0% found this document useful (0 votes)
41 views10 pages

Women in 20th Century Hispanic Culture

This document provides a list of 59 references related to images of women in 20th century Hispanic culture. The references cover topics like gender studies, depictions of women in literature and art, psychoanalytic perspectives on motherhood, and analyses of specific female authors like Frida Kahlo, Maruja Mallo, Griselda Gambaro, and María Luisa Bombal. The list includes books, journal articles, and other academic sources published between 1962 and 2015.

Uploaded by

puterinadiaoctv
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
41 views10 pages

Women in 20th Century Hispanic Culture

This document provides a list of 59 references related to images of women in 20th century Hispanic culture. The references cover topics like gender studies, depictions of women in literature and art, psychoanalytic perspectives on motherhood, and analyses of specific female authors like Frida Kahlo, Maruja Mallo, Griselda Gambaro, and María Luisa Bombal. The list includes books, journal articles, and other academic sources published between 1962 and 2015.

Uploaded by

puterinadiaoctv
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

Images of Women in 20th Century View Online


Hispanic Culture

1.

Butler, J. & Dawson Books. Gender trouble: feminism and the subversion of identity. vol.
Routledge classics (Routledge, 2006).

2.

Dijkstra, B. Evil sisters: the threat of female sexuality and the cult of manhood. (Alfred A.
Knopf, 1996).

3.

Ellmann, M. Thinking about women. (Virago, 1979).

4.

Flax, J. The Conflict between Nurturance and Autonomy in Mother-Daughter Relationships


and within Feminism. Feminist Studies 4, (1978).

5.

Jonathan Gottschall, Elizabeth Allison, Jay De Rosa and Kaia Klockeman. Can Literary Study
Be Scientific?: Results of an Empirical Search for the Virgin/Whore Dichotomy.
Interdisciplinary Literary Studies 7, 1–17 (2006).

6.

Moi, T. Sexual/textual politics: feminist literary theory. vol. New accents (Routledge, 2002).

1/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

7.

Neumann, E. The great mother: an analysis of the archetype. vol. Bollingen series
(Princeton University Press, 1963).

8.

Rich, A. C. Of woman born: motherhood as experience and institution. (Virago, 1977).

9.

Spacks, P. A. M. The female imagination: a literary and psychological investigation of


women’s writing. (Allen and Unwin, 1976).

10.

Tumanov, V. Mary Versus Eve: Paternal Uncertainty and the Christian View of Women.
Neophilologus 95, 507–521 (2011).

11.

Van Buren, J. S. The modernist madonna: semiotics of the maternal metaphor. (Indiana
University Press, 1989).

12.

Warner, M. Alone of all her sex: the myth and cult of the Virgin Mary. (Vintage, 2000).

13.

Wolf, N. Promiscuities: a secret history of female desire. (Vintage, 1998).

14.

Woolf, V. A room of one’s own. vol. Great ideas (Penguin Books, 2004).

2/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

15.

Moi, T. What is a woman?: and other essays. (Oxford University Press, 1999).

16.

Broude, N. & Garrard, M. D. Feminism and art history: questioning the litany. vol. Icon
editions (Harper & Row, 1982).

17.

Broude, N. & Garrard, M. D. Reclaiming female agency: feminist art history after
postmodernism. (University of California Press, 2005).

18.

Ferris, J. L. V. Maruja Mallo: la gran transgredora del 27. vol. Biografías (Temas de hoy,
2004).

19.

Mangini González, S. & Mallo, M. Maruja Mallo and the Spanish avant-garde. vol. Ashgate
studies in surrealism (Ashgate, 2010).

20.

Parsons, D. L. A cultural history of Madrid: modernism and the urban spectacle. (Berg,
2003).

21.

Zanetta, M. A. La otra cara de la vanguardia: estudio comparativo de la obra artística de


Maruja Mallo, Ángeles Santos y Remedios Varo. (Edwin Mellen Press, 2006).

22.

3/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

Fuentes, Y. & Parker, M. R. Leading ladies: mujeres en la literatura hispana y en las artes.
(Louisiana State University Press, 2006).

23.

