Sue Vice
Sue Vice
15 Personal and
Professional News
18 Publications
DIRECTOR’S LETTER
Sue Vice is a renowned concludes with film and documentary. Through this
literary scholar whose approach, Vice endeavors to instill in her students
primary focus lies in the an appreciation for the unique contributions that
study of representa- literature and film can make to our understanding
tions of the Holocaust of the Holocaust, while learning to critically analyze
in fiction. She has ded- the various choices of the authors, poets, and film-
icated her academic makers being studied. She notes that, while stu-
career to exploring var- dents have “often learned about the Holocaust in
ious aspects of Holo- school, and some have even been to Auschwitz due
caust literature and its to educational travel programs in British schools,
impact on our under- they haven’t usually studied it from a literary or
standing of the histori- film studies perspective.” She finds that students
cal event, from her sec- “continue to really want to study this topic,” with a
ond book, titled Holocaust Fiction (Routledge, 2000), full classroom every year, “even though for these
to journal articles on fictionalized representations students the Holocaust is further and further away
of children’s perspectives in Holocaust literature in time.” Throughout the course, students “gain an
and, more recently, of Holocaust survivors with appreciation for what literature can contribute to
dementia. As she notes, “it can be quite a taboo our understanding of the Holocaust, and what they
to make fiction about the Holocaust,” but these can contribute as literary and film scholars.” While
works can nonetheless serve important functions, teaching this material, Vice strives to impart stu-
and offer valuable new perspectives for study. For dents with a sense of the intersectionality of the
example, Vice notes that, despite the “paradox Holocaust and its various categories of victims –
of trying to write from a child’s perspective as an the T4 program, and the targeting of homosexual
adult, lots of people have tried, either in fiction or in men and Roma populations, for example – while not
testimony, to reproduce the viewpoint of a child” – “losing track of the Jewishness of it,” the knowledge
a lens which “can be really helpful because it defa- that “a particular group of people – the Jews - were
miliarizes these events that as adults we’ve come to especially targeted.” She has also published on
be really oddly familiar with.” At the same time, she the pedagogical challenges of teaching Holocaust
points out that “unless you really are a child, then literature and film, contributing to the scholarship
you can’t do it – children don’t typically write that on Holocaust education and fostering improve-
way.” Rather, it’s “literature written by adults to be ment within the field through reflection on her own
read by adults, from the perspective of a child.” She teaching experience.
also explores embellished and outright false Holo-
caust testimony in publications like her book Tex- In recent years, Vice has taken on a significant role
tual Deceptions (2014, Edinburgh), noting the risks with HEFNU as a member of the Academic Council.
of “encouraging Holocaust denial and disparaging While she had long participated in the Lessons &
genuine survivor accounts.” Legacies conference, she notes that being on the
Council gave her “new insight into the huge array of
Vice’s scholarly interests carry over into her teaching opportunities offered by HEFNU, such as the bur-
as a professor at University of Sheffield, where she saries supporting younger scholars to develop their
has taught the course Representing the Holocaust research or teaching skills.” Through these grants,
for 25 years. The course starts with testimony HEFNU nurtures the next generation of Holocaust
and goes through poetry, fiction, graphic memoirs scholars. While HEFNU is a US-based organiza-
like Art Spiegelman’s renowned work Maus, and tion, Vice finds that she’s “come to feel that it’s a
thanks to the grant we were able to acquire addi- Alessio Ponzio holds a PhD in History and Political
tional material to bolster our library collections Science from Università Roma Tre and a second PhD
in support of the new course. The University of in History and Women Studies from the University
Saskatchewan’s subject librarian for History, Dr. of Michigan. He is currently Assistant professor in
David Smith, inspired by the new course and to sup- Modern European History and History of Gender and
port our students, created a research guide aimed Sexuality at the University of Saskatchewan and an
at connecting students and faculty to the full range adjunct professor in History of Homosexuality at
of the library’s collections related to Holocaust the Università di Torino. Ponzio is the author of two
Studies, from articles, books, and reference titles books and several articles devoted to youth edu-
to websites, literature, and film. cation in Fascist Italy and Nazi Germany. In recent
years he has focused his research on non-normative
During the first iteration of my class, thanks to the sexualities in post-World War II Italy. After publishing
financial support of the College of Arts and Science, a few articles about male homosexuality in post-Fas-
the Department of History, and the Department of cist Italy, Ponzio is currently working on his third
Drama of the University of Saskatchewan, I was also book titled Scandalous Practices. Homosexuality,
able to organize a screening of The Amazing Life of Male Prostitution, and Sexual Citizenship in Post-
Margot Heuman on March 17, 2023. The viewing was Fascist Italy (Temple University Press).
followed by a very inspiring virtual Q&A session with
Dr. Anna Hájková and Dr. Erika Hughes, creators of
this play, who captivated the young audience in dis-
cussing the importance of recovering the histories
of queer Holocaust survivors.
