Krashen, S.
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Asian Journal on Perspectives in Education (AJPE)
Online ISSN: 2799-1296
AJPE (2024), Volume 4, Issue 1
Language Acquisition and the Power of Pleasure Reading
Stephen Krashen
University of California
Asian Journal on Perspectives in Education
20 Volume 1, Issue 4
Studies done over the last 50 years have confirmed that reading, especially self-
selected pleasure reading, is a powerful way of stimulating language and literacy
development. Studies are also emerging that confirm that self-selected pleasure
reading also results in increased knowledge in many different areas, and that
reading, especially fiction, can result in a deeper understanding of others.
Some Theory
The core of our work can be expressed as a few simple hypotheses:
The Acquisition-Learning Hypothesis: We have two different ways of gaining
knowledge of a language. One way is “acquisition,” a subconscious process. While
it is happening, we are not aware it is happening. Also acquired knowledge is
stored in our brains subconsciously; we may or may not be able to state “rules”
describing what we have acquired.
We are very good at acquiring languages. It is something the brain does well.
“Learning” is conscious: While we are learning, we know we are learning and we
can state the rules describing what we have learned.
We are not very good at learning languages. It is something the brain does poorly.
The centerpiece of current theory is the “Comprehension Hypothesis: We acquire
(not learn) language in only one way: when we understand messages, when we
understand what we hear or read. In other words, when we get “comprehensible
input.”
An important corollary of the Comprehension Hypothesis: Talking and writing
are not “practicing.” We acquire language by input, not output: More output does
not result in more language acquisition. Rather, the ability to produce language
is the result of language acquisition. In fact, forcing people to speak before they
have acquired enough language to express themselves easily not only doesn’t
help language acquisition, it provokes anxiety (Krashen, 2018).
Some Features of Input
If we acquire language by understanding input, it is obvious that input needs to
be interesting. The best input is more than interesting: It is “compelling,”
extremely interesting.
Language acquisition is gradual. Each time we encounter a new item in a
comprehensible context we acquire only a small amount of the meaning and form
from context; gradually we acquire the full form and meaning (Nagy, Herman,
and Anderson, 1985.)
Application
There has been considerable success in beginning language classes in which
comprehensible input is provided in the form of stories. In Story-Listening,
developed by Beniko Mason, the teacher tells stories of universal interest. The
stories are made comprehensible through the teacher’s use of drawings, gestures,
and occasional translation (Krashen, Mason, and Smith. 2018).
Krashen, S. 21
In Story-Listening, students are not responsible for studying the new words used
in the story; they are told they only need to understand and enjoy the story. It
appears to be the case that using supplementary vocabulary building exercises
are not as effective as simply telling another story (Mason and Krashen, 2004).
After listening to stories for one or two semesters, reading begins in the form of
“guided self-selected reading” (GSSR). A generous supply of compelling,
comprehensible stories are made available, and students select books with the
help of teachers. Students start from the lowest level of graded readers; the
eventual goal is reading “authentic books,” books written for native speakers.
Some Research: The Effect of Self-selected Pleasure Reading on
Language and Literacy
In our study (Mason & Krashen, 2017), a group of eight EFL students in Japan
enrolled in GSSR classes took alternative forms of the TOEIC English reading
and listening examination. TOEIC scores range from zero to 1000, with 250
indicating enough English to start reading easier books.
We reported that for each hour of reading students did, they gained an average
of .6 of a point on the TOEIC. If this rate of hourly improvement is maintained,
two hours a day over two years of relaxed self-selected reading would result in a
gain of 720 points, placing the test-taker nearly at the top of the TOEIC scale,
starting at 250.
Lin, Shin and Krashen (2007) studied the progress of a teen-age girl, Sophia.
Sophia’s secondary school tests all students on English reading at the beginning
of the school year and again at the end, expecting to see improvement. Sophia’s
reading scores, however, went DOWN during the school year, but went UP over
summer vacation, and were higher than they were the year before.
What did Sophia do over the summer to cause this gain? She went to the local
public library, and read for pleasure, averaging about 50 books each summer,
reading books popular with young readers her age (e.g. Twilight, Nancy Drew).
Several studies compared the effect of increasing writing versus increasing
reading. DeVries (1970) is a study of native-speakers of English, ten-year-old
students who were placed into one of two groups: One group did the usual writing
class, writing two themes a week for nine weeks. Students in the other group
“were excused from practically all composition work …and made use of the time
… for an increased amount of reading, in and out of class.” The “reading” group
did better on the final essay for content, mechanics, organization, and grammar.
For many other studies with similar results, see Krashen (2004).
Does Pleasure Reading Supply “Academic Language”?
