Aztecs
Aztecs
Most ethnic groups of central Mexico in the post-classic period shared essential cultural traits of
Mesoamerica. So many of the characteristics that characterize Aztec culture cannot be said to be exclusive
to the Aztecs. For the same reason, the notion of "Aztec civilization" is best understood as a particular
horizon of a general Mesoamerican civilization.[5] The culture of central Mexico includes maize cultivation,
the social division between nobility (pipiltin) and commoners (macehualtin), a pantheon (featuring
Tezcatlipoca, Tlaloc, and Quetzalcoatl), and the calendric system of a xiuhpohualli of 365 days intercalated
with a tonalpohualli of 260 days. Particular to the Mexica of Tenochtitlan was the patron God
Huitzilopochtli, twin pyramids, and the ceramic styles known as Aztec I to IV.[6]
From the 13th century, the Valley of Mexico was the heart of dense population and the rise of city-states.
The Mexica were late-comers to the Valley of Mexico, and founded the city-state of Tenochtitlan on
unpromising islets in Lake Texcoco, later becoming the dominant power of the Aztec Triple Alliance or
Aztec Empire. It was an empire that expanded its political hegemony far beyond the Valley of Mexico,
conquering other city-states throughout Mesoamerica in the late post-classic period. It originated in 1427 as
an alliance between the city-states Tenochtitlan, Texcoco, and Tlacopan; these allied to defeat the Tepanec
state of Azcapotzalco, which had previously dominated the Basin of Mexico. Soon Texcoco and Tlacopan
were relegated to junior partnership in the alliance, with Tenochtitlan the dominant power. The empire
extended its reach by a combination of trade and military conquest. It was never a true territorial empire
controlling territory by large military garrisons in conquered provinces but rather dominated its client city-
states primarily by installing friendly rulers in conquered territories, constructing marriage alliances between
the ruling dynasties, and extending an imperial ideology to its client city-states.[7] Client city-states paid
taxes, not tribute[8] to the Aztec emperor, the Huey Tlatoani, in an economic strategy limiting
communication and trade between outlying polities, making them dependent on the imperial center for the
acquisition of luxury goods.[9] The political clout of the empire reached far south into Mesoamerica
conquering polities as far south as Chiapas and Guatemala and spanning Mesoamerica from the Pacific to
the Atlantic oceans.
The empire reached its maximum extent in 1519, just before the arrival of a small group of Spanish
conquistadors led by Hernán Cortés. Cortés allied with city-states opposed to the Mexica, particularly the
Nahuatl-speaking Tlaxcalteca as well as other central Mexican polities, including Texcoco, its former ally in
the Triple Alliance. After the fall of Tenochtitlan on 13 August 1521 and the capture of the emperor
Cuauhtémoc, the Spanish founded Mexico City on the ruins of Tenochtitlan. From there, they proceeded
with the process of conquest and incorporation of Mesoamerican peoples into the Spanish Empire. With the
destruction of the superstructure of the Aztec Empire in 1521, the Spanish used the city-states on which the
Aztec Empire had been built to rule the indigenous populations via their local nobles. Those nobles pledged
loyalty to the Spanish crown and converted, at least nominally, to Christianity, and, in return, were
recognized as nobles by the Spanish crown. Nobles acted as intermediaries to convey taxes and mobilize
labor for their new overlords, facilitating the establishment of Spanish colonial rule.[10]
Aztec culture and history are primarily known through archaeological evidence found in excavations such
as that of the renowned Templo Mayor in Mexico City; from Indigenous writings; from eyewitness
accounts by Spanish conquistadors such as Cortés and Bernal Díaz del Castillo; and especially from 16th-
and 17th-century descriptions of Aztec culture and history written by Spanish clergymen and literate Aztecs
in the Spanish or Nahuatl language, such as the famous illustrated, bilingual (Spanish and Nahuatl), twelve-
volume Florentine Codex created by the Franciscan friar Bernardino de Sahagún, in collaboration with
Indigenous Aztec informants. Important for knowledge of post-conquest Nahuas was the training of
indigenous scribes to write alphabetic texts in Nahuatl, mainly for local purposes under Spanish colonial
rule. At its height, Aztec culture had rich and complex philosophical, mythological, and religious traditions,
as well as remarkable architectural and artistic accomplishments.
Definitions
The Nahuatl words aztēcatl (Nahuatl pronunciation: [asˈteːkat͡ɬ],
singular)[11] and aztēcah (Nahuatl pronunciation: [asˈteːkaʔ], plural)[11]
mean "people from Aztlán",[12] a mythical place of origin for several
ethnic groups in central Mexico. The term was not used as an endonym
by the Aztecs themselves, but it is found in the different migration
accounts of the Mexica, where it describes the different tribes who left
Aztlan together. In one account of the journey from Aztlan,
Huitzilopochtli, the tutelary deity of the Mexica tribe, tells his followers on Aztec metal axe blades. Prior
the journey that "now, no longer is your name Azteca, you are now of the arrival of the European
settlers, see: Metallurgy in
Mexitin [Mexica]".[13]
pre-Columbian Mesoamerica
In today's usage, the term "Aztec" often refers exclusively to the Mexica
people of Tenochtitlan (now the location of Mexico City), situated on an island in Lake Texcoco, who
referred to themselves as Mēxihcah (Nahuatl pronunciation: [meːˈʃiʔkaʔ], a tribal designation that included the
Tlatelolco), Tenochcah (Nahuatl pronunciation: [teˈnot͡ʃkaʔ], referring only
to the Mexica of Tenochtitlan, excluding Tlatelolco) or Cōlhuah (Nahuatl
pronunciation: [ˈkoːlwaʔ], referring to their royal genealogy tying them to
Culhuacan).[14][15][nb 1][nb 2]
When used to describe ethnic groups, the term "Aztec" refers to several Nahuatl-speaking peoples of central
Mexico in the postclassic period of Mesoamerican chronology, especially the Mexica, the ethnic group that
had a leading role in establishing the hegemonic empire based at Tenochtitlan. The term extends to further
ethnic groups associated with the Aztec empire, such as the Acolhua, the Tepanec, and others that were
incorporated into the empire. Charles Gibson enumerates many groups in central Mexico that he includes in
his study The Aztecs Under Spanish Rule (1964). These include the Culhuaque, Cuitlahuaque, Mixquica,
Xochimilca, Chalca, Tepaneca, Acolhuaque, and Mexica.[21]
In older usage, the term was commonly used about modern Nahuatl-speaking ethnic groups, as Nahuatl
was previously referred to as the "Aztec language". In recent usage, these ethnic groups are referred to as
the Nahua peoples.[22][23] Linguistically, the term "Aztecan" is still used about the branch of the Uto-
Aztecan languages (also sometimes called the Uto-Nahuan languages) that includes the Nahuatl language
and its closest relatives Pochutec and Pipil.[24]
To the Aztecs themselves the word "Aztec" was not an endonym for any particular ethnic group. Rather, it
was an umbrella term used to refer to several ethnic groups, not all of them Nahuatl-speaking, that claimed
heritage from the mythic place of origin, Aztlan. Alexander von Humboldt originated the modern usage of
"Aztec" in 1810, as a collective term applied to all the people linked by trade, custom, religion, and
language to the Mexica state and the Triple Alliance. In 1843, with the publication of the work of William
H. Prescott on the history of the conquest of Mexico, the term was adopted by most of the world, including
19th-century Mexican scholars who saw it as a way to distinguish present-day Mexicans from pre-conquest
Mexicans. This usage has been the subject of debate in more recent years, but the term "Aztec" is still more
common.[15]
History
Sources of knowledge
Knowledge of Aztec society rests on several different sources: The many
archeological remains of everything from temple pyramids to thatched
huts can be used to understand many of the aspects of what the Aztec
world was like. However, archeologists often must rely on knowledge
from other sources to interpret the historical context of artifacts. There are
many written texts by the indigenous people and Spaniards of the early
colonial period that contain invaluable information about pre-colonial
Aztec history. These texts provide insight into the political histories of
various Aztec city-states, and their ruling lineages. Such histories were
produced as well in pictorial codices. Some of these manuscripts were A page from the Codex
entirely pictorial, often with glyphs. In the postconquest era, many other Boturini depicting the
departure from Aztlán
texts were written in Latin script by either literate Aztecs or by Spanish
friars who interviewed the native people about their customs and stories.
