LumaFusion Reference Guide
LumaFusion Reference Guide
7. IMPORT......................................................................................................................................................... 32
IMPORTING MEDIA ....................................................................................................................................................... 32
IMPORT SOURCES ......................................................................................................................................................... 33
THE RULER.................................................................................................................................................................. 47
THE PLAY HEAD ........................................................................................................................................................... 47
UNDO/REDO............................................................................................................................................................... 49
CLONE CLIP ................................................................................................................................................................. 50
11. CRITICAL EDITING CONCEPTS ....................................................................................................................... 51
EDIT MODES ............................................................................................................................................................... 51
CLIPBOARD ................................................................................................................................................................. 56
TRACK HEADER ............................................................................................................................................................ 57
12. TRIMMING CLIPS ......................................................................................................................................... 58
VOLUME..................................................................................................................................................................... 78
PANNING .................................................................................................................................................................... 78
AUDIO FILTERS ............................................................................................................................................................ 79
MONITORING CONTROLS ............................................................................................................................................... 79
REVERSE ..................................................................................................................................................................... 87
COLOR ....................................................................................................................................................................... 89
COLOR LUTS (LOOK UP TABLES) .................................................................................................................................... 93
Gesture: Blue indicates there are related gestures you can choose to use.
Tips and Tricks: Purple indicates special information about the best way to use the app or an
alternative workflow that you may find useful.
Video Tutorials: Orange indicates there are one or more corresponding video tutorials for the
topic. For example, below is the link to this chapter’s corresponding video tutorial. Links to
tutorials are green and underlined:
2. Tap on each setting to override the defaults and adjust to your desired Frame Rate, Frame
aspect and Color Space.
3. Tap on the Create Project button on the panel to create the project. The project manager will
close so you can begin editing.
• Tap the Help and Settings button and then tap on the Settings tab.
• Tap Frame Rate and adjust the dial to select your preferred fps.
LumaFusion keeps an internal count of all the frame rates of your clips and displays the necessary
frames for the frame rate you set. Changing the frame rate is nondestructive, as all your original
frames are maintained and will be used if your project frame rate or export frame rate requires them.
If you change the frame rate of a project, LumaFusion will duplicate the project leaving your original
project in-tact with the old frame rate. This is because some indivisible frame rate changes may
cause the cut points to be calculated slightly differently.
It is always best to match the frame rate of the majority of your source clips when choosing a
project frame rate. If you shoot at 30fps, and set your project to 60fps, then you won’t be gaining
any quality. Every frame will have to be displayed twice in order to make up 60fps, essentially
resulting in a 30fps result with twice the data.
• Tap the Help and Settings button and then tap on the Settings tab.
• Tap Frame Aspect and adjust the dial to select your preferred ratio.
There are several things to consider when choosing your Frame Aspect Ratio. The most important
consideration is where your final movie will be displayed or posted. Some social media sites will only
accept certain aspect ratios. Check your destination requirements before setting your aspect ratio.
Setting the Project Color Space
If you change your aspect ratio after editing, graphics and titles may have to be repositioned to
make sure they are both visible and aesthetic in your new aspect ratio.
When source clips have a different aspect ratio than your project, you will need to make a
choice about how each clip is displayed in the space. This is called the Fit Mode.
For 360° projects, you must set the project aspect ratio to 2:1.
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• Tap the Help and Settings button and then tap on the Settings tab.
• Tap Frame Aspect and adjust the dial to select your preferred ratio.
Videos produced in a particular color space will carry that color space info on export (including to
Final Cut Pro via FCPXML export) and will provide full HDR playback on compatible devices and
platforms.
• Standard - Rec. 709 (8-bit or 10-bit): The default color space in LumaFusion is also the default
for most video cameras, as well as being the standard dynamic range color space for HDTV
projects, including HD cable, Blu-ray discs and most streaming video today.
• Wide Gamut HDR-HLG: This option is used to create an HDR movie with the Rec. 2020 color
space and HLG transfer function (Rec. 2100 standard). HLG, or Hybrid Log-Gamma, was
developed by the BBC and NHK broadcasting networks and is compatible with older SDR
televisions. For most users, HLG provides the widest compatibility with output displays. Check that
your browser supports HLG for HDR playback.
• Wide Gamut HDR10 (PQ): This option is used to create an HDR movie with the Rec. 2020 color
space and PQ transfer function (Rec.2100 standard). PQ is used when mastering for playback on
specific playback monitors.
• Wide Gamut HDR - P3 D65 HLG: This is the color space used by the iPad and is included primarily
for users who need to master HDR videos specifically for playback on the latest iOS devices and
Mac computers.
Corresponding Video Tutorials:
3-1 Your First Project: Creating & Project Settings in LumaFusion
3-2 Your First Project: Global Settings and Preferences in LumaFusion
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Open and close the Project Manager by tapping on the Project Manager button.
Project Filmstrip
Each project in the list includes a filmstrip that gives you a quick idea of the project’s contents as well
as information about the project, some of which can be changed.
• Tap the Info button under the Preview to see information about the project.
Gesture:
You can tap on a project and slide your finger along the filmstrip to quickly scrub through the
selected project. You can also use the normal Preview buttons to play and Preview the project
without closing the project manager.
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3. Tap the Create Project button on the panel to create the project and begin editing (the
Project Manager will close automatically).
Rename a Project
• Tap on the name of the project in the Project Manager to edit the project’s name, OR
• Tap on the Info button and then on the Project name to rename it.
Duplicate Project
• In the Project Manager. tap on the Duplicate button to create a duplicate copy of the currently
selected project. The new project will be named automatically with a sequential number at the
end.
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Sort Projects
Tapping the Sort button pops up a list of fields you can sort by.
• Tap on any field to sort by that field.
• Tap on ‘Ascending’ or ‘Descending’ to change the sort order.
• Tap the Close button or tap outside the popover to close it.
Limited metadata is available for media stored in the cloud, such as Photos App media that has not
been cached in LumaFusion.
Delete Project
• Tap on the Delete button to delete the selected project. You will be asked to verify whether
you want to delete the project.
Media is independent from the project and must be deleted separately if desired. If you have
accidentally deleted a project, you can restore it by accessing the automatic project data backup.
For more information on automatic backups, see Automatic Project Data Backup
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6. Name your project export if desired and tap the Export button on the panel.
For more information, see Exporting a LumaFusion Project Package
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Library Sources
The Library shows media and content that can be added to your project.
In addition to media in the Photos App, you can also import media from a
variety of cloud storage options, some types of wireless connected drives
and USB-C drives, or access media in the Storyblocks for LumaFusion
royalty-free Library.
Tap on the source button in the top left to select a new source for the
media Library.
When you switch between sources, LumaFusion will keep track of your
last location within each source to make it easy to quickly find and work
with your media.
5-1 Media Library: Sources; Photos, Videos, Music, Titles, Transitions, Storyblocks in LumaFusion
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If you have chosen limited access and want to select media, tap the Action Menu button at top
right in the Library, you’ll see an option to ‘Select Photos Media for LumaFusion.’ Tap this option to
refine your Photos app privacy settings.
As you add, remove, edit or move items into Albums inside the Photos App, the LumaFusion Library
will be updated. To force an update, pull down on the Library window to refresh.
If you have edited any of your assets while in the Photos app, those current versions will be
displayed whenever possible. LumaFusion will provide the original unedited file when there is
an image with transparency (such as a .png file with an alpha channel) or when there is a slow-
motion video clip.
LumaFusion makes a copy of media you use from the Photos app so that if the original media is
deleted from the Photos app it will still exist on your device for your project. LumaFusion will
automatically remove its copy of the media when it’s no longer in use in a project.
