Intro To Romantic Era 2
Intro To Romantic Era 2
Romantic Era
The Romantic era, spanning from the late 18th century to the mid-
19th century (roughly 1780 to 1850), marked a significant shift in
cultural, artistic, and intellectual movements across Europe and
America.
The Industrial Revolution, occurring in the late 18th and early 19th centuries, brought about rapid industrialisation that
dramatically altered society. As factories sprung up and urbanisation increased, there was a growing disconnect from
nature. Romantic poets sought to reclaim this lost connection through their work, often critiquing the dehumanising effects of
industrialisation and lamenting the loss of rural, pastoral life.
In stark contrast to the Enlightenment's prioritisation of reason, science, and empirical evidence as the foundations of
knowledge, the Romantics valued intuition, emotion, and the sublime—experiences that transcended rational
understanding. They delved into the mystical, the irrational, and the emotional depths of human experience, rejecting the
rigid rationalism of the preceding era.
Key Themes in Romantic Poetry
Ruins
Serve as symbols of decay, history, and the inevitable decline of civilisations. They remind readers
of the fleeting nature of human accomplishments and the enduring presence of nature.
Water
Rivers, lakes, and oceans often symbolise the flow of life, the passage of time, and the depth of
human emotion. Water can be both a source of life and a force of destruction.
Uncommon Symbols in Romantic
Poetry
Urban Landscapes
Rarely depicted in Romantic poetry, urban landscapes were viewed unfavourably by poets of the
era. Cities were seen as centres of corruption, industrialisation, and the loss of individual freedom.
The urban environment represented a stark contrast to the natural world that Romantic poets
cherished, symbolising a disconnect from nature and authenticity.
Machines and
Technology
Generally absent or portrayed negatively in Romantic poetry, machines and technology symbolised
the destruction of the natural world. These elements were viewed as agents of alienation,
separating individuals from their authentic selves. The presence of machinery in poetry often
represented the encroachment of industrialisation on the purity of nature and human experience.
Samuel Taylor
Coleridge
Background Major Works Themes
Samuel Taylor Coleridge (1772- The Rime of the Ancient Coleridge's work often delves into
1834) was a pivotal figure in the Mariner: A long narrative poem the mysterious, the mystical, and
Romantic movement. He was that explores themes of guilt, the power of the imagination to
known for his innovative use of redemption, and the supernatural, transcend ordinary experience. His
imagination and his exploration of featuring the famous line "Water, poetry is characterised by its
the supernatural. Coleridge co- water, everywhere, nor any drop to exploration of supernatural
authored Lyrical Ballads with drink." elements and the depths of human
William Wordsworth, which is often consciousness.
credited with launching the Kubla Khan: A fragmentary
Romantic movement in English poem inspired by an opium dream,
literature. showcasing Coleridge's
imaginative power and his
fascination with exotic and
fantastical imagery.
William Wordsworth
Background Major Works Themes
William Wordsworth (1770-1850) Lines Composed a Wordsworth's poetry often
is one of the most influential Few Miles Above explores the relationship
Romantic poets. He is known for Tintern Abbey: between nature and the human
his profound connection to Reflects on the passage soul, the importance of memory,
nature and his belief in the of time, memory, and the and the idea that nature can lead
importance of personal spiritual connection to spiritual enlightenment.
experience. Wordsworth between humans and
I Wandered Lonely
believed that poetry should be nature.
as a Cloud: Celebrates
written in simple, everyday
the beauty of nature,
language and reflect the beauty
particularly the sight of a
and power of the natural world.
field of daffodils, and its
ability to uplift the human
spirit.
William Blake