An important pictorial and alphabetic text produced in the early sixteenth century was Codex Mendoza,
named after the first viceroy of Mexico and perhaps commissioned by him, to inform the Spanish crown
about the political and economic structure of the Aztec empire. It has information naming the polities that
the Triple Alliance conquered, the types of taxes rendered to the Aztec Empire, and the class/gender
structure of their society.[25] Many written annals exist, written by local Nahua historians recording the
histories of their polity. These annals used pictorial histories and were subsequently transformed into
alphabetic annals in Latin script.[26] Well-known native chroniclers and annalists are Chimalpahin of
Amecameca-Chalco; Fernando Alvarado Tezozomoc of Tenochtitlan; Alva Ixtlilxochitl of Texcoco, Juan
Bautista Pomar of Texcoco, and Diego Muñoz Camargo of Tlaxcala. There are also many accounts by
Spanish conquerors who participated in the Spanish invasion, such as Bernal Díaz del Castillo who wrote a
full history of the conquest.
Spanish friars also produced documentation in chronicles and other types of accounts. Of key importance is
Toribio de Benavente Motolinia, one of the first twelve Franciscans arriving in Mexico in 1524. Another
Franciscan of great importance was Fray Juan de Torquemada, author of Monarquia Indiana. Dominican
Diego Durán also wrote extensively about pre-Hispanic religion as well as the history of the Mexica.[27] An
invaluable source of information about many aspects of Aztec religious thought, political and social
structure, as well as the history of the Spanish conquest from the Mexica viewpoint is the Florentine Codex.
Produced between 1545 and 1576 in the form of an ethnographic encyclopedia written bilingually in
Spanish and Nahuatl, by Franciscan friar Bernardino de Sahagún and indigenous informants and scribes, it
contains knowledge about many aspects of precolonial society from religion, calendrics, botany, zoology,
trades and crafts and history.[28][29] Another source of knowledge is the cultures and customs of the
contemporary Nahuatl speakers who can often provide insights into what prehispanic ways of life may have
been like. Scholarly study of Aztec civilization is most often based on scientific and multidisciplinary
methodologies, combining archeological knowledge with ethnohistorical and ethnographic information.[30]
According to Aztec legend, in 1323, the Mexica were shown a vision of an eagle perched on a prickly pear
cactus, eating a snake. The vision indicated the location where they were to build their settlement. The
Mexica founded Tenochtitlan on a small swampy island in Lake Texcoco, the inland lake of the Basin of
Mexico. The year of foundation is usually given as 1325. In 1376 the Mexica royal dynasty was founded
when Acamapichtli, son of a Mexica father and a Colhua mother, was elected as the first Huey Tlatoani of
Tenochtitlan. [36]
In 1396, at Acamapichtli's death, his son Huitzilihhuitl (lit. "Hummingbird feather") became ruler; married
to Tezozomoc's daughter, the relationship with Azcapotzalco remained close. Chimalpopoca (lit. "She
smokes like a shield"), son of Huitzilihhuitl, became ruler of Tenochtitlan in 1417. In 1418, Azcapotzalco
initiated a war against the Acolhua of Texcoco and killed their ruler Ixtlilxochitl. Even though Ixtlilxochitl
was married to Chimalpopoca's daughter, the Mexica ruler continued to support Tezozomoc. Tezozomoc
died in 1426, and his sons began a struggle for the rulership of Azcapotzalco. During this power struggle,
Chimalpopoca died, probably killed by Tezozomoc's son Maxtla who saw him as a competitor.[38] Itzcoatl,
brother of Huitzilihhuitl and uncle of Chimalpopoca, was elected the next Mexica tlatoani. The Mexica
were now in open war with Azcapotzalco and Itzcoatl petitioned for an alliance with Nezahualcoyotl, son
of the slain Texcocan ruler Ixtlilxochitl against Maxtla. Itzcoatl also allied with Maxtla's brother
Totoquihuaztli ruler of the Tepanec city of Tlacopan. The Triple Alliance of Tenochtitlan, Texcoco, and
Tlacopan besieged Azcapotzalco, and in 1428 they destroyed the city and sacrificed Maxtla. Through this
victory, Tenochtitlan became the dominant city-state in the Valley of Mexico, and the alliance between the
three city-states provided the basis on which the Aztec Empire was built.[39]
Itzcoatl proceeded by securing a power basis for Tenochtitlan, by conquering the city-states on the southern
lake – including Culhuacan, Xochimilco, Cuitlahuac, and Mizquic. These states had an economy based on
highly productive chinampa agriculture, cultivating human-made extensions of rich soil in the shallow lake
Xochimilco. Itzcoatl then undertook further conquests in the valley of Morelos, subjecting the city-state of
Cuauhnahuac (today Cuernavaca).[40]
Motecuzoma I Ilhuicamina
In 1440, Moteuczomatzin Ilhuicamina[nb 4] (lit. "he frowns like a lord, he shoots the sky"[nb 5]) was elected
tlatoani; he was the son of Huitzilihhuitl, brother of Chimalpopoca and had served as the war leader of his
uncle Itzcoatl in the war against the Tepanecs. The accession of a new ruler in the dominant city-state was
often an occasion for subjected cities to rebel by refusing to pay
taxes. This meant that new rulers began their rule with a coronation
campaign, often against rebellious provinces, but also sometimes
demonstrating their military might by making new conquests.