For more information about Automatic Cleanup, see Automatic Cache Cleanup Settings
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Storyblocks
Under the Storyblocks tab you’ll find:
• Contents from the Storyblocks for LumaFusion royalty-free stock footage and music Library
including Backgrounds, Footage, Music and Sound FX. (Requires internet connection and
subscription for the full library – some items are provided for free.)
• Storyblocks clips that have already been downloaded in a Cached Media folder
For more information, see Storyblocks for LumaFusion
Titles
Under the Titles tab you’ll find:
• Standard Title templates included with LumaFusion
• Any titles that you’ve created and saved as Title Presets in the Title Editor
For more information about Titles, see Title Editor
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Music
The Music tab includes:
• All unprotected media in the Music App that has been downloaded to your iPhone or iPad using
the Music App
Frame.io
By integrating with Frame.io LumaTouch has eliminated the need to exit the LumaFusion App to
review and respond to comments, mark in and out points on source media, and share and receive
comments on versions of your projects with disparate teams and clients.
There are several ways you can utilize Frame.io to improve collaboration opportunities in
LumaFusion.
• See and respond to comments on source media stored in Frame.io,
• Upload your project as a video to Frame.io and receive and respond to comments made in
Frame.io on your project right from the LumaFusion Timeline.
• Edit with automatically generated proxies for media that is not compatible with iOS such as
ProRes, then relink to the original ProRes Media in Final Cut X using the export to FCPXML
feature.
• Use Frame.io as a place to share LumaFusion project packages with other LumaFusion
editors for continued editing. Any Frame.io comments will be saved with the project.
For more information about using Frame.io in LumaFusion, see:
Previewing and Commenting on Frame.io Source Media and
Using a Proxy Workflow with Frame.io, LumaFusion and
Frame.io - Uploading your Timeline and Receiving Comments
Imported
The Imported tab includes media imported directly into LumaFusion from cloud storage (such as
Box, Dropbox, Google Drive, or OneDrive), media imported via Share to/Open In (from another app),
media added manually to the LumaFusion/UserMedia folder in the Files App, and Voiceover or
Rendered Movie media created inside the LumaFusion app.
For more information, see Import
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• You can use external drives on iPhones and iPads with Lightning connectors by using the
USB adaptor. You will need to connect separate power to the extra lightning connector on
the USB adaptor for the drive to work properly.
GNARBOX
The GNARBOX tab shows media on a connected GNARBOX drive. LumaTouch has partnered
with GNARBOX, the creators of Network Attached Storage (NAS) drives to provide a seamless
experience for previewing, importing and exporting media for editing within LumaFusion.
1. Connect your GNARBOX drive to your device as required by the manufacturer.
2. Tap on the Library Source button and then select GNARBOX from the list.
In the Library, you will see thumbnails of the media located on the drive. You will be able to preview
the media inside LumaFusion without importing it first.
3. Tap on the clip in the Library.
4. Mark In and Out points in the Preview window (if desired).
5. Drag the clip to the Timeline.
Unique to GNARBOX, once the clip is on the Timeline, LumaFusion will begin to import only the
portion added to the Timeline, and you will see a progress message. The import will happen as a
background process and you can continue to preview and add clips to the Timeline while import
continues.
If the GNARBOX drive is not connected you will see a warning at the top of the Library. You will still
see any previously cached media and will be able to continue to edit with this media.
You may also import full files from GNARBOX, see SMB Network Attached Storage Drives
For more information on GNARBOX go to https://www.GNARBOX.com
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5-2 Media Library: Adding One or Multiple Clips to the Timeline, Marking In & Out, Deleting
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If you have Timeline warnings, and you are experiencing difficulty with playback or export, use the
Optimize and Consolidate feature to ensure your media is compatible.
For more information on Optimize and Consolidate, see Optimize and Consolidate Project
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Note: View and Sort function is dependent upon metadata shared by the Source. Some sources
(such as Photos and Storyblocks) provide limited metadata with previews.
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• Tap the Search button to open the search bar and keyboard.
As soon as you begin to type into the search field,
the clips will be filtered, showing only those clips
that match the text you’ve entered.
Figure 5-11 Library search bar
The activity indicator next to the magnifying glass indicates whether the search is still working.
To the right of the active Search bar you will see
the Search Scope. Here you can change where
LumaFusion is searching. Normally it will search
in the current Library source. You can change to
‘All’ to search all Library sources.
Figure 5-12 Scope of search
To close the search page:
• Tap the delete text button (or delete all text from the search bar).
• Tap the breadcrumb to return to the page you started the search from.
• Tap the Search button again.
Tips and Tricks: You can select a Timeline clip and open the Info Panel to change the color
tag of the Timeline clip even if it has previously been tagged with a color in the Library.
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It is not possible to transfer subscriptions made directly with Storyblocks to the LumaFusion App
or visa versa.
Important: If you delete the LumaFusion App, you must still cancel the subscription in your
device’s Settings app to avoid automatic renewal of Storyblocks. This subscribe/unsubscribe
functionality is managed by the App Store.
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• Typically, editorial media may be used in magazines or newspaper articles, blogs, or websites
for informational purposes only, for non-commercial presentations.
• Editorial media may not be used in any kind of advertising or promotional material.
It is important to consult with your own legal advisor and review your license agreement to make
sure that you have secured all necessary rights, consents or permissions as may be required
for use of any media you present.
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Importing Media
1. Tap the Action Menu button at top right in
the Library to reveal, then tap the Import
Media button .
2. Choose the source where your media is
located. A popup will appear with a list of
cloud storage providers that you can import
media from as well as any Wireless/Network
SMB drives you have available.
3. If you don’t see the source you are looking for,
tap on the Add/Edit Sources button .
For more information, see Add/Edit Import
Sources
If you haven’t logged in to this storage
Figure 7-1 Import Sources
provider before, you’ll be guided through the
login. This login is performed securely on the
provider’s website. LumaFusion never receives your user ID and password; we only store a
temporary token when you authorize the use of LumaFusion with your provider.
6. Tap on the View and Sort button to change the way the results are displayed. When sorting
cloud services, it may take a moment for the sorting to update. Pull down on the window to
refresh.
7. Tap on a media item to select it for import (it will change color to indicate that it is selected). Tap
a second time to deselect a media file.
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9. When you are ready to import the selected media, tap on the Import button at the top right of
the popup.
LumaFusion will begin importing the selected media. This can take some time depending on the size
of files being imported and the speed of your connection. When the import is complete, LumaFusion
will show the last imported file in the Album. Imported media in LumaFusion will be organized by
provider name (i.e.: Dropbox, Box, etc.) and the parent folder from that provider.
Import Sources
Add/Edit Import Sources
You can add, remove and organize your Import
Sources. Limiting the source list to the items you
use will help you stay focused and work faster.
To add, remove or reorder a source:
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‘Share to’
LumaFusion appears as a Share extension, so
it’s easier to get media in from other apps (like
Affinity Photo). When the file in the other app is
compatible, LumaFusion will appear as an option
to share to. In the Other App share sheet, tap on
LumaFusion, and the media will be imported and
will appear in the Library. LumaFusion organizes
imported media from other apps in the Imported
Figure 7-6 Open in LumaFusion
folder organized by the name of the app that
shared the file.
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Tips and Tricks: A white checkmark on a clip in the Library indicates the clip is used in the
current project. A black checkmark on a clip indicates the clip is used in a different project.
• Tap the Trashcan button under the Library to delete the selected file in LumaFusion.
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Figure 8-1 Source Preview with Mark In and Out brackets Figure 8-2 Timeline Preview with Navigator
Transport Controls
Jump Backward
• Tap the Jump Back button to jump to the previous Mark, Marker, or the start of the clip.