I began the seventh ses- Holocaust studies into the UCU curriculum. The
sion of my Holocaust art course was scheduled for the fall semester of 2022.
and literature class on On February 24, 2022, Russia attacked Ukraine. The
Thursday, November 19, war began.
2022. I stared into my
Zoom screen, divided Amidst the unsettling reality in which one could not
into thirteen black predict anything on an hourly basis, UCU not only
squares with my stu- continued to operate, but also set its academic
dents’ names on them. schedule for the fall semester of 2022. Initially
“Can you hear me?” I planned in person, my class was now moved online.
asked. “If you cannot Fourteen students enrolled. Trying to overcome
switch on your camera, anxiety over my own parents who remained in
just put a ‘thumb up’ in Ukraine, I set to work on my course syllabus. The
the chat box so that I know you are there and alive.” onslaught of Russia’s war brought new challenges
The only one to have my camera on, I felt embar- to the increasingly difficult task of teaching the
rassed Zooming from a cozy room in Evanston while Holocaust and particularly Holocaust representa-
my students in Lviv hid in the basements of their tion to a Ukrainian audience. How does one teach
dorms, the only relatively safe place during air raid a Holocaust class amid an unfolding war, which
sirens and Russian missile attacks. After a mas- obsessively uses the language, terminology, and
sive shelling disrupted our previous session, the propaganda narratives of WWII? How does one
Internet connection in Ukraine became unstable, teach a genocide class while a new genocide is
so my students kept their cameras off. Cheered by unfolding in front of one’s eyes?
their electronic thumbs on the black backdrop, I
started the class. I saw my teaching goals as trifold. First, I aimed
to introduce Ukrainian students to the diversity of
I could never imagine that my teaching career in Jewish and non-Jewish responses to the Holocaust
the field of the Holocaust Studies would coincide in poetry, literature, and art. Second, I sought to
with the outbreak of a major war in Eastern Europe. teach them how to close-read and contextualize
In late January 2022, I was honored to receive the visual images and literary narratives concerning
Holocaust Educational Foundation Teaching Grant. mass atrocities to better understand the forms and
The grant fulfilled my long-lasting dream to teach a functions of art, poetry, and literature in times of
Holocaust class of my own design at the Ukrainian war and its aftermath. Third, I planned to train stu-
Catholic University (UCU) in Lviv, one of the leading dents to approach critically their present-day per-
Ukrainian educational venues. Back in 2014, in the ception of Nazi anti-Jewish violence and to avoid
UCU Jewish Studies program, I took my very first its comparison with Russia’s anti-Ukrainian hatred.
graduate level class in Modern Jewish History. The “Definitive contexts should not be mixed,” I had to
HEFNU Teaching Grant enabled me to return my remind my students and, at times, myself.
professional debt to the university which was my
starting point in the field of Jewish Studies. I felt Structuring my course as an image-centered and
particularly obligated since, by 2022, UCU did not text-based seminar, I had decided to avoid atroc-
offer a single course on the Holocaust. With the gen- ity depictions. With images of death and suf-
erous help of the HEFNU Teaching Grant, my course fering pouring from news broadcasts and social
titled, “Document-Image-Text: The Holocaust in media, it was crucial to preserve a psychologically
East European Art and Literatures” introduced safe space where my students could analyze and
think instead of react. Yet, I wanted to teach my
students how to question visual and verbal sources Anastasiia Simferovska holds a PhD in Art History
that both explicitly depict or deliberately avert from Lviv National Academy of Arts, Ukraine.
scenes of violence. Therefore, we read Tadeusz Currently, Anastasiia is a PhD candidate at the
Borowski’s Auschwitz stories and explored Boris Department of Slavic Languages and Literatures
Lurie’s Holocaust photograph collages alongside and the Crown Graduate Fellow at Northwestern
Gela Seksztajn’s watercolor portraits of children in University, where she is working towards her dis-
the Warsaw ghetto and Stanislaw Lem’s unfinished sertation on image migration in artistic and lit-
fantasy novel. Unmuting our Zoom microphones, erary Holocaust texts in Eastern Europe. In 2022,
we steadily learnt to discuss these and several Anastasiia received the HEFNU Teaching Grant.
other texts, to question what we see and what we
read, and to develop our arguments.
