Saideira

arr João Victor Godinho arranjo para a Banda Musical Skank

Master

João Victor Godinho de Oliveira

 
  = 140 
2
Flauta Transversal    


      


Flauta Transversal

     


Clarinete em B♭

    


Clarinete em B♭

  


Clarinete em B♭
  
    
  


Saxofone Alto

  
   


Saxofone Alto

    


Saxofone Tenor


     


Saxofone Tenor

 
   


Baritone Sax
 
     


Trompete em B♭ 

    


Trompete em B♭ 

    


Trompete em B♭


      


Mellophone

       


Trombone

       


Trombone

     
 


Trombone

   




Baritone
  
       


Bombardino

     


Sousaphone
 
  
   


Snare Drum

   


Tenor Drums  

Bass Drums      

     

Cymbals

João Victor Godinho de Oliveira

 
2     
3
Fl.   


     

Fl.

 
Cl. em B♭      

     
Cl. em B♭  

 
    

Cl. em B♭

     
 


A. Sax

   
 
A. Sax  
  
Sax. Tn.     

  
   

Sax. Tn.

  
Bar. Sax.
    
  
Tpt. em B♭      
 
Tpt. em B♭      

 
Tpt. em B♭     

     

Mph.

     



Tbn.

      


Tbn.

    
  

Tbn.

    
 
Btn.
  

      
Bomb.

   
Sphn.
   

S.D.      

  
T.D.   

     
B.D.

    

Cym.

João Victor Godinho de Oliveira

  
3     
4
Fl.  


Fl.     

  
Cl. em B♭     

  
Cl. em B♭     


   
 
Cl. em B♭

     
 
 
A. Sax

     
A. Sax 

  
Sax. Tn.     

  
 


Sax. Tn.   




Bar. Sax.
   
   
Tpt. em B♭     

  
Tpt. em B♭     

     
Tpt. em B♭
 

    
 
Mph.

  
   
 
Tbn.


  
 
Tbn.


  
 
Tbn.

   
  
Btn.
 
     


Bomb.

  
Sphn.
  

S.D.     

     
T.D.  

B.D.     

    

Cym.

João Victor Godinho de Oliveira

   
4          
         
         

5
 
Fl.   

      

                  
  
    

    

   
  
Fl.

  
          
            
           
Cl. em B♭       

        
                    
             
 
Cl. em B♭

                
                 


 

       
Cl. em B♭

               
                
    
 
       
A. Sax

              
                   
A. Sax
   
          
                     
           

Sax. Tn.

     
                      

            
Sax. Tn.
  
   
  
Bar. Sax.
       
           
           
    
   
          
            
           
Tpt. em B♭       

       
                   

            
Tpt. em B♭
   
     
              
Tpt. em B♭                         

                 
  
    

    

   
  
  
       
Mph.

              
                  




Tbn.

                    
Tbn.                    

                               


  
     
      
Tbn.

       
                           


Btn.
     
                    
                
Bomb.
  
       


                    
              
Sphn.

                                                                        

           

S.D.

                               
                  
T.D.   
     
B.D.                      
   
               

Cym.

João Victor Godinho de Oliveira

     
                 
10                        
6
Fl.                                  

           
                                                   
 

       
   
Fl.

       
                                                      
   
 

        
Cl. em B♭

   
                                                
 

              
       
Cl. em B♭


          
         
       
                        
 

 
             
         
Cl. em B♭

            
               
     

                             
 

      

      
A. Sax

                
                       
                           
 

      

      
A. Sax

                
         
                                 
 

        
    
Sax. Tn.

                
         
                                        


    
3

        
Sax. Tn.

            
              


   
3

     
           
         
         
         
gliss.

   
Bar. Sax.

         
                                                          
 


     
   
Tpt. em B♭

           
                                               


          
Tpt. em B♭

         
                                       
           


Tpt. em B♭
           
                                      
                 


    
        
3

   
                           
Mph.

   
                    
         
 
         


  
             
Tbn.

                    
  
                                  
 3

          
Tbn.

                                                
 3

   
       
            
            
Tbn.

        
                                         
 3

    
 
          
Btn.

                      
                                    
 3

Bomb.
   
             
            gliss.   
 3

Sphn.
    
     
                
     
                    
                                                                                  
           


                              
 
S.D.

                      
                                                 
      

T.D.

          
B.D.                                         

              
                                    

Cym.

