Jamie Arthur Pickup

&
The Matrix Decoded:418
Presents
 THE HOLY CITY OF WELLS

Contents

1. The Water of Life .............................................................. 4

2. Twelve Disciples .............................................................. 9
3. The Shining City ............................................................. 10
4. The Garden ................................................................... 11
5. The Holy City of Wells .................................................... 12
6. The Nave ....................................................................... 15
7. The Master Builder ......................................................... 18
8. Thy Pillars and Arches .................................................... 20
9. The Thalamus of Thelema .............................................. 22
10. The Sun of Man .............................................................. 25
11. The Fishers of Men ......................................................... 27
12. The Vesica Piscis ........................................................... 29
13. New Jerusalem .............................................................. 35
14. Revelation 21:15-21 ....................................................... 36
15. Twin Tower Tuning .......................................................... 37
16. The Spear of Destiny ...................................................... 41
17. The Holy Chalice ........................................................... 43
18. The Eye ......................................................................... 45
19. The Holy Grail ................................................................ 46
20. The Crystal Christ .......................................................... 48

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21. A Masons Architecture ................................................... 50

22. Measure the City............................................................ 54
23. Your Call to Wisdom....................................................... 54
24. Ezekiel’s Vision & The Measuring Rod .............................. 56
25. Ezekiel: The New Temple ................................................ 60
26. Revelation 13:18 ............................................................ 62
27. The Kiss of Venus ........................................................... 63
28. Movement ..................................................................... 66
29. The Pentagram .............................................................. 67
30. Orbital Geometry ........................................................... 68
31. The Rose of Venus ......................................................... 74
32. The Lady in Waiting ........................................................ 76
33. The Holy City of Winchester ............................................ 79
34. Measuring the Holy City of Wells ..................................... 80

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1. The Water of Life

Revelation 22:
“A river of the water of life that flows down the middle of the great ‘street’ of THE
city from the Throne of God. The tree of life grows in the middle of the ‘street’
and to both sides of the river. The tree bears twelve (kinds of) fruit and yields its
fruit every month”.

Painted by landscape artist Alfred Robert Quinton for the Sevenoaks based
publishing and printing company J. Salmon, and reproduced as a local view
postcard. Published between 1912 and 1919 Date: 1910s

The Market Cross Fountain: The Holy City of Wells

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The Great City and Throne of God: The paragraph previously quoted is from
Revelation 22, and it speaks in allegory, in multidimensional ways. Firstly, of the
physical city, but it also speaks of the inner city, the ‘Temple in Man’, and the
‘Throne of God’, with you sat at the High Altar.

The 12 cranial nerves are seated around the true ‘Throne of God’, your very
powerful supercomputer of a brain, the Pineal Gland, Pituitary Gland,
Thalamus, Medulla Oblongata (Oblon-Gotha / Golgotha = Skull) and spinal
cord, the ‘Crystal Palace’, an allegory that I’m sure many of you are already
aware of. The ‘secret’ of the sacred secretion (Secret Santa = Secret Sanskrit
Knowledge) which is basically the alchemical process that the human body
undergoes each month, the fruit that it yields.

https://medium.com/@davidspradlin_78218/the-secret-of-secrets-the-
sacred-secretion-d0beaefba2e0

A river of the water of life

that flows down the
middle of the great ‘street’
of the city from the Throne
of God.
The tree of life grows in the
middle of the ‘street’.

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The Crystal Palace, also known as the Ajna Chakra or the third eye, has its roots
in ancient spiritual practices. Dating back to ancient Eastern traditions, this
concept has been associated with spiritual enlightenment and expanded
consciousness. The notion of a Crystal Palace was initially mentioned in
ancient Indian texts and later found its way into various belief systems across
cultures.

In ancient India, the Crystal Palace was described as a sacred abode of divine
wisdom, a place where seekers could access higher realms of knowledge and
insight. It was believed to be a gateway to inner realms and a source of spiritual
guidance. The Crystal Palace was often depicted as a magnificent structure,
adorned with intricate carvings and shimmering with radiant light.

As the concept of the Crystal Palace spread to other cultures, it took on

different forms and interpretations. In some traditions, it was seen as a
metaphorical representation of the mind, a place where thoughts and
perceptions are transformed and elevated. In others, it was viewed as a
spiritual centre, a focal point for meditation and inner exploration.

https://www.aurahealth.io/blog/the-crystal-palace-in-meditation

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Darkness activates the deepest centres within the brain, the glands of the
Crystal Palace establishing a connection with the Original Source.

Such allegories are multidimensional, as above, so below, as within, so

without. We have the sacred secretion through the spine, to the pineal, the 12
cranial nerves, which can be told through the story of the Tree of Life and the
fruit it bears, the land of Milk and Honey, Golgotha and the Crystal Palace of the
Skull - apply this to a Cathedral and you will start to construct ‘New Jerusalem’
- both within and without. It is the ‘Temple in Man’.

Wells Cathedral is constructed to depict the Temple in Man laid out as a

blueprint, it is the Holy City that you can also construct within your own mind
(mind over matter - focus), and the sacred springs at the back of Wells
Cathedral are part of the sacred secretion, or the ‘river of the water of life’ that
flows down the middle of the ‘great street’ (spinal cord). Wells Cathedral and
the City of Wells has been separated from its counterparts, Glastonbury and
‘Street’, but together, I feel like they may create one bigger picture with their
surrounding areas.

The Temple in Man Blueprint of Wells Cathedral.

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The Kabbalah Tree of Life laid over the floor plan of Temple Church, London

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2. Twelve Disciples
We have the 12 cranial nerves, the 12 Tribes of Israel, the 12 signs of the Zodiac,
the 12 Disciples, the 12 Gates of New Jerusalem and the number 12 is the
square root of number 144 (144,000), hence why John Michell presented the 12
Hides of Glaston = 1440 acres. Or we can look at two of the previous ‘Holy
Cities’, the Old City of Jerusalem and the rectangular al-Aqsa Mosque and its
precincts cover 14.4 hectares (36 acres). From there the Knights Templar
decided to bring ‘New Jerusalem’ to England, and the story of ‘King Arthur’ and
his original 12 Knights of the Round Table would be recreated as the legends of
Arthur before it, and Winchester would become home of the Round Table.
Winchester was first recorded as having an area of 144 acres. How many times
have these allegories been recycled?

Dimensions of Paradise by John Michell. Imagery by Doug Krieger.

Considering the Lady Chapel of Wells Cathedral has a grid of 144 squares, and
St Michael’s Tower that is located on top of Glastonbury Tor, also has 4 inner

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walls that measure 144 inches in width, we have a strong ‘foundation’ stone to
build upon.

NIV: The angel measured the wall using human measurement, and it was 144
cubits thick.

3. The Shining City

Glastonbury Tor and St Michael’s Tower appears to be the ’Shining City on a
Hill’, either that, or an older version of it, and directly above it is the ‘Celestial
City’, the ‘New Jerusalem’, Arthur’s Round Table and the Great Hall of the
Gods.

St Michael’s Tower was restored by Richard Colt Hoare of Stourhead in the year
1804.

Each wall of St Michael’s Tower atop Glastonbury Tor is 144 inches in width,
meaning each wall is also 365.76 cm, and this is done with the wheel of the year
in mind, the 365 days.

If you would like a better understanding of the coding of Glastonbury Tor, you
can download my free book, Navicula: Argo Navis the Arc of Navigation, from
the link below.

https://drive.google.com/file/d/1S6mR_L_XLbf8GzZQIlZ5ErdYoA_6SHbh/view
?usp=sharing

New Jerusalem: There are two Gardens of Eden and two Promised Lands: the
heavenly invisible one and the earthly visible one that is a copy of the heavenly
invisible one. Macrocosm and Microcosm.

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Artistic representations of the New Jerusalem coming down from the Heavens

https://en.wikipedia.org/wiki/New_Jerusalem
It’s good to note that the Garden of Eden could easily be considered the Garden of Oden

4. The Garden
Garden, Gardyn, Gardin - Gar - Den - E - Den - Dyn, Din, Dun and Don all have
similar meanings, associated with ‘hill forts’, or ‘fortresses’ - Dundee,
Dunfermline or more importantly, the one place people always call ‘New
Jerusalem and Eden’ - E-Din-Burgh, which takes its name from similar roots as
Edin’s Hall Broch, which means Odin’s Hall Broch. The Great Hall of the Gods,
or Gododdin: Yr Hen Ogledd.

https://en.wikipedia.org/wiki/Edin's_Hall_Broch

Looking deeper into the Etymology of Edinburgh, it also has the word ‘Broch’
hidden within it, with the word ‘Burgh’, associated with words such as Borough,
and Brough and the Norse word ‘Burg’, which in turn are associated with the
word ‘Broch’, as in Edin’s Hall Broch - Edinburgh Castle, or Odin’s Castle, is
located atop a mountainous hill.

The Cull of Oden and the Battle of Culloden.

Burg-h - the word ‘Burg’ can both refer to a castle as such. Or it can refer to a
fortified settlement, a settlement on a hill or mountain, a hill fort.

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Present-day Edinburgh was the location of Din Eidyn, a dun or hillfort

associated with the kingdom of the Gododdin = God Odin and the Votadini tribe
of ‘Votan’, who is ‘Wotan’, or ‘Woden’ - there are many names for the God Oden
(Odense, Denmark = Odin’s Sanctuary).

Having said that, the Garden of Odin makes more sense, especially when the
Norsemen have their own ‘Adam and Eve’ and ‘Tree of Life’ story with Líf and
Lífþrasir.

https://en.wikipedia.org/wiki/L%C3%ADf_and_L%C3%ADf%C3%BErasir

5. The Holy City of Wells

New Jerusalem and the
Holy City of Wells: A
couple of weeks ago we
had the opportunity to
return to Wells
Cathedral and carry out
some more work on the
dimensions encoded
within the architecture of
the Cathedral. I’ve
slowly been chipping
away at Wells Cathedral
for about a year now and
it is really starting to
reveal itself to me, it’s
becoming a true
‘revelation’.

Wells Cathedral has a width of 66 ft, which is equal to 792 inches, that provides
the diameter of Earth and Musical Note B8 with the frequency of 7902.133 Hz -
Earth Measure = Earth Frequencies (Geometry).

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Personally, I believe ‘if’ we were to get specific, Wells Cathedral would be just
shy of 66 ft, just as New Jerusalem is just shy of 66 metres; “The city's wall is
144 cubits thick, which is about 216 feet or almost 66 metres”.

However, I’m also aware that the Earth measurement of 7920 miles that is
encoded in the width of Wells Cathedral (66 ft) on a more micro scale, can also
be found encoded in various other parts of the Cathedral, which I will explain
as I go. As well as that, New Jerusalem also encodes the measurement of
12,000 furlongs, or 7,920,000 ft, so it is most definitely relevant. The width of 66
ft = 792 inches is based on ‘true architecture’, meaning this is based on two
things, the Great Circle and the Arctic Circle. This is ‘G-eometry’, which literally
means ‘Earth measure’ or ‘Land measure’. The same relationship between
numbers 66 and 792 can be found with the ‘Astronomical Clock’ of Lyon
Cathedral, which is ‘reset’ every 66 years, and that is equal to 792 months.
Lyons Astronomical Clock
was attacked by a man on
March 23rd, 2013. Between
March 23rd, 2013, and March
23rd, 2024, there are 4018
days between dates. There
are also 4044 days between
23/3/2013 and 18/4/2024.

