1a, 2a, 3a, 4a, 5 Merged
1a, 2a, 3a, 4a, 5 Merged
DWARKA SECTOR 9
DETAIL 'B'
NOTES:
All dimensions to be read and not measured.
DETAIL 'A' DETAIL 'D' All dimensions are in mm.
D
Refer detail drawings wherever relevant.
A B
C
KEY PLAN:
DETAIL 'C'
A B C D E F G H J K L M N
48260
5080 3810 3810 3810 3810 3810 3810 3810 3810 3810 3810 5080
ROCKCUT PARKING ELEVATION
(SCALE-1:300)
1
3810
2
3810
A A'
3
LEGEND:
5080
4
3810
5
3810
6 45715
3810
7
3810
R3
8 R2
R1
5080 REF. DATE DESCRIPTION SIGN
DATE OF ISSUE:
9 PERSPECTIVE VIEW
3810 (SCALE- 1:50) BUILDING
10
CONSTRUCTION
3810 TITLE : ROCK CUT ARCHITECTURE(PARKING LOT)
DRAWING NO.: PL_01B
11 DATE:06.10.2024 SCALE:MENTIONED
B.ARCH FOURTH YEAR SECTION A
50 STIRRUPS TO TIE
THE BOTH BAR MBS SPA
DWARKA SECTOR 9
12 MM Ø BAR BOTH WAYS
230
NOTES:
All dimensions to be read and not measured
All dimensions are in mm.
50 Refer detail drawings wherever relevant.
115
X X'
50
PLAN
RIBS
EVEN COURSE
ODD COURSE
Reinforcement cage
ELEVATION
waterproof coating Reinforcement
Steel plates
DATE OF ISSUE:
200mm
10 MM MORTAR
BUILDING
200mm
PLINTH COURSE 32799,86
75
Alternative brick courses
400mm
CONSTRUCTION
47
0m
m 0mm
47 SHEET TITLE: REINFORCED BRICK CONCRETE
DATE: SCALE :
CHECKED BY:
DRAWN BY:
TRIPTI GOYAL
32799,86
75
10 MM MORTAR
AIR
GAP Main Bar SIGN AND REMARK
Brick
44921,55
MBS SPA
CONNECTING APEX PLATE
A 250
CUSTOMIZED AS PER GIVEN
DIMENSIONS.
40MM DIA EXT. MS PERFORATED
DWARKA SECTOR 9
°
30
30
50 PIPE, OVERALL 300MM LONG ( 50MM
30 30°
OUTSIDE AND 250MM INSIDE THE
200 BAMBOO
90°
60°
90°
NOTES:
All dimensions to be read and not measured.
60
°
30°
80
60
80
°
All dimensions are in mm.
Refer detail drawings wherever relevant.
B D 80 KEY PLAN:
80 INCLINED
BAMBOO 80
80
DETAIL AT "A"
APEX RIDGE DETAIL
(SCALE-1:5)
PIPE GROUTED IN
THE BAMBOO
120
60
60
BAMBOO 125Ø
80
80
300
(SCALE 1:5)
INTERNAL DIA. OF BAMBOO
125
5000
A B
100
LONG DEEP BOLTS
LEGEND:
0
20 4 NO. 5MM ANGULATED SUPPORTED PLATE
100
1 KNOTS
PIPE WELDED OVER
50
SQUARE 5MM THICK
BASE PLATE RCC BED
SECTION A-A'
80
X X'
15MM COVER
4000
2 AROUND PIPE A R3
R2
EXPOSED PIPE 400 R1
WELDED TO 8MM REF. DATE DESCRIPTION SIGN
TH. ANGULAR DATE OF ISSUE:
ANCHOR PLATE
PCC BASE
BUILDING
CONSTRUCTION
250 METAL PIPE TITLE : BAMBOO HUT DETAILS
400
DRAWING NO.: BH_3B
245
DATE:05.09.2024 SCALE:MENTIONED
245
ANGULAR FINS B.ARCH IV YEARSECTION A
DETAIL AT 'B'
(SCALE 1:5)
ANGULAR FINS
NUT BOLT
MBS SPA
156 313 156 DWARKA SECTOR 9
LA
NGE
P P OR
T NOTES:
PF SU
TO B AR All dimensions to be read and not measured.