• Double tap the Jump Back button to jump (past any Markers and In and Out points) directly to
the start of the clip, or to the start of the Timeline.
• Press and hold Jump Back button to begin single-frame stepping backward.
Jump Forward
• Tap the Jump Forward button to jump to the next Mark, Marker, or the end of the clip.
• Double tap the Jump Forward button to jump (past any Markers and In and Out points) directly to
the end of the clip, or to the end of the Timeline.
• Press and hold the Jump Forward button to begin single-frame stepping forward.
Play/Pause/Loop Play
• Tap Play to begin playback, tap Pause to pause playback.
• Double-Tap the Play button to initiate Loop-play between the In-point and the Out-point on
a source or begin loop-play of the Timeline. Tap again to stop loop-play.
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Figure 8-3 Incremental Scrubber showing 1 fps frame advance and 15 fps frame advance
Timeline Navigator
• Tap on the Timeline to show an overview of your project.
• Tap anywhere on the navigator to instantly move the Timeline to that portion of your project.
• Slide your finger across the navigator to quickly scrub through your project.
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Current Time
The left-hand timecode (white numbers) shows the current time within the clip, this will change as
you move the play head by scrubbing or playing the clip. For example, if you’re clip is 30 frames per
second, the numbers will increment from 0 to 29 for each second of the clip.
Duration
The right-hand (yellow numbers) show the duration between Mark-In and Mark-Out. When you add
the clip to the Timeline, the yellow indicates the duration that will be added.
For more information, see Pre-Trimming Clips
Corresponding Video Tutorial:
8-1 Preview: Transport Controls, Timeline Navigator and Understanding Timecode in LumaFusion
Pre-Trimming Clips
You can pre-trim a video or audio clip to insert just a portion of the clip to the Timeline. A trimmed
clip is indicated in the Library by yellow brackets [00.00] with the trimmed duration.
• Tap on a video clip in the Library.
• Drag the orange trim brackets in the filmstrip, or move to a position on the filmstrip, and then tap
on the mark-in and mark-out buttons on the transport bar or swipe up or down in the Preview
to mark in or out.
• Touch, hold and drag from the Preview to the Timeline.
• Drag the orange left-right arrow between the mark-in and mark-out to simultaneously slip-
trim the start time and end time of the marked portion without changing the duration.
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Markers
Markers can be added to source clips or project Timelines and will be displayed in the filmstrip or
Timeline navigator, respectively.
1. With the clip or Timeline in the Preview, navigate to a frame and tap the Marker button .
2. A Notes field will appear allowing you to comment on the marker. You can begin to type right
away, or open this field again later using the Edit button .
• To navigate to a marker, tap on the marker or use the Jump buttons.
• To Color Tag a marker, tap the Color Tag button and select a color.
• To delete a marker, navigate to the marker and press the Delete Marker button .
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3. Tap the Layouts button select one of the external display layouts.
4. Tap the Layouts button select one of the external display layouts.
Frame.io
Internet Connection Required
Frame.io is a cloud-based collaboration platform that enables you to stay connected with all your
teams—on videos, images, and more—from anywhere on the planet. The LumaFusion integration
with Frame.io is one of the best there is, allowing you to stay right in LumaFusion to send and
receive comments about your media and your project.
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5. To add a new comment, tap the Frame.io button on the Preview transport bar and type.
6. To add the marked portion of the Frame.io media to the Timeline, touch, hold and drag it to the
timeline, or send it to the timeline using the Send to Timeline button , or double tap the clip
in the Library as you would any other clip.
Once the clip is on the timeline, the app will begin caching the media in the background and it
will appear in the Cached Media folder in the LumaFusion > Frame.io Library.
For information on cleaning up cached media, see: Cleanup
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Many clips don’t initially have names (like those from the Photos App), so this can be useful in
organizing your media inside of LumaFusion. This name will not be saved with the original clip
in the Photos App, but will be searchable within the LumaFusion Libraries.
Add Notes
• Tap the Add Notes button to add descriptive information about your clips. These notes are
only used within LumaFusion for searches and reference and are not saved with the original clip.
Tagging or naming a clip from the Timeline only changes the name or color of that instance of
the clip in the Timeline. It does not affect the clip in the Library. When a new clip is added to the
Timeline from the Library, its notes and color tag are maintained on the Timeline clip, but can
later be changed independently from the Library item.
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Timeline Gestures:
Pinch to zoom in and out on the Timeline
Triple Tap to zoom into single frames. Triple tap to go back to your last zoom level.
Double Tap to see your full Timeline. Double tap to zoom back to your last zoom level.
Adding Clips
The Play head determines where on the Timeline the clip will be added when adding a clip with
double tap, or the Send to Timeline button .
• Press and hold on a media item in the Library, then drag it to the Timeline, OR
• With a source clip loaded in the Preview, press and hold anywhere in the Preview to drag the clip
to the Timeline, OR
• Double tap on the clip in the Library to add it to the Main Track of the Timeline, OR
• With a source clip loaded in the Preview, tap the “Send-to-Timeline” button (only available on
larger screens).
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Removing Clips
You can remove clips on the Timeline and either leave a blank space in its place or close the gap.
The clips will still remain in the Library.
1. Select a clip on the Timeline by tapping on it.
Overwrite mode No other clips on the Timeline will be moved, and a blank space will remain.
Switching to Insert mode will allow you to trim, extend, replace or remove the blank space.
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Select the clip on the Main Track, and tap Unlink prior to removing the clip if you want the
linked clips on other tracks to remain.
Moving Clips
You can move or reorder clips on the Timeline. The results are dependent on whether the Main
Track is in Insert or Overwrite mode (tap the icon to toggle between Insert and Overwrite modes).
• Move a clip in the Timeline by pressing and holding on the clip until it ‘lifts’ from the Timeline and
then drag it to another position.
Insert mode Clips later on the Timeline will move out of the way to make room for the clip you
are moving, and the resulting gap will be closed.
Overwrite mode No other clips on the Timeline will be moved, and the clip you are moving will
overwrite clips where it is dropped.
For more information, see: Insert / Ripple Delete Mode and Overwrite Mode
Tip: If a Main Track clip has linked clips, it can only be dropped into the Main Track again.
Split Clip(s)
Splitting a clip is a fast way to divide a clip in order to remove, trim or replace a section.
• Tap to split clips at the current time. If no clip is selected, then all clips that can be split at the
current time will be split.
• If you have a clip selected, only that clip will be split. Tapping Split a second time will split all
other tracks at the Play head.
• Split will be disabled if you cannot split any clips at the current time.
Undo/Redo
Undo levels are saved back until the point the project was last opened or the app was last restarted.
• Tap the Redo button to redo any changes you have Undone.
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This chapter talks about how existing clips behave when media is added, removed or reordered;
Insert, Overwrite, Replace and Clip Linking. It’s important to understand how these operations
function, in order to predictably manipulate the clips on the Timeline and therefore enjoy the process
of editing.
Edit Modes
Insert / Ripple Delete Mode
When in Insert Mode clips on the Main Track are moved out of the way to make room for new
media when adding clips or trimming. Gaps are closed when removing media from the Timeline.
1. Drag a clip from the Library or from another
position on the Timeline and hover it near a
cut until you see the yellow Insert symbol,
then drop the clip.
Overwrite Mode
In Overwrite Mode , any actions taken on the Timeline (like trimming, adding or deleting clips) in
one location on the Timeline will not have an impact on the positioning of clips at another location on
the Timeline.
• Adding clips to the Main Track or trimming will overwrite any existing clips along the time range
of the new clip(s), and there will be no changes to the rest of the Timeline.
