Kinship, Caste and Class
Kinship, Caste and Class
Social situation
• Some exception
1) Most ruling dynasties (c. sixth century BCE onwards) claimed to follow this system,
although there were variations in practice: sometimes there were no sons, in some
situations brothers succeeded one another, sometimes other kinsmen claimed the
throne, and, in very exceptional circumstances, women such as Prabhavati Gupta
(Chapter 2) exercised power.
2) The concern with patriliny was not unique to ruling families. It is evident in
mantras in ritual texts such as the Rigveda. It is possible that these attitudes were
shared by wealthy men and those who claimed high status, including Brahmanas.
• Some exception
➢ While the Brahmana authors of these texts claimed that their point of view had
universal validity and that what they prescribed had to be obeyed by
everybody, it is likely that real social relations were more complicated.
➢ Besides, given the regional diversity within the subcontinent and the difficulties
of communication, the influence of Brahmanas was by no means all-pervasive.
✓ Endogamy refers to marriage within a unit – this could be a kin group, caste,
or a group living in the same locality.
4. The gotra
• Meaning
✓ One Brahmanical practice, evident from c. 1000 BCE onwards, was to classify
people (especially Brahmanas) in terms of gotras.
✓ Each gotra was named after a Vedic seer, and all those who belonged to the
same gotra were regarded as his descendants.
• Rules of Gotra
✓ Women were expected to give up their father’s gotra and adopt that of their
husband on marriage.
✓ Members of the same gotra could not marry.
✓ One way to find out whether this was commonly followed is to consider the
names of men and women, which were sometimes derived from gotra names.
By making peace you honour your father and me, as well as your
well-wishers … it is the wise man in control of his senses who
guards his kingdom. Greed and anger drag a man away from his
profits; by defeating these two enemies a king conquers the
earth … You will happily enjoy the earth, my son, along with the
wise and heroic Pandavas … There is no good in a war, no law
(dharma) and profit (artha), let alone happiness; nor is there
(necessarily) victory in the end – don’t set your mind on war …
Duryodhana did not listen to this advice and fought and lost the
war.
Does this passage give you an idea about the way in which
mothers were viewed in early Indian societies?
Varna System
• Meaning
➢ According to Hinduism all the followers of Hinduism are divided in four
group called Varna.
• Features
1. A divine order
➢ Brahmanas claimed that this order, in which they were ranked first, was
divinely ordained, while placing groups classified as Shudras and
“untouchables” at the very bottom of the social order.
➢ To justify their claims, Brahmanas often cited a verse from a hymn in the
Rigveda known as the Purusha sukta, describing the sacrifice of Purusha,
the primeval man.
✓ All the elements of the universe, including the four social
categories, were supposed to have emanated from his body:
✓ The Brahmana was his mouth, of his arms was made the Kshatriya.
His thighs became the Vaishya, of his feet the Shudra was born.
4. Status of occupation
1) Certain activities, especially those connected with the performance of
rituals, were sacred and by extension “pure”.
2) Those who considered themselves pure avoided taking food from those
they designated as “untouchable”.
3) In sharp contrast to the purity aspect, some activities were regarded as
particularly “polluting”. These included handling corpses and dead animals.
Once Drona, a Brahmana who taught archery to the Kuru princes, was approached by
Ekalavya, a forestdwelling nishada (a hunting community). When Drona, who knew the
dharma, refused to have him as his pupil, Ekalavya returned to the forest, prepared an image
of Drona out of clay, and treating it as his teacher, began to practise on his own. In due course,
he acquired great skill in archery. One day, the Kuru princes went hunting and their dog,
wandering in the woods, came upon Ekalavya. When the dog smelt the dark nishada wrapped
in black deer skin, his body caked with dirt, it began to bark. Annoyed, Ekalavya shot seven
arrows into its mouth. When the dog returned to the Pandavas, they were amazed at this
superb display of archery. They tracked down Ekalavya, who introduced himself as a pupil of
Drona.
Drona had once told his favourite student Arjuna, that he would be unrivalled amongst his
pupils. Arjuna now reminded Drona about this. Drona approached Ekalavya, who immediately
acknowledged and honoured him as his teacher. When Drona demanded his right thumb as his
fee, Ekalavya unhesitatingly cut it off and offered it. But thereafter, when he shot with his
remaining fingers, he was no longer as fast as he had been before. Thus, Drona kept his word:
no one was better than Arjuna.