E ET All dimensions are in mm.
S TR
R Refer detail drawings wherever relevant.
156
TO
Φ
m
2 NO.
1 6m
KEY PLAN:
GUSSET
PLATE
15 MM THICK HIGH
STRENGTH MILD
625
313
STEEL PLATES
WELDED TOGETHER
GP
WELDED TO
FLANGE
156
PLAN
WELDED TO
ISOMETRIC VIEW
FLANGE
LEGEND:
ZIG ZAG CUT IN ORIGINAL BEAM 10
0
20
50
60°
273
173
0°
12
°
60
20
0
R3
50
R2
R1
X' GUZZET PLATE REF. DATE DESCRIPTION SIGN
15 MM TH. WEB (VERTICAL) DATE OF ISSUE:
GUZZET PLATE ISOMETRIC VIEW
BUILDING
ORIGINAL BEAM GIRDER (ELEVATION) CONSTRUCTION
TITLE : STEEL JOINERY DETAILS
DRAWING NO.: SJ_06B
DATE:18.10.2024 SCALE: 1:5
B.ARCH IV YEARSECTION A
RHOMBUS SHAPED SINGLE GUSSET PLATE TO
200mm SIDE Y STRENGTHEN THE BUTT JOINT WELDED ON BOTH SIDES 313 313
208
273
c a c a c a TRIPTI GOYAL PROF DL.SHRIVASTAV /
AR. POOJA THAREJA
450
450
SIGN. AND REMARKS
320
THE BEAM THE BEAM THE BEAM
1535
20
1
0
3 5
200 SECTION XX'
50
Y'
MODIFIED BEAM WITH INCREASED DEPTH GAINED (CASTELLATED GIRDER)
(ELEVATION) (1.648 or 1.65 TIMES INCREASE) SECTION YY'
SCALE 1:5
THE AJANTA CAVES, MAHARASHTRA SHEET 1A
INTRODUCTION VIHARA CAVES The Caves are a very rich example of Buddhist
Excavated in 75m of hard basalt. religious culture in ancient India. The plans of the
The Ajanta Caves are a group of caves excavated in a large flood
They are divided into two types. various caves, their use, and the titanic work
basalt deposit. They were discovered in 1818 during a tiger hunt,
The first, the vihara, served as a refuge and place of hosting for the dedicated to the excavation of these caves also
5km from the city of Ajanta.
monks during the rainy season. testify to the religious importance of these
They can be divided into three age groups.
They represent the majority of the caves of the site. monastic centers. An architectural process and
The oldest (no. 8, 9, 10, 12, 13, 15) date from the 2nd and 1st
They have a large entrance porch marked by pillars that religious structure that can be found in other
century BC, during the Satavahanas dynasty.
supported a roof. The plan of the vihara follows a religions with, for example, the rock-hewn
The second caves group dates from the 3rd to the end of
symmetrical square that forms a hall of almost 100m² with a churches of Lalibela.
the 5th century ( Vākāṭaka dynasty).
statue of Buddha in the background, facing the entrance.
While the last group dates from the end of the 6th to the
Finally, adjacent cells are excavated, their number depending CHAITANYA CAVES
end of the 8th century (Chalukya dynasty). The second group of caves is the one dedicated to prayer, meditation and are also meeting rooms.
on the size of the hall.
These caves were dedicated to Buddhist teaching, Ajanta They penetrate much deeper into the rock, the largest measuring up to 30m by 14m, including
These cellars date from the second period and are endowed
being a major monastic and university center. the cloister.
with many details, paintings, sculptures, reliefs.
The caves were excavated in the south face of a ravine and Their plan follows the shape of a narrower rectangle with a ceiling covered with arches typical
The pillars and walls are covered with engravings and reliefs
the whole forms a semicircle or horseshoe overlooking of the chaitya.
of deities, directly excavated from the rock.
the Vaghorâ River. They are not all located at the same They are part of the first (caves n.9 and 10) as well as the last (caves n.19 and 26)
height, their distribution is spread over about thirty constructions on the site.
meters of elevation. The columns of the first period are soberly covered with paintings of Buddha, monks or people.