Lyon Cathedral is also known

as Cathédrale Saint-Jean-
Baptiste de Lyon, and the
Cathedral was consecrated
in the year 1480. The
cathedrals organ was built by
Daublaine and Callinet and
was installed in 1841.
Cathédrale Saint-Jean-Baptiste de Lyon (1480).
The Astronomical Clock

However, the big event of 2024 is the third and final Great American Eclipse
which is due to take place on April 8th, 2024.

https://www.greatamericaneclipse.com/

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The 2024 Great American Eclipse.

Crossroads converging over Carbondale, Illinois.

There are 576 weeks between March 23rd, 2013, and April 8th, 2024.

576 weeks is the equivalent of 5,810,400 minutes.

Glastonbury Tor has coordinates of 51° 8′ 40″ N and inner walls that measure
144 inches in width x 4 walls = 576 perimeter (The Round Table / Sky Clock).

Lyon’s Astronomical Clock will be ‘reset’ sometime this year, 2024.

https://en.wikipedia.org/wiki/Lyon_astronomical_clock

The 66 ft measurement is in relation to the Arctic and Antarctic Circles being at

66-degree coordinates, which provide them with 3960 minutes of Arc, and this
is part of the geometry that allows us to understand that Earth has a radius of
approximately 3960 miles, with a diameter of 7920 miles - this is the simple
Geometry of a circle (cycle/clock)

7920 miles diameter of Earth x 3.14 (pi) = 24,868.8 circumference

The measure of planet Earth has been encoded within the Architecture of Wells
Cathedral with a true purpose, and it is all based around astrological and
astronomical alignments such as the start of Pisces, or the Kiss of Venus.
Conjunctions such as the Great Conjunction of Saturn, Jupiter and Pluto on
December 21st, 2020, have traditionally been used for thousands of years to

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help keep track of ‘time’, with Venus being one of the oldest studied planets in
our night sky. Each planet acts as a cog within a greater system. Each planet
also has its own orbital resonance, which creates its own ‘Geometry’, therefore
creating a cosmic clock in the night sky.

https://en.wikipedia.org/wiki/Venus_tablet_of_Ammisaduqa

6. The Nave
The largest and most dominant part of every Cathedral, upon first impressions
at least, is always the Nave; more so at Wells Cathedral because as soon as
you enter the Nave you are met with a vision of the ‘Scissor Arch’ at the base of
the central tower (crossing), which is actually the symbol of the ‘Jesus Fish’ of
Pisces and the Vesica Piscis (Geometry).

The Holy City of Wells Cathedral: Nave & Scissor Arch

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Running down either side of the Nave are 20 arches in total, 2 of them have a
width of 280 cm, the other 18 however, all have a width of 330 cm.

330 cm is equal to 3.3 metres, 10.82 ft, or 3.6 yards.

18 Arches, each one with a width of 330 cm: Pisces is the final Zodiac sign of
the cycle (circle) starting mid-February, right after Noah’s Great Flood and the
allegory of Aquarius; this means that Pisces occupies the area of 330-degrees
- 360-degrees, hence the Arches being 330 cm, or 3.6 yards.

360-degrees = 1,296,000 Arcseconds and 21,600 Arcminutes.

Keep in mind that we get different results between Sidereal and Tropical
Astrology; Sidereal astrology accounts for the Earth's axial precession and
maintains the alignment between signs and constellations via corrective
systems known as ayanamsas (Sanskrit: 'ayana' "movement" + 'aṃśa'
"component"), whereas tropical astrology is based upon the seasonal cycle of
the Northern hemisphere and Arthur’s Round Table. Both are useful.

https://medium.com/@vinayakbhatt121/vedic-astrology-an-introduction-to-
the-science-of-light-7b4ed9e59c3

Quite often in stonemasonry we find two pillars either side of a structure, and
they will be topped with what appears to be two globes; one side is the Southern
Hemisphere and the other is the Northern Hemisphere; symbolically they also

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create the two circles of the Vesica Piscis (180 + 180 = 360). A circle of
1,296,000 Arcseconds x 2 = 2,592,000, producing the 25,920 year cycle, the
precession of the Equinox. This is also how we ‘square our circle’ at
Glastonbury Tor.

A 360-degree circle has a total of 1,296,000 Arc seconds.

Let’s say we had a circle with the diameter of 1,296 inches (The Round Table).
We take that diameter of the circle and divide it by 2 - 1296 ÷ 2 = 648. This
produces the radius of our circle. From there we ‘square’ the number 648.

648 x 648 = 1,318,498.56 - this produces

our ‘area’ and as you will find throughout
this decode, the number 1318 are very
relevant, they form part of ‘New
Jerusalem’, and this is the reason
Leonardo da Vinci’s Vitruvian Man has
dimensions of 13.5 inches x 9.6 inches =
129.6 inches, that’s his own version of
the ‘New Jerusalem’, the Temple in man.

Musical Note E6 = 1318.51 Hz

To put a square around the circle in a

literal manner; or to create a circle
inscribed in a square, we take the
diameter of the circle and multiply it by 4,
in this case it is 1296 inches to correlate
with the 1,296,000 seconds of a 360-
degree circle. This is known as ‘tangency
points’ of a circle.
The Vitruvian Man by Leonardo da Vinci
13.5 in × 9.6 in

1296 inches = 1 wall

1296 x 2 = 2592 = 2 walls
1296 x 3 = 3888 = 3 walls
1296 x 4 = 5184 = 4 walls

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It’s also worth noting that the final number found within the cellular structure
of a 9x9x9 cube, is number 8883 (1296 x 3 = 3888). Whilst the first number
produced from 9x9x9 = 729, a permutation of Earth’s diameter, 7920 miles.

7. The Master Builder

A circle with the diameter of 1296 inches would have a square perimeter of
5184 inches, creating 4 walls around the circle with 4 tangency points. The
tangency points would touch 0-degrees or 1296-degrees (North), 648-degrees
(W), 432-degrees (S) and 324-degrees (E).

Squaring the Circle with Tangency Points located N, E, S, W

This is how we try and build ‘New Jerusalem’, in fact, it how it has been built,
and this is why we find St Michael’s Tower on top of Glastonbury Tor with walls
that are 144 inches in width, at precise geographical coordinates of: 51° 8′ 40″
N.

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The coordinates system is based on the Sumerian/Summerton values of ‘time’,

created from 360-degrees, 60 minutes and 60 seconds, which is how we get
1,296,000 Arcseconds and 21,600 Arcminutes.

360 x 60 x 60 = 1,296,000 seconds of Arc in a 360-degree circle/cycle/clock.

St Michael’s Tower is formed by 3 cubes stacked on top of one another with

buttresses around the outer walls, meaning they would likely each have walls
of 144 inches each. Essentially, each cube would fold into the one below it to
form a ‘Tesseract’.

St Michael’s Tower and Glastonbury Tor, Somerset

144 x 4 walls = 576

576 x 3 cubes = 1728

We find number 1728 is produced, and this is because 144 inches is equal to
12 ft and 12 x 12 x 12 = 1728 and gives the dimensions of ‘New Jerusalem’ and
the ‘perfect cube’.

If you have a copy of ‘City of Revelation’ to hand, make comparisons, and you
will see that via these numbers we are starting to build ‘New Jerusalem’, only
this time, on top of Glastonbury Tor.

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8. Thy Pillars and Arches

Examples of artwork found in Freemasonry: designed to tell allegorical stories via the
use of symbolism.

The ‘keystone’ is the centre stone that provides strength and balance to the rest
of the structure, quite often depicted with the number 69.

The 330 cm arches and 330-degrees of Pisces is also found with the “death of
Jesus” at the age of 33, in 33 AD, on April 3rd. This is all based on astrotheology,
which is why we find April 3rd being the 93rd day of the year, and the ‘Sun’ is
said to be 93 million miles away in distance.

We also find Aleister Crowley and Thelema make use of the number 93, partly
for this reason I suspect, although, we are looking at this on a multidimensional
level, and in terms of Alchemy, Saturn has a Gematria value of 93, and being
responsible for bringing Spirit to Matter (Metatron’s Cube), Saturn is given the
symbol of the ‘Cross of Matter’ (♄). We find a very obvious ‘Cross of Matter’
symbol on the wall of one tower of Ely Cathedral, as soon as you walk in through
the entrance you are met with Saturn’s Cross of Matter, and on the floor below
it is a geometric design that creates a unicursal hexagram, a sigil, exactly the

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same as the one used by Aleister Crowley for his logo of ‘Thelema’. Therefore, I
would suggest this being a more useful route to explore.

https://en.wikipedia.org/wiki/Thelema#/media/File:Crowley_unicursal_hexagr
am.svg

Ely Cathedral & Labyrinth Symbol (left) & Saturn’s Cross of Matter (right)

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9. The Thalamus of Thelema

The Thalamus is a mostly grey matter structure of the diencephalon
responsible for the regulation of consciousness. The grey matter gets its grey
tone from a high concentration of neuronal cell bodies. Grey matter is an
essential part of both the brain and spinal cord. (Thelema = ‘the will of God’).

As for the alchemical side of Saturn, the planet is associated with the oldest of
metals, Lead, and this itself offers us many answers, because Lead is a ‘heavy
metal’ and is ‘metallic grey’, and as you can likely guess, this is where the
‘Heavy Metal’ band known as ‘Metallica’ makes a lot more sense. This is also
how we know there is no relationship between Saturn, Satan and Lucifer,
because Lucifer has nothing to do with Saturn; Lucifer is Phosphorus and
relative to Venus. It’s also how we know many ‘elite’ level members of ‘the club’
worship Saturn with good reason, because they understand and know how to
‘manifest’ within this material construct, hence them all ‘living their dreams’.
It’s not all evil, they just don’t want you to have it. They don’t want you to know
the power of ‘Metatron's Cube’, just in case you open ‘Pandora’s Box’.

Superficially oxidised lead nodules and a high purity (99.989 %) 1 cm3 lead cube for
comparison.

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Representations of Saturn’s Cube

“Symbolically, the box represents

the curiosity and desire for
knowledge that can lead to both
negative consequences and
positive outcomes. The evils inside
the box can be seen as the
challenges and difficulties of life,
while the hope represents the
optimism and resilience to
overcome those challenges”.

Opening Pandora’s Box

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The number 93 being relative to Saturn also makes sense when thinking in
terms of how Cathedrals are designed, not all, but many are cruciform. Many
cathedrals have at least a cruciform theme to them, and that means every
Cathedral, in terms of true geometry, creates the ‘Net’ of a ‘cube’, which is why
it is important to understand what Saturn’s Cube, or Metatron’s Cube really is,
and how it is used to effect in the practise of Kabbalah (Kaaba / Mecca).

One artist gave us a clear impression

of Jesus Christ on the Cross of Matter,
or the Cross of Saturn; Salvador Dali,
via his painting titled the ‘Crucifixion’
(Corpus Hypercubus). it depicts
Christ on a polyhedron net of a
tesseract (hypercube).