• Some Exceptional Cases of Varna System
1. Non-Kshatriya kings
➢ According to the Shastras, only Kshatriyas could be kings. However, several
important ruling lineages probably had different origins.
1) The social background of the Mauryas, who ruled over a large empire, has
been hotly debated. While later Buddhist texts suggested they were
Kshatriyas, Brahmanical texts described them as being of “low” origin.
2) The Shungas and Kanvas, the immediate successors of the Mauryas, were
Brahmanas.
3) Other rulers, such as the Shakas who came from Central Asia, were
regarded as mlechchhas, barbarians or outsiders by the Brahmanas.
✓ However, one of the earliest inscriptions in Sanskrit describes how
Rudradaman, the best-known Shaka ruler (c. second century CE),
rebuilt Sudarshana lake (Chapter 2).
✓ This suggests that powerful mlechchhas were familiar with
Sanskritic traditions.
4) It is also interesting that the best-known ruler of the Satavahana dynasty,
Gotami-puta Siri-Satakani, claimed to be both a unique Brahmana (eka
bamhana) and a destroyer of the pride of Kshatriyas.
✓ He also claimed to have ensured that there was no intermarriage
amongst members of the four varnas. At the same time, he
entered into a marriage alliance with the kin of Rudradaman.
5) In fact, political power was effectively open to anyone who could muster
support and resources, and rarely depended on birth as a Kshatriya.
6) Shudraka (c. fourth century CE), Here, the hero Charudatta was described
as both a Brahmana and a sarthavaha or merchant And a fifth-century
inscription describes two brothers who made a donation for the
construction of a temple as kshatriya-vaniks.
• Meaning
➢ The term caste, which refers to a set of hierarchically ordered social categories.
The ideal order was laid down in the Dharmasutras and Dharmashastras.
➢ Jatis which shared a common occupation or profession were sometimes
organised into shrenis or guilds.
• Varna and Jati
➢ In Brahmanical theory, jati, like varna, was based on birth. However, while the
number of varnas was fixed at four, there was no restriction on the number of
jatis.
• Importance of jati system for Brahmanical authorities
➢ Whenever Brahmanical authorities encountered new groups – for instance,
people living in forests such as the nishadas – or wanted to assign a name to
occupational categories such as the goldsmith or suvarnakara, which did not
easily fit into the fourfold varna system, they classified them as a jati.
➢ Case study - A tiger-like husband This is a summary of a story from the Adi
Parvan of the Mahabharata:
The Pandavas had fled into the forest. They were tired and fell asleep; only
Bhima, the second Pandava, renowned for his prowess, was keeping watch.
A man-eating rakshasa caught the scent of the Pandavas and sent his sister
Hidimba to capture them. She fell in love with Bhima, transformed herself
into a lovely maiden and proposed to him. He refused. Meanwhile, the
rakshasa arrived and challenged Bhima to a wrestling match. Bhima
accepted the challenge and killed him. The others woke up hearing the
noise. Hidimba introduced herself, and declared her love for Bhima. She told
Kunti: “I have forsaken my friends, my dharma and my kin; and good lady,
chosen your tiger-like son for my man … whether you think me a fool, or
your devoted servant, let me join you, great lady, with your son as my
husband.”
Ultimately, Yudhisthira agreed to the marriage on condition that they would
spend the day together but that Bhima would return every night. The couple
roamed all over the world during the day. In due course Hidimba gave birth
to a rakshasa boy named Ghatotkacha. Then the mother and son left the
Pandavas. Ghatotkacha promised to return to the Pandavas whenever they
needed him.
Some historians suggest that the term rakshasa is used to describe people
whose practices differed from those laid down in Brahmanical texts.
• Brahman believed that certain activities, especially those connected with the
performance of rituals, were sacred and by extension “pure”.
➢ Those who considered themselves pure avoided taking food from those they
designated as “untouchable”.
➢ In sharp contrast to the purity aspect, some activities were regarded as
particularly “polluting”. These included handling corpses and dead animals.
