100% found this document useful (3 votes)
28 views42 pages

PDF Language Arts Integrating Skills For Classroom Teaching 1st Edition Mildred R. Donoghue Download

Integrating

Uploaded by

oparogawhar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (3 votes)
28 views42 pages

PDF Language Arts Integrating Skills For Classroom Teaching 1st Edition Mildred R. Donoghue Download

Integrating

Uploaded by

oparogawhar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 42

Download the full version of the ebook at

https://ebookgate.com

Language Arts Integrating Skills for


Classroom Teaching 1st Edition Mildred R.
Donoghue

https://ebookgate.com/product/language-arts-
integrating-skills-for-classroom-teaching-1st-
edition-mildred-r-donoghue/

Explore and download more ebook at https://ebookgate.com


Recommended digital products (PDF, EPUB, MOBI) that
you can download immediately if you are interested.

Teaching Arabic as a Foreign Language Techniques for


Developing Language Skills and Grammar 1st Edition
Alhawary
https://ebookgate.com/product/teaching-arabic-as-a-foreign-language-
techniques-for-developing-language-skills-and-grammar-1st-edition-
alhawary/
ebookgate.com

Second Language Acquisition Myths Applying Second Language


Research to Classroom Teaching 1st Edition Steven Brown

https://ebookgate.com/product/second-language-acquisition-myths-
applying-second-language-research-to-classroom-teaching-1st-edition-
steven-brown/
ebookgate.com

From Corpus to Classroom Language Use and Language


Teaching 1st Edition Anne O’Keeffe

https://ebookgate.com/product/from-corpus-to-classroom-language-use-
and-language-teaching-1st-edition-anne-okeeffe/

ebookgate.com

Innovation in English Language Teaching A Reader Teaching


English Language Worldwide David R. Hall

https://ebookgate.com/product/innovation-in-english-language-teaching-
a-reader-teaching-english-language-worldwide-david-r-hall/

ebookgate.com
Writing Myths Applying Second Language Research to
Classroom Teaching Joy M. Reid

https://ebookgate.com/product/writing-myths-applying-second-language-
research-to-classroom-teaching-joy-m-reid/

ebookgate.com

Scaffolding Language Scaffolding Learning Teaching English


Language Learners in the Mainstream Classroom 2nd Edition
Pauline Gibbons
https://ebookgate.com/product/scaffolding-language-scaffolding-
learning-teaching-english-language-learners-in-the-mainstream-
classroom-2nd-edition-pauline-gibbons/
ebookgate.com

Social Actions for Classroom Language Learning John


Hellermann

https://ebookgate.com/product/social-actions-for-classroom-language-
learning-john-hellermann/

ebookgate.com

Crossing Over Teaching Meaning centered Secondary English


Language Arts 2nd ed 2nd Edition Harold M. Foster

https://ebookgate.com/product/crossing-over-teaching-meaning-centered-
secondary-english-language-arts-2nd-ed-2nd-edition-harold-m-foster/

ebookgate.com

Teaching Web Search Skills Techniques And Strategies Of


Top Trainers 1st Edition Greg R. Notess

https://ebookgate.com/product/teaching-web-search-skills-techniques-
and-strategies-of-top-trainers-1st-edition-greg-r-notess/

ebookgate.com
Language
Arts

Fm-Donoghue-45635.indd 1 7/3/2008 5:26:53 PM


Fm-Donoghue-45635.indd 2 7/3/2008 5:26:53 PM
Language
Integrating Skills for Classroom Teaching
Arts
Mildred R. Donoghue
California State University, Fullerton

Fm-Donoghue-45635.indd 3 7/3/2008 5:26:53 PM


Copyright © 2009 by SAGE Publications, Inc.

All rights reserved. No part of this book may be reproduced or utilized in any form
or by any means, electronic or mechanical, including photocopying, recording, or by
any information storage and retrieval system, without permission in writing from the
publisher.

For information:

Sage Publications, Inc. Sage Publications India Pvt. Ltd.


2455 Teller Road B 1/I 1 Mohan Cooperative Industrial Area
Thousand Oaks, California 91320 Mathura Road, New Delhi 110 044
E-mail: [email protected] India

Sage Publications Ltd. Sage Publications Asia-Pacific Pte. Ltd.


