-
     B♭  
          
A F- C F-

  

            
        
B♭- E♭ A♭ G F- G C

    

      B♭
    F-
     B♭  
          
F- C F-

  

           
 
B♭- E♭ A♭ G-  C F-
        
  

          
E♭ C

A♭ F-
  
 
 
B

  
  
 

D♭ F-

F/G♭
     C 
      
         
D.S.
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 374
Bass Rainbow Route
from Kirby and the Amazing Mirror
Composed by Hironobu Inagaki & Atsuyoshi Isemura
Transcribed by David Chihlas
 = 143

    D♭ D♭/A♭  
   G♭
       
   
A D♭/F

G♭

 

      D♭   
            
D♭/F D♭/A♭

G♭ G♭



C♭     B♭-      
     
B D♭ E♭- A♭- B♭ E♭-



C♭                
B♭/D
   
D♭ E♭- C♭ D♭



                              
        
C G♭

  
3 3 3 3 3 3 3 3 3 3 3 3 3 3 D.C.

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375
Bass King Dedede
from Kirby Super Star
Composed by Jun Ishikawa
Transcribed by Jer Roque

            
C-

  
 = 168


                          
A C- B♭

    


                         
     
A♭ G-

 

C-    
        C-            
 
B B♭ B♭
 
A♭ A♭

  

        C-       A♭
    B♭
    C-
    
B♭A♭

  

        C-
          
C
  
G- F- G-


3

F- 
            
  
G
 
B♭ E♭ A♭

 
3 3 D.S.

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 376
Bass Marshmallow Castle
from Kirby Super Star
Composed by Jun Ishikawa
Transcribed by Gregory Orosz
Funk, swing 16ths  = 110

   
         
A C- F C- F



C-      F
       
F C-

    
        
C- F C- F

C-  F
      
C-
    
F

A♭      
   
G♭
   
B G- F-

 
E♭-
            
D♭
 
B♭


D.C.

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377
Bass Meta Knight's Revenge
from Kirby Super Star
Composed by Jun Ishikawa
Transcribed by musicalmoose & DoubleMark
 =166 
     
   
E G A A- D C A- A- E
                  

 

 
              
A- D C A- B  

      
  

        F
   
B E- B-/F♯ F G E- B-/F♯
 
 
3 3
D♭
      
E E♭ C- 3 A♭ B♭
               
     
3


3 3

              
      
C A-

           
        

                         

B♭-

           


                     
              

        G♭
     

D F- C-/G G♭ A♭ F- C-/G

   
3 3

    
D
        
F F♭ D♭- A B♭- E G

     
      
    
3 3

3 D.S.
3
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 378
Bass The Gourmet Race
from Kirby Super Star
Composed by Jun Ishikawa
Transcribed by Jer Roque


 = 188

        
          
F- G- A♭ G A C- F- C-

 

( C- )   
            
F- G- C-

   

 
             
F- C- F- G- C-

    


                       
 
B F- G-
1.


C- F- F-
C- C-C-

         

      C- 
          
G- B♭
 
F- C-
2.

   

                             
C E♭

     
B♭ C- G-



  
                                 
B♭
1.
F- E♭ C♭ B♭

           
        
B♭ D- G
2.

         
F- A♭ E♭

D.C.
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379
Bass Vs. Marx
from Kirby Super Star Composed by Jun Ishikawa
Transcribed by 8-bit Music Theory
Lead sheet by DoubleMark
 = 187

            
 
A♭- G
  

              
A F- E E♭
     

 

             
F- E E♭
           
 


      
     
F♯-

D-
       

        
E♭- F♯
    
 
B♭- A
          
  

             
B G- A♭ E♭- B♭-
     

  
         
F- E
 
E♭ D-
    
G G
      

                                    
C A♭ G- A♭ G-
                                 

  
F- B♭ A♭

E♭
                
    
    


D- G
      
    
            D.C.
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 380
Bass Butter Building
from Kirby's Adventure
Composed by Hirokazu Ando
Transcribed by JohnStacy
 = 160


          
Intro F♯- B E F♯- B
             
E
  


           
     
A E F♯- B
 

       

       
B
     
E F♯-
 


         
G♯-
    
A
 
B



                 
F♯- E


         
A

G♯-
   
  

 B
     
    
A/E
   
F♯-

D.S.
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381
Bass Grape Garden
from Kirby's Adventure
Composed by Hirokazu Ando
Transcribed by Jonathan Aldrich
Waltz  = 164

      
Intro F♯ E♯- D♯- E♯-
           
N.C.

 
(Bass)

   
F♯ E♯- D♯-
          
G♯


  
              
 
A C♯ B A E F♯- B C♯ G♯

   


               
G♯- C♯ C♯

C♯ B A E F♯-

     



        
B F♯ E♯- D♯- C♯ C♯

        
         


        
F♯ E♯- D♯- G♯
  
G♯

               
D.S.

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 382
Bass Orange Ocean
from Kirby's Adventure
Composed by Hirokazu Ando
Transcribed by Jonathan Aldrich
 = 112

     
                   
    
   
  
 
B♭ B♭
      
Intro E♭ F- E♭ F-

  


             
  D♭   
A
  

    
E♭ E♭


         
D♭
             
E♭
  
  
( E♭ )

 

  E♭ E♭
                 

   
B A♭ G- B♭-

 

    B♭
             
 
A♭ G- F- B♭

   
D.S.

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383
Bass Rainbow Resort
from Kirby's Adventure
Composed by Hirokazu Ando
Transcribed by Jonathan Aldrich
Waltz  = 164

      
Intro D♭ E♭/D♭ D♭ E♭/D♭
  
 
A♭

 
      
           

   
D♭ E♭/D♭ D♭ E♭/D♭
   
  
 


 
Rhythm simile


     D   E /D      
     
AD E  /D D E  /D D E /D
 
 

     D   E /D      
     
D E  /D D E  /D C♯- F♯
 
 

         
B B- E/B B- E/B A/C♯ D  E E
      
  

        
B♭/D E♭  F D♭
    
C- F/C C- F/C
     
D.S.

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 384
Bass Jigsaw Plains
from Kirby's Dream Course
Composed by Hirokazu Ando
Transcribed by Jonathan Aldrich
 = 120

    
Intro G A- B- A- G A- B- A-
            


B-
     
G A- B- A- G A- A-
               
A

    
           
B♭ C- D- C-
B♭ C- F
     
      

 
G A D
    
D- G C/G

   

         
 
B A♭ G- F- G- F- B♭ E♭/G C-

        

          
      
B♭ E♭ A♭ F F♯- B A- D

    
D.S.

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385
Bass Float Islands
from Kirby's Dream Land
Composed by Jun Ishikawa
Transcribed by Jonathan Aldrich
 = 128

  
Intro F G- A- G- F G- A- G- B♭/C
       
 
 
       
 
       
 
 
        
  


       
F G-
  
F
  
A A- G- G- A- G-

   
    A-
F G- F

A- G- G- G-

     
              
B B♭ A- B♭ A-


       C
        
D♭ D♭
     
C- C
  
 D.S.

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 386
Bass Green Greens
from Kirby's Dream Land
Composed by Jun Ishikawa


Transcribed by Jer Roque

              
C D- F/G G

 = 180

  

 
               
A C D- G C

    

   
            
C D- E A- G


           
F G C

C-
                          
B
 
A♭ B♭ E♭ C- A♭ B♭ E♭

                            
D- G

A♭ B♭ E♭ C- A♭ B♭

    

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387
Bass Patch Castle
from Kirby's Epic Yarn
Composed by Tomoya Tomita
Transcribed by xXChickyChuXx

           
  
A A♭/E♭

   
E♭/G A♭ C/G♭

   
 = 145

 F
        
  
      
D♭/ A♭ A♭ E♭/G

 

 A♭ A♭

        
B

   
A♭/E♭ E♭/G A♭

  


  
             
F

D♭/A♭ A♭ B♭-/F E♭ A♭

   

  
C E E/F♯ B/F♯ E E/F♯ B/F♯

        
   

         
B♭ E♭

B♭-/F B♭-/E♭ A♭ G♭

     
D.S.

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 388
Bass Sky Tower
from Kirby's Return to Dream Land
Composed by Hirokazu Ando
Transcribed by Jonathan Aldrich
 = 160
    
   
   
Intro D♭       
        
       

 Unison

   
   
          
D♭ G♭ E♭- A♭ A♭
  
D♭/A♭ G♭/B♭ C♭ D♭/F

A

   

          
     
G-  G♭- F- B♭- E♭- A♭ A B

   
  
    

  
D♭ D♭ D♭ D♭ D♭ D♭ D♭
   
D♭


          
       
G♭ F- E♭- A♭ D♭
        
B

   

       
G♭ E♭- A♭ A♭ G  
  
D♭/F
       


  
                   
C G♭ F- F♯- B E

     
3


        
           
A A♭- G♭- A♭-



      
D♭ D♭ N.C.
     
 
  
D.S.
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389
Bass Untamed Heart
from Klonoa: Door to Phantomile
Composed by Eriko Imura
Transcribed by Nathan Ford
 = 70
E /

   
  
Intro F♯/A♯ D♯-/A♯ B /

G♯-/B A♯-/C♯
  

             
   
   
N.C.
           
  
 
  F
  

 
      
E-     
A E- A- F♯- D- F/G
    


      
       
  
C C- F / F B♭ A- G- A-

 

    
 
    
       
B-
  



   
                      
G /

B C E- C

  E♭-
 
                       
E-
 
C E- C

D- 

    
         
C F/G C C♯ F / E-
 
/

  

        
D- F/G G/A G /A
      
N.C.






D.S. no melody until B
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 390
Bass Door Into Summer
from Knuckles' Chaotix Composed by Junko Shiratsu
Transcribed by 8-bit Music Theory
Lead Sheet by DoubleMark
 = 129

                                     
F G/F F G/F
 
       

        
A
          
C G/C F/C G/C

    

    
1. 2.

 
                   
C G/C F/C
G/C G/C F/C

  

                               
B F E   A- C F E   A-
 
G-

 

                   
F E   A- C F E D- E- A  


G-

    

            
        

C F F
 
  
G/F G/F

   
   
                
         
 

 
1. 2.

             
A-  G♯ D/F♯ D/F♯
     
E / C/G

    
     

    
                              
       
    
 D.C.
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391
Bass Evening Star
from Knuckles' Chaotix
Composed by Junko Shiratsu, Mariko Nanba
Transcribed by Ashanti Mills
Funk; swing 16ths  = 109

      
E♭ D G-


               
      
A E♭ 
     
D
  
G-
 


           G-   
D
           
E♭
  
 
Repeat forever...

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392
393
Bass Waterfall
from Koudelka
Composed by Hiroki Kikuta
Transcribed by AarekMG
 = 120

                
N.C.



               
         
A A- G A- F G A- G

  
          
A- A- F A-
       
G G

    
F D F D D
          

          
B A- A- G A- F A-

G G G

    

  
       
    

         
A- A- G A- F A-

   
G G G A-

  

  
    


  
        
      
C A- G A- G A- F G A- G

     G
 
     
F
     
A- A- A-
   
G 3 G A- G A-

    
F D F D D
          
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 394


D A-
           
N.C.

 


    
 
       
 


     
D♯- /A
           


    

  
           
N.C. N.C.
1.



 



                                
E
  
D E♭
2.

 3

                                      
D C-


3

                
D N.C.

                
D.S.
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395
Bass Alligator Blues
from Later Alligator
Composed by 2 Mello
Transcribed by AarekMG & mkafie

  
Blues  = 172

 
E-
                     
  
  
Piano simile

                    
  
A E- A- E-
        
   

               
      
B- A- E-

  


                    
         
B E- A- E-


3

               
B- A- E-

     

    
C E-
           

    
A- E-
           

    
B- A- E-
           
D.C.
https://www.vgleadsheets.com
 396
Bass Silver Will
from The Legend of Heroes: Trails in the Sky
Composed by Wataru Ishibashi
Transcribed by AarekMG
 = 144

                                   
1. 2.

A A
               
C♯-
 


                                       
A C♯- A G♯- F♯- G♯-

     

     


1. 2.

 
C♯ C♯-
  
A G♯ 
  
 
F♯/G♯ C♯ C♯-
     

                
   
B E A G♯- C♯- C♯-/B

 D♯          
   
A♯
 
A♯ G♯

 

         
C D♯- B

             
     

     
   
A♯

  
C♯ D♯-

              

               
  
D♯- B

        

                     
1. 2.

         
C♯ D♯- D♯- E-

   
D.C.
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397
Bass Dark World (Lorule)
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jer Roque


 = 136

     
   
   
   
C- F/C C- F/C C- F/C C- F/C
           
         

             

     
A C- F A♭ B♭

  


      
      
C-

  
1. 2.

       
          
B E♭ F A♭ B♭

 

                   
E♭ F E D G-

       
          
C A♭ G- E
 
F♯ F-

 

C-/E♭    D
   
G G


D.C.

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 398
Bass Hyrule Castle
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jer Roque
  = 136

                
 = 100
Vamp G-

N.C.
 

 
 

         


    
         
        
              
A G-
       
G-
  
  
3

 
       
Background simile

         
         
   
G-

       
3

C-                 
    

3

  
        
         
    
     

G-


3

 G F-/A♭  G B♭           

 
A- 
          
B F-/A♭ A♭ D D

3 3

  A  F♯   G-   A  F♯   G- 
3 3 3

                  
C G-


3 3

       G-/B♭        

C- A- 
  
D G-

3 3

                    
 
C- G-/B♭ A
  
3 3 3 D.S.
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399
Bass Kakariko Village
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jer Roque
  = 68

      
B♭ G- C- F
 

       
A
 
B♭ G- C- F B♭ G- C- F

       


1. 2.

          
E♭ F B♭ G- C- F B♭ B♭
  
     

 
B E♭ B♭/D C- F B♭ B♭/A♭
      
    

    
E♭ B♭/D C- F B♭
    
  
D.C.

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 400
Bass Lost Ancient Ruins
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jamin Morden

  
Freely  = 120

      
  
N.C.
        

   
Each note sustained through fermata

      
        
3

   
 
 = 142

  
         
 (Bass)

   
A

B♭-
           
B-
         

 
B♭-

A-
           
           

      

B- B♭-
   
3

Background cont. simile

      
A- A♭-
    
3

     
    
E♭- D-
  

 
       
F- F♯-

D.S.
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401
Bass Opening Demo
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jer Roque
 = 144

         
C- C- C- C- C- C- C- C-
 


E♭
     A♭ A-    D   G
        
A F B♭

  

B♭   A-        
     
B G- C F

B♭   A-         
       
A♭ G G♭ 

D.S.

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 402
Bass Princess Zelda's Rescue
from The Legend of Zelda: A Link to the Past
Composed by Koji Kondo
Transcribed by Jer Roque


G
  
    
Intro

   
A♭ B♭
  

 = 104


  
C
A C
 
D/C D/C
      

   
1. 2.

A-
  
G/B G-/B♭ A- D D

     
 

 
B F C/E D- C
          

    
F C/E E♭ D- G
     
D.C.

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403
Bass Goron City (Day)
from The Legend of Zelda: Breath of the Wild
Composed by Yasuaki Iwata
Transcribed by Tristan H
 = 90

      
1. 2.

 
Intro
                    
C B♭ C B♭ C B♭ C C
       
(Bass)


  B♭
        
A C B♭ C B♭ C C
               


   
F E♭ F E♭ F E♭ F G♭
   
                  




       
 F   
           
G G♭ G♭
           
         
B
  
 


      
     
D♭
   
G F E♭

           
C
 
C B♭ C B♭ C B♭ C

        
(Bass)

   E♭  F E♭   E♭    
           
F F F
   
D.S.
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 404
Bass Kass's Final Song
from The Legend of Zelda: Breath of the Wild
Composed by Manaka Kataoka
Transcribed by AarekMG
 = 172

    
                
A B E A

N.C. A- D-/F G C
       
      
3 3 3

 

B♭ 
 
                 
A-/G F E
      
C A- A- / N.C. /
    
          

 

              
B G  /B G

A D- C

        

              
   
F C/E G♯ A- F E

       



               
  
C A A  /G F G E-  A

    3

          
      
A-
    
B E/G♯ A- A-/G F E A- D/A A-

 
Rit.

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405
Bass Ballad of the Wind Fish
from The Legend of Zelda: Link's Awakening
Composed by Kazumi Totaka, Minako Hamano, Kozue Ishikawa
Transcribed by Jonathan Aldrich
 = 130

           

D A E- D
    
Intro

    

           
E- D
  

      
              
B

B- E-/B B- E-/B

  
             
A- A D
   
G G


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 406
Bass Mabe Village
from The Legend of Zelda: Link's Awakening
Composed by Kazumi Totaka
Transcribed by JohnStacy
 = 50

      
C /G G C /G
          
G G G

 

  
B-
      
C

A- D C E-
           

   

A- D/A
       
A D C B-
   
       D.C.

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407
Bass Richard's Villa
from The Legend of Zelda: Link's Awakening
Composed by Kazumi Totaka
Transcribed by JohnStacy

       
 = 100

       

 F♯
     
G A /G A-/G G/B


A-    
       
A G



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 408
Bass Tal Tal Heights
from The Legend of Zelda: Link's Awakening
Composed by Yuichi Ozaki
Transcribed by mkafie
 = 150

  
Intro G- C/G
                         

           
D-/G C/G
              

       
         
C/G C/G
 
G- D-/G

 



C/G     
          
          
A D-/G
  
G- C

 

     F      B♭
 
C 
           
E♭ D

                  
      
B G-/F E- 
    
G- A♭ G-

 

   E♭
  D 
       
   
A♭ G- F F

     
C G- C/G D-/G C

D.S.
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409
Bass Astral Observatory
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by JohnStacy

                        
F B♭ F B♭
 
 = 92

    

          
E♭ E-  A D-

  

                    
G C C

G/B

    

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 410
Bass Boat Cruise
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by JohnStacy

                      
AG D D
   
C G C G
           
 = 100

                          
G C D G C D G
   

  
   
   
B D  /A
     
G/B C G
 

       
       
G/B C D/F♯ G


  
         
C G/B C
         
G A- G/B G/D G A- G/B A- G/B C D/F♯ A-

       
     
C D
  
D/F♯ E- D D-/A D/F♯ G

D.S.

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411
Bass Milk Bar
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by JohnStacy

  
 = 140

    
               
A G

N.C. F B♭
 
E♭

Percussion intro
 

               
G
 
E♭ F B♭ G 

             
     
B G
  
E♭ F B♭

  

                    
E♭ F B♭ F B♭ F B♭
     

       
C D

         
G-
    


   
C  /E
   C  

F

              

    
   
D D
       
G-

   
     

        
C- G

    
F B♭

  
 D.S.
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 412
Bass New Wave Bossa Nova
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by Tristan H
New Wave/Bossa  = 140

               
F E-
  
3 3

            
F E-

                    
E♭ D- D♭

  
C

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413
Bass Song of Healing
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by Jer Roque


                         
     
F
 = 96 E- F  E-


              
D- C D- C
       

    
                
B♭ A- G- F

E
              
     
B- 

B♭ A- G-



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 414
Bass Gerudo Valley
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by JohnStacy
 = 120

       
Intro

                   
N.C. F♯- D E C♯



             
 
 
               
A F♯- D E C♯

             
 
 
          
   
F♯- D E C♯

  
                
             
B F♯- D E C♯

           
           
F♯- D E C♯

   
                               
F♯- D E C♯

 
 
          C♯
        
       

F♯- D E


                                 
C F♯- D E C♯

                                
F♯- D E C♯

                 C♯   
              
F♯- D E

D.S.
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415
Bass Horse Race/Horse Race Goal
from The Legend of Zelda: Majora's Mask
Composed by Koji Kondo
Transcribed by JohnStacy & mkafie

 
C

   
C


 = 156
  
      
   
   


           
      
A F B♭ F C

          
    
   
F B♭ F C F


         
      C
     
B F F

B♭


           C    F
 
            
F B♭ F

To Coda

F  
   F 
   
C B♭ C

            C

             
F
 F    
B♭
    
F

C /E F
  
D.S. al Coda
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 416
Bass Kokiri Forest
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by John Stacy
 = 140

            
G F/G G A♭/G B♭/G C B♭ C B♭
 
Slow


   B♭     
           
A C C B♭ C B♭ C B♭

  

  


 
                 
CB♭ C B♭ C B♭ C B♭
  




        D  
                
B F/C
   
D G/ F/C D CG/ F/ G/ A♭ B♭ C B♭ C B♭

   

                     
C B♭ C B♭ C B♭ C B♭

        
 

  
C B♭ C B♭ C B♭ C B♭
              
    
D.S.

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417
Bass Lon Lon Ranch
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by AarekMG
Swing 8ths  = 84

      
D G D G

Melody Straight 8ths
D   
    G  
    
A D♭ F♯/C G/B B♭ D/A A

D
     D/A 
 G  

A D
    
D♭ F♯/C G/B B♭


              

B B♭ C F D- G- C F F

               

B♭ C F D- G- B♭/F E-  A

D   
    G  
    
C D♭ F♯/C G/B B♭ D/A A

D
     D/A 
 G  

A D
    
D♭ F♯/C G/B B♭

 
  
D


D G G
  
  

3 3 D.C.
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 418
Bass Lost Woods (Saria's Song)
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by Jer Roque

 
 = 140

            E
      
A

F C/



   
               
C/E
  
F


     C   A-
           
B D- G C A- D- G

C  
C 
         E
    
 
              
D- G A- D- E

D.C.

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419
Bass Shop
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by JohnStacy


 = 140

           
N.C.
  
  

 C             G
           
 
A
 
 

   
            C      
1. 2.

  
/ G
   
C
 

    C/ G  
         
B F

 

    C    
     
G

 

    C  
         
F

 

           C      C  
G
   
F/A

 
D.S.

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 420
Bass Song of Storms
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by DoubleMark
  = 66

      
D- E- F E-


    
D- E- F E-

        
F
   
A E-
 
D- E-

        
 
B♭ F B♭ A

        
F
   
E-
 
D- E-

     

B♭ A

D.C.

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421
Bass Title
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by JohnStacy

   
  



 = 74 F C F C
  


    
  
   
 
   
   
 3  3

             

F F
   
A C C

 

              

F F
  
C C

     
 
B F F

G G

 
      
F A♭ B♭
 
G



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 422
Bass Zora's Domain
from The Legend of Zelda: Ocarina of Time
Composed by Koji Kondo
Transcribed by JohnStacy

    
 = 80

   
     
G E♭
 
F D

          



 
           
A G A-
        

         
      
   
G
  
A-

         
        
G A-
     
   
3 3 3

     
A-
             
G
   
3

 
                                         
B B- B♭-  A- D

        

                                           
B- B♭-  A- D

        
D.S.
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423
Bass Horon Village
from The Legend of Zelda: Oracle of Seasons
Composed by Minako Adachi
Transcribed by Gregory Orosz
 = 115

        
B F♯ B F♯

    

 
          
B G♯- C♯- F♯

 

      
    
C♯- F♯ D♯- G♯-

  
 
F♯/C
        
C♯-/E F♯/A♯ F♯/B F♯/C♯


D.C.

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 424
Bass Tarm Ruins
from The Legend of Zelda: Oracle of Seasons
Composed by Minako Adachi
Transcribed by Gregory Orosz
 = 110


Intro A

    
   
   
   


     
A A

           

            
F E-

 

  
               
B D♯

 
        
  
B-
   
C E- /B♭
  
E- F 3

3 D.S.

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425
Bass Overworld
from The Legend of Zelda
Composed by Koji Kondo
Transcribed by Jer Roque

  3 
 = 150

    3 
B♭ A♭ F G♭

                                 
3 3 3 3 3 3


                 
    
A B♭ A♭ G♭ D♭


3 3 3

       
F
            
C♭ B♭- C

   

  
           
B B♭ A♭ G♭ F
    
3

              
E F E F

 
F
          
C♭ B♭- C
           D.S.

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 426
Bass Ballad of the Goddess
from The Legend of Zelda: Skyward Sword
Composed backwards by Koji Kondo
Transcribed by Jer Roque
 = 130

        
Intro D-

 
            
A
  
D- C F G B♭ C B♭/D C

 
           
D- C F G B♭ C B♭/D C / A-

           
B

F F/E D- C A- G/B F G
  


           
 
D- F/C B C A- G/B A A
   


 
            
C
  
D- C F G B♭ C B♭/D C

 
           
D- C F G B♭ C B♭/D C / A-

        
Outro D-

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427
Bass Crimson Loftwing
from The Legend of Zelda: Skyward Sword
Composed by Mahito Yokota
Transcribed by Tristan H
 = 150

       
Intro D♭ G♭-/D♭




          D♭    
D♭
     
A

 
G♭/D♭ / / D♭/F

  
cues on repeat

          
   
G♭ E♭- A♭




 F-
                  
G♭ A♭ A♭ B♭-
  
B
  
  
   

          
E♭- C♭ G♭/A♭ A♭
                 
  
 

      
C D♭ G♭/D♭ D♭ G♭-/D♭
   
  
D.S.

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 428
Bass Groose's Theme
from The Legend of Zelda: Skyward Sword
Composed by Takeshi Hama
Transcribed by Tristan H

  
 = 86 B/G
   B/      
   
  G 
    
 
N.C. C C
              


 
 

                   
A

C B/G C B/G C B/G C B/G

       
Rhythm simile

    
         
  
C B/G C B/G C B/G C B/G

     

     G    C       B/G   

C
         
B B/ B/G
 
C C B/G

3 3 3 3

     G    C       B/G   

    
C
     
B/ B/G
  
C C B/G

3 3 3 3


Opt. ending
C
  
 

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429
Bass Skyloft
from The Legend of Zelda: Skyward Sword
Composed by Shiho Fuji
Transcribed by Tristan H

A   
 = 100
 D
  
        
      
Intro N.C. D G/D
       


         D             
  
A  /D D/F♯ G F♯-

B-

  

  
 D
    
A 
  
  A 
 

E-
        
G/D
  
 


                      
  
A  /D D D/F♯ G F♯- B-

 


     
   
C
     
E- A D
  


                     
B G

  
          
G /D
   
D D G


D

  

       D/F♯ 
           
E-
A E- G

D/F♯

            

 A-
        
D
      
 
G/D G/D D
 
G
       
      
D.S.
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 430
Bass Overworld Adventure
from The Legend of Zelda: Spirit Tracks
Composed by Toru Minegishi
Transcribed by mkafie

      
 = 140

           
B C
    
A D E-
  

 3 3

 
          


A
 
E- G

 3

    B- 
           

E-

 
3

      G              
          
E- E-

  
3 3

   
B B
  
C G E-

        

           
D A F♯-/C♯ C♯
    

        
C D E F♯-

A
    
3
3

          

D A G A

3 3

        
D B B
  
B B B B B B


D.S.
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431
Bass Minish Village
from The Legend of Zelda: The Minish Cap
Composed by Mitsuhiko Takano
Transcribed by Gregory Orosz
 = 140

    
      
E-

A N.C. F E- F
 

  
    
F E- D


F     F  

E- E-

F      D 
 
E- D/A

        
B C

D B- E

D
        
 
C E E

 
C F E- F E-

        

 
F E- F C

     
D.S.
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 432
Bass Beedle's Shop
from The Legend of Zelda: The Wind Waker
Composed by Koji Kondo

    
Transcribed by mkafie

   
 = 115

     
 
(Ohhh!)


     
                      
A C G

 

     
                         
G C G
    
 

     
                      
C G

 

           
  
                             
G C F C

  
 
(Thank you!)

                     
 
B F C G G C C

    
 

C     C  
                   
G
 
F C F

    
  (Byeeee!) D.S.

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433
Bass Dragon Roost Island
from The Legend of Zelda: The Wind Waker
Composed by Kenta Nagata
Transcribed by Jer Roque
  = 57

      
G- G- G- G-
  
F F F F



F F   
           
B♭
  
 G-  G-

A G-
   
F

 

A♭ 
F 
               E♭
   
        
G-  G- F G- F
1.

  


     
E♭ C A♭
2.


     
B G- G- G- G-
  
F F F F

          
     
E♭ D- C- D-
 
C
   

    
      
     
E♭ D- A♭
 
C-
 
D.C.

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 434
Bass Grandma's Theme
from The Legend of Zelda: The Wind Waker
Composed by Koji Kondo
Transcribed by JohnStacy
 = 100

        C/E  
      
A

F D- A-/C


  
           
C
 
B♭ F/A G-
 

    
        
C/E
    
F D- A-/C

   
            
B♭ F/A D- G- C C F



        
  
B
 
D- G- C F F
  

      A  A
     
D  

G- E


    
        
C/E
   
C

F D- A-/C

   
            
B♭ F/A D- G- C C F


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435
Bass Inside the Pirate Ship
from The Legend of Zelda: The Wind Waker
Composed by Kenta Nagata, Hajime Wakai, Toru Minegishi, and Koji Kondo
Transcribed by Ben Horkley
 = 92

  
F A♭/C F A♭/C


     
  
 
  
 
              
F A♭/C F A♭/C F A♭/C F A♭/C
 
A
  

   F     A♭/ 

               
   
F A♭/C F A♭/C F

C
 
A♭/C



          
 F
         
 
F A♭/C A♭/C F A♭/C F A♭/C
 
B
  

     
  
 
  
 
              
F A♭/C F A♭/C F A♭/C F A♭/C
 
C
  

   F     A♭/   

               
  
F A♭/C F A♭/C F A♭/C
 
C

      
         
    
    

B♭ F/A A♭ E♭ B♭ F/A D-
  
    
   
D
 

               
   

D♭ E♭ F A♭/C F A♭/C

D.C.
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 436
Bass The Great Sea
from The Legend of Zelda: The Wind Waker
Composed by Kenta Nagata
Transcribed by mkafie
 = 140
    A/D     A-/D     G/D    
  
D
       
            

    A/D     E/D     C/D    

 
D
       
           

           

D/F♯ D/F♯
 
A D G A A

  

  
                 
1.
G D/F♯ E- A A

 

                  
B♭/C

                 
2.
G D/F♯ B- B♭ C

   
    E/D         A/D    
B D

D
       
 
           

                       

C D A-/C

   
A/C♯ D/C G/B

     


        
      
            
1.
D/F♯
 
G B- E- A A



  B-
        
     
             
D/F♯

G B♭ B♭/C C
2.

D.C.
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437
Bass Title Theme
from The Legend of Zelda: The Wind Waker
Composed by Koji Kondo
Transcribed by Gregory Orosz


Slip jig   = 120

   
   
Intro A♭

  
 


 

  
 


 

 




A A♭ 
             
        

  
 
    
Rhythm simile


( A♭)
              
          
      
  

                                       
B A♭

    
Rhythm simile


                                         
( A♭ )

    
1. 2.

 


   
  
Outro A♭ A♭ A♭ A♭

 
 


 

  
 


 

 




D.S.

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438
439
Bass Hyrule Field
from The Legend of Zelda: Twilight Princess
Composed by Toru Minegishi
Transcribed by Tristan H

 
 = 142

  
     
F♯-/E E- F♯-/E E-
              
E-

      

         
A E- E-
 
A/E A/E
     


          
E- F B♭ B

          

E- E-
 
A/E A/E
     

B-    
    
A G F♯-

G♯  
       
      
A♯
              
G A B-

      

                              
B B- BE/ B- B E/

                    
      
E- F♯-/E E- A/E

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  D         D 
440

        
G
G

    
 

 
           
B♭ F


E-
 
    

       
C A/C♯ D

G/B E/B
    
3

      B-
D
    
G/B A/C♯

       
  
G A B♭ C
 

 
  

    F     A
     
D
 
 
D-
 

D.S.

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441
Bass Midna's Lament
from The Legend of Zelda: Twilight Princess
Composed by Toru Minegishi
Transcribed by AarekMG
 = 133

    
D-


          
A D- D- 
       
 


           
D- D- 

  
1.

     
         
D- E♭ A♭ A
2.

 
  


B A- G F E-
    
  
   

    
F F♯ G G♯
      
  
    
  

    
A-

D.C.

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 442
Bass Live Over Again
from Live A Live
Composed by Yoko Shimomura
Transcribed by Garrett Hoffman
Ballad  = 84

            
A E C♯-
         
 
3

                     
A B

 
 
3

    
     
E C♯-
    

3

                    
A

A- B

  

   
         
    
   
B G♯/D C♯ F♯- B
 
3 3

                 
        
E C♯- F♯- B E

D.S.

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443
Bass Neverending Journey
from Lost Odyssey
Composed by Nobuo Uematsu
Transcribed by mkafie
 = 82

    
E-


  B- 
         
     
A

E-

  
Bottom notes 2nd time only

  B-  
   
     
   
E-

  B-  
   
     
     
E-
 

C D    E-
        
 

C         
  
B

B-

     
      
A-

B-

C        

B-

 
D  D
     
A-

D.S.
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 444
Bass The Earth
from Lufia & the Fortress of Doom
Composed by Yasunori Shiono
Transcribed by DoubleMark
 = 116

            
A
   
A- G F E-


  
E
 
F G F E
  
       

                
A- G F E-

  
D- E-
 
A A- G
          


        
  
B F G A- G
      

        
  
F G A- E-/G F

 

      
(F) E

 
D.C.
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445
Bass Gate of Journey
from Lufia II: Rise of the Sinistrals
Composed by Yasunori Shiono
Transcribed by GUIM

       
 
B- E B- E
       
 = 110

            
E-

B- E F♯ F♯
   

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 446
Bass Battle #2
from Lufia 2
Composed by Yasunori Shiono

 
Transcribed by DoubleMark

   
    
    
 = 177



            B- 

     
A A

G

A     
               B-   
 
G
    


            B- 
 
      
A

G

    
        
A
   
G A B-
  

           
B E-
               
G F♯- E- G/F♯ F♯
  

               
G F♯- E- F♯
    

B-  
    
                  
C B♭ G♯-  G
D/A F♯- E- F♯ F♯

  

   
                
G♯- 
D/A

B- B♭ G A B
 
 D.S.
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447
Bass Final Battle
from Lufia II: Rise of the Sinistrals
Composed by Yasunori Shiono
Transcribed by DoubleMark
 = 146

     
A D-

 








 
  


 








 
    


 
             
B♭
 
D-


 
        
B♭ B♭
1. 2.

