172 ve No. 13 Recitative and Romanza - Scene E No. 13 Récit et Romance - [Moderato] Récit. HOFFMANN: Scéne ¢ ‘At lst. [now can ask of her En- fin je vais sa-voir pour- quoi, } ‘NIKLAUS NICKLAUSSE aa That'sno sec- ret at all: by command of her Bon,cest quap-pa-rem-ment tune plais plus as ao yo Ieft_me, whenweoncewere 0 close. di-re, “on sloigne, on me fuit. mf Moderato P SC How can you be so ‘that this tim y sure, istime you are right, and that this new ad- Est - tu sir seu-le- ment que le cé -leste ob- jet de ce nou-veaudé- Pp 7 Allegro moderato riten. a piacere (ith sarcasm) (sarcastiquement) ent ure sat - er than the Est de? “lis re vail - le mieuxque Vautre? HOFFMANN Which one? The last one? Comment? quel au - tre?17: = —) A wi swain, I should say, who could for- get that cra- zy venture wit 7 Banh SQUEAP ul ae BL Ye gh BY petgmem tse papal any ce € oe te P HOFFMANN — Don'tev - Ne me rap aT oa eo mention that ter- ri- ble sto - ry! ‘An - tomia has no-thing to do with that pup- pet at = pel-le done pas cette hi - stoi - re! ‘An - to-nia nia rien en com-mun a - vec cet- te pou- NIKLAUS, NICKLAUSSE Al-right! A- live, — "she has a Bien! bien! Elle vit — lle a une174 f Pere eect Eve-ry art -ist tar 2 Morr Santen eaalaricee cat pourquoison ame ext Non! Elleest une ai of an an-goll Creat un an- ge! (he plucks a string of (il pince une soul of his own, as has the in-stru- ment that we "wee aussi é - tran-ge que cel-te de ces in - stru-ments la - haut. f= ~~ Romanza Romance ‘one of the violins then draws a bow across it) corde de violon et la touche avee larchet) Andante e a NICKLAUSSE in tides of vi brer1715 the master's cé-les -_teac - when stroked by En- tend le eee rit. gno - x and gent -le tent— me qui si - Nu with sure in = bow, fed 3 7 decett cent Ce gee i. Te wafts through — the pas~ ser dans Mae aa doom it, will oft-en corde de cet-te to en- joy mon Keen te conte iinet seme & GE Gee ious?s = 55 eae : wi a - mourvain-queur, aes rit. K Ni ep 3335 23 know all too. well, Creat 20M self might cheat the Crest ta - Shur, truth, ‘and for your don-ne, Po. yz a tempo ter -nal youth! ne ton coeur!Ni. 177 c Godan ie Tea Coane! Ni Music and art were the Bond, that first made both fe : i ond, that first made both your hearts e-spond! ‘Heavenly Elle con-so - le tes pleurs, El le mé-le sesdou- leurs a, ta dou- hou- rsspent in love,— both with art -leur, & ta__dou-leur—_en- i - ure der! $0, re- mem er c’est a-mour, et’slove could weavea spell, ‘ T’a - mour vain-queur, rit. =, ESs3> 2 Ww al ‘ou yours self might cheat — the truth, ——————and for yoo know all too well, au pat a Ee. a P don-ne ton coeur!178 a — 4 atempo wight wine fer mal youth! te, ton ‘coeur Scene E (Not listening to Niklius, Hoffmann has moved to the spinet) Sctne E (Hoffmann, sans avoir écoute, s'ext opproché du elavecin) ji NIKLAUS Récit. NICKLAUSSE Ah, for a po- et! OF FMAIDT In - cor-ri- gi - ble! An-to- nia'snear me... how well T know it On tent An- to - nig, c'est_per- cep - tib- le. [2] Moderato the sisdown atthe spinct) Vasseyant devant le clavecin) Speen aver Sai erga! well 1 ye ~ mem-ber the 10 = me that ve-cin est en-cor tout she used to vi brant de sq play, main and the way she wotld et la cham-bre est rem ey tepeGrton aie 4 ee sig ‘yh He eswti-ta vie ge ahh Usa ane ts ie get