BADDELEY, O. ‘Her Dress Hangs Here’: De-Frocking the Kahlo Cult. Oxford Art Journal 14,
10–17 (1991).

24.

Bakewell, L. Frida Kahlo: A Contemporary Feminist Reading. Frontiers: A Journal of Women


Studies 13, (1993).

25.

Bartra, E. Frida Kahlo: mujer, ideolog⩡, arte


. (Icaria, 1994).

26.

Dexter, E., Barson, T., Ankori, G. & Tate Modern (Gallery). Frida Kahlo. (Tate Publishing,
2005).

27.

Drucker, M. & Kahlo, F. Frida Kahlo. (University of New Mexico Press, 1995).

28.

Broude, N. & Garrard, M. D. The Expanding discourse: feminism and art history. (Westview
Press, 1992).

29.

Kahlo, F., Fuentes, C., Lowe, S. M. & Freeman, P. The diary of Frida Kahlo: an intimate
self-portrait. (Harry N. Abrams, 2005).

4/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

30.

Mayayo, P. Frida Kahlo: contra el mito. vol. Ensayos arte C⡴edra (C⡴edra, 2008).

31.

Tibol, R. Frida Kahlo: an open life. (University of New Mexico Press, 1993).

32.

Deffebach, N. María Izquierdo & Frida Kahlo: challenging visions in modern Mexican art.
vol. Latin American and Caribbean Arts and Culture publication initiative (Andrew W.
Mellon Foundation) (University of Texas Press, 2015).

33.

Miller, B. K. Women in Hispanic literature: icons and fallen idols. (University of California
Press, 1983).

34.

Cannon, C. as Tragedy. Symposium: A Quarterly Journal in Modern Literatures 16, 85–93


(1962).

35.

Edwards, G. Lorca: the theatre beneath the sand. vol. Critical appraisals series (Boyars,
1980).

36.

Fernandez-Cifuentes, L. Yerma: Anatomia de una transgresion. MLN 99, (1984).

37.

Brenda Frazier. La mujer en el teatro de Federico García Lorca.(Playor, 1973).

5/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

38.

McDermid, P. Love, desire and identity in the theatre of Federico García Lorca. vol.
Colección Támesis (Tamesis, 2007).

39.

Pilar Nieva-de la Paz. Identidad femenina, maternidad y moral social: ‘Yerma’ (1935), de
Federico García Lorca. Anales de la literatura española contemporánea 33, 373–394
(2008).

40.

Smith, P. J. The theatre of García Lorca: text, performance, psychoanalysis. vol. Cambridge
studies in Latin American and Iberian literature (Cambridge University Press, 1998).

41.

Soufas, C. C. Audience and authority in the modernist theater of Federico García Lorca.
(University of Alabama Press, 1996).

42.

Sullivan, P. L. The mythic tragedy of ‘Yerma’. Bulletin of Hispanic StudiesBulletin of Spanish


Studies (1923-1948);Bulletin of Hispanic Studies 49, (1972).

43.

Magnarelli, S. Home is where the (he)art is: the family romance in late twentieth-century
Mexican and Argentine theater. vol. The Bucknell studies in Latin American literature and
theory (Bucknell University Press, 2008).

44.

Nora Glickman. De ‘La malasangre’ a ‘De profesión maternal’: Griselda Gambaro y el


incómodo vaivén entre hija y madre. Revista Hispánica Moderna 435–446 (2002).

45.

6/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

Gatto, T. Griselda Gambaro, De Profesión Maternal o la subjetividad nómade. Telón de


fondo 7, (2008).

46.

Shaw, D. Men in High Heels: The Feminine Man and Performances of Femininity in Tacones
lejanos by Pedro Almodóvar. Journal of Iberian and Latin American Studies 6, 55–62
(2000).

47.

Allinson, M. & Dawson Books. A Spanish labyrinth: the films of Pedro Almodóvar. (I.B.
Tauris, 2001).

48.

Post-Franco: the films of Pedro Almodovar, Vernon: postmodern. vol. Constributions to the
Study of Popular Culture, Number 69 (Greenwood Pr, 1995).

49.

Brion, M. & Fini, L. Leonor Fini: et son oeuvre. (Jean-Jacques Pauvert, 1962).