• Gaps will be created when media is removed
from the Timeline by deleting a clip or
trimming. When you return to Insert mode,
these gaps will exist as blank clips that can be
trimmed, replaced or removed.
1. Drag a clip from the Library or from another Figure 11-2 Preparing to place a new clip at the position of
the white Overwrite symbol
position on the Timeline and hover it near a cut
until you see the white box Overwrite symbol.
2. Drop the clip. The portion of the clip under the white box will be overwritten.
3. At any time, tap the icon to toggle between Insert and Overwrite modes.
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Clip Linking
Clips added to overlay and audio tracks are linked
to clips on the Main Track (the Main Track has
brighter clips and a lighter gray background).
Links are indicated by a small line from the first
frame of the linked clip to the adjacent clip on the
Main Track.
When you perform edits on the Main Track such
as adding clips, moving clips and deleting clips,
linked clips will shift to stay linked to the clip (and
the specific frame on that clip) where you
positioned the clips originally. Figure 11-4 Timeline with overlay and audio clips linked to
Main Track
Clip Linking is an important feature for properly
timing B-rolls, sound effects, and titles and it frees you from worrying about shifting sync when
making changes to earlier parts of the Timeline.
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• If you use the Multiselect button to select more than one clip, you can unlink or link multiple
clips at a time.
Tips and Tricks: When you remove a clip on the Main Track that has other clips linked to it,
those linked clips will be removed also.
• To unlink all the clips on a track, tap the Header button and then tap the Unlink button for
the desired track. New clips added to a track with linking turned off will not be automatically
linked and cannot be linked manually until track linking is turned back on.
Tips and Tricks: To quickly ensure all clips are linked for the entire track, toggle Link Button
from Linked, to Unlinked and back again to Linked.
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Clip selections on the main track must be consecutive to provide a predictable outcome when
moving or pasting. If a nonconsecutive clip on the main track is selected to the left or right of the
original selection, all clips between the selected clip on the main track and your new selection
will be added to the multi-select range.
Selection of clips on overlay and audio tracks does not need to be consecutive. When moving
or pasting, clips will maintain their relationship to each other and to any selected clips on the
main track. This may result in a blank clip at the start of your timeline in order to maintain the
relationship.
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Multiselect Functions
With multiple clips selected you can quickly perform bulk actions on all the clips:
• Move: Touch and hold the selected clips, then drag along the timeline just as you would with a
single clip. Release the drag to place the clips.
• Delete: Tap the Delete button or tap the Delete key on your keyboard.
• Link or Unlink: Tap the link or unlink clips buttons on the Timeline toolbar.
• Detach Audio: Tap the Detach button , or triple-tap on the selection to detach audio. Audio-
only clips will be generated from any original clip that contained audio and added to the next
available audio track.
• Add Effect Presets: Tap the Clip Presets tool to apply Preset effects. Depending on the
class of clips selected, a range of visual, motion, text and audio presets can be applied. (Effects
that are grayed out cannot be applied the multiple selection.)
• Cut: Tap the Clipboard and tap Cut , or use the Command-X keyboard shortcut.
• Copy: Tap the Clipboard and tap Copy , or use the Command-C keyboard shortcut.
• Paste: Tap the Clipboard to Paste Cut or Copied Clips and their attributes.
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2. Tap the Clipboard button , and the Clipboard panel will appear.
3. Tap the Copy button or Cut button to copy or cut the clip including any applied
attributes to the clipboard.
4. Select one or more clips on the timeline where you want the attributes to be applied.
5. Select the attributes you would like to paste from the attributes list below:
Frame & Fit – The position, rotation, size and attributes (including animations)
Blending – The opacity (or any applied blend modes) of the clip
Audio – Includes all audio attributes and audio effects of the clip
7. Tap the Paste button to paste the attributes from the copied clip onto the target clip(s).
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• Tap on the Track Header button to show or hide the Track Header.
Lock Track
The Lock Track button prohibits actions on the track to avoid the possibility of
Figure 11-9 Track
accidental modifications. When a track is locked, clips on the track cannot be header controls
added, moved, split, selected, edited, deleted, or trimmed.
In Settings > Preferences you can choose what happens when an audio or overlay track is locked
and the clips are linked to clips on the Main Track, which can still be moved.
• Unlink Track When Locked - ON (Default) Clips on the locked track, unlink from clips on the
Main Track when the track is locked. The linking is recalculated when the track is unlocked
again. This mode assures nothing on the locked track will be moved either directly or indirectly
by moving a clip on the Main Track.
• Unlink Track When Locked - OFF Audio and overlay clips retain their links to clips on the Main
Track. If clips on the Main Track are moved, then clips on the locked track will also move to obey
the linking settings. This mode ensures that the sync relationships between linked clips are
maintained.
View Track
The View Track button toggles OFF/ON the visual playback for the track. This is useful to
export multiple versions of a project (for example with titles and without), or to view a track without
overlay clips.
Mute Track
The Mute Track button toggles OFF/ON the audio playback for the track. This is useful to export
multiple versions of a project (for example with music and without), or to listen to a project without a
track of audio.
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Timeline Trimming
When trimming the beginning or end of any clip on the Timeline, the results are dependent on
whether the Main Track is in Insert or Overwrite mode.
Figure 12-1 Timeline with overlay and audio clips linked to Main Track
1. Select a clip by tapping on it in the Timeline. The clip will become highlighted and the trim
handles will become visible.
2. Drag the leading edge of the clip to trim the head of the clip and drag the trailing edge of the clip
to trim the tail of the clip (you’ll see arrows indicating which directions you can trim based on
whether there is media available).
Clips later on the Timeline will move earlier or later as you trim.
No other clips on the Timeline will be moved, and the clip you are trimming will overwrite clips
(if trimmed longer) or leave a blank gap (if trimmed shorter).
become unlinked if the linked frame on the master clip is trimmed away.
If a main clip is trimmed in Insert mode and has linked clips, the linked clips will attempt to
remain attached to the same frame of the clip. If the linked frame is trimmed away will the link
move to the closest remaining frame.
For more information, see Clip Linking
Corresponding Video Tutorial: 12-1 Trimming Clips on the Timeline in LumaFusion
Slip Trim
• Tap Slip to open the Slip Trimmer for the currently selected clip.
The slip trimmer adjusts the start and ending frame of the clip without affecting the duration of the
clip in the Timeline. Touching the slip trimmer closer to the in-point displays the first frame in the
Preview while you trim. Touching closer to the out-point displays the last frame while you trim.
Corresponding Video Tutorial: 12-2 Slip Trimming in LumaFusion
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• Transitions can be added between two clips (video, photo, title or audio) to create a smooth
animation and volume fade between the first clip (A) and the second clip (B).
• Transitions can be added to the head of a Timeline or overlay clip to animate its appearance or
fade-in the audio.
• Transitions can be added to the tail of the Timeline or overlay clip to animate its disappearance
or fade-out the audio.
Tips and Tricks: Transitions from the Library are quick and easy to use, but it is possible to
design and animate your own custom transitions by using two tracks on the Timeline and then
using key-framing in the Frame and Fit Editor or the Color and Effects Editor to transition from
one clip to another.
Adding Transitions
• Drag a transition from the media Library into the Timeline, OR
Tap the Add Clip button on the Timeline and select Transition. When the play head is
positioned on a cut point or at the head or tail of the Timeline, the default transition length will be
added. When the play head is within a selected clip then the transition will be added at the nearest
cut and the duration will be determined by the distance from the play head to the nearest cut.
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Tips and Tricks: You can even add two transitions to a single cut point (one ending at the cut
and one starting at the cut). This will result in a dip to black.