 
D-

   

  
   
B D-

     C   
B♭
   
D-


C     
     
B♭ D-
 

     C   D-       C
B♭ B♭
 


D- 
      
 
 

      
               
D.S.
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 448
Bass Professor E. Gadd's Laboratory
from Luigi's Mansion
Composed by Kazumi Totaka & Shinobu Tanaka
Transcribed by Ashanti Mills

      
Funk  = 90

     
D♭

        


                        
A B♭-  C /B♭ C- /B♭ N.C.

  
         
       
  
(Bass)

         
             
 C- /B♭
  
B♭- C /B♭ N.C.

 
Bass simile

 
     
    
 
  
      
  
                   
B C B♭-/D♭ D♭/F E♭
E/G F-/A♭ C/B♭ F/A
 

       
         
 

             
A♭
  
F

 
       
        
D.S.

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449
Bass Luigi's Mansion
from Luigi's Mansion
Composed by Shinobu Tanaka & Kazumi Totaka
Transcribed by 8-Bit Music Theory
 = 100 Lead Sheet by Ashanti Mills

      
N.C.
  
 


  
 


(Bass)

A A-        A          
 
B/ B- /A 
   
A- E

Bass Simile

A-    A-
     B/
 A         

E
   
B- /A
   

    
        
B A- D♯ E

    


         
F♯/E F/E E D♯/E D/E D♭/E E

       
  
D.C.

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450
451
Bass E. Gadd's Shopping Network
from Luigi's Mansion 3
Composed by Chad York and Darren Radtke
Transcribed by Ben Wallace

       
 = 160

  
A♭
  
E♭/F E♭/G A♭/B♭ N.C.

     


            
A G-
   
E♭

   

 G
     
F- E♭/ A♭/B♭
              
 

C- G- N.C.

    
 

A/C♯ /
          
  
B / D
   
A


B-
 C♯
         
A/ D/E
  
 
 
 
F♯- C♯-
   


  
C/E /
                   
C C 3 / F

                   
A- E- D-
 
C/E F/G

  
3

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                    
452
D F♯ F♯/A♯ B

 
3 3

  F♯/
 A♯  B/C♯    
     
    
G♯-


D♯- / A♯-

/

E♭  
  
E♭/G

 
E A♭
          
   
 

  
C- G- F-
      
E♭/G A♭/B♭
         
  
 

            
F A A/C♯ D
     
    




 
F♯- C♯-
     
B-

A/C♯ D/E N.C.
          
 
D.S.

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453
Bass Wind Nocturne
from Lunar: The Silver Star
Composed by Noriyuki Iwadare
Transcribed by Jer Roque
 = 85

     
   
 
A A E/G♯ F♯- E
               

             
C♯-
    
D E F♯- D B- E
   

                       
B E- A D D- A


                   

B- E C♯- F♯- D B- C♯


      
         
C G♭ B♭  ( ) E♭- D♭ A♭/C

                  

      D♭ 

C♭ D♭ B♭- E♭- C♭ A♭
1.

  
D♭

    
          

      
C♭ D♭ B♭- E♭- C♭ A♭ D♭ G♭
2.

     
          
   
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 454
Bass Overworld
from The Magic of Scheherazade
Composed by Akinori Sawa
Transcribed by John Bergan
 = 112

     
               
A C- C- C- G-/C

    
B♭ A-  A♭ G  
     
   

    
A♭ B♭ E♭/B♭
  
          
 

   
 

 
                  
C- C- C- G-/C

    

     
     
F G  C-
 F♯/A F-/A♭ C/E
                
 

   
   
B F- B♭ G- A♭

                   
 

 
F-

B♭
  G G- /B♭ G  /B
     
F/A

               
  D.C.

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455
Bass The Boys Are Still Back (Dave's Theme)
from Maniac Mansion
Composed by David Hayes
Transcribed by Nick Marinelli
Rock shuffle  =190

      
A B-
  
A G A
     

        
B-

(A) G

        
B-
   
A G A

 
 
        
      
B-
 
(A) G

 

     
         
B-
   
A G A

  


        
           
(A) B- G

   
 
       
B E-
 

          
( E- )
      

          
   
( E- )
 
3 3 3 3 3 3

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                            
456

         
( E- )
     
 
3

3 3 3 3 3 3 3 3 3


                          
( E- )

   
      
3

3 3 3 3 3 3 3
3 3


 
            
            
( E- )

      
A

3 3 3

3 3

       A
         
B- G
 
C A 3 3
3

3 3 3

                             3

    

B-
   
(A) G A

3 3 3 3 3 3 3 3 3 3 3
3

  
   
   G 
         

  
(A) B- A

  

      
   G  

               
(A)
  
B-
  

3 3 3 3 3 3 3 3 D.C.

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457
Bass Cavi Cape
from Mario & Luigi: Bowser's Inside Story
Composed by Yoko Shimomura
Transcribed by Gregory Orosz
 = 125

  
 
Intro
     
B- D-
       

   
 


        
          
A D-

  
             
( D- )

   
                   
( D- )

        
          
( D- )

               
( D- )


 = 100 rit.

         
B
  
D- E- A- B♭ A- B♭ C D-
   

               
( D- ) E- A- B♭ A- B♭ C D-
  
 = 125

   

         
( D- )
     

D.S.
https://www.vgleadsheets.com
 458
Bass Teehee Valley
from Mario & Luigi: Superstar Saga
Composed by Yoko Shimomura
Transcribed by Gregory Orosz
 = 95

       
G-



  
   F  
      
   
A B♭
    
G- G-
 


  
        F      E♭
    
B♭
   
( G- ) F
 

         
         
B
  
E♭ F G-

           
            
E♭ F G-

 D.S.

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459
Bass Koopa Troopa Beach
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by musicalmoose & DoubleMark

    
   
 = 118

   
N.C.


E  F♯-   F♯-  
 
E  
     
 
       
A
 
   

         F♯-
                             
      
E

E F♯-
   
Rhythm simile

   
      
                           
        
E
 
E F♯-
 
F♯-
   

         F♯-  
                                
   
E

E F♯-
 

 
              F♯-
E
   
                          
E F♯-
   

       
     
    
B D E- D E-
        

  G/A     
D         
     
E-
       
A

D.S.
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 460
Bass Choco Mountain/Battle Arenas
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by mkafie

 
 C  
    D       D   
 = 148

         
           
C

1.
D/F♯
   
A G

  
G G D G F
 

 A        D
C   D

     
 
 
 
            G
2.

     
D/F♯

G F

C   G      G
    C   G
   
D
         
      
B
  
D G

 

 G            
D   
      
C
           
D C
  
G

   
G

 

                 

      
  
C G

 
D   G
    
          
   D
   C          
       
D G
    
G D G D
     
 

      
   C
           
D 
                    
G D C
      

D        C   D  

     
     
 
D.C.
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461
Bass Frappe Snowland/Sherbet Land
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Ashanti Mills & mkafie
 = 124

   D-  C/E  D- 

  D-  C/E  D- 
                         
C C
     
        
       
        

 

 D- C/E D-
 
            
A C C D- C/E D-
     


 D- C/E D-

Rhythm simile

  
           
D- C/E D-
    
C C



 D- C/E D-

 
            
C C D- C/E D-
     


 D- C/E D-

  
             
C E- E♭ D G
 


             G  C

D-

                 
B B E- A G
   
F
           


               
A D-

  G
       
      
E- G
  
F B

 



        
Vamp C D- E- D- C D- E- D-

    
C D- E- D- C D- E- D-

D.S.
https://www.vgleadsheets.com
 462
Bass Kalimari Desert
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Ashanti Mills
 = 128

  
C


      
A C

                         


    
(C)
    
         


F
     
                         

   
    
C

    
       

         
B G-/B♭ A D G

         
G- C F A- A


         
G-/B♭ A D G

      
   
G- C D- G

F C

   
D.C.
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463
Bass Bowser's Castle
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by mkafie
 = 120

      
F♯-



      
          
D♯
 
A D♯- 
  
F♯- F A

  
F# pedal

                
B E♭-



   
     

                  
( E♭- )



        
              
  

                     
( E♭- )



     
    
           
  
    
D.S.

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 464
Bass Mario Kart 64 Theme
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Jer Roque
Jazz fusion  = 126
D /C F/C
Intro C    
C
 
   
    
  
Drums keep time, bass ring out

       
     
A C D


Drums & bass in

      C     
F/G
 
B♭ B
 

     
     
C D
 

C  B♭
A♭/ G♭/A♭
F/ G 

  
     
  

  A♭

BG♭ /
                   
N.C.

Bass riff on Ab Bass continues

             
( N.C. )

Bass riff on Eb Bass out Bass riff on Eb Bass out

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465
Bass Moo Moo Farm/Yoshi Valley
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by mkafie

        
 = 138

       
G G
   


 C                              

 
   
A



G  C                    
F
 


G                            
  

1. 2.
C
  
G

 

  
           
             
           
B
 
F

 
  
        
          
                  
      
(F)

B♭ B♭
        G-
     F       F/
       F
  
A- A-
   
C D C


B♭       G-
    A-        

B♭
  
 A-
    
F

 
                
       
 
G- G

D.S.
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466
467
Bass 3 Raceways/Wario Stadium
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Mike Matarazzo

  
 
  F/G
 
E♭/F E/F♯


 = 140

                         
 
A C
          

      
                           
    

                   
 
( C )
         
N.C.

Bass simile (Bass)

     
           
B C

            

    
                   
( C )

   


                                                  
     
1. 2.

C
C ( C )

 

https://www.vgleadsheets.com
         
          
468

 
D F


                  
       
( F )


        
   
( F )

     
   

                     
( F )
        
D.C.

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469
Bass Rainbow Road
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Jer Roque
 = 138

      
E E



    
E
   
A E
   
E E

       
  

         
D D D D
   
 

     
          
B A B- A/C♯ D
       


          
A/E E E
 


     
            
A B- A/C♯ D
       


       E     
 
A/E E F/E

D.S.

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 470
Bass Toad's Turnpike
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by mkafie
 = 135
D♭/E♭
   
  
   


  
                    

     

 
       
   
 
   


 
                   
 
     

 
       

                                 
A E♭

      

   
( E♭ )
      
  
    

               
B E
  
   
 

                  
( E )
  
        

 
      F♯-/B  G-
 
F♯-/B G-/B A♭-/B A- /B A♭-/B A- /B
 
C /B
  

D.C.
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471
Bass Victory Lap
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by mkafie
 = 130

          
E B/E D/E A/E
             
 
   



   



        
                
A E E B/ D/E A/E
 
3

       A/
3

                     E  
D/E
  
E B/E

 

 3 3

            
           
A/B
  
B G♯- A C♯- B/D♯

   
3 3

            
           
A/B
  
G♯- A C♯- B/D♯

   
3 3 To Coda

        
                
C E E B/ D/E A/E
 
3

       A/
3

                     E  
D/E
   
E B/E

  D.S. al Coda
3
 3

   G♯-        
A/B

C♯-

A B/D♯

         
E
    
          
     
     

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 472
Bass Winning Results
from Mario Kart 64
Composed by Kenta Nagata
Transcribed by Zack Wong
Driving funk  = 160 2+2+3+2+2

            
    
Intro C C C C
          
 
Bass

    
     
A C C C C
 
     

      
 
Bass simile

   
   
       
           
C C C C
 
    
 

          

     
B F G/F F G/F
                
   

F 
    
                  
F

G/F G/F N.C
            
D.C.

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473
Bass Rainbow Road
from Mario Kart 7
Composed by Kenta Nagata & Satomi Terui
Transcribed by sigmabeta
Pop  = 136

           
E F♯/E F/E E


       
 
A E B  /E E / / E/F♯ /
    


             
G♯- G♯ A
 


         
     
B C♯- B B

 3
 
    
     
A
   
E/G♯ F♯- B B

3
 3

       
 
C E B  /E E / / E/F♯ /
    


             
G♯- G♯ A
 


          
    
D C♯- D

  
3

           
A-/G F 
  
C B B

3 3
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        
474
 
E/G♯
     
A
  
E
  
E F♯-

 3

E/ B
   
      
B B

3

         
 
E/G♯
     
A
     
E F♯-

 3

      B C D
E/B B
 
3 D.C.

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475
Bass Dolphin Shoals
from Mario Kart 8 Composed by Atsuko Asahi
Transcribed by 8-bit Music Theory
Lead Sheet by DoubleMark
 = 140

                 

A E♭ F- G- B♭

    

                 
E♭ F- G- B♭

     

       B 
                           
B F- B♭ F♯-

   
               
F- G- B♭ F- G- B♭ 

   



E♭
            
      
C A♭/E♭

   

 
E♭
    
A♭/E♭
    
        



D.C.

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 476
Bass Sunshine Airport
from Mario Kart 8
Composed by Atsuko Asahi
Transcribed by Nathan Ford
 = 165

   
E♭ G♭ A♭ F-/B♭

            
    

   
A E♭ C♭

       
  
       

               
E♭ C♭

        

              
B B♭ G B♭
 
   

  
D♭
          
B♭ A♭ F/G B♭

 
  

    
C D♭ A

       
  
      
Bass out

             
D♭ A

       
  

        
     
D C- C♭ B♭- E♭

  
Bass in

            
C♭ A♭/C B♭/A♭ B♭-/A♭

     
D.S.
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477
Bass Rainbow Road
from Mario Kart: Double Dash!!
Composed by Shinobu Tanaka and Kenta Nagata
Transcribed by Jer Roque
 = 145


                          
C D E♭ G A C B♭
    

                     
  
C F G

 

               
B♭
 
C

      

           
F G C
    

C  
                             
 
 
                
B B♭

                       
B♭

F 
G

         F    C/ G 
                
C D- E-

C G G

   

                     G G
C/G
 
E-
          
C D- F

 

   
A♭

D.C.
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 478
Bass Rainbow Road
from Mario Kart DS
Composed by Shinobu Tanaka
Transcribed by Jonathan Aldrich
 = 152

     
          
A F/D G
 
D E/D
   

           
D G/D
  
E/D A

 

               
B D C/D
 
D

     
 

       C
         
D B♭

   
D

 

         
D D G /D

             


             
B♭ C B-
 
E E

             
C A G♯- C♯-
    
     

         
F♯- B E A

          
     

        
                 
G♯- C♯- F♯- G♯- A-

A/B
 
    D.C.
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479
Bass Creative Exercise
from Mario Paint
Composed by Hirokazu Tanaka, Ryoji Yoshitomi, Kazumi Totaka
Transcribed by Jonathan Aldrich
Polka  = 132


           
    
A B♭-
E♭ A♭ B♭- E♭ A♭

           
   

         
       
B E♭- A♭ D♭ D♭ C-  F B♭- B♭-

  

          
F- E E♭- A♭

          
G-     
     
E♭- A♭ D♭ B♭- C

  

    
C E♭- A♭ E♭- A♭ E♭- A♭ E♭- A♭ D♭ G♭ F- B♭

                                    

             
E♭- A♭ E♭- A♭ D♭ B♭ A♭ E♭D♭ B♭

                

   A♭
      
E♭
 
D♭ E♭- A♭ E♭- A♭ D♭ E♭- A♭ E♭- A♭

     
 
  
  D.C.

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 480
Bass Monkeys
from Mario Paint
Composed by Hirokazu Tanaka, Ryoji Yoshitomi, Kazumi Totaka
Transcribed by Jonathan Aldrich
Samba  = 128

       
         
A E- A D D D- G C C

     
   

                       
C♯- F♯ B- A- A♭ G B- /F E
  
E

 

 
1. 2.

                            
A- A♭ G N.C. A♭ G

A-




  D D   E
A- A-  G G B/F
      
     
 
B
         
3

  C♯-  F♯ D

A- A-  B- G
        
     
       
3
A-   D D G C B-  E
A- 

      
     
            

              
A- B- E A- A♭ G

  
 D  D
     
C/D C-/ G/D C/D C-/ G/D
       
      
C

                      
 C
B♭/C B♭-/ F B- E   A- D   G F♯ B


 
 
  
D.S.
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481
Bass Rainbow Castle
from Mario Party
Composed by Yasunori Mitsuda
Transcribed by Ashanti Mills
Jazz waltz  = 196

          
A E♭ A♭ E♭ A♭ E♭ A♭ E♭ A♭



        
A♭ A♭ A♭ A♭

E♭ E♭ E♭ E♭

 

             
  
B A♭ E♭/G F- E♭ E♭

    

            
   
A♭ E♭/G F B♭ B♭

    

   

     
C A♭
    
E♭
             


   
 
 
B♭
   
E♭ A♭
              


 

B♭
    
E♭ A♭
                 


D  
 

B♭ E♭
  
A♭

E♭
            

D.C.
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 482
Bass Horror Land
from Mario Party 2 Composed by Hironao Yamamoto,
Shohei Bando & Kazuhiko Sawaguchi
Transcribed by Nathan Ford

   
 G-   

A

Waltz  = 148 A

 
G-


D- 
            D- 
              
B-

    
A B-
    

    
    
     
              
G- A G- A


B D- A
             
     
   


G A  

F D-
            
      
  

          
A

   
D-

 

            
F D- G A  

  

        
D-

 D.C.
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483
Bass Walking Underwater
from Mario Party 2
Composed by Hironao Yamamoto, Shohei Bando, Kazuhiko Sawaguchi
Transcribed by Nathan Ford

 
  = 140

   
B♭
  
   
     
  


  
        
A E♭ B♭- B♭

       


    
      
E♭ B♭
    
B♭-

  
 

              
 
B A♭ E♭ B♭ F

    

             
A♭ E♭ B♭

     
 D.S.

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 484
Bass Woody Woods
from Mario Party 3
Composed by Ichiro Shimakura
Transcribed by Jonathan Aldrich
Swing 16ths  = 102

    
                             

A D / G A D / G A F♯- F E- E♭ D G/A

D G
  

   
                   
1.
E- G/A


F♯- F A  
   

D G D

    A   G
               
E-
2.

F♯- F
 
D G D

                           

D/F♯
      
B D
  
G E A D

    

        A
           
E/G♯ G/ A
 
D/F♯ B E-

G G

G  G♯    
                 
     
B♭ E♭

D/A A♯ B- E- A
   
D F♯ D

D.C.

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485
Bass Character Select
from Marvel vs Capcom 2
Composed by Tetsuya Shibata
Transcribed by AarekMG
B♭
       
                   

   
  
F
   
 = 120


 

F
      

   
    

     
B♭ C
 
   
    


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 486
Bass Bomb Man
from Mega Man
Composed by Manami Matsumae
Transcribed by John Bergan
 = 129

                 
Intro
   
D♭ C♭/D♭ D♭ A♭

  

  

      
D♭ C♭ D♭ C♭
        
A



       B 
                    
D♭ E GA

        


             
  
B
      
F♯- E

   

 
        
      
F♯- G N.C./G#
    


 D♭
                     
C♭-

  
C

    

         
  
A♭
 
C D C

              
  
3


3

3 3 3 3 D.S.
3 3
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487
Bass Cut Man
from Mega Man
Composed by Manami Matsumae
Transcribed by John Bergan
 = 150

                       
Intro E


   
      
  
A-
A
     


      
  
( A- )
       

           
D- A-
            

1. 2.

       
B/F♯ E B/F♯ E A-

         
 
   


              
B

F G C D- G/B C

                   
F G E- A- D- D♯ E E
     
D.S.
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 488
Bass Elec Man
from Mega Man
Composed by Manami Matsumae
Transcribed by John Bergan
Rock  = 150

        
Intro
    
N.C.

   
Bass drum
  3


     
     
     
B  /A 
     
B E/G♯
   
A

     
    

(First time only)

1. 2.

     
 G
F♯ F♯
 
  
( E/G♯ ) E-/
    
 
   
   
      
 

               

B

    
B A B A

    
No bass

             
         
B

D C B♭
             
 
D.S.

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489
Bass Air Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG
 = 180

                               
A B♭- G♭ F- B♭-

         
    

                              
( B♭- ) G♭ F- B♭-

         
    

      A♭
 
   
B♭-

( B♭- ) A♭/G♭

     

 


                    
B ( B♭- )

       

      
                       
A♭

    
  
                
          
       
B♭-

 

 

     
      G♭

A♭ 
     
 
  
 

      G♭
             
C A♭
    
( G♭ )



     
              
A♭
      
( G♭ )

 
 
D.C.
https://www.vgleadsheets.com
 490
Bass Bubble Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG

     
          
 = 150 (no) (no)
G G
      
   
   
E♭ B♭/D E♭ B♭/D

  

 

                                         
C-/E♭ B♭/D C-/E♭ B♭/D G/D
       
        

         
       
A
  
E♭ B♭/D

     
    

                 
G /D

E♭

  

        
                
B C- B♭ A♭ B♭ B A♭ G /

      

   
  
             
G
     
A♭
  
C- B♭ A♭ B♭

    
D.S.

https://www.vgleadsheets.com
491
Bass Crash Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG


 = 150

       
G


    
                      
          

                       

G

Bass Simile
 

 
                                     
A G

            

   
B

                     
G

  
   


 

   
                         
G

 
  

               
           
 
G

   



  
                         
    
G

  

 
                                     
C G

            

                                           
1. 2.

  
D F G F G F G F G F G

 
 
   
 
   
  D.S.
https://www.vgleadsheets.com
 492
Bass Dr. Wily Stage 1
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by Jer Roque
 = 180

                                      
A C♯- A
    

    
Hi-hat gallop


                         
   
B C♯-

    
G♯/B♯  
        C♯-                       

    

  
B D D
     
B

                                  

C
  

C♯- A B C♯-

     


           A          B         C♯-

  
C♯-
 

 
                    
D D
 
C♯-
 


                  
G♯/B♯
   
D
 
B A
  


       
                    
E A B C♯- A
    

   
C♯-

                
A B G♯/B♯
 
D.C.
https://www.vgleadsheets.com
493
Bass Flash Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG

   
 = 150

                    
 
          
E- D


1. 2.

                    
 
              
 
E- D D E-

 
       
 

    
A

E- D E-
     
              

     
E- D E-
               
    

  
B
 
G G♭ F E-
     
       


         
B
 
G G♭ F E-
      D.S.

https://www.vgleadsheets.com
 494
Bass Heat Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG
 = 150

   
     
 
D- C/D
      
                 
(Bass)

          
D-   C

     
D- C D-
 
1.
C/D
      

                

            

     
A

D- C/D

Bass cont. sim.



  D        
C/
 
    
 
 
D-
 
    

            

      
D- C/D



 C      C   

 
D- D-
  
 
D-
 
    
D.C.

https://www.vgleadsheets.com
495
Bass Opening & Title
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by Mikhail Ivanov
Half-time feel  = 113

       

F♯ B-/F♯
 

 
     
  



C♯/F  D♯-  C♯  G♯/C

        
C♯
   
F♯ G♯/D♯ C♯
A

     

    C♯           
   
B A♯ D♯-

    

D 
 = 113

              
 
B E
  

       N.C.   
     
 = 150

      

     
F
 

Rock  = 180

 C         B♭/
       C   C         
                    
C C A♭/ B♭/ C

    

    
C         B♭/
       C   C    
        
C A♭/ B♭/ C

   
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       
C/E   
496

   
D
 


          
B♭/D
       

                  
A-/C
     

        
            
A♭
 
A♭/C B♭

3 3 3
3

C         B♭/
        C   C           
             
E

C A♭/ B♭/ C

   

  
                
            
C B♭/C N.C.


      
            
Bass

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497
Bass Metal Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG

  A♭
 G♭ 
 = 150

  A♭

          
           
A B♭- G♭ G♭

      


  A♭
   A♭
 G♭ 
         
           
B♭- G♭ G♭

      


     G♭
   A♭
   
       
B♭- A♭ B♭- A♭
    
     
         
B E♭

B♭-

  

     E♭    G♭
   A♭
      A♭ B♭-

 
           
B♭-
    
B♭-



      B♭-/
                         
F N.C.
  
E♭ E♭
  
C D♭



      B♭-/
                     
  
E♭ E♭ F/A
  
D♭


D.C.

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 498
Bass Password
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG

 
     

             
  = 151 A F♯/A G♯- C♯-
     

                  
A F♯/A G♯- C♯

     

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499
Bass Quick Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by AarekMG
 = 150

  
               
       
C- B♭
   

   



 
           
          
C- B♭
      


   
        
A
   
C- B♭

   

 
  
         
C- B♭

 

 C-    
              
B A♭ B♭ G /B

F-
                          
      
D♭ E♭


D.C.

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 500
Bass Wood Man
from Mega Man 2
Composed by Takashi Tateishi
Transcribed by Ashanti Mills

          
 = 180

              
N.C. E
   


          
      
     
A

F♯- G

  

                         
1. 2.
C♯/E♯
     
E- F♯- E E

 

                     
  
B
     
D E F

 

          
N.C.

            
C♯/E♯

D.S.

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501
Bass Gemini Man
from Mega Man 3
Composed by Yasuaki Fujita & Harumi Fujita
Transcribed by Ashanti Mills
 = 112

   
C- B C- B
         
  
         
    

 C-          C-     B C-          C-     B

   
B B
A

         

       C-     B C-          C-     

Rhythm simile

C-  

B B G/D

           


   
 B 3

B
      
B C- C-
 
    

B B
  
C- C-

  

   
 B 3

B
      
B C- C-
 
    

B
  
C- C-

  

   
  
A♭/E♭

F-
  
F- A♭/E B♭-/D♭

          

 
D♭   
         
         


       B
      
B
    
C-
        
C-


D.C.
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 502
Bass Magnet Man
from Mega Man 3
Composed by Yasuaki Fujita
Transcribed by John Bergan


Rock  = 144

     
       
F♯ A B F♯ F♯
             
   
Intro

        



          
A

       
F♯ B- C♯ F♯

         

                 
       
B- B- F♯/A♯ G♯- C♯

   
 

    
                              
B

F♯ B B B D♯-
C♯

 

                     
        
C♯
   
F♯ B D♯-

          F♯-
   /B     
         
  
F♯-/A F♯-
    
C

     
D.S.

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503
Bass Shadow Man
from Mega Man 3
Composed by Yasuaki Fujita
Transcribed by Ashanti Mills

     
 = 165

        
            
N.C.

(Bass)

 
A
 
F♯-

           
 

               
     
F♯-
  

               
     
F♯-
  

       F♯-
                
B B/F♯ F♯- B/F♯



         
             
B/F♯ F♯- C♯-/F♯ F♯-
 


      
  
B F♯-/A

    
  

  
               


    
C E

 


            

E/A E/B B C D
 

D.C.
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 504
Bass Snake Man
from Mega Man 3
Composed by Yasuaki Fujita
Transcribed by AarekMG
 = 150

  
N.C.
                  
                         
   


            
               
A F- B♭ D♭ E♭
     


                  
               
F- B♭ D♭ E♭

            
                   
B F- D♭

       
                           
E♭ F-

     
                        
C C- F- E♭ A♭

  C    
              
      
C  /G F- E A♭/E♭ D-  D♭


D.S.
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505
Bass Spark Man
from Mega Man 3
Composed by Yasuaki Fujita
Transcribed by John Bergan

    
Rock  = 150
F
                 
                 
Intro G- C

E♭
 


            
                    
A G-
    
A♭


    
          

         
B
   
C- F D- G

      

 
 
  
    
1. 2.

            
                   
C- E♭/B♭ F-/A♭ G B♭ B


D.S.

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 506
Bass Hornet Man
from Mega Man 9
Composed by Hiroki Isogai
Transcribed by Mike Matarazzo

                    
 = 150

    
C-
   
A

    

         B♭
       
   
A♭ G/B

   
 

   
                    
C- B F

  

        
           
A♭ B♭ G-

    
 

 C-                
  
C A♭ B♭



 
1. 2.

        
B♭ G B♭ F- B♭

            
 

                             
E♭ C- A♭ B♭ B♭
 
D

    
 

    
                           
E♭ A♭ C- B♭ C-

  
   D.C.
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507
Bass Splash Blue
from Mega Man 9
Composed by Hiroki Isogai
Transcribed by Garrett Hoffman

     
 = 140

            
   
A
   
F- E♭ D♭ C- C/E

      
 

        
           

  
F- E♭ D♭ C- E♭

      


       
         
F- E♭ D♭ C
 
B

   


  
     
  

D♭
1. 2.
F- E♭ C C/E C
        
 

  
                  
C F- F-/E♭ B♭-/D♭ C-

       

   
        
        
F- F-/E♭ B♭-/D♭ C

      

F- E♭ D♭ C-
    

D.C.

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 508
Bass Opening Stage
from Mega Man X
Composed by Setsuo Yamamoto
Transcribed by Jer Roque

  
                         
A C-


 = 180


A♭
       
             
G-/D G-

   
 

 
                      
C-

  

     
          
 G-/B♭
     
A♭ G-/D

     


   G-
 
  
               
B

A♭ F- G-

  


                     
A♭ C-/G A♭/F G

 
   

      G-
          
C E♭
      
C- F- B♭/A♭

       

                  
  
C- F- C-

       D.S.
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509
Bass Spark Mandrill
from Mega Man X
Composed by Makoto Tomozawa
Transcribed by DoubleMark

       
 = 163

                  
A E♭-
 
N.C. A♭- D♭

    

     
1. 2.

                

E♭- A♭- D♭ D♭

   


            
            
B B♭ G-  G
 
E♭- F- G♭

      

   D♭          B♭
 
         
B♭-
  
A♭-



       D♭
   
                 
E♭-
    
C

C♭ D♭ B♭-



C♭      N.C.
                
B♭- E♭-



              
N.C.


Percussion fill D.S.
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 510
Bass Storm Eagle
from Mega Man X
Composed by Makoto Tomozawa
Transcribed by Jer Roque
Rock  = 172

   
Intro B A B A
                   
     
 No bass


            
A
   
B- F♯ G A F♯/A♯

3

  
Bass in


                 
B- F♯ G A F♯/A♯

3

 D   F♯
 
 
A/C♯
       
B
    
G F♯ B-

 

      
        
 

          
G F♯
     
 

           
 

               
B A /B B A /B
     
Comp as [Intro]

  
Vamp B A /B B A /B
                  
      D.S.
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511
Bass Bubble Crab
from Mega Man X2
Composed by Naoto Tanaka
Transcribed by AarekMG

                          
  = 133


  
Intro B- A♯
  

         
               
E/G♯
    
D/A

  

       F♯
            F♯
       
 =  ( = 197)

        
G G

         

 
          
                   
A

B- A G A B-

   

            
         
G A B- G F♯ B-
 
 

         
B B- E/B B- E/B B- E/B B- E/B

D.C.

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512
513
Bass Metal Gear Solid Main Theme
from Metal Gear Solid
Composed by Tappi Iwase
Transcribed by Mike Matarazzo
Stealth  = 136


A♭ ( )

              
A N.C.

 
    
                            
  

       
B

     
G-
     

                  
( G- )
 
D-/G C/G


 
           
G- E♭ B♭ E♭
     

                 
G- E♭ D- C


           
C D

G- C- D G- D C- D

D C-   D 
      C
 
G- E♭ D-

    
C C- N.C.
 3 
        
3 3 3

  
Timpani
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           A♭
    G-
       
 
514

  
D F F
           
G-

 

       F    A♭
    G-/
   B♭      
    
F/A
 
         
G- D

 
Synth solo Bells

       
E
 
  
N.C.


3 Bells

          
  
N.C.

3 Bells

       
E  /D

  
D G- C- D D- D C/D


3 Bells

D     G-
    
G C- E♭/G

C D
   
3

 C    D
       
F G/B A/C♯

E- D

3 3

  
         
E-
 
G G/F E♭


3 3

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515
Bass Main Theme
from Metro-Cross
Composed by Nobuyuki Ohnogi
Transcribed by Jonathan Aldrich

         
Swing 8ths  = 180

   
    
Intro N.C.


Unison


A A- A-/G F E A- A-/G F E

     
               
(Bass)

A-   A-  
            
  
F  E F E

A-/G A-/G


 G A-
Bass simile

A-/C D-     E♭ N.C. 
A-
   
     
 
           
F /
 
1. 2.

E
     
A- N.C.

  
   
 

   C     C♯ 
               
B E
  
A- G

      

     C        
D- E
       
N.C.
     

A-     F
     A-   
     
E
 
C A-/G A-/G F E


 
D-     
         E  A-
F/E♭

     
A-/C
    
A- N.C. A-


  
D.S.
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 516
Bass Brinstar
from Metroid
Composed by Hiro 'Hip' Tanaka
Transcribed by JohnStacy
 = 152


A G B♭ G B♭
    

              
G B♭ G B♭

         
G B♭ G

C        C       

B B♭/C B♭/C

C        
 
B♭/C C


                
C F/E♭ B♭/D F/E♭ B♭/D

3 3 3
3

G A♭       
   
D/A
 
E♭

3 3 D.C.