João Victor Godinho de Oliveira

    
                   
23   
7
      
                       
   
Fl.

                                
         

                        
   
Fl.

                           
         

      
        
      
    
   
Cl. em B♭

                           
         

                        
  
   
Cl. em B♭

  
                                        
         

        
  
Cl. em B♭

   
            
      

             
  

   
                        
   
A. Sax

                                    
         

A. Sax                        

                                                                
       

Sax. Tn.         

                                                                
3

Sax. Tn.         
            
        
           
3

 
    
    
      
    
    
 
   
Bar. Sax.

                                  
    
    
    
    
   
Tpt. em B♭

                                           
      

  
      
   
Tpt. em B♭

        
                                     
   

  
  

   
Tpt. em B♭

        
                                        
   

                      
  


3

                                    
Mph.

    
                                 

                                      
Tbn.

      
                             
3

                                      
Tbn.

      
                             
3

                                      
Tbn.

      
                             
3

 
                                      
Btn.

      
                             
3

Bomb.

             
        
3


      
      
          
      
    
 
 
 
Sphn.


                                                                                       
                     
    
S.D.

                           
                   
                     


    
T.D.

       
B.D.         
        
              
        
              
                                        
                                                                                           

Cym.
João Victor Godinho de Oliveira 
       
                
36                                              
8
      

                     
Fl.

              
                   
              

    
  3

   
Fl.

                     
                               


                 
3


   
Cl. em B♭

                    
                                    


           
3

 


Cl. em B♭

 
                           


             
3

     


                   
      
3
Cl. em B♭

      
                
                                               


  
  
   
A. Sax

                  
                                    
3

          
 

  
  
   
A. Sax

           
                                             
  3

     
   
Sax. Tn.

       
                         
  3

Sax. Tn.                          
       

 

   
3

                                                          
3

     
Bar. Sax.

              
                              
 

 
   
Tpt. em B♭

                       
                               
  

               
3

Tpt. em B♭  
                  
                               


               
3

     


  
Tpt. em B♭

                       
                                 
3

     
 

         
3

Mph.

                               
   
 

                                
   
Tbn.

   
                           
  3

   
                            

Tbn.

                                         
   
 
     
    
 3

   
         
   
Tbn.

   
               
3

                   


                    
     

Btn.

          
           
           
           
  
   
 
     
    
  3

Bomb.
     
        

 3

   


                                                         
3
Sphn.

   
                                
 

               
3 3 3 3 3 3 3

S.D.

                                 
                     
T.D.                  

                                               
  
3

B.D.

                                                                          

3

Cym.
João Victor Godinho de Oliveira
      
47  

                                     
         
 9
Fl.                                

   
                                                              
Fl.
         
         
                                                                     


           
Cl. em B♭
 
    
                                                              
Cl. em B♭
                    
                     
         

  
         
         
         
 
 
    
      
Cl. em B♭

             
    
                          
       

                    


       
  
      
A. Sax

             
                               
       
             
           


A. Sax
     
                   
                 
              

                            


Sax. Tn.
       
                   
                 
              

                            


Sax. Tn.
       
         
    gliss.      
                                  


                             
Bar. Sax.

           
                                                                     
Tpt. em B♭        
    
               
                                                   
Tpt. em B♭          


      
  
 
              
                                            
Tpt. em B♭                     
          
                                                      
   



 

 




    
    
Mph.


                                               
                  


              
  
  
Tbn.

                                
Tbn.                                          

                                                                   
         
              
    
Tbn.

                
                                               
Btn.
        
                                    
                                   
Bomb.
    
      gliss.               
Sphn. 
       
     
      
     
            
      
     
             
                                                                                 

                   
 
S.D.

                       
          
 
  
     
 
  
 
  
 
  
        

     
        
        
3 3

T.D. 
             
B.D.                                       
           
                                    

Cym.

João Victor Godinho de Oliveira

  
                
59                     
10
    
                  
 
          
Fl.

                              
 
                   
   

 
   
Fl.

                 
                        
   

             
 
Cl. em B♭

                 
                             
   

            
 
Cl. em B♭

  
                                         
   

             
   
     
Cl. em B♭

             
                        
   

                

 
A. Sax

                              
                        
       
   

 
      
A. Sax

       
                                              
  

Sax. Tn.      

                                                     
 3 

Sax. Tn.              
           
          


       
3 

     
    
    
                       
 
Bar. Sax. gliss.