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Tips and Tricks: For more accuracy when trimming, zoom into the Timeline by pinching open
with two fingers, or triple tap to zoom into the Timeline to frame level. Triple-tap again to zoom
back out.
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Project Manager
This button will be highlighted when the Project Manager is open, and you will see a set of tools
dedicated to managing projects.
Track Header
The track header holds tools that apply certain behaviors to the whole track rather than just a single
clip on a track, or the project as a whole such as Locking, Viewing, Linking and
Muting a track.
• Tap on the Track Header button to show or hide the Track Header.
For more information, see: Track Header
Audio Mixer
Figure 14-2 Track
Adjust the audio levels or mute each track on the Timeline independently or adjust
Header
the master output level for all tracks at the same time. Adjust the overall audio
output level with the Master Level Control on the left side of the Timeline.
• Tap the Audio Mixer button to reveal the full track mixer.
For more information, see Audio Mixer
Clone Clip
• Tap to make a copy of the selected clip and place it in the Timeline.
For more information, see Clone Clip
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• Tap to detach the audio from a selected video clip, placing the detached audio on an
available audio track.
The audio for the video clip will be muted. This is useful for creating special cuts where audio and
video start or end at different times (L and J cuts). You can also triple tap a video clip to detach the
audio.
For more information, see J-Cut and L-Cut
Link/Unlink
• Tap to Link or to Unlink the selected clip from a clip on the Main Track.
When a clip is linked, you’ll see a small connection line between it and its master clip on the main
Timeline.
For more information, see: Clip Linking
Edit Clip
• Tap the Edit Clip button or double tap on the clip in the Timeline to open one of the five clip
editors.
For more information, see Clip Editor Basics
Presets
Tap the Presets button to open a popup with presets you can apply to the selected clip. The
contents of the popup depend upon the type of clip selected.
For more information, see: Effect Presets
Clipboard
Cut, Copy and Paste one or more clips, with or without their effect attributes, or copy the attributes of
a clip and apply those attributes to another clip or selection of clips using the Clipboard button .
The copy/paste information is held temporarily. If you want to save attributes to use them again and
again, saving a preset will be more useful.
For more information, see: Clipboard
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Split Clip(s)
Splitting a clip is a fast way to divide a clip in order to remove, trim or replace a section.
Add Clip
• Tap the Add Clip button to add special clips at the current time.
The available types of clips will depend on whether the Timeline play head is aligned with a cut or
placed anywhere over a clip.
For more information, see Adding Clips
Trash
You can remove a clip from the Timeline and either leave a blank space in its place or close the
gap. The clip will still remain in the Library.
For more information, see Removing Clips
Layouts
• Tap to quickly change the UI layout.
A popup will appear with different layout options to best fit the way you work and allow you to focus
on specific areas of the user interface for different editing tasks. Choose the one that works best for
you at any given time.
Additional layouts are available if an external monitor is connected to your device.
For more information, see Using an External Monitor
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Figure 14-3 Press and Hold on the Help and Settings Button for Tooltips
For more information about Help and Settings, see: Help and Settings
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The Audio Mixer uses a dbFS range. dbFS refers to Decibels relative to Full Scale. The sliders on
the meter and the dB value at the right, refer to the amount of gain or reduction you have applied to
the signal. The colors on the meter refer to the actual dB levels of your audio as shown in the image
below.
The dark green area is The light green The orange area The very top of the scale
below -20 and is a good area between -20 represents -12 to is 0dB and is the loudest
level for background music and -12db is the -3db and it is signal that can be
and noise. correct level for likely that any represented in digital
the cleanest audio above this domain without
audio. level will clip. distortion or clipping.
Note: Double tap on a clip to open the Audio Editor and adjust the audio level for that clip.
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4. Check your record levels and tap the Record button (or tap to cancel). A three
second countdown will begin and then your recording will start… 3, 2,1
6. Tap the green Checkmark to accept the recording and commit to the Timeline, OR
• Tap play to listen to your recording before deciding whether to keep it.
Figure 16-2 Voice Over – Cancel, Retake, Accept or Listen before accepting
Tip: We recommend connecting an external mic to your device for better audio quality.
iOS sets a default gain level for each input source (internal microphone vs external), but if you
set the gain for input, that gain will be used for all input sources (internal mic or external). To
reset to default iOS values, set the slider to 0 AND restart the LumaFusion App.
Note: All Voiceovers are configured to Master for audio ducking purposes.
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Figure 17-2 Clip Editor toolbar open for a video clip with audio
Select an editor to display the presets, attributes, and controls for that editor.
2. Adjust using the slider controls, or the on-screen display, or add a preset to begin manipulating
an effect.
3. Tap on the Back button at the top-left corner of the Clip Editor to close the editor and return to
the Timeline. Effects that you created are now applied to your Timeline clip.
Figure 17-3 Frame and Fit preview with interactive controls Figure 17-4 Kaleidoscope effect preview with interactive
controls
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• Tap the Mute button to mute the layer you are currently working on or the Hide button
to hide the layer you are currently working on. This is useful if you need a clear impression of
what is below (or behind) the layer you are working on.
Filmstrip / Scrubber
• Slide your finger left and right on the Filmstrip to scrub forward and backward through the clip.
• Tap anywhere in the Filmstrip to jump to that time in the clip.
If the clip you are working on has transitions, you’ll see the transitions indicated as purple bars at the
start or end of the Filmstrip. Transition animations are not shown in the Preview while in the clip
editor so that you can clearly see the media you are working with.
Timecodes
Above the filmstrip scrubber there are three timecodes. All timecodes are displayed in hours,
minutes, seconds and frames. Timecodes less than a minute will only show seconds and frames
(0.00), and less than an hour will only show minutes, seconds and frames (1:00.00).
• The first timecode on the left is the current position in the context of the project Timeline. So,
this will only show 0:00 if the clip is located at the very start of the Timeline and the scrubber is
located on the first frame.
• The timecode in the middle is the current time within the current clip. The location of the Play
head (blue vertical line) determines the current time.
• The timecode on the right is the duration of the clip on the Timeline.
Press and hold the Jump button to begin single-frame stepping backward or forward.
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Press and hold the Frame Step button to single-step slowly backward or forward.
Play/Pause/Loop Play
• Tap Play to begin playback; tap again to pause playback.
Effect Presets
Quickly set a base color correction or effect and
then, if desired, modify the parameters. The
effects presets are organized into categories:
Color
Styles
Blurs
Distort Effects
If the preset includes any effects that aren’t already applied to the clip, the effects will be added.
Otherwise, it will modify the existing effect(s) on the clip.
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At the top of the Presets you’ll see several categories. The Saved Presets category holds any
custom presets you’ve saved.
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To Add Keyframes
1. Open the Frame and Fit Editor, the Color and Effects Editor, or the Audio Editor.
2. Expand a Control Group or Effect.
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The value of a keyframe will hold until the end of the clip (and backwards to the start of the clip),
unless another keyframe is set. So in order to see animation, you must have at least two
keyframes with different values set for each.
2. Tap on the Delete Keyframe button . Values between keyframes will be recalculated.
Undo/Redo
Undo levels are saved back until the point the project was last opened or the app was last restarted.
• Tap the Redo button to redo any changes you have Undone.
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Audio Ducking
The Audio Ducking feature is commonly used for automatically lowering the level of music whenever
your interview subject speaks on a different Timeline track.
To set up your clips for ducking:
1. Place your voice clips on one track (it can be a video+audio or audio track).
2. Double tap on the clip to open the Audio Editor, open the Configuration control group. Under
the Ducking setting, assign this voice clip as Master, and then return to the Timeline cut and trim
it as you like.
3. Place your music clip on the audio track below.
4. Double tap on the clip to open the Audio Editor, open the Configuration control group. Under
the Ducking setting, assign this clip as Auto. Auto is the default value, so it is likely already set.