Once, the Bodhisatta was born outside the city of Banaras as a chandala’s son
and named Matanga. One day, when he had gone to the city on some work,
he encountered Dittha Mangalika, the daughter of a merchant. When she saw
him, she exclaimed “I have seen something inauspicious” and washed her
eyes. The angry hangers-on then beat him up. In protest, he went and lay
down at the door of her father’s house. On the seventh day they brought out
the girl and gave her to him. She carried the starving Matanga back to the
chandala settlement.
Once he returned home, he decided to renounce the world. After attaining
spiritual powers, he returned to Banaras and married her. A son named
Mandavya Kumara was born to them. He learnt the three Vedas as he grew up
and began to provide food to 16,000 Brahmanas every day.
One day, Matanga, dressed in rags, with a clay alms bowl in his hand, arrived
at his son’s doorstep and begged for food. Mandavya replied that he looked
like an outcaste and was unworthy of alms; the food was meant for the
Brahmanas. Matanga said: “Those who are proud of their birth and are
ignorant do not deserve gifts. On the contrary, those who are free from vices
are worthy of offerings.” Mandavya lost his temper and asked his servants to
throw the man out. Matanga rose in the air and disappeared. When Dittha
Mangalika learnt about the incident, she followed Matanga and begged his
forgiveness. He asked her to take a bit of the leftover from his bowl and give it
to Mandavya and the Brahmanas …
b) According to the Manusmriti, the paternal estate was to be divided equally amongst
sons after the death of the parents, with a special share for the eldest. Women
could not claim a share of these resources.
c) However, women were allowed to retain the gifts they received on the occasion of
their marriage as stridhana (literally, a woman’s wealth). This could be inherited by
their children, without the husband having any claim on it.
d) At the same time, the Manusmriti warned women against hoarding family property,
or even their own valuables, without the husband’s permission (the Vakataka queen
Prabhavati Gupta (Chapter 2)).
1. Language
➢ The version of the Mahabharata we have been considering is in Sanskrit (although there
are versions in other languages as well).
➢ However, the Sanskrit used in the Mahabharata is far simpler than that of the Vedas, or
of the prashastis discussed in Chapter 2. As such, it was probably widely understood.
2. Content
➢ Historians usually classify the contents of the present text under two broad heads –
sections that contain stories, designated as the narrative, and sections that contain
prescriptions about social norms, designated as didactic (Fig. 3.8 Krishna advises
Arjuna on the battlefield).
➢ This division is by no means watertight – the didactic sections include stories, and the
narrative often contains a social message.
➢ However, generally historians agree that the Mahabharata was meant to be a dramatic,
moving story, and that the didactic portions were probably added later.
3. Author(s)
➢ Who wrote the text? This is a question to which there are several answers.
1) The original story was probably composed by charioteer-bards known as sutas who
generally accompanied Kshatriya warriors to the battlefield and composed poems
celebrating their victories and other achievements. These compositions circulated
orally.
2) Then, from the fifth century BCE, Brahmanas took over the story and began to
commit it to writing. This was the time when chiefdoms such as those of the Kurus
and Panchalas, around whom the story of the epic revolves, were gradually
becoming kingdoms.
4. Date
➢ We notice another phase in the composition of the text between c. 200 BCE and 200
CE. This was the period when the worship of Vishnu was growing in importance, and
Krishna, one of the important figures of the epic, was coming to be identified with
Vishnu.
➢ Subsequently, between c. 200 and 400 CE , large didactic sections resembling the
Manusmriti were added. With these additions, a text which initially perhaps had less
than 10,000 verses grew to comprise about 100,000 verses.
➢ Lal found evidence of five occupational levels, of which the second and third are of
interest to us.
✓ This is what Lal noted about the houses in the second phase ( c. twelfth-seventh
centuries BCE): “Within the limited area excavated, no definite plans of houses
were obtained, but walls of mud and mud-bricks were duly encountered. The
discovery of mud-plaster with prominent reed-marks suggested that some of
the houses had reed walls plastered over with mud.”
✓ For the third phase (c. sixth-third centuries BCE), he noted: “Houses of this
period were built of mud-brick as well as burnt bricks. Soakage jars and brick
drains were used for draining out refuse water, while terracotta ring-wells may
have been used both as wells and drainage pits.”
