Scribd
Upload
14 views2 pages

MAPEH 10 Quarter 1 ARTS Characteristics of Arts From The Various Art Movements Autosaved

The document outlines various art movements, including Impressionism, Expressionism, Abstractionism, and contemporary arts, highlighting their characteristics and notable artists. It discusses how these movements evolved from traditional practices to more emotional, abstract, and conceptual forms of expression. Key artists such as Claude Monet, Amedeo Modigliani, and Salvador Dali are mentioned, along with the significance of social realism and the impact of installation and performance art.

Uploaded by

Andrei Adre
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
14 views2 pages

MAPEH 10 Quarter 1 ARTS Characteristics of Arts From The Various Art Movements Autosaved

The document outlines various art movements, including Impressionism, Expressionism, Abstractionism, and contemporary arts, highlighting their characteristics and notable artists. It discusses how these movements evolved from traditional practices to more emotional, abstract, and conceptual forms of expression. Key artists such as Claude Monet, Amedeo Modigliani, and Salvador Dali are mentioned, along with the significance of social realism and the impact of installation and performance art.

Uploaded by

Andrei Adre
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
You are on page 1/ 2

MAPEH 10 Quarter 1 ARTS o combined elements from the native arts of the South

Characteristics of Arts from the Various Art Movements Sea Islanders and the wood carvings of African tribes
o Oval faces and elongated
A. IMPRESSIONISM shapes of African art
o AMEDEO MODIGLIANI
 Artists moved away from established practices and
discovered new ways.  FAUVISM (les Fauves, French
 Used pure unmixed colors side by side using short, for "the wild beasts"),
broken strokes for more visual effect on the subject.
 Capturing scenes of lifelike household objects, o emphasized with strong colors
seascapes, houses, and ordinary people. and visual distortions.
 Preferred working outdoors in a natural light o The important use of unnatural colors gives new
incorporating unusual visual angles, out of proportion emotional meaning to the colors.
objects, subjects placed off-centered, and empty spaces o Creating a strong, unified work that appears flat on the
on the canvas.
canvas.
o HENRI MATISSE.
Impressionist Artists

 CLAUDE MONET is best  DADAISM


known for his landscape
painting, depicting his o Characterized by imagination,
flower gardens and water remembered images, and visual
lily ponds. tricks and surprises.
o The artists and turned their backs
from using traditional styles in arts leading to their new
style called "non-style."
 AUGUSTE RENOIR's o The art, poetry, and performance produced by dada artists
works were snapshots of are often satirical and nonsensical in nature.
real-life paintings of actual o MARC CHAGALL and
people and figures. GIORGIO DE CHIRICO

 SURREALISM ("super-
realism")
 EDOUARD MANET’s
works depicted modern-life o Depicts an illogical,
subjects. subconscious dream world
o A clear expression of departure from reality - as if the
artists were dreaming, seeing illusions, or experiencing
a change in mental state.
o SALVADOR DALI (morbid or gloomy subjects)
o PAUL KLEE and JOAN MIRO (quite playful and even
B. EXPRESSIONISM humorous)
 Created works with more emotional force, and not on  SOCIAL REALISM
realistic or natural images.
 Used distorted outlines, unrealistic or unnatural images. o Expresses the artist's role in social
 Works are not actually what they see in the physical world, reform.
but depend on their imaginations and feelings. o The artists used their works to show
protest against the injustices,
Styles in Expressionism
inequalities immorality, and other
concerns of the human condition.
 NEOPRIMITIVISM
o Social realists have addressed different social issues for
the purpose of increasing people's awareness leading
to reforms and general welfare.

C. ABSTRACTIONISM  Geometrical shapes, patterns, lines, angles, textures,


 existed from various intellectual points of view and swirls of color were used.
(intellectualism) that reflected in art.
 REPRESENTATIONAL ABSTRACTIONISM depicts  OPTICAL ART or OP
still-recognizable subjects ART - art movement
 PURE ABSTRACTIONISM does not recognize any that gives a visual
subject at all experience – a form of
"action painting," taking
Abstractionist Movement place in the viewer's
 CUBISM eye, giving the illusion
o The cubist style was derived of movement.
from the word cube, a three-
dimensional geometric figure
composed of lines, planes,  POPULAR ART or POP
and angles. ART – a movement made
o PABLO PICASSO - Spanish of the use of
painter/sculptor is foremost commonplace, trivial,
among the cubists. even nonsensical objects
that pop artists seemed
 FUTURISM to enjoy and laugh at.
o art of fast-paced, machine-
propelled age.
o Artists draw inspiration
through motion, force,
speed, and strength of E. Contemporary Arts (Installation Art and Performance
mechanical forms. Art)
o works depicted the dynamic
sensation  INSTALLATION ART
o GINO SEVERINI Italian o makes use of
painter sculptural materials
and other media to
 MECHANICAL modify the way the
STYLE viewer experiences a
o basic forms such as particular space.
o environmental art,
planes, cones,
spheres, and project art, and
cylinders all fit temporary art
together in a precise o creates an entire sensory experience for the viewer
and neat manner that allows him to walk through them.

 NON-OBJECTIVISM  PERFORMANCE ART


(non-object) o form of modern art in which
did not make use of the actions of an individual
figures or even or a group of a particular
representations of place and at a particular
figures time constitute the work.
o It involves four basic
elements, namely: time,
space, the performer's
body, and a relationship
D. OP ART and POP ART between the performer and
audience.
o The performer himself or
herself is the artist.

You might also like