The parameters of audio ducking are located in Help and Settings button on the Ducking tab:
• The Duck Start Time and Duck End Time control when your music will lower and raise in
relation to the start and end of your master clips on the Timeline.
• Duck Speed is the time it takes to ramp up and down.
Duck Threshold overrides the Duck Start and End Times and starts and ends the ducking
whenever the audio levels on the master clip reach the specified level. Using a threshold of minus
infinity (-∞) will switch back to using the Duck Start and End Times in relation to master clips.
Note: All Voiceovers are configured to Master for audio ducking purposes.
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Gestures:
Pressing and holding the small arrows to either side of any slider to adjust incrementally.
Pressing and holding the Play button will start Loop Play which can be very useful when
adjusting audio.
Double tapping on eht evolume slider resets it to 0.0dB
Panning
To adjust the overall clip panning:
1. Tap on the Pan Control Group to expand it
2. Use the Pan slider to Pan left or right.
Note: Panning can currently only be used with clips that have stereo audio.
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To add a filter:
1. Tap on the filter in the Audio Editor’s Library Presets.
2. Adjust the controls available for the filter. Keyframing can be turned on for filters.
For more information, see Creating Keyframe Animations
To remove a filter:
1. Open the Control Group for the Filter.
Monitoring Controls
Solo
• Tap the Solo button to temporarily mute the playback of other tracks on your Timeline.
Mute
• Tap the Mute button to temporarily mute the playback of the current track on your Timeline.
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• Tap on a clip in the Timeline and then tap on the Edit button on the Timeline Toolbar.
Rotate
• Tap on the Rotate button to rotate the image 90° counterclockwise for every tap.
Reset
• Tap the Reset button to reset the values for the open Control Group.
Tips and Tricks: If keyframing is turned on when you tap reset, only the current frame will be
reset in that Control Group and a keyframe will be created if there is not one at that frame
already.
Fit Mode
When the aspect ratio of your project is different than the aspect ratio of your source media, the Fit
Mode determines how the media is displayed.
• Tap one of four Fit Mode buttons to change how your media fills the frame.
The Fit button assures that all edges of the media fit within the current aspect ratio of your
project.
The Fill button assures the frame is filled, leaving no black edges. In most cases this means
zooming into the media to fit the smallest aspect of the media to the largest aspect of the project
frame.
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The Stretch button Stretches the edges of the clip to meet the edges of the frame with no
regard for keeping the original shape of the video. Images will appear stretched in one way or the
other depending on how the aspect ratio of the image differs from the project aspect ratio.
Stretch is useful for ‘squeezed’ media from anamorphic lenses like the Moondog Labs lenses. You
can create a widescreen project and then stretch the 16:9 media to ‘unsqueeze’ it to the widescreen
frame.
Blending
Open the Blending Control Group to set the overall Opacity and Blend Mode for the image.
Use the slider to adjust the Opacity of the selected clip.
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Important Tip! This setting applies to all speed effect clips on the same track of the Timeline.
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2. Tap on the Color and Effects tab at the bottom of the screen.
3. Tap on the Color , LUTs , Styles , Blurs , Distort effects , or Keys button.
4. Choose a preset. A checkmark will be shown on the applied presets.
5. Adjust the settings using the sliders or the Preview overlay controls when present (drag the blue
dot to position the effect, and the green dot to adjust the radius and angle).
6. If a preset has been adjusted from the base settings, an asterisk (✼) will be shown after the
name in the Control Group Stack.
Color
If you want a quick fix, or a bit of inspiration, we’ve created a
collection of fun color presets. For instance, choose “Office” to
counteract green fluorescent lighting you might find in an office
setting. Or choose “MiniMart” if you want to create fluorescent
green light! To make your daytime video look like it was shot at
night, choose one of the nighttime presets; Dusk, Moonlight, or
Midnight.
If you want to start adjusting without adding a preset, tap the
Original preset and make changes from there. No matter what
preset you pick, you can continue to make your own adjustments.
1. Double tap on a video, photo, or title on the Timeline, or tap
the Edit button .
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Brightness
Brightness lightens or darkens evenly across all colors of your image.
Contrast
Contrast adjusts the luminance difference between the dark and light areas. This setting is useful
when working with videos and photos that have an overall muddy impression.
Saturation
Saturation increases or decreases how much color is in your image.
Vibrance
Raises and lowers the saturation values of cool colors such as blue and green and has less effect on
warm colors. This is useful for leaving skin tones intact while increasing the saturation of other
colors.
Highlight/Shadow Radius
Adjusts the number of pixels used to transition from shadow areas to highlight areas. You may not
see much effect on a normal image.
Tips and Tricks: To better understand the highlight/shadow radius setting, set your Highlight
Amount to 0 and your Shadow Amount to 1.0 and then make adjustments to the
Highlight/Shadow Radius.
Highlight Amount
Allows you to adjust the highlight levels without affecting the shadows.
Shadow Amount
Allows you to adjust the shadow levels without affecting the highlights.
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Gamma
Since cameras record a larger range of brightness than a typical screen can reproduce, there are
often details in your image that are hidden when viewing on a screen. Imagine you have a range of
luminance and color from very dark to very bright. Now imagine you can only display a limited
amount of that range, so you have to adjust the range to decide whether you want to see more detail
in the shadows or alternatively, more detail in the highlights. The Gamma correction lets you decide
how to reproduce the color luminance in your images. It is very often used to deepen the dark areas
without losing bright areas.
Hue
Unlike the Temperature control sliders, the Hue rotates the phase of all colors equally. Normally you
won’t need to adjust the Hue, but it can be used to create an inverse Color effect.
Tint
Last is the Tint. It adjusts the color of white. And when you’re talking about light, all colors contribute
to white, so you will see an overall cast when you adjust this setting, but you will see more effect in
the pure white areas.
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Figure 21-3 Grid Color Picker, Spectrum Color Picker and RGB Sliders with Hexadecimal Input
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Applying a LUT
LumaFusion provides a variety of Look Up Table presets or LUTs, including FiLMiC deLog and
FiLMiC DeFlat, and several stylized LUTs intended for use with neutral footage. You can also import
1. Double tap on a video, photo or title on the Timeline, or tap the Edit button .
2. Tap on the Color and Effects tab at the bottom of the screen.
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1. Tap the Import LUT button located above the LUT control header.
2. Tap on the storage location where your LUT is stored. You may have to log into the location if
you haven’t done so before.
Deleting a LUT
To delete a previously imported LUT:
1. Press and hold on the LUT preset in the presets Library.
2. Choose Delete from the menu.
Tips and Tricks: You can apply a LUT preset in addition to a LumaFusion color effect from the
Color category and once applied you will see them both in the effects stack.
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Distort Effects
Distorts create effects such as kaleidoscopes, pointillize, mirror,
and twist. Distort effects distort the size, position and shape of pixels
in your image. Distort effects can be applied before or after other
color and effects, and multiple distort effects can be applied. Distort
effects can be keyframed to modify the look over time.
Figure 21-5 Blur Effects
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4. Tap on the Color and Effects tab at the Figure 21-7 Green screen clip above a background clip on
bottom of the screen. the Timeline
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You can re-order the effects by dragging the effect lower or higher in the stack.
For more information, see: Reordering Color, Effects and Keys
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Show Mask
Tap the Show Mask button located at the top
of the FX preview to show the foreground image
as white only, allowing more precise adjustments.
The mask will not be visible if you open any of the
other effect editor tabs, turn off the key effect or
leave the editor.