1 Oliver’s Yard 33 Pekin Street #02-01
55 City Road Far East Square
London EC1Y 1SP Singapore 048763
United Kingdom

Printed in the United States of America

Library of Congress Cataloging-in-Publication Data

Donoghue, Mildred R.
Language arts: Integrating skills for classroom teaching/Mildred R. Donoghue.
p. cm.
Includes bibliographical references and index.
ISBN 978-1-4129-4049-8 (pbk.)
1. Language arts (Elementary) 2. Curriculum planning—United States. I. Title.

LB1576.D59 2009
372.6′044—dc22 2008006235

Printed on acid-free paper

08 09 10 11 12 10 9 8 7 6 5 4 3 2 1

Acquiring Editor: Diane McDaniel


Editorial Assistant: Leah Mori
Production Editor: Sarah K. Quesenberry
Copy Editor: Gail Naron Chalew
Proofreader: Theresa Kay
Indexer: Wendy Allex
Typesetter: C&M Digitals (P) Ltd.
Cover Designer: Candice Harman
Marketing Manager: Christy Guilbault

Fm-Donoghue-45635.indd 4 7/3/2008 5:26:54 PM


To my daughter Kathleen who, as an elementary school librarian, thoughtfully
and effectively helps children daily to discover the joys of reading and sharing books.

Fm-Donoghue-45635.indd 5 7/3/2008 5:26:54 PM


Fm-Donoghue-45635.indd 6 7/3/2008 5:26:54 PM
Preface vii

Brief Contents

Preface xix
IRA/NCTE Standards for the English Language Arts xxiii
Acknowledgments xxiv

Part I Foundations of the Language Arts


Chapter 1 Language and the English Language Arts 3
Chapter 2 Children as Language Learners and Thinkers 31
Chapter 3 Formal and Authentic Assessment 53
Chapter 4 Integrating Language Arts Across the Curriculum 81

Part II Reading as a Language Art


Chapter 5 Word Recognition Skills and Vocabulary Development 113
Chapter 6 Reading: Principles, Approaches, Comprehension,
and Fluency 157
Chapter 7 Reading and Children’s Literature 201

Part III Writing as a Language Art


Chapter 8 Writing: Process, Genres, and Motivational Strategies 247
Chapter 9 Writing Tools: Handwriting, Keyboarding,
Spelling, and Grammar 293
Chapter 10 The Writers’ Workshop 333

Part IV Oral Language Arts


Chapter 11 Listening and Speaking 361
Chapter 12 Creative Drama 393
Appendix: Technology Connections for the Language Arts 417
Glossary 427
Index 435
About the Author 451

Fm-Donoghue-45635.indd 7 7/3/2008 5:26:56 PM


Detailed Contents

Preface xix
IRA/NCTE Standards for the English Language Arts xxiii
Acknowledgments xxiv

Part I Foundations of the Language Arts


Ch a p ter 1 Language and the English Language Arts 3
Anticipation Statements   4
Standards for the English Language Arts   4
Applicable IRA/NCTE Standards   5
Language Arts: Components and Integration   7
Listening   9
Speaking 9
Reading   10
Writing   10
Viewing and Visual Representation   10
Functions and Characteristics of Language   14
Language Structure   17
Language and Thought   18
Assessment   22
Working With English Language Learners   23
Practical Instructional Activities and Ideas   23
Lesson Plan   24
Integration Across the Curriculum   26
Parents as Partners   27
Additional Professional Readings   27
Student Study Site   27
Children’s Literature Cited in the Text   27

Fm-Donoghue-45635.indd 8 7/3/2008 5:26:57 PM


References   28
Anticipation Statement Answers   29

Ch a p ter 2 Children as Language Learners and Thinkers 31


Anticipation Statements   32
Models of Natural Language Learning   32
Holdaway’s Model 33
Cambourne’s Model   33
Applicable IRA/NCTE Standards   33
First-Language Acquisition   35
Factors Influencing Language Acquisition 36
Second-Language Acquisition   37
Program Models 38
Linguistically Diverse Learners   39
What Teachers Need to Understand   42
Positive Language Classroom Environments   43
Assessment   47
Working With English Language Learners   47
Practical Instructional Activities and Ideas   47
Lesson Plan   48
Integration Across the Curriculum   49
Parents as Partners   50
Student Study Site   50
Additional Professional Readings   51
Children’s Literature Cited in the Text   51
References   51
Anticipation Statement Answers   52