                          
            


        


          
     
Tpt. em B♭

                
                        
 

        
   
 
Tpt. em B♭

  
                                                     
 

 
Tpt. em B♭

              
                           
    
 

            
   
3

     
Mph.

                           



   


                           
                       
Tbn.

          
                              
 3 


                        
Tbn.

    
                                
 3


  
                        
Tbn.


                   

           
        
 3

   
                        
Btn.


                   

           
        
 3 

Bomb.
 
        
    
  
  
  
 3 

         
      
    
 
                       
 
Sphn. gliss.


                                                                      


                     
  
S.D.

                         
                
                          
  
T.D.

             
B.D.         
       
        
                
                    
                                                                             

Cym.

João Victor Godinho de Oliveira

          
               
71                                      
  
11
         

          
Fl.

                 
                                      
 3

  
  
Fl.

                   
                                  


               
3





  
Cl. em B♭

     
                                                      


        
3

Cl. em B♭
 
 
                        


        
   
3

    
        

      
       
3
Cl. em B♭

      
                                   

  
       


              
      

   
A. Sax

  
                                     
3

               


          
   

  
A. Sax

           
                                             
 
 3

      
  
Sax. Tn.

          
                                  
 


  
3

Sax. Tn.
               
      
      gliss.  


                   
3

                              
      
3

     
Bar. Sax.

               
                         
  


   
  
Tpt. em B♭

                       
                               
     
  

          
3

Tpt. em B♭  

                   
                            


                 


   
3

Tpt. em B♭
    
                  
                      

    
   
      
 3

          
3

Mph.

                       
 
              
   


                         
   
Tbn.

   
                          
3




    
                       

Tbn.

                          
  


 

                    
 3

   
        
  
Tbn.

     
            
                
3

            


              
     

Btn.

    
           
           
  
  


 

                   
  
 3

   
Bomb.
 
       
      gliss.  
3

   


                                       
       
    
3
Sphn.

                 

                             


             
3 3 3 3 3 3 3


S.D.

                                  
                            
     
3 3

T.D.           
      
                          
        
        
3

B.D.

   
                                                            

3

Cym.
João Victor Godinho de Oliveira
      
                   
12 82                           
Fl.                            

        
                                                     
       
   
Fl.

        
                                                            
Cl. em B♭       
   
                                                    
Cl. em B♭
                   

            
        
         
         
         
 
 
            

      
Cl. em B♭

            
                
       

                          
       
      
A. Sax

                
       

    
     
                 

  
           
 
   
A. Sax

                  
             

                                
Sax. Tn.
       
                  
             

                                    
Sax. Tn.
       
           
       
       
           
           
           
        
   
Bar. Sax.

          
                                                         
      
   
Tpt. em B♭

             
                                                  
Tpt. em B♭          
          
                                        
Tpt. em B♭               
           

 
                                                          
        
     
                   
Mph.

     
                  
 
 
         
  
   

    
  
   
Tbn.

                           
Tbn.
  
                                   

  
                                                           
       
      
         
Tbn.

                           
                             
Btn.
     
                                   
                             
Bomb.
   
                    
Sphn.
      
     
      
           
     
               
                                                         
               
               

S.D.

                      

                                              
T.D.    
        
B.D.                                   
       
                               

Cym.

João Victor Godinho de Oliveira

Flauta Transversal 1 Saideira
arranjo para a Banda Musical
      
                   
arr João Victor Godinho Skank

             
Master
              
 = 140


          
                             
        


  
               
10

   
                              
                         
     
20

 
                      
           

                                
    
36

   
                                                
 

               

46

 
                       
            
3

                   
  
56

      
                                       
  
    
           
   

     
69

      
                                       
 3

               

80


          
  
  
        
89

João Victor Godinho de Oliveira

Flauta Transversal 2 Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

                                                                    
Master
 
 = 140

           


 

                                                   
                        

15

         

 
                                                
          
31

   


          
                                                 
                 
43

 
   
3

 

                                                        
                
57

    

 
                                    
  
                                 
     
71


 
3


        
 
                            
 
84

  

João Victor Godinho de Oliveira

Clarinete em B♭ 1 Saideira
arranjo para a Banda Musical

                   
arr João Victor Godinho Skank

                         
Master

               
          
 = 140




               
                                                   
          
   
12

  
   


       
          
     
                                          
 
25

       