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Steps for Filling Text or Graphic Figure 21-13 Text filled with video, over a video
For more information about adding a Key effect, see Chroma Key and Luma Key
Note: If you want to quickly fill a title with video and display it over a black background you can use
the Blend Mode “Stencil Alpha” in the Frame and Fit Editor.
For more information about adding Blending, see Blend Modes
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Deleting an Effect
• Expand the Control Group for the effect you want to delete. Figure 21-18 Kaleidoscope visibility
turned OFF
• Tap the Trashcan button .
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• Modify using the settings or by selecting one of the Styles from the presets Library.
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Duplicate Layer
Make an identical layer on top of the existing layer.
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Deleting a Layer
1. Expand the control group for the title layer you want to delete.
Font
• Tap on Font to select from already installed fonts on your device.
For information about installing fonts, see Importing/Loading Fonts
Font Size
• Adjust the slider from 16 points to 400 points.
Layer Justification
• To quickly position the layer and set the justification, tap the Align button .
• Choose Centered, Left, or Right Justified and Top, Middle, or Bottom.
Line Spacing
In layers with more than one line of text, adjust the space between layers from 10% of the text
height, to 300% of the text height.
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Edge Width
• Adjust the edge width from 0 (no edge) to 100 (largest edge).
Shadow Angle
• Slide your finger left and right across the Shadow Angle dial to adjust the direction of the
shadow.
Shadow Distance
• Adjust the shadow distance from the text, shape or image, from 0 (no shadow) to 100 (largest
edge).
Shadow Blur
• Adjust the softness of the shadow from 0 (hardest shadow) to 100 (softest shadow).
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3. Name the Style preset and tap on the Save Style button again.
To recall a Style Preset:
1. Inside the Title Editor, select a text layer or a shape layer.
3. If you have saved any custom presets, they will appear under User Styles .
4. Tap on the Style Preset to apply it to the current layer.
Title Presets
A Title Preset is the collection of layers (including their styles) that make up a whole title.
To save a Title Preset:
2. Name the Title preset and tap on the Save Preset button again.
To recall a Title Preset:
1. Inside the Title Editor, collapse any existing layers.
2. Tap on Title Preset to replace the current Title layers with the new layers, OR
1. On the Timeline, select a title.
Saved Title Presets can also be found in the main media Library under the Titles category.
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Font Share to
If you have an app such as Fontasy you can browse thousands of
fonts, select one and share it to LumaFusion. You can also email
a font to yourself to import into LumaFusion.
• In the font app, choose a font and tap the Share button, OR
• Open an email with a font file attached. Tap once on the
attachment to download, then press and hold on the
Figure 22-6 Share to LumaFusion share
attachment until the share sheet appears.
sheet from Fontasy
Choose LumaFusion from the share sheet. Then the font will be
available in the LumaFusion Titler.
3. Tap the Import button and then the font will be available in the LumaFusion Titler.
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2. Tap Movie .
3. Select a destination, and log into the destination if necessary. This will only be required the first
time you export to cloud storage or a social network. See details about each of the destinations
below.
Note: If you don’t see your desired destination, tap the Add/Edit Destinations button .
For more information, see Add/Edit Export Destinations
4. Choose the settings for your export. The recommended settings based on your media and the
chosen destination are highlighted with a star (★), but each setting can be adjusted as desired.
If you’ve exported to the selected destination previously, an option is provided to Change to the
last export settings or Change to the recommended settings for that destination.
5. Navigate to the directory you want to export to (if necessary).
Note: The settings panel will show warnings if any of the tracks in your project are muted or
hidden. An estimate of the storage space needed to export the movie is also shown, and a
warning will be shown if there is not enough available storage space to export the movie. If
there is not enough space, and you can’t free up space, try changing to a lower quality or
resolution setting to reduce the export space requirements.
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Photos
Movies exported to the Photos App will show up under All Photos and Videos and also in the
Videos album. Once the export is complete you will see your movie appear in the LumaFusion
Photos Library.
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2. Choose your export settings and tap . After the rendering is complete, the standard Share
Sheet will appear.
Note: If Facebook does not appear as an option, tap on the More button ... and turn on Facebook.
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Wireless/Network Drives
If you have a wireless network drive connected that uses the SMB protocol, then you can export
directly to the drive.
When using Wireless / Network drives for the first time you will be asked to ‘Add a server’
1. At the prompt choose from the list of drives available on your current network.
2. Enter your user ID and Password.
After entering your credentials, you will be able to navigate to files and folders on your network drive.
Files
The Files destination will display the standard iOS file browser, allowing you to select a folder to
export the movie. This folder can be any storage shown on your iOS device, or an external drive if
you’re using iOS 13. You can even export directly to another app’s folder if the app supports file
sharing.
Other App/AirDrop
If you choose this option, the file will be written prior to
selecting the destination. Once the file is created, you’ll
see a share sheet which displays AirDrop destinations
available as well as any apps on your device that can
accept the file type you have created. You can select
multiple locations to share to before closing the share
sheet.
To export via AirDrop both your edit device and the
destination device (such as other iOS devices or Mac
desktop computers), must have Bluetooth turned ON.
If you select Rendered Movies as your destination, the file is added only to the LumaFusion
Rendered Movies folder. This is a great way to “mix down” a master without having to export it to
another app or destination.
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Resolution
The available resolutions are based on the project's aspect ratio, which is selected in the Help and
Settings panel.
Even though it is common to only use one number when talking about a video resolution such as
“1080p,” resolutions always have two numbers; 1080p is more accurately 1920x1080. The first
number refers to the width of the frame in pixels, and the second refers to how many lines a video
has from top to bottom.
The “p” after the resolution means that the lines of video are drawn progressively, or in sequence.
This is in contrast to interlaced video where only the odd lines, then the even lines of each frame are
drawn alternately, so that only half the number of actual image frames are used to produce video.
LumaFusion only produces progressive video resolutions.
If your original source media was shot at 1920x1080, and you choose to export full frame video at
4K (which is 3840x2160), then the pixels will be drawn twice as wide and twice as tall with no
increased quality.
On the other hand, you may want to shoot at 4K and export at 1920x1080, giving you the freedom to
zoom or crop into your clips up to 200% (or 4X) without losing quality.
For more information, see Choosing the Project Frame Aspect Ratio
Frame Rate
The export frame rate will be the same as you have set in the Project Settings. To change the frame
rate of your current Project, tap the Help and Settings button and then tap on the Settings tab.
For more information, see Setting the Project Frame Rate
Video Quality
The Video Quality refers to the megabits per second (Mbps). To maximize quality, it is
recommended that you match the Mbps of your source video as closely as possible. Increasing the
quality setting beyond the Mbps of the original source clips will result in larger files with no additional
benefit. If your destination is a video sharing platform, you may wish to check their recommendations
for export bitrate.
Video quality values are based on the total resolution of the export (width x height), so they may be
different based on the aspect ratio and resolution selected (ie: 1920x1080 will have a higher bitrate
for Standard than 1920x724).
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Audio Quality
LumaFusion can export your audio at 16kHz, 32kHz, 44.1kHz, or 48kHz. Choose the option required
by your destination.
Color Space
If the project is set to Standard - Rec. 709, the default color space in LumaFusion, then there will be
no Color Space options on export. However, if the project is set to one of the HDR options, then a
Color Space selector will be available in the Movie Settings export pop-up.
For more information, see Setting the Project Color Space
Video Codec
Choose either H.264, HEVC (H.265) or HEVC with Transparency for your export. Select the option
that is appropriate for your destination. H.264 is currently the most commonly supported codec, but
H.265 can provide a higher quality at the same bit rate. When exporting to HEVC with Transparency,
if there are portions of your project that do not fill the frame (showing black or your chosen
background color behind) then these black portions of your project will be exported as transparent
and can then be used to layer over another video.