Ch a p ter 3 Formal and Authentic Assessment 53


Anticipation Statements   54
Principles and Purposes for the Assessment of the Language Arts   54
Applicable IRA/NCTE Standards   55
Formal Assessment: Standardized Tests   56
High-Stakes Testing   57
Authentic Assessment: What, Why, and How   60
Anecdotal Record   61
Checklist   62

Fm-Donoghue-45635.indd 9 7/3/2008 5:26:58 PM


Conference   62
Portfolio   62
Authentic Assessment: Grading   67
Working With English Language Learners   69
Practical Instructional Activities and Ideas   70
Lesson Plan   72
Integration Across the Curriculum   75
Parents as Partners   77
Student Study Site   78
Additional Professional Readings   78
Children’s Literature Cited in the Text   78
References   78
Anticipation Statement Answers   79

Ch a p ter 4 Integrating Language Arts Across the Curriculum 81


Anticipation Statements   82
Integration: Definition, Principles, and Benefits   82
Applicable IRA/NCTE Standards   83
Thematic Units: Overview   86
Constructing a Thematic Unit   88
Identifying a Theme   90
Selecting Unit Goals   91
Choosing Resources   91
Planning Instructional Activities   96
Implementing a Thematic Unit   98
Assessment   99
Working With English Language Learners   99
Practical Instructional Activities and Ideas   100
Lesson Plan   102
Parents as Partners   105
Student Study Site   106
Additional Professional Readings   106
Children’s Literature Cited in the Text   106

Fm-Donoghue-45635.indd 10 7/3/2008 5:26:58 PM


References   108
Anticipation Statement Answers   108

Part II Reading as a Language Art


Ch a p ter 5 Word Recognition Skills and Vocabulary Development 113
Anticipation Statements   114
Word Recognition Skills   114
Phonemic Awareness   114
Applicable IRA/NCTE Standards   115
Phonic Analysis   121
Structural Analysis   125
Contextual Analysis   128
Developing a Sight Vocabulary   128
Vocabulary Development   131
Types of Vocabularies   131
Factors Affecting Vocabulary Growth   133
Principles of Vocabulary Development   135
History of the English Language   139
Teaching English Vocabulary: Approaches   140
Teaching English Vocabulary: Instructional Activities   143
Assessment   144
Working With English Language Learners   145
Practical Instructional Activities and Ideas   146
Lesson Plan   148
Integration Across the Curriculum   151
Parents as Partners   153
Student Study Site   153
Additional Professional Readings   154
Children’s Literature Cited in the Text   154
References   154
Anticipation Statement Answers 155

Ch a p ter 6 Reading: Principles, Approaches, Comprehension, and Fluency 157


Anticipation Statements   158
Principles of Teaching Reading   158
Applicable IRA/NCTE Standards   159

Fm-Donoghue-45635.indd 11 7/3/2008 5:26:58 PM


Emergent Reading   161
Shared Reading    162
Picture Books That Celebrate Reading 163
Major Instructional Approaches   164
Basal Reader Approach 164
Literature-Based Approach 165
Language Experience Approach   167
Balanced Approach 169
Models of Reading   169
Guided Reading   170
Characteristics   171
Steps in Guided Reading 172
Leveled Books 172
Comprehension: Categories and Influential Factors   172
Levels of Comprehension   174
Factors That Influence Comprehension 175
Comprehension Strategies   178
Implementing Strategies for Instruction   179
Strategies Used by Good Readers   180
Questioning: A Critical Comprehension Strategy   180
Teaching Questioning Strategies   184
Sorting Out Comprehension “Problems”   185
Reading in the Content Areas   186
Study Methods   186
Reading Flexibility Skills   187
Locational Skills   188
Organizational Skills   189
Fluency   191
Strategies That Promote Fluency 191
Assessment   193
Working With English Language Learners   193
Practical Instructional Activities and Ideas   193
Lesson Plan   194
Integration Across the Curriculum   195
Parents as Partners   196
Student Study Site   196
Additional Professional Readings   196

Fm-Donoghue-45635.indd 12 7/3/2008 5:26:58 PM


Children’s Literature Cited in the Text   197
References   197
Anticipation Statement Answers   199

Ch a p ter 7 Reading and Children’s Literature 201


Anticipation Statements   202
Literature in Elementary Education: Values and Functions   202
Applicable IRA/NCTE Standards   203
What Literature Does for Readers and Writers   205
Children’s Needs and Reading Interests   206
Criteria and Resources for Selecting Quality Books   207
Elements of Literature   209
Elements of Fiction   209
Elements of Nonfiction   210
Literature Genres   211
Picture Books   211
Traditional Literature   212
Modern Fantasy and Science Fiction 212
Poetry 213
Contemporary Realism 214
Historical Fiction   214
Nonfiction: Informational Books   215
Nonfiction: Biography   215
Bibliotherapy: Books That Help Children Cope   216
A Sample of Selected Books Useful in Bibliotherapy   218
Selected Activities   220
Living in a Diverse World: Multicultural Literature and
   International Literature   221
Multicultural Literature   221
International Literature   223
Instructional Activities   224
Motivational Activities   224
Interpretive Activities   228
Literature Circles: A Popular Interpretive Activity   229
Assessment   230
Working With English Language Learners   231
Practical Instructional Activities and Ideas   231
Lesson Plan   233

Fm-Donoghue-45635.indd 13 7/3/2008 5:26:59 PM


Integration Across the Curriculum   236
Parents as Partners   237
Student Study Site   238
Additional Professional Readings   238
Children’s Literature Cited in the Text   239
References   243
Anticipation Statement Answers   244

Part III Writing as a Language Art


Ch a p ter 8 Writing: Process, Genres, and Motivational Strategies 247
Anticipation Statements   248
Guidelines for the Teaching of Writing   248
Applicable IRA/NCTE Standards   249
Factors Affecting Children’s Writing Performance   251
Emergent Writing   252
Early Writing Stages   252
Principles of Emergent Writing   253
Prerequisites for Beginning Writing   254
Abilities Needed for Effective Writing   254
Ability to Write a Sentence   254
Ability to Write Paragraphs   255
Ability to Use Capitalization 255
Ability to Use Punctuation   255
The Writing Process   256
Prewriting   256
Drafting   259
Revising   259
Editing   260
Publishing   260
Writing Genres   261
Narrative Writing   262
Expository Writing    266
Persuasive Writing   268
Poetic Writing   268
Motivational Strategies That Promote Writing   270
Kindergarten–Third Grade   270
Fourth Grade–Sixth Grade   271

Fm-Donoghue-45635.indd 14 7/3/2008 5:26:59 PM


Writing Development Through the Grades   273
Kindergarten   273
First Grade   273
Second Grade   274
Third Grade   274
Fourth Grade   274
Fifth and Sixth Grades   275
Samples of Children’s Writing   275
Assessment   282
Working With English Language Learners   282
Practical Instructional Activities and Ideas   283
Lesson Plan   285
Integration Across the Curriculum   287
Parents as Partners   289
Student Study Site   290
Additional Professional Readings   290
Children’s Literature Cited in the Text   290
References   291
Anticipation Statement Answers    292

Ch a p ter 9  riting Tools: Handwriting, Keyboarding,


W
Spelling, and Grammar 293
Anticipation Statements   294
Handwriting and Keyboarding   294
Fundamental Facts About Teaching Handwriting   295
Applicable IRA/NCTE Standards   295
Prerequisite Skills for Beginning Writing   297
Handwriting Forms   299
Criteria for Determining Handwriting Quality   303
Left-Handed Children   305
Keyboarding or Word-Processing Skills   306
Spelling   308
Principles and Conventions of Spelling   309
Fundamental Facts About Spelling   310
Stages of Spelling Development   311
Invented Spelling   313