50.

Chadwick, W. Women artists and the Surrealist Movement. (Thames and Hudson, 1985).

51.

Caws, M. A., Kuenzli, R. E. & Raaberg, G. Surrealism and women. (MIT Press, 1991).

52.

Lauter, E. Women as mythmakers: poetry and visual art by twentieth-century women.


(Indiana University Press, 1984).

7/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

53.

Mahon, A. La Feminité triomphante: Surrealism, Leonor Fini, and the Sphinx. Dada
surrealism 19, (2013).

54.

Webb, P. & Fini, L. Sphinx: the life and art of Leonor Fini. (Vendome Press, 2009).

55.

Webb, P. Leonor Fini: Métamorphoses d’un art. (Actes sud, 2007).

56.

Adams, M. I. Three authors of alienation: Bombal, Onetti, Carpentier. vol. Latin American
monographs (University of Texas at Austin. Institute of Latin American Studies) (University
of Texas Press, 1975).

57.

Baker, A. F. El tiempo y el proceso de individuación en ‘La última niebla’. Revista


Iberoamericana 52, (1986).

58.

Bastos, M. L. Relectura de ‘La última niebla’ de María Luisa Bombal. Revista


Iberoamericana 51, (1985).

59.

Domínguez Miranda, C. M. La identidad femenina en La última niebla. La Colmena 78,


37–44.

60.

Cynthia Duncan. Reading Power: Some Observations on the Construction of Meaning and
Authority in María Luisa Bombal’s ‘La última niebla’. Revista Hispánica Moderna 304–316

8/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

(1998).

61.

ESPINOSA H., P. La última niebla de María Luisa Bombal: excentricidad, desacato y


eroticidad en el devenir identitario femenino. Acta literaria (2005)
doi:10.4067/S0717-68482005000200002.

62.

Lucía Guerra Cunningham. La marginalidad subversiva del deseo en la ‘La última niebla’
de María Luisa Bombal. Hispamérica 53–63 (1992).

63.

Dill, H.-O. Apropiaciones de realidad en la novela hispanoamericana de los siglos XIX y XX.
vol. Editionen der Iberoamericana (Vervuert, 1994).

64.

Kostopulos-Cooperman, C. The lyrical vision of Maria Luisa Bombal. vol. Colección Támesis
(Tamesis Books, 1988).

65.

Orozco Vera, M. J. La narrativa femenina chilena, (1923-1980): escritura y enajenación.


vol. Textos de filología (Anubar Ediciones, 1995).

66.

Joyce Tolliver. ‘Otro modo de ver:’ The Gaze in La última niebla. Revista Canadiense de
Estudios Hispánicos 17, 105–121 (1992).

67.

King, J., Whitaker, S. & Bosch, R. An Argentine passion: María Luisa Bemberg and her films.
(Verso, 2000).

9/10
02/24/24 Images of Women in 20th Century Hispanic Culture | University of Glasgow

68.

Shaw, L. & Dennison, S. Latin American cinema: essays on modernity, gender and national
identity. (McFarland & Company, 2005).

69.

Stevens, D. F. Based on a true story: Latin American history at the movies. vol. Latin
American silhouettes: studies in history and culture (SR Books, 1997).

70.

Pick, Z. M. The new Latin American cinema: a continental project. vol. Texas film studies
series (University of Texas Press, 1993).

71.

Richard K. Curry. La estructuración del discurso fílmico en ‘Camila’ de María-Luisa


Bemberg: ‘filtros’. Letras Femeninas 18, 11–23 (1992).

72.

ESTELA ERAUSQUIN. María Luisa Bemberg’s Revolt. Revista Canadiense de Estudios


Hispánicos 27, 45–57 (2002).

73.

STEPHEN M. HART. Bemberg’s Winks and Camila's Sighs: Melodramatic Encryption in


Camila. Revista Canadiense de Estudios Hispánicos 27, 75–85 (2002).

74.

Bruce Willaims. In the Realm of the Feminine: María Luisa Bemberg’s ‘Camila’ at the Edge
of the Gaze. Chasqui 25, 62–71 (1996).

10/10

You might also like