Crucifixion:
Corpus Hypercubus by Salvador Dali (1954)
https://en.wikipedia.org/wiki/Crucifixion_(Corpus_Hypercubus)

So, when looking at the various allegories that surrounded Jesus Christ, it is
best to open the mind and expand on what you already know, especially when
looking at what could be hidden in plain sight in our Cathedrals and Churches.

The 330 cm measurement, and the fact that Pisces starts at 330-degrees on the
‘Great Circle’, is important when looking at Wells Cathedral and the width of 66
ft, or 792 inches, because for similar reasons the logo of the United Nations

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(UN) shows Earth cut into 33 segments, with 33 days being equal to 792 hours.
We also find that Cathedrals such as the magnificent Palma Cathedral are built
to align on the 33rd day of the year to create what is known as the ‘Fiesta de la
Luz’, a light show, and each year on the 33rd day of the year, the Sun aligns
perfectly so that the inside of Palma Cathedral is lit up with a huge reflection of
the Rose Window.

10. The Sun of Man

18 Arches: there are 18 arches throughout the Nave of Wells Cathedral that
measure 330 cm in width; the number 18 itself has huge significance, mainly
for reasons that all involve Jesus, and the Sun, hence the 108 Sun salutations
in Hinduism.

This number also connects the Sun, Moon, and Earth: The average distance of
the Sun and the Moon to Earth is 108 times their respective diameters.

https://wanderlust.com/journal/108-number-unifies-big-picture-present-
moment/

It’s also worth noting that we recently visited Worcester Cathedral, founded in
1084, and went on to discover a ‘Zodiac Wheel’ hidden underneath a Moroccan
Rug at the High Altar. The Zodiac Wheel has a diameter of 108 inches and is
inscribed in a square that has walls measuring 108 inches each side, creating
the Tangency Points mentioned earlier on. This would mean the square has a
perimeter of 432 inches (432,000 Radius of the Sun)

Worcester Cathedral: The Zodiac Wheel measuring 108 inches in diameter.

Jesus = 18 Chaldean Gematria

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Christ = 18 Chaldean Gematria

18, Jesus, the Sun of Man: Astronomical Twilight begins in the morning, or ends
in the evening, when the geometric centre of the sun is 18 degrees below the
horizon.

180 - To begin with, from one side of the sky - or the horizon - all the way across
to the other horizon measures 180 degrees, or half a circle (cycle)

Christos (Χρήστος) = 1480 Greek Isopsephy Gematria

Bullseye: The highest score that can be achieved on a 360-degree circular

dartboard is a Triple 20 x 3 = 180. A standard dartboard has a diameter of 17.8
inches, which is equal to 1.48 ft (Christos 1480). The dartboard is no different
than King Arthur’s Round Table (Zodiac Wheel).

King Arthur’s Round Table located in Winchester Castle (left).

Winmau Dartboard (right)

Arthur’s Round Table that is located inside Winchester’s Great Hall - the city
that was once within an area of 144 acres - the Round Table has a diameter of
18 ft, or 5.5 metres, and for this same reason (Geometry of the Circle/Cycle) we
find the highest point of Wells Cathedral is the central tower that sits between
transepts (crossing) at a height of 180 ft, or 55 metres (55 is a Pyramid number
and 10th Fibonacci) and that is equal to 2160 inches, which is representative of

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the Hexahedron, or the ‘cube’ and element of Earth - (6x6x6 = 216 - 6+6+6 = 18)
- It is at the base of this 2160 inch tall central tower where we find the ‘Scissor
Arches’ of Wells Cathedral, of which there are 3 in total, one facing down
through the Nave, and two on either arms of the transepts. The reason this part
of the Cathedral has a height of 2160 inches is directly associated with the fact
that these structures are built to fold up into the ‘cube’. The cruciform shape of
Cathedrals is known as the ‘Net’ of a cube (Dali) and the central tower is where
the remaining parts of the Cathedral would fold into, it is essentially the base of
the cube - the ‘Net’.

https://www.researchgate.net/figure/The-eleven-distinct-nets-of-a-
cube_fig2_228829454

The ‘Net’ of a ‘Cube’ - Math-only-Math

11. The Fishers of Men

The Disc-iples followed in a boat, towing a ‘Net’ of 153 fish.

The Hexahedron and 2160-degrees are also representative of ‘Earth’ as one of

the Platonic Solids. Since Wells Cathedral is 792 inches in width which shows
Earth’s diameter, and also has a central tower that stands at 2160 inches in
height, showing the element of Earth, we have a pretty solid ‘foundation’ to
work from.

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New Jerusalem, The Holy City: The city's wall is 144 cubits thick, which is about
216 feet or almost 66 metres.

216 ft is equal to 2592 inches, which directly corresponds to the 25,920 great
year, the cycle (circle), and precession of the equinox.

https://www.cosmic-core.org/free/article-47-geometry-platonic-solids-part-
8-the-cube/

The period of time when Pisces traditionally takes hold at 330-degrees (330 cm
Arches), around February 19th, is closely followed by the Sun reaching a
distance of 148 million km on February 24th, the 55th day of the year. The 148
million km distance again produces the value of ‘Christos’ (1480).

148 mil km - The width across transepts at Wells Cathedral is 154 ft, or ‘1848’
inches. In terms of Jesus on the Cross, the transepts act as his outstretched
arms (Cathedral = Temple of Man/Matter).

The Son of Man as the Son of Matter Saturn’s Cube. The Tree of Life

In Judaism, the number 18 is sacred and often gifts are given in numbers of 18
to represent the word ‘Chai’. The word is made up of two letters of the Hebrew
Alphabet - Chet (‫ )ח‬and Yod (‫)י‬, forming the word "chai", meaning "alive", or
"living - via this translation we find that ‘Chai’ has the same meaning as ‘Chi’,
which is an ancient Chinese concept meaning ‘Life’ or ‘Life Force’ - likewise, we
find the Greeks infused the word ‘Chi’ with the word ‘Rho’ to create the Chi-Rho
(Chrismon). Chi-Rho can also be represented by the ‘X’, or Cross of Christ,
because Chi-Rho is Christos, which has a value of 1480 in Greek Isopsephy
Gematria, giving a glance towards the ratio of the Vesica Piscis, 265 + 153 = 418.

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 THE HOLY CITY OF WELLS

https://en.wikipedia.org/wiki/Chai_(symbol)

The entire Nave of Wells Cathedral is a dedication to Jesus Christ and Pisces;
the Scissor Arch itself is designed to create the Geometry of the Vesica Piscis,
which is why we see the Scissor Arch designed with the Geometry of the Jesus
fish and two circles either side of it; the two circles intersect each other,
creating an equilibrium / oval / ovary / egg (Jesus Fish / Child).

The Scissor Arch of Wells Cathedral and the Christian Symbol of the Jesus Fish
Either side of the Scissors Arch are two circles of polarity
Sol o Mon = Sun and Moon

12. The Vesica Piscis

Having said that, on a grand scale, I would suggest that Wells Cathedral is built
within the Geometry of a Vesica Piscis; half of the Cathedral that houses the
Nave and Western Towers would be Jesus, or the male and Blueshift half of the
Cathedral. Then from the Choir to the Lady Chapel would be Mary/Venus, the
female and the Redshift half of the Cathedral (or vice versa). The equilibrium
between them is the central tower, the crossing and the transepts. Leonardo
da Vinci uses the same method in his Last Supper painting; many suggest that

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St John is actually Mary, but Mary is encoded with Jesus, in androgynous form,
which is why Jesus wears a blue and red coloured tunic (Chiton). In order for
Jesus to become the Christ he has to become ‘united’, the unified force like the
Union Jack (Red & Blue), merging of the polarities (X - Christ), back to source -
the Monad. To merge the forces of red and blue creates purple, which is the
colour that represents the ‘crown of enlightenment’ - Royal Purple.

Jesus Christ as depicted in Leonardo da Vinci’s version of ‘The Last Supper’ (left) and
The Union Jack (right)

The Geometry of the Vesica Piscis and its ratio (265/153) is of course why we
find the Bible allegory known as the Miraculous Catch of (153) Fish.

https://en.wikipedia.org/wiki/Miraculous_catch_of_fish

The relationship between the Vesica Piscis and the Miraculous Catch of (153)
Fish is debated and denied by many scholars and ‘experts’ without them
realising that the story starts with Matthew 4:18, which is giving us a
combination of the ratio of the Vesica Piscis - 265 height + 153 width = 418.

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 THE HOLY CITY OF WELLS

Matthew 4:18 - The Miraculous Catch of Fish (153)

Matthew 4:18 - περιπατων δε παρα την θαλασσαν της γαλιλαιας ειδεν δυο
αδελφους σιμωνα τον λεγομενον πετρον και ανδρεαν τον αδελφον αυτου
βαλλοντας αμφίβληστρον εις την θαλασσαν ησαν γαρ αλιεις

“And Jesus, walking by the sea of Galilee, saw two brethren, Simon called Peter,
and Andrew his brother, casting a net into the sea: for they were fishers.”
https://en.wikipedia.org/wiki/Matthew_4:18

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418 = Abrahadabra: Aleister Crowley used number 418 and the symbolism of
the Vesica Piscis in his own work, as shown with the ‘Seal of Babalon’, the 7-
pointed star (Heptagram / Hepteract). We find the oval of the Vesica Piscis
encircled by number ‘77’, which is also why we find Leonardo da Vinci’s
painting of the Mona Lisa to have dimensions of 77 cm x 53 cm = area 4081 cm
(Mona = The Great Mother / Earth).

The Mother of Abominations: Seal of Babalon

For this exact reason above, we also find that Leonardo da Vinci’s painting of
the Mona Lisa was created in 1503 (153 fish), with dimensions of 77 cm and an
area of 4081 cm producing the same numbers found with the 418 ratio of the
Vesica Piscis, and the Seal of Babalon; Lisa Gherardini herself has the
Geometry of the Vesica Piscis running along the trim of her dress.

The mathematical ratio of the height of the Vesica Piscis to the width across its
centre is the square root of 3, or 1.7320508. The ratios 265:153 = 1.7320261…
and 1351:780 = 1.7320513

The Mona Lisa has a width of 53 cm = 1.73 ft.

https://en.wikipedia.org/wiki/Vesica_piscis

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 THE HOLY CITY OF WELLS

The Mona Lisa by Leonardo da Vinci (1503 - 1506)

77 cm x 53 cm

https://en.wikipedia.org/wiki/Mona_Lisa

The Nave of Wells Cathedral has 18 arches that measure 330 cm, and two
additional arches which have a width of 280 cm; Leonardo da Vinci’s painting
of the Mona Lisa also has dimensions of 30.3 inches x 20.8 inches = area of
630.24 inches, which correlates to the age that Lisa Gherardini died, aged 63,
on July 15th, 1542 - so far, these are incredibly precise correlations, the entire
Nave of Wells Cathedral is beautifully designed, and the truth should be
revealed, rightly.