Includes (Video/Audio)
LumaFusion can include Video and Audio, or Video Only on the exported video file. For audio only
exports you must choose the Audio Only option from the first export panel menu.
File Format
LumaFusion can export MPEG4 (.mp4) or QuickTime (.mov). Choose the option required by your
destination.
Export Duration
Indicates the length of your exported project in Hours: Minutes: Seconds: Frames.
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Available Space
This shows the amount of space reported as remaining by your device.
Tips and Tricks: If you want to switch devices or share your project with another person so they
can continue editing, you can quickly AirDrop a LumaFusion Project Package to another iOS
device and continue editing within minutes.
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If you have chosen “No Relinkable Media” then wherever possible, media will automatically be
relinked as long as the zip file was located in the Downloads folder of your Mac. If there are still
clips that have missing media in Final Cut Pro X, or you open the file from a location other than
the Downloads folder, then you can manually relink your FCPX Timeline clips to the original
clips.
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* The Video Cut-Audio Cross transition does not have an equivalent in FCPX, so the audio cross
fade is represented as a ramp in the audio waveform. This can be hard to see, unless you increase
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3. Select a destination.
• Tap on Snapshot .
Your full resolution snapshot will be stored in the Photos app under All Photos.
Tips and Tricks: In Help and Settings > Preferences you can change the format used for storing
snapshot images. Choose PNG or JPEG depending on your needs.
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Settings
Tap the Help and Settings button .
• In the Settings tab you will find important settings for your current Project. You can also find
clip defaults that determine how clips behave when they are added to the Timeline.
• In the Ducking tab, you will find the settings for Audio Ducking in your current project.
• In the Preferences tab you will find New Project defaults, Frame.io defaults, and User
Interface defaults.
• The Cleanup tab, offers a variety of choices for removing cached media and temp files that
are no longer used.
• The Help tab is the place to go to access Tutorials, Reference Guides and Support
Frame Rate
Sets the Frame Rate for your currently open project. This can be modified at the start of the project
or later in the Project Settings.
For more information, see: Setting the Project Frame Rate
Frame Aspect
Sets the aspect ratio for your currently open project. This can be modified at the start of the project
or later, in the Settings tab.
For more information, see: Choosing the Project Frame Aspect Ratio
Color Space
Sets the Color Space for the current project. This can be modified at the start of the project or later,
in the Settings tab.
For more information, see: Setting the Project Color Space
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Clip Defaults
Fit Mode
Sets the default Fit Mode for clips that have aspect ratios that do not match the project aspect ratio.
This setting does not affect existing Fit Modes for clips already on the Timeline. The Fit Mode can be
modified per clip by opening the Frame and Fit Editor.
Ducking
Adjust the Audio Ducking settings for the currently open Timeline.
For information on using Audio Ducking, see Audio Ducking
Preferences
The Preferences tab is where you can set defaults for LumaFusion. For example, if you always
create projects with a 16:9 Frame Aspect ratio at 30fps then setting those values in the Preferences
will create every new project with those settings, avoiding both repetition and potential mistakes.
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Frame Aspect
For more information, see: Choosing the Project Frame Aspect Ratio
Color Space
Sets the Color Space for future projects. This can be modified at the start of the project or later in the
Project Settings.
For more information, see: Setting the Project Color Space
Frame.io
Frame.io
When using Frame.io media that is not supported by iOS, Frame.io will create proxies so that you
can proceed to edit with LumaFusion. The Frame.io Download setting allows you to select the
resolution of the proxy files.
For more information, see: Using a Proxy Workflow with Frame.io, LumaFusion and FCPX
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Clip Style
Clip Style allows you to change the way your Timeline looks by simplifying what is displayed on the
clip faces.
Choose between Normal, No Icon (which hides the thumbnail on video clips on the Timeline), and
No Waveform, (which hides the audio waveform on clips with audio on the Timeline).
Show Touches
Show touches displays a blue dot on the interface wherever your finger touches the screen. This is
useful for trainers displaying the app to an audience on a separate monitor or in a screen capture.
Advanced Settings
Preview
Sets the quality of image displayed in the Preview window inside LumaFusion. On some slower
devices, or when editing with multiple tracks, it may be necessary to lower the Preview Quality to
Fastest, This allows smooth playback performance and helps avoid running out of memory on your
device, which can cause instability. If you set the Preview to Fastest, you will notice the quality of
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Snapshot Images
Choose whether snapshot images are created as PNG or JPEG files.
For information on creating snapshots, see Creating a Snapshot Image
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Cleanup
The Cleanup menu allows you to remove cached media from your device to free up storage space.
3. Tap the Broom button to immediately cleanup unused media originating from the selected
locations.
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3. Tap the Broom button to immediately cleanup all media from the selected file types.
For more information about missing media, see Relinking and Replacing Missing Media
Files Info
The Imported Media and In-Use Reversed Media sizes are provided to help understand how much
space you can save by removing this media.
For more on about removing imported media, see Delete Imported Clips
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Press and hold the Help and Settings button to display Tooltips or tap on the Help and Settings
button and then go to the Help tab for options.
Tutorial Videos
Free basic and advanced level tutorials are available at https://luma-touch.com/lftutorials and are
also available from within the LumaFusion App. (internet connection required).
Reference Guide
This reference guide is available on-line at https://luma-touch.com/lfguide and is also available from
within the LumaFusion App. (internet connection required).
Also, find answers to questions in the LumaFusion knowledge base at https://luma-
touch.helpscoutdocs.com, or email us at [email protected]
Review LumaFusion
We are a small team dedicated to making the best multitrack professional editor for mobile. Our
success depends on the support of customers like you. If you are happy with our product, we would
very much appreciate it if you would take a moment to rate and review the app in the App Store.
If you encounter a problem with the app, please email us at [email protected], and give us
the opportunity to help make your project a success.
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Project Manager
Slide your finger along the filmstrip To quickly scrub through the selected project
Preview
Single Tap in the Preview window To play or pause the preview
Double Tap in the Preview window To grow the Preview to full screen. Double tap
again to return to normal view.
Swipe Left in the Preview window To step forward one frame This gesture can be
reversed in Settings > Preferences
Swipe Right in the Preview window To step backward one frame This gesture can be
reversed in Settings > Preferences
Press, Hold and Drag the image in the To drag the marked portion to the Timeline
Preview window
Press and Hold the Play button To open the incremental scrubber to move slowly
or quickly through your media
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Double tap the Jump buttons To quickly jump to the head or tail of the Timeline
Two-Finger Swipe Left To select the next item in the library to preview (if
there is a single item selected in the preview)
This gesture can be reversed in Settings >
Preferences
Two-Finger Swipe Right To select the previous item in the library to preview
This gesture can be reversed in Settings >
Preferences
Timeline
Pinch the gray area of the Timeline To zoom in and out on the Timeline
Drag the blue handles on the sides of the To reshape the frame
blue frame
Drag the blue handles on the corners of the To resize the frame
blue frame
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Drag the blue handles around the edge of To Crop the frame
the yellow frame.
Press and hold the Play button To open the incremental scrubber to move slowly
through your media.
Double Tap the Play button To Start Loop Play (tap to exit looping)
Drag the Green dot on effect overlay To adjust the amount and angle of an effect
controls
Drag the Blue dot on effect overlay controls To adjust the position of an effect
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Cmd = Zoom In
C Select clip at play head (cycles through clips with multiple presses)
V Add Voiceover
T Add Transition
Cmd Z Undo
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Option ; Link/Unlink
3 Open Title Editor (only available when a Title clip is selected on the
Timeline)
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A Jump to start
S Jump to end
K Stop playback
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