Motecuzoma tested the attitudes of the cities around the valley by
requesting laborers for the enlargement of the Great Temple of
Tenochtitlan. Only the city of Chalco refused to provide laborers,
and hostilities between Chalco and Tenochtitlan would persist until
the 1450s.[41][42] Motecuzoma then reconquered the cities in the
The coronation of Moctezuma I,
Tovar Codex
valley of Morelos and Guerrero, and then later undertook new
conquests in the Huaxtec region of northern Veracruz, and the
Mixtec region of Coixtlahuaca and large parts of Oaxaca, and later
again in central and southern Veracruz with conquests at Cosamalopan, Ahuilizapan, and Cuetlaxtlan.[43]
During this period the city-states of Tlaxcalan, Cholula and Huexotzinco emerged as major competitors to
the imperial expansion, and they supplied warriors to several of the cities conquered. Motecuzoma therefore
initiated a state of low-intensity warfare against these three cities, staging minor skirmishes called "Flower
Wars" (Nahuatl xochiyaoyotl) against them, perhaps as a strategy of exhaustion.[44][45]
Motecuzoma I also consolidated the political structure of the Triple Alliance and the internal political
organization of Tenochtitlan. His brother Tlacaelel served as his main advisor (Nahuatl languages:
Cihuacoatl) and he is considered the architect of major political reforms in this period, consolidating the
power of the noble class (Nahuatl languages: pipiltin) and instituting a set of legal codes, and the practice of
reinstating conquered rulers in their cities bound by fealty to the Mexica tlatoani. [46][47][44]
Axayacatl then conquered areas in Central Guerrero, the Puebla Valley, on the gulf coast and against the
Otomi and Matlatzinca in the Toluca Valley. The Toluca Valley was a buffer zone against the powerful
Tarascan state in Michoacan, against which Axayacatl turned next. In the major campaign against the
Tarascans (Nahuatl languages: Michhuahqueh) in 1478–1479 the Aztec forces were repelled by a well-
organized defense. Axayacatl was soundly defeated in a battle at Tlaximaloyan (today Tajimaroa), losing
most of his 32,000 men and only barely escaping back to Tenochtitlan with the remnants of his army.[49]
In 1481 at Axayacatls death, his older brother Tizoc was elected ruler. Tizoc's coronation campaign against
the Otomi of Metztitlan failed as he lost the major battle and only managed to secure 40 prisoners to be
sacrificed for his coronation ceremony. Having shown weakness, many cities rebelled and consequently,
most of Tizoc's short reign was spent attempting to quell rebellions and maintain control of areas conquered
by his predecessors. Tizoc died suddenly in 1485, and it has been suggested that he was poisoned by his
brother and war leader Ahuitzotl who became the next tlatoani. Tizoc is mostly known as the namesake of
the Stone of Tizoc a monumental sculpture (Nahuatl temalacatl), decorated with a representation of Tizoc's
conquests.[50]
Ahuitzotl
The next ruler was Ahuitzotl (lit. "Water monster"), brother of Axayacatl
and Tizoc and war leader under Tizoc. His successful coronation
campaign suppressed rebellions in the Toluca Valley and conquered
Jilotepec and several communities in the northern Valley of Mexico. A
second 1521 campaign to the gulf coast was also highly successful. He
began an enlargement of the Great Temple of Tenochtitlan, inaugurating
the new temple in 1487. For the inauguration ceremony, the Mexica
invited the rulers of all their subject cities, who participated as spectators
in the ceremony in which an unprecedented number of war captives were
sacrificed – some sources giving a figure of 80,400 prisoners sacrificed
over four days. Probably the actual figure of sacrifices was much smaller,
Ahuitzotl in Codex Mendoza but still numbering several thousand. There have never been found
enough skulls in the capital to satisfy even the most conservative
figures.[51] Ahuitzotl also constructed monumental architecture in sites
such as Calixtlahuaca, Malinalco, and Tepoztlan. After a rebellion in the towns of Alahuiztlan and
Oztoticpac in Northern Guerrero, he ordered the entire population executed and repopulated with people
from the valley of Mexico. He also constructed a fortified garrison at Oztuma defending the border against
the Tarascan state.[52]
Cuitláhuac, a kinsman and adviser to Moctezuma, succeeded him as tlatoani, mounting the defense of
Tenochtitlan against the Spanish invaders and their indigenous allies. He ruled for only 80 days, perhaps
dying in a smallpox epidemic, although early sources do not give the cause. He was succeeded by
Cuauhtémoc, the last independent Mexica tlatoani, who continued the fierce defense of Tenochtitlan. The
Aztecs were weakened by disease, and the Spanish enlisted tens of thousands of Indian allies, especially
Tlaxcalans, for the assault on Tenochtitlan. After the siege and destruction of the Aztec capital, Cuauhtémoc
was captured on 13 August 1521, marking the beginning of Spanish hegemony in central Mexico.
Spaniards held Cuauhtémoc captive until he was tortured and executed on the orders of Cortés, supposedly
for treason, during an ill-fated expedition to Honduras in 1525. His death marked the end of a tumultuous
era in Aztec political history.
After the fall of the Aztec Empire, entire Nahua communities were subject to forced labor under the
encomienda system, the Aztec education system was abolished and replaced by a very limited church
education, and Aztec religious practices were forcibly replaced with Catholicism.
The second class was the mācehualtin, originally peasants, but later
extended to the lower working classes in general. Eduardo Noguera
estimates that in later stages only 20 percent of the population was
dedicated to agriculture and food production.[56] The other 80
percent of society were warriors, artisans, and traders. Eventually,
most of the mācehuallis were dedicated to arts and crafts. Their
Folio from the Codex Mendoza
works were an important source of income for the city.[57]
showing a commoner advancing
Macehualtin could become enslaved, (Nahuatl languages: tlacotin) through the ranks by taking captives
for example if they had to sell themselves into the service of a noble in war. Each attire can be achieved
due to debt or poverty, but enslavement was not an inherited status by taking a certain number of
among the Aztecs. Some macehualtin were landless and worked captives.
directly for a lord (Nahuatl languages: mayehqueh), whereas the
majority of commoners were organized into calpollis which gave
them access to land and property.[58]
Nevertheless, the expansion of the empire was accomplished through military control of frontier zones, in
strategic provinces where a much more direct approach to conquest and control was taken. Such strategic
provinces were often exempt from taxation. The Aztecs even invested in those areas, by maintaining a
permanent military presence, installing puppet rulers, or even moving entire populations from the center to
maintain a loyal base of support.[66] In this way, the Aztec system of government distinguished between
different strategies of control in the outer regions of the empire, far from the core in the Valley of Mexico.
Some provinces were treated as subject provinces, which provided the basis for economic stability for the
empire, and strategic provinces, which were the basis for further expansion.[67]
Although the form of government is often referred to as an empire, most areas within the empire were
organized as city-states, known as altepetl in Nahuatl. These were small polities ruled by a hereditary leader
(tlatoani) from a legitimate noble dynasty. The Early Aztec period was a time of growth and competition
among altepetl. Even after the confederation of the Triple Alliance was formed in 1427 and began its
expansion through conquest, the altepetl remained the dominant form of organization at the local level. The
efficient role of the altepetl as a regional political unit was largely responsible for the success of the empire's
hegemonic form of control.[68]
Economy
The pochteca were specialized long-distance merchants organized into exclusive guilds. They made long
expeditions to all parts of Mesoamerica bringing back exotic luxury goods, and they served as the judges
and supervisors of the Tlatelolco market. Although the economy of Aztec Mexico was commercialized (in
its use of money, markets, and merchants), land and labor were not generally commodities for sale, though
some types of land could be sold between nobles.[75] In the commercial sector of the economy, several
types of money were in regular use.[76] Small purchases were made with cacao beans, which had to be
imported from lowland areas. In Aztec marketplaces, a small rabbit was worth 30 beans, a turkey egg cost
three beans, and a tamal cost a single bean. For larger purchases, standardized lengths of cotton cloth, called
quachtli, were used. There were different grades of quachtli, ranging in value from 65 to 300 cacao beans.