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 THE HOLY CITY OF WELLS

https://www.exploringbuildinghistory.co.uk/joy-music-scissor-arches-at-
wells-cathedral/

Lisa Gherardini died aged 63 on the 196th day of the year with 169 days
remaining; the ‘coding’ of the Mona Lisa leads you to realise that Lisa
Gherardini was born on the 166th day of the year with 199 days remaining, and
she has a coding that is equal to 199,661,777,028. Lisa’s coding involves the 69
of Yin Yang, the equilibrium of energy, the two circular discs of the Sun and
Moon (Day and Night) that combine during an ‘Eclipse’ are what create the
symbol of the Vesica Piscis, which is why the first temple of Solomon (Sol/Sun
and Mon/Moon) was said to have been built by 153,000 constructors, again
referencing the ratio of the Vesica Piscis (153). We are looking at construction,
architecture, stonemasonry that has been crafted by the hands of Freemasons;
the 153,000 constructors are part of Solomon’s request from Hiram Abif, the
chief architect in Freemasonry. Symbolism and allegory, none of it is literal - G-
eometry.

Hiram Abif: Master Mason and Architect

https://en.wikipedia.org/wiki/Hiram_Abiff

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13. New Jerusalem

New Jerusalem & 153: the height, length, and width are of equal dimensions –
as it was with the Holy of Holies in the Tabernacle and First Temple – and they
measure 12,000 furlongs, which is approximately 1500.3 miles (153)

12,000 furlongs is usually converted to the whole number of 1500 miles

(1500.3), and this is the reason we find the two Western Towers of Wells
Cathedral to have a height of 1500 inches (38.1 metres)

Both 1500 inches and 38.1 metres are encoded with Wells Cathedral because
they are the numbers that are said to form the walls of New Jerusalem:
Depending on the accepted measure of a cubit, some come up with 1500 X
1500 X 1500 miles for the new Jerusalem & some come up with 1380 X 1380 X
1380. Confusion comes from the fact that both the heavenly Jerusalem and the
Earthly one are described in the Holy Bible.

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 THE HOLY CITY OF WELLS

14. Revelation 21:15-21

I find something very interesting with the verses of New Jerusalem in the Bible.
The measuring of the Angel starts from Revelation 21:15-21, and the verses go
on to describe what is essentially a cube, and when we turn our attention to the
worlds most famous cube, the Kaaba in Mecca, we find that is has coordinates
of 21° 25′ 21″ N (Revelation 21:15-21). The coordinates of the Kaaba in Mecca
are also encoded in the Quran, when the first time the ‘House of God’ is
mentioned is with Quran 2:125, by Allah. I also have the knowledge that
Salvador Dali’s painting titled ‘Crucifixion’ (Corpus Hypercubus) has
dimensions of 76.5 in + 48.7 in = 125.2. (Mona Lisa = 2.52 ft in height)

In that case, it is of no surprise to find the two Western Towers of Wells

Cathedral to be 125 ft in height (38.1 metres or 1500 inches).

Mecca: 'the Honoured Ka'ba'

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15. Twin Tower Tuning

The Two Western Towers of Wells Cathedral are representations of Solomon’s
Temple and the Twin Towers of Boaz and Jachin. Via the Vesica Piscis we have
the same two pillar symbolism that is used in Kabbalah, Mercy and Severity,
and both combine to create an equilibrium of energy, a bit like ‘tuning forks’, or
the Anode and Cathode (Cathedral).

The Holy City of Wells Cathedral (left) Solomon’s Temple (right)

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“The way a tuning fork's vibrations interact with the surrounding air is what
causes sound to form. When a tuning fork's tines are moving away from one
another, it pushes surrounding air molecules together, forming small, high-
pressure areas known as compressions. When the tines snap back toward
each other, they suck surrounding air molecules apart, forming small, low-
pressure areas known as rarefactions. The result is a steady collection of
rarefactions and compressions that, together, form a sound wave.

The faster a tuning fork's frequency, the higher the pitch of the note it plays. For
instance, for a tuning fork to mimic the top key on a piano, it needs to vibrate at
4,000 Hz. To mimic the lowest key, on the other hand, it would only need to
vibrate at 28 Hz.

The Twin Towers, New York City, the North Tower of the WTC collapsed at 10:28 am Set
of Tuning Forks set at a frequency of 128 Hz:

Movement: Two prongs on a tuning fork oscillate such that they both ‘move’
together, then they both ‘move’ apart.

Rosslyn: the word ‘Motet’ comes from the French word ‘Movere’, which in turn
means ‘move’ or ‘movement’, a word we can relate to the Norse Triskelion that
also features as the Isle of Man coat of arms, a symbol which itself means
‘movement’ or ‘motion’.

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 THE HOLY CITY OF WELLS

Sometimes, life can feel a little bit like a ‘movie’ passing by. Movie meaning: a
‘moving’ picture. Film: a photochemical emulsion on the ‘celluloid’ strip.
Movement, Momentum, they are ‘Motion’ pictures.

https://en.wikipedia.org/wiki/Speed_of_sound

Twin Western Towers of Wells Cathedral:

Male - Father - Paternal - Pattern - Mercy - Jesus

Female - Mother - Maternal - Matter - Severity - Mary

Male/Female - Father/Mother = Child - Balance - Equilibrium, Harmony - the

unified force or the oval (ovary/egg) of the Vesica Piscis, the ‘Gateway’. The
centre point of the Vesica Piscis is used in multidimensional ways, described
as a ‘portal’ or a ‘lens’ that allows light to enter (inner light).

The ratio of 265/153 means that the geometry of the Vesica Piscis is 265 units
in height and 153 units in width. This piece of geometry creates the ‘vulva’, the
oval of the egg (creation) and is the symbol used by all churches, cathedrals,
and many ‘elite brands’, and they use it to manifest.

The Mastercard is the Master Key to ‘Room 1408’:

https://brand.mastercard.com/brandcenter-ca/more-about-our-
brands/brand-history.html

The Key and the Lock: 10;48 is the access code to ascension.

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 THE HOLY CITY OF WELLS

Alternatively, if we created the Vesica Piscis to be 153 units in height, and 265
units in width, we would create the geometry of the Evil Eye of Protection.

The Vesica Piscis is used in both a vertical and horizontal manner; the Vesica
Piscis when used in a horizontal position is a sigil of creation, it is a signal of
birth, the vulva, it is Yoni symbolism, the cosmic egg of creation and anybody
who has viewed Glastonbury Tor from a birds eye view, also knows that the Tor
itself depicts the Yoni, or vulva (The Jesus Fish) and shows St Michael
penetrating Mary (Shiva & Shakti / Lingam & Yoni / Male & Female).

However, in certain locations such as the Chalice Well in Glastonbury, we find

the Vesica Piscis used in a vertical manner, and this geometry creates the
protection of the ‘Evil Eye’, although, that is not why Bligh Bond created it;
according to Bond, it represents the Bleeding Lance and the Visible and
Invisible Worlds interlocked with each other.

The Chalice Well, Glastonbury, Somerset

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16. The Spear of Destiny

“The bleeding lance of the Grail castle is another curious feature of the Grail
romances. Quite early in the development of the story, it was identified with the
lance of Longinus that had pierced the side of Christ. Thus, it suggests a link
between the wound of the Maimed King, if dealt by the lance, and that of
Christ.” The Holy Lance inflicts the 5th of five wounds of Christ that create the
Pentagram.

The story of the Lance, or Spear, is one created by past members of ‘House
Lancellotti’, who are also known as the ‘Breakspear’ family, a name most
definitely connected with the name ‘Shakespeare’, because if it is the story of
the ‘Holy Grail’, the ‘Holy Bible’, or ‘Romeo and Juliet’, or even ‘Harry Potter’,
they are all just allegorical tales, stories that have much deeper meanings, and
this same family have had a hand in all of them, including Harry Potter, which is
one of the most alchemical films ever created, and this is why, because this
family is an ancient one, they are Pharaonic and come from Egypt, which was
known as Al Khem, the home of ‘Alchemy’.

The Spear of Longinus penetrating the side of Christ, inflicting the fifth and final wound
(left). Sir Lancelot: Legend of King Arthur (right)

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 THE HOLY CITY OF WELLS

The Bleeding Lance that Bligh Bond has created, can be viewed in the physical
form via the Washington Monument, which is an obelisk, or a monument of
phallic form, and it is penetrating the centre of the Vesica Piscis, which has the
value of ‘418’, and that number is the value of ‘Christos’ in Greek Isopsephy
Gematria, which is also why we find construction of the Washington Monument
started in the year 1848, which correlates with the 1848 inch length of the
transepts at Wells Cathedral (154 ft)

The Washington Monument, as seen from a birdseye view.

The Washington Monument is precisely what the Spear in the Side of Christ is,
and this is the Bleeding Lance of Bligh Bond’s Chalice Well design, which is an
artistic impression of St Michael’s Tower penetrating the Vulva of Mary (The
Tor). Which tells me this is a story based on creation, and creation doesn’t
come via the ‘Evil Eye’, it comes from the Vulva, the Yoni, it comes from the
union of man and woman, as it always has.

https://mastermindcontent.co.uk/the-symbolic-meaning-of-the-vesica-
piscis/

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17. The Holy Chalice

The Chalice Well and its true purpose still confuses me to this day. On one hand
it is said to be the location of the feminine energy, and her spring waters (rebirth
= Aquarius). However, upon reading about the creation of the Chalice Well, it is
a symbol of ‘Spirit to Matter’, bringing Heaven to Earth, almost like an ‘anchor’
for the New Jerusalem. This then of course makes perfect sense and correlates
to what ‘Dion Fortune’ was doing before she passed, which was preparing for
the Age of Aquarius. I happened to spend my 2023 Spring Equinox with Dion
Fortune; we brought in the Equinox together, at the Graveyard in Glastonbury
where Noah’s Ark is carved. Magical moments.

Carving of Noah’s Ark, Glastonbury Cemetery, Somerset

https://en.wikipedia.org/wiki/Dion_Fortune

https://normalforglastonbury.uk/glastonbury-women/

Can the Vesica Piscis be used in both ways? Of course it can, but what is the
true purpose of the sacred spring? And what would our ancestors have used it
for? It wouldn’t have been a place of Christian Worship or the Jesus Fish, it was
a place of Celtic people, and the Mother Goddess and her role as the ‘creator’,
the Mother Mound that rises from the Primordial Watery Abyss. Don’t ever stop
asking questions #Mona
.

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 THE HOLY CITY OF WELLS

https://en.wikipedia.org/wiki/Evil_eye#Protective_talismans_and_cures.

Much like a Pentagram, the Vesica Piscis is created via specific geometry,
which is 265 height and 153 width, and it has a different purpose depending on
which way it is viewed by the human eye, much like the Pentagram, when used
in an upright position is a symbol of spirit overcoming matter. However, if the
Pentagram is inverted, it is a symbol of matter overcoming the spirit of man, and
this is my main concern with the Chalice Well, because in terms of the Sacred
Feminine, the waters that flow and break during labour to birth the Age of
Aquarius, the water bearer (Air sign), then that simply doesn’t exist, and even
Bligh Bond said that himself in his own description of the design.

It is stated that the Chalice Well design is a symbol of Spirit to Matter = Spirit
World to the Material World. The Vesica Piscis creates a ‘Gateway’. This also
makes sense in terms of being able to manifest the ‘New Jerusalem’ from
Heaven to Earth. However, that is exactly how we manifest, and we only need
to open our ‘eye’ and look around to see how major brands use the sigil of the
Vesica Piscis to their own advantage.

