Issues and Challenges in Emerging Literature
Issues and Challenges in Emerging Literature
This issue talks about how literature is connected to language and national identity. In
many countries, literature is written in the national language and reflects the culture and
values of that nation. Language is an important part of forming a national identity, and
literature often helps express and shape this identity.
Literature often represents the language of a specific country, and that language
becomes a way to connect people in the same nation. Literature uses the national
language to tell stories, share ideas, and build a sense of belonging to a community.
2. Gellner, E. (1983). Nations and Nationalism Gellner talks about how national
identity depends on having a common language. Literature is a way of sharing
that language, so it becomes a key part of how people form a national
community.
3. Said, E. W. (1978). Orientalism Said shows how Western writers used language
to create an image of the East as different and inferior. This shows how literature
can build national identities by using language to define "us" versus "them."
5. Levinas, E. (2000). Ethics of the Neighbor Levinas talks about how language is a
way people connect with each other. In literature, language is not just for telling
stories but also for defining who belongs to a group or nation.
The connection between literature, language, and national identity can have some
negative effects on new literature, especially for writers from different backgrounds.
When literature is tied strongly to a specific language and national identity, writers may
feel they must write in that language and focus on national topics. This can limit their
creativity and stop them from writing about ideas that go beyond their country. Writers
may feel pressured to follow certain traditions or themes, which can hold them back
from exploring new ideas or different styles.
In countries with many languages and cultures, national literature often focuses on the
main group, leaving out others. Writers from smaller groups or those who speak
different languages may struggle to have their work recognized. Their stories might not
fit into the national identity, and they might have trouble finding an audience. This can
make literature less inclusive and leave important voices unheard.
New literature that is tied to a specific language or country may also have a hard time
being known around the world. If writers are expected to use one language or follow
national traditions, people in other countries may not understand or appreciate their
work. This can limit their chances to reach a wider audience and make their work known
outside their own country.
Also, literature that connects national identity to language can sometimes create
stereotypes. National literature might show only one side of a culture, which can lead
people to misunderstand it. This is especially true when the national identity is shaped
by one main historical story, leaving out other views. In this way, focusing too much on
language and national identity can stop new voices from growing and make literature
less diverse.
This issue is about how literature is no longer only tied to one language or culture. As
the world becomes more connected, literature is also changing. Today, many literary
works use more than one language and mix different cultural influences. This is what we
call "polyglot" literature.
Globalization means that people, cultures, and ideas are mixing more than ever before.
Literature reflects this change by including different languages and cultural ideas.
Writers today may use several languages or references from different countries in their
works.
2. Apter, E. (2006). The Translation Zone Apter explains the idea of a "translation
zone," where different languages and cultures mix. This shows how literature
today is influenced by many languages and cultures, making it polyglot.
3. Damrosch, D. (2003). What Is World Literature? Damrosch talks about "world
literature," which includes works that come from different parts of the world. This
shows how globalization is making literature less about one country and more
about a global exchange of ideas.
5. Casanova, P. (2004). The World Republic of Letters Casanova talks about how
literature is now part of a global system, with works from many different
languages circulating around the world. This shows how literature is globalizing
and becoming more polyglot.
The globalization of literature and the use of many languages in one text can bring
both benefits and problems for new literature. One problem is the loss of cultural
identity. As literature becomes more global, some writers may feel forced to write in
several languages or include ideas from other cultures. This can make their own
culture and unique voice weaker, as they may focus more on blending in with global
trends than staying true to their roots.
Another issue is the difficulty of translating works that mix different languages. These
texts may have meanings and cultural references that are hard to translate. Some
parts of the original message may be lost or misunderstood when changed into
another language. This can make it harder for readers to understand and enjoy the
text in its true form.
Globalization can also create unequal chances for different languages and cultures.
Some languages are more widely recognized and celebrated around the world, while
others struggle to be seen. This makes it harder for writers from less-known
languages to get attention and have their work shared globally. As a result, the world
may only hear from certain voices, and many new and diverse ideas may be
ignored.
Lastly, the focus on making money in the global market can also affect new writers.
Writers may be encouraged to write what is popular and sells well, rather than
staying true to their own culture and unique ideas. This pressure to focus on global
tastes may limit their creativity and make their work feel less personal or original.
While globalization brings new opportunities, it also creates challenges that can
affect the growth of new and diverse literature.