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517
Bass Kraid's Lair
from Metroid
Composed by Hirokazu Tanaka
Transcribed by AarekMG
  = 60

     
     
   

  
E-
   

          
A
   
C D C D
 

                
  
B E- F♯ B

F

      

                
  
F♯ B
 
E- F
      

       
 
 

C E-
  
C

           
 

             
D E-

             
E-

D.C.

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 518
Bass Title BGM
from Metroid
Composed by Hiro 'Hip' Tanaka
Transcribed by Jer Roque

 
        
 = 65

 
D
   

D  D /C  B  F♯
D/
  B♭

G/ D /C G-/

  B♭    
 
A G-/ G-
         
     


         B♭ 
D  /C
      
B D  /C

D G/B G-/B♭ D/F♯ G-/ G-

    


          
 
D  /C D  /C
 
D G/B G-/B♭ D/F♯ G-/B♭ G-

      

  = 86

   
        
C D B♭


   
           
E♭ E E
 
D.C.

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519
Bass Surface of SR388
from Metroid II: Return of Samus
Composed by Ryoji Yoshitomi
Transcribed by Mike Matarazzo



F  E♭ 
    
A F E♭
   
 = 112

Bass

                        
  
B F E♭ F E♭

  

 
                      
 
F E♭ F E♭

   

F
              
F    
     
C
 
E♭ E♭

 

F
                E♭
F     
       
E♭

 

   
 E♭     
 E♭ 
     
   
D
 
F F
 

 E♭   
            
         
F
 
F E♭

 
D.S.
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520
521
Bass Ice Valley
from Metroid Prime
Composed by Kenji Yamamoto & Kouichi Kyuma

    
Transcribed by Ashanti Mills

       
Ambient  = 120

    
N.C.



   

 
 


    
N.C.
          
     
A
  
       
 
Rhythm simile
( N.C. )  
          
 
           
 


  
( N.C. )
       
  
         


  

 
 
( N.C. )  
          
 
           
  

  
       
      
B N.C.
  
N.C.

 
F F-
               
     
C
  
       
 
F  
   
G-/F
        
           
 


  
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 522
F
 
F-
        
         


  

 
 
F  
   
G-/F
        
           
  

  

    

              

D C

 

                           

    
C  C 

       
C A♭
               
       
E
  
     
 
C  
  
G-
           
            

  
C
    
A♭
       
          




  
C A♭  
  
G-
         
           
  

  

  
      
F C C/B♭

 


1. 2.

  
C/A♭ C/B♭ C/F C/E♭ C/D

 
D.C.
https://www.vgleadsheets.com
523
Bass Wet Hands
from Minecraft
Composed by C418
Transcribed by xXChickyChuXx
 = 74

      
A D A D


    
          
A A D A D

  
 G   
           

A

      
       A  
 
B B- G
     

 G
          
  
A

C

E

     
   
E
     
   
  

https://www.vgleadsheets.com
 524
Bass Magicant
from EarthBound Beginnings
Composed by Hirokazu Tanaka
Transcribed by Ashanti Mills
 = 80



F 

  
 

 (Bass)

    
 
A F 

Bass simile

  
C 

    

     
  
F 

    
C
   


     
          
B D♯ E




    
     
E D

D♯ G

  

   
 

     
C F 

   
      
( F  )
 
N.C.

D.C.
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525
Bass Pollyanna (I Believe In You)
from EarthBound Beginnings
Composed by Keiichi Suzuki
Transcribed by Jonathan Aldrich
 = 112

  A    D
     A    
    
Intro D
  
G G
   


    
              
A A/C♯ B- D/F♯
D D/A G F A

   B-    
           
A/C♯ D/F♯
D D/A G F A

 G♯
       A   D
      
B- B♭ D/A G G/

    D   
          
B A
 
F♯- G F♯-

             

G/A D
 
D/F♯ E- D/F♯ D/F♯ E-
 
G G

D.S.

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 526
Bass Gentle Rain
from Mother 3
Composed by Shogo Sakai
Transcribed by xXChickyChuXx
 = 120

        
A F G  /F E-
   
C
  

     
F♯-  G
  
A- C/G

  


        
F G  /F E-
   
C
 

     
    
F♯-  B E- D- G  C

A- C/G A
     

              
B G- A D- B♭

   
  
G
   
A- F♯ C/F♯




    


         
C F G C C/F♯
 

      
   
F G C C


F        

E- D- C B♭

A♭ B♭ C

3

 
D.C.
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527
Bass Name These Children
from Mother 3
Composed by Shogo Sakai
Transcribed by JohnStacy
 = 83

     
F♯- E-
 
D B-
    


          
E- E-/D A

A C♯/G D/F♯ D/F C♯
 

    
A F♯- E-
 
D B-

   


        
A
  
A C♯/G D/F♯ D/F E- D



      
B G D E- A D


       
  
C♯-  F♯ B- E A




  
A

D.C.

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 528
Bass Monkey's Delivery Service
from Mother 3
Composed by Shogo Sakai
Transcribed by JohnStacy

 
 = 140

   

   
F♯-

   
   
  
Background cont. simile

F♯-
      C♯/
 E♯  

         
A D♯- 
     
C♯-/E

    

              F♯-
               
        
B- E C♯ F♯-
1. 2.


 3
 3

      
B-
  
C♯-
           
B E C

B
             C♯
    
G♯ C♯-
 
D

D.C.

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529
Bass Team Select
from NBA Jam
Composed by John Hey
Transcribed by Jer Roque
 = 123

                    
G- A- E- E♭ G- A- E- E♭
  

                    
G- A- E- E♭ G- A- E- E♭


A D- G
             

     

   
D- G

        
          

               
      
D- G

    


      
D- G

                     


   
G- E- E♭ G- E- E♭
        
A- A-

     

 

            
G- A- E- E♭ G- E- E♭
   
A-

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  
530

              
B D- G

         

 
D- G
             
          

    
                   
D- G


      


D- G
                         
     

   
G- E- E♭ E- E♭
        
A- A-

    

     
      
G- A- E- E♭ E- E♭
   
A-

             
   
G
 
C D-

     

             
D- G
              



          
D- G D-

   
       

      
G
         
D.C.
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531
Bass Baden National Golf Course
from Neo Turf Masters
Composed by Takushi Hiyamuta
Transcribed by DoubleMark & musicalmoose
 = 148

                
A D- D-
  
E- E-
             

                 
D- F

          
E- E-

  

      
B D- E- D- E-

                 
 

    
           
D- F
   
E- E-

      

               
C D- D-
  
E- E-

            

          
      
D- F

          
E- E-

  

E- 
       
          

  
D D- D-

E-

    
D-
     
                 
E- F E-

 
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  
532

             
E D- D-

                 
E- E-

                  
D- F G♯ A-
  
E- G

          

    
             
F G-/B♭ F A♭
    
   
3

     
B♭ 
  
F- E♭
               
3

 

       
A♭
   
E♭- D♭
   
3

    A-     
   
G
  
G F E- D- E- G
 
F
     
        
    
  

        
Percussion fill D.C.

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533
Bass Castle
from New Super Mario Bros.
Composed by Asuka Ohta, Hajime Wakai, Koji Kondo
Transcribed by Jonathan Aldrich
 = 124

  
Intro
             
F♯- G♯/F♯ F♯- G♯/F♯
      

     
B-/F♯ F♯ / F♯- B-/F♯ F♯- G♯
   


    
         
G♯
       
A C♯- C♯-/E C♯-/G♯ F♯- G♯/F♯ C♯-/E

 

       
                         
F♯-/A C♯-/G♯ G♯/B♯ C♯-  D♯/A♯
 D/A G♯  G♯

   


      
B C♯- D♯/C♯ D/C♯ C♯- D/C♯ G♯ G♯
    
D.S.

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 534
Bass Overworld
from New Super Mario Bros.
Composed by Koji Kondo
Transcribed by Mike Matarazzo
    
G

C  C/E  F  G    C   
 = 100 D-
  C♯
       
 
                  

  
  
Wah! Wah!

          
Wah!

               
A G

C

   

                        
G

C

  

       
               
C F


 F-    
3

      
3

    
C/E

    
A

F

 
  
         
1. 2.

 
D- G

C G G
   

      
Wah! Wah! Wah! Wah!

                 
B G

C
  
   

Wah! Wah! Wah!

  
              
G

C
  
      

    
Wah! Wah! Wah!

          
C
    
C F
  
 
 

    F-   
Wah! Wah! Wah!

     
 
           
E- A
 
F-

         
D- G

C G
   




  
Wah! Wah! D.S.
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535
Bass Overworld (Versus Mode)
from New Super Mario Bros.
Composed by Asuka Ohta, Hajime Wakai, Koji Kondo
Transcribed by Jonathan Aldrich


Swing  = 132

          
C C D- G
 
Intro
          

D 
     
        
A C
  


    G         
       
G/D E- E♭ D-
  
G
  
D 
         
          
C
 


          
G/D G A♭ B♭ C

      


        
  
B D-
   

                 
  
E- G/A A A

     

             
F F- A
     
E- G/A
       

         
F♯-  E- A   D G  
 
B
           

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 D    
      
536

       
C C
  


          
G/D G A♭ B♭ C

      


 
 N.C.         
   
D.S.

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537
Bass Song of the Ancients ~ Devola
from NieR
Composed by Keiichi Okabe
Transcribed by DoubleMark
. = 54


            
C-
A A♭

    
 

            
C- A♭

 
 

               
F- G C- E♭/B♭

    

           
A♭ F-
 
E♭/G G G G
1. 2.

       


             
     
B  G  /D

C- E♭ C/E

  

              
F- F-/E♭ D-  G

  

            
     
C- G  /D

E♭ C/E

  

       D-
       
1. 2.

   
  G  A♭ G D-  G
 
F-

  
D.C.
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538
539
Bass A Beautiful Song
from NieR: Automata
Composed by Keiichi Okabe
Transcribed by DoubleMark & musicalmoose

B♭/D
 = 148

       
D-
 
Intro

 

D-
      
B♭/D
   
D-
     


    
              
A C  /D C- D

D- C

       F          
B♭ A

G- D-/ D-/A

       
D- E- /D

A/D

 
B
     

         
 
D- E- /D C/D E- /D A/D


B♭   C/B♭ B♭

  
B♭ 

      

      A 
 
B♭ E- /B♭ C/B♭ E- / A


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     
540


C G-

D-/F

E-   D- 
 

 D-/F   
   
G-

     
E- E♭ B♭/E♭ E♭

 

        
A/D B♭/D

D- B♭/D


D


        
3 3

 
D  D- B♭/D

 

       
3 3


A/D B♭ B♭ 

D-

  


3 3

  
C D-/C D/C A-

 

D-  E- /D


E
                             


D- E- /D
                             
D.S.
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541
Bass City Ruins - Rays of Light
from NieR Automata
Composed by Keiichi Okabe
Transcribed by DoubleMark
 = 100
       
   
  
B♭-   
G♭   
B♭-   
G♭


   

                B♭   
  
B♭- G♭ B♭- E♭/
   


       
F-
    
  
     
G♭ F- E♭- B♭-
  
 

 
   
A
  
B♭-    
G♭
     
B♭-    
G♭

   


             
B♭- G♭ B♭- E♭/B♭

   

             

G♭ F- E♭- F- B♭-

       


 
G♭     
E♭-     
  
B F- D♭



            
  
     
C♭ B♭- G-  C   F  F


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  
542
                B♭ 
  
C B♭- G♭ B♭- E♭/
   


       
F-
    
  
     
G♭ F- E♭- B♭-
  
 

   
  

D G♭ F- E♭- D♭
     
   
 

   
C  F  F 
 G-  
  

C♭ B♭-
    
   



              
B♭-
E G♭ B♭- E♭/B♭

   

             
G♭ F- E♭- F- B♭-

      

 
  
                 

1.
B♭- G♭ B♭- G♭


   


 
G♭     
E♭-     
  
F- D♭
2.
F



            
  
     
C♭ B♭- G-  C   F  F


D.C.
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543
Bass Vague Hope - Cold Rain
from NieR Automata
Composed by Keigo Hoashi
Transcribed by DoubleMark
. = 46

   
B- G E-
  
 
E
 
      

       
A G E- A D
 
B- A
 
2

2 2 2

         
C♯- F♯ B-/A G♯-  C♯

B- F♯ F♯
  
2 2 2

       
G E- A D
 
B- A
 
2
 2 2


C♯- F♯ B-/A G F♯ F♯ B-
       
B-
         
2

2 2 2 2

                 

B G B-

A D E F♯ F♯

2 2

   
                    
G A E/G♯ F♯- B- G E- F♯- G A 

2 2 2 2 2
2

   
B- G E- F♯-
C 
     

   
           


  
B- G E-
   

E/F♯
  
         
D.S.
https://www.vgleadsheets.com
544
545
Bass A Sea Breeze Blows
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
 = 146

             
A
      
  

    

       B-
      
       
A A F♯-

          
   
 
     
B E  A  F♯
  

   

  
A D 
        
B- E



 
         
 B
  
B- E

 

       
       
A F♯ 
 

 
  E
         
  
B-  D A

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 A 
   
546

      
B E- D


   
          
D- G C

     F        E♭
   
C- B♭
 


       G   
A♭
  
G

  

       
       
C A F♯ 
 


     
     

B- E D-/A
   
A

D.C.

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547
Bass A Settlement in the Red Bluffs
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by DoubleMark
Swing  = 90

      
A-

             
A

A-
 
             

 
( A- ) F G A-

                          



 
           
B

              
A-

 
                           
F G A- F G A-
 
Fine



                              
C D-

                          
( D- ) B♭ C

   


                              
D-

                          
B♭ C B♭ C

  
3
D.S. al Fine
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 548
Bass Alfyn, the Apothecary
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

      
G
   
A D D/F♯

    
D/F♯
 
 = 74

    
            
E- D C

A A

 

   
   
G
 
B D D/F♯
 
G F♯

     
         
B- F♯- G D

        
C B- B♭
  
A A


            
C G G D/F♯
 
D/F♯

         
G/E G
   
D/F♯ A A N.C.

 
D.S.
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549
Bass Battle I
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

    G- 
N.C.
Rock  = 158

  
  
                    
Intro
            
  
F G-
    
  

 

  

F/G  G-  
      
 

A G-

D-
            
   
E♭ C♯ D


   G-  
      
G- F/G G-

D♭    C- D
 
        
G-

F/A 
3

            F/
 A  
       
B C- G- B♭

  
C-    C♯       
D
 
        
B

F/A  
3 3

    B
 C-  C♯ 
          
C G- B♭ D D


 
3

    G-
 C-     
      
E♭ F F♯ D G-

3
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 F/A     B

 C-  C♯ 
           
550


G- B♭ D D

3

    F 
    G-
 C-  D-
  
F♯
   
E♭
 
 D-/G G-

3 3

    

       A
  B♭
  A/
G-
    G-/
   F♯   
G-
    
D C
 
D D/ G- A


   A
             B♭
  A/
  C-
  D  C- D
   
G-
 
G- C


   D-        
  
E♭ C♯ D

3 3 D.S.

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551
Bass Battle II
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

 
Rock  = 167

      
       
N.C.

 
A
  
D- D- F

 

          
  
C- D- C


   
        
D- F

 

        

A-
 
E- D

      
B
  
A- D
  
 

        
    
A- F

 

         
       
A- E- G- D-
   

           C    
      
C
   
D♭


  E♭
      
   
   
C F- A♭ B♭


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            C 
552

      
A♭
 
D♭ E♭

 

  E♭
        
 
B♭

A♭
  
F-

       
C- C-

F F
 

D♭
     
     
E♭ D- G

D.S.

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553
Bass Battle III
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

          
      
 A-

 = 157

Drum fill
 

                         
A A- F D- E-
  
        

         
                   
F E- D♯ E A- F- E A-
     


                     
            
 
B F- A-

     

 
 
                   
   
             
A- G F-

   

        E♭/
 G♭  G
D♭/F
    
B♭/D
    
C


A- G/B C- E♭-

       B♭       D♯-
  
       
F/A B♭ C♯/F
G♯- B♭ F♯ F♯-

   
  
3 3
3

  A  A B-   
    
( F♯- ) E/G♯ F♯-/C♯ C♯

3 3
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     G  G-
554


    
F♯- E- D/F♯

 
  
    
       

 
3

    B♭  C-     G-/D D

   
( G- ) F/A B♭ G-
     
           
3 3

   
D
  
F A♭ B♭
       


                
C- B♭ A♭ D/A G G

  
  D.S.
3

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555
Bass Cyrus, the Scholar
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

G  A♭
                     E♭/
     C 
  = 65

      
F-/C A F-

F-

   

   
                        
F- C F

   E♭     C-    G
   C  
     
B♭- A♭

 

   
                        
F- C F

         
         
B♭-
   
A♭

B E♭ D♭

    

     F-
  
         
F  

G C G A♭

         
         
B♭-
   
A♭

E♭ D♭

    

       C  
       
G F- E♭/F F- E♭/F F- E♭/F F- E♭/F


D.C.
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 556
Bass Determination
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by Steven Higbee
 = 74


Intro D- D-/C
                       
       


B♭ C C
                    
       



   
  
A D- B♭ F CC D- B♭ F

                       
   
Rhythm simile

   
D- B♭ F C B♭ G- A A
     
             

 
                       
   
B D- B♭ F C D- B♭ C F

 
   

              D-/A A
          
G- E♭ B♭ A- G

  


C D- D-/E
                       
       


D- B♭ C C
                    
       

D.S.
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557
Bass H'aanit, the Hunter
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
. = 57

                 
A F- D♭

   


      
A♭
    
E♭

 

                 
F- D♭

  

   
         
C
  
B♭- C- D♭

 

             
    
B B♭ C D- A-
   

     
      
B♭ C D- C- F

  

            
    
B♭ C D- C/E
   

   
  
B♭- C C
   
D.C.
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 558
Bass Olberic, the Warrior
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
 = 85

   
            
A-

A D-

C/E F G E-
  

                         
G- D- B♭ A- G- A D- C

 E♭/G A♭
  B♭
     
               
B C-
F- G-

    F-
                   
B♭- F- D♭ C- B♭- C

 

   
    
C

D- B♭ F A- F C D

    


                     
G- D- B♭ A A

  3

  
      
D- G D- G

D.C.
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559
Bass Ophilia, The Cleric
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie

        

A F
      
C/E D- F/C
         
 = 70

    
           
G♭
          
G/B G-/B♭ F/A F F-/A♭ F

                  
B E♭ F G- E♭ D  G- / F- B♭


       F

          
 
E♭ F F♯ G- A♭ F

           
D 
  
E♭ F G- E♭ G- F
  


         
E♭ D♭ C C
   
D.C.

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 560
Bass Primrose, The Dancer
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
 = 160

         
D- A- B♭ F G- C F A

  


  

D- A- B♭ F G- A- B♭ C D-
  
             
      

                
       
A

     
D- A- B♭ F G- C F A

 
                   

  
D- A- B♭ F G- A- B♭ C D-

 

   F   E♭
             
        
B

G- B♭ C- G- A D

 

       
        
G- F E♭ B♭ C- G- E

    
A

D.C.

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561
Bass The Cliftlands
Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by Riley Zielinski

          
 = 80
E♭ E♭
    
G- F G- F D-
         
N.C. A
 

          
           
   
G- E♭ F G- E♭ F G-

 
         
B
  
C- E♭ D-

     E♭   
       
E♭ G- D

 
E♭ D-
    
G- F C- F B♭ D
 
      
               
C

           
D-
         
G- F E♭ C- D- G-

( G- ) F E♭ D- C- A/C♯ D D

    
      
   
  
    
   
    
D.S.
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 562
Bass Therion, the Thief
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
  = 85


           
E- D/E A-/E E-


E-                 E-  
   
A-/E

A D/E

E-               
A-/E

D/E B

           
D-

     
     
B

C B- A-
 

E♭
                D
 D 
      
      
G- A
 
E♭


D.C.

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563
Bass Tressa, the Merchant
from Octopath Traveler
Composed by Yasunori Nishiki
Transcribed by mkafie
 = 120
D-/A
 

  
A D-/A A
    
 
 
  


        
     
A A D-/A A F♯- E B/D♯ B-/D
       

                  
A/C♯ F♯- B- E A B E E

    

          
A D-/A A F♯- E B/D♯ B-/D

B

          

         
A  /G

  
A/C♯ D E F♯- B- E A

            
3 3

      
    
C D
     
D G-/D D B- A D



 

             
G E- D/F♯
F♯/A♯ B- D/A E/G♯ A
          

E
        
                   
D D E- D/F♯ F♯ B- A D G- C
   
D-/A 
     
B♭ E♭ 
     

F E E A A D- /A

            
       
 
 
D.C.
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 564
Bass Dragon Palace
Okami
Composed by Rei Kondoh
Transcribed by Gregory Orosz
 = 90

       
A D♯- C♯- D♯-

      
C♯-


  
C♯- D♯- G♯

       


      

C♯- D♯- E D♯-

           


   
C♯- D♯- G♯ G♯-

       

       
B A- B- F E-

   
C
  
A- B- B-

        
A- B- F E-

   
B- C

A-
    
D.C.
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565
Bass Okikurmi the Hero
from Okami
Composed by Hiroshi Yamaguchi
Transcribed by Gregory Orosz & Analilia Fierro
  = 90

  
A♭
                 
A C C- B♭ B♭ B♭ G

  

        
 A♭  A♭/B♭  G/B
          
C C- B♭/D E♭ F-
 
   

          
B♭
  C-
       
 A♭
  

  
B E♭/B♭

  

         A♭

              
 A♭
 
D/ B♭ C- G

   

D.C.

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 566
Bass Tribe of Heavenly Kami
Okami
Composed by Rei Kondoh
Transcribed by Gregory Orosz, Analilia Fierro


 = 77

  
                     
A C♯-

 
  

  
                       
B A C♯- C♯- / B A E  /B

                      
A G♯- F♯- G♯- C♯ C♯


 
              
        
C C♯- B C♯-
 

C♯- F♯-
  
B

      
G
               
  
   
  D.C.

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567
Bass Main Theme
from One Must Fall: 2097
Composed by Kenny Chou
Transcribed by AarekMG
Dance  = 128

       
 

   



 


C- A♭ B♭ G- B♭

  
         
            
 
 

     
1. 2.

             
C- A♭ B♭ G- / / B♭ G- / / B♭


  


  


 
A
      
C- A♭
     
 

  

 


                                    
     
1. 2.

C- A♭ A♭

   
 


C-      A♭  

         
B
     
B♭

 


C-      A♭ B♭   B♭  
      
1. 2.

        
A♭

  
1. 2.

       
   
         
C C- G- B♭
  

A♭ B♭ G-
  
 
1st x D.S.
(2nd x D.C.)
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 568
Bass Main Theme
from Ori and the Blind Forest
Composed by Gareth Coker
Transcribed by Analilia Fierro
 = 100

     A-   
   
A A- E- E-


A-   
1. 2.

      
E- B- F F
    

    
E/B
 
B D- A-/C


  
A-
    
     
             
D.C.

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569
Bass Peaceful Petalburg
from Paper Mario: The Thousand Year Door
Composed by Yoshito Hirano and Yuka Tsujiyoko
Transcribed by Tristan H
 = 80

  
E♭ A♭ E♭ A♭
       
 
  
  
   

      

    
 
 
   
  
(Bass)

                  
A

     
E♭ A♭ E♭ A♭ E♭ A♭ E♭ A♭

 
Rhythm simile


       
  
G♭
  
( A♭ ) D♭ A♭/C B♭-

        
B
 
E♭ A♭ E♭ A♭ E♭ A♭ E♭ A♭

                 
C

     
E♭ A♭ E♭ A♭ E♭ A♭ D♭

 



            
 
  
A♭ G- E♭ E♭-/G♭ A♭ G-

   

  
  
N.C.

              

           
D.C.
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 570
Bass Story of the Thousand Year Door
from Paper Mario: The Thousand Year Door
Composed by Yoshito Hirano and Yuka Tsujiyoko
Transcribed by Tristan H
 = 80
E♭
 
E♭
         
E♭ E♭
                  
    

     
E♭ C♭
   
E♭ E♭ C♭
    
A

         
Rhythm simile

            
E♭ E♭ E♭ E♭ C♭

/ / / B♭

   

      
E♭ C♭ C♭/F
 
E♭/F A♭- 
   
E♭
  
B

         

             
C- E♭ F C♭

F/E♭ F-  B♭

  

         
C E♭ C- C♭ C♭ G♭ / / D♭

    
      G♭ D♭/A♭

E♭ C-
 
C♭
   


      G♭ D♭/A♭

E♭ C- C♭

    
D

  

 
E♭ C- C♭ C♭ D♭/C♭ D♭
  
D♭ /F C♭- E♭

              
E

  

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571
Bass Title Screen
from Paper Mario
Composed by Yuka Tsujiyoko
Transcribed by JohnStacy

  
Dixieland swing  =103

        
A G
    
F


     
  
G- C F

         
  
G
   
F

      
        
G- C

F

         
 
B A D-



G
      C
 

        

D
 
F

  C

G-
    
D-

F

  
G- C

D.C.
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 572
Bass Wish of the Princess
from Paper Mario
Composed by Yuka Tsujiyoko
Transcribed by JohnStacy
 = 120

 
G B-/F♯ E- G/D
           

 
E- G/C♯

E♭ G/D

      

 
C D/C G/D E-

     
 

 
A- D E- D

    
3

   
C D B- E-
     


A
 
D

     
 D.C.

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573
Bass Theme
from Papers, Please
Composed by Lucas Pope

   
Transcribed by jPseudo

    
March   = 120

   
                         
A

D-
  
 

F
         
 
       
              
F D- A- D- A-
 


   
   
        
     
A-
  
D- A- D- A- D- D- A-

 


F
  F    C   F 
     
     
C F C C
 

          A  /E   
      
D-

         
B
       


        A/C♯   
               
F
        
G-/B♭

          E      F        G-/B♭  A/ C♯

                     
   
D- A /
C

 

    








 
D- A-/E F G-/B♭ A/C♯ D-

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574
575
Bass Paradise (Stay Forever)
from Paradise Killer
Composed by Barry "Epoch" Topping
Transcribed by DoubleMark
City pop  = 100

     
Intro A- A- G B- C
       
G

 
 

Sparse, aux percussion only All in


 
Chorus C B- E- C
  
        
      


( C ) B- E- C

   

 


  
     
  
   
    

  

                  
           
Verse C B- E- C

 

               
( C ) B-E-
     
A/C♯
        
 

          
Prechorus A/C♯ A-/C G/B C- G/D
              


              
C
 
( G/D ) A/C♯ A- D
      

  
 
  

     B-         E-
  
          
Chorus C C

Horns comp with first chorus

     B-         E-
   
         
( C )  C


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      
576

                            
C B- E- C
 

2nd time ad lib.

     B-         E-
     
      
( C ) 
  
C

To Coda
N.C. C B-
Bridge           
             

      

( B- ) A- C

    
   
    
 
   
      
 
3 3

                             

( C ) D E- B- C

 

( C ) D C♯  D♯ N.C./F C

           
          
Solo

(C) B C

   
  
 
 
 
     
  

 

 
Repeat for solos Last time

      
SoloC B- E- A/C♯ C
                
 
D.S. al Coda

  C      
  
B- E-
  
      

No bass/percussion
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577
Bass Poem of Everyone's Souls (Velvet Room)
from Persona 3
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 92

                          
A B- B-/A G
B- B-/A G
 
D

        


       
                                    
C♯ F♯- E- D

    
B B- B-/A G
   
D F♯-/C♯
  

          
E- F♯- B- B-/A G A
   
G/A
  

    
F♯-/C♯ B- B-/A G
     
D
  

     
( G ) F♯ B- B-/A G E/G♯ A
     


                
C F♯- B- E- A

 


F♯- B- C♯-  F♯
     
             

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 578

                
D B- E- A D
 
     

 
G G♯-  A F♯
              

           
       
B- E- A D
  
   
1. 2.


G G♯-  A F♯ F♯/A♯

B-
 
               
      
To Coda



B- B-/A G B- B-/A G B
    
   
     
D.S. al Coda

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579
Bass Alone
from Persona 4
Composed by Shoji Meguro
Transcribed by DoubleMark & musicalmoose

   
 = 96


C F C F C F C F
   
     
       
 

C   
 
      
E
         
A

 

   
 E- D-

              
F
  
G- C G

   


C   
 
      
E
        


       G-

     
D- G- F-
        
   


C F C F C F C F
   
   
             
D.C.

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 580
Bass Heartbeat, Heartbreak
from Persona 4
Composed by Shoji Meguro
Transcribed by DoubleMark & musicalmoose
 = 100

      
C-



       
               
       
A F- G- C- F- G- C-

      

                 
                   
F- G- F- G- C-

  
C

 

                 
               

B A♭ F-
G- C- A♭ F- G- C-

    

                 
               

A♭ F-
G- C- A♭ F- G- C-

    

     
C A♭ F- G- C- A♭ F- G- C-

     
A♭ F- G- C- A♭ F- G- C-


D.C.

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581
Bass Heaven
from Persona 4
Composed by Shoji Meguro
Transcribed by DoubleMark & musicalmoose
 = 123

   
B♭- A♭- G♭ B♭- A♭- G♭
  
 
            
  

 
B♭- A♭- G♭  
B♭- A♭- G♭
  
F
        

     
 


  

   

 
Half-time feel

                              
A E♭- B♭- E♭- B♭-

    

  
                          
G- 
  
E♭-/D♭ B♭- G♭ F

     
4/4 feel

                      
       
B B♭- E♭- A♭ C-  F




               
       
B♭- D♭/A♭ G♭ C-  F

    
 

            
         
       
B♭- E♭- A♭ C-  F




         
B♭-
   
D♭/A♭
     
G♭

C- 
  
F

      
D.C.
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 582
Bass Junes Theme
from Persona 4
Composed by Shoji Meguro
Transcribed by mkafie


Corporate jingle  = 105

      
A C

         
C D- G C D- G C D- G C
       
 

     

    

    
  D-                    C  
  D-

      
B G

C G C

 
Rhythm simile

    
  D-                   C
  D-
      
G
 
(C) G C

 

       G
                   
C C C♯ D- G E- A D-

D.C.

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583
Bass New Days
from Persona 4
Composed by Shoji Meguro
Transcribed by Nathan Ford
 = 123

        
A♭ B♭/A♭ A♭ B♭/A♭ E♭



                   
A A♭ B♭/A♭ A♭ B♭/A♭ E♭

 

             
E♭

A♭ B♭/A♭ A♭ B♭/A♭ E♭- F-

 

    
 
F- C- G- F- B♭
   
B B♭

  

               
A♭ B♭/A♭ A♭ B♭/A♭ E♭

  
D.C.

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584
585
Bass Beneath the Mask
from Persona 5 Composed by Shoji Meguro
Transcribed by 8-bit Music Theory
Lead Sheet by DoubleMark
Swing 16ths  = 74

   
C G- C G-
 
                

     
C G- C G-
               

 

                       
 
A C G- C G-

    

                       
C G- C G-

   

       
               
 
C
  
B G- C G-

 

     
  
           

C
 
G-C G-

  

 
C C G- C G-
   
               

   
C G- C G-
   
               

https://www.vgleadsheets.com
   
586

                     
D C G- A♭ D  G- F-
  


        D-     
     
E- E♭ D♭ C- D-
       

     
  
                
C
 
E G-C G-

 

     
  
           
C
 
G- C G-

 

 
F C G- C G-
   
               

 
C G- C G-
                 

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587
Bass Last Surprise
from Persona 5 Composed by Shoji Meguro
Transcribed by 8-bit Music Theory
Lead Sheet by DoubleMark

       
 = 132

          
D-
   
Intro

    

             
   
D-
          


                     
A D- G D- G

   

                    
D- G D- G
      

                     
D- G D- G

      
   
Play intro as background

                 
              
D- D- G

    
To Coda

    
   
A-
            
B B♭ A♭ G- B♭ A- A♭ G-
     
   


          
B♭ A- A♭ G- B♭ A- A♭ G-
  
   
D.S. al Coda
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      
588
  B♭

A-
            
A♭ G- B♭ A- A♭ G-
     
  

     
 
A-
            
B♭ A♭ G- B♭ A- A♭ G-
     
  


          
B♭ A- A♭ G- B♭ A- A♭ G-
  
   


                      
C B♭
A- A♭ G-B♭ A- A♭ G-

        
 

 
                                 
B♭ A- A♭ G- A- B♭A♭

    

    
  
A-
            
D B♭ A♭ G- B♭ A- A♭ G-
    
  

     
 
A-
            
B♭ A♭ G- B♭ A- A♭ G-
     
  

        
B♭ A- A♭ G- B♭ A- A♭ G-
 
 

        
B♭ A- A♭ G- B♭ A- A♭ G-
 
 
https://www.vgleadsheets.com
589
Bass Layer Cake
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark & musicalmoose
 = 126

  

                                               
B-


 

                                              
B-


                    
A B- C♯/B

                
E- C♯/B

 
 

                    
B- C♯/B

              
  
E- C♯/B
 


  
C♯/B
   
B-
  



       
E- C♯/B B-
 
N.C.


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 E-  F♯-
   
   
590

                
B G A B-

    

   
E-  F♯-
 
   
            
G A B-
1. 2.