  
  


            

                        
                          
   
40


 3

    
                                                         
                  
52


  

    
  
        

     

             
                                    
65

 


                

                                      
                
77

     
  
                        

88

João Victor Godinho de Oliveira

Clarinete em B♭ 2 Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

           
Master
                                                                    
 = 140

  



       
     
                                                                     
12

   
  
   

            
                                     
                        
25

       

     


                

                                                   
  
40


 3

       
     
                                                                     
52

   

  

    
       

    

             
     


               
                
65

 

          
                              
                                  

77

3
  

 
                        
      
88

João Victor Godinho de Oliveira

Clarinete em B♭ 3 Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

                                          
Master
       
 = 140

                


   
   
                                                                    
14

         

     
                                                         
       
30

       

           
                                   
                      
43

     
3




    
                          
                                         
56

      


                                            
                      
 
70

      
3

                      
                     
        
82

João Victor Godinho de Oliveira

Saxofone Alto 1 Saideira
arranjo para a Banda Musical

 = 140                                                          
arr João Victor Godinho Skank


Master
        
        

 


         
 
     
      
                                                    
12

 
  
                 
  

      
                    
                       
24

      
        

      
                                       
                  
   
39

  3

                     


      
                                         
         
50


 
    


        
     
  
                                            
  
62

      
  

                               
     
                           

74

 3 

          
                                    
             
85

João Victor Godinho de Oliveira

Saxofone Alto 2 Saideira
arranjo para a Banda Musical

 = 140                                                          
arr João Victor Godinho Skank


Master
        
        



  
 
      

          
           
     

                      
    
            
12


  
   

           
 
     

         
                                    
    
       
25

      
      


                                            
                   
  
40

 3 

           


        
  
                                                      
51

 
 


                                                       

        
 
63

      
 

                       
                               
            
   
75

 3

             
                                      
86

 

João Victor Godinho de Oliveira

Saxofone Tenor 1 Saideira
arranjo para a Banda Musical

           
arr João Victor Godinho Skank

                
Master
  
                   
               
 = 140

  

                        
  
                         
                  
 
12

  


 3

                                                                     
              
23

3 

         
         
 
                                                    
37

 3 


       



                                    
                   
    
50

  3

                                         
                                        
61

        



   
       

           

    
                          
75

   
3

   
    
                       
   
87

  

João Victor Godinho de Oliveira

Saxofone Tenor 2 Saideira
arranjo para a Banda Musical

            
arr João Victor Godinho Skank

                    
Master
              
                       
 = 140

 

  



                                           
                   
     
12

  3

                                                                  
                
24

3 

  
    
            
    
  
                                 
38

  3

                                               
     
                     
    
51

  3

                                 
                               
62

        
 
          

          

       
                         
76

 3

    
                   

      
88

 

João Victor Godinho de Oliveira

Baritone Saxophone Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

 = 140     
Master
                                                                

       

                   
 
        
      
      
      
     
     
  
             

12

              
        
                                                        
     
24

       3  
                                                                      
38

   
  

              
 
                                     

                           
50

             
                                                              
61

     3    
                                                       
                
73

  

               
               
                   
85

João Victor Godinho de Oliveira

Trompete em B♭ 1 Saideira
arranjo para a Banda Musical

                   
arr João Victor Godinho Skank

              
           
Master

                     
   
 = 140




       
                                                    

       
  

   
12

 

   
                            
                                         
26

       

   
  
                   

                             
             
 
42

 3

 
         
           
       
        

     

   

     

    
          
55

 


            
      
                        
              
70

   3

       
                                                 
    


  
84

João Victor Godinho de Oliveira

Trompete em B♭ 2 Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

                               
Master
                                     
 = 140

                   
             
   
      
            
    

12




    




        
        
                                           
 
 
26


 
 

     
  

                                

                            
41

 
3

           


             
                                
          
    
 
53

 


    
 



     
                   

               
                           
68

 3

        


                   

 
  
                                         
     
80

      
  


91

João Victor Godinho de Oliveira

Trompete em B♭ 3 Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

       
Master
                                                                     
  
 = 140

   
               
  
            
                                 
12

     

        
                                                           
26

        


   
   
               

                             
 
            
   
41

 

3

 


                
      
                                    
53

  


  

  
                                                                        
 
     
67

 3


        
      
                                             
          
79

 

                
 