Fm-Donoghue-45635.indd 15 7/3/2008 5:26:59 PM


Approaches to Teaching Spelling   314
Selecting Spelling Words   315
Guidelines to Spelling Instruction   316
Spelling Strategies That Must Be Taught   318
Grammar   320
Reasons for Teaching Grammar   320
Fundamental Facts About Grammar   320
Major Types of Grammar and Their Language Elements   321
Fundamental Facts About Grammar Instruction   322
Assessment   323
Working With English Language Learners   323
Practical Instructional Activities and Ideas   324
Lesson Plan   326
Integration Across the Curriculum   327
Parents as Partners   328
Student Study Site   329
Additional Professional Readings   329
Children’s Literature Cited in the Text   329
References   330
Anticipation Statement Answers    331

C h a p t e r 10 The Writers’ Workshop 333


Anticipation Statements   334
Essentials of the Workshop   334
Finding Time for the Whole Class to Write   334
Applicable IRA/NCTE Standards   335
Arranging the Environment for Talk   337
Gathering and Organizing Materials   337
Implementing the Writers’ Workshop   338
First Major Component of the Workshop Session: Focus Lessons   338
Second Major Component of the Workshop Session:
   Independent Writing Time   342
Grades K Through 1   346
Grades 2 Through 4   346
Grades 5 Through 6    346
Third Major Component of the Workshop Session: Share Time   347

Fm-Donoghue-45635.indd 16 7/3/2008 5:27:00 PM


Assessment   349
Working With English Language Learners   350
Practical Instructional Activities and Ideas   350
Lesson Plan   352
Integration Across the Curriculum   354
Parents as Partners   355
Student Study Site   355
Additional Professional Readings   356
Children’s Literature Cited in the Text   356
References   356
Anticipation Statement Answers    356

Part IV Oral Language Arts


C h a p t e r 11 Listening and Speaking 361
Anticipation Statements   362
Listening   362
Relationship of Listening to Other Language Arts   363
Applicable IRA/NCTE Standards   363
The Complex Process of Listening   364
Factors That Influence Classroom Listening   365
Types of Listening   366
Strategies for Teaching Listening   370
Helping Special-Needs Students With Impaired Hearing   370
Speaking   371
Discussion   373
Interviewing   376
Storytelling by Teachers and Students   377
Choral Speaking   378
Readers Theater   381
Reporting   383
Assessment   385
Working With English Language Learners   386
Practical Instructional Activities and Ideas   386
Lesson Plan   388
Integration Across the Curriculum   390

Fm-Donoghue-45635.indd 17 7/3/2008 5:27:00 PM


Parents as Partners   390
Student Study Site   391
Additional Professional Readings   391
Children’s Literature Cited in the Text   391
References   391
Anticipation Statement Answers   392

C h a p t e r 12 Creative Drama 393


Anticipation Statements   394
Benefits of Creative Drama   394
Applicable IRA/NCTE Standards   395
Qualities and Components of Creative Drama   397
Major Types of Creative Drama   398
What Is Not Included in Creative Drama   398
Pantomime   398
Puppetry   401
Story Dramatization: Interpretation   404
Story Dramatization: Improvisation   407
Assessment   408
Working With English Language Learners   409
Practical Instructional Activities and Ideas   409
Lesson Plan   411
Integration Across the Curriculum   413
Parents as Partners   414
Student Study Site   414
Additional Professional Readings   415
Children’s Literature Cited in the Text   415
References   415
Anticipation Statement Answers   416

Appendix: Technology Connections for the Language Arts 417


Glossary 427
Index 435
About the Author 451

Fm-Donoghue-45635.indd 18 7/3/2008 5:27:00 PM


Preface

Language Arts: Integrating Skills for Classroom Teaching incorporates new approaches tailored
to the needs of an increasingly diverse student teacher population. This text offers current content
such as keyboarding, creative drama, working with English Language Learners, and motivational
strategies needed to promote writing among primary and intermediate students. It provides an in-
depth analysis of both formal and authentic assessment measures and lists more than 500 excellent
books for children that promote reading and writing activities.
Critically important national literacy standards, as defined by the National Council of Teachers
of English and the International Reading Association, prevail throughout the book, and the stan-
dards relevant to each chapter are listed specifically at its beginning. Each chapter also empha-
sizes activities to involve parents as educational partners, a detailed lesson plan, and techniques
to integrate the language arts across all the subjects in the elementary curriculum. The text further
includes extensive professional reading lists and technology-based resources to bring returning
teachers up to date, and to educate student teachers about the rapidly changing field they are pre-
paring to enter.
The English language arts are the most potent discipline in the entire elementary curriculum;
they are the foundation for all other subjects commonly taught to children. My aim, then, in writing
this textbook has been to combine the best of traditional language arts training with new concepts
to deepen the teaching repertoire of student teachers and returning instructors.