In esoteric cosmology, a plane is conceived as a subtle state, level, or region of

reality, each plane corresponding to some type, kind, or category of being.

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18. The Eye

The RGB HEX coding of divine light can ‘absolutely’ be relative to the ‘eye’ of the
Vesica Piscis in a vertical position, it is the merging of energies to combine and
become ‘absolute’, the ‘Universal ONE’ who gains perception through
knowledge. In this case, the Eye of protection is termed as the ‘lens’ - The iris
(the coloured part of the eye) controls how much light the pupil lets in. Next,
light passes through the lens (a clear inner part of the eye). The lens works
together with the cornea to focus light correctly on the retina. My research on
Leonardo da Vinci and his own studies of the human eye led me to studying the
RGB HEX code for divine light. At first I found that the primary ‘colours’ had been
altered. In colour coding the primary colours are Red, Yellow and Blue, but
colour coding is totally different to light coding, which is what the RGB HEX
code is, it is ‘divine light’ and “RGB” kind of gives the clue to Red, Green and
Blue being those primary colours.

RGB Colour Wheel, Celtic Triskele and the Three legs of ‘Mann’
Isle of Mann = Isle of Mona

You may have noticed that many churches use a specific set of colours, mainly
Red, Green and Blue, and Wells Cathedral is a perfect example of that, as
shown with the starburst on the ceiling of the Lady Chapel which has RGB lines
running towards the central boss, which should rightly have Venus sitting on
her Throne, but instead it has a very feminine looking Christ with his five wounds
(Pentagram), inside a Lady Chapel? Think about that one. Why is there male
influence in every place of feminine worship? Or is that ‘natural’?

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 THE HOLY CITY OF WELLS

The Five Wounds of Christ (right) and the 5-pointed Pentagram of the Tetragrammaton

Over the Rainbow: Light is a very important tool, and the RGB HEX code is what
creates all 16,777,216 different colour combinations known to exist. Logically,
that tells us something valuable about what kind of knowledge these structures
(Cathedrals, Churches, Chapels) possess inside them, because whoever built
them was more than aware of the HEX code for ‘divine light’. RGB HEX is a light
code, not a colour code - Sancto Claro = Holy Light of the Holy Grail.

19. The Holy Grail

https://en.wikipedia.org/wiki/RGB_color_model

HEX code #111 has a decimal value = 1118481 (Christos = 1480 / 1848)

HEX codes numbered between #111 and #999, the triple numbers, they are the
numbers which create ‘Grey Light’, or ‘Grail Light’, also known as ‘Divine Light’
or ‘Holy Light’. The Old English word for ‘Grey’ was ‘Grai’ - Christ-ian Grey and
the 50 shades.

Divine light of the RGB HEX code is known as “Brilliance”.

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Revelation 21:11-12 - "pure gold, like clear glass" and its "brilliance like a very
costly stone, as a stone of crystal-clear jasper."

Brilliant, like clear Glass? (Glastonbury).

There are a few good clues in that sentence: Glass, Brilliance, Crystal and
Jasper.

The Holy City; as a stone of crystal-clear jasper

This is partly the story of the ‘Holy Trinity’, which is another very
multidimensional aspect; looking at Hinduism we find their trinity to be the
Trimurti of Brahma, Vishnu and Shiva, or Creation, Preservation and

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Destruction (Gene-sis/Creation myths). Nikola Tesla decided to show his

version of the Holy Trinity via ‘Energy, Frequency and Vibration’ by using the 69
of Yin Yang and applying the 3 of the trinity (369). Tesla’s use of the 369
numerology tends to be based on what are referred to as the Solfeggio
frequencies and as you will find in my book, Roslin: Music for the Ears, Rosslyn
Chapel makes good use of the 528 Hz frequency that is also part of the
Solfeggio set of frequencies. The basis of the Holy Trinity, for me at least, can
be found with the RGB HEX code, Red, Green and Blue, the colours that create
the ‘Sancto Claro’, the ‘Holy and Divine Light’, the ‘Holy Grail’.

The Holy Light of New Jerusalem - "pure gold, like clear glass" and its "brilliance
like a very costly stone, as a stone of crystal-clear jasper." - this line is taken
from Revelation 21:11-12.

The Holy Grail is said to be the ‘Chalice’, and the Crystal Clear Jasper that is
spoken of, consists of Cryptocrystalline ‘Chalcedony’.

Chalice of Chalcedony: Chalcedony has a waxy lustre and may be semi-

transparent or translucent. It can assume a wide range of colours, but those
most seen are white to grey (light).

20. The Crystal Christ

The Pentagonal Geometry of the Great Pyramid of Giza (left). The ‘Brilliance’ of a
Crystal displaying its ‘purity’(right).

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The Crystal forms Geometry that is reminiscent of the ‘cross’ symbol of the
Knights Templar

The Holy Chalice of Valencia Cathedral: The cup is made of dark red agate
which is mounted by means of a knobbed stem and two curved handles onto a
base made from an inverted cup of chalcedony.

The Holy Chalice of Valencia Cathedral and an overview of Ovaries

A Story of Creation
The ‘light’ of Holy Grail is exactly what is depicted on the front cover of Pink
Floyd's album titled ‘The Dark Side of the Moon’, it is the ‘Crystal’, also known
as the ‘Christ’, the equilibrium, or the ‘child’ that is born as a continuation of
the story of creation - Genesis. The ‘all-spark’ of life.

If a crystal isn’t pure, a rainbow refracts inside the crystal. However, if a crystal
is of pure quality, it shines brightly and refracts the 7 colours of the spectrum
on the outside of the crystal. As you see from the Pink Floyd album cover, the
first light that hits the prism (pyramid) is the white, or grey light that is created
from equal amounts of Red, Green and Blue from the RGB HEX code, hence it
being the Holy Light of the Holy Grail. When we apply this theory and add a
different perspective, you yourself are the crystal, your body can be a Temple
or a Tomb, and depending on your purity, you will shine ‘bright like a diamond’
with a true auric field of energy, like a rainbow. The inner light that radiates
outward - you are the Grail, you are the light.

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 THE HOLY CITY OF WELLS

Thalamus: Grey light and Grey matter. The Medulla Oblongata and the Spinal Cord.

21. A Masons Architecture

The Scissor Arches of Wells Cathedral have a width of 696 cm; at this point in
the decode, some of you may have realised what is being created at Wells
Cathedral? In the book titled ‘City of Revelation’, John Michell describes the
‘Holy City’, showing its G-eometry to have an area of 6,969,600 square yards,
0r 1,440 acres, which is relative to what John Michell describes as “earth’s
actual mean radius” = 6,969,600 yards, and this makes the 696 cm Scissor
Arches of Wells Cathedral very important indeed.

The numbers that have so far been produced are the precise set of numbers
that John Michell described in ‘City of Revelation, which can be found on pages
81 and 82 under the title of ‘The Dimensions of the Holy City’.

The book ‘City of Revelation’, by John Michell, reveals ‘New Jerusalem’, which
is still something I see many people confused about and it is because of the
research shared by people who claim Edinburgh is ‘Jerusalem’ or the ‘New
Jerusalem’, but their research is totally falsified, it isn’t what the Bible allegory
even describes as New Jerusalem. Many have misunderstood. The Bible
encodes the dimensions of planet Earth, anybody who has read City of
Revelation knows without a doubt that any other theory other than the Temple
in Man and bringing Heaven to Earth, is incorrect. This information regarding

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Edinburgh has misled many people over time. John Michell was very well
accomplished and proven his theories about ‘New Jerusalem’ beyond a
shadow of a doubt, with facts. The answers are there if you seek them. There is
a ‘New Jerusalem’ in Edinburgh, it is Rosslyn Chapel, the chapel itself is built in
mans image and the Kabbalah Tree of Life, hence the three pillars, the Master
Mason, the Apprentice and the Journeyman, and in turn, man is created in Gods
image, and this is why cathedrals, churches and chapels have the ‘Throne of
God’, which is an allegory for what you possess in your mind, the real power you
hold as your own creator.

The City of Revelation, the Holy City, is a creation story and at its core is the
belief that man can, and will eventually be able to “bring Heaven to Earth”,
through “Spirit to Matter”, a microcosm-macrocosm of the Temple of Man, the
‘whole in ONE’ (NEO), which is precisely why we find all of Earth’s dimensions
encoded at Wells Cathedral, such as the 792 inch width, which is encoded in
the Bible via the Book of Revelation and the 12,000 furlong measurement,
which is equal to 7,920,000 ft. In Kabbalah, Earth comes under the name of

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‘Malkuth’, which is the 10th Sefirot on the Kabbalah Tree of Life and it "governs
the simple fact of existence in the physical world".

https://en.wikipedia.org/wiki/Microcosm%E2%80%93macrocosm_analogy

Malkuth: Unlike the other nine sefirot, it is an attribute of God which does not
emanate from God directly. Rather it emanates from God's creation - when that
creation reflects and evinces God's glory from within itself.

https://en.wikipedia.org/wiki/Malkuth
Kether to Malkuth, the Lightning Flash (Spirit to Matter, Heaven to Earth): Kether
(Ether/Aether = Crown). The first Sephirah is called the Crown, since a crown is
worn above the head. The Crown therefore refers to things that are above the
mind's abilities of comprehension. All the other Sephirot are likened to the body
which starts with the head and winds its way down into action. But the crown
of a king lies above the head and connects the concept of "monarchy", which is
abstract and intangible, with the tangible and concrete head of the king.

https://en.wikipedia.org/wiki/Keter

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 THE HOLY CITY OF WELLS

https://mysteriouswritings.com/the-remarkable-purpose-of-the-lightning-
flash/

Wells Cathedral has 3 Scissor arches in total, one facing out to the Nave and
one either end of the crossing of the transepts, each one has a width of 696 cm.

696 cm x 3 = 2088 cm (696 yards = 2088 ft) - to once again show that Leonardo
da Vinci’s coding of the Mona Lisa is precisely the same as the numerological
coding of Wells Cathedral; the Mona Lisa painting also weighs 18 pounds,
which is equal to 288 ounces (2088). Leonardo da Vinci’s painting, The Last
Supper, also has dimensions of 28.8 ft x 15 ft = 432 (Radius of the Sun).

Leonardo da Vinci’s painting of the Last Supper is very clever in the fact that it
doesn’t only have the 432,000 radius of the Sun encoded in the dimensions, but
it also has the 864,000 diameter of the Sun encoded with the 8.8 m x 4.6 m
dimensions as well - true genius.

The South transept of Wells Cathedral is constructed slightly different from the
North transept, the South transept holds the octagonal font, and that is
surrounded by 6 arches which each measure 288 cm in width. This number
(288) is an ancient measurement, we find it encoded in many locations from
Karnak Temple to the 2880 inch tall Taj Mahal, or the 2880 inch tall Lancaster
and Salford Cathedrals; we also find this number heavily encoded in the Great
Pyramid of Giza dimensions and there is an earlier drawing of the Mona Lisa
where you see Lisa holding a ‘reed’ in her hand - 288 comes from the
measurement of the ancient reed.

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22. Measure the City

“And the one speaking with me had a golden measuring reed, so that he could
measure the city, and its gates, and its wall”.

288 cm width x 6 arches = 1728 - referring to ‘City of Revelation’, John Michell

states that the circumference of circle A is 17.28 basic units, which is equal to
7,200 cubits (canonical units), or 1,728 being 12 x 12 x 12, which John Michell
relates to the 12 Hides of Glaston and 12,000 furlongs, or the fact that 12
furlongs = 7,920 ft, again showing Earth’s diameter.

If we broke the sections up across the transepts, equally, North, Central tower,
and South, we would have 154 ft ÷ 3 = 51.33333333333, and in terms of
Geometry, and the 3 Scissor arches, this also means 154 ft is equal to 51.3333
yards (154 ft = 1848 inches).

154 ft = 1848 inches

1848 inches divided by 3 = 616 inches.

23. Your Call to Wisdom

616 is thought by some
to be the true ‘number
of the beast’ as
described in papyrus
115. The fragmented
piece of manuscript
known as papyrus 115
is a piece of the New
Testament written in
Greek on papyrus. It
consists of 26
fragments of a ‘codex’
containing parts of the
Book of Revelation.

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As for number 616, you might recognise it better as number 166.

Tetragrammaton = 166 English Ordinal

Mona Lisa = 166 Franc Baconis Gematria

Mona Lisa was born on June 15th, the 166th day of the year.

YHVH (166) - First Enoch was written in the wake of this calamity between 166
BCE–163 BCE. For the author of 1 Enoch, history is a steep descent into evil
from the utopia in Eden. The author's vision of the eschaton centres on the
restoration of Jerusalem. Enoch is identified as ‘Metatron’ after his ascension
to heaven, the guardian of the ‘cube’.

It’s also thought that the root of the word/name ‘Metatron’ is ‘measure’ or ‘rule’
(ruler).

Alternatively, Book of Revelation 13:18 states: Here is wisdom. Let him that
hath understanding count the number of the beast: for it is the number of a
man; and his number is Six hundred threescore and six (666)

Revelation 13:18 - we find that number 1318 also forms part of New Jerusalem
(648 x 648 = 1,318,498.56)

Mona Lisa = 84 English Ordinal Gematria: Wells Cathedral is constructed in the

same way in which Leonardo da Vinci constructed his pieces of work, which is
why the Nave of Wells Cathedral is 67 ft in height, or 804 inches. I followed the
coding of Leonardo da Vinci for 3 years and it led me to every location that I
needed to rediscover this information. Which is why I recognise the number 84
from the Hepteract Hypercube, which consists of 84 penteracts.

The Hepteract Hypercube is why we find Salvador Dali using the Net of the
Hypercube for his painting, Crucifixion, or Corpus Hypercubus. The Hepteract
has 448 edges, a number we find encoded with the ‘New Jerusalem’ and the
‘Holy Bible’. The Book of Ezekiel contains the first record of the New Jerusalem.
Within Ezekiel 40-48, there is an extended and detailed description of the
measurements of the Temple, its chambers, porticos, and walls.

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The Hepteract Hypercube and it’s Dimensions.

1 acre is equal to 4840 square yards.

24. Ezekiel’s Vision & The Measuring Rod

Ezekiel 40-48 is entirely based on ‘measurement’ and this particular set of
verses is speaking of the measurement of the ‘Rod’, which is said to be 6 long
cubits; each long cubit is the equivalent of 1 cubit and a handbreadth. Now
depending on what you read, you will find different measurements given for the
cubit. Myself, I keep an eye on them all when doing my research because a cubit
is said to range between 44.4 cm and 52.92 cm, and I recognise both from using
Gematria, as well as 52.92 being a permutation of the 25,920 year cycle of the
Precession of the Equinox.

https://en.wikipedia.org/wiki/Cubit

When making conversions I always use the 44.4 cm measurement for the cubit,
and the 7.4 cm measurement of the handbreadth, or the Palm, and that is
because I know they form the Gematria of ‘Jesus’, which is based around
‘measurement’, because Gematria is Geometry.

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44.4 cm and 7.4 cm are measurements that

stem from the Ancient Roman Units of
Measure, and the Egyptians before them. 44.4
cm is also the length of an Israelite cubit and
7.4 cm is associated with the ‘Palm’, or the
hand that ‘Jesus’ is said to of had nails driven
into for his Crucifixion (some say wrists).

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Jesus = 74 English Ordinal

Jesus = 444 English Sumerian Gematria

If the measurement of the long cubit from Ezekiel 40-48 is 44.4 cm + 7.4 cm we
find it has a total length of 51.8 cm, and that is an important total, because the
Romans used it for measurements such as the ‘Stadium, which was the
equivalent of 185 metres (51.8), or the Roman unit known as the Cyathus, which
was the equivalent of 1.58 fl oz. We find evidence of this measurement with the
Colosseum in Rome, which is 158.792 ft in height (48.4 metres). Also, and a very
important ‘also’, we find the 51.8 cm measurement with the 518 ft elevation of
Glastonbury Tor, and with the Tor, we must be sure, so 518 ft is also the
equivalent of 158 metres.

I’m also certain all that information is

correct because ‘Ezekiel’s Vision’ was
created by Raphael in the year 1518, and like
Leonardo, Michelangelo and Donatello,
Raphael understood what the ‘vision’ really
is.

Ezekiel's Vision by Raphael (1518)

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 THE HOLY CITY OF WELLS

https://en.wikipedia.org/wiki/Ancient_Roman_units_of_measurement

https://en.wikipedia.org/wiki/Glastonbury_Tor

The elevation of the Tor makes all too much sense, because if Michael Tyack is
correct and St Michael's Tower is also 62 ft in height, then that is equal to 744
inches and the same dimensions as the Great Sphinx of Giza. 518 ft + 62 ft =
580 ft = Bullseye.

The correlations between Arthur’s Round Table and a standard ‘Winmau’

dartboard are too obvious to ignore, and a dartboard is situated 5.8 ft above the
ground (Tor + Tower = 580 ft). 5.8 ft is equal to 69.6 inches. A standard dartboard
is also 1.48 ft in width, and we find these precise details encoded with the Great
Hall of Winchester Castle, the location of Arthur’s Round Table. We also find
the Scissor Arches of Wells Cathedral are 696 cm in width, and they are located
at the ‘crossing’ of the transepts, which has a length of 1848 inches.

I recognise number 448 so well because I first discovered it with Leonardo da

Vinci’s painting ‘The Last Supper’, which has dimensions of 880 cm x 460 cm =
404,800 cm area.

Khafre’s Pyramid at Giza currently stands at 448 ft and more recently I noticed
the ‘demolition’ of a set of ‘cooling towers’ where I live in Runcorn, the Fiddlers
Ferry ‘Power Station’, they stood at a height of 4488 inches each, and I was
already aware that Liverpool’s Liver Building had coordinates of: 2° 59′ 44.88″
W. it’s all architecture. Learning how to see.

However, 51.8 cm is only the measurement of one long cubit, and the total
length of the measuring rod in Ezekiel 40-48, is 6 long cubits in total, which
means it is 51.8 cm x 6 = 310.8 cm (10.19 ft). I know that is correct because the
standard given for the length of the old rod is 10.2 ft (10.19 ft). I also used these
conversions for King Arthur’s Great Hall in Winchester with fantastic results.

Ezekiel 40-47 - “Then he measured the court: It was square—a hundred cubits
long and a hundred cubits wide. And the altar was in front of the temple.”

44.4 cm x 100 = 4440 cm (44.4 metres). A square 4440 cm in length and 4440
cm in width = 8880 cm, which is exactly how we know for sure these

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conversions have carried on for thousands of years, because 444 is Jesus in

‘English Sumerian’, whereas 888 is the value of Jesus in ‘Greek’ (Musical Notes
A4 and A5 = 440 Hz and 880 Hz).

25. Ezekiel: The New Temple

The New Temple as shown to Ezekiel during his ‘vision’.

“He brought me to the portico of the temple and measured the jambs of the
portico; they were five cubits wide on either side. The width of the entrance was
fourteen cubits and its projecting walls were three cubits wide on either side.
The portico was twenty cubits wide, and twelve cubits from front to back. It was
reached by a flight of stairs, and there were pillars on each side of the jambs.”

Five cubits = 222 cm

Fourteen cubits = 621.6 cm
Three cubits = 133.2 cm
Twenty cubits = 888 cm

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 THE HOLY CITY OF WELLS

Twelve cubits = 532.8 cm

“Then the man brought me to the main hall and measured the jambs; the width
of the jambs was six cubits on each side. The entrance was ten cubits wide, and
the projecting walls on each side of it were five cubits wide. He also measured
the main hall; it was forty cubits long and twenty cubits wide”.

Six cubits = 266.4 cm

Ten cubits = 444 cm
Five cubits = 222 cm
Forty cubits = 1776 cm
Twenty cubits = 888 cm

Wells Cathedral has an 8-pointed starburst and a grid of 144 square tiles in the
centre of the Lady Chapel, surrounded by an octagon with the diameter of 888
cm. In fact, all of these measurements are still in use today and I find evidence
of it all the time. My hometown has a Monastery that has church foundations of
148 ft in length x 74 ft at the transepts. 148 ft = 1776 inches and 74 ft = 888
inches (Jesus = 74 - Jesus = 888 - Christos = 1480).

Ceiling plan of Wells Cathedral. The Lady Chapel and 8-pointed Starburst are located
to the far right hand side of the image.

https://www.biblegateway.com/passage/?search=Ezekiel%2040-
48&version=NIV

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Six long cubits = 310.8 cm

26. Revelation 13:18

Finally for this section of Wells Cathedral (Nave and Scissor Arches); the
Scissor Arches were constructed in the year 1338, which is a very special
number, and one that leads us towards the Lady Chapel of Wells Cathedral, the
Rose of Venus and the Orbital Resonance that creates the Geometry of the
Venus Pentagram (13:8).

The Lady Chapel: during some of my presentations I tend to reference a book

by a geometer-artist and author named Tom Bree, titled ‘The Cosmos in Stone:
Sacred Geometry of a Master Mason. I recommend this book to anybody
looking to learn more, it contains some amazing insights and one particular
aspect that Tom focused in on is the fivefold geometry of the Pentagram and
eightfold geometry of the Octagram that appear to be encoded within the
architecture of Wells Cathedral, particularly the Lady Chapel.

‘The Cosmos in Stone’ is available to purchase

from Waterstones for £24.95 (and other
retailers), it is well worth the price with 422 pages
in total, and it is a brilliant and extensive piece of
work, one I have learned a lot from and so far,
every person I know who has bought this book
has appreciated what it has to offer.

https://www.waterstones.com/book/the-
cosmos-in-stone/tom-bree/9781906069216

Chapter 5 of ‘The Cosmos in Stone’ is titled ‘The Lady Chapel as an image of the
Morning Star’, with Chapter 5.3 titled, ‘The Pentagram and the Octagram of
Venus’. This chapter explains the alignment of Venus as the Morning and

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Evening Star (Lucifer/Phosphorus), and the orbital periods of both Venus and
Earth.