 
B-
   


    A 
  
E- F♯- G B-
 
   
  
 


    A 

E- F♯- G B-
   
   
  
  

D.S.

https://www.vgleadsheets.com
591
Bass Price
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 92

   
                          
A F♯-



   
                          
F♯-

         
           
F♯-
    
B


     
        
F♯-
        
 

          
F♯-
 
             
 

         
            
F♯- C♯-
  
C D B-


 
                           
B- C♯- D E

 

                  
D C♯- C♯-/F♯
     
D B- C♯- C♯-/F♯ D B-
  

      
        
B-
         
C C♯- D D♯-  E E
 
D.C.
https://www.vgleadsheets.com
592
593
Bass Rivers in the Desert
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 128

    
Intro G B♭ G B♭
      
 
       
Play 4x

             

              
Verse G B♭ G B♭

             
Comp as [Intro]

     
           
G B♭ G

             

 F    F  
     
            
G- E G-
Chorus             
         
    
 F    F
  
     
E
            
 


       
G-

     
    

                 
Verse G B♭ G B♭ G

                     

   
         
  
G B♭ G F E♭ C-
        
               

       
     
C-
         
G- F G- F

   E  
         
   
   
    
      
Chorus G- F F C- D- E
     
https://www.vgleadsheets.com
     E    
                     
594

     
   
E F G- F F
 

                    
C- D-
     
E F
   


To Coda
F     F  
   E
     
F
     
 
     
      
G- E F G-

       
      
3 3 3 3


3

G-
 F
                               
F E F G- E F


G- 
D.S. al Coda

   F  F
                                     
E F G- E F

Half-time feel

                   
          
Bridge E♭ G- E♭
B♭

  


     
             
   
C- D- E♭ F N.C.


   E  
         
    
   
    
      
Chorus G- F F C- D- E
     
    E    
                           
   
E F G- F F

  

                    
C- D-
     
E F
   

  
         
Outro F

G- E F G- F E F

 
Comp as [Intro], melody 1x only
https://www.vgleadsheets.com
595
Bass Sunset Bridge
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
Swing 16ths  = 76

      
B- C♯- F♯- B- C♯- F♯-


B- C♯- F♯- B- C♯-  

F♯-
 
  
   


             
              
AB- C♯- F♯- C♯-/E B- C♯- F♯-

B- 
   C♯- 
                    
B- C♯- F♯- E F♯-

  

    
D B- C♯- F♯-
    

    
B B- C♯- F♯- B- C♯- F♯-
      
  

   C♯- 
B- 
         
B- C♯- F♯- F♯-
    

    
D B- C♯- F♯-
    

D.C.
https://www.vgleadsheets.com
 596
Bass The Days When My Mother Was There
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 103

  
D-
 
A-
                   
Intro

  

 

 

 



D-
 
A-
           
 
  

  

  

  


   

          

          
A D- A-
       


     
A- 
  
      
  
    
D-

 


  
           
      

  
B D-
  
A-


        
 
  
A-

D-
 
D.C.

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597
Bass Tokyo Daylight
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 128

      
B / / A/B B / / A/B


      
B / A/B B A/B B-
    
/

         
      
A B- F E- B-
  

   
 

                     
B- F E- B-
   
A-/D
           


           
B F E- E-/A F E- E♭
       
 

     
D- F/G A


         
      
C B- F E- B-
 

      
 

          
B- F E- B-
      

    




     
B- F E- B-
 


Play 4x
 

 

D.C.
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598
599
Bass Wake Up, Get Up, Get Out There
from Persona 5
Composed by Shoji Meguro
Transcribed by DoubleMark
 = 128


1. 2.

   
B♭ G- C/G B♭ B♭/C B♭/C
      
 
C C
       
      

             

1. 2.

B♭ C B♭ C   G-
                                 
G- C/G G-
      
       
    

                          
G B♭ G
 
A G-

   
   

     
     
      
G B♭
G
   
G- 

          
 
To Coda


D D
         
D-  A♭-/D♭ D-  A♭-/D♭
          
  
 
B
    


      
D
    
D-  A♭-/D♭ D- 
    
             

                 
C G- G- A♭
   
B♭ C

 

 C-     D♭
  
               
G- A♭ C- 
   
1. 2.

       
E- /D F- / A♭ G- A♭  
G- A♭
    
 E♭ D  
  
      

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    
600

 
D G G
  
C/G C/G Play 6x
     

   
   
    
D.C. al Coda

D D
      
D-  A♭-/D♭ D-  A♭-/D♭
      
   
            

1. 2.

     
D D
           
D-  A♭-/D♭ D-  A♭-/D♭ D- 
       
     
          



                            
E A♭ G-
     
G- B♭ C G- A♭

 

       D♭
  A♭ D  
    
        
C-  E- /D F-/E♭
    


                           
A♭ G-
     
G- B♭ C G- A♭

      
 
     
C- D♭ G- A♭ G-
        
1.
A♭
 

      


G- A♭ G-   G

2.
A♭ C/G
    
  
  
 
 
    

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601
Bass Invitation to Freedom
from Persona Q2: New Cinema Labyrinth
Composed by Atsushi Kitajoh
Transcribed by DoubleMark and musicalmoose
 = 146
B♭

    
Intro A- A- C B♭-
       
     
              

A-

 
A- B♭ B♭-
  
 
C- B-

   

      
 

       


 C  B♭-
 
   
            
A A- B♭ A-

         


               
A- B♭ A- C- B- B♭- G-

        
C/G   
F♯-
   
  
          
A- B-  E A- A♭

         


                 
     
F G C D- B-  E

  

      
                       
B A- B-  E   A- F E

   

D- 
       C  
       
G
      
A- B-  E  
   
  
D.C. once, then play through
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 602
B♭  C B♭
 
      
C A- A-
             

B♭ 
      
  
A- A- B♭-
          
C- B-

           
D F E- D-

C/E

        


     
                   
F E- D- B-  E  

      

      B-

                       
EA-   E   A- F E

   

D- 
       C  
       
G
      
A- B-  E  
   
  

B♭  C

 
B♭
  
F A- A-
    


B♭ 
  
A- A- B♭-
  
 
C- B-
    
        
D.S. (take D.C.)
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603
Bass Dungeon 2
from Phantasy Star
Composed by Tokuhiko Uwabo
Transcribed by Gregory Orosz
 = 140

                            
A C- A♭ B♭

    

  B♭  
1. 2.

                            
C- A♭ G A♭

     

          

B

G E♭

 

           

F- D E♭

          

C

G E♭

 

  
       
            
D A♭ B♭

  
D.C.

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 604
Bass Dungeon 1
from Phantasy Star
Composed by Tokuhiko Uwabo
Transcribed by Gregory Orosz
 = 145

B-               
    
A

 

( B- )
                 
    
C♯ C♯

B-                
   

    C♯
( B- )
                  
C♯

  

D      C♯     D    
      
 
B
 
F♯- E/G♯



 C♯         

C♯
     
A B
 
A♯

D.C.

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605
Bass Sky City
from Phantasy Star
Composed by Tokuhiko Uwabo
Transcribed by Gregory Orosz

    
 =145

                
1. 2.

            
A E♭

F- D N.C. D♭ C-

  

                     
B

B♭- C- A♭ B♭- C- D♭

F-
                 
B♭- C- A♭ B♭- D♭


D.C.

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 606
Bass Secret Ways
from Phantasy Star II
Composed by Tokuhiko Uwabo
Transcribed by AarekMG
 = 135

       


        
F♯
     
G♯-
  
A G♯-

F♯

   
3 3 3 3

    
        
G♯- F♯ G♯- / / A♯/E F♯

       
3

     G♯-/
  B  
       
B D♯- C♯- D♯-
  
/


 3 3 3

   E     
       
D♯- C♯- C♯
 
F♯ / B

 
3
3 D.C.

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607
Bass The End of The Millennium
from Phantasy Star IV: The End of the Millennium
Composed by Izuho Takeuchi
Transcribed by Gregory Orosz
 = 140

           
Intro D-
           
              
(Bass)

 D-     
  
A

     
1. 2.

    
( D- ) ( D- )



C       
    

B
 
B♭ D-


    C   
  

B♭ A


    
   
C
D-

     
1. 2.

    
( D- ) ( D- )



          
Outro D-
           
             
(Bass)
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 608
Bass Simple Folk
from Phoenix Wright: Ace Attorney
Composed by Masakazu Sugimori
Transcribed by Jer Roque
Upbeat pop  = 140

                      
A C C/E C/F G G / G
       


 
         
G
         
C C/E C/F

    
 


 G
           
B A- D- G
       
C A- F G

 

F
    
 
A- D- G

C A- G
          



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609
Bass Pursuit - Corner the Culprit
from Phoenix Wright: Ace Attorney
Composed by Masakazu Sugimori
Transcribed by mkafie
 = 135

                                         
F-

         


      
      
A F- F-/A♭ D♭ E♭

 F-/A♭    E♭ 
      
B F- D♭

                                   
F- C- D♭ E♭

      

F-   
         
F-/A♭ D♭ E♭

        
  
F- F-/A♭ D♭ E♭

 

                                              
F- C-/G D♭ E♭

        
D.S.

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 610
Bass Maya Fey - Turnabout Sisters 2001
from Phoenix Wright: Ace Attorney
Composed by Masakazu Sugimori
Transcribed by Jer Roque

           
A C- D♭ E♭ F-

       
 = 104

       

         
E♭
   
C- D♭ F- C- D♭ E♭ F-

                        

    
1. 2.

         
C- D♭
E♭ F- C- D♭ E♭ F-
      
                

                  
B C- F- E♭ A♭ C- F- E♭

                   
  

                 
C- F- E♭ A♭ C- E♭F-

                  
  

     
G♭ F- G♭ F-

 

         
F♭ G♭
  
             
 
D.S.
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611
Bass The Steel Samurai - Warrior of Neo Olde Tokyo
from Phoenix Wright: Ace Attorney
Composed by Masakazu Sugimori
Transcribed by Jer Roque

           
     
N.C. G


 = 140

        

  
A
  
C-
    
       
  
             

       
     
 

    
 

 
   

  
 

          
B G

C- B♭ A♭ B♭ E♭

   

            
C- B♭ A♭ B♭ C-

 

C-  A♭
              
   
G G G
 
B♭ E♭ F- G F-

    B♭ 
          
C- A♭ B♭ C-

  
  
D.S.

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 612
Bass Won the Case ~ First Victory
from Phoenix Wright: Ace Attorney
Composed by Masakazu Sugimori
Transcribed by Jer Roque

           
      
A C

C/B A- A-/G
 
 = 80

         
        
F G G
   

                                    
C C/B A- A-/G F G G

    

 
 
          
B
   
F G C C/E F G C C/E

   

                      
 
F G A- A-/E F G G


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613
Bass Pursuit - Confront the Culprit
from Phoenix Wright: Justice for All
Composed by Naoto Tanaka
Transcribed by mkafie
 = 140

      
C-
                   

   
   
     

     
C-
                     
 


 
 


 


        
 C- 
       
A

      


        
           
B-

 

          
              

   
B E-

  

        
         
   
B♭-

  

                          

C-

   

        
     

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 614
Bass Godot ~ The Fragrance of Dark Coffee
from Phoenix Wright: Trials and Tribulations
Composed by Noriyuki Iwadare
Transcribed by Jer Roque

             
A B- E A D
         
  = 72

       
F A
   
G- C A♯- 

 

     
             
B- E A D G- C F

             
    


     
B-  E
                 
A- D F E A A

  

 
                           
B B-E A D G- C F
         


  
G♭
          
     
B-  E A- A♭ G-
    

         
D-
  
E G- F♯

  
D.S.
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615
Bass Pursuit - Catch the Culprit
from Phoenix Wright: Trials and Tribulations
Composed by Noriyuki Iwadare
Transcribed by mkafie
 = 145

     
C- C-
  
C-
   
                   

                    


   
            
A C- A♭ B♭ E♭ B♭/D

     
           
C- A♭ B♭ 3

    
3

   
A♭
         
C- 3 3 C-
            
  
3 3 3 3
3


C-

       
A♭
  
3
C-
 
B♭
   
  

3 3
3


           
B E- C D
  
 

             
E-
    
C E-
 
3 3 3 3

   
             
F- G-

D♭ E♭ F-
  
3 3 D.C.
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616
617
Bass Light Plane
from Pilotwings
Composed by Soyo Oka
Transcribed by Ashanti Mills
 = 136

                        
C- D- C- F/C C- D- C- F/C



   

     
C-

       
A C- D- F/C C- D- C- F/C


Rhythm simile

     
 
B♭- B♭-
      
C- C-
 
B♭- E♭/B♭ B♭- E♭/B♭

 
G-
        
B A-  F- /A♭ C- E♭/B♭

 

 
G-
        
A-  F- /A♭ C-

 

 F/E♭     
              
D   G E- D- G-
    
E♭/F

      
C- D   E♭/G B♭
 
A♭

    

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  
618
G-
        
A-  F- /A♭ C- E♭/B♭

 

 
G-
        
A-  F- /A♭ C- E♭/B♭

 

 

C/D

  
E♭
  
F♯-  F- D- /F E-

       

  B
   


B
  
   

 

 
D.S.

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619
Bass Birdman
from Pilotwings 64 Composed by Dan Hess
Transcribed by 8bit Music Theory
Lead Sheet by DoubleMark
 = 72

    
A-


    
A- C F  E E
          
A

  

      


A- C F  E
 
E
          
 
 

D- G D- G A    
         
  
               

      
B

        
  F/G

 
       

      
   
D- E- F
    

      

  
 F-
                  
 E  
C F-/C  C
   

           
3 D.S.

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620
621
Bass Zombies On Your Lawn
from Plants vs. Zombies
Composed by Laura Shigihara
Transcribed by Amy Hsieh
 = 105

                             
C- F D- G- C- F
            

  
C-
     
            
D- G- F D- G-
       
        
 

            
C- F D- G- N.C.
           
     


              
A
      
C- F D- G- C- F D- G-

  

                       
C- F D- G- C- F D- G-

   To Coda

     
B
             
C- F D- G- C- F D- G-
 
        

         
           
C- F D- G- C- F D- G-

            
C C- C-

F G- F G-
         
   

          
C- C-
  
F G- F
    
      
  

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 622

              
D
      
C- F D- G- C- F D- G-

  

                       
C- F D- G- C- F D- G-

  

      
E
          
C- F D- G- C- F D- G-
                 

        
                          
C- F D- G- C- F D- G-

           
F C- C-

F G- F G-
  
           

            
C- C-
  
F G- F
        
  
  
D.S. al Coda

   

         

D- G- C- F D- G-
     
        

       
C- F D- G-
           
     

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623
Bass Anville Town
from Pokémon Black & White
Composed by Go Ichinose
Transcribed by Jonathan Aldrich
. = 75 
 D      C    
          
Intro G- C   A F G-
   

 
  
F  B♭- A- D
 
 

           
G- B♭- E♭ A- D  
      

      
G- C A- G- G♭

B♭/A♭
      

  
          
F  D   G- C F B♭ A- D

       
B

 

           
G- B♭- E♭ A- D  
      

      
G- C   F G- A- G-
   

              
      
C F- B♭ E♭ 
  
 

         

 
D- G C C    
 
 
D.S.
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 624
Bass Driftveil City
from Pokémon Black & White
Composed by Junichi Masuda
Transcribed by Ashanti Mills

           
 = 160

           
E♭-

N.C. D♭ N.C.

 


                       
A A♭- B♭- E♭- A♭- B♭- E♭-

     

 
                      
B♭- E♭-
     
A♭- E♭- A♭- E♭- B♭ E♭- N.C.

      
 
     

     
B♭
      A♭-
     

E♭-

 
E♭- E♭-
   
B

    

                 
E♭- E♭-  A♭- B♭
        
B♭ E♭-/ F /A

  
   

      
E♭- D- D♭- C- C♭-

                 
  
E♭-

       
 

    
          
E♭-

D♭ E♭- N.C.

        
  D.S.

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625
Bass Route 10
from Pokémon Black & White
Composed by Shota Kageyama
Transcribed by xXChickyChuXx
 = 140

      
C- B♭/C A♭/C B♭/C


B♭   
        
A C- A♭ E♭/G

     

      D      
          
1.
F- C-/E♭ G G

     

  G    
 
2.
G


 F-
          
     
A♭
  
B B♭ E♭

      

              
  
F- B♭ E♭ G G
   
F-
            
  
A♭
 
B♭ E♭

     

          
F- G- A♭ B♭
   


       C 
C C- B♭ /C A♭ / B♭/C


D.S.
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 626
Bass The Dreamyard
from Pokémon Black & White
Composed by Go Ichinose
Transcribed by Ashanti Mills

  
Bossa nova  = 134

               
F♯ A B A♯

       
        
All in

       
No bass and drums

        
A G♯

        


          
             
G F♯

C♯

 

           
C♯- F♯ 
 
D♯ G♯

        
           
B B A♯ 

   

       
     
A G♯

      

   
         
G C♯ F♯

  

             
C♯- F♯

D♯ G♯

 

  E    
   
B E B E B B E
       
    
D.S.
No bass or percussion
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627
Bass Mt. Battle
from Pokémon Colosseum
Composed by Tsukasa Tawada
Transcribed by Gregory Orosz
March  = 105

       
Intro F-

 

       D♭ E♭
   
      
F- F-
 
A

 

       D♭
  E♭
             
F- F

 

                   
   
B F-

 

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628
629
Bass Bicycle
from Pokémon Diamond & Pearl
Composed by Go Ichinose
Transcribed by Tristan H


              
 = 177
A B
      
F♯

 

           
 
G♯- F♯

  

     E 
E 
  
E
  
 

     F♯  F♯
    
F♯ E/F♯
 


 B           
    
B

 

    
 
         
   
G♯- F♯

  

E 
E
        
    
E 

   

     F♯  F♯

F♯ E/F♯
    

https://www.vgleadsheets.com
            
630

         
C E E- D♯- G♯

    

                
        
C♯- 
   
C♯- C

B

   

            
         
E E- D♯- G♯

      

C♯-     C♯-          

         
B C♯-

        

     
   
     

B C♯-     B
 
F♯


D.S.

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631
Bass Eterna Forest
from Pokémon Diamond & Pearl
Composed by Hitomi Sato
Transcribed by Ashanti Mills

     
 = 151

   
G C 
    


   

  

   

  



        G 

              
( C  ) E- D♯

    
Rhythm simile

      C         G 
               
A C  E- G/D
      
   
      
G

                          
C C    E- G/D

  

      
B A- B- E- D-
      



C D 
 C      
C 
        
A- B- A- B-
 

3 3

         C C
        
B  B- A- B-

3 3



C  G C 
                    
     
D.C.
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 632
Bass Jubilife City (Day)
from Pokémon Diamond & Pearl
Composed by Hitomi Sato
Transcribed by Jonathan Aldrich
. = 140

               

     
A G F♯-
   


   
    
E- F♯- B- B♭

       
   

         
                
B G F♯- B- B♭

  

    
         
G A D A B♭

    


                      
      
C D♭ F- E♭-
  
A♭/C

   
 

                    
D♭ A♭/E♭ F- A♭/E♭
    
C-

     

    F-
   
 
                      
D♭ C- C B- A-

       
  
D.C.

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633
Bass Route 203 (Day)
from Pokémon Diamond & Pearl
Composed by Go Ichinose
Transcribed by Tristan H

      B♭
       
  =128


E♭/B♭

         
Intro N.C.

        
   
  
         A     A
E♭/B♭
          
B♭
       

          
     
               
A G A/G A♯ F♯ B- A

  

   
G
 
A
              
B B
 
 
 
  


        D
        
                    

B G A B E-  B

 

                     
E- F♯- G- A C
 
        
   


E♭    
                 B♭   C   D♭   
B♭/D
    
A-/E A/E♭
  
C
  
F
   

A♭              D♭   E♭ E♭    F♭ G♭
             
C-/G D♭/F
  
C/G♭
       
D♭

    
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 
       
634

        
D

A♭ B♭

      


        

E♭/B♭
      
B♭
     
 

        

E♭/B♭
      
B♭
     
 

                  
E♭/B♭
      
A A
  
B♭

  D.S.

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635
Bass Team Galactic HQ
from Pokémon Diamond & Pearl
Composed by Go Ichinose
Transcribed by David Chihlas
 = 139

     
A♭ G A♭/G B♭/G
    
  



  

  
             

A C
   

 

                    
( C )
   

                        
      
F
 

  
   
G  
3

  

     
( F ) F♯
    

C  

           
      

B
    

   

                  
( C )
  

F 
                  
             
 

 
( F ) G   C  

                
  
 

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 636

          
F- B♭/A♭ E♭ C
   
          
C

    

  
A♭
                    
F- G- C♯ C

                

                                        
F- F D- G  

     
D.S.

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637
Bass Cherrygrove City
from Pokemon Gold & Silver
Composed by Go Ichinose
Transcribed by Zack Wong

F   
                
 = 106


          
C
 
C
    

 F
    C
       
B♭/D B♭/D

  

 F
   
          
B♭-

B♭/D F

   

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 638
Bass Goldenrod City
from Pokémon Gold & Silver
Composed by Go Ichinose
Transcribed by xXChickyChuXx
 = 110

               

A
          
D♭ A♭/C B♭- A♭ A♭ G♭
A♭ E♭-



D♭ A♭/C B♭- A♭ G♭ E♭-

       
A♭
A♭
           
     

               
    
A♭/C A♭
  
B D♭ G♭/B♭

   

                    

D♭ A♭/C G♭/B♭ A♭
     

D.C.

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639
Bass Ice Path
from Pokémon Gold & Silver
Composed by Junichi Masuda
Transcribed by Ashanti Mills


 = 76

         
C-

 

          

                    
 (Bass)

 
A A♭/C G-/C B♭-/C C-

 
 

 
  
 

 
  

 

          
Bass simile

               
B♭-/C C- C-
     
A♭/C G-/C A♭/C G-/C B♭-/C

  
Rhythm simile

                                
B♭-/C C-
     
B A♭/C G-/C A♭/C G-/C B♭-/C C-

     
Rhythm out

     
B♭-/C C- B♭-/C C-
             
A♭/C G-/C A♭/C G-/C

   
Rhythm in

   
C
               
C-

   
Rhythm out

 
A♭/C G-/C B♭-/C C-

 
 

 
  
 

 
  

 

          

   
A♭/C G-/C B♭-/C C-

 
 
 

 
  
 

 
  

 

          
D.S.
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 640
Bass Lavender Town
from Pokémon Gold & Silver
Composed by Go Ichinose
Transcribed by xXChickyChuXx
 = 61



 
   
N.C.
   

  
   


      
                    
A
C D- E- E F F♯ G G

 
Rhythm simile

         
          
E
 
C D- E- F G C C

  C      F       
   
                 
G G
 
B F C F F♯

 
3

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641
Bass National Park
from Pokemon Gold & Silver
Composed by Junichi Masuda & Go Ichinose
Transcribed by JohnStacy

        
G♭-/D♭
    
 = 100 A D♭ D♭

       
G♭-/D♭

              
B♭
  
   
G♭ F-
  
G♭-

  

  
             B♭         
G♭
  
G♭
1. 2.
F-
  
G♭- BB♭

   
    

G♭-
      
      F-
    B♭
  


                 F-
      
G♭
  
G♭-
   
   
B♭

 

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 642
Bass Violet City
from Pokemon Gold & Silver
Composed by Go Ichinose
Transcribed by Ashanti Mills
 = 120


   
                                 
Intro E D♯- G♯- C♯- C♯/E♯ B/F♯ F♯

             
      

A B C♯- F♯ B

 
 
 
     
     

        
 

            
C♯ B/F♯ F♯

G♯- D♯/G B/F♯ E E/B B

   
 

           
G A F♯- B- G A F♯- B-
                
        
B




 3
3

   
                 
E E♯ F♯ F♯
       
  


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643
Bass Ecruteak City
from Pokemon Gold & Silver
Composed by Go Ichinose
Transcribed by Bao Vuong

      
 = 98


    
G

C C
    
F/C G G♭ F
  
  







G
            
 
 
G
  
    
A D- F-

C C♯
 
 
 

C♯
    
C
                
F

  
G
   

       
 
B F G  /F E-

             
A- A-/A♭ A-/G

   
      
C G E C♯
      
D- G B♭

 A-/
  
               
 
F F- E- A- A♭ A-/G
   
 

          
D- G C
 
D.C.

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 644
Bass New Bark Town
from Pokémon Gold & Silver
Composed by Go Ichinose
Transcribed by Zack Wong
Easygoing  = 106

            
               
A D G E/G♯ A
   


           
         
D G 
E /G♯ A
 

 A
       
  
B G A G

 

 A
       
   
  
A

G G

  

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645
Bass Pokégear Radio: Poké Flute
from Pokemon HeartGold & SoulSilver
Composed by Junichi Masuda
Transcribed by Jer Roque

     F G
     F G

                
A C C C C

 = 78

    
                 
B
  
F F- C/E A- F F♯ G G

  

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646
647
Bass Barren Valley
from Pokémon Mystery Dungeon: Explorers of Sky
Composed by Arata Iiyoshi
Transcribed by Gregory Orosz
 = 110

          
  
A

D- G D- G C E C E
    


G
 C   E C   E    
     
D-
      
D- G D- G

 

 G   A-
   E    G  G   A-
   E 
  
A- E A- E
   
D- D- D-

   

    
 
           
B G- B♭
  


         
 
D-/G D-/G

     
G
E♭ G-      
   
F



   
    D-
     
      
C G-
 
E♭ E♭


 
   
       
 
   
G- G-
  
E♭ E♭

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 E♭  
  
648

    E♭
       
   
D

G- G-

    
    E♭
          
   
E♭ G- G-



D         D 
 
       
E
      
A A D

   
  D.C.

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649
In the Morning Sun
from Pokémon Mystery Dungeon: Explorers of Sky
Composed by Arata Iiyoshi
Transcribed by xXChickyChuXx

  
B-
         
G A A
   
 = 152
  
   

  
B-
         
G A A
  
   


  
A G A B- A

      
 

            
G A A/C♯

     
B B- A G
    
D/F♯

     

       
G A B- A
      
      

B- 
  
      
A G
    
D/F♯

                
G A B-
   
     
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  
650

    
C B♭
  
F/A
  


                
G- D

C
   
 
           G 
F/C D

G-/B♭
 
 
 E♭  C-   
    
    
      



 


    
D
    D
 
D
 
  
 

  

    
   
B-
  
D G A A
 

                
G A B- A
    

       

A
  
B-
  
G A
 

                  
G G♯-  A

C♯
  
 

    
G A B- A
  
   
   

 
G A B- A
   
   

   
D.S.
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651
Bass Treasure Town
from Pokémon Mystery Dungeon: Explorers of Time & Darkness
Composed by Arata Iiyoshi
Transcribed by Gregory Orosz
Jig, swing 8ths  = 170

      
                           
A D

            
           
    
(D)

 
     
(D)
     
B
  
                 

                
(D) N.C.

   
        

 G
 
                   
C D D A


1. 2.

 A
                      
B- G A D D

 

         
  
D
 
G D/F♯ G A/G D/F♯


 
           
G A B- D/F♯ G E/G♯



    
    
 
A
      
 
 
            
D.S.
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 652
Bass Sympathy and Sincerity
from Pokémon Mystery Dungeon: Gates to Infinity
Composed by Keisuke Ito & Yasuhiro Kawagoe
Transcribed by Gregory Orosz

         
            
A C- C-/B♭ A♭ C-
C-/B♭ A♭

 
 = 75

                       
  
E♭/G B♭/A♭
C- D♭ B♭ C C

  


    E♭
              
   
B
          
F- D♭ C- B♭- A♭ G C

 

    E♭
          G-
 
           
G C

F- D♭ C- B♭- A♭ C
  


     
         
C A♭ A♭ E♭/G C-

A♭ A♭ E♭/G C-

 

       
           
E♭/G

A♭ C/D D

A♭ A♭ A♭ B♭/C

       
             
D G/C D
 
G C E- G C
           
 


                                     
D D
C D E- G

E-

      
       
E
 
D♭ F-/C C

  
D.S.
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653
Bass Run Away/Fugitives
from Pokémon Mystery Dungeon: Red & Blue Rescue Team
Composed by Arata Iiyoshi
Transcribed by Gregory Orosz

      
 = 80

              
A A♭ E♭/G
 
B♭/F B♭

   


         
         
B♭ E♭/B♭ A♭ B♭ E♭/G C C

     

     
          
B A♭ B♭ C- G-

      

         
  
C- G- F- F N.C.

      
 

     
              
C A♭ E♭/G

    
 

      
         
A♭ E♭/G

     
 
     
         
D

A♭ B♭ C- B♭

      

        
G-

A♭ C- B♭

  
  
  
 
  

  
3

             
A♭  A♭ 

E♭/G E♭/G

 
 D.S.
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 654
Bass Friend Area - Swamp
from Pokemon Mystery Dungeon: Red & Blue Rescue Team
Composed by Arata Iiyoshi
Transcribed by Gregory Orosz
Jig   = 100

   
   
G♯       




  

  

  

 


   F♯
       F♯
       
                  
A G♯-
       
E F♯ G♯- E F♯ G♯-

       
 

                          
              
1. 2.
B E F♯ G♯-
 
E F♯ G♯- E F♯ G♯- E F♯ G♯- E D♯- C♯

    
 D.S.

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655
Bass Pokémon Square
from Pokémon Mystery Dungeon: Red & Blue Rescue Team
Composed by Arata Iiyoshi
Transcribed by xXChickyChuXx
  = 130

  
   
     
  
  
Intro G C
      


           
               
G C

 

        
 
       
A
 
G C
    

           
               
G C

    


G
       C          
          
B

  

 
       C             
D
G
         
 

         
         
C
 
G C
    

            
               
G C

   
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 C
         
     G/    
656
G/
       
D
    
B

  

C
       G/
        
G/
            
B

 

 E♭    
C-/
     E    G/ D 
        
E C/
  
F

    
  
      D
       
A-
         
  
A/ G/

C B

D.S.

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657
Bass Pallet Town
from Pokémon Red & Blue
Composed by Junichi Masuda
Transcribed by Riley Zielinski

  D/
 F♯
 G
 = 120

           
      
C/E C/E

A G F♯ C/E G A- D
 

     
       D/
C/E   F♯  A     
C/ED/F♯ G

D/

G G C/E D

D  D 
C       C    G    

B G E-


         
 
A-/E D/F♯ C/E D/F♯

D.C.

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 658
Bass Opening
from Pokémon Red & Blue
Composed by Junichi Masuda
Transcribed by xXChickyChuXx
 = 198

      A 
     
Intro D D D
       
E♭ F♯


D F      A  D

D D F D
        
E♭

( D )
 = 134


                
N.C. G F

 
 3 3

    G
      
 
A

G F

    

  


     G  
3

   
(G)

F
 
 
    

     G
3

 
3

 
     
(G)

F
   



  

        F/A
3

 
G
   
(G)
 
F


3

C  
           
B B♭

 
D 
     
      
3 3 D.S.
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659
Bass Route 1
from Pokémon Red & Blue
Composed by Junichi Masuda
Transcribed by xXChickyChuXx

                                            
 = 128 A D A D
 

 
                                  
(D) A D
 

      D        D  A  D  
              
B D G A D G

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 660
Bass Celadon City
from Pokémon Red & Blue
Composed by Junichi Masuda
Transcribed by Dylan R
 = 130

                                   
Intro D A
   
G D G
 

( G )
   
             
D
     

       
B D
    
G
    

            
  
D

G
     

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661
Bass Lavender Town
from Pokémon Red and Blue
Composed by Junichi Masuda
Transcribed by Ashanti Mills
 = 63

  
   
  
   

N.C.
    


                            
A N.C.
 


Rhythm simile

                 
  

          
N.C.
 

      
     


                            
B N.C.
 

                 

 

          
N.C.
 

            
 

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                            
662
C N.C.
 

           

     
 

          
N.C.
 

            
 

                           
D N.C.
  

     

           
 

          
N.C.
 

 
D.S.

     
    

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663
Bass Pokemon Center Theme
from Pokemon Red & Blue
Composed by Junichi Masuda
Transcribed by mkafie
 = 130

            D 
     
A A
     
D
      

           D
     
A
    
D

    

              
B D E- A D


                 
D E- A D

D.C.

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 664
Bass Rival Appears
from Pokémon Red and Blue
Composed by Junichi Masuda
Transcribed by Ashanti Mills
 = 172

      
G  /B
    
G/D G/D♭ C
 
G
    

               
            
A G C
 
 

D      C
     
     

 

  
G
 
  

   
 

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665
Bass Dive
from Pokémon Ruby & Sapphire
Composed by Go Ichinose
Transcribed by Ashanti Mills
  = 172

    
N.C.

Drum intro


       


G F
     
                
    
     
   

  
G
   
A♭
 
Rhythm simile

   
F

G

       
A
  

G
  
A♭

   



    
B E♭ D
     
   
        
     
       
(Bass)

    

F- G

             
  
   

        
               

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 666
   
F

G

       
C
  

      
G F


 
D E♭ D
  
              

  
 
F- G

                

            
       
E♭ D
 

                        
F- G
 

   
F

G

       
E
  

      
G F


    
N.C.

Drum break D.S.

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667
Bass Fortree City
from Pokémon Ruby & Sapphire
Composed by Morikazu Aoki
Transcribed by xXChickyChuXx
  = 127

       
Intro F
       


 
                  
A

F B♭ B♭- F
   
        

        
          
G- A- B♭ C
               

         
         
B F B♭ B♭- F

   
       

 
        
 
           
G- D- C/E D-/F C C

     
  D.S.

