A Guy I'd Kinda Be Into

"Be More Chill"

Charlie Rosen
Joe Iconis

   
   
1 = 132 2 3

       
    
Christine

       

            
1 2 3

            
             
 


   
Piano 1 2 3


         

 


    
           
4 5 6

Chris.

       
                 
   
Say there's this per son you pass in the hall ev ry day.
4 5 6

            
       
     
            
Pno. 4 5 6




 
    


    
7 8

 
Chris.

    
              
You've known him since sev enth grade.
7 8

       
         
  

7 8

     
Pno.




                
9 10 11

   
Chris.

     
You're used to think ing a bout him in a cer tain way from the per

          

         
9 10 11

          
                
       
Pno. 9 10 11


   

        
2

  
        
12 13 14

Chris.

     
    
   
 
son a that he dis played. Then some thing chang es

        

12 13 14

           
     
         
Pno.

       
12 13 14




      
             
15 16 17

 
 es
Chris.

   
          
and he chang from a guy that you'd nev er be in

      
15 16 17


   
       
Pno. 15 16 17


   

     
    
        
   
18 19 20

   
Chris.


              
to in to a guy that you'd kind a be in to. From a guy
18 19 20

           
 

Pno. 18 19 20


           

  
                     
21 22 23

Chris.


          
that I'd nev er be in to in to a guy that I'd kin a be in

      

21 22 23

        
   
  
Pno. 21 22 23


              
      
3

   
         
24 25 26

 
Chris.

    
                   
to. Is he worth it? Jer e my?

        
24 25 26

   
      
  
Pno. 24 25 26


         
    

  
  
 
27 28 29 30

Chris.

 
         
            
 
         
Is he?

  
27 28 29 30

 
 


       
Pno.

  
27 28 29 30


               

       
  
31 32 33


Chris.

   
             
Say there's this per son that you

 
31 32 33

               

              
      
Pno. 31 32 33

        


         
 
34 35 36

Chris.

       
                      
34
nev er knew that well. 35 36

            
               
    
Pno.

 
34 35 36

     

 
4

               
37 38


Chris.

    
              
You thought that you had him pegged, but now you can tell
37 38

       
            
     
Pno. 37 38




   
            
 

    
39 40 41


Chris.

 
          
he's gone from a guy that you'd nev er be in to in to a guy

     
  
39 40 41

      

      
Pno.


39 40 41

           
   
                 
42 43 44

   
Chris.


              
that you'd kind a be in to. From a guy that I'd nev er be in

   

42 43 44

       

  

Pno. 42 43 44


        
   
    
                     
45 46 47

Chris.


              
to in to a guy that I'd kin a be in to. Is he worth
45 46 47

           

  
 
Pno.


45 46 47


              
 
5

       
 
48 49 50 51

  
 
Chris.

   

               
  
      
  
it? Jer e my? I don't

     
        
48 49 50 51

   
    
       
Pno. 48 49 50 51

        

      
 
             

52 53


Chris.



al ways re late to oth er peo ple my age ex

      

   
52 53

     


        
Pno. 52 53


         
    

       
54 55 56

Chris.

 
 
   
cept when I'm on the stage. And there are so man y chan ges that

       

       
     
54 55 56

 
s.
glis

           
           
Pno. 54 55 56



    3  
       
      
57 58 59

 
Chris.

 
59 
   
I'm go ing through. And why I'm tel ling this to you? guess there's a

     

       
57 58


    
       
  
Pno. 57 58 59


 
6

 
      
60 61 62

Chris.

                

part of me that wants to

 
60 61 62

            
      



Pno. 60 61 62

 
              
63 64

Chris.

        
      
I guess a part of me wants to who knew?

  
63 64

            
     

Pno. 63 64

  
         
           
65 66 67

Chris.

                    
I guess a part of me likes to talk to you I guess a part of me likes

  
65 66 67

            
           

Pno. 65 66 67

                  
    

68 69 70

Chris.

        
to who knew? I guess a part of me likes to sit with you

    
             
68 69 70

    
        
 
     
Pno. 68 69 70

   

  
7

          
        
71 72 73

Chris.


    
I guess a part of me likes to who knew? I guess a part of me likes

 
      
71 72 73

   
 
            
  
Pno. 71 72 73


   


    
                 
74 75 76

Chris.

 
to hang with you I guess a part of me back to play re hear

          


74 75 76

        
     
      
 
Pno. 74 75 76

   


        
       
77 78 79

      
Chris.

   
  
sal I know that its weird but its to tal ly true. The

  
77 78 79

  
  
       
Pno. 77 78 79

                 
   
80 81 82 83

 
Chris.


        
guy that I'd kind a be in to... Yeah, that guy


80 81 82 83

      
 
Pno. 80 81 82 83


      
8

             
84 85 86

Chris.

that I'd kind a be in to... is Jake.


  
     




    
84 Rit. 85 86



    
        
Pno. 84 85 86