SITE VISIT AND
CASE STUDIES
SITE
Area – 14.8 Acres
Location – Whitefield,Bangalore
Access roads – ITPL Main
Road(whitefield road-6M width)
Bus stop in front of the site The nearby metro station
ISSUES
* The main issue seen at the site was waste dumping.
* Eventhough the site is facing the main road and have such potential the site was filled with wastes.
ISSUES
* Unauthorized settlements at the back side of the site.
INDIAN MUSIC EXPERIENCE MUSEUM
BANGALORE
Built up area - 32,519 sq.ft
City - Bangalore
Type - Experimental Museum for Music
Architects - Architecture Paradigm
Located in Brigade Millenium JP Rd nagar
India’s first Interactive Music Museum
The context brings together the idea of Indian music, a museum, a
music school, documentation center and a cultural center located in a
cohesive development.
Indian music inspires through its classical structure,variety of
instruments,diversity of folk cultures and the medley of popular
music.
A setting for understanding it should be inspired from the intensity of
Indian music
BASIC CONCEPT OF THE DESIGN
The basic concept and the design of this enclosure begins from understanding the classical structure of music, and develops
it along the lines of how raga is constructed in the music, and improvises it towards an experience that reminds one of
musical ideas of rhythm, depth, pitch, volume, texture and scale
USER BEVAVIOURS ACTIVITY PATTERNS AND THE FORM MAKING
The Exhibit Area consists of 8 thematic galleries showcasing various facets of Indian music, an instruments
gallery with over 100 musical instruments, three mini- theatres, and several computer-based interactive
installations that allow the visitor to experience the process of music-making. This correspondent has been
the Creative Consultant for three of the Key Sections – Galleries 6, 7 and 9 and Gallery 7 has been his exclusive
Content responsibility.
The IME has been conceived as a vibrant music hub for celebrations of India’s unity in spirit and diversity in
creative expression .Visitors to this museum will be able to rediscover their connections to the living tradition
of Indian music.
ANALYSIS OF VISUAL QUALITY IN MASSING, SPACE MAKING AND FORM
MAKING.
The four-storey building of the museum with a covered area of about 4000 square metres has been built on a plot of about one hectare
located in a posh locality of JP Nagar in Bangalore.
The museum accommodates an interactive exhibit area consisting of eight thematic galleries showcasing various facets of Indian music, an
instruments gallery with 250 musical instruments, and several computer-based interactive installations that allow the visitor to experience
the process of music-making.
A Sound Garden is the second major attraction of the IME. It features musical sculptures including reeds, chimes, tubular bells, plate gongs
and musical stones that introduce visitors to the principles of sound.
A Learning Centre is yet another important component of the IME. It is planned for delivering curriculum-based music
education and development of music teaching aids for schools. The Learning Centre consists of five classrooms, a
seminar hall and a library to hold music classes, workshops and lectures on regular basis.
In addition to the above, the IMA comprises a cafe for refreshments and a gift store for music related memorabilia.
According to architects, "the design of the museum building follows the curves of the existing jamun and mango trees
on the plot. The curved facade symbolizes the gradual expansion of Indian music, like flowing raga."
Says Architect Sandeep J. of Architecture Paradigm, “The objective was to create a public space that showcased and
celebrated Indian music. The architectural design responds to this by organising the three major components of the
structure - interactive exhibit galleries, music school and exit theatre - where the nature of the site with its existing
trees remains well preserved.”
BASEMENT PLAN
GROUND FLOOR PLAN
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
TERRACE FLOOR PLAN
DYNAMIC DELIVERY
The articulation of materials,form and voids is directed towards a
memorable form outside and an embodied experience of the inside of
the museum that is rich in providing a setting for interaction,learning,
teaching,researching and musical engagement.
Here,the musical ideas of rhythm,repetition,depths,volume and pitch
appear inform,structure,light and shadow and in surface articulation of
the architecture keeping music as a reference and a balance between
heavy and light materials,space and texture.