A possible objection to emphasizing self-selected fiction is the belief that this kind
of a diet will not result in the kind of academic language proficiency required in
school. McQuillan (2020) assures us that this is not the case: McQuillan analyzed
the vocabulary in the seven Harry Potter novels and concluded that reading all
seven will result in the acquisition of 204 academic words, that is, words that
appear in class and in textbooks in subject matter classes. McQuillan (2019)
reported similar results.
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Those who read more, know more.
Pleasure reading does more than build language and literacy: Those who read
more, know more. Stanovich and Cunningham (1993) is the major study in this
area. College students in the US were tested on a wide variety of subjects,
including science, social studies, current events, personal finance, health, and
technology.
They reported that those who had more “print exposure” (were more familiar with
current authors and magazines) did better on the subject matter tests. Of great
interest: Higher grades (grade point average) were not related to how well the
students did on the tests of knowledge.
More reading, better understanding of others.
Finally, pleasure reading does more than build language and literacy and
increase knowledge. Those who read more, especially fiction, have a deeper
understanding of other people; they have more empathy (Kidd and Castano,
2013).
American radio journalist Terry Gross, the host of Fresh Air, has an excellent
explanation of why fiction has this effect: “…. when you’re learning to read fiction
… what you’re learning, in part, is empathy. You’re learning to be somebody else,
learning to see the world through their eyes.” (https://tinyurl.com/y8d3cdoz).
Novelist Alice Walker, in fact, feels that this is the main function of literature:
“If literature didn’t inspire empathy and compassion, it would be virtually
useless.” Alice Walker, interview, “Newsmaker,” American Library Magazine,
6/13, p.19.
Self-selection and Access
The best way to ensure that reading is compelling is self-selection: Teachers know
this: “No single practice inspires my students to read as much as the opportunity
to choose their own books does” (Miller, 2012, p. 90).
My secondary school experience confirms this: When I was in secondary school in
United States, we had compulsory language arts classes covering American and
British literature. I did all the assigned reading and completed the assigned book
reports and essays. Today, I don’t remember a single assigned novel I read for
those classes, not even the authors or titles. I do, however, vividly remember,
decades later, the books I read on my own. This “popular literature” was my true
language arts class, and those books had a powerful effect on me.
A final word: For self-selected reading to take place, readers need access to
reading material. We need to make sure all students have access to books in
school and public libraries, and we need to take advantage of the knowledge of
professional librarians who will order the right books and help connect students
to books that are right for them (Lance, Schwarz and Rodney, 2014; Lance and
Marks, 2008).
Krashen, S. 23
APPENDIX: HOW DO WE TEACH WRITING?
First, a crucial hypothesis: More writing does not lead to better writing form.
Better writing form (e.g. writing in “essay style” with an introduction, conclusion,
correct spelling, grammar etc.) comes from reading, not writing, that is, it comes
from comprehensible and compelling input (Krashen, 2004).
But actual writing can do something else: It can have a profound influence on
cognitive development and can stimulate creative thinking. This happens
through revision. Revision is the core of the composing process. Revision means
making mistakes and then “correcting” them, coming up with better ideas and a
deeper understanding of your message that you had when you started writing.
Elbow (1972) points out that in writing, “Meaning is what you end up with, not
what you start out with.”
Dealing with Writer’s Block
A Writer’s Block occurs when the writer is not sure what to write next, when the
writer senses that something is missing, or even wrong, and it is not obvious what
to do about it. WRITER’S BLOCKS ARE GOOD NEWS!! They mean the writer
is about to learn something. The cure is revision, and there are steps to take to
make revision not only painless, but also satisfying and even pleasurable.
The way to deal with to a writer’s block is not to attack the block directly:
"Composition is not enhanced by grim determination" (Smith, 1994, p. 131). The
solution is to allow the subconscious mind to work on dissolving the block, and
this requires “an interval free from conscious thought (Wallas, 1926), a
hypothesis shared by Tolle (1999): “All true artists, whether they know it or not,
create from a place of no-mind, from inner stillness.” The first step, therefore, is
to take a break and do something mindless during the break.
The mathematician Poincare (1924) noted that when reaching a block in his
work, after a "preliminary period of conscious work” he would get up from his
desk and do something that took little thinking, such as putting more wood on
the fire. Returning to his work only minutes later, the solution, or at least parts
of it, would often appear.
It is important to write out the new insight immediately. “The story may be true
of the man (sic) who had such so brilliant an idea that he went into his garden to
thank God for it, found on rising to his knees that he had forgotten it, and never
recalled it.” (Wallas, 1926, p. 85).
Sometimes incubation breaks result in small steps forward, but at other times,
they result in major progress: “I’m happy when the revisions are big. I’m not
speaking of stylistic revisions, but of revisions in my own understanding.” Saul
Bellow, in Murray (1990, p. 181). I am, of course, happy with both kinds.
Asian Journal on Perspectives in Education
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