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 668
Bass Route 101
from Pokémon Ruby & Sapphire
Composed by Morikazu Aoki
Transcribed by xXChickyChuXx

                
            
 = 114 A A
   
D E- A A
 

                      
  
A
 
D E- A A


           
    
B
  
G D/F♯ E- A A
 

            A

        
D/F♯

B♭/F
 
G
 

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669
Bass Ever Grande City
from Pokemon Ruby & Sapphire
Composed by Go Ichinose
Transcribed by Jer Roque
Swing  = 130

             
       
A B♭/A♭ 
  
B♭ F/A G


    

C F

E♭- B♭/D E♭
               

            
       
B♭/A♭ 

B♭ F/A G
 

    
 

                       
E♭- B♭/D C  E♭- F 6

               
B G♭ F-
        
   
3
 
 3 3 3

                  
E♭- D♭

  
A♭ C♭

 

    
               
G♭ C♭ F- B♭

  


    
E♭-
  
C♭

        
A♭G♭

A♭


3  3 D.C.
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 670
Bass Sootopolis City
from Pokémon Ruby & Sapphire
Composed by Go Ichinose
Transcribed by Ashanti Mills

 B-
                    
       
E/B A/B A/B E /B

  = 134

  

           
     
         
B- E/ A/B B-
 
B
      

   
          
A
 
B- F♯/A♯ F♯/A E/G♯
    
    

        F♯          

       
E-/G D/ D/F F♯

   

    
          
B- F♯/A♯ F♯/A E/G♯
       
 

          
          
E-/G B-/F♯ C♯ /E♯ F♯
  
   
 

               
  
B B♭
 
D A/C♯ A-/C D/A
   
B

 

 
E/G♯ A G C♯/E D A/C♯ A-/C B
   
                 
       


                                  
B♭ D/A E/G♯ A F♯

    


  
D.S.
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671
Bass Serene Village
from Pokemon Super Mystery Dungeon
Composed by Keisuke Ito
Transcribed by Gregory Orosz


Swing 8ths  = 120

  G/ B
    
A G A- D

   

    
    
G A- G/B D


  C  
     
G

G

 

D

       
G/

G/D G G

        
        
G A- G/B D
   
B

        
        
G A- G/B D
   
D.C.

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672
673
Bass Battle Tower Battle Theme
from Pokémon Sword & Shield
Composed by Toby Fox
Transcribed by AarekMG


Rock  = 130

                                 
N.C.
 
No bass & drums

                             C  N.C.

 
E-

All in

        D/
 
      
A E- A C B- E
      
A
    
      



     D    D♯ E E
          
E- A C A-
    
   

C                 
          
C E
 
B D A- E D


      
   
C C D
 
D E D/A E
                   
To Coda

                             
C C D B- E C D E E

    
 

      
                   
C D B- E- D C D

 
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          
674

             
D E F E F
 
  

C N.C.  
                                
 
E F E

D.S. al Coda

   C  D 
                           
 
B- E C D D/E E

     

1st time no bass & drums
2nd time all in

     E-
    
                        
C D B- C D D/E E

   

                           


C D B- E C D D/E E


                 
           
C D B- E- E C D D/ E

D.C.

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675
Bass Snowbelle City
from Pokemon X & Y
Composed by Shota Kageyama
Transcribed by Jonathan Aldrich

           
. = 62

            
E
         
   
A

       
Piano intro

           
C
 
E- B/D♯ G/D A/C♯ B- E-
 

    A-/
  C 
         
G/D
B/D♯ F♯- 

E- A- B B
 

        

B A- D G C
  
 

      
       
A- B E- D/F♯ G G♯

    E-  
        
 
A- C G

 

 B         
 
   
A- B C  B

B 

D.C.
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676
677
Bass Still Alive
from Portal
Composed by Jonathan Coulton
Transcribed by Amy Hsieh

           
                
A D/A B- D/A B- D/A B- D/A B-

 = 120

            
    
A
 
E-/B D/A B- D/A B-

  


                  
D/A B- D/A B- D/A B- D/A B-

 

                  
E-/B A B♭ N.C.
   

                     
B F/C C B♭ F/C C B♭ F/C

  

                    
A
 
G-/B♭ C F/C D- B♭

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    
678

       
C D
  
B- D B- D B- D B-

            
    
D B- D B- D B- D B-

 


     
            
E- A
 
D B- D B-
   


                  
D B- D B- D B- D B-

 

                 
E- A B♭
   

                    
D F C B♭ F C B♭ F
   

            
          
A
 
B♭ C F D- B♭

                            
E D B- D B- D B- D B-

                            
D B- D B- D B- D B-

                           
D B- D B- D B- D B-

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679
Bass The Unwound Future
from Professor Layton and the Unwound Future
Composed by Tomohito Nishiura
Transcribed by DoubleMark
 = 96

    
           
A- G/A A- G/A A-
      
 


    
A A- E

    
G F
         


    
A- F E
           
E-/G
  


B A- F E
              
      

     
A- F E
             
 

                  
 
C F G♯ A- E- D- G♯ A- E-/G

 
            

         
                                    
F G♯ A- F E A-

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    
680

    
D
  
A-

            
          

3 3




         
( A- ) A-/E E/B

       
     

                      
A-

      

        G        
               
E A-

        E         
               
F

   
F E
           
A- G

           

      
F F E
            
A- G

 
Solo

   
  
G F E
          
A- G

          
  

          
  

                             

A-

  
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681
Bass Professor Layton's Theme
from Professor Layton and the Curious Village
Composed by Tomohito Nishiura
Transcribed by DoubleMark
 = 108
         
  

   
C-
 
 

 





 



 

             
A C-

         
Background continue simile

           
C-

 
 

               
B C-

      
3

  

     
                
3

  

               
C- C-/B♭

      
3

 

     
A♭ G  /D G/C C-

          
    

                   
C A♭ C- G

E♭/G

              
F- G C- G
    
     
https://www.vgleadsheets.com
 682

                    
A♭ C- G
    
E♭/G

    

           
F- C-
             
G



  

 
        
A♭
  
E♭/G
                
D

   


  
C- C-/B♭
                         
    

A♭
         
G C-
     
E♭/G
             
    

               
F- G C- G G

       
  3

                 
E C- C-
            
G/C

   
D.S. for solos

      
         
F C-

       

         
            
C- C-
 
            
  
https://www.vgleadsheets.com
683
Bass Boxing
from Punch-Out!! Composed by Yukio Kaneoka,
Akito Nakatsuka, and Kenji Yamamoto
Transcribed by Jer Roque
 = 156

                

A- G F G A-

  

 
A A- G

        

  

    

          
E
 
 
A-

      


             
  
A- G

       

 
     
E
   
F

  
D.C.

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 684
Bass Training
from Punch-Out!! Composed by Yukio Kaneoka,
Akito Nakatsuka, and Kenji Yamamoto
Transcribed by Jer Roque

     G  
           
 = 180 A- F E
       

     
D- E

   
       

  
                  
A- G

        



 
E

F

   
        

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685
Bass Lum King
from Rayman: Origins
Composed by Christophe Héral
Transcribed by Ashanti Mills
 = 117

                                    
Intro C F C G C F C G C

3 
G
C     C
  
 C    C G
 C 
   
     
A
    
F F

 
Rhythm simile 3

  F        F 
           
B C G
 
C C G C C


C    C
   C    C G
   C   
         
      
G
     
F F

 
3

C G C C C   F  C  G  C   F  C G
       C
            
C F C G C F


C   F  C    F  C G
     C
   C
          
G
 

C   F  C    F  C G
     C
   C
          
G
 

  F       F  
            
C G
  
C C G C C

  
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 686
Bass Cruel World (by Willie Nelson)
from Red Dead Redemption 2
Composed by Daniel Lanois
Transcribed by Ashanti Mills
Country blues  = 162

  
   

F B♭ F/C B♭/D F
  
 


F
 F  
                  
A C
   
B♭ C

   

F    C   F Fine
                               
F F B♭ B♭

      


                         
            
C
B 1.
F FB♭ C

      


                 
F

B♭
  
                 

F B♭F C F

        


         

C F B♭ F C C
2.


                          
F F B♭ B♭ F C F

F       
        
D F C
         
B♭ C

 

          
              
F F B♭ B♭ C FF

 D.S. al Fine
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687
Bass Tunnel
from Rhythm Heaven
Composed by Masami Yone
Transcribed by mkafie

       

 = 102

  
E
         
E♭ E E♭ E♭
   
  


         
C
A E♭ C
         
 
 
 

      
 

                      
 
        
F- B♭ B♭  E♭

 


  

                       
                       
C   F- B♭ E♭

                    
B A♭

A♭- 
  

 
3

  


   C   F-
                    

G- G-
  
 


 

         

E♭ E
       
E E♭ E♭
         
   



     D.S.

https://www.vgleadsheets.com
 688
Bass The Hunt
from River City Girls
Composed by Megan McDuffee
Transcribed by Ashanti Mills
80s dance  = 128

        
Intro D- B♭ G- C


         
              
Verse D- B♭ G- C
          
 
 
Small notes on 2x

     C 
                                 
Chorus D-

F G- B♭ C D-

 

     G- F B♭ 
    G-
   
                
Bridge B♭ C F C N.C.

     C 
           
Chorus D-
                 
F G- B♭ C D-

(D- )
    C
                    
F G- B♭ C D-

 D.C.

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689
Bass Running Around the City
from River City Ransom
Composed by Kenzuo Sawa
Transcribed by AarekMG
Blues shuffle  = 208

  
C♯
   
Intro B E D C♯ A B B D 3 E 3

                  
3 3 3 3

     

      
B E D C♯ A B

                        
A

 
3 3 3 3 3

  
A B

                   

      

               
E B

              


               
F♯ E B

             


      
     
B B

               



    
                             
E B

 3 3 3 3

             
            
F♯ E E D F♯ E F♯

    


            
F♯ E E D F♯ E D B

     
 
    

 
https://www.vgleadsheets.com
    
690

   
C B

                    

       
       
E B

          
 

 E     

                
          
F♯ B

   
  3 3
3

   
                     
3

   
D B

  

                       
  
E B

 


        E       

F♯
      
B

 

                    
E B


3 3 3 3

             
E
           
B

    

3 3 3 3 3 3 3 3

  E  
             
F♯ B

      
      
 D.C.
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691
Bass Museum (Opening Stage)
from Rockman & Forte
Composed by Naoshi Mizuta
Transcribed by Nick Marinelli
 = 184

         
C- C-
 
F/C F/C

 


               
A C- F/C C- D- F/G

      

C- F/C C- D- G

   
  
              
 

          
D♭ C-
        
B C-/F C/A

  

        
         
F F-
   
A♭  D- G 

  


  
G
       
C- C- D-

F/C
 
 
 
 
C

 

G   C- F/A A♭  G
F/
  
  
         
      
 
https://www.vgleadsheets.com
 692
 F
E♭/

  
F 
    
 
 
    
D F
 
E♭/F

     

E♭/F F F F
 E♭/F  
   
    
         
             
 


    
G
F/
  
G
G  
F/G
          
  

  
            
G  F
 
F/G F/G F/G
 
        

           
E♭
    
   
E

 


C-        
       
     
 

 A  
C/       
   
      
 

F-  G
  
F/
 
 


 
 
   

D.C.
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693
Bass Palace of Dorago
from Rygar
Composed by Michiharu Hasuya
Transcribed by John Bergan
 = 150

      
A

N.C.
  

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694
695
Bass Another Winter
from Scott Pilgrim vs. the World: The Game
Composed by Anamanaguchi
Transcribed by DoubleMark & musicalmoose

   
             
A A C♯-
             
Rock  = 190

                              
Drum intro

 
                           
 
A/D E
                           

    
B C♯-
      
A


              
A/D E
  


    
     
C♯-
 
A


   
     
A/D
 
E

              
  
              
C D E

         
D
       
A F♯-
     

 
     D    
       
A
  
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            
696

 
A D C♯-
     
 

      
       
       
C♯-

A D A/C♯




  
    
E D E

 
    
C♯- D


  
    
D E

C♯-   D
  
N.C.

Drum fill D.S.

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697
Bass Cheap Shop
from Scott Pilgrim vs. the World: The Game
Composed by Anamanaguchi
Transcribed by Tristan H
Bossa/rock fusion  = 100

        
             
A G♭ D♭ A♭-

 

      D♭
       
A♭-

     
G♭

    

       
G♭ A♭- D♭



       
G♭ A♭- D♭ D



             
       
E♭-

  
C♭
   
B

  


           
                  
A♭- D♭ G♭
  
D♭ D


           
3

   

  
   
E♭- C♭
       


   C-    G♭/
  D♭    D♭
 N.C.
                 
( C♭ )

        


                   
      
C A♭- D♭ G♭ C♭

 
Guitar solo
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         F♭ 
  

698

                  
F-  B♭ G♭
    
E♭



             G♭
 
D♭
   
A♭-
      
 C♭

    

     D♭
 N.C.
                           
( C♭ ) C-  G♭/D♭

    


               
           
D A♭- D♭ G♭ C♭

 
3

   

                     
G♭

F-  B♭
 
F♭ E♭

   
 
   G♭   C♭  
3

      
3

    
A♭- D♭

   

       G♭
 
           
F-  B♭
 
F♭ E♭



  
      
         
E C♭ 
          
C♭-

   

         
                    
G♭ F♭ E♭

   

                          
   
C♭ C-  G♭/D♭ F♭/D♭ E♭

   

      N.C.      G♭ N.C. 

     
D♭
              
A♭- G

   

 D.C.
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699
Bass A Curious Tale
from Secret of Mana
Composed by Hiroki Kikuta
Transcribed by mkafie

     
B♭ A- G-
  
   

 = 140D C D
 

           
A D

  
C B♭ A- D

        

               
   
1.
D C B♭ A- D

     

         
           
D C B♭ A- D
2.

               
B

C B♭


 
               
C B♭


            
A- B♭
G
 
     
 
  

     

         
                 
F- A
  
A  /E
 
A

E-
    
         
D.S.
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700
701
Bass Fear of the Heavens
from Secret of Mana
Composed by Hiroki Kikuta
Transcribed by DoubleMark

           
 = 79

     

A A- D/A A-

B♭
  

   C/G   
         F-
  
F/A

A♭ 
 
G


  D           
    B♭

A- A-
  

   C    
         G-/
  C
F/C

A♭
 
B♭
 

    
B F G/F F G/F
           
      
      
6 6 6 6 6 6 6 6

            
   
A- D/A A- D/A

                                                
6 6 6 6

 
6 6 6 6

  
F G/F F G/F

                                          
    
6 6 6 6 6 6 6 6

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 A-  A- 
702
B-/A B-/A

                              
           
  
6 6 6 6 6 6 6 6


A-
      
C E- D- D-/G C B♭/D

     
F
  

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703
Bass Phantom and a Rose
from Secret of Mana
Composed by Hiroki Kikuta
Transcribed by DoubleMark
 = 88


   
A- G A- G
 
 
 

 


               
A A- G A- / / G A- G
 

       
B♭ E♭/B♭ A- / / E-/G A- E-/G


               
A- G A- / / G A- G
 

       
B♭ E♭/B♭ A- / / E-/G A- E-/G


      
   
B G F
  
  

        
F
 
G



     G
      
           
C C/G E-/B G/B D  /A D  /A G

  
D.S.
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 704
Bass Prophecy
from Secret of Mana
Composed by Hiroki Kikuta
Transcribed by DoubleMark

D-
 = 240

  
        
                   
A B♭ C G
   
3 3

D-
  
        

       

          
B♭ C G

   
3 3

                  

B B♭

    
C
 

      
       
 
      
D-


D.C.

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705
Bass Revived Power
from Shadow of the Colossus
Composed by Kow Otani
Transcribed by Jer Roque
  = 70

                     
A♭/D B♭/D A♭/D B♭/D A♭/D F/D D

 

                             
A D E C A-/ F G A A

        
    

                         
      
D C B♭ C B♭ C

     
    

       
B

D A♭/D D A♭/D A♭

           


                
D A♭/D D A♭/D F/A♭ E/A♭ E♭/A♭ D/A♭

    

       
D /A B♭ (no) D /A B♭ (no)
 
C
                             
     

  (no)
      
D /A D /A
    
B♭ B♭ C

    
                              
     

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  
706

        
D

 
D B♭/D

      

          
D B♭/D
 
      

              
A-/D D A-/D B♭/D

  
   


A-/D D A-/D B♭/D D

         
    

        
   
E A- D
 


         

A- D


        
   
A- D
 


                    
   
A- D

  


             
F

    
     
B♭ D B♭ C/D B♭/D D

               

D.S.
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707
Bass Dance Through the Danger
from Shantae: Half-Genie Hero
Composed by Jake "virt" Kaufman
Transcribed by AarekMG
 = 180

   
A A A A
 
A B♭/A A B♭/A A B♭/A
            

          

    
        

 
                              
A A

B♭/A A B♭/A A

      
 
        
               
D- G D- E♭ A♭ D D
    



                 
  
B F-/G F-/G
       
G G G

 
                      
E♭ D
       
C- F C- F G A♭

                 
  
F-/G F-/A♭
       
G G G

 
                  
     
C- F C- F E♭
 
    

               


   
    

   
F A/E E
    
    


  
C A
   
A B♭/A A B♭ A
        

Solo
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 708

                             
B♭ A G- G♭-


                             
F B♭ D-

                         
A A B♭ A N.C.
 
     


Unison

   
 

            

N.C./E
    
        
  


                     
     
D A B♭/A A B♭/A A

 

       
                      
     
D- G D- G A F B♭ E


  

                     
     
A B♭/A A B♭/A A

 

                                        

       
D- G D- G G F D-/ E E

  


  

                      
     
E A B♭/A A B♭/A A

 
 

                 
 
     
D- G D- G F E
1.

 


                       

      
 

   
G F D-/ E E
2.
G

   


 
  Repeat forever
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709
Bass Sedge Flower
from Shenmue
Composed by Yuzo Koshiro
Transcribed by Jer Roque

  
               
A F G A A- F G C

 = 77

  


1. 2.

               
F G A A- F G A A- A A-

  

            
B F A-/E F A-/E A♭
    
G- C C

  
    

              
F A-/E F A-/E A♭
   
G- C C

   
  

                           
C B♭ A- B♭ A- G/A A

A♭ G- C

  

             
D
    
F G A A- F G C

   

                    
F G A- F G A-

   

               
       
G♭ A♭ B♭ B♭- G♭ A♭ D♭

 

     
            
G♭ A♭ B♭- G♭ A♭ B♭ B♭

  
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 710
Bass Ruins
from Shin Megami Tensei
Composed by Tsukasa Masuko
Transcribed by Gregory Orosz
 = 180

      E-  
     
D- C D-
 
A

          
  
D- C D- E-

  C
      
    
D- D- E-
  
B

         
D- C D- E-
    

       
      
D- E- F E-
 
C

          
             
 
 
D- E- F G

       
F E- D- E-
   

D


                  D-   
    
F E- E

D.C.
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711
Bass Title Loop 2
from Shin Megami Tensei III: Nocturne
Composed by Shoji Meguro
Transcribed by DoubleMark, musicalmoose, and AarekMG
 = 102

     
N.C.
  


               
Bass Intro

                
1. 2.

       
D-
           
D- A-
A D- A- A- D- D/A D- A-
 
   

      
      
F
     
B G A-

     

   
1. 2.

 
F
        
G A-
      
A-
   
   
   

                     
C A   A♭ A♭-


 
E♭- 
  
E♭-
  
 

          
                 
D-
D A- D- A- D- A- D- D/A

  

           
              
D-
1.
D- A- D- A- A- D- A-

  

                  
    
D- A-
 
D- A- D- A- D- A-
  
2.
N.C.

    
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712
713
Bass Lively Town
from Shining Force 2
Composed by Motoaki Takenouchi
Transcribed by Jamin Morden

 
 = 120

        
D- G

G/C A♭/B♭ F/G

   

              
          
AC

   
Repeat 8va, harmonize in 3rds

  
   
      
F
  

  
                      
C

   

       
   
F E- / D- G  
  
/ /

 

   
     
E- D-
 
F G
 
B
   

E-
  
A-
  
F
    
B♭

 
B♭

     
   
   A-/     E-
 
A-/A♭ A-/G
F

A- G♭
     

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 D-   C    
714

     
F G G
 
To Coda

     
      
   
C

C
       
D.S. al Coda

  
A♭ D♭ C F
         
 


      



E-


D♭ B♭/E♭ E♭/A♭
 
  

  A♭  
    
D- E- F
     
 

        
B E



    
   
3

         
A D D

     


 
3


            

 
G E-
  
C F
     
D.C.
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715
Bass Courage Under Fire (Armorer Village)
from Shovel Knight
Composed by Jake "virt" Kaufman
Transcribed by DoubleMark and musicalmoose
 = 90

         
A D- /C

C- G/C

         
 

    
D- /C
  
C- G/C

         
   

             
C  /E B♭/D E♭

F-/C

    

    
            
A♭/C D- /C D    / C G  /B G

1.
C-

   

        
D    / G G
   
2.
C-/G

  

    
     

A♭/G♭ G F♯/F
   
B F-

    

                
G   G  /F G  /D
   
G C-/E♭

   
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 C-          
716

   
C B♭ E♭

A♭-

    


 
A♭ D♭ G
    
C-

       

       
A♭- B♭ E♭

C-
    
   

       
A♭ D♭ G

C-

    

             

D/F G
 
F-

    

 D♭
           
F-

      


                    
D F- F- F- A♭ G
         
G G G

                   
E D- /C D- /C

C- G/C C- G/C

 
D.C.
https://www.vgleadsheets.com
717
Bass High Above the Land (The Flying Machine)
from Shovel Knight
Composed by Jake "virt" Kaufman
Transcribed by DoubleMark & musicalmoose
 = 150

     
A B-
 
D A/C♯
  

     
    
B-

D A/C♯ N.C.

                      
    

                  
   
B B- C B- G C♯- F♯
   

             
     
E/G♯ F♯/A♯
         
B- C D A G

     


                    
       
B- C B- G C♯- F♯
   

       

             
B- C D G E/G♯ A

   


         
             
   
C

 
D A/C♯ B- F♯-


               
       
E- A F♯/A♯ B- G D/F♯ E- A

   
6

 

  C♯    
            
D A/ B- F♯-

      

https://www.vgleadsheets.com
 
718

            
E- A F♯/A♯ B- G E-/G

        

                           
D B- C B- C
    

                       
E/G♯ A F♯/A♯
    
B- C D G

       


                    
    
B- C B- G C♯- F♯
   

               G♯
    
   
B- C D G E / A

      


           
           
   
E D A/C♯ B- F♯-

 

        
E- A F♯/A♯ B- G D/F♯ E- A

        
    


   C♯         
     
D A/ B- F♯-
   
     

    A       
     
E- F♯/A♯ B- G E-/G
    
D.C.
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719
Bass Strike the Earth! (Plains of Passage)
from Shovel Knight
Composed by Jake "virt" Kaufman
Transcribed by DoubleMark and musicalmoose

     
 = 180

   
      
Intro D-

 


  
                      
( D- ) B♭ G N.C.



                             
A D- G/D D- G/D B♭ C D-

   


                      
( D- )
G/D D- G/D F C D-

    

             
   
   
B G D- A- D- C F
   

        
(F) C C♯ D-
   
           

   
  

      C  F
            
G D- A- D-
    

              
A   E- E-/D G- G-
1. 2.
(F) C
      
     
https://www.vgleadsheets.com
     
720

            
C E♭ E♭

D-
  
  

  

    


 



    
           
( E♭ )
  
D- B♭

   



        

     
E- C♯/D G
  
( B♭ ) D-

       
   

 
            
B♭ A/E A

    
D.S.

https://www.vgleadsheets.com
721
Bass Theme of Laura
from Silent Hill 2
Composed by Akira Yamaoka
Transcribed by Jer Roque

                          
Intro C D E- D

 = 100

                        
C D E- D

             

C D E- D C D E- D

 
 Rhythm simile

 D    
                 
A
 
C E- C D E-

  

 D   C
                 
C E- C D D

   
To Coda

    
B E E- E E-
       
   
     
        
  
    
   


            
C A- E-

   

 
           
  
A- E-

 
https://www.vgleadsheets.com
               

722

          
A- C A- C

         

               
A-

C E

   
  
 
            

                   
    
D E- D C B E- D C B

   

                   
    
E- D C B E- D C B

   

C B
 
          
E- D
 
                     
  
B
  
 
E- D
C



E- C B
  
          
E- D
   
                  
  
B
  
 
CD

    
C
 
    
    
E C

  
D E- D C D E- D


 

C D E- D C D E-
                  
D.S. al Coda

   E E-
 
E E-  E-
1. 2.

              
E 

    
    
         
          
https://www.vgleadsheets.com
723
Bass Waiting for You
from Silent Hill 4
Composed by Akira Yamaoka
Transcribed by Amy Hsieh
 = 95 E♭- C♭ G♭ B♭- E♭- C♭ G♭ B♭
N.C.              
           
    
     

  
     
 
 
 
  

E♭- C♭ G♭ B♭- E♭- C♭ G♭ B♭

             
          
   
       
  

  
 
 
 
   


    
E♭-
 
     

                     
A E♭-
 
  

  

                        
E♭- E♭-

    
   

                       
B C♭ E♭-/D♭ C♭ E♭-/D♭

         

                       
C♭ E♭-/D♭ C♭ E♭-/D♭

        
   
E♭- C♭ G♭ B♭ E♭- C♭ G♭ B♭
              
                       
C

    
  
E♭- C♭ G♭ B♭ E♭- C♭ G♭ B♭

              
                    
          
1.
E♭-

     
To Coda
https://www.vgleadsheets.com
 724

           
2.
E♭-

  


B♭
    
E♭- C♭ G♭ E♭- C♭
         
    
D

       
       



   

G♭ B♭
  
    
G♭ B♭ E♭- C♭
 
 




  
  
   
   
 

E♭- C♭
   
   
B♭
          
G♭
     
    

               
E C♭ E♭-/D♭

     
   

    
             
C♭ B♭
 
D♭ E♭-

   
D.S. al Coda

E♭- C♭ G♭ B♭ E♭- C♭ G♭ B♭

               
             
        
   
 


Small note 2nd time only

      
E♭- C♭ G♭ B♭ E♭- C♭ G♭ B♭-
            
              

Melody 1st time

        
x5

     
https://www.vgleadsheets.com
725
Bass World 1
from Silver Surfer
Composed by Geoff Follin & Tim Follin
Transcribed by Ashanti Mills

 F-
Rock  = 150

 
E♭ D♭/F C♭/G♭
        
 

N.C. 
   
A


 
            
     
 
        

(Bass)

Long fall
 
       
E♭-
        
               

Bass simile Unison bass

 
    
( E♭- )
       
     
 
        


    
                
B E♭-

  
    
 
 )
( E♭-    
   
   
   
        

   
                      
F♭ E♭-

 
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       
    
726

     
      
C
 
B♭ A♭-

   
Unison bass

          
             
        
E♭-

 

( E♭- )       
          
  
           
  

       
D
           
N.C./Eb


Solo

                   
( N.C./Eb )



                   
( N.C./Eb )



                   
( N.C./Eb )





E♭-

D♭
C♭ 
   
E


D.C.
https://www.vgleadsheets.com
727
Bass Hi Score
from Silver Surfer
Composed by Geoff Follin & Tim Follin
Transcribed by Ashanti Mills

             
       
Funk  = 110

 
N.C. F-

  

        
        
(Bass)

                 
A
 
F-

            

               
   
          
Bass simile

                   
( F- )

            

               
   
          

    
                        
B ( F- )

    
                        
( F- )

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                                
728
( F- )

        
                     
( F- )

 

       
C   C   C   C  

         

  
     
C
  
F-
       
          
Comp as [A]

           
( F- )
       
          

                       
                   
( F- )


Rhythm simile

                       
                   
( F- )

( F- )    
    


( F- )    
    

D.C.
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729
Bass Main Menu
from SimCity
Composed by Soyo Oka
Transcribed by JohnStacy


                 
F-/C
 
C D /C C C/B
   
 = 98

            

    
               
A- G- C D B♭- B- E
         


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 730
Bass Title Screen
from SimCity
Composed by Soyo Oka
Transcribed by JohnStacy

   
           
 = 132

   
  
E/G♯ E-/G
  
Intro A D/F♯

 

 
     
             

D-/F

A/E B/D♯ B/D
 

C   
              

 
G/B G-/B♭
  
F/A

A

 
   C/G             
  
F-/A♭
 
D/F♯ D/F
 


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731
Bass Lava Reef Zone (Act 1)
from Sonic & Knuckles
Composed by Howard Drossin
Transcribed by Ashanti Mills
 = 128

                  

 
A- F G A- F G
  
    


                
(Bass)

 
         
               
A
  
A- F G A- F G

 
Rhythm simile


        
                   
A- F G A- F G

 

                C/G G

B
    
F G C A- B/E
 

           
        
A- D- G A- D- G A-
     
D.C.

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 732
Bass Mushroom Hill Zone (Act 2)
from Sonic & Knuckles
Composed by Howard Drossin
Transcribed by Ashanti Mills
Funk  = 122

  
C
         
  
N.C.
                        
 
(Bass)

  
C
         
 
N.C.
                       
 


     
 B♭-
       
    B♭

  
A C

G♭


Rhythm simile

     
 B♭-
    
 B♭
    
  

C

G♭

    A♭
    
   
B G♭ B♭

   
            
          
 

       B♭

   
G♭ A♭

                 
               
 
     B♭
 

G♭
      
C-
  
C

A♭ B♭

       
 D.C.
(Bass)
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733
Bass Special Stage
from Sonic the Hedgehog 3
Composed by Yoshiaki Kashima
Transcribed by Ashanti Mills

    
Latin  = 128

                    
N.C.
     

 Drum solo

                                
 
G G G G
           
A A A A A

A 
 
                    
       
F♯- B- E A F♯- B- E

                                 
B
 
D A D A


                                            
D A D A D E A

D        A D        A 
 
C

                 

             
F♯- F A/E A G♯ F♯- E

A
     
D
           
G A G A G A G

                 
A G A G A G A G

D.S.
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 734
Bass Neo Green Hill Act 1
from Sonic Advance
Composed by Junichi Masuda
Transcribed by Ashanti Mills


 = 120
C B♭/C F/C G/C
            
  


         
A G
   
C B♭/C F/C G/C C E/B♭ A♭

            
Rhythm simile

    
                    
F F♯

     
C/G A

   

        
G N.C.

1.
D- C B♭/C F/C G/C

     

  
2.
C B♭/C F/C G/C C B♭/C C B♭
 
  
   
   
   
 
      
  

 
A♭       D♭
   
        
E♭-
    
B

  
3

       C♭
 

             
G♭
           
D♭- D G

    
 D.C.
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735
Bass My Sweet Passion
from Sonic Adventure
Composed by Fumie Kumatani
Transcribed by Ashanti Mills

    C♯  
Funk  = 122


                             
Intro G♯-

 
  
  D♯           
                    
G♯- C♯ G♯-

 



                     
Verse 1G♯-

               
   

          F♯     G♯-
                
C♯ G♯- E

          
 

              
        
Verse 2G♯-

           
            


            F♯      G♯

                     
C♯ G♯- E 
 
 

    
                      

         
Chorus 1 G♯- C♯ F♯ B G♯- C♯
     
     

 
            
          
F♯ D♯- C♯ G♯ D♯
          
    

                         
Solo G♯- C♯


https://www.vgleadsheets.com
 736

                         
G♯- D♯ C♯ G♯-


        
Verse 3G♯-

                     
  
           
                      
C♯ G♯- E F♯ G♯

     


      B  
                
Chorus 2 G♯- C♯ F♯
     
 
  

       
                  
G♯- C♯ F♯ D♯-
       
   

  

    
       
C♯ D♯ G♯-
           
  

        
                 
 

G♯- C♯ F♯ B


  

   

     

     
      
       
  
G♯- C♯ F♯
B
       
      

 
         
C♯ D♯ G♯
              
  

 
                           
G♯-
Solos C♯



                          
G♯- D♯ C♯ G♯-

 
Repeat for solos and fade
https://www.vgleadsheets.com
737
Bass Pleasure Castle ...for Twinkle Park
from Sonic Adventure
Composed by Jun Senoue
Transcribed by Mike Matarazzo
Rock  = 152

              
E D E D E D E D E

   
   D      A        E/
         B 
A (E) A-/C
E

   

   
            
        
D E/B
A-/C
A
 
(E)
 
B               
          C♯-
E

D
   
B C♯-
   


     
            
  
D B

( C♯- )
   

           
B 
           C♯-
E

D
   
C♯-
   

     
B

          B   
F♯

 
( C♯- )
 


                   
          
C E B/D♯
D B-/ A A-/C E/B

     

                       
D

C♯- C E/B F♯/A♯ A B B

     D.C.
https://www.vgleadsheets.com
738
739
Bass Unknown from M.E.
from Sonic Adventure
Composed by Kenichi Tokoi


Transcribed by Ashanti Mills
Hip-Hop/RnB  = 104
B- C♯-/B B- C♯-/B B- C♯-/B B-
          
        
     


  


   C♯-/
  B B-     
  
B- C♯-/B B- C♯-/B B-
             
Rap Verse

Rhythm simile

         
B- C♯-/B B- B-
 
C♯-/B B-
 
C♯-/B
         

         
              
  
Sung Verse B- D B- D
  


     
After DS, last time only

           
B- D B- D
        

 
F♯-/B G

E- G E- F♯-/B
  
    
              
 


 
      
           
Chorus B- A-/D G F♯alt
           
 


  
                    
B- A-/D G F♯alt
            
 
  To Coda

  
B-

       
    
   
D.S. al Coda (ignore repeats)
https://www.vgleadsheets.com
 740
  B- C♯-/B B- C♯-/B B- C♯-/B B-
Solo
                
C♯-/B

Instrumental solo

     
B- C♯-/B B- C♯-/B B- C♯-/B B-
           

   A-
 /D  
                  
    
Chorus 2 B- G F♯alt
 


   A-
 /D  
               
           
B- G F♯alt
1.

