Name of Candidate: Paul Adegbuyi
Candidate Number: 2005
Type of Composition (Free or Brief): Free
Title of Composition: Dearly Loved
Personal Brief: This song is about Jesus and I wrote it to encourage others about who God is and to express His love through the song. Also, im going to
sing this song in my church.
ANNOTATED SCORE
Screenshot of whole project:
Structure of project:
Intro
Verse
Chorus 1
Bridge 1
Pre-chorus
Chorus 2
Bridge 2
Outro
Section by section analysis:
Time Harmony Melody and texture Rhythm Any other interest
stamp
Intro b1-b9 There is chords and also vocal The melody is sung by the tenor it
harmony at the start. has range of an octave but is based
around a repeated pattern of 1-2-
Am7 – Cmaj7 – Am7 – 4. Towards the end of the phrases
Bm7/flattened5th the humming parts add more
complex riffs.
The harmony is conjunct ascending
and descending. Spanning a range
of a 5th
Verse b9-b21 Am – C - C – F – G – G – Am – C – The melody is sang by a tenor
Caug – F – G – Am – C – C – Caug mainly conjunct and towards the
– Caug – F - G end it becomes higher.
The simplest form of the melody
follows this pattern:
G–A–C–G–E–D–E–D–C–B
–A–G–C–D–C
Theres two other tenor parts that
sing along in harmony( mostly in
thirds around the melody).
There is a response phrase in the
backup vocal from bar 14
Chor b21- F6 – Am – Gaug – Gaug – C – Am The simplest form of the melody
us b29 – Em7 – F – F sharp diminished - follows this pattern: E – E – E – D –
G E – E –E –E –D –E – A – G
There is a call and response section
that happens from bar 24-29. With
harmony at thirds around dearly
loved.
Bridg b29- Am – C – Caug – F - G These are all harmonised hums
e b33
Pre- b33- F6 - F6 – F6 – F6 – Am – G - Gaug G – E – C – G – E – E – E – G –E – G
choru b37 -C –G–C–B–A–G
s
Chor b37 - F6 – Am – G – Gaug – C- Am – The melody is similar to the one in This is my most
us 2 b45 Em7 – F – F sharp diminished - G the first chorus however there are climatic chorus I
more harmonised and call and have an almost
responses. polyphonic texture
with three counter
melodies and an
additional harmony
on one of them.
Seco b45- F – F sharp diminished – G – Em – A–A–G–E–A–G–E-D–C
nd b49 Am – B flat minor
bridg With added thirds and suspensions.
e
Outro b49- Supertonic modulation The melody is based around the In the outro I drop
b56 B flat minor seventh – D major verse melodies however the out the chords and
seventh – b flat minor seventh – C harmonies are slightly different we there is less
minor seventh/ flat fifth now have a second counter melody harmonic
as a response. movement.
Detailed screenshots of specific interest:
