how to use it practically in shows by
Ferdinand Van Wijnen DJ Key Mixing
Strip with examples in alphanumeric
keys of pioneerr
ChatGPT
Creating a guide on harmonic
mixing, key shifting, and creative
effects using Ferdinand Van Wijnen's
DJ Key Mixing Strip, with practical
examples in alphanumeric keys for
Pioneer equipment, involves several
steps. Here’s a structured guide to
help you apply these techniques in
your DJ sets.
Harmonic Mixing
1. Understanding Harmonic Mixing
Harmonic mixing is a technique used
by DJs to ensure that the tracks they
mix together are in compatible keys.
This results in smooth transitions
and a more pleasant listening
experience.
2. DJ Key Mixing Strip
Ferdinand Van Wijnen's DJ Key
Mixing Strip is a tool that helps DJs
identify compatible keys for mixing.
The strip uses alphanumeric keys,
commonly utilized in DJ software
and hardware such as those by
Pioneer.
Key Notations
Alphanumeric Keys: This system
uses numbers and letters to denote
keys. For example, "8A"
corresponds to A minor, and "8B"
corresponds to C major.
3. Key Shifting
Key shifting involves changing the
pitch of a track to match or
complement the key of another
track. This can be done using the
pitch fader or key shift buttons on
your Pioneer DJ equipment.
4. Creative Effects
Using effects creatively can enhance
your mixes. Pioneer DJ equipment
comes with various effects like
reverb, delay, flanger, and more.
Proper use of these can add depth
and interest to your sets.
Practical Application in Shows
Example 1: Mixing Two Tracks in
Compatible Keys
1. Identify the Key: Use the DJ Key
Mixing Strip to identify the keys of
your tracks. Let’s say Track 1 is in
8A (A minor) and Track 2 is in 8B (C
major).
2. Mixing: Start by playing Track 1
(8A). As Track 1 nears its end,
gradually bring in Track 2 (8B).
Since these keys are harmonically
compatible, the transition will be
smooth.
Example 2: Key Shifting
1. Key Analysis: Suppose Track 3 is in
9A (E minor) and you want to mix it
with Track 1 (8A).
2. Key Shifting: Use the key shift
function on your Pioneer
equipment to shift Track 3 down
by one semitone. This will change
it from 9A (E minor) to 8A (D#
minor), making it harmonically
compatible with Track 1.
Example 3: Using Creative Effects
1. Effect Selection: Choose an effect
that complements your track. For
instance, if you’re transitioning
between two tracks, a reverb can
help create a smoother fade-out.
2. Applying the Effect: As you
transition from Track 1 (8A) to
Track 2 (8B), apply a light reverb to
Track 1. Gradually increase the
wet/dry mix of the reverb effect,
making the transition ethereal and
smooth.
Step-by-Step Guide
Preparation
1. Analyze Tracks: Use software like
Mixed In Key to analyze the keys of
your tracks.
2. Label Tracks: Label your tracks
with their corresponding
alphanumeric keys for easy
reference.
During the Show
1. Track Selection: Choose tracks
that are in harmonically
compatible keys. Use the DJ Key
Mixing Strip as your guide.
2. Pitch Adjustment: If needed, use
the pitch fader or key shift
buttons to adjust the track’s key.
3. Effect Usage: Select appropriate
effects and apply them to
enhance transitions and build-ups.
Example Set
1. Track 1: 8A (A minor)
2. Track 2: 8B (C major) - Mix with
Track 1
3. Track 3: 9A (E minor) - Key shift to
8A (D# minor) to mix with Track 1
4. Track 4: 10A (B minor) - Mix
directly after Track 3 without key
shifting
Tips for Success
Practice: Regular practice will help
you become proficient in harmonic
mixing and using effects.
Library Management: Keep your
music library organized by key and
BPM.
Experiment: Don’t be afraid to
experiment with different key
combinations and effects.
By following this guide, you'll be able
to utilize harmonic mixing, key
shifting, and creative effects to
enhance your DJ sets and deliver
smooth, engaging performances.
4o
I want examples in Ferdinand Van
Wijnen Mixing Strip chart version but
more detailed examples
ChatGPT
Certainly! Let's dive deeper into
practical examples using Ferdinand
Van Wijnen's DJ Key Mixing Strip
chart. This chart is typically
structured with Camelot wheel
notation, where keys are denoted in
alphanumeric format (e.g., 1A, 2B).
DJ Key Mixing Strip Chart Overview
Here's a simplified version of the
chart with common key notations:
1A - A♭ Minor
2A - E♭ Minor
3A - B♭ Minor
4A - F Minor
5A - C Minor
6A - G Minor
7A - D Minor
8A - A Minor
9A - E Minor
10A - B Minor
11A - F♯ Minor
12A - D♭ Minor
1B - B Major
2B - F♯ Major
3B - D♭ Major
4B - A♭ Major
5B - E♭ Major
6B - B♭ Major
7B - F Major
8B - C Major
9B - G Major
10B - D Major
11B - A Major
12B - E Major
Detailed Examples
Example 1: Smooth Transition Using
Compatible Keys
Tracks:
Track 1: 8A (A Minor)
Track 2: 8B (C Major)
Mixing Process:
1. Start with Track 1: Play your track
in 8A (A Minor).
2. Prepare Track 2: Track 2 in 8B (C
Major) is naturally harmonically
compatible with Track 1.
3. Transition: As Track 1 approaches
a breakdown or the end of a
phrase, gradually bring in Track 2.
You can start by mixing in the
bassline or instrumental part to
ensure a smooth transition.
Example 2: Key Shifting for
Compatibility
Tracks:
Track 3: 9A (E Minor)
Track 4: 8A (A Minor)
Mixing Process:
1. Play Track 3: Start with your track
in 9A (E Minor).
2. Key Shift: Use your Pioneer DJ
equipment’s key shift feature to
adjust Track 3 down by one
semitone. This changes 9A (E
Minor) to 8A (D♯ Minor).
3. Prepare Track 4: Track 4 is already
in 8A (A Minor), making it
compatible with the key-shifted
Track 3.
4. Transition: Mix Track 4 into Track
3, ensuring a seamless blend due
to the compatible keys.
Example 3: Creative Effects During
Transitions
Tracks:
Track 5: 7A (D Minor)
Track 6: 8A (A Minor)
Mixing Process:
1. Play Track 5: Start with your track
in 7A (D Minor).
2. Prepare Track 6: Track 6 in 8A (A
Minor) is compatible as it’s a fifth
apart, creating a pleasing
harmonic progression.
3. Apply Effects: As you transition
from Track 5 to Track 6, use a
reverb effect on the outgoing track
(Track 5) to create an ethereal feel.
Increase the wet/dry mix of the
reverb gradually as you introduce
Track 6.
4. Transition: Slowly bring in Track 6,
allowing the reverb effect to
smooth out the transition.
Example 4: Mixing Major and Minor
Keys
Tracks:
Track 7: 5A (C Minor)
Track 8: 5B (E♭ Major)
Mixing Process:
1. Start with Track 7: Play your track
in 5A (C Minor).
2. Prepare Track 8: Track 8 in 5B (E♭
Major) is harmonically compatible
with Track 7, as they share the
same root note.
3. Transition: As Track 7 reaches a
natural breakdown, bring in Track
8 gradually. You can blend in the
melodies or harmonies, leveraging
the shared root note to ensure a
seamless transition.
Tips for Using the DJ Key Mixing Strip
1. Adjacent Keys: Mix tracks in
adjacent keys (e.g., 8A to 8B or 9A)
for safe transitions.
2. Energy Boost: For a higher energy
transition, move up by one key
(e.g., 8A to 9A).
3. Energy Reduction: For a smoother,
more mellow transition, move
down by one key (e.g., 8A to 7A).
4. Experiment: Don’t be afraid to
experiment with effects like
reverb, delay, and flanger to
enhance your transitions and add
creativity to your mixes.
By following these detailed examples
and tips, you can effectively utilize
Ferdinand Van Wijnen's DJ Key
Mixing Strip to create harmonically
pleasing and creatively engaging DJ
sets.
4o
explain the logic behind Ferdinand
Van Wijnen DJ Key Mixing Strip
ChatGPT
The logic behind Ferdinand Van
Wijnen's DJ Key Mixing Strip revolves
around the concept of harmonic
mixing, which ensures smooth and
musically pleasing transitions
between tracks. This method utilizes
the Circle of Fifths and the Camelot
Wheel to represent musical keys in
an easy-to-understand,
alphanumeric format, making it
simple for DJs to identify compatible
keys.
Key Concepts and Tools
1. Circle of Fifths: A visual
representation of musical keys
arranged by their relationship to
each other. Keys next to each
other on the circle are closely
related and harmonically
compatible.
2. Camelot Wheel: An adaptation of
the Circle of Fifths for DJs. It uses
alphanumeric codes to denote
keys (e.g., 8A for A minor, 8B for C
major).
Alphanumeric Key Notation
The Camelot Wheel divides keys into
two groups:
A for minor keys.
B for major keys.
Each number represents a position
on the Camelot Wheel,
corresponding to the Circle of Fifths.
For example:
1A: A♭ Minor
2A: E♭ Minor
3A: B♭ Minor
1B: B Major
2B: F♯ Major
3B: D♭ Major
Harmonic Compatibility Rules
Adjacent Keys
Keys adjacent to each other on the
Camelot Wheel are harmonically
compatible. For example:
8A (A minor) is compatible with:
7A (D minor)
9A (E minor)
8B (C major)
Energy Boost and Reduction
Energy Boost: Move one step
clockwise for a higher energy mix.
8A (A minor) to 9A (E minor).
Energy Reduction: Move one step
counterclockwise for a smoother
mix.
8A (A minor) to 7A (D minor).
Same Number Mixes
Mixing between major and minor
keys of the same number provides
a complementary mix.
8A (A minor) with 8B (C major).
Practical Application in DJ Sets
Using Ferdinand Van Wijnen's DJ Key
Mixing Strip, DJs can quickly identify
compatible keys and make smooth
transitions. Here are detailed
examples:
Example 1: Smooth Transition Using
Adjacent Keys
1. Track 1: 8A (A Minor)
2. Track 2: 9A (E Minor)
Mixing Process:
1. Start with Track 1 in 8A (A Minor).
2. Prepare Track 2 in 9A (E Minor),
which is one step clockwise on the
Camelot Wheel.
3. Transition by gradually
introducing Track 2, blending the
bassline or melody for a smooth,
harmonically compatible mix.
Example 2: Mixing Major and Minor
Keys
1. Track 3: 6A (G Minor)
2. Track 4: 6B (B♭ Major)
Mixing Process:
1. Start with Track 3 in 6A (G Minor).
2. Prepare Track 4 in 6B (B♭ Major),
which shares the same number.
3. Transition by bringing in Track 4’s
elements, leveraging the harmonic
compatibility of minor and major
keys with the same number.
Example 3: Key Shifting for
Compatibility
1. Track 5: 10A (B Minor)
2. Track 6: 8A (A Minor)
Mixing Process:
1. Start with Track 5 in 10A (B Minor).
2. Use the key shift function on your
Pioneer DJ equipment to adjust
Track 5 down by two semitones,
changing it to 8A (A Minor).
3. Mix in Track 6 in 8A (A Minor) for a
harmonically smooth transition.
Tips for Using the DJ Key Mixing Strip
Label Your Tracks: Use software like
Mixed In Key to label your tracks
with their Camelot notation.
Plan Your Set: Organize your tracks
by key to ensure smooth
transitions.
Use Effects: Enhance transitions
with effects like reverb or delay,
especially when shifting keys.
By understanding and applying the
logic of Ferdinand Van Wijnen’s DJ
Key Mixing Strip, you can achieve
harmonically pleasing and
professional-sounding DJ sets,
ensuring that your transitions are
smooth and your performances are
musically coherent.
4o
but in the Ferdinand Van Wijnen DJ
Key Mixing Strip there is "1" and
under 1 there are 4 blocks i.e 6 Red, 8
purple, 11 blue and 3 green, what are
they please explain and how can I
use it practically
ChatGPT
Ferdinand Van Wijnen's DJ Key
Mixing Strip uses a system that
visually represents key compatibility
with a unique color-coding method,
which helps DJs quickly identify
harmonically compatible tracks.
Each numbered block represents a
musical key, and the color-coded
blocks underneath show which other
keys are compatible for mixing.
Understanding the DJ Key Mixing
Strip
The chart usually consists of
numbers, and under each number,
there are color-coded blocks. Here’s
what they represent:
Numbered Blocks: Each number
represents a key.
Color-Coded Blocks Under Each
Number: These blocks show which
keys are harmonically compatible
with the key represented by the
number.
For example, let's take the key "1" on
the chart:
1: Represents a specific key (e.g., 1A
or 1B on the Camelot Wheel).
Underneath 1, there are four color-
coded blocks:
6 Red
8 Purple
11 Blue
3 Green
Each color-coded block represents a
different key that is compatible with
the key "1".
Explanation of the Color-Coded
Blocks
Key "1" Compatibility:
6 Red: Represents a key that is
harmonically compatible (e.g., 6A
or 6B on the Camelot Wheel).
8 Purple: Represents another
compatible key (e.g., 8A or 8B on
the Camelot Wheel).
11 Blue: Represents another
compatible key (e.g., 11A or 11B on
the Camelot Wheel).
3 Green: Represents another
compatible key (e.g., 3A or 3B on
the Camelot Wheel).
The specific alphanumeric key each
color represents depends on the
chart's design, but typically, they
follow the harmonic mixing rules
similar to the Camelot Wheel.
Practical Application in DJ Sets
To use the DJ Key Mixing Strip
practically, follow these steps:
1. Identify the Current Key:
Determine the key of the track you
are currently playing using the DJ
Key Mixing Strip.
2. Look at Compatible Keys: Refer to
the color-coded blocks
underneath the number of the
current key to find compatible
keys.
3. Select the Next Track: Choose a
track in one of the compatible
keys shown in the color-coded
blocks.
4. Transition Smoothly: Mix the
tracks, knowing that they are
harmonically compatible, which
ensures smooth transitions.
Example Usage
Current Track Key: 1 (Let's assume 1A
for this example)
1A (Key "1"): Let's say the current
track is in 1A (A♭ Minor).
Compatible Keys: According to the
strip, compatible keys are
represented by:
6 Red (e.g., 6A, G Minor)
8 Purple (e.g., 8A, A Minor)
11 Blue (e.g., 11A, F♯ Minor)
3 Green (e.g., 3A, B♭ Minor)
Transition Process:
1. Track Selection:
Identify the key of the next track
using your DJ software or key
detection tool.
Choose a track in one of the
compatible keys (e.g., 6A, 8A, 11A,
or 3A).
2. Prepare for Transition:
Load the selected track into the
deck.
Start mixing the new track in,
using EQ and volume adjustments
to ensure a smooth blend.
3. Apply Creative Effects:
Use effects like reverb, delay, or
filters to enhance the transition.
For instance, if transitioning from
1A (A♭ Minor) to 8A (A Minor), you
can use a slight reverb on the
outgoing track to create an
ethereal feel.
Detailed Example
Mixing from 1A (A♭ Minor) to 8A (A
Minor):
1. Track 1: 1A (A♭ Minor)
2. Track 2: 8A (A Minor) - Purple block
indicates compatibility.
Transition Steps:
1. Play Track 1: Start with Track 1 in
1A.
2. Prepare Track 2: Load Track 2 in
8A.
3. Blend Tracks: As Track 1 nears a
breakdown or phrase end, start
introducing Track 2. Begin with the
instrumental or bassline.
4. Use Effects: Apply a reverb effect
on Track 1 to smooth out the
transition.
5. Volume and EQ Adjustments:
Gradually adjust the volume and
EQ to blend Track 2 seamlessly
with Track 1.
6. Complete Transition: Fully
transition to Track 2, maintaining
the harmonic compatibility for a
smooth mix.
Summary
The Ferdinand Van Wijnen DJ Key
Mixing Strip simplifies harmonic
mixing by using color-coded blocks
to indicate compatible keys. By
following the chart, DJs can ensure
smooth, musically pleasing
transitions, enhancing their sets with
harmonic coherence.
4o
how to find the Compatible Keys
according to Ferdinand Van Wijnen's
DJ Key Mixing strip explain with 3-4
well detailed easy examples for
someone who is unaware with the
music theory
ChatGPT
To find compatible keys using
Ferdinand Van Wijnen's DJ Key
Mixing Strip, follow these steps:
1. Identify the key of the current
track.
2. Look at the number and
corresponding color-coded
blocks on the mixing strip.
3. Select the next track from one of
the compatible keys shown by the
color-coded blocks.
Here's a detailed guide with easy
examples for someone who is not
familiar with music theory.
Example 1: From Key "1"
Current Track Key: 1A (A♭ Minor)
1. Locate Key "1" on the Mixing Strip:
On the DJ Key Mixing Strip, find
the number "1".
2. Identify Compatible Keys:
Under "1", you see four blocks:
6 Red (6A, G Minor)
8 Purple (8A, A Minor)
11 Blue (11A, F♯ Minor)
3 Green (3A, B♭ Minor)
3. Select Next Track:
Choose a track in one of the
compatible keys. For instance,
select a track in 8A (A Minor).
4. Transition:
Mix the track in 1A (A♭ Minor)
with the track in 8A (A Minor)
smoothly, knowing they are
harmonically compatible.
Example 2: From Key "6"
Current Track Key: 6A (G Minor)
1. Locate Key "6" on the Mixing
Strip:
Find the number "6" on the strip.
2. Identify Compatible Keys:
Under "6", you see four blocks:
11 Blue (11A, F♯ Minor)
1 Red (1A, A♭ Minor)
3 Green (3A, B♭ Minor)
8 Purple (8A, A Minor)
3. Select Next Track:
Choose a track in one of the
compatible keys. For instance,
select a track in 11A (F♯ Minor).
4. Transition:
Mix the track in 6A (G Minor) with
the track in 11A (F♯ Minor) for a
harmonically smooth transition.
Example 3: From Key "8"
Current Track Key: 8A (A Minor)
1. Locate Key "8" on the Mixing
Strip:
Find the number "8" on the strip.
2. Identify Compatible Keys:
Under "8", you see four blocks:
3 Green (3A, B♭ Minor)
6 Red (6A, G Minor)
1 Blue (1A, A♭ Minor)
10 Purple (10A, B Minor)
3. Select Next Track:
Choose a track in one of the
compatible keys. For example,
select a track in 10A (B Minor).
4. Transition:
Mix the track in 8A (A Minor) with
the track in 10A (B Minor)
smoothly.
Example 4: From Key "3"
Current Track Key: 3A (B♭ Minor)
1. Locate Key "3" on the Mixing
Strip:
Find the number "3" on the strip.
2. Identify Compatible Keys:
Under "3", you see four blocks:
8 Purple (8A, A Minor)
10 Green (10A, B Minor)
5 Blue (5A, C Minor)
1 Red (1A, A♭ Minor)
3. Select Next Track:
Choose a track in one of the
compatible keys. For example,
select a track in 5A (C Minor).
4. Transition:
Mix the track in 3A (B♭ Minor)
with the track in 5A (C Minor) for a
harmonically compatible
transition.
Practical Tips for Beginners
Key Detection: Use software like
Mixed In Key to detect the key of
your tracks and label them
accordingly.
Harmonic Mixing: Follow the color-
coded blocks to ensure smooth
transitions. The colors represent
keys that will sound good together.
Simple Rules:
Mix with keys directly adjacent to
each other on the chart.
Move clockwise for a higher
energy mix.
Move counterclockwise for a
smoother, lower energy mix.
By following these steps and
examples, even someone without a
deep understanding of music theory
can effectively use Ferdinand Van
Wijnen's DJ Key Mixing Strip to
create harmonically pleasing DJ sets.
4o
what's the logic process behind the
Compatible Keys given in the strip
how are they calculated
ChatGPT
The logic process behind the
compatible keys given in Ferdinand
Van Wijnen's DJ Key Mixing Strip is
based on the principles of harmonic
mixing, which derives from music
theory concepts such as the Circle of
Fifths and the Camelot Wheel. Here's
a detailed explanation of how these
keys are calculated and how they
ensure harmonic compatibility:
Basic Concepts of Harmonic Mixing
Circle of Fifths
The Circle of Fifths is a visual
representation of the relationship
among the 12 tones of the chromatic
scale, their corresponding key
signatures, and the associated major
and minor keys. Keys next to each
other on the circle are harmonically
related.
Camelot Wheel
The Camelot Wheel is a simplified
adaptation of the Circle of Fifths
used by DJs. It uses alphanumeric
codes to denote keys (e.g., 8A for A
minor, 8B for C major). This wheel
makes it easier to identify
compatible keys for mixing.
Key Compatibility Rules
1. Same Number, Different Letter
(Major and Minor of the Same
Root):
Keys with the same number but
different letters (e.g., 8A and 8B)
are compatible because they are
the relative major and minor of
each other. For example, A minor
(8A) and C major (8B) share the
same notes, making transitions
smooth.
2. Adjacent Keys on the Camelot
Wheel:
Keys that are next to each other
on the Camelot Wheel (e.g., 8A
and 9A or 8A and 7A) are
harmonically compatible. This is
because moving one step
clockwise or counterclockwise
corresponds to a key change by a
perfect fifth or a perfect fourth,
respectively, which are musically
consonant intervals.
3. Energy Boost or Reduction:
Moving clockwise on the Camelot
Wheel increases energy (e.g., 8A to
9A).
Moving counterclockwise
decreases energy (e.g., 8A to 7A).
4. Jumping to Parallel Modes:
Keys that are separated by one or
two steps can also be compatible,
especially if they involve changing
to a parallel mode or a relative
key, which still maintains a degree
of harmonic compatibility.
Ferdinand Van Wijnen's DJ Key
Mixing Strip Logic
The DJ Key Mixing Strip uses these
principles to simplify the process for
DJs. It visually represents key
compatibility using color-coded
blocks under each key number.
Here's the logic process for
calculating these compatible keys:
1. Start with the Current Key:
Identify the current key using its
alphanumeric code (e.g., 8A).
2. Determine Compatible Keys
Based on the Camelot Wheel:
Same Number, Different Letter:
Find the key with the same
number but different letter
(relative major/minor).
Adjacent Keys: Identify the keys
immediately adjacent on the
Camelot Wheel.
Energy Adjustments: Consider
keys that represent a slight energy
increase or decrease (one step
clockwise or counterclockwise).
Example Analysis
Let's analyze a specific key to see
how compatible keys are
determined:
Key "8A" (A Minor)
1. Same Number, Different Letter:
8B (C Major): Relative major of A
minor.
2. Adjacent Keys on the Camelot
Wheel:
7A (D Minor): One step
counterclockwise, creating a
smooth mix.
9A (E Minor): One step clockwise,
providing a slight energy boost.
3. Additional Compatible Keys:
10A (B Minor): Two steps
clockwise, still harmonically
related but providing a more
noticeable energy boost.
6A (G Minor): Two steps
counterclockwise, providing a
more significant energy reduction.
Practical Examples
1. Current Key: 8A (A Minor)
Compatible Keys:
7A (D Minor): Smooth transition.
9A (E Minor): Slight energy
boost.
8B (C Major): Relative major, very
compatible.
10A (B Minor): Noticeable energy
boost but still compatible.
6A (G Minor): Energy reduction
but harmonically pleasing.
2. Current Key: 1A (A♭ Minor)
Compatible Keys:
12A (D♭ Minor): One step
counterclockwise.
2A (E♭ Minor): One step
clockwise.
1B (B Major): Relative major.
3A (B♭ Minor): Two steps
clockwise.
11A (F♯ Minor): Two steps
counterclockwise.
3. Current Key: 6A (G Minor)
Compatible Keys:
5A (C Minor): One step
counterclockwise.
7A (D Minor): One step
clockwise.
6B (B♭ Major): Relative major.
8A (A Minor): Two steps
clockwise.
4A (F Minor): Two steps
counterclockwise.
Conclusion
Ferdinand Van Wijnen's DJ Key
Mixing Strip simplifies harmonic
mixing by visually representing the
most compatible keys for smooth
transitions. By understanding the
underlying principles of the Circle of
Fifths and the Camelot Wheel, DJs
can use this tool to ensure their
mixes are harmonically pleasing and
maintain the desired energy levels
throughout their sets.
4o
give me Practical Examples of all
keys
ChatGPT
To give you practical examples for all
keys using Ferdinand Van Wijnen's DJ
Key Mixing Strip, we'll go through
each key and identify compatible
keys based on the logic of harmonic
mixing. Each key will be examined in
terms of its relative minor/major,
adjacent keys, and additional
harmonically compatible keys.
Here's a comprehensive guide:
Key "1A" (A♭ Minor)
Relative Major: 1B (B Major)
Adjacent Keys: 12A (D♭ Minor), 2A
(E♭ Minor)
Additional Keys: 3A (B♭ Minor),
11A (F♯ Minor)
Example Transition:
Current Track: 1A (A♭ Minor)
Next Track Options: 1B (B Major),
12A (D♭ Minor), 2A (E♭ Minor), 3A
(B♭ Minor), 11A (F♯ Minor)
Key "1B" (B Major)
Relative Minor: 1A (A♭ Minor)
Adjacent Keys: 12B (E Major), 2B (F♯
Major)
Additional Keys: 3B (D♭ Major),
11B (A Major)
Example Transition:
Current Track: 1B (B Major)
Next Track Options: 1A (A♭ Minor),
12B (E Major), 2B (F♯ Major), 3B (D♭
Major), 11B (A Major)
Key "2A" (E♭ Minor)
Relative Major: 2B (F♯ Major)
Adjacent Keys: 1A (A♭ Minor), 3A
(B♭ Minor)
Additional Keys: 4A (F Minor), 12A
(D♭ Minor)
Example Transition:
Current Track: 2A (E♭ Minor)
Next Track Options: 2B (F♯ Major),
1A (A♭ Minor), 3A (B♭ Minor), 4A (F
Minor), 12A (D♭ Minor)
Key "2B" (F♯ Major)
Relative Minor: 2A (E♭ Minor)
Adjacent Keys: 1B (B Major), 3B
(D♭ Major)
Additional Keys: 4B (A♭ Major),
12B (E Major)
Example Transition:
Current Track: 2B (F♯ Major)
Next Track Options: 2A (E♭ Minor),
1B (B Major), 3B (D♭ Major), 4B
(A♭ Major), 12B (E Major)
Key "3A" (B♭ Minor)
Relative Major: 3B (D♭ Major)
Adjacent Keys: 2A (E♭ Minor), 4A (F
Minor)
Additional Keys: 5A (C Minor), 1A
(A♭ Minor)
Example Transition:
Current Track: 3A (B♭ Minor)
Next Track Options: 3B (D♭ Major),
2A (E♭ Minor), 4A (F Minor), 5A (C
Minor), 1A (A♭ Minor)
Key "3B" (D♭ Major)
Relative Minor: 3A (B♭ Minor)
Adjacent Keys: 2B (F♯ Major), 4B
(A♭ Major)
Additional Keys: 5B (E♭ Major), 1B
(B Major)
Example Transition:
Current Track: 3B (D♭ Major)
Next Track Options: 3A (B♭ Minor),
2B (F♯ Major), 4B (A♭ Major), 5B
(E♭ Major), 1B (B Major)
Key "4A" (F Minor)
Relative Major: 4B (A♭ Major)
Adjacent Keys: 3A (B♭ Minor), 5A
(C Minor)
Additional Keys: 6A (G Minor), 2A
(E♭ Minor)
Example Transition:
Current Track: 4A (F Minor)
Next Track Options: 4B (A♭ Major),
3A (B♭ Minor), 5A (C Minor), 6A (G
Minor), 2A (E♭ Minor)
Key "4B" (A♭ Major)
Relative Minor: 4A (F Minor)
Adjacent Keys: 3B (D♭ Major), 5B
(E♭ Major)
Additional Keys: 6B (B♭ Major), 2B
(F♯ Major)
Example Transition:
Current Track: 4B (A♭ Major)
Next Track Options: 4A (F Minor),
3B (D♭ Major), 5B (E♭ Major), 6B
(B♭ Major), 2B (F♯ Major)
Key "5A" (C Minor)
Relative Major: 5B (E♭ Major)
Adjacent Keys: 4A (F Minor), 6A (G
Minor)
Additional Keys: 7A (D Minor), 3A
(B♭ Minor)
Example Transition:
Current Track: 5A (C Minor)
Next Track Options: 5B (E♭ Major),
4A (F Minor), 6A (G Minor), 7A (D
Minor), 3A (B♭ Minor)
Key "5B" (E♭ Major)
Relative Minor: 5A (C Minor)
Adjacent Keys: 4B (A♭ Major), 6B
(B♭ Major)
Additional Keys: 7B (F Major), 3B
(D♭ Major)
Example Transition:
Current Track: 5B (E♭ Major)
Next Track Options: 5A (C Minor),
4B (A♭ Major), 6B (B♭ Major), 7B (F
Major), 3B (D♭ Major)
Key "6A" (G Minor)
Relative Major: 6B (B♭ Major)
Adjacent Keys: 5A (C Minor), 7A (D
Minor)
Additional Keys: 8A (A Minor), 4A (F
Minor)
Example Transition:
Current Track: 6A (G Minor)
Next Track Options: 6B (B♭ Major),
5A (C Minor), 7A (D Minor), 8A (A
Minor), 4A (F Minor)
Key "6B" (B♭ Major)
Relative Minor: 6A (G Minor)
Adjacent Keys: 5B (E♭ Major), 7B (F
Major)
Additional Keys: 8B (C Major), 4B
(A♭ Major)
Example Transition:
Current Track: 6B (B♭ Major)
Next Track Options: 6A (G Minor),
5B (E♭ Major), 7B (F Major), 8B (C
Major), 4B (A♭ Major)
Key "7A" (D Minor)
Relative Major: 7B (F Major)
Adjacent Keys: 6A (G Minor), 8A (A
Minor)
Additional Keys: 9A (E Minor), 5A (C
Minor)
Example Transition:
Current Track: 7A (D Minor)
Next Track Options: 7B (F Major), 6A
(G Minor), 8A (A Minor), 9A (E
Minor), 5A (C Minor)
Key "7B" (F Major)
Relative Minor: 7A (D Minor)
Adjacent Keys: 6B (B♭ Major), 8B
(C Major)
Additional Keys: 9B (G Major), 5B
(E♭ Major)
Example Transition:
Current Track: 7B (F Major)
Next Track Options: 7A (D Minor),
6B (B♭ Major), 8B (C Major), 9B (G
Major), 5B (E♭ Major)
Key "8A" (A Minor)
Relative Major: 8B (C Major)
Adjacent Keys: 7A (D Minor), 9A (E
Minor)
Additional Keys: 10A (B Minor), 6A
(G Minor)
Example Transition:
Current Track: 8A (A Minor)
Next Track Options: 8B (C Major), 7A
(D Minor), 9A (E Minor), 10A (B
Minor), 6A (G Minor)
Key "8B" (C Major)
Relative Minor: 8A (A Minor)
Adjacent Keys: 7B (F Major), 9B (G
Major)
Additional Keys: 10B (D Major), 6B
(B♭ Major)
Example Transition:
Current Track: 8B (C Major)
Next Track Options: 8A (A Minor),
7B (F Major), 9B (G Major), 10B (D
Major), 6B (B♭ Major)
Key "9A" (E Minor)
Relative Major: 9B (G Major)
Adjacent Keys: 8A (A Minor), 10A (B
Minor)
Additional Keys: 11A (F♯ Minor), 7A
(D Minor)
Example Transition:
Current Track: 9A (E Minor)
Next Track Options: 9B (G Major),
8A (A Minor), 10A (B Minor), 11A (F♯
Minor), 7A (D Minor)
Key "9B" (G Major)
Relative Minor: 9A (E Minor)
Adjacent Keys: 8B (C Major), 10B (D
Major)
Additional Keys: 11B (A Major), 7B
(F Major)
Example Transition:
Current Track: 9B (G Major)
Next Track Options: 9A (E Minor),
8B (C Major), 10B (D Major), 11B (A
Major), 7B (F Major)
Key "10A" (B Minor)
Relative Major: 10B (D Major)
Adjacent Keys: 9A (E Minor), 11A (F♯
Minor)
Additional Keys: 12A (D♭ Minor),
8A (A Minor)
Example Transition:
Current Track: 10A (B Minor)
Next Track Options: 10B (D Major),
9A (E Minor), 11A (F♯ Minor), 12A
(D♭ Minor), 8A (A Minor)
Key "10B" (D Major)
Relative Minor: 10A (B Minor)
Adjacent Keys: 9B (G Major), 11B (A
Major)
Additional Keys: 12B (E Major), 8B
(C Major)
Example Transition:
Current Track: 10B (D Major)
Next Track Options: 10A (B Minor),
9B (G Major), 11B (A Major), 12B (E
Major), 8B (C Major)
Key "11A" (F♯ Minor)
Relative Major: 11B (A Major)
Adjacent Keys: 10A (B Minor), 12A
(D♭ Minor)
Additional Keys: 1A (A♭ Minor), 9A
(E Minor)
Example Transition:
Current Track: 11A (F♯ Minor)
Next Track Options: 11B (A Major),
10A (B Minor), 12A (D♭ Minor), 1A
(A♭ Minor), 9A (E Minor)
Key "11B" (A Major)
Relative Minor: 11A (F♯ Minor)
Adjacent Keys: 10B (D Major), 12B
(E Major)
Additional Keys: 1B (B Major), 9B (G
Major)
Example Transition:
Current Track: 11B (A Major)
Next Track Options: 11A (F♯ Minor),
10B (D Major), 12B (E Major), 1B (B
Major), 9B (G Major)
Key "12A" (D♭ Minor)
Relative Major: 12B (E Major)
Adjacent Keys: 11A (F♯ Minor), 1A
(A♭ Minor)
Additional Keys: 2A (E♭ Minor),
10A (B Minor)
Example Transition:
Current Track: 12A (D♭ Minor)
Next Track Options: 12B (E Major),
11A (F♯ Minor), 1A (A♭ Minor), 2A
(E♭ Minor), 10A (B Minor)
Key "12B" (E Major)
Relative Minor: 12A (D♭ Minor)
Adjacent Keys: 11B (A Major), 1B (B
Major)
Additional Keys: 2B (F♯ Major), 10B
(D Major)
Example Transition:
Current Track: 12B (E Major)
Next Track Options: 12A (D♭
Minor), 11B (A Major), 1B (B Major),
2B (F♯ Major), 10B (D Major)
Summary
By understanding the relationships
between these keys and using the DJ
Key Mixing Strip, you can ensure
smooth, harmonically compatible
transitions in your sets. The strip
visually represents these
relationships, making it easier for DJs
to select the next track without deep
music theory knowledge.
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Ferdinand Van Wijnen's DJ Key
Mixing Strip Guide
Introduction
Harmonic mixing is a technique used
by DJs to ensure smooth transitions
between tracks by matching their key
compatibility. Ferdinand Van
Wijnen's DJ Key Mixing Strip provides
a visual tool to simplify this process.
This guide explains the logic behind
the strip and provides practical
examples for each key.
Key Compatibility Concepts
Circle of Fifths
The Circle of Fifths is a visual
representation of the relationship
among the 12 tones of the chromatic
scale, their corresponding key
signatures, and the associated major
and minor keys. Keys next to each
other on the circle are harmonically
related.
Camelot Wheel
The Camelot Wheel is a simplified
adaptation of the Circle of Fifths
used by DJs. It uses alphanumeric
codes to denote keys (e.g., 8A for A
minor, 8B for C major). This wheel
makes it easier to identify
compatible keys for mixing.
Key Compatibility Rules
1. Same Number, Different Letter
(Major and Minor of the Same
Root):
Keys with the same number but
different letters (e.g., 8A and 8B)
are compatible because they are
the relative major and minor of
each other.
2. Adjacent Keys on the Camelot
Wheel:
Keys that are next to each other
on the Camelot Wheel (e.g., 8A
and 9A or 8A and 7A) are
harmonically compatible. This is
because moving one step
clockwise or counterclockwise
corresponds to a key change by a
perfect fifth or a perfect fourth,
respectively.
3. Energy Boost or Reduction:
Moving clockwise on the Camelot
Wheel increases energy (e.g., 8A to
9A).
Moving counterclockwise
decreases energy (e.g., 8A to 7A).
4. Jumping to Parallel Modes:
Keys that are separated by one or
two steps can also be compatible,
especially if they involve changing
to a parallel mode or a relative
key.
Practical Examples for Each Key
Key "1A" (A♭ Minor)
Relative Major: 1B (B Major)
Adjacent Keys: 12A (D♭ Minor), 2A
(E♭ Minor)
Additional Keys: 3A (B♭ Minor),
11A (F♯ Minor)
Example Transition:
Current Track: 1A (A♭ Minor)
Next Track Options: 1B (B Major),
12A (D♭ Minor), 2A (E♭ Minor), 3A
(B♭ Minor), 11A (F♯ Minor)
Key "1B" (B Major)
Relative Minor: 1A (A♭ Minor)
Adjacent Keys: 12B (E Major), 2B (F♯
Major)
Additional Keys: 3B (D♭ Major),
11B (A Major)
Example Transition:
Current Track: 1B (B Major)
Next Track Options: 1A (A♭ Minor),
12B (E Major), 2B (F♯ Major), 3B (D♭
Major), 11B (A Major)
Key "2A" (E♭ Minor)
Relative Major: 2B (F♯ Major)
Adjacent Keys: 1A (A♭ Minor), 3A
(B♭ Minor)
Additional Keys: 4A (F Minor), 12A
(D♭ Minor)
Example Transition:
Current Track: 2A (E♭ Minor)
Next Track Options: 2B (F♯ Major),
1A (A♭ Minor), 3A (B♭ Minor), 4A (F
Minor), 12A (D♭ Minor)
Key "2B" (F♯ Major)
Relative Minor: 2A (E♭ Minor)
Adjacent Keys: 1B (B Major), 3B
(D♭ Major)
Additional Keys: 4B (A♭ Major),
12B (E Major)
Example Transition:
Current Track: 2B (F♯ Major)
Next Track Options: 2A (E♭ Minor),
1B (B Major), 3B (D♭ Major), 4B
(A♭ Major), 12B (E Major)
Key "3A" (B♭ Minor)
Relative Major: 3B (D♭ Major)
Adjacent Keys: 2A (E♭ Minor), 4A (F
Minor)
Additional Keys: 5A (C Minor), 1A
(A♭ Minor)
Example Transition:
Current Track: 3A (B♭ Minor)
Next Track Options: 3B (D♭ Major),
2A (E♭ Minor), 4A (F Minor), 5A (C
Minor), 1A (A♭ Minor)
Key "3B" (D♭ Major)
Relative Minor: 3A (B♭ Minor)
Adjacent Keys: 2B (F♯ Major), 4B
(A♭ Major)
Additional Keys: 5B (E♭ Major), 1B
(B Major)
Example Transition:
Current Track: 3B (D♭ Major)
Next Track Options: 3A (B♭ Minor),
2B (F♯ Major), 4B (A♭ Major), 5B
(E♭ Major), 1B (B Major)
Key "4A" (F Minor)
Relative Major: 4B (A♭ Major)
Adjacent Keys: 3A (B♭ Minor), 5A
(C Minor)
Additional Keys: 6A (G Minor), 2A
(E♭ Minor)
Example Transition:
Current Track: 4A (F Minor)
Next Track Options: 4B (A♭ Major),
3A (B♭ Minor), 5A (C Minor), 6A (G
Minor), 2A (E♭ Minor)
Key "4B" (A♭ Major)
Relative Minor: 4A (F Minor)
Adjacent Keys: 3B (D♭ Major), 5B
(E♭ Major)
Additional Keys: 6B (B♭ Major), 2B
(F♯ Major)
Example Transition:
Current Track: 4B (A♭ Major)
Next Track Options: 4A (F Minor),
3B (D♭ Major), 5B (E♭ Major), 6B
(B♭ Major), 2B (F♯ Major)
Key "5A" (C Minor)
Relative Major: 5B (E♭ Major)
Adjacent Keys: 4A (F Minor), 6A (G
Minor)
Additional Keys: 7A (D Minor), 3A
(B♭ Minor)
Example Transition:
Current Track: 5A (C Minor)
Next Track Options: 5B (E♭ Major),
4A (F Minor), 6A (G Minor), 7A (D
Minor), 3A (B♭ Minor)
Key "5B" (E♭ Major)
Relative Minor: 5A (C Minor)
Adjacent Keys: 4B (A♭ Major), 6B
(B♭ Major)
Additional Keys: 7B (F Major), 3B
(D♭ Major)
Example Transition:
Current Track: 5B (E♭ Major)
Next Track Options: 5A (C Minor),
4B (A♭ Major), 6B (B♭ Major), 7B (F