“Visual Culture and the Holocaust” forms of visual commemoration and drew parallels
between the Vietnam Veteran’s Memorial in Wash-
Oxford, Mississippi April 13-15, 2023 ington, DC and the Memorial to the Murdered Jews
of Europe in Berlin. This opening session set the
On April 13-15, the Holocaust Educational Foun- tone for subsequent panels that focused on peda-
dation of Northwestern University and the Uni- gogy, which were equally engaging and enlightening.
versity of Mississippi (Oxford, MS) co-sponsored
a Regional Institute on pedagogy about “Visual Friday’s schedule comprised three workshops,
Culture and the Holocaust. Bringing together an each dedicated to exploring a specific aspect of
interdisciplinary group of faculty, graduate stu- visual culture and the Holocaust. Hilary Earl from
dents, and museum administrators from around Nipissing University in Ontario led a discussion on
the region and the broader United States to Holocaust photography. Drawing upon her work
explore the role of photography, cinema, muse- on a series of photographs taken of a massacre
ums, and architecture in studying of Jews in Liepāja (present-day
and teaching the Holocaust, the Latvia) in 1941, Earl engaged par-
event was a resounding success. ticipants in a discussion about
our own consumption of photo-
This Regional Institute was par- graphs and how expectations and
ticularly poignant as it honored meanings are drawn from implicit
the memory of our esteemed contexts that may or may not be
colleague, Professor Willa John- present in the subjects being
son, Professor of Sociology and photographed. Joshua First from
Anthropology at the University of the University of Mississippi con-
Mississippi. Professor Johnson ducted a conversation on cinema
had played a pivotal role in initi- and the Holocaust. In highlighting
ating the organization of the Regional Institute last two disparate works of cinema, an unknown Soviet
year. Unfortunately, she passed away in November, film from 1945 titled The Unvanquished and Ste-
leaving behind a remarkable legacy of dedication phen Spielberg’s iconic Schindler’s List (1993), First
and commitment to Holocaust education. The topic explored how genre structures our understandings
of the Regional Institute was in fact inspired by Dr. of, and emotional engagement with, the Holocaust.
Johnson’s recent book, Through an Artist’s Eyes: Lastly, Jason Dawsey from the National World War
The Dehumanization and Racialization of Jews and II Museum in New Orleans led a panel on Museums,
Political Dissidents during the Third Reich (Rout- shedding light on the challenges and opportunities
ledge, 2021), which explores the work of German inherent in curating exhibitions on this sensitive
Communist artist Karl Schwesig, who documented subject. Dawsey pointed out that public exhibi-
the development of Jews’ and others’ visual repre- tions must walk a fine line between catering to an
sentation in popular culture during the Nazi period. entitled clientele and presenting original and truth-
ful information.
The three-day workshop began with a keynote
address from Paul Jaskot, Professor of Art History On Saturday morning, Paul Jaskot concluded the
at Duke University, who offered thought-provoking Regional Institute with a compelling discussion
insights on how Holocaust memorials have changed about architecture and construction during the
since Nathan Rappaport’s iconic “Monument to Holocaust. His presentation underscored the rela-
the Ghetto Heroes” from 1948. His expertise shed tionship between space and ideology, emphasiz-
light on the development of non-representational ing how the built environment can be utilized to
of these themes since 1993. Warren Rosenblum, The final day began with a discussion on Holocaust
Professor of History at Webster University, then led exhibitions. Helen Turner, Director of Education
a session titled “Placing the ‘Euthanasia program’ at the Kaplan Feldman Holocaust Museum, led a
within Holocaust history.” This session explored session titled “The Changing Shape of Holocaust
scholarship about persecution of people with dis- Museum Culture: Creating a Museum for the Twenty-
abilities during the Nazi era and approaches for First Century.” This fostered discussion on how the
teaching this topic in college classes and beyond. Holocaust is portrayed in public spaces, for whom
Anika Walke, Associate Professor of History at Holocaust Museums are built, and what educators
Washington University in St. Louis, led the final are trying to impart to students and adult visitors.