ZONING STUDY
The museum begins at ground level where an innovative sound garden prevails under the shade of trees, the structure
craftily woven around these trees, the evolving edifice fluid, akin to the notes of a mesmerising musical composition.
Various musical notes emanate from the stone, wood and metal installations that rest in the sound garden, inviting the
visitor to plunge in and play the tunes or merely listen to the singing stones, as in the humming stone.
THIRD FLOOR – GALLERY 1
Contemporary Expressions - relive the early days of independent ‘Indie’ rock music in India .
Highlights: Hybrid sounds interactive, Daler Mehndi’s performance costume, auto-rickshaw mini theatres
THIRD FLOOR – GALLERY 2
Living Traditions –basic concepts of Karnatik and Hindustani music.
Highlights: Web of composers interactive, gharana display, musical concepts interactive, Samay Chakra film
THIRD FLOOR – GALLERY 3
Songs of the People –various folk and tribal communities of India, their songs and the contexts in which such songs are sung.
Highlights: Puppet displays, folk art murals, Kaavad box
THIRD FLOOR – GALLERY 4
Melting pot – Indian music is a confluence of many influences. Interesting and lesser-known stories about the histories of
musical instruments such as the violin and the harmonium.
Highlights – Brass band photo opportunity, leg harmonium display, the story of ‘Nottuswara
SECOND FLOOR – GALLERY 5
Instruments Gallery – A stunning double-height display of over 100 musical instruments from across the country, along
with touch-screen information on their origins, making and playing techniques.
Highlights - Peacock-shaped Mayura Veena, snake-shaped Nagphani
SECOND FLOOR – GALLERY 6
Songs of struggle – This gallery explores music from India’s national movement, songs of protest and patriotism in popular
culture.
Highlights – Over 35 versions of the song ‘Vandemataram,’ replica of Mahatma Gandhi’s letter to M.S. Subbulakshmi,
patriotic songs from Hindi film across the ages
SECOND FLOOR – GALLERY 7
Stories Through Song – Since the first ‘talkie’ in the 1930s, music has been an inalienable part of the movies in India.
Landmarks and legends of Hindi film music and diverse influences of various genres of music in film songs.
Highlights: Thematic memory boxes, film poster photo opportunity, background score interactive
SECOND FLOOR – GALLERY 8
Reaching Out— From the gramophone to the mobile phone, the way that music has been recorded and disseminated has
evolved. The journey of recorded sound in India and learn about the pioneers of recording.
Highlights – Rare phonograph and wax cylinder display, gramophone set photo opportunity, recording studio
SECOND FLOOR – GALLERY 9
Stars – Featured in this gallery are 100 luminaries of Indian music across various genres, along with precious memorabilia
belonging to the Bharat Ratna musicians of the country.
Highlights: Shehnai of Ustad Bismillah Khan, the tambura of M.S. Subbulakshmi, concert attire and a shehnai of Pandit
Bhimsen Joshi.
ANALYSIS
The Indian Music Experience Museum (IME) is a pioneering institution dedicated to celebrating India’s rich musical heritage. Its architecture is
designed to enhance the immersive and educational experience while catering to diverse functional needs.
1.Zoning and Layout
1. The museum features distinct zones, including interactive galleries, a sound garden, an auditorium, and spaces for workshops.These
zones are thoughtfully arranged to guide visitors through an experiential journey.
2. The sound garden, located outdoors, offers an engaging introduction to music, while the galleries and performance spaces are housed
indoors, maintaining an immersive ambiance.
2.Interactive Design
1. The museum's architecture prioritizes interactivity, with flexible gallery layouts that accommodate digital installations, live
performances, and hands-on exhibits.
2. The use of open and transitional spaces fosters visitor movement and engagement, blending education and entertainment seamlessly.
3.Cultural Integration
1. Inspired by Indian musical traditions, the architecture incorporates rhythmic patterns and motifs, reflecting the essence of music.