About 20 quachtli could support a commoner for one year in Tenochtitlan.[77]
Taxation
Another form of distribution of goods was through the payment of taxes. When an altepetl was conquered,
the victor imposed a yearly tax, usually paid in the form of whichever local product was most valuable or
treasured. Several pages from the Codex Mendoza list subject towns along with the goods they supplied,
which included not only luxuries such as feathers, adorned suits, and greenstone beads, but more practical
goods such as cloth, firewood, and food. Taxes were usually paid twice or four times a year at differing
times.[25]
Archaeological excavations in the Aztec-ruled provinces show that incorporation into the empire had both
costs and benefits for provincial peoples. On the positive side, the empire promoted commerce and trade,
and exotic goods from obsidian to bronze managed to reach the houses of both commoners and nobles.
Trade partners also included the enemy Purépecha (also known as Tarascans), a source of bronze tools and
jewelry. On the negative side, imperial taxes imposed a burden on commoner households, who had to
increase their work to pay their share of taxes. Nobles, on the other hand, often made out well under the
imperial rule because of the indirect nature of imperial organization.
The empire had to rely on local kings and nobles and offered them
privileges for their help in maintaining order and keeping the tax
revenue flowing.[78]
Urbanism
Aztec society combined a relatively simple agrarian rural tradition
with the development of a truly urbanized society with a complex
system of institutions, specializations, and hierarchies. The urban
tradition in Mesoamerica was developed during the classic period
with major urban centers such as Teotihuacan with a population
well above 100,000, and, at the time of the rise of the Aztecs, the
urban tradition was ingrained in Mesoamerican society, with urban
centers serving major religious, political and economic functions for
A folio from the Codex Mendoza
the entire population.[79]
showing the tribute paid to
Tenochtitlan in exotic trade goods by
the altepetl of Xoconochco on the
Mexico-Tenochtitlan
Pacific coast
The capital city of the Aztec empire was Tenochtitlan, now the site
of modern-day Mexico
City. Built on a series of
islets in Lake Texcoco, the
city plan was based on a
symmetrical layout that was
divided into four city
sections called campan
(directions). Tenochtitlan
Mexico-Tenochtitlan urban standard, was built according to a
Templo Mayor Museum fixed plan and centered on
the ritual precinct, where
the Great Pyramid of
Tenochtitlan rose 50 meters (160 ft) above the city. Houses were
made of wood and loam, and roofs were made of reed, although
pyramids, temples, and palaces were generally made of stone. The
city was interlaced with canals, which were useful for
transportation. Anthropologist Eduardo Noguera estimated the
population at 200,000 based on the house count and merging the
population of Tlatelolco (once an independent city, but later became
a suburb of Tenochtitlan).[69] If one includes the surrounding islets Map of the Island city of Tenochtitlan
and shores surrounding Lake Texcoco, estimates range from
300,000 to 700,000 inhabitants. Michael E. Smith gives a
somewhat smaller figure of 212,500 inhabitants of Tenochtitlan based on an area of 1,350 hectares (3,300
acres) and a population density of 157 inhabitants per hectare (60/acre). The second largest city in the valley
of Mexico in the Aztec period was Texcoco with some 25,000 inhabitants dispersed over 450 hectares
(1,100 acres).[80]
The center of Tenochtitlan was the sacred precinct, a walled-off square area that housed the Great Temple,
temples for other deities, the ballcourt, the calmecac (a school for nobles), a skull rack tzompantli,
displaying the skulls of sacrificial victims, houses of the warrior orders and a merchants palace. Around the
sacred precinct were the royal palaces built by the tlatoanis.[81]
Archeologist Eduardo Matos Moctezuma, in his essay Symbolism of the Templo Mayor, posits that the
orientation of the temple is indicative of the totality of the vision the Mexica had of the universe
(cosmovision). He states that the "principal center, or navel, where the horizontal and vertical planes
intersect, that is, the point from which the heavenly or upper plane and the plane of the Underworld begin
and the four directions of the universe originate, is the Templo Mayor of Tenochtitlan". Matos Moctezuma
supports his supposition by claiming that the temple acts as an embodiment of a living myth where "all
sacred power is concentrated and where all the levels intersect".[83][84]
Religion
Nahuas' metaphysics centers around teotl, "a single, dynamic, vivifying, eternally self-generating and self-
regenerating sacred power, energy or force."[85] This is conceptualized in a kind of monistic pantheism[86]
as manifest in the supreme god Ometeotl,[87] as well as a large pantheon of lesser gods and idealizations of
natural phenomena such as stars and fire.[88] Priests and educated upper classes held more monistic views,
while the popular religion of the uneducated tended to embrace the polytheistic and mythological
aspects.[89]
In common with many other indigenous Mesoamerican civilizations, the Aztecs put great ritual emphasis on
calendrics, and scheduled festivals, government ceremonies, and even war around key transition dates in the
Aztec calendar. Public ritual practices could involve food, storytelling, and dance, as well as ceremonial
warfare, the Mesoamerican ballgame, and human sacrifice, as a manner of payment for, or even effecting,
the continuation of the days and the cycle of life.[90][91]
Deities
The four main deities worshiped by the Aztecs were Tlaloc,
Huitzilopochtli, Quetzalcoatl, and Tezcatlipoca. Tlaloc is a rain and
storm deity; Huitzilopochtli, a solar and martial deity and the
tutelary deity of the Mexica tribe; Quetzalcoatl, a wind, sky, and
star deity and cultural hero; and Tezcatlipoca, a deity of the night,
magic, prophecy, and fate. The Great Temple in Tenochtitlan had
two shrines on its top, one dedicated to Tlaloc, the other to
Huitzilopochtli. The two shrines represented two sacred mountains:
the left one was Tonacatepetl, the Hill of Sustenance, whose patron
god was Tlaloc, and the right one was Coatepec, whose patron god
was Huitzilopochtli.[92] Quetzalcoatl and Tezcatlipoca each had
The deity Tezcatlipoca depicted in
separate temples within the religious precinct close to the Great
the Codex Borgia, one of the few
Temple, and the high priests of the Great Temple were named
extant pre-Hispanic codices
"Quetzalcoatl Tlamacazqueh". Other major deities were Tlaltecutli
or Coatlicue (a female earth deity); the deity couple Tonacatecuhtli
and Tonacacihuatl (associated with life and sustenance); Mictlantecutli and Mictlancihuatl, a male and
female couple of deities that represented the underworld and death; Chalchiutlicue (a female deity of lakes
and springs); Xipe Totec (a deity of fertility and the natural cycle); Huehueteotl or Xiuhtecuhtli (a fire god);
Tlazolteotl (a female deity tied to childbirth and sexuality); and Xochipilli and Xochiquetzal (gods of song,
dance and games). In some regions, particularly Tlaxcala, Mixcoatl or Camaxtli was the main tribal deity. A
few sources mention a binary deity, Ometeotl, who may have been a god of the duality between life and
death, male and female, and who may have incorporated Tonacatecuhtli and Tonacacihuatl.[93] Some
historians argue against the notion that Ometeotl was a dual god, claiming that scholars are applying their
preconceived ideas onto translated texts.[94] Apart from the major deities, there were dozens of minor deities
each associated with an element or concept, and as the Aztec empire grew so did their pantheon because
they adopted and incorporated the local deities of conquered people into their own. Additionally, the major
gods had many alternative manifestations or aspects, creating small families of gods with related aspects.[95]
Calendar
Aztec religious life was organized around the calendars. Like most
Mesoamerican people, the Aztecs used two calendars
simultaneously: a ritual calendar of 260 days called the
tonalpohualli and a solar calendar of 365 days called the
xiuhpohualli. Each day had a name and number in both calendars,
and the combination of two dates was unique within 52 years. The
tonalpohualli was mostly used for divinatory purposes and it
consisted of 20-day signs and number coefficients of 1–13 that
cycled in a fixed order. The xiuhpohualli was made up of 18
"months" of 20 days, and with a remainder of five "void" days at The "Aztec calendar stone" or "Sun
the end of a cycle before the new xiuhpohualli cycle began. Each Stone", a large stone monolith
20-day month was named after the specific ritual festival that began unearthed in 1790 in Mexico City
the month, many of which contained a relation to the agricultural depicting the five eras of Aztec
cycle. Whether, and how, the Aztec calendar was corrected for leap mythical history, with calendric
images.