session of the day, with a presentation titled “The
End of the Cold War and the Emergence of a New The St. Louis Regional Institute concluded with a
Archive of the Holocaust in Eastern Europe.” This session on “New Directions in Holocaust Literature”
session brought to light the evolv- led by Erin McGlothlin, Vice Dean
ing geographical understanding of of Undergraduate Affairs, College
the Holocaust and the recenter- of Arts & Sciences and Professor
ing of Eastern Europe as a space of German and Jewish Studies at
of mass murder. All three ses- Washington University in St. Louis).
sion leaders focused on changing McGlothlin challenged the master
scholarship and the discussions narrative of Auschwitz as the cen-
that followed centered on how ter point and instead reframed the
and what to teach as participants Holocaust to include diverse and
expressed a common frustration previously decentralized voices.
in wanting to discuss and teach
more than course and time limita- Each session leader sought to
tions allow. engage with the thirty-year arc of
Holocaust education and schol-
The newly opened St. Louis Kaplan arship since 1993, the so-called
Feldman Holocaust Museum was “year of the Holocaust.” From films,
the venue for the evening program. books, academic pursuits, and
RI Fellows explored the Museum’s museum representations, there
permanent exhibition on the is a clear bend towards the inclu-
Holocaust, offering insight and thoughtful cri- sion of previously marginalized experiences and
tiques and congratulatory remarks for the Museum spaces. Holocaust scholarship continues to grow
team. The evening concluded with a public lecture and evolve, and many new challenges and ques-
by Doris Bergen, Professor of Holocaust Studies tions await the next thirty years in the field.
at the University of Toronto, titled “Hindsight and
Insight: Thirty Years of Holocaust Studies, War, and Report by Helen Turner, Director of Education, St.
Genocide,” which focused on five areas of change Louis Kaplan Feldman Holocaust Museum
and continuity in Holocaust Studies. By exploring
themes of gender and sexuality, centering the victim
voice, and situating the Holocaust within a global
context, Dr. Bergen demonstrated where Holocaust
Studies has been and where it needs to go.
The Women in the Holocaust: International Study Centre (Israel) will be hosting
its first international conference on Women in the Holocaust in Belgrade, October
10-12, 2023. Contact WHISC at [email protected] for more information
or see their website.
The Martin-Springer Institute exhibit, “Through the Eyes of Youth: Life and
Death in the Bedzin Ghetto” will be displayed in December 2023 Scottsdale, AZ,
and in March 2024 in Chandler, AZ.
Barbara C. Allen, Ph.D. has been promoted to the rank of Professor of History at La Salle University,
Philadelphia, Pennsylvania, to take effect in Fall semester of 2023. A specialist in the history of
Russia and the Soviet Union, she has taught a course on the history of the Holocaust since 2018.
The Azrieli Foundation’s Holocaust Survivor Memoirs Program is pleased to welcome Dr. Carson
Phillips as their new Manager of Academic Initiatives.
Laurie Baron, Professor Emeritus of History at San Diego State University, presented the paper
“Persistent Parallels and Particularities: Evoking and Avoiding the Holocaust in Armenian Genocide
Centennial Films,” at the Western Jewish Studies Association Conference, University of Nevada-
Las Vegas, March 13, 2023.
Dr. Waitman Wade Beorn, Assistant Professor, History, Northumbria University, Newcastle, UK,
has been awarded a £223,000 Research, Development, and Engagement Fellowship from the Arts
and Humanities Research Council (AHRC) for his project “Visualizing Janowska: Creating a Digital
Architectural Model of a Nazi Concentration Camp.” He will be creating a digital reconstruction of
the Janowska concentration camp in Lviv, Ukraine.
László Csősz, historian and employee of the Hungarian Jewish Museum and Archives in Budapest
and Veronika Szeghy-Gayer, researcher from the Centre of Social and Psychological Sciences
SAS, won the prestigious Mark Pittaway Article Prize for an article on the Aryanization of Jewish
property in Košice at the end of World War II (link).
Philipp Dinkelaker recently received his doctorate at the Center for Research on Antisemitism,
Technical University of Berlin, summa cum laude. In 2023, he started to work as a postdoc
researcher at the Europa-Universität Viadrina, Faculty of Law. The interdisciplinary project “Law
without Law” aims to publish a critical commentary and analysis of the current German legal prac-
tice of restitution of Nazi-looted cultural goods and art.
