Essay Reference
Essay Reference
Writing an essay on the topic of "Essay Reference" can be quite challenging. It requires a deep
understanding of the concept of referencing within academic writing, including various citation
styles such as APA, MLA, Chicago, and Harvard. Additionally, one must be well-versed in the
specific guidelines and rules for referencing sources, including books, journal articles, websites, and
other forms of media.
The difficulty lies not only in comprehending these guidelines but also in applying them accurately
throughout the essay. Proper referencing is crucial not only for giving credit to the original authors
but also for maintaining academic integrity and avoiding plagiarism.
Moreover, crafting an essay on this topic requires clear and concise explanations of different
referencing styles, examples of in-text citations and reference lists, and discussions on why
referencing is important in academic writing.
Overall, writing an essay on the topic of "Essay Reference" demands meticulous attention to detail, a
strong grasp of academic writing conventions, and the ability to effectively communicate complex
ideas related to referencing.
Introduction Bounties have been employed by United States government over the
history of our Nation. As differentiated from rewards, which offer payment for
accomplishment of a specific act such as providing information that leads to the capture
of a particular criminal, bounties are tailored to encourage the services or actions by
some class of persons in pursuance of a governmental purpose. One of the earliest
examples in the United States is the grant of bounty land grants during both the
Revolutionary War and Civil War. For the purpose of encouraging longer military service,
this bounty system would offer land to men fit for service in return ... Show more content
on Helpwriting.net ...
The FCA enforces this statute, in part, by allowing a private person, typically an
employee or other agent of the violator with particular knowledge of a violation, to bring
suit on behalf of the government, otherwise known as a qui tam action. This qui tam
plaintiff, referred to as a relator, is entitled to a bounty between 15% and 25% of the
settlement amount in the situation where the government proceeds with the action
brought by the relator. In the case where the government doesn t proceed with the action,
the relator is entitled to between 25% and 30% of the settlement amount.
Traditionally there was a bar that limited a relator from bringing a qui tam action under
the FCA and thus being qualified to receive any whistleblower bounty resulting from the
settlement. The bar was basically two fold. The allegations or transactions underlying the
action cannot have been publicly disclosed, unless the relator was the original source of
the information. Prior to amendment in 2010, this bar required the court to dismiss the
action if the allegations had been public disclosed or the relator was not the original
source of the information, which resulted in this becoming the primary defense in FCA
actions. However, with amendment in 2010, the power to dismiss was effectively shifted
from the court to the government with the addition of the language unless opposed by
the Government .
Neorealism In Bicycle Thieves, And Roberto Rossellini
Vittorio De Sica and Roberto Rossellini composed two of the most influential Italian
films of all time. Their productions of such captivating and eloquent pieces, during
critical moments in Italy s history, have shed light upon ethics and political quarrel
present after the world wars. The wars left Italyin a devastating state, the economy
ruptured, and the film industry dismantled by this detrimental catastrophe. With the
introduction of neorealist films Bicycle Thieves and Rome Open City, society
becomes acquainted with the richness of everyday life in Italy. De Sica s Bicycle
Thieves demonstrates a pure vision of neorealism, making each event as objective as
possible, reinforcing the meaningfulness of reality, and reproducing it at exceptional
degrees. On the other hand, Rossellini s Rome Open City offers a diverse approach to
neorealism, straying away from the conventional rules, depicting Italy in light of Fascist
regimes, and focusing its attention on the attitudes of individuals in political crisis. De
Sica s Bicycle Thieves, and Rosselini s Rome Open City, are films that differ in the
representation of societal values and political attitudes.
Bicycle Thieves is an alluring piece, which details the undue hardship Italy faces after
World War II (WWII) in 1948. There are various aspects within the film that demonstrate
the undeniable pure quality of De Sica s work as a neorealist picture. Antonio Ricci,
played by Lamberto Maggiorani, and Bruno, portrayed by Enzo