year is a matter of discussion among specialists. The monthly rituals
involved the entire population as rituals were performed in each
household, in the calpolli temples, and the main sacred precinct. Many festivals involved different forms of
dancing, as well as the reenactment of mythical narratives by deity impersonators and the offering of
sacrifice, in the form of food, animals, and human victims.[100]
Every 52 years, the two calendars reached their shared starting point and a new calendar cycle began. This
calendar event was celebrated with a ritual known as Xiuhmolpilli or the New Fire Ceremony. In this
ceremony, old pottery was broken in all homes and all fires in the Aztec realm were put out. Then a new
fire was drilled over the breast of a sacrificial victim and runners brought the new fire to the different
calpolli communities where fire was redistributed to each home. The night without fire was associated with
the fear that star demons, tzitzimimeh, might descend and devour the earth – ending the fifth period of the
sun.[101]
The scale of Aztec human sacrifice has provoked many scholars to consider what may have been the
driving factor behind this aspect of Aztec religion. In the 1970s, Michael Harner and Marvin Harris argued
that the motivation behind human sacrifice among the Aztecs was the cannibalization of the sacrificial
victims, depicted for example in Codex Magliabechiano. Harner claimed that very high population pressure
and an emphasis on maize agriculture, without domesticated herbivores, led to a deficiency of essential
amino acids among the Aztecs.[106] While there is universal agreement that the Aztecs practiced sacrifice,
there is a lack of scholarly consensus as to whether cannibalism was widespread. Harris, the author of
Cannibals and Kings (1977), has propagated the claim, originally proposed by Harner, that the flesh of the
victims was a part of an aristocratic diet as a reward since the Aztec diet was lacking in proteins. These
claims have been refuted by Bernard Ortíz Montellano who, in his studies of Aztec health, diet, and
medicine, demonstrates that while the Aztec diet was low in animal proteins, it was rich in vegetable
proteins. Ortiz also points to the preponderance of human sacrifice during periods of food abundance
following harvests compared to periods of food scarcity, the insignificant quantity of human protein
available from sacrifices, and the fact that aristocrats already had easy access to animal protein.[107][104]
Today, many scholars point to ideological explanations of the practice, noting how the public spectacle of
sacrificing warriors from conquered states was a major display of political power, supporting the claim of
the ruling classes to divine authority.[108] It also served as an important deterrent against rebellion by
subjugated polities against the Aztec state, and such deterrents were crucial for the loosely organized empire
to cohere.[109]
Page 12 of the Codex Aztec calendar stone; 1502– Tlāloc effigy vessel; 1440–
Borbonicus, (in the big 1521; basalt; diameter: 3.58 m 1469; painted earthenware;
square): Tezcatlipoca (night (11.7 ft); thick: 98 cm (39 in); height: 35 cm (14 in); Templo
and fate) and Quetzalcoatl discovered on 17 December Mayor Museum (Mexico City)
(feathered serpent); before 1790 during repairs on the
1500; bast fiber paper; height: Mexico City Cathedral;
38 cm (15 in), length of the full National Museum of
manuscript: 142 cm (56 in); Anthropology (Mexico City)
Bibliothèque de l'Assemblée
nationale (Paris)
Kneeling female figure; 15th– Frog-shaped necklace
early 16th century; painted ornaments; 15th–early 16th
stone; overall: 54.61 cm century; gold; height: 2.1 cm
× 26.67 cm (21.50 in (0.83 in); Metropolitan
× 10.50 in); Metropolitan Museum of Art (New York
Museum of Art (New York City)
City)
The image to the right demonstrates the use of phonetic signs for writing place names in the colonial Aztec
Codex Mendoza. The uppermost place is "Mapachtepec", meaning literally "Hill of the Raccoon", but the
glyph includes the phonetic prefixes ma (hand) and pach (moss) over a mountain tepetl spelling the word
"mapach" ("raccoon") phonetically instead of logographically. The other two place names, Mazatlan
("Place of Many Deer") and Huitztlan ("Place of many thorns") use the phonetic element tlan represented
by a tooth (tlantli) combined with a deer head to spell maza (mazatl = deer) and a thorn (huitztli) to spell
huitz.[115]
A key aspect of Aztec poetics was the use of parallelism, using a structure
of embedded couplets to express different perspectives on the same
element.[118] Some such couplets were diphrasisms, conventional
metaphors whereby an abstract concept was expressed metaphorically by
using two more concrete concepts. For example, the Nahuatl expression for
"poetry" was in xochitl in cuicatl a dual term meaning "the flower, the
Frame drum huehuetl played
song".[119]
by a youth in Aztec-themed
A remarkable amount of this poetry survives, having been collected during
costume in Amecameca,
State of Mexico, 2010 the era of the conquest. In some cases poetry is attributed to individual
authors, such as Nezahualcoyotl, tlatoani of Texcoco, and Cuacuauhtzin,
Lord of Tepechpan, but whether these attributions reflect actual authorship
is a matter of opinion. An important collection of such poems is Romances de los señores de la Nueva
España, collected (Tezcoco 1582), probably by Juan Bautista de Pomar,[nb 8] and the Cantares
Mexicanos.[120] Both men and women were poets in Aztec society, illustrating pre-Hispanic Mexico's
gender parallelism in upper-class society.[121] One famous female poet is Macuilxochitzin, whose work
primarily focused on the Aztec conquest.[122]
Ceramics
The Aztecs produced ceramics of different types. Common are orange wares, which are orange or buff
burnished ceramics with no slip. Red wares are ceramics with a reddish slip. Polychrome ware is ceramics
with a white or orange slip, with painted designs in orange, red, brown, and/or black. Very common is
"black on orange" ware which is orange ware decorated with painted designs in black.[123][124][125]
Aztec black-on-orange ceramics are chronologically classified into four phases: Aztec I and II
corresponding to c. 1100–1350 (early Aztec period), Aztec III (c. 1350–1520), and the last phase Aztec IV
was the early colonial period. Aztec I is characterized by floral designs and day-name glyphs; Aztec II is
characterized by a stylized grass design above calligraphic designs such as S-curves or loops; Aztec III is
characterized by very
simple line designs;
Aztec IV continues
some pre-Columbian
designs but adds
European influenced
floral designs. There
were local variations on An Aztec bowl for everyday use. Black An Aztec polychrome A life-size
each of these styles, and on orange ware, a simple Aztec IV style vessel typical of the ceramic
flower design. Cholula region sculpture of an
archeologists continue to
Aztec eagle
refine the ceramic
warrior
sequence. [124]
Typical vessels for everyday use were clay griddles for cooking (comalli), bowls and plates for eating
(caxitl), pots for cooking (comitl), molcajetes or mortar-type vessels with slashed bases for grinding chilli
(molcaxitl), and different kinds of braziers, tripod dishes, and biconical goblets. Vessels were fired in simple
updraft kilns or even in open firing in pit kilns at low temperatures.[124] Polychrome ceramics were
imported from the Cholula region (also known as Mixteca-Puebla style), and these wares were highly
prized as a luxury ware, whereas the local black on orange styles were also for everyday use.[126]
Painted art
Aztec painted art was produced on animal skin (mostly deer), on
cotton lienzos, and amate paper made from bark (e.g., from Trema
micrantha or Ficus aurea), it was also produced on ceramics and
carved in wood and stone. The surface of the material was often
first treated with gesso to make the images stand out more clearly.