International Council for Diplomacy and Dialogue (ICDD) Director, Eric Gozlan, won a court case
in France against an extremist whom he charged with anti-Semitism. With African businessman
Samba Bathily, ICDD begins construction of the first large Holocaust Museum in Africa (Cape
Verde), where African teachers will be able to receive support to teach the Holocaust.
Wolf Gruner, Shapell-Guerin Chair in Jewish Studies, Professor of History and Founding Director,
USC Dornsife Center for Advanced Genocide Research, announces #LastSeen: USC Dornsife
Center for Advanced Genocide Research, as part of a multi-institutional project to collect, analyze,
digitize, and publish the last photographs of Nazi Mass deportations of Jews and Sinti and Roma.
Since October 2021, our research has increased the number of towns in Germany for which we now
have visual evidence of Nazi mass deportations from 27 to 60, as well as identified many victims,
as the innovative digital image atlas shows: (link).
Muskingum University has named Laura J. Hilton as its inaugural Miriam Schwartz Faculty Scholar.
Dr. Schwartz, a distinguished scholar and faculty member of the Center for Slavic and East
European Studies at The Ohio State University, was a Board of Trustees’ member for Muskingum.
She established the Miriam Schwartz Education Fund, which is dedicated to keeping alive the
memory of the Jewish Holocaust and the horror that can result from unexamined prejudices,
myths, and hatred.
Jeffrey Koerber received tenure and promotion to Associate Professor in the Department of
History at Chapman University.
Kateřina Králová, Assistant Professor of Contemporary History, focuses in her work on reconcil-
iation with the Nazi past, the Holocaust, the Greek Civil War, post-war reconstruction, and con-
flict-related migration. In 2022, the Claims Conference supported her application for a Holocaust
Teaching Partnership, awarded to CUNI. Later that year, she became Head of the newly established
Research Centre for Memory Studies. In the coming months, she is presenting at the European
Congress of Modern Greek Studies in Vienna, on a panel titled, “Jews in Greece between Exclusion
and Accommodation” alongside A. Apostolou, T. Blümel, and K. Lagos; she will also be presenting
at Lessons & Legacies on the panel “Rethinking Aftermaths: A Fresh Look at ‘Return’ after the
Holocaust” with E. Anthony, S. Cramsey, and A. Löw.
Björn Krondorfer, Regents’ Professor and Director of the Martin-Springer Institute, Endowed
Professor in Department of Comparative Cultural Studies, Northern Arizona University, mentored
& created the exhibitions “A Complicated Life in Complicated Times: Gino Parin and the Holocaust”
(a Triestine painter who died in Bergen-Belsen) and on Americans in the Spanish Civil War. As part
of the eight-part series “The Holocaust as an Interdisciplinary Tapestry,” Krondorfer presented on
“Why Should We Care? The Holocaust and Public Humanities” (Apr 27), organized by Classrooms
Without Borders, Johannesburg Holocaust & Genocide Center, Ghetto Fighters’ House, et al.
Lawrence L. Langer, Professor Emeritus of English, Simmons University, received the Eternal
Flame Award from the Annual Scholars Conference on The Church Struggle and the Holocaust
(University of Texas, Dallas) in March.
Dr. Alexis M Lerner, Assistant Professor at the US Naval Academy, ran a pre/post treatment sur-
vey in 2021 across the US and Canada with the Holocaust education organization Liberation75.
Starting in September 2023, the Minister of Education of Ontario has announced that every sin-
gle 6th grade class will integrate Holocaust education into their curriculum and directly cites Dr.
Lerner’s study as the impetus for this decision. Learn more at this link.
Stuart Liebman, Professor Emeritus of Art History, Theatre and Film Studies, City University of
New York Graduate Center, participated in two public presentations about Holocaust-related
films. On November 27, 2022, he gave a lecture about the outtakes of the filmed material by Soviet
and Polish filmmakers at the Mémorial de la Shoah (Paris). On January 27, 2023, he participated in
a discussion of Jean-Christophe Klotz and Sandra Schulberg’s “Filmmakers for the Prosecution”
at its American premiere at Firehouse Cinema, NYC. In 2022, he became a coordinator for the
Vienna-based “Visual History of the Holocaust.”