Their excavation was done from ceiling to floor, a technique While the caves of the second period have a variety of pillars shapes, they are fluted, covered
generally used in India. with floral motifs, engraved with deities.
cave 1 cave 6
cave 9
cave 10
HISTORY cave 16
The caves include paintings and rock cut sculptures DETAILS AND PAINTINGS
cave 19
described as among the finest surviving examples of
The excavation of some caves is
ancient Indian art, particularly expressive paintings
incomplete as it is the case for cave
that present emotion through gesture, pose and form.
number 28, this allowed to inform
According to UNESCO, these are masterpieces of
about the construction of these
Buddhist religious art and architecture that Vihara caves hall
structure. It is interesting to note
influenced Indian art that followed.
how was done the process of painting
The caves were built in two phases, the first group
th`dia. Foreigners were depicted,
starting around the 2nd century BC, while the second
showing the universal character of
group of caves built around 400-650 CE according to SUBMITTED BY: BHAVIKA SHARMA,
Buddhism, but also their presence on
older accounts, or all in am brief period of 460 to 480 RISHI LUTHRA, TRIPTI GOYAL
the various trade routes of the time.
according to Walter M. Spink. CLASS: 4A B.ARCH
Vihara caves hall entrance
THE ELLORA CAVES, MAHARASHTRA SHEET 1A
Cave 1 is a vihara with eight cells, four in the back wall and four in the right wall. It had a
portico in the front with a cell. DASHAVATARA CAVES
The Vishvakarma (Cave 10) is the only chaitya griha amongst the Buddhist group of caves. The Dashavatara (Cave 15) was begun as a
It follows the pattern of construction of Caves 19 and 26 of Ajanta. Buddhist monastery. It has an open court with
The corridor columns have massive squansh shafts and ghata-pallava (vase and a free-standing monolithic mandapa at the
foliage) capitals. middle and a two-storeyed excavated temple at
In the apsidal end of the chaitya hall is a stupa on the face of which a colossal 3.30 m high the rear.
seated Buddha in vyakhyana mudra (teaching posture) is carved. The layout of the temple is closely related to
The Hindu caves were constructed between the middle of 6th century to the end of the 8th caves 11 and 12. the upper floor illustrate a
century. wide range of themes, which include the ten
The early caves (caves 17-29) were constwcted during the Kalachuri period The work first avataras of Vishnu. An inscription of grant of
commenced in Caves 28, 27 and 19. Dantidurga is found on the back wall of the
INTRODUCTION KAILASANATH CAVES front mandapa.
The Ellora is located 26 km north of Aurangabad. Main Attraction Kailash Temple A painted panel showing the dancing Shiva According to Coomaraswamy, the finest relief
The monuments [34 caves] are excavated out of (Nataraja) from the Kailash Temple at Ellora (Cave 16). One can still see a lot of this cave is the one depicting the death of
the vertical face of the Khuldabad escarpment to of the paint that once covered the entire temple. Hiranyakashipu, where Vishnu in man-lion
face westwards. They extend in a north-south line, A two-storeyed gateway opens to reveal a U-shaped courtyard. (Narasimha) form, emerges from a pillar to lay
and are numbered in a continuous sequence. In Cave 16, the Nandi Mandap and main Shiva temple are each about 7 meters a fatal hand upon the shoulder of
Buddhist monuments (Caves 1-12) occupy the high and built on two stories. Hiranyakashipu .
southernmost part of the site, while Hindu A living rock bridge connects the Nandi Mandap to the porch of the temple.
monuments (Caves 13-29) are located in the The grand sculpture Shiva-Parvati seated on mount Kailash, while Ravana tries
middle; towards the north are a small number of to lift it.
Jain excavations (Caves 30-34). Despite its strictly The shrine - complete with pillars, windows, inner and outer rooms, gathering
linear arrangement, the dramatic focus of the site is halls, and an enormous lingam at its heart - carved from living stone, is carved
undoubtedly the magnificent achievement of Cave 16 with niches, pilasters, windows as well as images of deities, mithunas (erotic THE JAIN CAVES
(Fig.1), the famous Kailasa. male and female figures) and other figures. The five Jain caves at Ellora belong to the ninth
and tenth centuries. They all belong to the
HISTORY The temple itself is tall pyramidal structure reminiscent of a South Indian
temple. Digambara sect.