The art of painting and writing was known in Nahuatl by the
metaphor in tlilli, in tlapalli – meaning "the black ink, the red
pigment".[127][128]
Some codices were produced post-conquest, sometimes commissioned by the colonial government, for
example, Codex Mendoza, were painted by Aztec tlacuilos (codex creators), but under the control of
Spanish authorities, who also sometimes commissioned codices describing pre-colonial religious practices,
for example, Codex Ríos. After the conquest, codices with calendric or religious information were sought
out and systematically destroyed by the church – whereas other types of painted books, particularly
historical narratives, and tax lists continued to be produced.[27] Although depicting Aztec deities and
describing religious practices also shared by the Aztecs of the Valley of Mexico, the codices produced in
Southern Puebla near Cholula, are sometimes not considered to be Aztec codices, because they were
produced outside of the Aztec "heartland".[27] Karl Anton Nowotny, nevertheless considered that the
Codex Borgia, painted in the area around Cholula and using a Mixtec style, was the "most significant work
of art among the extant manuscripts".[130]
The first Aztec murals were from Teotihuacan.[131] Most of our current Aztec murals were found in Templo
Mayor.[131] The Aztec capital was decorated with elaborate murals. In Aztec murals, humans are
represented like they are represented in the codices. One mural discovered in Tlateloco depicts an old man
and an old woman. This may represent the gods Cipactonal and Oxomico.
Sculpture
Sculptures were carved in stone and wood, but few wood carvings
have survived.[132] Aztec stone sculptures exist in many sizes from
small figurines and masks to large monuments, and are
characterized by a high quality of craftsmanship.[133] Many
sculptures were carved in highly realistic styles, for example
realistic sculpture of animals such as rattlesnakes, dogs, jaguars,
frogs, turtles, and monkeys.[134]
Featherwork
An especially prized art form among the Aztecs was featherwork – the creation of intricate and colorful
mosaics of feathers, and their use in garments as well as decoration on weaponry, war banners, and warrior
suits. The class of highly skilled and honored craftsmen who created feather objects was called the
amanteca,[137] named after the Amantla neighborhood in Tenochtitlan
where they lived and worked.[138] They did not pay taxes nor were
required to perform public service. The Florentine Codex gives
information about how feather works were created. The amanteca had
two ways of creating their works. One was to secure the feathers in place
using agave cords for three-dimensional objects such as fly whisks, fans,
bracelets, headgear, and other objects. The second and more difficult was
a mosaic-type technique, which the Spanish also called "feather painting".
These were done principally on feather shields and cloaks for idols.
Aztec feather shield
Feather mosaics were arrangements of minute fragments of feathers from
displaying the "stepped fret"
a wide variety of birds, generally worked on a paper base, made from
design called xicalcoliuhqui in
Nahuatl (c. 1520,
cotton and paste, then itself backed with amate paper, but bases of other
Landesmuseum Württemberg) types of paper and directly on amate were done as well. These works
were done in layers with "common" feathers, dyed feathers, and precious
feathers. First, a model was made with lower-quality feathers and the
precious feathers were found only on the top layer. The adhesive for the feathers in the Mesoamerican
period was made from orchid bulbs. Feathers from local and faraway sources were used, especially in the
Aztec Empire. The feathers were obtained from wild birds as well as from domesticated turkeys and ducks,
with the finest quetzal feathers coming from Chiapas, Guatemala, and Honduras. These feathers were
obtained through trade and taxes. Due to the difficulty of conserving feathers, fewer than ten pieces of
original Aztec featherwork exist today.[139]
Population decline
After the arrival of the Europeans in Mexico and the conquest,
indigenous populations declined significantly. This was largely the
result of the epidemics of viruses brought to the continent against
which the natives had no immunity. In 1520–1521, an outbreak of
smallpox swept through the population of Tenochtitlan and was
decisive in the fall of the city; further significant epidemics struck in
1545 and 1576.[145]
Legacy
Today the legacy of the Aztecs lives on in Mexico in many forms. Archeological sites are excavated and
opened to the public and their artifacts are prominently displayed in museums. Place names and loanwords
from the Aztec language Nahuatl permeate the Mexican landscape and vocabulary, and Aztec symbols and
mythology have been promoted by the Mexican government and integrated into contemporary Mexican
nationalism as emblems of the country.[157]
During the 19th century, the image of the Aztecs as uncivilized barbarians was replaced with romanticized
visions of the Aztecs as original sons of the soil, with a highly developed culture rivaling the ancient
European civilizations. When Mexico became independent from Spain, a romanticized version of the
Aztecs became a source of images that could be used to ground the new nation as a unique blend of
European and American.[158]
The late 19th century in Mexico was a period in which Aztec civilization
became a point of national pride. The era was dominated by liberal
military hero, Porfirio Díaz, a mestizo from Oaxaca who was president of
Mexico from 1876 to 1911. His policies opening Mexico to foreign
investors and modernizing the country under a firm hand controlling
unrest, "Order and Progress", undermined Mexico's indigenous
populations and their communities. However, for investigations of
Mexico's ancient civilizations, his was a benevolent regime, with funds
supporting archeological research and for protecting monuments.[168]
"Scholars found it more profitable to confine their attention to Indians
who had been dead for a number of centuries." [169] His benevolence saw
the placement of a monument to Cuauhtemoc in a major traffic
roundabout (glorieta) of the wide Paseo de la Reforma, which he
Monument to Cuauhtémoc, inaugurated in 1887. In world fairs of the late 19th century, Mexico's
inaugurated 1887 by Porfirio pavilions included a major focus on its indigenous past, especially the
Díaz in Mexico City Aztecs. Mexican scholars such as Alfredo Chavero helped shape the
cultural image of Mexico at these exhibitions.[170]
In the United States in the early 19th century, interest in ancient Mexico propelled John Lloyd Stephens to
travel to Mexico and then publish well-illustrated accounts in the early 1840s. The research of a half-blind
Bostonian, William Hickling Prescott, into the Spanish conquest of Mexico, resulted in his highly popular
and deeply researched The Conquest of Mexico (1843). Although not formally trained as a historian,
Prescott drew on the obvious Spanish sources, but also Ixtlilxochitl and Sahagún's history of the conquest.