Organization of the Text


The book is divided into four parts.

Part I: Foundations of the Language Arts


Chapter 1: Language and the English Language Arts includes an outline of the six
arts as defined by the National Council of Teachers of English and the International Reading
Association, as well as a discussion of the functions, characteristics, and structure of lan-
guage itself. Chapter 2: Children as Language Learners and Thinkers is concerned
with both first- and second-language acquisition as well as linguistically diverse learners.
Chapter 3: Formal and Authentic Assessment addresses the issue of assessment, which
is of increasing importance in today’s high-stakes testing society. Chapter 4: Integrating
Language Arts Across the Curriculum promotes the subtitle of the book. Both
Chapters 3 and 4 are overviews of their subjects, as the topics reappear at the end of every
chapter throughout the book to emphasize their importance.

xix

Fm-Donoghue-45635.indd 19 7/3/2008 5:27:00 PM


Another random document with
no related content on Scribd:
Si cette pétition parvient à la Chambre par milliers d’exemplaires,
nos députés se verront dans l’obligation d’accomplir à bref délai une
réforme que les bonnes mœurs exigent impérieusement.

L. T.
TABLE DES MATIÈRES

Dédicace V
La Confession et les Confesseurs 9
Examen de conscience 22
Le Journal du Presbytère 45
APPENDICE
Pieuses exhortations 57
Mœchialogie, cours de luxure 77
Compendium 145
Les Diaconales 157
Moralité des immoralités 213

Paris. — Charles Unsinger, imprimeur, 83, rue du Bac.

PRINCIPAUX OUVRAGES EN DÉPÔT


A LA

LIBRAIRIE ANTI-CLÉRICALE
26 et 35, rue des Écoles, Paris
Le Péché de Sœur Cunégonde, par Hector France. Un 5
volume. 3 fr. 0
La Morale des Jésuites, par Paul Bert. Un volume. 5
3 fr. 0
Le Livre qu’il ne faut pas Faire Lire, recueil
authentique de la pornographie religieuse, contenant
in-extenso, entre autres pièces curieuses, Le 5
Cantique des Cantiques de Salomon. Un volume. 1 fr. 0
Moines et Comédiennes, par Hortense Roland. Un 5
volume. 3 fr. 0
Par la Grâce du Saint-Esprit, roman comique, par Léo 5
Taxil et F. La Font. Un volume. 1 fr. 0
Gros-Jean et son Curé, dialogues anti-cléricaux, pleins
d’esprit et de bon sens, par Roussel, de Méry, avec
nombreux dessins comiques d’Alfred Lepetit. Beau 5
volume. 4 fr. 0
L’Alcôve du Cardinal, par Vindex. Un volume. 3 fr. »
Le Couvent de Gomorrhe, ou les mœurs horribles des 5
cloîtres dévoilées, par Jacques Souffrance. Un volume. 1 fr. 0
La Guerre des Dieux, par Parny. Un volume. 5
1 fr. 0
La Vie de Jésus, par Léo Taxil, ouvrage excessivement
beau, avec près de 500 dessins comiques, par Pépin.
Un magnifique volume. 3 fr. »
Le Moine Incestueux, par E. Ploërt Un volume. 5
1 fr. 0
La Religieuse, par Diderot. Un volume. 5
1 fr. 0
Les Bijoux Indiscrets, par Diderot. Un volume. 5
1 fr. 0
Le Capucin Enflammé, par le R. P. Alleluia, de l’Ordre 5
de la Sainte-Rigolade. Un volume. 1 fr. 0
Joindre à toute commande le prix du volume et le montant des
frais de port. — Le Catalogue complet est envoyé gratis à toute
personne qui en fait la demande par lettre affranchie.

Paris. — Typ. Ch. Unsinger, 83, rue du Bac.


*** END OF THE PROJECT GUTENBERG EBOOK LES
PORNOGRAPHES SACRÉS: LA CONFESSION ET LES CONFESSEURS
***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.

You might also like