 
 

                 
G F♯alt
2.
B-

     
     


 
Bridge

B- C♯-/B B- C♯-/B B- C♯-/B B-
    
       
  

      
C♯-/B B-
       
C♯-/B B-
      
Outro B- C♯-/B B-

 

   
C♯-/B B-
    
C♯-/B
     
B- C♯-/B B-
  
B-

 

 
B
 
N.C.
 
  
    
    
   
 
Unison
https://www.vgleadsheets.com
741
Bass 34ºN, 12ºE... for Mad Space
from Sonic Adventure 2
Composed by Fumie Kumatani
Transcribed by Ashanti Mills
 = 240

                  
        
Intro G♯-

               
     
    
    

       
             
A G♯-

        
   
                           
                     

          
         

G♯-

        
  
                         
                     
F♯-
   
          
B

                    
     


       
F♯-
               
    
    



                     
C G♯-
    
         

  
                  
      

G♯-

  
 
 
https://www.vgleadsheets.com
 742

                               
D G♯-

     
  
            



                             
G♯-

       
   
          

  
E G♯-
                 
 
 

    

     

   

   

  
G♯-
           
  
 

   

     


   
  
    

  
F♯-
          
F

                  
 


  

                      
F♯-

      



                     
G G♯-
    
         

  
                  
  
G♯-

          
  
D.C.
https://www.vgleadsheets.com
743
Bass Bright Sound... for Dry Lagoon
from Sonic Adventure 2
Composed by Fumie Kumatani
Transcribed by Ashanti Mills
Funk  = 114

                  
N.C. C♯-
    

       
Intro C♯-
 

                      
        

       
( C♯- )
 
              
        
   
 

                      
A C♯-
  
       
       

                      
( C♯- )
  
       
       

              
 
( C♯- )
 

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                    
744

  
( C♯- )
   
            
           


R&B  = 

          
B G♯- E D♯ G♯- E D♯

      

           
Solo

       
Walking bass on eighths

 


           
G♯- E D♯ G♯- E D♯

       

       
  
Solo

        


     
C G♯- E D♯ G♯- E D♯

     
G♯- E D♯ G♯- F♯- G♯-


D.S.

https://www.vgleadsheets.com
745
Bass Fly in the Freedom
from Sonic Adventure 2
Composed by Fumie Kamatani
Transcribed by Ashanti Mills
 = 122

           
B G♯- Intro B G♯- 
                         


    
B G♯- 

           

    

              
               
Verse B G♯-  A B G♯-  A

       

              
B G♯- 

          

                
A G♯- G F♯  B♭alt B

    
 
B- 
     
F♯  B-
               
Prechorus A-/D E- A-/D E- F♯ 
    

         
G F F♯
     


    

G
       
                  
Chorus B- G♯-  F♯
 
1.

  

           
         
2.
F♯alt B G♯- 
              
F♯
 
    

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    
746

                       
B- G♯-  G F♯
 
   



G
                   
      
B- G♯-  F♯
   
   


                   
B- G♯- 
G F♯
         



                                      
 
Bridge B- Play 4x

     

   
Vamp Last time only
G
 
Chorus 2 B-
          

               
G♯-  F♯
  
    


                 
          
B- G♯-  G F♯
     

G
              
            
B- G♯-  F♯
  
     


          
           
B- G♯- 
G F♯
 



              
Outro B- G♯-  G F♯
   
 
    

 
Repeat and fade

              
B- G♯-  G F♯
   


    

 

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747
Bass Live & Learn
from Sonic Adventure 2
Composed by Jun Senoue
Transcribed by Ashanti Mills

 A   E   G♯ G/A F♯/B E/C

Metal  =175

                           
C♯- N.C.
          

   
      
Verse
 
C♯- A

    
  

     
1. 2.

           
G♯ G F♯ E
  
E G♯ G♯- / / B

   
A B C♯- E G♯ A B C♯- C D

   
   
         
Pre-chorus
     

   
A B C♯- E G♯ A

                    
  
     
C D

    

                            
      
Chorus 1 C♯- A G♯- E F♯ F♯/A♯ C♯- A G♯- E G♯ / G♯/A♯ G♯/B♯

                  
     
C♯- A G♯- E F♯ F♯/A♯ C♯- A G♯- E G♯ / G♯/A♯ G♯/B♯
        
     
 
To Coda

       
 
Post-chorus N.C. C♯- B A B N.C.

                
    Guitar riff D.S. al Coda (take 2nd ending)

  
     
N.C. C♯- B A N.C.

   
B C♯- E F♯ / / G♯ B
 



 

    
  
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                             
748
Solo C♯- A E G♯ G♯ G F♯ E
   

         

C♯- A E G♯ B


D D
            

           

   
Bridge A B C♯- A B C♯-

 
C
                 

   
A D N.C.

   
Guitar fill

                   
Chorus 2 C♯-

A G♯- E F♯ F♯/A♯

     

               
C♯- A G♯- E G♯ / C♯- G♯

  

                  
C♯- A G♯- E F♯ F♯/A♯

     

     
1. 2.

                      
A F♯ F♯ G♯- D♯- E
   
C♯- G♯- E
 
Drum fill

   
C♯- B A B

  
N.C.
 
        
 

                              
Outro C♯- A E G♯ G F♯ E C♯- A E G♯ G F♯ E

     
N.C.
   
           
 

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749
Bass Escape From the City... for City Escape
from Sonic Adventure 2
Composed by Ted Poley
Transcribed by Ashanti Mills and Bao Vuong
B A E B AE B AE B AE

  
          
     
Intro

 
Rock  = 132

    
Rhythm simile

                       
(Bass)
G♯ F♯
      
                    
  
Verse 1

            
B G♯- E


G♯ F♯
      
                          
F♯

B G♯- E  
     

                         
Prechorus 1 E F♯ B G♯- E F♯ B G♯-

                  
E F♯ B G♯- E G / / A

  
G A
                                 
    
Chorus 1 B/F♯
  
G G♯- A E

  

                          
B/F♯ G G♯- A

  
E G  A G G♯ A A

      
 
  
 
 
   

   
  
 

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 750
B A E B A E B A E B A E

  
          
 
          

Rhythm simile

    
G♯ F♯
                   
   
       
Verse 2 B G♯- E

 

      
G♯ F♯
    
F♯
             
 
         
B G♯- E

                
            
Prechorus 2 E F♯ B G♯- E F♯ B G♯-

 

                  
E F♯ B G♯- E G / / A

     
B/F♯ G G♯- A E G A
                                
    
Chorus 2

      

                          
B/F♯ G G♯- A

  
E G  A G G♯ A A

      
 
  
 
 
   

   
  
 

   
B A E B A E B A E B A E
  
          
     

Rhythm simile


A G G♯ A

G A N.C. B
  
  

       
        
   
https://www.vgleadsheets.com
751
Bass Flying Battery Zone (Act 1)
from Sonic & Knuckles
Composed by Tatsuyuki Maeda et al.
Transcribed by musicalmoose & DoubleMark

   
 = 150

   
      
A-/G♯
       
A-/G♯ A-/G A- A- A-

A- A-


             
A-/G♯
       
A-/G♯ A-/G A- A- A-
 
A- A-



         
A A-/G♯ A- A- A-
     
A- A-/G♯ A-/G A-

A-
 
            
A-/G♯ A- A-
  
A- A-/G♯ A-/G A-

    
  G
  
   
G♯      A-
      G
 

B F

       G
   
    
G♯      A-
        

F

D.C.

https://www.vgleadsheets.com
 752
Bass Windy Hill - Zone 2
from Sonic Lost World
Composed by Tomoya Ohtoni
Transcribed by Ashanti Mills
Latin  = 133

                          

A G D F G A G D F G
    

            F  


     
A G D G

   G           
 
 
F

F
   
A D G G
 

           
  
A

                  

A D A D F G


       
              
   
A D A D F G

  

  D
         F  
     
B A  /G
   
A G


  
D
             
 
(Play 4x)

 
A  /G F
 
F
    
A G G
 
D.S.
https://www.vgleadsheets.com
753
Bass Stardust Speedway (Act 1)
from Sonic Mania
Composed by Tee Lopes
Transcribed by musicalmoose & DoubleMark
Swing 16ths  = 100

    
A- A- A- A- E    


    
A- A- A- A- E    

      
A A- A- A- E    
         
A-

  

      
A- A- A- E    
      
A-

  

         
B A- D A- A- E    

   

                
A- D A- A- E    

  

                  
C F E A- A- F E A- / / G- 

     

             
F E A- A- F E   A- B♭

        
D.C.
https://www.vgleadsheets.com
 754
Bass Stardust Speedway (Act 1)
from Sonic Mania
Composed by Tee Lopes
Transcribed by musicalmoose & DoubleMark
Swing 16ths  = 100

      
G♯- G♯- G♯- G♯- D♯ 



     
G♯- G♯- G♯- G♯- D♯ 

       
A G♯- G♯- G♯- D♯ 
           
G♯-

    

       
G♯- G♯- G♯- D♯ 
      
G♯-

    

         
B C♯ G♯- G♯- D♯ 

G♯-

    

    
C♯ G♯- G♯- D♯ 
       
G♯-

     
  

                       
C E D♯ G♯- G♯- E D♯ G♯- / / F♯- 

      

         
A
           
E D♯ G♯- G♯- E D♯ G♯-

       D.C.
https://www.vgleadsheets.com
755
Bass Studiopolis Zone (Act 1)
from Sonic Mania
Composed by Tee Lopes
Transcribed by DoubleMark and musicalmoose

     
Swing 16ths  = 120

       
     
 
Intro A-

         
      
6 6

   3

        
6 6

            
          
A-

    
6 6

   

3

        
D-   
              
6 6
E  

            
A A- D- E   A-

       

          
              
D- E 

            
A- D- E   A-

     

    
B A- D- E   A- D- E  
           

      
A- D- E   A- D- E E♭
         

       
C D- G
  
      
3


3


   
            
A C
 

3


     
B B♭

  
       
3 3


    
https://www.vgleadsheets.com
    
756

              
E   F♯ G E/G♯


     
 D-
               
D A- E  
       


         
 
E 
          
A- D-
      
3

          
 D-
          
A- E  
1.

      

       
 
A- B♭ E  
     


          
A- D- E  

2.

      
   


     B♭
   
F

D.S.

https://www.vgleadsheets.com
757
Bass Toxic Caves
from Sonic Spinball
Composed by Howard Drossin
Transcribed by Ashanti Mills

        
Funk  = 124

       
 
A-
      

        
       
 
A-

     

  
           
A

A-

         
(Bass)


  
            
A-

        

    
                
 
A-

Bass simile

    
                
 
A-

        
        
B
  
A-

   

        
        
 
A-

    

  
            
A-

         
(Bass)

https://www.vgleadsheets.com
  
758

             
A-

        


        
        
  
A-

   
Bass simile

        
        
  
A-

   

 
             

A- N.C.

                   
 
C
          
A-

                  
             
A-

        
       
  
A-

    

          
     
 
A-

     
D.S.
https://www.vgleadsheets.com
759
Bass Green Hill Zone
from Sonic the Hedgehog
Composed by Masato Nakamura
Transcribed by Jer Roque

          C
   

            

 = 150

 

   

                
C
 
   



   E-        
      
     
F
A F E- F
         


   
           
1. 2.

         
E- D- C C
   
 

           
B B♭ A-


    
A♭
   
F/G

D.S.

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 760
Bass Marble Zone
from Sonic the Hedgehog
Composed by Masato Nakamura
Transcribed by Jer Roque

          
         
A A- F
  
 = 134

                
G C B-  E

   

           
      
A- F

         
B-  E A-

   
                                
F G
B A- G F G A- G

  
D.S.

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761
Bass Spring Yard Zone
from Sonic the Hedgehog
Composed by Masato Nakamura
Transcribed by Jer Roque

   
              
A D-

              
Swing  = 100

      
                
   
E- A   ( E- ) A A
1. 2.

 
 

      

B B♭ G- F
       
F/A
      

         
B♭ G- F
    
F/A
 

      

B♭ G- F
       
F/A
      

        
E-  A   A D-
  
  D.S.

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 762
Bass Star Light Zone
from Sonic the Hedgehog
Composed by Masato Nakamura
Transcribed by Jer Roque


                   
A C G-/B♭ A  D- C♯ F/C B
  
 = 126

   
            
G C G

B

 

                             
C G-/B♭ A  D- C♯ F/C B G B


                  
B C D- E- F

     

  
G
                    
C D- E-

       
D.S.

https://www.vgleadsheets.com
763
Bass Aquatic Ruin Zone
from Sonic the Hedgehog 2
Composed by Masato Nakamura
Transcribed by DoubleMark
 = 134

 
         
    
  
A D- A D- A
             

         
             
B G- F B♭ E-  D
 
C A

 

         
            
G- F
B♭ E-  D
   
C A D

    3
C G- C F B♭ E-  A D
 
                      
               
3

  
G- C F B♭ E-  A D-
                             
   D.C.

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 764
Bass Casino Night Zone
from Sonic the Hedgehog 2
Composed by Masato Nakamura
Transcribed by Jer Roque

     
Swing  = 168

        
G
 
C-
        


            
A E
 
C

  

        
A-
   
A♭
  


        F 
    
E
 
C A- A-/G

        
G  /F G
      
C F A♭
1.

 

      
G  /F G  /F
     
C F C F
2.

 

    
 
C F G C
 
D.C.

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765
Bass Chemical Plant Zone
from Sonic the Hedgehog 2
Composed by Masato Nakamura
Transcribed by musicalmoose
 = 140

   
A
      
    
F♯-
       


  
 
      
      
F♯- G♯-/D♯ F♯- F♯-/E
       


                   F♯-
  
       
B G♯-/D♯
  
F♯- F♯-/E

                    F♯-
 
     
G♯-/D♯
 
F♯- F♯-/E

 E
  F♯-

F♯-/

                       
C F♯-
   
G♯-/D♯

  


           
          
 
D

E E/F F♯- E E/F F♯-
 

    
   

     
          
E E/F F♯- E E/F F♯-
 

F♯-  
      
          
       

     
        
F♯-
         
D.S.

https://www.vgleadsheets.com
 766
Bass Emerald Hill Zone
from Sonic the Hedgehog 2
Composed by Masato Nakamura
Transcribed by Jer Roque

  D     B♭         A-

 = 140

          
A- B♭ A C
      
B♭ C


     D              
        
C B♭ A-

D
            
       
B
 
C B♭ A-

D
                   
 
C B♭ A-

 

F

              
C E
     
E- A-

 

F
    
      
A
    
E- G N.C.


D.S.

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767
Bass Mystic Cave Zone
from Sonic the Hedgehog 2
Composed by Masato Nakamura
Transcribed by DoubleMark

                
A A-
       
          
Swing 16ths  = 107
    
   
(Bass) Bass simile to B

  
   
A-

                            
B A-

     

                 
            
A-

                 
          
A-
 

A-
      

       

           
 
C
  
  
       
 
Upper voice simile

       

 
      
    
A-

                    
 
   
D.S.
https://www.vgleadsheets.com
 768
Bass Angel Island Zone (Act 1)
from Sonic the Hedgehog 3
Composed by Jun Senoue
Transcribed by Ashanti Mills

               
 = 132

              
        
A C
 
1. 2.

     
      

C C
  
B
       
F F F

     
     
C C
           
F F F

     F 


              
  
     
   
 
C C F C
  

     
 
  
       
 
  F     

              
C F C
 
G
       
D-
    D-  G
        
E-
      
D E- A- A-

   
    
   

  
G
 A-
     D-  G      
           
E- D-
  
A-
  
E-

  
     
  


    
D- 
    B♭ 
   
   
   
   

F
      
E
       
G

D.C.
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769
Bass Gumball Bonus
from Sonic the Hedgehog 3
Composed by Junichi Masuda
Transcribed by Ashanti Mills

       N.C.
C   D-    
   
 = 133


            
 
G F A- B



           
 
F/E♭
            
      
A-/E

A F D- D♭ F/C D- B/D C


                  
F/E♭

         
A-/E
 
F D- D♭ F/C C F

   C 
             
B

B♭ A- G

 

  D- C 
         
G
   
A

B♭

 
D.S.

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 770
Bass Hydrocity Zone (Act 1)
from Sonic the Hedgehog 3
Composed by Brad Buxer
Transcribed by DoubleMark & musicalmoose

 
Lightly swing 16ths  = 100

                       
  

C- / / E♭ D

         

          
 
               
C- / / E♭ D

     

                     
    
A A♭ B♭

    
3


3

                     
A♭ B♭ G  

     

3

  
                  
B F- G- A♭

B♭

 
3

C-
   
        
  
F- G- B♭ A♭ G-

  


  
                  
F- G- A♭

B♭

 
3

             
F- G
        
G

   
D.C.
https://www.vgleadsheets.com
771
Bass Ice Cap Zone Act 1
from Sonic the Hedgehog 3
Composed by Brad Buxer
Transcribed by AarekMG
 = 130

        
Vamp G-

C- E♭/B♭ A♭ C- E♭ B♭ Play 4x

  

   
       
A

C- A♭ B♭ G- C- A♭ B♭ G-

 

   
        
C- A♭ B♭ G- C- A♭ B♭

 

       
Vamp G-

C- E♭/B♭ A♭ C- E♭ B♭

 

   
        
A'

C- A♭ B♭ G- C- A♭ B♭ G-

 

    
         
C- A♭ B♭ G- C- A♭ B♭

  
D.C.

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 772
Bass Marble Garden Act 1
from Sonic the Hedgehog 3
Composed by Miyoko Takaoka
Transcribed by Ashanti Mills
Funk, swing 16ths  = 114


                   
C♯- F♯ C♯-
 
E/F♯

 
       
             
  
   

(Bass)

       
 
              
A C♯- F♯ C♯- E/F♯
 
Rhythm simile

             
C♯- F♯ C♯- E/F♯
 

               
    
C♯- F♯ C♯-
 
E/F♯

   
      
C♯- F♯ C♯- E/F♯



             
 
C♯- /B

B B C♯- /B B
           
  

             
C♯- /B
    
B C♯- /B B / / A-/C
          
 D.C.
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773
Bass Apotos Night
from Sonic Unleashed
Composed by Fumie Kumatani
Transcribed by Ashanti Mills

                     
 
Bossa  = 86

      
A-
  
G G-

D D/F♯ D-/F E- A
    

         
D 
  A-         
 
D  A-
  
3

   
               
A-
      
 G
   


A D  F♯- E- F♯-
 

 
 

  
 G
           

       
E- A
   


   
               
A-
         
 G
   

D  F♯- E- F♯-
 

 
E- D
  
 G    
     


        
  


 
  
                                  
B G G-
F♯- B- G♯- 

 



                                       
G G- F♯- E- F♯- G G♯ A

  

https://www.vgleadsheets.com
                            
774

  
A- A
 
G G-
 
 
C D F♯- F E-
        

                    
 E-
               
A-
 
G G-

  
D F♯- F A

    
                         
               
A- G G- A

D  F♯- F E-

     
            
 E-
               
A-
 
G G-

  
D F♯- F A

G G- F♯-


F
                 
        
A

D D  E-
  

G G-
      
  
    
A
      
D  F♯- F E-

 D.S.

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775
Bass Arid Sands - Night
from Sonic Unleashed
Composed by Kenichi Tokoi
Transcribed by Ashanti Mills
Swing 16ths  = 112

        
 
E♭-
 
Intro
 

                    
   
     
 
               
(Bass)
E♭- F-/E♭ B♭/E♭ E♭- F-/E♭ B♭/E♭
  
        
                      
                   

A
  
Bass simile

E♭- F-/E♭ B♭/E♭ E♭- F-/E♭ B♭/E♭


     
         
                

E♭- F- F♭ E♭- F- F♭
                        
                       
                
B


E♭- F- F♭ E♭- F- F♭

            
      
            
    
                       
 


https://www.vgleadsheets.com
 776
E♭- F-/E♭ B♭/E♭ E♭- F-/E♭ B♭/E♭
     
       
C

            
Solo

E♭- F-/E♭ B♭/E♭ E♭- F-/E♭ B♭/E♭

     
                   

E♭- F- F♭ E♭- F- F♭
        
    
                        
           

                  
D


E♭- F- F♭ E♭- F- F♭
    
          
      
        
    
 
                      
 


       
E C♭ B♭- E♭- G♭ A♭

            
Solo

       
C♭ B♭- E♭- G♭ A♭

            

                                   
F N.C.

  
Unison

                                  

 
( N.C. )

  
D.C.
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777
Bass Spagonia - Day
from Sonic Unleashed
Composed by Kenichi Tokoi
Transcribed by Ashanti Mills

      D♯-
G♯

A E 
             
Waltz  = 200

       

   
    
C♯- B- E
       


 

   

  
A G♯ C♯-
    

 
1. 2.

         
F♯- B B E F♯-
    
A

         
  

    E

B B/F♯
        


   
E

B/F♯
          


G♯ C♯-
    
         

    


F♯- B B
 
            

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 
778

      
C E  G♯- /D C♯
       

  
F♯- F   A/E G♯/B♯
 
        
         
3 3 3


     G♯- /D   C♯ 
    
E 
  
 



3 3

  
F♯-
  F    E       B♯
  

   
A/ G♯ / N/C

 3 To Coda
  
D.S. al Coda

    C♯ 
    
E
           
 

            
 
A F♯- D♯-  G♯
   

 3

D.S.

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779
Bass Theme From Space Harrier
from Space Harrier
Composed by Hiroshi Kawaguchi
Transcribed by Jer Roque

          
  
 = 154 C F/C F-/C C
 

    C
1. 2.

       
   
F-/C F-/C
    
C F/C C

 

    
C/B♭
     
C
     
A-
   
F F-
 
A

 


    

    
C/B♭
         
A-
   
C F F-
 
 


   

E-   A    F- 

  
           
B D- F

3
 

E-   A         G
1. 2.

   
G
  
         
D-
 
F


3 3

                                       
C A- F G A-

    

    
  

                
A- F G A- F G
1. 2.

   
D.S.
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780
781
Bass Splattack!
from Splatoon
Composed by Toru Minegishi
Transcribed by Ashanti Mills

 
Rock  = 174

  

   
N.C.
  

 Drum intro

  
G C♯ G E
 
Intro A A A A
            


  
 

  
  
Unison

 
G C♯ G E
 
A A A A
             


  
 

  
  

          
A A G / E /

       
A A G / C♯ /

Rhythm simile

          
A A G / C♯ / A A G / E /

       


Rhythm simile

              
        
A N.C.

 
Unison

                    
     
N.C.
 
 
N.C.  
  
                    
     

           
        
N.C. G E
      
   
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            C        
782

 
B A

            
G A A G C♯
 
   
  

  
   

  A          C        
 

      
G

A A
      
 
A

F G
       
  

       
        
C D F♯-

 


        
 
E D




    
      

D F♯-


F  E F  E N.C.
                  
      
A G
     
     
D.S.
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783
Bass Inkoming!
from Splatoon 2
Composed by Toru Minegishi
Transcribed by Ashanti Mills


    G              
Rock  = 176

                         
G A
 
N.C.
    

 A  

        B   
Unison

                     
  
N.C. N.C. G♯

  


       
A A
               
   

              
G
       
 
 
   
In ko ming! In ko ming!

     

       
A
            
     
    
   
             
    
 
   
  
  
   
 


    
G
                
 
  
    
      
          
    
        
   

   
  

     
Unison

                      
B N.C D N.C. D

    
Unison
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             
784

                   
D
    
N.C. N.C.

  
  D
    
           
D
 
            
N.C. N.C.

    

            
D
  
                      
N.C. N.C.

  
  C♯
  
            
C B

  
               
          
 
    F♯
         
A G C
 
     
  



   
  
  
   
     


  C♯
  
             
B

  
             
          

  
         A 
  
A B A B A

B

  
 
  

   
  
  
 
  

   
  

 
B /A B B /A B B /A B B /A B B /A B B /A B
     
 
       
   

      

   

  
B /A B /A

B B N.C.

   

 
D.S.
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785
Bass Corneria
from Star Fox
Composed by Hajime Hirasawa
Transcribed by Mike Matarazzo
 = 172

  
G
             
      
        
  

       
A G-
        
E♭ F G- E♭ F

           

                                    
B E♭ D- G- E♭ F/A F♯/C♯

  

         
1. 2.

    
     
                 
N.C.
   
G- G♯ A- B♭  G G 

  

  
C G
             
      
        
  

        A-            

       
D G- E

       
D.C.

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786
787
Bass Credits
from Star Fox
Composed by Hajime Hirasawa


 

Transcribed by Jamin Morden

    C 
      
B♭ B♭

 
N.C.

 =140

            
A♭/B♭
    

                 
A B♭ C/B♭ A- D-


        
E♭
     
Dno E♭/B♭ A♭

C- F


                 
B♭ C/B♭ A- D-


           
  
E♭ Dno E♭/B♭ A♭

C- F


    
     
D♭
      
B E♭-
        
3

 
E♭-
   
      
D♭
      
3

         


F♯-
        
     
E
      
3

           
F♯-
         E
    A♭ 
  
           

3

    
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             
788

        

C


D♭ E♭/D♭



   
                       E♭
   

C- F- B♭- /E F- / D- 

 

            
        
D♭ D- 
      
E♭

     
3

          
            

D B♭/A♭ G- C- B♭/A♭ G-
  
A♭ A♭ N.C.
 
   
  

                   
    
E G♭ E♭- D♭
   
F-

 
  

            
 
G♭ F-

  
 

   

E/G♯

                     
F♯
   
E♭- F- F♯-

  
3

 E    

 
       

F♯ F♯
     
 
E/F♯ G♯

 
3 3 3

 

       
F♯
          
C♯
          
N.C.


3
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789
Bass Space Armada
from Star Fox
Composed by Hajime Hirasawa
Transcribed by Mike Matarazzo
March  = 146

                  
A A
   
3

               
A
  
3

                         
G- F- G /D G- 

3 3 3

  N.C.
 
 
C C♯ N.C.
 
 C♯

B C
                      
3 3 3 3

  N.C.
  
                   
D B♭ N.C.

N.C.
    
3

3 3 3
3 D.C.

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790
791
Bass Area 6
from Star Fox 64
Composed by Hajime Wakai
Transcribed by Mike Matarazzo
 = 170

   
  
A- B♭ C D
          
3

  
A
  
D G

                
       
    

    
              
F B♭ B
    
       
     

   B♭
                   
B
    
C- B♭/G F/A
  


      
B♭/F E 

  
  
            
  

 
C
 
A- B♭/A A-

        
3

      
B♭- C/B♭ F-/B♭ B♭
     
3
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 792

  
D E♭/G
 
E♭

       
3

 
A♭ G

           

  
E
  
D/F♯ G/F

                
 
           


    
             
D  

C/E C-/E♭
    
 
    
D.S.

 


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793
Bass Enter Star Wolf
from Star Fox 64
Composed by Hajime Wakai
Transcribed by Jer Roque

                 
F- E♭ F- E♭

 
 = 154



             
A
 
F- E♭ F- B♭ C

  
 3 3

    
             
 
F- E♭ F- F♯

  
 3 3
 3

     3      3    
B

       
B C♯- B/D♯ E-

    
 3
             
    
3

  

                 
B

       
G♯- A B- C


        
          
          

D-

         

C
 
E- E- F E- F

    

3 3

               

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        F
       
794


D-

   
E- E- E-

    
3

            

      
    
D

A B G A

 3
   
          

    
   
3

  
3

  
        
F♯ G♯

F♯ C♯- C♯

       
      

      
3

     
3

                         
 
C
G-
     
A B G A D/F♯
 

    
       
D.S.

  
       
3 3

     3
       
3

       

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795
Bass The Venerable Forest
Star Ocean: The Second Story
Composed by Motoi Sakuraba
Transcribed by Gregory Orosz

A C

   D  C 
 
 
 = 80

 

 C
1. 2.

   D 
D D D D
       

(C)
    


         
B
  
C D E- D

 

 

1. 2.

 
E
 
D
   
    
C D E E


D.S.

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 796
Bass Spirit's Eve Festival
from Stardew Valley
Composed by Eric Barone
Transcribed by AarekMG
 = 114


N.C.
  

  
 

   
(Bass)


A- E A- E A- E A-
   
              
     


 E 
            
A E E A- E A-

              
A- A- A-
 
      

 E  
           
E E A- E A-

              
A- A- A-
 
      

 
             
A- / / E E A- / / E
  
A- A-

D.S.

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797
Bass Stardew Valley Overture
from Stardew Valley
Composed by Eric Barone (ConcernedApe)
Transcribed by AarekMG
 = 96

    
B E/B B E/B B

 

 


 


 



           

            
A
 
B E B E F♯/C♯

   

         
      
B E B E B
1.

    

       
B E B E B
2.

     


         
   
B

G♯- E B F♯ G♯- E B F♯

  

               

G♯- E B D♯- G♯- D♯- G♯-

              
C B G♯- E B G♯- E

          
G♯- E B G♯- E B


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 798
Bass Alien Spaceship
from StarTropics
Composed by Yoshio Hirai
Transcribed by Gregory Orosz
Latin  = 125

    
A

                             
A- G A- G

        

                         
A- G F
F G A- G A-



       
B

F G A- G

       

F G A- G

D.C.

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799
Bass Cruising on the Ocean
from StarTropics
Composed by Yoshio Hirai
Transcribed by Gregory Orosz

          
 = 130

           
E-

 
F D- C B♭ A- G- C
 
 


               
B♭ C B♭ C
    
  

                 
 
D♭ E♭ F

D.C.

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 800
Bass Dungeon
from StarTropics
Composed by Yoshio Hirai
Transcribed by Gregory Orosz
Merengue  = 130

            
A
        
G- C G- C
                   

  
B G- F E♭ F G- F E♭ F
              

  
G- F E♭ F G- F E♭ F
              

         
C
   
C- D- E♭ F C- D- E♭ F
 
             

 
G-

 
D.C.

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801
Bass Theme of Karin Kanzuki
from Street Fighter V
Composed by Keiki Kobayashi
Transcribed by DoubleMark & musicalmoose
Fusion  = 135

       
A♭/B♭ E♭- F-



       
G♭
  
A♭/B♭ E♭/F N.C. A♭/B♭

       
 

      
          
A F-/C F♯ F

( A♭/B♭ ) A♭/B♭

   
 



        
D♭/C G♭ A/E E♭-

( A♭/B♭ ) E♭/F
               
        
   
 

           
B ( E♭- ) B♭-


Opt. ad lib.

       
      
( B♭- ) E E♭-

      

 
         
( E♭- ) B♭-

                

                
( B♭- ) E E♭-
      


                      B♭-
        
( E♭- )


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 
802

       
( B♭- ) G- 
         
A♭

          

       
     
( G-  ) G♭
  
                    

 
F 
             
G♭ E♭- E- 
      

   
       

           
                
C ( E♭- ) B♭- F E♭-

  
 

            
   
( E♭- ) B♭- E♭-

            
   


( E♭- ) B♭- G- 
                              
A♭
  
   

( G-  ) G♭ F F
      
  
   
    
      


      
D B♭- G♭/B♭ B♭-



      
  
B♭- G♭/B♭ A♭ N.C.
    
B♭- A♭/B♭


 D.S.
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803
Bass Dreamer
from Streets of Rage 2
Composed by Yuzo Koshiro
Transcribed by Dylan R
 = 130
Intro G-        F-/G       Play 4x
    
  
        
  
    


  
           
C- D-
  
A
G- / / F G- / / F G-

 


     
        G-
 
                 
C- B G-  G- G-
 


    
                         
G- G- G-
1.
C- G-
    


                       
A-  D  

C-
2.

 
D.C.