His resulting work was a mixture of pro- and anti-Aztec attitudes. It was not only a bestseller in English, but
it also influenced Mexican intellectuals, including the leading conservative politician, Lucas Alamán.
Alamán pushed back against his characterization of the Aztecs. In the assessment of Benjamin Keen,
Prescott's history "has survived attacks from every quarter, and still dominates the conceptions of the
laymen, if not the specialist, concerning Aztec civilization".[175] In the later 19th century, businessman and
historian Hubert Howe Bancroft oversaw a huge project, employing writers and researchers, to write the
history the "Native Races" of North America, including Mexico, California, and Central America. One
entire work was devoted to ancient Mexico, half of which concerned the Aztecs. It was a work of synthesis
drawing on Ixtlilxochitl and Brasseur de Bourbourg, among others. [167]
When the International Congress of Americanists was formed in Nancy, France in 1875, Mexican scholars
became active participants, and Mexico City hosted the biennial multidisciplinary meeting six times, starting
in 1895. Mexico's ancient civilizations have continued to be the focus of major scholarly investigations by
Mexican and international scholars.
Cuisine
Mexican cuisine continues to be based on staple elements of Mesoamerican cooking and, particularly, of
Aztec cuisine: corn, chili, beans, squash, tomato, and avocado. Many of these staple products continue to be
known by their Nahuatl names, carrying in this way ties to the Aztec people who introduced these foods to
the Spaniards and the world. Through the spread of ancient Mesoamerican food elements, particularly
plants, Nahuatl loan words (chocolate, tomato, chili, avocado, tamale, taco, pupusa, chipotle, pozole, atole)
have been borrowed through Spanish into other languages around the world.[178] Through the spread and
popularity of Mexican cuisine, the culinary legacy of the Aztecs can be said to have a global reach. Today,
Aztec images and Nahuatl words are often used to lend an air of authenticity or exoticism in the marketing
of Mexican cuisine.[180]
Las Tortilleras, an 1836 lithograph Chapulines, grasshoppers toasted
after a painting by Carl Nebel of and dusted with chilis, continue to
women grinding corn and making be a popular delicacy.
tortillas.
Ethnic identity
Aztec and Maya were newly listed examples given for American Indian groups in the 2020 United States
census, and "Aztec" became the largest American Indian group that respondents identified as having a full
background.[181][182]
In popular culture
The idea of the Aztecs has captivated the imaginations of Europeans since the first encounters and has
provided many iconic symbols to Western popular culture.[183] In his book The Aztec Image in Western
Thought, Benjamin Keen argued that Western thinkers have usually viewed Aztec culture through a filter of
their cultural interests.[184]
The Aztecs and figures from Aztec mythology feature in Western culture.[185] The name of Quetzalcoatl, a
feathered serpent god, has been used for a genus of pterosaurs, Quetzalcoatlus, a large flying reptile with a
wingspan of as much as 11 meters (36 ft).[186] Quetzalcoatl has appeared as a character in many books,
films and video games. D.H. Lawrence gave the name Quetzalcoatl to an early draft of his novel The
Plumed Serpent, but his publisher, Alfred A. Knopf, insisted on a change of title.[187] American author
Gary Jennings wrote two acclaimed historical novels set in Aztec-period Mexico, Aztec (1980) and Aztec
Autumn (1997).[188] The novels were so popular that four more novels in the Aztec series were written after
his death.[189]
Aztec society has also been depicted in cinema. The Mexican feature film The Other Conquest (Spanish:
La Otra Conquista) from 2000 was directed by Salvador Carrasco and illustrated the colonial aftermath of
the 1520s Spanish Conquest of Mexico. It adopted the perspective of an Aztec scribe, Topiltzin, who
survived the attack on the temple of Tenochtitlan.[190] The 1989 film Retorno a Aztlán by Juan Mora
Catlett is a work of historical fiction set during the rule of Motecuzoma I, filmed in Nahuatl and with the
alternative Nahuatl title Necuepaliztli in Aztlan.[191][192] In Mexican exploitation B movies of the 1970s, a
recurring figure was the "Aztec mummy" as well as Aztec ghosts and sorcerers.[193]
See also
Mesoamerica
portal
Indigenous
peoples of the
Americas portal
Civilizations
portal
Atamalqualiztli
History of Mexico
Indigenismo in Mexico
Indigenous peoples of Mexico
List of Mexico-Tenochtitlan rulers
Maya civilization
Mesoamerica
Mesoamerican chronology
Mixtec people
Nahuas
Nahuatl
Notes
a. The term was not used as an endonym, see #Definitions
1. Smith 1997, p. 4 writes "For many the term 'Aztec' refers strictly to the inhabitants of
Tenochtitlan (the Mexica people), or perhaps the inhabitants of the Valley of Mexico, the
highland basin where the Mexica and certain other Aztec groups lived. I believe it makes
more sense to expand the definition of "Aztec" to include the peoples of nearby highland
valleys in addition to the inhabitants of the Valley of Mexico. In the final few centuries before
the arrival of the Spaniards in 1519, the peoples of this wider area all spoke the Nahuatl
language (the language of the Aztecs), and they all traced their origins to a mythical place
called Aztlan (Aztlan is the etymon of "Aztec," a modern label that was not used by the
Aztecs themselves)"
2. Lockhart 1992, p. 1 writes "These people I call the Nahuas, a name they sometimes used
themselves and the one that has become current today in Mexico, in preference to Aztecs.