27. The Kiss of Venus

The relationship between Earth and Venus and their orbits is known as an
‘inferior conjunction’, the conjunction occurs every 584 days (1.6 years), and
over the course of 8 years, the orbital path of both planets passing by creates
what is referred to as the ‘Rose of Venus’, or the ‘Venus Pentagram’. Paul
McCartney released a song titled ‘The Kiss of Venus’ in December 2020 as part
of his ‘III’ album (Three Pillars). McCartney chose the title for this song because
2020 was the year that Venus last completed her Rose. This subject is very easy
to study as it is one of the oldest and most studied astronomical periods of
orbit.

III Imagined by Paul McCartney

Paul McCartney, The Kiss of Venus:

Now ‘moving’ slowly, we circle through the square.
Two passing planets in the sweet, sweet summer air
Sweet summer air

The Kiss of Venus

https://www.youtube.com/watch?v=JjXTmILf3oQ

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 THE HOLY CITY OF WELLS

Five Petals of Venus:

https://earthsky.org/astronomy-essentials/five-petals-of-venus/

Paul McCartney says that he chose the title ‘The Kiss of Venus’ after a friend
had given him a copy of the ‘Wooden Books’ series; this one is by John
Martineau and called ‘A Little Book of Coincidence in the Solar System’ and it
features a chapter titled ‘The Kiss of Venus’.

https://beatlesblogger.com/2021/03/01/inspiration-for-mccartneys-the-kiss-
of-venus/

“When plotted geocentrically - from an Earth-centred perspective - there is a

highly noticeable rhythm in the motion of Venus. After eight years, it returns to
the same place in our sky on about the same date. This is known as the eight-
year cycle of Venus, and stems from the fact that 13 Venusian orbits (13 x 224.7
days) very nearly equals eight Earth years”.

13 Venusian orbits are equal to 8 Earth years, this is known as the ‘13:8 Orbital
Resonance of Venus-Earth’. I have highlighted this cycle in my ‘Roslin: Music
for the Ears’ book.

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The 13:8 Orbital Resonance of Venus-Earth, is likely part of the reason we find
the Scissor arches being constructed in the year 1338, and it is likely the reason
the Western Towers of Wells Cathedral are also 38.1 metres in height. I know
from much of my other research that this number is encoded this way, including
with the Great Pyramid of Giza, which is essentially a Compass Rose and has
coordinates of 31° 8′ 3″ E. The real clue with the Great Pyramid is the fact that it
also has both the diameters of Earth and Venus encoded in the dimensions
(Revelation 13:18).

I believe Salvador Dali’s painting, Crucifixion (Corpus Hypercubus), is also

showing us the ‘cube’ of New Jerusalem, because that painting has dimensions
of:

194.3 cm + 123.8 cm = area of 318.1 cm

There is one real obvious clue to the fact that the 13:8 Orbital Resonance of
Venus-Earth is encoded within these cathedrals, and that can be found with
Palma Cathedral, already mentioned once in this decode, the ‘Rose Window’
of Palma Cathedral, known as the ‘Eye of the Gothic’, has a diameter of 13.8
metres - Orbital Resonance - this is how we find the resonant frequencies
encoded in these structures. The Rose Window of Palma Cathedral is showing

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us the Rose, or the Cymatic pattern that is created by the vibration of the
frequency.

The Rose Window at Palma Cathedral has a diameter of 13.8 metres, which
means it has a radius of 6.9 metres.

https://palma-cathedral.com/palma-cathedral-architecture/

https://en.wikipedia.org/wiki/Palma_Cathedral

28. Movement
Cymatics, comes from Ancient Greek: κῦμα, meaning "wave". Cymatics is a
subset of modal vibrational phenomena. It is also the study of visible sound -
for this reason many people focus on the ‘Motet’ of Rosslyn Chapel, without
understanding the Motet means ‘Movere’ which means both ‘move’ or
‘movement’, and more importantly, the fact that this is based on visible sound,
the root of the word ‘Motet’ is ‘word’, which makes ‘Gematria’ very important
when trying to decipher the codings encrypted in these structures, as both Bligh
Bond and John Michell knew and displayed in their ‘Great Work’.

The original form of music is thought to have stemmed from ‘language’, and
etymologically speaking, language has its roots with the Latin word ‘Lingua’,
which comes from a Proto-Indo-European word meaning ‘Tongue’ - the Mother
Tongue

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“A first language, native language, native tongue, or mother tongue is the first
language or dialect that a person has been exposed to from birth or within the
critical period”.

https://en.wikipedia.org/wiki/Cymatics
https://en.wikipedia.org/wiki/Gematria

29. The Pentagram

The word Pentemychos (πεντέμυχος lit. "five corners"
or "five recesses") was the title of the cosmogony of
Pherecydes of Syros. Here, the "five corners" are where
the seeds of Chronos (Saturn / Chronology / Timeline)
are placed within the Earth for the cosmos to appear -
Spirit to Matter.

"A reversed pentagram, with two points projecting

upwards, is a symbol of evil and attracts sinister forces
because it overturns the proper order of things and
demonstrates the triumph of matter over spirit.

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“A regular pentagon has five lines of reflectional, and rotational symmetry of

order 5: through 72°, 144°, 216° and 288°.

0 - 360 = Water
0 - 72 = Fire
72 - 144 = Air
144 - 216 = Earth
216 - 288 = Spirit/Aether

https://www.alchemygothic.com/index.php?option=com_content&view=cate
gory&layout=blog&id=48&Itemid=616&limitstart=80#:~:text=The%20five%20p
oints%20came%20to,nature%20and%20the%20spirit%20world.

"Let us keep the figure of the Five-pointed Star always upright, with the topmost
triangle pointing to heaven, for it is the seat of wisdom, and if the figure is
reversed, perversion and evil will be the result."

30. Orbital Geometry

The Pentagram of Venus is the apparent path of the planet Venus as observed
from Earth. Successive inferior conjunctions of Venus repeat with an orbital
resonance of approximately 13:8 - that is, Venus orbits the Sun approximately
13 times for every eight orbits of Earth - shifting 144° at each inferior
conjunction. The tips of the five loops at the centre of the figure have the same
geometric relationship to one another as the five vertices, or points, of a
pentagram, and each group of five intersections equidistant from the figure's
centre have the same geometric relationship.

The 13:8 Orbital Resonance between Earth-Venus that takes place over a course of 8
years (left). The geometry of the 15-cube Hypercube (right).

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 THE HOLY CITY OF WELLS

The Venus-Earth Orbital Resonance of 13:8 can be found with Musical Note C3
which has the frequency of 130.813 Hz (131 hz for the nearest whole number).

2-cube, 3-cube, 4-cube, 5-cube etc (Hypercubes)

Why is the 13:8 Orbital Resonance of Earth and Venus so important to

structures such as Rosslyn Chapel and Wells Cathedral?

Jesus and Mary = 138 ALW Kabbalah

The Birth of Venus is something that has been talked about for hundreds of
years (Botticelli), likely thousands of years if we found the actual basis of the
allegory. In the year 2020, the world was put into total lockdown, and it
happened on the lead up to Venus going retrograde in Gemini between May

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13th and June 25th, 2020. Venus completed her Rose (Rose Cross) and a new
cycle was set to start. This took place just after the Sun’s solar cycle 25 started
in December 2019, the same moment ‘Corona’ was announced, and then in
late 2020, December 21st, we had the Great Conjunction of Saturn, Jupiter and
Pluto. It was time for the world to change, the merging of energies had begun,
the ‘Chymical Wedding’ had started, from Kether to Malkuth, the ‘Crown’
(Corona) to Earth, Spirit to Matter - Roseline.

Sandro Botticelli encoded something in the Birth of Venus that has been my
‘access code’ within all my research, from the 4081 of the Mona Lisa, to the
1084 of Worcester Cathedral and the hidden Zodiac Wheel, or the 418 ratio of
the Vesica Piscis…

The Birth of Venus by Sandro Botticelli

Dimensions:
172.5 cm x 278.9 cm
67.9 Inches x 109.6 inches
5.65 ft x 9.15 ft

5.65 ft + 9.15 ft = area of 14.8 (Christos = 1480) - Earth’s ‘area’ of land = 148 mil
km squared

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 THE HOLY CITY OF WELLS

172.5 cm x 278.9 cm = area of 48,110.25 cm

67.9 inches x 109.6 inches = area of 7,441.84 inches (74 + 74 = 148)

Musical Note A8 has a frequency of 7040 Hz

Musical Note A9 has a frequency of 14,080 Hz

https://en.wikipedia.org/wiki/A_(musical_note)

Masonic = Sonic Speed of Sound (Air & water)

That makes it doubtless that both Leonardo da Vinci and Sandro Boticelli were
encoding musical notes in their artwork, musical notes that hold specific
frequencies. Likewise, so were many other artists, not just from the
Renaissance period but all the way through history to people such as Salvador
Dali. This of course makes it all the more easy to understand what is encoded
at locations such as Rosslyn Chapel, or even Temple Church in London, and it
makes it easier to understand why true Gematria is so important. Energy,
frequency and vibration.

Jesus = 74 English Ordinal Gematria

Energy = 74 English Ordinal Gematria
Gematria = 74 English Ordinal Gematria

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Wells Cathedral coordinates: 51° 12′ 37.44″ N and the first church foundations
date from the time of King Ine of Wessex: The city was a Roman settlement that
became an important centre under the Anglo-Saxons when King Ine of Wessex
founded a minster church in 704.

The civil parish of Wells was formed in 1933 and the parish has held the city
status of Wells since 1 April 1974.

By using Gematria alone, I could numerically construct Wells Cathedral, by

using correlations between all the dimensions mentioned above and the values
given by the words ‘Jesus’ and ‘Christ’.

https://gematrinator.com/tools/calculator-nostalgia/nextgen/

Orbital Resonance of Venus:

Mean Orbital Velocity = 35.02 km/s

Max. Orbital Velocity = 35.26 km/s

“The planet orbits the Sun once every 225 days and travels 4.54 au
(679,000,000 km; 422,000,000 mi) in doing so, giving an average orbital speed
of 35.02 km/s”.

352 - Musical Note A7 has a frequency of 3520 Hz

Music Notation with Cymatics

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 THE HOLY CITY OF WELLS

To show another example, Jupiter has a Mean Orbital Velocity of 13.07 km/s,
and that corresponds to Musical Note A-1 (Subsubcontra) which has a
frequency of 13.75 Hz, and in turn’ that corresponds to the Golden Angle of
137.5-degrees.

The 35.02 km/s Mean Velocity of Venus is a very specific piece of coding that
leads us to the ‘Holy City’, Jerusalem, which has coordinates of 35.225556 E
whilst the ‘Dome of the Rock’ 35.2354” E and measures 66 ft in diameter (792
inches). We then follow the trail from Temple Mount to Temple Church in
London, which is where the Templars moved their headquarters to in the year
1184.

Temple Church in London is built in a series of concentric rings, one of those

rings is the inner ring of 6 pillars, which has a diameter of 35.2 ft, and each pillar
has a diameter of 35.2 inches. These ‘Temples’ are built to harness resonant
frequencies, in this case it is Musical Note A7 and the frequency of 3520 Hz.
Each concentric ring of Temple Church likely has its own resonant frequency.