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 804
Bass Go Straight
from Streets of Rage 2
Composed by Yuzo Koshiro
Transcribed by Ashanti Mills
Techno  = 128

             
B♭- F- A♭- E♭- B♭- F- A♭- E♭-


No bass or percussion

  
B♭- F-/B♭ A♭-/B♭ E♭-/B♭ B♭- F-/B♭ A♭-/B♭ E♭-/B♭



  
              
(Bass)

    

B♭- F-/B♭ A♭-/B♭ E♭-/B♭ B♭- F-/B♭ A♭-/B♭ E♭-/B♭

 
Percussion in


                         

A B♭-

B♭ F-/
B♭ A♭-/ E♭-/B♭



                         
 
B♭- B♭ F-/
B♭ A♭-/ E♭-/B♭

 

      
(Play 4x)
 E♭-  F-

                           
B B♭-         
    

    
E♭-  F-
 
B♭- 

  
                
      
 
      


        
C B♭- E♭- F- B♭- E♭- F-

 
Bass and percussion only D.C.
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805
Bass Wave 131
from Streets of Rage 2
Composed by Yuzo Koshiro
Transcribed by Dylan R
Dance  = 130

        
Intro C♯- F♯- F♯-

C♯-
 

 
                  
 

A C♯ F♯- C♯ F♯-

     
        
 

 
                 
 
      
C♯ F♯- C♯ F♯-

    
 
 

C♯ F♯
        
            
   
B

       


       
         
C♯ F♯
       
Rhythm simile
 

            
   
C♯ F♯
       


         
           
C♯ F♯
      

 

 
             
  
C

C♯ E♭ /G

 
D.C.
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 806
Bass Continue
from Super Ghouls 'n Ghosts
Composed by Mari Yamaguchi
Transcribed by GUIM

    
 = 166

   
F∆
  

  
E
     

 
D-∆
     

 
C♯ D
      
 

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807
Bass Overworld
from Super Mario 3D Land
Composed by Mahito Yokota
Transcribed by Mike Matarazzo
Swing  = 100

 
              
Intro D-
C C/E E♭ D- G
  

    
  

   
A C G

          
   
3

   
G C
     
        
3

   
  
C C F

           
 
3

       C
                    
F- E♭ D- G

C/E

 
B

F C/E
 
       
                 
    


  
D-


C D- D♯ C/E
     
  
  
    
       

  
F F♯
 
       
                 
     

 
        
D   G A- A♯ G/B
  
    
   
  
    D.S.
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 808
Bass Special World 8
from Super Mario 3D Land
Composed by Takeshi Hama
Transcribed by Ashanti Mills
 = 104

   
B♭- E♭ A♭ F B♭- E♭ A♭ F
  
        
        
 
3 3

           
          
B♭- E♭ A♭ F B♭- E♭ A♭ F
  
A

  

             
B♭- A♭ F G♭ D♭ E♭ A♭
   
E♭
     


  
Vamp B♭- E♭ A♭ F B♭- E♭ A♭ F
   
       
   

D.C.

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809
Bass Super Bell Hill
from Super Mario 3D World
Composed by Mahito Yokota
Transcribed by Jer Roque

      
      
Swing 8ths  = 110



 
          
            
A F D-

  

     
         
B♭ C
     
 

  
                   
F D-

 

B♭
     
1. 2.

              


C F F
  
Fine

      
    
A-

B D-
   
B♭
 

         
  
G- C G- A-
   
F G♯

   

     C 
     
B

A- D-
   
B♭
 

   C       C
       
 
  
G-

E♭

 
D.S. al Fine
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 810
Bass Koopa's Theme
from Super Mario 64
Composed by Koji Kondo
Transcribed by Ashanti Mills

   

Industrial rock  = 114

 Drum intro


A D-
           
     
    


( D- )
           
     
    

    
         
D-

   
B

Rhythm simile

    
       
( D- )
 
   


C D-
                 
   


( D- )



    

   

        

    
       
( D- )
 
   

 
              
D D-
   
           
D.S.
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811
Bass Dire Dire Docks Composed by Koji Kondo
from Super Mario 64
Transcribed by DoubleMark
 = 138

      
       
G F G
               
    
  
        
        
 












      
     
F E♭ F
  
               
   
  
        
 
 

      
 

 
 
     

      G 
       
A
     
G F E♭ F

Rhythm simile

      G 
             
G F E♭ F


    G/
 B     G

         
B

C A-

   

         
      
G/B
 
C G-/B♭ A- D

 

      G 
       
C
     
G F E♭ F

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       G 
812

             
G F E♭ F


 

D
       
F E♭
            
            


 
A- /E♭ D
       
( E♭ ) D
           
           
  

    
  
E
 
G F G
 

    
F E♭ F
  
D.S.

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813
Bass Staff Roll
from Super Mario 64
Composed by Koji Kondo
Transcribed by JohnStacy

        
        
             
C F C F G C F G

 = 108

  

    
             
A

C D- E- A- F G C

 


  
    
        

F G E- A- B♭ D- G
1.

   

      C
  
D-

E- A- G
2.

     
       
B

A- E- F C

 

      G
    
D- E- F

 

 C/G      
           
     
C C E-/B A- F C/E D- G

          C/G  F    C/E   D-
    
   
C E-/B A- G


D.S.
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                    
814

   
D D♭/F
 
D♭ F-/C B♭- D♭/A♭ G♭ E♭- A♭




    
              
        
D♭ F-/C B♭- D♭/A♭ D♭/F G♭
E♭- A♭




       
                
E D♭ G♭ D♭ G♭

  

  G♭- D♭ 
      
D♭ G♭

 

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815
Bass File Select
from Super Mario 64
Composed by Koji Kondo
Transcribed by AarekMG

 
 = 90

   
C C
                 
G G

           

 
     
G/B G/B C
  
A-

D.C.

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 816
Bass Inside the Castle Walls
from Super Mario 64
Composed by Koji Kondo
Transcribed by VGLeadSheets.com, live at VGM Con 2019


 = 148

      
    
    
A G  /B
       
C
     

        
              
1.
D
  
A-

    
  

             C    C
     
D
   
A- F
2.

     F D-       G
               
      
BC

                      
 
E- A- D/F♯

                G
 
      
D-
1.


D-/F C/E



        C    C
    
2.
D-/F
 
F

D.C.
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817
Bass Main Theme
from Super Mario 64
Composed by Koji Kondo
Transcribed by Jer Roque

    
             
 = 114

 

              
A
     
C F

         

            
C/E C-/E♭ D- G
  
         

           

        

    
C C F F♯


G 1. 2.

                         
C C

   

                            
BF C/E D- G C F C/E D- C/D C

  


                         
E- E♭- D- G C E- E♭- D- C/D C
   
F
F- F F-

 

 C     
                 
C F

  

C            
    
1. 2.

     
G
 
F F- F F♯ G
 
D.S.
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 818
Bass Slider
from Super Mario 64
Composed by Koji Kondo
Transcribed by JohnStacy

        A D  D
 = 160
A G♯
 
  
 

  
 
    
A
    
   
G
 
D 
  

   
   
 
    
A
   
F♯- F E- D

     


                 

A E A
1.

 
G G♯ D B♭ D B♭

    

          
A
   
2.
D B♭ D

  
  

              
    
E- A
      
B D D♯ E- A D D G D
  
G G- D

  
 D                             

C

  
                            
G


      
         
      
D
  
D G D





                        

G A

   
D.S.
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819
Bass Snow Mountain
from Super Mario 64
Composed by Koji Kondo
Transcribed by JohnStacy
 = 80

                  
N.C.
   

3 3 3

         
A

    
C F F♯

   


      
E♭ D- G

E-

        

               
C C♯ D- D♯

 


1. 2.

       
E- E♭ D- G G /

C / / C

       

             
B F C/E D- G C


3

        
G
 
F C/E D- C
 

C         
                  
C F

C             
              
F G

D.S.
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 820
Bass Powerful Mario
from Super Mario 64
Composed by Koji Kondo
Transcribed by Gregory Orosz, Ashanti Mills
 = 135


Intro D- C D- C
 
 
          
Rhythm simile, forever...


  
A D- C D- C

       
3

     
  
D- C D- C


   
D- C
  
  
3 D.S.

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821
Bass Invincible
from Super Mario Bros.
Composed by Koji Kondo
Transcribed by Ashanti Mills

       
 = 300


             
D-
   
 


            
      
C
   
  

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 822
Bass Overworld
from Super Mario Bros.
Composed by Koji Kondo
Transcribed by Jer Roque
 = 100 
        
D G A C
     
3
F C F G
     


              
3
C F C F G

      


  
                 
B
  
C F C C

     

        
         
C F A♭ B♭ C

    
 

      
C/G C/G
     
C A♭ A♭ C/G A♭ D G

 

 
                                   
A' C F C3 F G C F C3 F G

     

                 

D C F G C F G C

               
3 3
3

      
C/G C/G
     
E A♭ A♭ C/G A♭ D G

 

             
C F G C F G C

             
3 3 D.S.
3
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823
Bass Underwater
from Super Mario Bros.
Composed by Koji Kondo
Transcribed by John Stacy

     
  = 75

      
N.C. G G


C  B  C      B  C


    
A

 

G/D G  /B  C
 F♯ /C♯         
  
G /D
 
 

C G/B  B♭
G/  
A
 D- D♭ F/ C  
G


B
   

C 
     C
 
G

D.C.

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 824
Bass Underworld
from Super Mario Bros.
Composed by Koji Kondo
Transcribed by Ashanti Mills
 = 193

  
  
A

N.C.
  

  
   
N.C.

 

     
N.C.

  

        
N.C.

  
3

      
B N.C.
   

    
     
N.C.
     
3

3 3 3

   
N.C.

D.C.
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825
Bass Character Select
from Super Mario Bros. 2
Composed by Koji Kondo
Transcribed by Jonathan Aldrich

 
Uptempo swing  = 150

                 
G
 
Intro C C F/C

           


C          G       C N.C.
 
D
         
A
  

(Drum fill)

C          G       C N.C.    

 
D
            


E        A-
                     
 
D G B-
       

E         A-
                      
G  /B
 
D G
       

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 826
Bass Overworld
from Super Mario Bros. 2
Composed by Koji Kondo
Transcribed by Jer Roque

       

Swing  = 100

   


                       
A A
   
C B G-/B♭
  
3 3

    F♯
        
   
A D- G
        
F C/G C
Fine

 
        
           

 
B C D G

  

C 
               
1. 2.

     
            
( G ) G
      
G C

   
3


3

             
E

C A-
           


G G   G
   
D
          
 
 D.S. al Fine

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827
Bass Underground
from Super Mario Bros. 2
Composed by Koji Kondo
Transcribed by AarekMG

    

           

  
 = 129 F

   
            
        

(Bass)

   

    
 
     
    
F-
    
     
                    
             
  

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 828
Bass Athletic
from Super Mario Bros. 3
Composed by Koji Kondo
Transcribed by Jonathan Aldrich

 
 N.C.  
 = 150

    
Intro

      



                                 

A C C/E F G
E C C/ F G


                         

C E- F G A- D-G C

     
       
F G C
  
D- C D♭
   

   C/E   
 E-
 D-


      

  
1.

   
B
   
F D- C
 
 

  

     
G
       
D-
2.

          
D.S.

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829
Bass Ending (Part 2)
from Super Mario Bros. 3
Composed by Koji Kondo
Transcribed by Jonathan Aldrich
 = 75

   
G
   
  
(Bass in unison with melody)


           
A G

     
C F C

     
    

   
B
  
F- C F- C
 
               

G/D G

F- C/E C-/E♭
 
  
            
      

              
C C G  /B G-/B♭ F/A

 

  
1. 2.

      
       
G
  
F-/A♭ C/G D/F♯ G

 
3

D.S.

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 830
Bass Ending Composed by Koji Kondo
from Super Mario Bros. 3
Transcribed by John Stacy

 
 = 113

       
E-/G

G  /B A C D- D♯ E- C A-

3

   G C
    
D-/F E- D- G  /F G/B

 
    
C D- D♯ E- C A- E-/G

   G  

E  /B

D-/F E- D- G  /F C

E      
 
A G

B

E/G♯ A-

F  A♭  C/G 
   
G F-/ G/F

F- G/B

 
    
C D- D♯ E- C A- E-/G

   G C
    
D-/F E- D- G  /F G/B

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831
Bass Hammer Bros.
from Super Mario Bros. 3
Composed by Koji Kondo
Transcribed by Mike Matarazzo
 = 150

   
  
C F C F

N.C.
       
        
(Bass)


                            
A C F C F C F C F

   

   
                                

G F C F G

 
D.S.

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 832
Bass Overworld
from Super Mario Bros. 3
Composed by Koji Kondo

   
Transcribed by JohnStacy & Jer Roque

    
  
Swing  = 75

          G

        
A F
     
C C


3

       
          
F
     
C C

  
    
       

    
 
B

F C/E D- C
 
     

   
           
G
 
   
    
F F♯ G A- A♯ B
 

 

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833
Bass Underground BGM
from Super Mario Bros. 3
Composed by Koji Kondo
Transcribed by Ashanti Mills
 = 202

    
N.C.

     
     
N.C.

    

              
N.C.

     
3

         
            
N.C.
         
3

3 3 3 D.C.

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 834
Bass Good Egg Galaxy
from Super Mario Galaxy
Composed by Koji Kondo

    
Transcribed by Jer Roque

        
          

 
C
 
 = 156

 
3

                       
B♭-/C B♭-/C
1. 2.


C C

 

       C
F/C
        
A
 
C D/C

 

       C
F-/C
          
C D/C

 

F  E-
        
    
A
    
G

  
          
C/D D C/D D D♭/E♭ E♭ F/G G

 C/ E  F   
C B♭  A-  A♭     F/G G
      

B
   


 C/ E  F   
C
B♭-  A-
    A♭     F/ G  C
    
   

D.S.
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835
Bass Gusty Garden Galaxy
from Super Mario Galaxy
Composed by Mahito Yokota

  
Transcribed by Jer Roque

   
 = 165

              
A B D♭ D/D♭ E/D♭ D/D♭



3 3

   
3

      
 G♭/F
F-
   
D♭ G♭
  
A
  
 

          
E♭- A♭ D♭ D♭/C
     
     
               
C♭ B♭ E♭- G♭-

      


              
D♭/A♭ E♭/G A♭ A♭ A B

           


          
E♭/D♭
      
D♭

 


      
    
G♭-/D♭ D♭ D♭/C
    
       

               
C♭ B♭ E♭- G♭-

      


       
D♭/A♭ E♭ B C♭ D♭

    
        

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    
836

        
B C♭-
 
D♭


3 3

D♭
           
C♭-
         
 
3 3

 A
           
 
E/G♯ F♯- E
       
   

   
 
   
D♯- A A/B B
      
3

D♭
  
F- 
        
 
G♭
  
C

    

F-    
B♭
    
C♭
      
A♭

   
       

D♭  
         
 
B♭- G♭
      


         
       
F- B♭ C♭ A B D♭

          


 
D♭ D/D♭ E/D♭ D/D♭

    

D.S.
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837
Bass Rosalina in the Observatory
from Super Mario Galaxy
Composed by Koji Kondo
Transcribed by Jer Roque

A       
 = 180

  



   F♯
        

            
A

A D G D D

    

( D )           D 
    
G  
G-/B♭

     
F♯ A

    
  

 
             
  
B G D/F♯ E- D

A E- /A A

          

G D/F♯ E-/A

D.S.

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 838
Bass Space Junk Road
from Super Mario Galaxy
Composed by Mahito Yokota
Transcribed by Ashanti Mills
 = 118

     
A♭
 
   

A A♭       A♭ /G♭  

    
          

 

      G♭
        

A♭ A♭
       
F♭
  
  

      
     

B A
     


      
         
1. 2.

  
B
      
G♯ 



        
C D♭

E♭

   

  
             
D♭

E♭

   
  
D.C.

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839
Bass The Honeyhive
from Super Mario Galaxy
Composed by Mahito Yokota
Transcribed by Ashanti Mills
Swing 16ths  = 104


C
       
 
 

    



   
 

               
           
A C
      
 

         
Rhythm simile

            
         
F C

    


         
 
  
                
G F C


               
           
B C
      
 

                
               
F C

    


       

         

        
G F

 
     

         

       
G F

                          

C D♭/E♭ C D♭/E♭ C D♭/E♭ C D♭/E♭

    D.C.
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 840
Bass Waltz of the Boos
from Super Mario Galaxy
Composed by Mahito Yokota
Transcribed by Ashanti Mills
Waltz  = 126

    
N.C.
   
          

   
   A/ E       A   D-
A/E

   
A
    
D- D- D-


Background simile

 
  A/ E          E  D-
A/G

  
D-/F D-/F

A/
    
D-

 

   
                  
E♭-  E♭- 

B C- C-

  
 

            
     
E- B/E B/E B♭/E
  
  

     A
 A
        
F G

 
 D.C.

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841
Bass Cloudy Court Galaxy
from Super Mario Galaxy 2
Composed by Mahito Yokota
Transcribed by Jonathan Aldrich
 = 142

             
Intro D♭
   
E♭ F
  

 
 F
 

         
       
C/E D- A-/C F/C G/B A- D
G-/B♭
   
   

A
     

B-  
         
        
G- C♯ G-
1.
F/C B♭
  

           

 
2.

 
G- C  F
  
B♭/C B♭ B♭ F C/E
 
      
     
 
  

    
 
  
 
         
E♭ F/E♭ E♭/D♭
    
B♭/D A♭/C A♭-/C♭
        
B
  
 

     
B♭ C
    
     
   


 B
       
E-  A
    
F B♭/F D- D♭ C
    
   
    
C

  

    
F
          
             
B♭ C C B♭/F C  /E C-/E♭ D
  
  

        
G- A- B♭-
  
E♭ F F/

          
D.S.
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 842
Bass Green Star
from Super Mario Galaxy 2
Composed by Mahito Yokota
Transcribed by Ashanti Mills
Waltz  = 117

      
E



             
A E F♯/E F♯-  E F♯/E F♯-  E

     

          
C♯ A- C
   
A B G♯- F♯- A

  

 
               
 
E
            
B G♯ E/ D A  A-/ C♯- C B  B
 

            
        
E E/G♯ A A-/D C♯- C B E
 

     
E E E E 

D.S.

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843
Bass Sky Station Galaxy
from Super Mario Galaxy 2
Composed by Mahito Yokota
Transcribed by Jonathan Aldrich
 = 144

     
                
C♭
     
Intro
  
A♭ B♭ D♭ E♭ D♭ C♭ D♭

 
 

     B♭

     E♭  
F-
F♯
              
A♭-/E♭
 
A E♭/G

E♭

 A♭-
    F-   G-  
         
C
        
G-
 
E♭

     
A♭-
  B♭-
 
E♭ F♭/E♭
    
      
E♭ A♭-/E♭ E♭

      G-        
    
A♭
  
G♭ B♭
     
 
B A♭ F-

  
       
  
E♭ G F/A

    
D-

C- C-/B♭

      

   A♭    A♭
    A♭      
B♭
     
B♭
       
E♭/G G♭

   
D.S.
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 844
Bass Starship Mario
from Super Mario Galaxy 2
Composed by Koji Kondo

   
Transcribed by Jer Roque

         
   
C
    
G-
 
 = 110


3 3 3 3 3 3


        
A F G- F/A G- F G- F/A G-

    F/  A G-  F/A  G/B  C F      F/

 A  B♭  F/  A
              
  
B F

      A  
           
G- C
 
B♭ F/A F/ G/B
 

G/B 
   C F    
                 
G-
 
B♭ F/A F/A B♭ F/A


    F/
 A    A  
            
G- G-
 
F/A B♭ F/ F
 

     F/

A G   F      F/

A G   F
          
C B♭ B♭

D.S.

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845
Bass World 3
from Super Mario Galaxy 2
Composed by Mahito Yokota
Transcribed by Ashanti Mills

       
        
Nocturne  = 110

       
N.C.


       
     
 

 

  

 
E



            

A E C/E

  

  
             
E D-

 

        
B C♯- C
    
 

          
  
D

C♯- D



    
          
C F♯-/B

 

   
   
             
D /A

D.S.
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 846
Bass Choco Island
from Super Mario Kart
Composed by Soyo Oka
Transcribed by Jonathan Aldrich


 = 120

            

 
Intro B♭/C
   
C-

A F
  
 









  
  


   C-
        


C-

  
F F

(Whistling)

     
   
C-
  
F

   

                                 
B B-  E A- B♭- E♭ A♭

                
            
B- 
E A B♭- E♭

 
C/E F F♯- 

A-/D F/G
         

                         
C N.C.

(Pitched Percussion)

              
   
      
 

D.S.
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847
Bass Koopa Beach
from Super Mario Kart
Composed by Soyo Oka
Transcribed by JohnStacy

   D-    C   
                
G A  
 
 = 116

  

    
                
D- D G

  

       
        
D- G B♭ A  

  
                 
D- F- A  

E-

    

 G  D-  G   
   
      
D- A-
        


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 848
Bass Mario Circuit
from Super Mario Kart
Composed by Soyo Oka
Transcribed by Mike Matarazzo

    
 = 132

           
  
G G♯ A B♭

3

 C   

G- 
                          
A A- D A- D G- C

  3

  
                          
A-
D A- D G- C G- G/F C
 
 

C/ F
                    F 
           
B C/F C-/F B♭/F C-/F B♭/
  
F F


               
    
A♭
     
A-
   
G- C C/B♭
    
3

         B- E

G-
      G♯-
B♭-
   

A-
     
3 D.S.

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849
Bass Rainbow Road
from Super Mario Kart
Composed by Soyo Oka
Transcribed by Jer Roque
 = 148

    
C C C C



 
                    
         
A C  C C C 

C C

   

     
   
E♭

               
B♭- E♭ B♭-
    
 

                    
A- D A-
  
G G

 

             
B

C D/C E♭/C F/C C D/C E♭/C F/C

   

     
E- E♭
 
F G/F
    
 

                   
D- F- B♭

 
D.S.

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 850
Bass Birabuto Kingdom
from Super Mario Land Composed by Hirokazu Tanaka
Transcribed by AarekMG & JohnStacy
Edited by Jer Roque

  
            
A C C C
   
 
C

Swing  = 120
  


 

 
        
F C/E D- D G
       


  
       
C C
      
C C

 


              
F C/E D- G
   
   

    E    
     
B D-
 
F C/ C D- D♯ C/E

 

   E   A♭
  
  
G
 
F C/
   


D.S.

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851
Bass Staff Roll
from Super Mario Land 2
Composed by Kazumi Totaka
Transcribed by JohnStacy

             
A

 
 = 90


G


      
G G♯ A-
     

          
A-
 

          
D/F♯ D
 
A-  = 150


          
B G

 

    
G E A-
      


          
A-
 

         
A- D  
  
G


          
G

 
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      
852

   
A-
 
G E


           
A- C- G/B B♭


        
A- D   E/G♯

G

   
       
C N.C.

A- D

G

     
D


A-
  
 

 
B♭
   

G

G/B
  


      
A- D
  
 


G/B
    
B♭ A- D
 
D.S.
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853
Bass Treetop
from Super Mario Land 2
Composed by Kazumi Totaka
Transcribed by Jonathan Aldrich
Cha cha  = 150

     
   
Intro A  /E
 
 
A/C♯ B/D B♯/D♯
 


  
       
A
                
A A

D E- E- D


  
      
N.C.

                     
A B D

E- D E-
 

E- A A D
  
E-

      
  
B
 

                

E- A A F♯- B E- A
   
E-

 
  
    
   
                 
 D.S.

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854
855
Bass Bubblaine
from Super Mario Odyssey Composed by Naoto Kubo
Transcribed by Tristan H

Bossa  = 115

      
Intro E♭ E♭  A♭ F- B♭ 
            

     
E♭ E♭  A♭ D♭
            


        
A E♭ E♭ 
  
A♭

   
3


           
E♭
  
E♭ 
 
A♭ D♭
 
3 3

    F- 
E♭/G
  
G♭
       
B♭
 
3 3

   
  
F-
  
G- G♭ B♭
    

      
E♭
 
E♭ 
  
B A♭ F- B♭ 
   
3


   
A♭
      
E♭ D♭
 
E♭ 


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 F- 
         
856
G♭
 
E♭/G
 
B♭
     

   
F-/B♭
   
C- F B♭
 


       
E♭
    
C C♭

  


C♭
           
  
A♭

   
3 3

  
              
G♭
    
A♭- D♭ C♭

 
3 3

  
        
C
      
G- F B♭

 
 3 3

E♭ A♭
  
E♭ A♭

   
D.S.

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857
Bass Jump Up, Super Star!
from Super Mario Odyssey Composed by Naoto Kubo
Lyrics by Robert Tunstall
Transcribed by Jer Roque

            
      
Swing  = 100 C-/B♭ F/G
F/G N.C.
   
E♭ A♭ D♭

    
  
   
3
 
3


            
 
A C F C

      
    

     
   
F E- E♭ D- G  
    
      

  
              
C F C A  
    
 

          
D- G C C

    
 

      
      
F G E- D-
    
B A  B♭
 
 

   
G A- G  /B G G♯ A B♭
  
A♯



 
    
   
           

3 3 3 3

                            
C F-
B♭ E♭ C F- B♭ G-  C 
     
         
E♭  C
             
     
F-
B♭ F- B♭ E♭ B♭/D D♭ C

         
  
 
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              
858
     
F- B♭ E♭ C F- B♭ G-  C 
           
        

E♭  C
              
    
F-
B♭ F- B♭ G- C
         
    

    E♭    
       
F- B♭ G♭ C♭ F♭ D


   
    
    
     
  

To Coda

                                      
D- G  

    
1., 3. 2., 4.

         
D.S. to [A] al Coda

                 
      
A♭/B♭ B A/

     



                       
B F♯-E C♯ F♯- B G♯-  C♯

E
      
        
E  C♯

               
    
B F♯- F♯- B E B/D♯ D C♯
     
 
 
                          
F♯- B E G♯-  C♯ C♯ F♯- B
  
 
   

E  C♯
            
      
B F♯- F♯- B G♯- C♯
          
   

          
F♯- B E


There's no room to fit the real ending on two pages. Sorry.
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859
Bass Steam Gardens
from Super Mario Odyssey
Composed by Koji Kondo
Transcribed by DoubleMark
 = 150

 
E-  A E-
            
G/A F♯-/ G/A F♯- F♯-/B
         
          
    
     


    
A-/C
E-  A   
     
G/A F♯-/
       
      
 


                   
  
A E-
 
G

    
     
            
C

D E-

1. 2.

     D      E-         D      B  

C
 
C B- B-
     
B
  

                             

C C C

 
E- D E- D E- D B

       


  
   
 
     
  
  
        
C E- G C D E-

 
E-  A E-
D
            
G/A F♯-/ G/A F♯- F♯-/B
           
            
     

 
E-  A E-
            
G/A F♯-/ G/A F♯- F♯-/B
           
            
     
D.C.
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 860
Bass Beware the Forest's Mushrooms
from Super Mario RPG
Composed by Yoko Shimomura
Transcribed by Ashanti Mills


 = 95

        
            
A
  
C♯- F♯ E F♯ B

                       
  
A B G♯-



  
       
B C♯- B-

   
    
C♯  C♯
   

       B      

         
C F♯- A B E


                       
D E C♯

            
    
F♯- E D C♯

       
  
  
  
            
F♯ G♯-
           
   
D.C.
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861
Bass Rose Town
from Super Mario RPG
Composed by Yoko Shimomura
Transcribed by Mike Matarazzo

B♭
   
Swing  = 176

       
E♭ E♭ A♭/E♭ A
   
Intro

        


       E♭/
  
                 
A B♭
 
E♭ A♭ G


      E♭/
       
      
     
G B♭
 
E♭ A♭ E♭

 
3

                     
   
 A♭
      
B E♭ B♭/F E♭

  
3

  
 A♭
              
      
E♭ B♭ E♭

  
D.S.

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862
863
Bass Delfino Plaza
from Super Mario Sunshine
Composed by Koji Kondo
Transcribed by Ashanti Mills



Freely


Jazz manouche  = 138

               
E A♯ B- E  A♯ B- E 
 
N.C. A A

 
5

       
   
A♯
     
A A B- E  A A♯ B- E 
 
 

     
       
A A♯ B- E   A A♯ B- E  

  

       
         
A A♯ B- E  A A♯ B- E 
 
 

     
       
A A♯ B- E   A

  

   A     A 

          
B

D D

   A  
              
E/G♯ F♯ E

D F

              E A 
    
A♯ B- E  A A♯ B- E  A
       
A A♯ B-

    
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                  
864
C

A G/A A A A G/ A

             C   C 
    
B♭/

C B♭/C C C


                   
F♯- B E C♯- F♯ B- E/G♯

E

              E A 
    
A♯ B- E  A A♯ B- E  A
       
A A♯ B-

    

     
D A A♯ B- E   A A♯ B- E  

     E  
A♯
 
     
A B- A A♯ B- E  

     
A♯
      
B-

E  

A A♯ B- A E  

  A♯
   
       
     
A B- E  A A♯ B- E  

   

  
A A♯ B- E   A A♯ B- E  

   D.S.
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865
Bass Athletic
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy

E  
  
 = 80

    
         
        
B-  A A
    
D-

   

    
        
 
    
G C B B♭
1.

 
C

    

           
     
G
2.

 
C
    

 E   D- 
   
       
  
C-/E♭
 
BC C/ F F♯ C/E G

C E      C
       
G
 
C/ F♯ D-
 
F



C-/E♭ / D- G
   C/ E   C-/ E♭ /   D-
      
  
   
 
F F C/

E
C   
 
G

C         C
                 
G
 
C/B♭

F/A F-/A♭
     
D.S.
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866
867
Bass Ending
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy & Jer Roque


Swing  = 72

                                              
D- G   A C E-/B C/B♭ A

     


    F♯-   C/G 
         
A D- G
   
F

 


                             
C E-/B C/B♭ A

  


      G
   C 
D-
   
   

F♯-  C/G A
  
F

              
     
B A D
   

         C    D♯
 D-  E-
     
G
 
G


                                    
C C E-/B C/B♭ A

   


    F♯-   C/G   A 
            
D- G  
   
F

   
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                
868

   
D C/B♭ A
    
C E-/B

 

     G
     

     
   

F♯-  C/G A D-
      
F

C 
C/B♭ 


F/A

F/A♭ G


3

 
3

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869
Bass Fortress Boss
from Super Mario World
Composed by Koji Kondo
Transcribed by Mike Matarazzo
Latin  = 125

      
B♭/A A♭/G F/E E♭/D B♭/A A♭/G
 
Intro

    
No groove 

 
C- C-
 
A D♭  D♭ 
 
 

     
    


      
    


     
    


  
 
             

     
            
   
Enter rhythm and bass

 
C- D♭  C- D♭ 

   
 
Rhythm and bass simile

        G♭
  
F- F-
  
 G♭ 

B

       
       


              
C- D♭  C- D♭ 

                 
   

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       
870

            
C E-  D♭- 

         

                              
 
Rhythm and bass break


 
C-
      
D♭ 
    
C- D♭ 

    
 
Rhythm and bass main groove
C- D♭  C- D♭ 
  
 
D
   

   



              
C- D♭   D♭ 
  
C-

     
     


        G♭
  
F- F-
  
D  G♭ 

           
      

              
C- D♭  C- D♭ 

                
   

            
      
E E-  D♭- 

         

                              
 
Rhythm and bass break


 
C-
      
D♭ 
    
C- D♭ 

    
  D.S.
Rhythm and bass main groove
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871
Bass Map 1
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy

            
 = 142 C D-
  
       

       
C B B♭ A A♭


C
 

        

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 872
Bass Map 2
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy

  G     A-    D♭
Swing  = 142

  
          
       
C A- D- C D-

 3 3
3 3


    G     A-  
                   
C A- D- C N.C.

 3 
3 3

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873
Bass Map 4
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy
 = 127

                  
  
D- C D- C

     

   
               
D- C
   


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 874
Bass Map 5
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy

     G
   G

 = 127

           
A♭ A♭
            

 F    
                      
E♭-/G♭ D-/F E♭-/G♭



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875
Bass Overworld Composed by Koji Kondo
from Super Mario World
Transcribed by JohnStacy

N.C.  
 = 134

           
G- C   G- G♭
       
F D- F D-

 

 B♭   
         
A B-  G- C
  
F A- F/A F-/A♭

  
  

           
   
B-  G-
 
F A- B♭ C F
  
  

           
B B♭ F D- /A♭ G- C
  
 

 G-
        
B♭ F D- /A♭ C
 
 

          
   
F/E♭ D-
 
F D♭
  
  

C       C  
    
F

                
C B♭ B-  C D G- C F F

   

     
 
D
         
B♭ B-  C G- C F

    D.S.
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 876
Bass Special World
from Super Mario World
Composed by Koji Kondo
Transcribed by JohnStacy

  
 
      
Samba  = 102

           
C
        


            
         
D-
      

              C 

D♭

C
     


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877
Bass Athletic
from Super Mario World 2: Yoshi's Island
Composed by Koji Kondo
Transcribed by Jer Roque

        
 = 134


  
G-
            
F F♯ C

  

      
        
       
A D G- C
  
F

   

                  
D G- C
   
F F

    

              
 
B D G-
      

C               
       
F

              
 
D G-
      

C            

B♭ F/A C
   

           
     
C D G- C
 
F F

   

  
D G- C
      
F

D.S.
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 878
Bass Flower Garden
from Super Mario World 2: Yoshi's Island
Composed by Koji Kondo
Transcribed by sigmabeta

Vamp
                   
C A- F G C A- F G


  
        
 = 122
  
            
(Bass) 3


     G  
      
A C A- F G C A- F
    
    

         
 G 
     
C A- F G C A- F
      

    
      
E- E♭ D G E- E♭  D- D♭-
       


             
   G       
1.,2. 3.


B B♭

                    
F/A F-/A♭ G  G

        
D.S.

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879
Bass Intro Music Box Theme
from Super Mario World 2: Yoshi's Island
Composed by Koji Kondo
Transcribed by Riley Zielinski


 = 80


A-
  
C/G G G/B

           
   


  = 102

C        
    
A D- A-
   
F C D G
     

C        
         
F C D- G C


 C        
      
B D- A-
   
F C D G

     

C        
         
F C D- G C


    
             
C F C/E D- C F C/E D E


                  
           
1. 2.

F♯-  F D

A- G♯ G G G


D.S.