The Andakasuramardana incarnation of lord Shiva
This project was started by Krishna I (757-773) of the Rashtrakuta dynasty that Jain caves reveal specific dimensions of Jain
is special and is a must see for any art lover, as are
ruled from Manyakheta in present day Karnataka state. philosophy and tradition. They reflect a strict
the other important structures, depicting various
sense of asceticism - they are not relatively large
dance forms of Shiva. This cave contains the famous
as compared to others,but they present
fresco of 'The Dying Princess'.12 Buddhist, 5 Jain and 17
exceptionally detailed art works.
Brahmanical caves being located here side by side. Caves
The most remarkable Jain shrines are the Chhota
depict Lord Buddha in various poses. The 17 Hindu
Kailash (cave 30), the Indra Sabha (cave 32) and
Caves embody carvings of the Hindu Gods- Shiva,
the Jagannath Sabha (cave 33).
Vishnu, Durga, Parvati and animals.
Cave 31 is an unfinished four-pillared hall and a
shrine Cave 34 is a small cave, which can be
ARCHITECTURAL FEATURES approached through an opening on the left side of
Most of the temples have courtyards and sometimes an outer wall or rock with an Cave
entrance through it. OTHER HINDU CAVES
The Buddhist temples were excavated between AD 350 to 700, Compared with Other notable Hindu caves are the Rameshvara
the Brahmanical (Cave 21), which has figurines of river
Cave No. 10, the only chaitya at Ellora, is in the form of a chapel, reminiscent of goddesses Ganga and Yamuna at the entrance.
Ajanta and Elephant.It is called Vishvakarma, the name indicating its dedication The Dhumar Lena (Cave 29) whose design is
to the patron saint of the aftsman. similar to the cave temple on Elephanta Island
Caves No.11 and 12 are some of the few caves in India with more than one storey. near Mumbai.
The next group consists of Brahmanical caves, excavated between the17th and Two other caves, the Ravan ki Khai (Cave 14)
the early 18th century. Cave No. 14 cave, Ravan ki Khai (Excavation of Ravan) is and the Nilkantha (Cave 22) also have several
different from the Buddhist temples, having a front aisle of 4 pillars, 12 columns sculptures.
enclosing a central hall. The rest of the Hindu caves, which include the
The south wall has Shaiva sculptures; the north wall has Vaishnava (i.e. Kumbharvada (Cave 25) and the Gopilena (Cave SUBMITTED BY: BHAVIKA SHARMA,
pertaining to Vishnu) sculptures, representations of Durga, Lakshmi, the Varaha 27) have no significant sculptures. RISHI LUTHRA, TRIPTI GOYAL
or boar incarnation of Vishnu, etc. CLASS: 4A B.ARCH
LIG HUDCO CONSTRUCTION TECHNIQUES SHEET 2A
INTRODUCTION 1.MUD BLOCK STRUCTURE 3.BRICK PANEL HOUSE
The Housing and Urban Development Unburnt sun-dried bricks for walls. Use of brick panels for roofing.
Corporation Limited (HUDCO) is a blocks are made out of fine mud mixture. Prefabricated brick panel and partially pre-cast joists
government-owned corporation in India. Economical require burnt clay bricks, cement, sand, coarse aggregate
One of the public sector undertakings, it is One side of wall is terracotta tile to make and reinforcing steel as major raw materials.
wholly owned by the Union Government and is exterior wall water resistant No major plant, equipment and machinery is required.
under the administrative control of the Ministry Fly ash bricks for columns and The brick panels are durable, leak-proof, fire-resistant,
of Housing and Urban Poverty Alleviation. It is bars thermal-resistant, less noisy in rains and provide vertical
mandated with building affordable Bamboo paneled doors and window expansion.
housing and carrying out urban development. shutters They are very cost-effective and generate employment
• HUDCO was incorporated on April 25, 1970. IPS flooring with colored oxide opportunities in rural areas for masons/labour.
• HUDCO has worked with architects such as Foundation- un-coursed rubble 1/2 brick walling and brick column - Cost effective as it is
B. V. Doshi, Charles Correa, Christopher masonry. used in between columns.
Charles Benninger and Sheila Sri Mud block wall is rain proof and rodent Hollow wall construction - provide thermal insulation.
Prakash. proof. Exposed brick parapet.