The latter term has several decisive disadvantages: it implies a quasi-national unity that did
not exist, it directs attention to an ephemeral imperial agglomeration, it is attached
specifically to the pre-conquest period, and by the standards of the time, its use for anyone
other than the Mexica (the inhabitants of the imperial capital, Tenochtitlan) would have been
improper even if it had been the Mexica's primary designation, which it was not"
3. The editors of the "Oxford Handbook of the Aztecs", Nichols & Rodríguez-Alegría 2017, p. 3
write: "The use of terminology changed historically during the Late Postclassic, and it has
changed among modern scholars. Readers will find some variation in the terms authors
employ in this handbook, but, in general, different authors use Aztecs to refer to people
incorporated into the empire of the Triple Alliance in the Late Postclassic period. An empire
of such broad geographic extent [...] subsumed much cultural, linguistic, and social variation,
and the term Aztec Empire should not obscure that. Scholars often use more specific
identifiers, such as Mexica or Tenochca, when appropriate, and they generally employ the
term Nahuas to refer to indigenous people in central Mexico [...] after the Spanish Conquest,
as Lockhart (1992) proposed. All of these terms introduce their own problems, whether
because they are vague, subsume too much variation, are imposed labels, or are
problematic for some other reason. We have not found a solution that all can agree on and
thus accept the varied viewpoints of authors. We use the term Aztec because today it is
widely recognized by both scholars and the international public."
4. The name of the two Aztec rulers which in this article is written as "Motecuzoma" has several
variants, due to alterations to the original Nahuatl word by speakers of English and Spanish,
and due to different orthographical choices for writing Nahuatl words. In English the variant
"Montezuma" was originally the most common, but has now largely been replaced with
"motecuhzoma" and "Moteuczoma", in Spanish the term "Moctezuma" which inverts the
order of t and k has been predominant and is a common surname in Mexico, but is now also
largely replaced with a form that respects the original Nahuatl structure, such as
"Motecuzoma". In Nahuatl the word is /motekʷso:ma/, meaning "he frowns like a lord"
(Hajovsky 2015, pp. ix, 147:n#3).
5. Gillespie 1989 argues that the name "Motecuzoma" was a later addition added to make for a
parallel to the later ruler, and that his original name was only "Ilhuicamina".
6. Some sources, including the Relación de Tula and the history of Motolinia, suggest that
Atotoztli functioned as ruler of Tenochtitlan succeeding her father. Indeed no conquests are
recorded for Motecuzoma in the last years of his reign, suggesting that he may have been
incapable of ruling, or even dead (Diel 2005).
7. singular form pilli
8. This volume was later translated into Spanish by Ángel María Garibay K., teacher of León-
Portilla, and it exists in English translation by John Bierhorst
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Altman, Ida; Cline, Sarah; Pescador, Javier (2003). The Early History of Greater Mexico.
Prentice Hall. ISBN 978-0-13-091543-6.
Charlton, Thomas (2000). "The Aztecs and their Contemporaries: The Central and Eastern
Mexican Highlands". The Cambridge History of the Native Peoples of the Americas. Vol. 2.
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Gillespie, Susan D. (1998). "The Aztec Triple Alliance: A Postconquest Tradition" (https://we
b.archive.org/web/20070221181058/http://www.doaks.org/Native/trad09.pdf) (PDF). In
Elizabeth Hill Boone; Tom Cubbins (eds.). Native Traditions in the Postconquest World, A
Symposium at Dumbarton Oaks 2nd through 4th October 1992. Washington, DC: Dumbarton
Oaks Research Library and Collection. pp. 233–263. ISBN 978-0-88402-239-8.
OCLC 34354931 (https://www.worldcat.org/oclc/34354931). Archived from the original (http://
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Gutierrez, Natividad (1999). Nationalist Myths and Ethnic Identities: Indigenous Intellectuals
and the Mexican State. University of Nebraska Press.
Hassig, Ross (1985). Trade, Tribute, and Transportation: The Sixteenth-Century Political
Economy of the Valley of Mexico. Civilization of the American Indian series. Norman:
University of Oklahoma Press. ISBN 978-0-8061-1911-3. OCLC 11469622 (https://www.worl
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Hassig, Ross (1992). War and Society in Ancient Mesoamerica. Berkeley: University of
California Press. ISBN 978-0-520-07734-8. OCLC 25007991 (https://www.worldcat.org/oclc/
25007991).
Kaufman, Terrence (2001). "The history of the Nawa language group from the earliest times
to the sixteenth century: some initial results" (https://web.archive.org/web/20200119013512/
https://www.albany.edu/anthro/maldp/Nawa.pdf) (PDF). Project for the Documentation of the
Languages of Mesoamerica. Revised March 2001. Archived from the original (http://www.alb
any.edu/anthro/maldp/Nawa.pdf) (PDF) on 19 January 2020. Retrieved 14 March 2010.
Lockhart, James (1993). We People Here: Nahuatl Accounts of the Conquest of Mexico.
Repertorium Columbianum. Vol. 1. Translated by Lockhart, James. Berkeley: University of
California Press. ISBN 978-0-520-07875-8. OCLC 24703159 (https://www.worldcat.org/oclc/
24703159). (in English, Spanish, and Nahuatl languages)
López Austin, Alfredo (1997). Tamoanchan, Tlalocan: Places of Mist. Mesoamerican Worlds
series. Translated by Bernard R. Ortiz de Montellano; Thelma Ortiz de Montellano. Niwot:
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MacLeod, Murdo (2000). "Mesoamerica since the Spanish Invasion: An Overview.". The
Cambridge History of the Native Peoples of the Americas. Vol. 2. Mesoamerica Part 2.
Cambridge University Press. pp. 1–43. ISBN 978-0-521-65204-9.
Restall, Matthew (2004). Seven Myths of the Spanish Conquest (1st pbk ed.). Oxford and
New York: Oxford University Press. ISBN 978-0-19-517611-7. OCLC 56695639 (https://ww
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Schroeder, Susan (1991). Chimalpahin and the Kingdoms of Chalco. Tucson: University of
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976206).
Smith, Michael E.; Montiel, Lisa (2001). "The Archaeological Study of Empires and
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S2CID 29613567 (https://api.semanticscholar.org/CorpusID:29613567).
Zantwijk, Rudolph van (1985). The Aztec Arrangement: The Social History of Pre-Spanish
Mexico (https://archive.org/details/aztecarrangement0000zant). Norman: University of
Oklahoma Press. ISBN 978-0-8061-1677-8. OCLC 11261299 (https://www.worldcat.org/oclc/
11261299).
External links
Aztecs at Mexicolore (http://mexicolore.co.uk/aztecs/): constantly updated educational site
specifically on the Aztecs, for serious students of all ages.
Aztecs / Nahuatl / Tenochtitlan (http://www.d.umn.edu/cla/faculty/troufs/anth3618/maaztec.ht
ml): Ancient Mesoamerica resources at University of Minnesota Duluth
Aztec history, culture and religion (http://www.history-aztec.com) B. Diaz del Castillo, The
Discovery and Conquest of Mexico (tr. by A.P. Maudsley, 1928, repr. 1965)
Article: "Life in the Provinces of the Aztec Empire" (http://www.public.asu.edu/~mesmith9/ME
S-05-SciAm-.pdf)
Tlahuica Culture Home Page (an Aztec group from Morelos, Mexico) (http://www.public.asu.
edu/~mesmith9/tlahuica.html)
"The Aztecs – looking behind the myths" (https://www.bbc.co.uk/radio4/history/inourtime/inou
rtime_20030227.shtml) on BBC Radio 4's In Our Time featuring Alan Knight, Adrian Locke
and Elizabeth Graham