➢ Conclusion
1) Was the description of the city in the epic added after the main narrative had
been composed, when (after the sixth century BCE) urban centres flourished in
the region?
2) Or was it a flight of poetic fancy, which cannot always be verified by
comparisons with other kinds of evidence?
When Drupada was told about this, he protested. However, the seer Vyasa arrived and told
him that the Pandavas were in reality incarnations of Indra, whose wife had been reborn as
Draupadi, and they were thus destined for each other.
Vyasa added that in another instance a young woman had prayed to Shiva for a husband,
and in her enthusiasm, had prayed five times instead of once. This woman was now reborn
as Draupadi, and Shiva had fulfilled her prayers. Convinced by these stories, Drupada
consented to the marriage.
• If we examine the section of the epic that describes this event, it is evident that the
author(s) attempted to explain it in a variety of ways. Why do you think the author(s)
offered three explanations for a single episode?
1) Present-day historians suggest that the fact that the author(s) describe a polyandrous
union indicates that polyandry may have been prevalent amongst ruling elites at some
point of time.
✓ At the same time, the fact that so many different explanations are offered for
the episode (Source 16) suggests that polyandry gradually fell into disfavour
amongst the Brahmanas, who reworked and developed the text through the
centuries.
2) Some historians note that while the practice of polyandry may have seemed unusual or
even undesirable from the Brahmanical point of view, it was (and is) prevalent in the
Himalayan region.
3) Others suggest that there may have been a shortage of women during times of warfare,
and this led to polyandry. In other words, it was attributed to a situation of crisis.
4) Some early sources suggest that polyandry was not the only or even the most prevalent
form of marriage. We need to remember that creative literature often has its own
narrative requirements and does not always literally reflect social realities.
1) In focusing on the Mahabharata, a colossal epic running in its present form into over
100,000 verses with depictions of a wide range of social categories and situations, we
draw on one of the richest texts of the subcontinent.
✓ It was composed over a period of about 1,000 years (c. 500 BCE onwards), and
some of the stories it contains may have been in circulation even earlier.
2) The growth of the Mahabharata did not stop with the Sanskrit version. Over the
centuries, versions of the epic were written in a variety of languages through an ongoing
process of dialogue between peoples, communities, and those who wrote the texts.
3) Several stories that originated in specific regions or circulated amongst certain people
found their way into the epic.
4) At the same time, the central story of the epic was often retold in different ways. And
episodes were depicted in sculpture and painting.
5) They also provided themes for a wide range of performing arts – plays, dance and other
kinds of narrations.
b) Method
➢ Initially, it meant collecting Sanskrit manuscripts of the text, written in a variety of
scripts, from different parts of the country and comparing verses from each
manuscript.
➢ Ultimately, they selected the verses that appeared common to most versions and
published these in several volumes, running into over 13,000 pages. The project
took 47 years to complete.
In her short story titled “Kunti O Nishadi”, Mahashweta Devi takes up the narrative from where
the Mahabharata ends it. She sets the story in a forest, where Kunti retires after the war.
Kunti now has time to reflect on her past, and often confesses to
what she regards as her failings, talking with the earth, the symbol
of nature. Every day she sees the nishadas who come to collect
wood, honey, tubers and roots. One nishadi (a nishada woman)
often listens to Kunti when she talks with the earth.
One day, there was something in the air; the animals were fleeing
the forest. Kunti noticed that the nishadi was watching her, and was
startled when she spoke to her and asked if she remembered the
house of lac. Yes, Kunti said, she did. Did she remember a certain
elderly nishadi and her five young sons? And that she had served
them wine till they were senseless, while she escaped with her own
sons? That nishadi … “Not you!” Kunti exclaimed. The nishadi replied
that the woman who was killed had been her mother-in-law. She
added that while Kunti had been reflecting on her past, not once did
she remember the six innocent lives that were lost because she had
wanted to save herself and her sons. As they spoke, the flames drew
nearer. The nishadi escaped to safety, but Kunti remained where she
was.
• In this particular instance, she works out alternative possibilities from the main story of
the Mahabharata and draws attention to questions on which the Sanskrit text is silent.