Major), 3B (D♭ Major)
Key "6A" (G Minor)
Relative Major: 6B (B♭ Major)
Adjacent Keys: 5A (C Minor), 7A (D
Minor)
Additional Keys: 8A (A Minor), 4A (F
Minor)
Example Transition:
Current Track: 6A (G Minor)
Next Track Options: 6B (B♭ Major),
5A (C Minor), 7A (D Minor), 8A (A
Minor), 4A (F Minor)
Key "6B" (B♭ Major)
Relative Minor: 6A (G Minor)
Adjacent Keys: 5B (E♭ Major), 7B (F
Major)
Additional Keys: 8B (C Major), 4B
(A♭ Major)
Example Transition:
Current Track: 6B (B♭ Major)
Next Track Options: 6A (G Minor),
5B (E♭ Major), 7B (F Major), 8B (C
Major), 4B (A♭ Major)
Key "7A" (D Minor)
Relative Major: 7B (F Major)
Adjacent Keys: 6A (G Minor), 8A (A
Minor)
Additional Keys: 9A (E Minor), 5A (C
Minor)
Example Transition:
Current Track: 7A (D Minor)
Next Track Options: 7B (F Major), 6A
(G Minor), 8A (A Minor), 9A (E
Minor), 5A (C Minor)
Key "7B" (F Major)
Relative Minor: 7A (D Minor)
Adjacent Keys: 6B (B♭ Major), 8B
(C Major)
Additional Keys: 9B (G Major), 5B
(E♭ Major)
Example Transition:
Current Track: 7B (F Major)
Next Track Options: 7A (D Minor),
6B (B♭ Major), 8B (C Major), 9B (G
Major), 5B (E♭ Major)
Key "8A" (A Minor)
Relative Major: 8B (C Major)
Adjacent Keys: 7A (D Minor), 9A (E
Minor)
Additional Keys: 10A (B Minor), 6A
(G Minor)
Example Transition:
Current Track: 8A (A Minor)
Next Track Options: 8B (C Major), 7A
(D Minor), 9A (E Minor), 10A (B
Minor), 6A (G Minor)
Key "8B" (C Major)
Relative Minor: 8A (A Minor)
Adjacent Keys: 7B (F Major), 9B (G
Major)
Additional Keys: 10B (D Major), 6B
(B♭ Major)
Example Transition:
Current Track: 8B (C Major)
Next Track Options: 8A (A Minor),
7B (F Major), 9B (G Major), 10B (D
Major), 6B (B♭ Major)
Key "9A" (E Minor)
Relative Major: 9B (G Major)
Adjacent Keys: 8A (A Minor), 10A (B
Minor)
Additional Keys: 11A (F♯ Minor), 7A
(D Minor)
Example Transition:
Current Track: 9A (E Minor)
Next Track Options: 9B (G Major),
8A (A Minor), 10A (B Minor), 11A (F♯
Minor), 7A (D Minor)
Key "9B" (G Major)
Relative Minor: 9A (E Minor)
Adjacent Keys: 8B (C Major), 10B (D
Major)
Additional Keys: 11B (A Major), 7B
(F Major)
Example Transition:
Current Track: 9B (G Major)
Next Track Options: 9A (E Minor),
8B (C Major), 10B (D Major), 11B (A
Major), 7B (F Major)
Key "10A" (B Minor)
Relative Major: 10B (D Major)
Adjacent Keys: 9A (E Minor), 11A (F♯
Minor)
Additional Keys: 12A (D♭ Minor),
8A (A Minor)
Example Transition:
Current Track: 10A (B Minor)
Next Track Options: 10B (D Major),
9A (E Minor), 11A (F♯ Minor), 12A
(D♭ Minor), 8A (A Minor)
Key "10B" (D Major)
Relative Minor: 10A (B Minor)
Adjacent Keys: 9B (G Major), 11B (A
Major)
Additional Keys: 12B (E Major), 8B
(C Major)
Example Transition:
Current Track: 10B (D Major)
Next Track Options: 10A (B Minor),
9B (G Major), 11B (A Major), 12B (E
Major), 8B (C Major)
Key "11A" (F♯ Minor)
Relative Major: 11B (A Major)
Adjacent Keys: 10A (B Minor), 12A
(D♭ Minor)
Additional Keys: 1A (A♭ Minor), 9A
(E Minor)
Example Transition:
Current Track: 11A (F♯ Minor)
Next Track Options: 11B (A Major),
10A (B Minor), 12A (D♭ Minor), 1A
(A♭ Minor), 9A (E Minor)
Key "11B" (A Major)
Relative Minor: 11A (F♯ Minor)
Adjacent Keys: 10B (D Major), 12B
(E Major)
Additional Keys: 1B (B Major), 9B (G
Major)
Example Transition:
Current Track: 11B (A Major)
Next Track Options: 11A (F♯ Minor),
10B (D Major), 12B (E Major), 1B (B
Major), 9B (G Major)
Key "12A" (D♭ Minor)
Relative Major: 12B (E Major)
Adjacent Keys: 11A (F♯ Minor), 1A
(A♭ Minor)
Additional Keys: 2A (E♭ Minor),
10A (B Minor)
Example Transition:
Current Track: 12A (D♭ Minor)
Next Track Options: 12B (E Major),
11A (F♯ Minor), 1A (A♭ Minor), 2A
(E♭ Minor), 10A (B Minor)
Key "12B" (E Major)
Relative Minor: 12A (D♭ Minor)
Adjacent Keys: 11B (A Major), 1B (B
Major)
Additional Keys: 2B (F♯ Major), 10B
(D Major)
Example Transition:
Current Track: 12B (E Major)
Next Track Options: 12A (D♭
Minor), 11B (A Major), 1B (B Major),
2B (F♯ Major), 10B (D Major)
Summary
By understanding the relationships
between these keys and using the DJ
Key Mixing Strip, you can ensure
smooth, harmonically compatible
transitions in your sets. The strip
visually represents these
relationships, making it easier for DJs
to select the next track without deep
music theory knowledge.
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