90

João Victor Godinho de Oliveira

Mellophone Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank


Master
                                                                          
 = 140

 
    

           
                     
                                         

  
15

 
3

                                     
       
                        
   
28

  
3

     
       
                                                         
      
42

       
3

 

  
 
         
                                                      
  
56


3

 


                                         
                        
    
           
69

    
3

                                                       
   
83

   

João Victor Godinho de Oliveira

Trombone 1 Saideira
arranjo para a Banda Musical
                
                             
arr João Victor Godinho Skank

               
Master
          

 = 140


                   


 
                
             
11


 3

                                    
                       
22

                               
3

                
                        
34

                         

  3

               
                  
48

           
                        
   
                 
58

                           
 3 

         
                               

71

            
 3

                     
 
                      
  
83

João Victor Godinho de Oliveira

Trombone 2 Saideira
arranjo para a Banda Musical
   
arr João Victor Godinho Skank

                                      
Master
                         
 = 140


 

                       

                                      
 
14

 3

                       
                                      
 
26

      
                           
                                 
           
40

 3

                       

                                     
 
54

 3

      
                
  
      
                      
           
        
66

 3

  
                                          
          
81

João Victor Godinho de Oliveira

Trombone 3 Saideira
arranjo para a Banda Musical
   
arr João Victor Godinho Skank

             
Master
                                                  
 = 140

          

                      
                                         
14

     3

                       
                                      
26

3    

    
                        
                                          
40

     3      


                      
                                         
54

     3

  
                                                   
                
66

         3 


                                                               
   
81

        

João Victor Godinho de Oliveira

Baritone Saideira
arranjo para a Banda Musical
                          
arr João Victor Godinho Skank

                   
Master
       
     
 = 140

                   
 

                 
          
                     

11



  3

                                    
                       
22

      
3

        
 
                                                   
    
34

          
  3

  
        
   
                                     
48

  

                                      
                           
  
58

      
 3 

         
                                       
         
 
     
70

             
 3

                 
                                    
         
82

 

João Victor Godinho de Oliveira

Bombardino Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

                                                                      
Master
           
 = 140

 

                         
                                        
  
15

 3

                           
                               
27

3 

   
                        
               
 
    
 
    
 
 
      
40

 3


                       
                                           
   
54

 3

 
                                                   
                
        
66


 3


                                                               
            
81

João Victor Godinho de Oliveira

Sousaphone Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

    
Master
     
                                                                     
 = 140

                    
        
      
      
      
     
     
  
             

12

                 
     
                                                        
     
24

        
                                                                         
38

     
3

                   

        
      
      
      
      
      
     
           

50

              
                                                              
61

      3 
        
                                                
                
73

  

                
               
                   
85

João Victor Godinho de Oliveira

Snare Drum Saideira
arranjo para a Banda Musical
arr João Victor Godinho Skank

                                                                     
Master
 = 140


           

                                   
10

             

                                                                                 
17

                
 
                          
                                                        
27

                

      

37

           

                                                                               
43

       
3 3 3 3 3 3 3

                                                                          
51

             
 
                                           
                               
59

                

      

68

           

João Victor Godinho de Oliveira

                                                                                
2
74

       
3 3 3 3 3 3 3

                                   
82

             

                                   
89

      

João Victor Godinho de Oliveira

Tenor Drums Saideira
arranjo para a Banda Musical

arr João Victor Godinho Skank

                             

Master

                               
 = 140

                    
                                                   
11

        
                                                         
20

                              
                             
33

 

                   
                     

     
    
 
3 3

    
41

                         
         
                    
             
51

                  
                                    
60

 

                               
                   
           
70


           
                                             
             
3 3
79

João Victor Godinho de Oliveira

 
                             
2

   
  
88

João Victor Godinho de Oliveira

Bass Drums Saideira
arranjo para a Banda Musical
       
arr João Victor Godinho Skank

               
Master
                           
 = 140

                    
                             
        
12

          
                                                       
24

                                                      
36 3

         
                                       
48

   
                                                                     
60

 
                                                      
 
73 3

         
                        
84

João Victor Godinho de Oliveira

Cymbals Saideira
arranjo para a Banda Musical
           
arr João Victor Godinho Skank
Master
                                                 
 = 140

                             
                                                                  
20

                 
                                            
30

           
                                                   
40 3

                    
                                                          
54

                                                                           
68 3

           
                                       
81

João Victor Godinho de Oliveira