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 880
Bass Brinstar Red Soil Swampy Area
from Super Metroid
Composed by Kenji Yamamoto
Transcribed by Ashanti Mills
 = 75
E♭  E♭/F♭    
    
   
   
   
     
         

    
   
E♭ E♭/F♭

 
  

  
       
E♭ E♭/F♭
    
      
A


Rhythm simile

    

   

E♭ E♭/F♭

  
      


    
         
E♭ E♭/F♭



     E♭/  
  
     
 
   
E♭

     
B

F♭


     

              
E♭
    
F♭ E♭/



E♭ E♭/F♭     
         
Vamp


D.S.
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881
Bass Galactic Warrior - Theme of Samus Aran
from Super Metroid
Composed by Kenji Yamamoto
Transcribed by Mike Matarazzo
  = 76

            
A /D B♭/D D G /D
 
N.C. A D G /D


        
  
                    
Timpani


         
A /D N.C./G E♭/F A♭/F

        
  

      
          
B♭/F C♭/F E♭/F A♭/F B♭/F N.C./F

  

             
    

G /D 
      
G /D 
        
        

      
C /D F /D A♭/D C /D F /D E♭/D
     
B

   
            
             
    
  C♭/F
   N.C./F
  
                     
B♭/F B♭/F
     
     
E♭/F A♭/F E♭/F A♭/F

     

 
                
 
         
    
 
 
https://www.vgleadsheets.com
 
882
   
                   
C
 
D♭ E♭ D♭ E♭

       
  

    

        
  
            

          
       

            
         
 
D♭ E♭ D♭ E♭

         
     

    


  
                          
      

  
            

  

D
 
F♭ G♭

 

       
 
                     


                       

       
F♭ G♭ F♭ G♭

  

   
        
                         
 

             
   
F♭ G♭ N.C.

  
 
     
 
     
         

                  
D.C.

             

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883
Bass Theme of Super Metroid
from Super Metroid
Composed by Kenji Yamamoto
Transcribed by Mike Matarazzo
 = 108

 
                         
A N.C.

   

          
Bass

   

Timpani

          
   
   
          
Bass simile

 


    
        
   
       
Bass simile



                      
E♭
  
B

  

                    

G♭ G♭/F E♭- C♭ F F B♭ B♭


    
     

Choir

   
     

C N.C.

 
                  
    
Timpani On repeat, play [C] 2x, then [B]
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884
885
Bass Super Smash Bros. Brawl Main Theme
from Super Smash Bros. Brawl
Composed by Nobuo Uematsu
Transcribed by David Chihlas

   
 = 150
   
   
E A E

  
B
  
 
3
a tempo

     
            
C♯- B C♯- B C♯- B C♯- B

      
           
C♯- B C♯- B C♯- F♯- G♯ C♯-
  



D♯- 
  
G♯
     
C♯
 
B C♯-

          
D♯/A♯ A- G♯ G♯/B♯

C♯-

             
C B E

        
D♯
   
G♯- G♯-/F♯ G♯-/E G♯-/D♯


 
C♯-   
        
F♯ F♯ F♯- B
 
 


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         D♯       C♯   C   
886

  
D E B/ D A/ A-/ E

                    
(E) B/D♯ D A/C♯ B


   
 
E C-

A C C/D E♭ F
         
  

       

G
  
G F G F G B♭
     
   
3

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887
Bass Menu 1
from Super Smash Bros. Melee Composed by Hirokazu Ando
Transcribed by 8-Bit Music Theory
Lead Sheet by Ashanti Mills
 = 156

         
    
A B- E/B G/B A/B

        

                

         

       
B- E C D/C

       
Rhythm simile

   
B- E/B G/B F♯-
           
   

C
 
          
B-
 
E C
       
          

              
B

 
G/A A/B G/A A/B

3


 
    
  


      
G- A- G- C/D
          
  


3

               
G/A A/B G/A A/B
    

    
        
E♭ F♯ 
      
F G/C♯

3
D.C.
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888
889
Bass Menu
from Super Smash Bros. Ultimate
Composed by Hideki Sakamoto
Transcribed by Ashanti Mills and Bao Vuong

    E
 = 140

  
D 

       
Intro A- B- C
 


      
            
A A- D/A A- D/A A- D/A F G


E 

1. 2.

                     
Ealt
   
 

A- F E- E E/G♯

D/A A-/D

  

                   
      
B F G  /F E- A-

   E     
 
  
B alt
 
      
F♯-  B

  

   A      
   F♯
         
          
C E- A- B-

  A                            
  B-
1. 2.

       
E- A- C D C D


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   A   
890
  
A
  


D E- E-
 

    

                  
E-
E C B- F

             

A B B
 

                   
      
F F G  /F E- A-

       
         
 
C alt
 
B alt
 
  
E

F♯-  B

     


   B♭
        G
           
           
G F- B♭- C- C

 

       
  B♭                 
  C-    D♭
1. 2.

       
F- B♭- E♭ D♭ E♭

 

D♭  D♭ 
B♭ E♭
          

  
D.S.
https://www.vgleadsheets.com
891
Bass Balrog's Theme
from Super Street Fighter II (Arcade)
Composed by Yoko Shimomura
Transcribed by Mike Matarazzo

 
 = 144

     
G-

  
   

     

                

 
 (Bass)

   B♭
      B♭
A♭

         
A C- C- A♭

      


  
     
          

                          
        

B C- A♭ B♭ E♭ G-

 

                                  

C- A♭ B♭ G-

 

G-

              
C A♭ F-

E♭

     
  
 
 




G-
                            
A♭ F-
 


                   
            
D C- A♭ F- G-

  

        
C-
   
A♭
  
                
F- G- C-

  
D.S.
https://www.vgleadsheets.com
 892
Bass Guile's Theme
from Super Street Fighter II (Arcade)
Composed by Yoko Shimomura
Transcribed by Jer Roque
 = 121

                     

C♯- A F♯- G♯-


                    

C♯- A F♯- G♯-

             
             
A C♯- A B G♯-
 
 

           
          
C♯- A  B G♯-



          
  
B A B C♯-
  

       
A

B C♯-
      


                        
 
C C♯- F♯- B E
   


              
A B C♯-
   


       
         
A B C♯-
  
 D.C.
https://www.vgleadsheets.com
893
Bass Ken's Theme
from Street Fighter II
Composed by Yoko Shimomura
Transcribed by Jer Roque

   
 = 140

                                            
C♯- A F♯- G♯ C♯-

  

              
A
 
A F♯-

      
 
   
             
G♯

C♯-

       

       
A
      
F♯-

         

                 
G♯

   

               
B
 
A F♯- C♯-

   

          
               
A B G♯ C♯-

  

               
     
C
      
A F♯-

 
 
                       
G♯ C♯-
 

             
                   
A B

 

           
    
B♯ C♯-

D.S.
https://www.vgleadsheets.com
 894
Bass Ryu's Theme
from Super Street Fighter II (Arcade)
Composed by Yoko Shimomura
Transcribed by Jer Roque
 = 138

       
E♭-

  
         



     
                 
A E♭- C♭ D♭ G♭



    
                        
C♭ A♭- B♭



               
       
 
C♭ D♭ E♭- C♭

    

            
      
D♭ B♭



                   

B E♭- D♭ C C♭

    

                             
E♭- D♭ C C♭ B♭

  


        
E♭-

        
         
 D.S.
https://www.vgleadsheets.com
895
Bass Vega's Theme
from Super Street Fighter II (Arcade)
Composed by Yoko Shimomura
Transcribed by Jer Roque
 = 163

    
E  /A
           
A- D-/A A-



A E  /A

A- D-/A A-
           
3 3

    

       
E
 
A- D-/A A-

    
3

 
3
D- E

F

         
3 3

     

        
F G A

             
3


3

           
B E/G♯

           
A- C/G D/F♯

 

  
D♯ E
   
D-/F A-/E
       
  
3

           
E/G♯

           
A- C/G D-/F

 

                   
E

  D.C.
https://www.vgleadsheets.com
 896
Bass Vega's Theme
from Super Street Fighter II (Arcade)
Composed by Yoko Shimomura
Transcribed by Jer Roque
 = 163

        
B♭/E♭
           
E♭- A♭-/E♭ E♭-

 

         
A B♭/E♭

E♭- A♭-/E♭ E♭-

           

3

         
B♭
       
E♭- A♭-/E♭ E♭-

  
3 3

   
       
A♭- B♭
 
C♭

      
3 3

        
                  
C♭ D♭ E♭


3 3


                        
B E♭- B♭/D G♭/D♭ A♭/C

   

                
A B♭
 
A♭-/C♭ E♭-/B♭

  
3


                        
E♭- B♭/D G♭/D♭ A♭-/C♭

   

             
       
B♭

   
D.C.
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897
Bass Desolate Road
from Tales of Phantasia
Composed by Motoi Sakuraba
Transcribed by Gregory Orosz

        
A D-

C F
  
 = 115


1. 2.

         
(F) D- ( D- )
  

    
B

B♭ F
  


        
D- C



      
C D-

C D-

   


     
   
( D- ) C D- ( D- )
1. 2.

  
D.S.

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 898
Bass Neon Night-Riders
from Teenage Mutant Ninja Turtles: Turtles in Time
Composed by Mutsuhiko Izumi
Transcribed by Mike Matarazzo

  
A-
 
 = 120
     

Drums


   A           D /A      
     
A-
   
A A- A-

D /
 
7

                    
           
B( A- ) D  /A A- D  /A A-

   D /A         D-

              
   


( A- ) A- D  /A

         D-
    
                
F
  
C ( D- ) E- E- F D-
   

     F   
                     
E- E
  
 
( D- )

A-
  
D.S.

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899
Bass Sewer Surfin'
from Teenage Mutant Ninja Turtles: Turtles in Time
Composed by Mutsuhiko Izumi
Transcribed by Jer Roque
 = 204

      
   
G B♭ C E♭


       
       
G B♭ C E♭ F


               
A

G B♭ C E♭ G

  

                 
G B♭ C E♭ G

  
Fine

  F
        
                  
B G



F   C  G
     
     
     
1. 2.

 

            
C
 
B♭ F B♭ F G

  F     D    
      
B♭ B♭ F

D.S. al Fine
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 900
Bass Underwater
from Teenage Mutant Ninja Turtles
Composed by Jun Funahashi
Transcribed by AarekMG
  = 150

                   

 
 
  
F
  

     

(Bass)

               
F
   
       
             
       
     
      
  
  






          
A♭
             
A F D♭ (no) G C

  

  
       
                
D♭
           
F A♭
G♭ F

        

                       
           
B B♭ A♭

      

         
F
          
E♭
 
F E♭ F

 
D.C.

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901
Bass Korobeiniki (Tetris Type-A)
from Tetris
Russian Folk Song
Transcribed by Jer Roque
 = 150


     E
   
A  E/G♯
     
E A- A-
        

         
  
E
     
D- C A-
    


 
B E/G♯ E/G♯
 
A- A-
     

    
E/G♯ E/G♯
 
A- A-
  
D.C.

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 902
Bass Type-B
from Tetris
Composed by Hirokazu Tanaka
Transcribed by Mike Matarazzo
 = 150


A N.C.
   
 
  
 
  
 
  
 

B    B
   E-     
             
E- E- B E- B E- B E- B

B    B
Rhythm simile

   E-     
             
E- E- B E- B E- B E- B

         
E- A- E- B E- A- E- D

            
B
 
G D G D G D G D

             A
 
G D G D G D G

D         D        

G G-

D      D
      D       
  

        
           
E- E D B

D.C.
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903
Bass Metal Squad
from Thunder Force IV Composed by Toshiharu Yamanishi
Transcribed by Mike Matarazzo

   
Metal  = 196 A
F- D♭
          
            

Rhythm Guitar

  
D♭ E♭ F-
        
           


  
     
F- D♭

 

         
Rhythm Simile

                  
D♭ E♭ F-

 
 
F-           
      
B

D♭

 


                         
F-

 
D♭ E♭

 
F-               D♭
       

D♭ E♭
         
   
     
D♭ E♭ F-

 

 
       
C C- D♭

 

   
C-   D♭
  
   
E♭ F-

 

F-              
      
D D♭ F-
 
E♭

 
F-              
      
D♭
 
E♭ F-

 

         
F-

 

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 904
  
E F- D♭
                  
  


F-




  
D♭ E♭
        
           

   
F- D♭


   

Rhythm Simile

    
D♭ E♭



  
F-

F-            
     
F

D♭

 

D♭ E♭
             
 

 
D♭ E♭ F-

           
                
G
 
B♭- G♭ F-

           

      
     
      
E♭- A♭ D♭

           

 
                
G♭ F G♭ F G♭ F F-

   

 F-              
       
H D♭ F-
 
E♭

  

F-              
      
D♭
 
E♭ F-

 

       2.
         
 
F- 1.

 
D.C.
https://www.vgleadsheets.com
905
Bass Sad Freedom
from Treasure Hunter G
Composed by Mitsuhito Tanaka
Transcribed by DoubleMark
 = 83

   
E-
  

A
         

     
               
Melody on repeat only


C D
               
                    


C
            
   
        
E-
 
 
 
D N.C.

Backgrounds cont. simile

   
 E-
       C         
B
 
D



Backgrounds cont. simile 3

      
  D      
 E-
   C
1. 2.

 
D
       
 3

   
  
F
      
   
F♯-

E-
  
C D-

 3 3

 G   
              
F
      
G♯-
 
1.
F♯-
   
3 3


 G♯-
    G-
   F♯-  D♯
   

2.

    
D.C.
https://www.vgleadsheets.com
 906
Bass Tyrian, the level
from Tyrian
Composed by Alexander Brandon
Transcribed by Mike Matarazzo
 = 150

                 
      
            
AF♯

    

                      
B D♯- B C♯ C♯

      B
            
D♯- C♯ C♯

                                    D          
   
C F♯ E F♯ E

  
D.C.

https://www.vgleadsheets.com
907
Bass Desert
from U.N. Squadron
Composed by Manami Matsumae
Transcribed by sigmabeta
Rock  = 168

    
D- 


       

B♭
            
A C
 
D-

 
                    
 
B♭

E-  G-
   
A



   C 
       
  
B G-
 
G-

 

      
    
E- 

G- A D-
     

     
                  
C D- B♭
     
C

 

        
            
  
B♭ E- 
 
A

    C            B♭

         
   
D D-
    

         A
E- 
        
B♭ A
      
D- A-

D.S.
https://www.vgleadsheets.com
908
909
Bass Night Walker (Linne)
from Under Night In-Birth
Composed by Raito
Transcribed by Ashanti Mills
Fusion  = 148

   
E- F♯

    
         
                

 
B- G♯- 
    
         
                

E- F♯
        
      
                 

  
B- A- D
1.


  

  
              
          

                 
2.
A/B B♭/C A/B B♭/C A/B B♭/C A/B

                 
A/B B♭/C A/B B♭/C A/B B♭/C A/B


 
                  
A B- G
    
       

                                
E- C♯- F♯  F♯ 
1. 2.

       

To Coda
https://www.vgleadsheets.com
      
910

         
B E- F♯ B- G♯- 

              


            
     
E- F♯ B- A- D  
1.

     
 

2.
A/B B♭/C A/B B♭/C A/B B♭/C A/B
              
   

A/B B♭/C A/B B♭/C A/B B♭/C A/B

 
              
 
D.S. al Coda

  E-      
         
D B-
     

B- 
    
              
E-

 

 G-       C  C     F-       B♭ 

            
E



   
                         
E- F♯- G- B♭/C B 

N.C.
  
D.C.
https://www.vgleadsheets.com
911
Bass Bonetrousle
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque
 = 150

      
C-



      
            
A
      
C-

      
       
             


 
            
     
    


      
       
            


    E♭
               
B F-
 
G A♭

        

        G
    
1.
D/F
          
F- G A♭

      


           

          
2.
F- G A♭ G C-

  
  D.C.
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 912
Bass Determination
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque
 = 115

 
              
A E♭- A♭ C♭ D♭ D♭/F E♭-

     

         

E♭- A♭ C♭ D♭ B♭- E♭-

     
    

                
 
  
B F♭ E♭- F♭ E♭-

  
 

        
  
1.
A♭ E♭- C♭ B♭

        
  

   
2.
C♭ D♭ B♭- E♭-

   
 D.C.

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913
Bass Dogsong
from UNDERTALE
Composed by Toby Fox
Transcribed by David Chihlas
 = 115

                        
A D♭ G♭ A♭

   
 


  
1. 2.


                        
D♭ G♭ A♭ G♭ A♭ D♭ G♭ A♭ D♭

     
   

      
B G♭
             
D♭

   
      

      
              
1.
G♭ A♭

         



                
2.
A♭ B♭- A♭

     

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 914
Bass Fallen Down (Reprise)
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque
 = 110

                     
A D B
     

                  
1. 2.


G
      
G- D A D A
     

                        
B G A D F♯- G A B- A

       

                           
G A D F♯- G A B- A

       

=

            
  
C D

  
A/C♯ B- D/A G D/F♯ E- A
     

    
              
          
DG F♯- E- A A♯ B- A

       

        
 
              
E D E/G♯ G D G A N.C.

             
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915
Bass MEGALOVANIA
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque

D-  

                           
 = 120 C


           
           
B-  B♭ C
    
       
                                     
A D- C B♭ B- 
C

  

     
3

                                
B- 

  
D- C B♭ C
 

   
B B♭
      
C D-

                      

                 
   
D♭ E♭ B♭ C D- D♭ E♭

       

          
C B- 
    
B♭ C B♭ C D-

   
B- 
    
D- D♭ C
      
       
D B♭ C B♭ C D-

 
     C 

D- 
                        
E B♭
  

     B♭ 
    
C 
        
      
 
D.C.
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 916
Bass Once Upon a Time
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque

    A-  F-/A♭ 
       
A- F-/A♭ G- G-

F F
  
 = 65

A-      A♭ G-

           
        
B♭
A C A- D- C

 

   G  B♭   F    G  B♭   F 
                
B
F

     

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917
Bass Snowdin Town
from UNDERTALE
Composed by Toby Fox

   A♭
Transcribed by Jer Roque

  A♭

     /C B♭-
    E♭
  
        
D♭ A♭ B♭- D♭
 
/C B♭- F-

     


  A♭
    A♭
    E♭
           
D♭ D♭
  
/C B♭-
 
/C   
   
B♭- A♭ B♭-


        
                  
A D♭ A♭ B♭- A♭/C

  
3 3

 

      B♭- E♭ A♭ 

              
A♭
      
D♭

  
3 3

 

       E♭
  F-
                
B C- D♭ C-

 

       E♭
               

C- D♭ B♭-


D.C.

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 918
Bass Spooktune
from UNDERTALE
Composed by Toby Fox
Transcribed by Jer Roque

    
 
             
Swing 8ths  = 122

     


                   
   


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919
Bass Confidence in the Domination
from Valkyrie Profile
Composed by Motoi Sakuraba

  E
Transcribed by DoubleMark

    D-
       
E
             
           
 
 = 140

   
E-D E- A E- D
        

 
      E-  D
 
             
E-
D E- A

       

       E-
   

                    
A D- E A- D- A-



       E

                  
D- E- A- D- E- A-


  
                      
D- E- A- D- E- A A


  E
   E-  D     D-
      
E
 
   
                   
B E-D E- A

        

   
 E
    

              
    
E-
D E- A F♯-
      

    B
       

      
      
  
C♯
   
F♯
 
F♯- G♯- G♯-
     
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   
      B 
        
                       
 
920
C A- D- A



C/G G-  A
 /G G-
            
D G- D/G G- A/G A A


  
C/G G- A
 /G G-
             
G- D/G G- A/G A A


                  
                       
A- D- B A
   
D.C.

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921
Bass Title Theme
from Wario's Woods
Composed by Shinobu Amayaka & Soyo Oka
Transcribed by JohnStacy
 = 142

  
C♯- E/B
   
E B/D♯
      

 
A E/B F♯ B/F♯ A♯ B- C♯- D♯ E
        
   

 
C♯- E/B E  /B
     
E B/D♯
   

 
A E/G♯ F♯ B E E
      
 

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 922
Bass Main Title
from Wave Race 64
Composed by Kazumi Totaka
Transcribed by VGLeadSheets.com, live at VGM Con 2020

   E♭/
 B♭   
90s Pop rock  = 170

 
B♭/C C/D

F
    
C

 

 

 


    

F
        
B♭

 
C B♭ C B♭
      
  
A

C/D F/D


                  C   
    
F D C/ F/D G-

C/ B♭ B♭
    C/ B♭ B♭
   
      

  F/A B♭ 
                         
B E F G- C

F G- C D-
 

  F/A
         
                 E♭
                 
F G- B♭ C D- E F C/

  

  
        
C ( C/E♭ ) D-

  
6

   
     C
N.C.
 
A♭/B♭

G♭/A♭ B♭/
    
6 D.S.
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923
Bass Wii Shop Channel
from Wii
Composed by Kazumi Totaka
Transcribed by Bao Vuong

              
Bossa  = 74
E-/D
  

                      
A G

  
 

                  
  
C C- F
       

    
        
B- B♭ A- E /G♯
  


     
     
   
      
A- A♭ G F♯- B

 E
             
   
B
       

 E-
               D♯-
    D
   
A D 
       

 
              
E
  
C♯- C-  C B-
   
 

                   
       
A A-
  
N.C.

D.S.
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924
925
Bass To the End of the Wilderness
from Wild Arms
Composed by Michiko Naruke
Transcribed by DoubleMark
Spaghetti western  = 105
C 
              
D- D-

A-/C
            

     C   

B♭ C D- B♭ C D-
 
   
          
        


         G   A   
     
A D- C D- F

  

         
 
D- C B♭ A- B♭
     

   
            
B♭ C
1.

  
D- D-

  C 
        
D- B♭ C D- C B♭
2.

        
    

     
  
A♭ B♭ D♭ B♭ E♭

    
  
    
B
   
 


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 A♭   B♭   C
        
926

        
C F- E♭ F-

                
F- E♭ D♭ C- D♭

   

 
             
D F- C-/F F- C-/F F- C-/F F- C-/F

 

       
F- F- F- F-

C-/F C-/F C-/F C-/F
    
   

       
F- C-/F F- C-/F F-

 

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927
Bass Not Just Any Kid, But A Lady! (Jane's Theme)
from Wild Arms
Composed by Michiko Naruke
Transcribed by Mike Matarazzo

 
Rock  = 160

  


A

A- N.C. A- N.C.
 
 

  

  
                         
Bass Timpani

     
           
B A- C E

      
A- D F

   
     
Bass simile

             
G E
      
A- C D F A- N.C.
  
 
 
 

 
Timpani

     
    
C D A-

        
   

          
F E  

D

      
    
Timpani D.C.

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 928
Bass Port Town Theme
from Wild Arms
Composed by Michiko Naruke
Transcribed by Gregory Orosz
 = 90

     
Intro D♭ E♭ F- D♭ E♭ F-

         

     

      
(Bass)

   E♭
     E♭
          
1. 2.

         
A
  
D♭ F- D♭ E♭ F- F-

  
Bass simile

         
           
D♭ E♭ F- E♭ D♭ E♭ F- E♭
      
B

 

         
     
D♭ E♭ F- E♭ D♭ E♭ F-
      

D.C.

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929
Bass Village of the Elw
from Wild Arms
Composed by Michiko Naruke
Transcribed by DoubleMark

 
        
A C♯- E F♯- G♯-

 = 90

     

A G♯- F♯- G♯ G♯
       

      
         
B

   
A♯- G♯ C♯- B
      

      
A G♯- F♯- E F♯- G♯

         


   
C♯- G♯- C♯- G♯-
 
          
  
D.S.

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 930
Bass Wh-What? (Zed's Theme)
from Wild Arms
Composed by Michiko Naruke
Transcribed by Mike Matarazzo

    
F♯
           
Intro B- N.C.
       
 = 150

Freely Drum pickup


              
              
A B-
       
    

      
  
  
    
   
B-

    D  B-    

A
 
E- F♯
  
E- B-

      
      
B
 
F♯ G A G F♯


          
     

      
B- A D E- A D F♯/C♯
      
  

  

F♯
  
               
B- E- B- B-
 
 Unison D.S.

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931
Bass Gaur Plain
from Xenoblade Chronicles
Composed by ACE+
Transcribed by Tristan H

       B♭     C          
         
Intro G-
 
E♭ D-

 = 110

      F
6 3

G- B♭
6 6

        
  
E♭ D-


3 3

                   

A
 
E♭ B♭
   

  G- 
            
E♭
 

                   
    
E♭ B♭
   

        
      
E D
    
E♭ D- N.C.

 
Drum fill

      
B
      
G- A♭ A D G- F

      
 

         
  
E♭ C- D G- E♭ D

     

             
G- A♭ A D G- F

      
 
https://www.vgleadsheets.com
 932



to Coda 

         
  
E C- D G- E♭ D-


         
           
 
C
 
G- B♭ F E♭ D-
  

F
             
        
G- B♭ E♭ D-

  

      D-
D.S. al Coda

           
G- E♭
               
  
D G- E♭- G- D D

 

    

       
1. 2.

         
E♭- D D

G- G- F

     
 

    
   
E C-

B♭

           
G- F E♭

3
E♭
  
E♭
 
  
 




 
G- F

  simile          
  
                  
       
F C-

Bass

(Bass) 6

            

     
C-
 
E♭ D-

6 D.S. al Coda
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933
Bass Mor Ardain - Roaming the Wastes
from Xenoblade Chronicles 2
Composed by Yasunori Mitsuda
Transcribed by DoubleMark
 = 124

              
Intro E- F♯-
  
B- A G
     


     

B- A G E- F♯- C♯ F♯ N.C.
                   
       



                 
A E- F♯- B- B-
      
B- E E
   
   
 B-
    
         
B- E- F♯- B- E

       

             
 

    
G G F♯- B-

B- /A

B
 

                  
G♯-  G C♯ F♯ N.C.

   
  
 

  

                     F♯- 
              
B- A G
     
C

         F♯
         B-
   
  F♯
 A  


    
E- G

  
   


                F♯-
  
            
B- A G

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       
934

  
G C
    
E- N.C.

              
   

  
To Coda

  

          
       
D G F♯-
 
B- A E-

 

         
B- A G F♯-


         
C♯ F♯ F♯ N.C.
     
D.S. al Coda

  
     
      
 
     
E- F♯-

N.C. B- A G
 
E

    

             
  
B- A G E- F♯-
   

       
C♯ F♯ G♯

A


         


https://www.vgleadsheets.com
935
Bass My Village is Number One
from Xenogears
Composed by Yasunori Mitsuda
Transcribed by mkafie

 
       
A/E D B/D♯

A A/E D D/A A
         
E

 = 161
      


 

                       
A A

        
D 3 A F♯- B E E
               
 


           
1.


                
A D 3 A F♯- B E E
    
               
   


     
   
2.
F♯- B E E
      
 

  
        
B

    
A
   



 
A

 

      


  
   

         
A
   



   
 
D E A

            
 
  
        
A
      

https://www.vgleadsheets.com
   
936

  
D E A

      
   

   
   

          
A
  


   
A

D E A

         

      
C A

D E A A

    
      

          
D E F♯- E

          


       
D E A A

     
      

        
D E A A

          

    
D
  
Percussion alone D.S.
https://www.vgleadsheets.com
937
Bass Shevat, the Wind is Calling
from Xenogears
Composed by Yasunori Mitsuda
Transcribed by DoubleMark

  
                     
 = 142


                
              

      
 
    

   
  

 
  

  
   
               

        
A E- F
  

                  
  
E- F
 
     

            
  
           
E- F

 


    
E-



       
C
  
C
 
B- B-

B
   


 

     
C B- A- B
     
     


D.C.
https://www.vgleadsheets.com
 938
Bass Singing of the Gentle Wind
from Xenogears
Composed by Yasunori Mitsuda
Transcribed by Jer Roque

     
 = 62

                
F C-
 
E♭ G- A♭ A♭/B♭ B♭ B♭ B♭

 

                            
  
A E♭ B♭ E♭ B♭ E♭ G- A♭ B♭ B♭

  
3


      B♭
 A♭
                  
       
1.
G- B C- A♭ B♭ C- A♭ B♭

   

   
            
D- C- F
2.


B♭ E♭ B♭

  

    
 A♭
  
 E♭
               
 F
   
B E♭ C- B♭ B♭

 

   
 A♭
  
 E♭
           
 F
      
C-

E♭ B♭ B♭

 

     B♭   
 E♭
 
A♭ 
      
     
A♭ B♭


 
3

    
B♭

E♭ E♭ /

 
D.S.
https://www.vgleadsheets.com
939
Bass Interplanetary Spark
from Yakuza 0
Composed by ZENTA

        
Transcribed by Ashanti Mills

         
Funk Rock  = 137

            
B-
 

                     
G F♯
  
         

        

        
    
A B-

         


          
           
G F♯

         

                 
            
B-


           
G F♯

   
    


     
                   
B E-

 
B-             
           
     

         
E-
           
 
https://www.vgleadsheets.com
      
940

   
G F♯
             

Unison

                 
   
C
        
B-


                     
G F♯
  
         

   
                    
B- G F♯
        
               
 
To Coda

    
                  
       
D
 
B-

 
Unison

   
                  
      
( B- ) G A

 
D.S. al Coda (skip repeats)

        
      
 
       
N.C.
  
Unison

        
            
( N.C. ) C B-
 
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941
Bass Ending Story
from Yoshi's Story
Composed by Kazumi Totaka
Transcribed by JohnStacy & mkafie

       
 D
 = 98

        A/B
E/B D/A
  
Intro E/G♯

A


           
E
                 

                    
A C♯- G♯- D♯ C♯-
 
A E

G♯- G♯-

 

G♯- C♯- A♯-  D♯   G♯- /


               
 
F♯- B C♯ C♯ 




         
F♯- B E F♯- G♯- F♯-
1.

  
2.

    
E F♯- G♯- F♯-

E D/E



             
B A A- G♯- C♯ C♯ 

  

      
F♯-

A/B A-/B

        
E F♯- G♯- F♯- E F♯- G♯- F♯-


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 A  G♯- C♯-  E 
        
 
942

        
        
F♯- B

C E D/E
  

     
D A A- G♯- C♯ C♯ 

          


1.,2.,3. 4.

    
F♯- E F♯- G♯- F♯-

A/B A-/B E D/E


                

     
E E F♯- G♯- F♯- E F♯- G♯- F♯-

        
      
E F♯-/A G♯- C♯  F♯- A/B E E

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943
Bass Shy But Deadly
from Yoshi's Woolly World
Composed by Tomoya Tomita
Transcribed by Jonathan Aldrich
Shuffle  = 126
A/D  D
G/ A/D  D
G/
 
     
A
       
 
  
   
   
  
 

       
       
A A/D G/D A/D G/D

              
   
A/D G/D A/D G/D

    
 3
B-
 
 D  D
     
D G/ D G/
     
     
 
G

     
 3
B-   
 
3

        
G/A

 
G


3

              
B D G G- G-
  
D

               
F♯- B- E-
 
G/A

  

              
D G G- G-
  
D

       
 
F♯- B- E- A
  
G/A
 
D.C.
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944
945
Bass Sunshine Coastline
from Ys VIII
Composed by Takahiro Unisuga
Transcribed by DoubleMark
Driving rock  = 218

  
 
        
C- A♭ E♭ B♭ B♭

 

No percussion

     
           
 
C- A♭
   
          

      B 
G /
        
 
E♭ B♭
  
         

   
Drums enter (fill)


    
          


A

C- A♭

     

                     

E♭ B♭

         

     
           
     
C- A♭

  

                       
  
E♭ B♭

    
 
A♭
 
B


B♭
      
    
   




  
 
G  /B


A♭ B♭
   
  
   
  
 
   

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 946
 
       
        
B♭
 
C-
 
C A♭ B♭

 
  
C- B♭
        
  


        
    
A♭ B♭

     
1.


C- B♭
      
D   
                  
2.
B♭ A♭ B♭

   
C- B♭
  
    
     
 G-
 
   
A♭

     

   G/B
   
F- E♭/G

     

     
            
E A♭

B♭

  

       E♭
   
1.,3.

       
C- E♭/G

   


                 
      
A♭ A B♭ B G-

  


    
2.,4.

             
E♭/G F- G-

   
   

            
    
C   C
    
A♭ B♭

 
D.C. on 4x
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947
Bass Battle Theme
from Zelda II: The Adventure of Link
Composed by Akito Nakatsuka
Transcribed by GUIM
 = 100

                    
G- F
             
 

 
           
D
    
E♭ A♭
     
         

   
                         
E♭ F D

       
  D.C.

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 948
Bass Inside House
from Zelda II: The Adventure of Link
Composed by Akito Nakatsuka
Transcribed by GUIM

           
F
           
 = 129 G F G

     
3

 3 3

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949
Bass Palace Theme
from Zelda II: The Adventure of Link
Composed by Akito Nakatsuka
Transcribed by AarekMG


 = 150

          
G B♭ A A♭
    

 

    G-
     
           
A G- G-
  
G-

   


D    
          
                                
1. 2.

         

    G-
       
           
G- G-
  
G-

   

                  
          
F-
B D

               
       
D
  
    
 F-/C       
  
        
C G-/D
   

E-    F-/C        
3 3 3 3


   
      
 

  
3 3 3 3


D    
      
                             
1. 2.

         D.S.
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 950
Bass Dungeon 1
from Zoda's Revenge: StarTropics II
Composed by Yoshio Hirai
Transcribed by Gregory Orosz & Analilia Fierro

F  G
  
 
                     
  
A
 
G F
A- A-
 
 = 150

        
       
   

                 
    
F G A- F G A-

    
       
   

 

         
F E-

  
   
B D- E-
   
A- G

       
F/ D
       

D- E- N.C.
       

      
     



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