Paul Morrow, VAP, Human Rights Center, University of Dayton, became co-principal investiga-
tor on a federally-funded grant (PREVENTS-OH) focused on raising awareness about risks and
responses to domestic violent extremism in Southwest Ohio. Grant projects include community
awareness briefings for interfaith groups; course modules on misinformation and media literacy
for college students; and community dialogues on risk and protective factors. Separately, he orga-
nized an exhibit titled “The [Dis]Information Age” at Dayton’s Peace Museum. He is organizing a
panel on Decolonization and Museums at Dayton’s Social Practice of Human Rights Conference in
November 2023.
Avraham (Alan) Rosen, Project Scholar, Elie Wiesel Living Archive, 92nd Street Y, NYC, served
as moderator for the Rabbi Joseph Polak 80th Birthday lecture, “The Rabbis Who Fled Europe
to Survive,” 12/4/22. He also presented “How Stories Uncover the Purpose of Life: Elie Wiesel’s
Inspired Legacy,” Eckerd College, 3/14/23, “The Astonishing Jewish Religious Activity in Auschwitz,”
Holy Cross College, 3/20/23, “17 Elul 5699: The Jewish Calendar Beginning of WW2,” Conference
on Violence and Jewish Time, Hamburg, 3/28/23 and “David Boder, I Did Not Interview the Dead:
Launch Online Edition,”Yale Fortunoff Archive, 5/4/23.
Dr. Melanie Carina Schmoll, editor, author, advisor, speaker, and research Fellow at The Finkler
Institute of Holocaust Research, Ramat Gan, Israel, is working on a research project called: “Misinfor-
mation about Israel and Antisemitic Views in School Textbooks? The Case of Germany.” She is external
chief editor for history at the leading German publishing houses for school textbooks, and
various online learning platforms and encyclopedias. In May, Dr. Schmoll will undertake a lec-
ture tour in Canada. She is presenting in “The Tour for Humanity” in Toronto and will speak about
“Holocaust Education in Germany and Canada” to teachers in Ontario. This summer she will sup-
port the TAU Workshop on Israel and the Middle East in Jerusalem, Israel.
James Waller, Cohen Professor of Holocaust and Genocide Studies, Keene State College,
announces that he will be the inaugural Christopher J. Dodd Chair in Human Rights Practice
and Director of the Dodd Human Rights Impact Programs for the Human Rights Institute at the
University of Connecticut, beginning in August 2023.
Laurie Baron, Professor Emeritus of History at San Diego State University, pub-
lished “Movies as Prosthetic Holocaust Memories,” which appeared in Holocaust
Literature and Representation: Their Lives: Our Words, edited by Phyllis Lassner and
Judith Tydor-Baumel-Schwartz (Bloomsbury Academic: 2023). He also published a
review of The Survivor, directed by Barry Levinson, in Journal of Sport History, 49:2
(Summer 2022), 173-175.
Arielle Berger, Managing Editor, Holocaust Survivor Memoirs Program, the Azrieli
Foundation, announces that the Azrieli Foundation has partnered with Penguin
Random House Canada to release a collection of five audiobooks from memoirs
published by their program, in honor of International Holocaust Remembrance Day.
Their two newest titles were released to coincide with the 80th commemoration of
the Warsaw Ghetto Uprising; A Symphony of Remembrance, by Stefan A. Carter, and
The Smallest Hope, by Jack Klajman, focus on the authors’ experiences in the War-
saw ghetto and during the Warsaw Ghetto Uprising.
László Csősz, historian and employee of the Hungarian Jewish Museum and Archives
in Budapest and Veronika Szeghy-Gayer, researcher from the Centre of Social and
Psychological Sciences SAS, will publish the article “Mapping the Tragedy of the
Jews in Košice (1944)” in June of 2023 on the website of the Institute of Social Sci-
ences CSPS Slovak Academy of Sciences (www.svusav.sk). Based on documents
concerning Jewish property from the Košice City Archives, the two researchers cre-
ated four maps to visualize the location of the downtown ghetto of Košice and the
houses that had been inhabited by local Jews until April 1944.
Wolf Gruner, Shapell-Guerin Chair in Jewish Studies, Professor of History and Found-
ing Director, USC Dornsife Center for Advanced Genocide Research, has authored
a new book, Resisters. How Ordinary Jews Fought Persecution in Hitler’s Germany,
which will be published by Yale University Press on August 1st (link). A paperback
edition is now available for his earlier work The Holocaust in Bohemia and Moravia.