2. The material palette of the museum includes earthy tones and textures, creating a sense of connection to Indian cultural roots.
4.Functional Efficiency
1. The auditorium and workshop spaces are acoustically designed for optimal sound quality, supporting live performances and
educational programs.
2. The design ensures smooth visitor circulation, with strategically placed services like restrooms and café facilities enhancing
convenience.
5.Sustainability and Accessibility
1. The IME integrates sustainable features, such as natural ventilation and energy-efficient systems, while also ensuring accessibility with
ramps and elevators for inclusive design.
The architecture of the Indian Music Experience Museum masterfully combines cultural storytelling, interactivity, and functionality. It creates a
vibrant space where visitors can explore, engage, and celebrate India’s musical diversity.
KOREAN CULTURAL CENTRE
DELHI
City - Delhi
Type - culture centre
The Korean Cultural Centre in Delhi is a vibrant hub for fostering
cultural exchange between South Korea and India. Located in the
capital, it offers diverse activities, including Korean language classes,
traditional and contemporary art exhibitions, K-pop events, and film
screenings. The Centre showcases Korea's rich heritage and modern
culture through workshops, performances, and collaborative events
with Indian institutions. By promoting mutual understanding and
supporting academic and cultural exchanges, the Centre strengthens
the enduring friendship between the two nations.
DALGRAK CAFE
The cafe at the Korean Cultural Centre in Delhi offers visitors a cozy and immersive experience of Korean culinary culture. Known for its
warm ambiance and authentic menu, the café serves popular Korean delicacies like tteokbokki (spicy rice cakes), kimbap (seaweed rice
rolls), and Korean-style coffee. It is a favorite spot for visitors to unwind, enjoy light snacks, and experience a taste of Korea.
The cafe also serves as a gathering space for cultural enthusiasts, often complementing the Centre’s events with themed menus or special
treats tied to festivals and exhibitions. Whether you're attending a language class, watching a K-drama screening, or simply exploring
Korean culture, the café provides a delightful break in a truly Korean atmosphere.
Only the café and ground floor are accessible to the public.The upper
floors are only foe membership members
LOBBY AND INTERIOR SPACES
Open seating spaces Café entrance Exhibition spaces Open seating spaces Lobby space
ANALYSIS
The architecture of the Korean Cultural Centre in Delhi is thoughtfully designed to reflect the ethos of Korean culture while serving diverse
functions efficiently. Its spatial organization and zoning are tailored to cater to its multifaceted services, creating a harmonious blend of form
and function.
1.Zoning and Layout
1. Zoning divides the space into public areas (exhibition halls, auditoriums), quieter zones (classrooms, workshops), and social spaces
(café, library), ensuring smooth circulation and focused activities.
2.Cultural Integration
1. The architecture incorporates traditional Korean design elements, such as clean lines, neutral tones, and natural materials, symbolizing
simplicity and harmony.
2. Exhibitions spaces are designed to highlight both traditional and modern Korean culture, with adaptable layouts to accommodate
diverse displays.
3.Functional Efficiency
1. Multi-purpose spaces, such as modular halls, are incorporated to host various activities, from K-pop dance sessions to academic
seminars.
2. The inclusion of dedicated spaces for performances, screenings, and community events reflects the emphasis on dynamic cultural
engagement.
4.Services and Accessibility
1. The Centre ensures accessibility through ramps, elevators, and well-organized circulation paths.
2. Supporting facilities like restrooms, storage areas, and service zones are discreetly integrated to maintain a seamless visitor
experience.
5.Sustainability
1. The design employs sustainable practices, including energy-efficient lighting and ventilation systems, in alignment with Korean
architectural values of harmony with nature.
The Korean Cultural Centre’s architecture reflects a careful balance between cultural representation, functional zoning, and visitor-centric
design, creating an engaging and versatile space that serves as a cultural bridge between Korea and India.
