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The Alto Recorder A Comprehensive New Method

The document is a table of contents for "The alto recorder: a comprehensive new method" by Aldo Bova. It lists 16 chapters that cover various techniques, notes, keys, duets, rhythms, ornaments, and preludes. The method progresses from basic notes and rhythms in the beginning chapters to more advanced techniques like syncopation, ornaments, and double tonguing in later chapters. It aims to provide a comprehensive teaching method for learning to play the alto recorder.

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100% found this document useful (3 votes)
10K views184 pages

The Alto Recorder A Comprehensive New Method

The document is a table of contents for "The alto recorder: a comprehensive new method" by Aldo Bova. It lists 16 chapters that cover various techniques, notes, keys, duets, rhythms, ornaments, and preludes. The method progresses from basic notes and rhythms in the beginning chapters to more advanced techniques like syncopation, ornaments, and double tonguing in later chapters. It aims to provide a comprehensive teaching method for learning to play the alto recorder.

Uploaded by

jazzeandomar4430
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Aldo Bova

The alto recorder:


a comprehensive new
method

fondaco dei musici


potsdam – bad bayersoien
2019
CONTENTS

First Steps p. 3

Chapter 1 p. 4
crotchets, rests, F, D, C

Chapter 2 p. 7
quavers, E, G

Chapter 3 p. 19
dotted crotchets, low A, A

Chapter 4 p. 34
low G, low F

Chapter 5 p. 42
low B flat

Chapter 6 p. 55
duets

Chapter 7 p. 71
B flat, high C

Chapter 8 p. 80
low B, E flat

Chapter 9 p. 93
high D, triplets

Chapter 10 p. 99
semiquavers, demisemiquavers, dotted quavers, various ways of counting: 3/8 3/2 3/16

Chapter 11 p. 110
C sharp, F sharp, B

Chapter 12 p. 118
high C sharp, high E flat, high E, top F

Chapter 13 p. 125
low G sharp and G sharp, low F sharp, top G

Chapter 14 p. 137
duets

Chapter 15 p. 154
last notes, tonality and modality, syncopation, ornaments, alternative fingers

Chapter 16 p. 175
double tonguing, preludes with scales and arpeggios, in various major and minor keys

A special thank you to John Millerchip and Gabriella Rubinato.


I remain responsible for any mistakes they didn’t spot.

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