3520 Hz is associated with Venus and the Mean Orbital Velocity of 35.02 km/s,
and the Templars were abolished because they supposedly worshipped
‘Lucifer’, who is also known as Phosphorus, and Venus (Lucy in the Sky with
Diamonds). The Templars didn’t deny Christ, they denied the Roman Catholic
Churches Version of Christ, they denied the Pope. The Templars were the
‘holders of the Grail’, they were said to have worshipped and protected the
memory of Mary Magdalene of Magdala, the ‘Amygdala’,

Anatomy of the Human Brain: Limbic System

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https://en.wikipedia.org/wiki/Amygdala
Mary Magdalene: Corpus Amygdaloideum

In terms of ‘multidimensional’ allegory, Mary is also associated Venus, the

sacred Rose (Rose Cross). The name ‘Rose Cross’ itself stems from Giza, Egypt,
which was once known as ‘RoseTau’, the Rose Cross of the Tau Key of Life, and
the Great Pyramid of Giza is built to incorporate the design of a Compass Rose
- there is a truth to be revealed.

Wells Cathedral holds one very important key that will unlock many doors going
forward, and I beg the staff of Wells cathedral to please let me come and do my
work and prove beyond doubt what is encoded in the architecture of that
magnificent structure. I think people deserve to know the truth, people deserve
to know what was inside these structures before the numerous “Holy Wars”,
Dissolutions and Reformations, stripped them of their real purpose and literally
whitewashed them clear of their true beauty, which is very evident with
locations such as Rosslyn Chapel, which has been completely covered with a
cement mix that obviously alters the entire resonant frequency of the Chapel.

31. The Rose of Venus

I previously mentioned the work of Tom Bree and Wells Cathedral, and how
Tom has discovered the fivefold Pentagram and eightfold Octagram encoded
within the architecture of Wells Cathedral; Tom noted that the Wells Lady
Chapel has a Pentagon and Octagon shape to it, and if you know Wells
Cathedral then you will also be ‘well’ aware of the 8-pointed starburst that is
depicted on both the ceiling and floor directly below it, then surrounding that
are two octagons, one smaller than the other.

The Pentagram is aligned over Wells Cathedral, as a sigil, and there is a reason
I say this; because the Rose of Venus is created above us in the night sky.

Tom’s work on Wells Cathedral is fantastic, one of the best books released for
a long time in my opinion, but he has missed a few very important pieces of
information that show the real detail of the Lady Chapel and Cathedral as a
whole. The Holy City. I have shared the odd pieces of coding from Wells
Cathedral over time and revealed quite a large chunk of it last November during

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my ‘Revelations’ talk in Glastonbury, but we now have a much greater detailing

and it has started to reveal the truth.

The Lady Chapel is in the shape of an elongated octagon and it encodes the
golden ratio and Fibonacci sequence of numbers on a much larger scale than
Tom has realised.

We have the 5-pointed Pentagram and an 8-sided Octagon = 13

Fibonacci sequence: 0-0-1-1-2-3-5-8-13-21-34-55-89-144 (the 0-0-1-1-2

sequence is creation)

Geometry of a Rose by Natalie Strassburg

This sequence (5-8-13) holds the key to what is hidden within the Lady Chapel
of Wells Cathedral, or rather it is the sequence of 8-13 that is of significance,
showing the 13:8 Orbital Resonance of Earth and Venus, and the Rose, the
Pentagram.

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I believe Tom Bree would have understood this if he had only have measured
the actual octagons on the floor of the Lady Chapel, because the inner octagon
has a diameter of 792 cm, and the outer octagon is 888 cm in diameter, one
showing the diameter of planet Earth, as explained previously in this decoding,
and the 888 is of course the Gematria of ‘Jesus’ in Greek Isopsephy Gematria.

http://www.jesus8880.com/

32. The Lady in Waiting

The Lady Chapel at Wells Cathedral has the 5-pointed Rose of Venus laid out
over the 792 cm octagonal representation of Earth, and it was encoded for this
moment in time, the Birth of Venus.

There are two octagons, one of 792 cm in diameter and one of 888 cm in
diameter; this means that there is a 96 cm difference between both octagons,
and this is a direct correlation to the 13:8 orbital resonance created by the
inferior conjunction, and the cycle that creates the Rose of Venus. The
geometry is created by 5 cycles of 584 days over a period of 8 years, which is
approximately 2926 days, and that is equal to 96 months in total, the same as
the 96 cm difference between both octagons, and the same as the 96 Roses in
the centre panel of the ceiling of Rosslyn Chapel. The Grand Lodge of Scotland
was also founded by a St Clair, well known to have associations with the Rose
Cross (Rosicrucian’s), and the Grand Lodge is located at 96 George Street (96
Petals of 144). Leonardo da Vinci’s Vitruvian Man drawing is also 13.5 inches x
9.6 inches.

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4 petals, 6 petals, 10 petals, 12 petals, 16 petals 2 x 48 48 petals = 96 petals

(96 + 48 = 144)

144,000 petals

Venus: 8 years, 96 months, or 2926 days is also equal to 418 weeks, and that is
one of the main reasons Aleister Crowley made use of the number 418,
because he knew how powerful this sigil (Pentagram) can be when it is used
correctly, and so did Leonardo da Vinci, as do the Rose Cross. The information
surrounding Venus is very important. If we can understand the cyclic patterns
that manifest here on Earth, we will once again bring in the ‘New Jerusalem’.

Musical Note C has a frequency = 4186.009 Hz

It is doubtless that the 13:8 orbital resonance of Venus-Earth is encoded at

Wells Cathedral, as it is at Rosslyn Chapel, but that isn’t the main feature of the
Lady Chapel, the 8-pointed starburst that is located in the very centre of the
chapel, also has a square grid of blue and red tiles, a 12 x 12 grid of squares =
144 in total, and this leads us to the ‘Holy City’, bringing Heaven to Earth, the 12
Hides of Glaston and the 1440 acres described by John Michell.

1440 acres = 6,969,600 square yards; this is important to know because there
is a very good chance that the measurements, we currently have for
Glastonbury Tor are correct, a 518 ft elevation with a 62 ft St Michael’s Tower =

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580 ft in total, and 580 ft is equal to 6960 inches. I believe if Michael Tyack is
correct, and the tower is 62 ft, then the tower itself will be topped by a 4 ft
crown, leaving a 58 ft tower below it. 58 ft = 696 inches. I’m feeling like this
could well be the case because we also know that the ‘Scissor Arches’ at Wells
Cathedral measure 696 cm in width. There is a lot more work to do on St
Michael’s Tower before we truly understand it properly. There are too many ‘if,
buts and maybes’ for my liking now. Investigations continue.

Wells Cathedral was also consecrated on October 23rd, 1239, and dedicated
to Saint Andrew. October 23rd is the 296th day of the year with 69 days
remaining.

The square grid of 144 tiles inside the Lady Chapel of Wells Cathedral has edges
that each measure 71.6 inches (72), which directly correlates with the 71.6 year
cycle of the Sun: relative to the backdrop of the stars at some seasonally fixed
time slowly regresses a full 360° through all twelve traditional constellations of
the zodiac, at the rate of about 50.3 seconds of arc per year, or 1 degree every
71.6 years.

The square grid of 144 tiles also measures 101 inches diagonally, or 8.41 ft,
because it has the ‘Lamb’ sat in the centre, on the Throne of God, and 8.41 ft is
relative to ‘Christos’ = 1480.

The Birth of Venus (1484): 5.7 ft + 9.1 ft = area of 14.8 ft

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13:8 orbital resonance and a grid of 144 squares: Venus orbits the Sun
approximately 13 times for every 8 orbits of Earth (13:8) - shifting 144°.

33. The Holy City of Winchester

New Jerusalem: the walls of the Holy City measure 1,380 miles long on each
side as well as in height. It measured 144 cubits.

https://www.compellingtruth.org/new-Jerusalem-walls.html

Birds eye view map of the City of Winchester

In 21:16, the angel measures the city with a golden rod or reed and records it as
12,000 stadia by 12,000 stadia at the base, and 12,000 stadia high. A stadion is
usually stated as 185 metres, or 607 feet, so the base has dimensions of about
2220 km by 2220 km, or 1380 miles by 1380 miles. In the ancient Greek system
of measurement, the base of the New Jerusalem would have been equal to 144
million square stadia, 4.9 million square kilometres or 1.9 million square miles.

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Winchester & King Arthur’s Great Hall:

New Jerusalem = 1380 miles by 1380 miles & 144 million square stadia
Winchester’s ‘City Walls’ have an area of 138 acres and coordinates of: -1.308
W, whilst the city originally had an area of 144 acres, which is equal to 58.2
hectares; 582 is a number encoded in Rosslyn Chapel, such as the 582 cymatic
patterns on the ceiling (solfeggio)

“The city walls were originally built in the Roman period covering an area of
around 138 acres (56 ha) and were rebuilt and expanded in sections over time”.

Winchester
51° 3′ 47.52″ N, 1° 18′ 28.8″ W
51.0632, -1.308

Winchester originally had an area of 144 acres - “At the beginning of the third
century, Winchester was given protective stone walls. At around this time the
city covered an area of 144 acres (58 ha), making it among the largest towns in
Roman Britain by surface area”.

https://en.wikipedia.org/wiki/Winchester_city_walls

34. Measuring the Holy City of Wells

Wells Cathedral has two western Towers that each measure 38.1 metres.
The Scissor Arches of Wells Cathedral were constructed in the year 1338.
Wells Cathedral encodes the 13:8 Orbital Resonance of Venus:Earth

Wells Cathedral is 126.5 metres in length, or 138 yards.

The Holy City of Wells has a total built up area of 1.253 square miles, which is
equal to 3,881,292.8 square yards.

Dimensions: Holy City of Wells Cathedral

Length:
126.5 metres
415 feet

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138.34028 yards
4980.315 inches

Width
20.1168 metres
66 feet
22 yards
792 inches

Width Across Transepts

46.9392 metres
154 ft
51.3333 yards
1848 inches

Nave Height
20.4216 metres
67 ft
22.3333 yards
804 inches

Western Towers
38.1 metres
125 feet
41.66667 yards
1500 inches

Tower Height (Central Crossing)

55 metres
180 feet
60 yards
2160 inches

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New Jerusalem: It is important to distinguish between "the camp of the saints,

and the beloved city" spoken of in Revelation 20:9, and the New Jerusalem of
chapter 21. Rev. 20:9 refers to an earthly City, description and purpose of which
is found in book of Ezekiel, starting with chapter 36 and ending with chapter 48.
One of the most obvious differences is that the dimensions of the New
Jerusalem of Rev. 21 are 1000 times bigger than dimensions of the city in Ezekiel
48 (and, in Rev. 20:9). New Jerusalem of Revelation 21 is 2225 km in length,
width, and height. A city of these gigantic proportions cannot be located on
Earth; but, as stated in Rev. 21, A New Heaven and a New Earth, the city comes
"down out of Heaven from God", presumably onto, the "new earth."

Revelation 22:1: A large portion of the final two chapters of Revelation deals
with John of Patmos' vision of the New Jerusalem. He describes the New
Jerusalem as "'the bride, the wife of the Lamb'", where the river of the Water of
Life flows.

https://en.wikipedia.org/wiki/Wells,_Somerset

https://en.wikipedia.org/wiki/Wells_Cathedral

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The Mukaab (Cube). Riyadh, Saudi Arabia.

Construction started in 2024.

New Jerusalem

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