International Folk Dances and its Origins
BPED 2B
GROUP 1: Swedish Clap Dance
The Swedish Clap Dance, also known as the Polska, is a traditional folk dance with roots
in Sweden dating back to medieval times. It is characterized by distinctive rhythmic patterns and
synchronized hand clapping. The dance emphasizes close connections between couples, reflecting the
diversity of Swedish folk culture. Today, it is celebrated through folk festivals, cultural events, and
contemporary performances, showcasing its enduring significance in the Swedish cultural landscape.
GROUP 2: Napoleon Dance
Napoleon dance was originated from Denmark. This dance is known for being easy, gentle
and relatively easy to learn, napoleon dance is a popular dance in its place of origin and is usually
performed by the citizens (Denmark) This dance is symbolic of a Danish people's unity and culture. This
dance is a couple dance so basically it is performed by two people. Napoleon dance is a social dance done
by a couple for enjoyment, this dance is commonly performed at gatherings and festivals when people
congregate for the purpose of having fun.
GROUP 3: Irish Lit
Irish Lilt was originated in Ireland during the 18th century. It is a solo or group dance therefore it
does not need a partner just as other folkdances. It was dance during social dances/gatherings,
competition and performance purposes.
GROUP 4: Varsovienne Dance
Varsovienne Dance, it is a very delightful dance for girls but boys may take part if desired.
Varsovienne came from Germany. It is a slow, graceful dance in ¾ time with an accented downbeat in
alternative measure with the key signature B minor. It combines elements of waltz, mazurka, and polka.
It is one of the smoothest and most graceful dances known.
GROUP 5: O! Susanna
O! Susanna is a song from the United States of America to give tribute for the gold seekers
from every state that were singing the song as they headed west to California. The song was made by
Stephen Foster and made its debut in the year 1847. But, there's a down side history for the song and
dance; Foster wrote the song for a minstrel show. In minstrel shows, white performers smeared burnt
cork on their faces and spoke, sang, and danced in a buffoonish style believed representative of African
Americans.