Czech Initiatives, German Policies, Jewish Responses, New York (Berghahn Books
2019), and “Kristallnacht. The November Pogrom 1938 in Nazi Germany” went live as
part of the online Oxford Bibliographies in Jewish Studies.
Melanie O’Brien, Associate Professor of International Law, UWA Law School, Univer-
sity of Western Australia, authored From Discrimination to Death: Genocide Process
Through a Human Rights Lens (Routledge, 2023). From Discrimination to Death stud-
ies the process of genocide through the human rights violations that occur during
genocide. Using individual testimonies and in-depth field research from the Arme-
nian Genocide, Holocaust, and Cambodian Genocide, this book demonstrates that a
pattern of specific escalating human rights abuses takes place in genocide.
Dr. Melanie Carina Schmoll, Research Fellow, The Finkler Institute of Holocaust
Research, publishes extensive teaching resources. As external chief editor for his-
tory for Duden/Brockhaus she publishes on various historical topics. She developed
resources for the virtual exhibition “Tolerant statt Ignorant” [“Tolerant instead of
Ignorant”]. She also recently published Escape Rooms für den Erdkundeunterricht
5-10 (Auer Verlag, 2023) (link).
Amy Simon, Assistant Professor, Farber Family Endowed Chair in Holocaust Stud-
ies and European Jewish History, Michigan State University, has written a mono-
graph Emotions in Yiddish Ghetto Diaries: Encountering Persecutors and Questioning
Humanity, which will be published by Routledge in June. Her chapter, “Holocaust
Diaries as Historical Sources,” will appear in April in Sources for Studying the Holo-
caust: A Guide ed. Paul R. Bartrop (London: Routledge, 2023).
Victoria Grace Walden, Senior Lecturer, University of Sussex, announces that the
Digital Holocaust Memory Project Team at the University of Sussex, UK and their
international partners have recently published a series of four recommendations
reports that were developed through co-creation workshops which brought together
professionals from Holocaust organizations and the tech and creative industries,
alongside academics from a range of disciplines. Learn more at this link.
Lucas F.W. Wilson, Justice, Equity, and Transformation Postdoctoral Fellow, Depart-
ment of History, University of Calgary, published the article “‘Remember, my house
it’s also your house too’: Survivor-Family Homes as Postmemorial Structures in Art
Spiegelman’s Maus” in Modern Language Studies 52, no. 2 (2023): 10–33. The article
examines the representation of domestic space in Art Spiegelman’s Maus and how
protagonist Artie’s childhood and adulthood homes not only represent his belated
relationship to the Holocaust but how his homes themselves shape said relation-
ship to the Holocaust.
S.L. (Sandi) Wisenberg, writer and adjunct lecturer at University of Chicago Graham
School Writer’s Studio, has published a fourth book; The Wandering Womb: Essays in
Search of Home was published in March by the University of Massachusetts Press,
where it won the Juniper Prize in creative nonfiction. It is about being haunted by
European Jewish history, among other things. It was praised by the Jewish Book
Council (3/27/23), Southern Review of Books (3/27/23), Chicago Reader (3/24/23), and
Booklist (3/15/23). Her short story, “Bad Girl in Berlin,” won Narrative’s spring ‘22
story contest.
TEACHING GRANTS
Teaching Grants help faculty at two- or four-year colleges and universities launch
or improve resources for Holocaust related courses, particularly at institutions
with few or no such courses.
VIRTUAL SPEAKERS BUREAU
Professors can use the Speaker’s Bureau to connect with over 70 distinguished
Holocaust scholars from an array of disciplines, who will prepare a tailor-made
virtual lecture or classroom session in their area of expertise.
REGIONAL INSTITUTES
HEFNU partners with regional host institutions to connect experts on Holocaust-
related topics with professors who want to teach or improve a Holocaust course
and to develop regional networks of university-level Holocaust educators.
If you wish to support our mission, there are two ways to make a tax-deductible contribution:
1. To make an online contribution, click here.
2. To contribute via mail, please send a check or money order payable to
“Northwestern University” Memo: Holocaust Educational Foundation, to:
ARD; 1201 Davis Street; Evanston, IL 60208; Attn: Jill Smith.
Please let us know a check is on the way via email at [email protected].