• the program has a special emphasis on low No steel and wood is used for roofing.
cost housing, Development of buildings The roof consists of a series of arches as
material technology and industries. a formwork. 4.RAT TRAP BOND HOUSING
DIFFERENT 2.WATTLE AND DUAB UNITS The rat trap bond construction technology is a cavity walling system,
Cement is used as stabilizer. designed to optimise the use of bricks and cement mortar. In
CONSTRUCTION Foundation based on stilts and random rubble conventional wall construction bricks are placed flat, while in the rat trap bond
TECHNIQUES masonry. construction technology they are placed on the edges with cavities between two
Flooring of verandah made from locally available faces.
MUD BLOCK It results in an approximate saving of 17% bricks and 54% mortar. The
wood.
STRUCTURE
Columns constructed using stabilized rammed reduction in overall costs is estimated around 26%. Also, the building
earth block technique is constructed using brick arch foundation, filler slab roofing, brick jallie
WATTLE AND Walls made of bamboo mats plastered with mud windows and brickbat flooring technologies.
DUAB UNITS or lime mortar. FEATURES ELEVATION ROOF PANEL
Roof water harvesting shows syntax water tank Random rubble arch foundation EDGE JOINING
BRICK PANEL
connected to a cost effective sanitation model. Rat trap bond wall that saves 26%
HOUSE
The structure is totally earthquake resistant as bricks and cement.
vertical and horizontal bands are provided. Brick window jallies
RAT TRAP BOND
Filler slab roof
HOUSING
Non-erodable mud plaster upto
sill level. ELEVATION
STONE PATTI
Use fair face of the bricks in
CONSTRUCTION
patterns to avoid plastering
Mud and brick bats flooring in
5.STONE PATTI CONSTRUCTION
BAMBOO HOUSE different rooms Stone patti construction is a method of
Kadapa slabs for shelves building with dressed stones and concrete
FEATURES blocks to create thick stone walls.
6.BAMBOO HOUSE Eco-friendly structure. Main features
Bamboo is a versatile construction V Light in weight. Traditional method of construction in
material which is affordable, Wooden stilts and bamboo mat flooring. Rajasthan
durable Self sustaining bamboo plantations - livelihood Natural stones available locally are dressed
and very suitable for earthquake initiative for rural areas. manually and are laid to create walls
prone regions. It is a light weight, Use of bamboo - columns, walling, roof Due to the thickness of the walls it has
long lasting and renewable building framework and corrugated roofing material. certain advantages-Less energy consumption
material. User friendly in earthquake prone areas of • The thickness is more, so it gives more
thermal comfort. SUBMITTED BY: BHAVIKA
The use of these boards and other Northeast and Andaman & Nicobar Islands.
Windows SHARMA, RISHI LUTHRA,
bamboo products makes the house Exotic interior décor.
• Openings are smaller to protect the inside TRIPTI GOYAL
construction not only cost effective Water resistant walls with cement plastering.
from the severe heat from outside CLASS: 4A B.ARCH
but also offers exotic designs. Fire resistant with CuSO4 chemical treatment.
BAMBOO SYMPHONY OFFICES, BANGALORE SHEET 3A
INTRODUCTION CONCEPT
Bamboo Symphony is the office of The structure of Bamboo Symphony came out as its most ORIENTATION
Manasaram Architects. The basic
requirement was thus to embody their
unique feature. It is based on the model of our The built has Solar Passive Architecture. THE ROOF
traditional Building orientation and roof form allow for The invention is a construction system to roof large spaces by using
Design and other philosophies in the fishing plat forms A close examination revealed strong North-East and South-West winds to bamboo as the chief building material. It is a combination of
building along with other requirements them to be truly ingenious synergetic structures. The blow over the structure, without synergetic web like supportive structure of bamboo columns and a
of space and services. Manasaram structure as a synergetic web structure of simple bamboo any strong drafts inside the building despite it concrete reinforcement. The structure is designed in such
Architects, Ar.Sanjita Harwalkar columns and beams. The structures physically tested being fully open on the South side. Thus the reinforcement; the structure is designed in a way that minimal no.
stand by the principle that Architecture before casting the roof. building interiors remain comfortable at all of bamboos is used. The bamboo coulms are joined together by
and Sustainability go hand in hand.
SITE & CONTEXT FORM OF THE BUILDING times during the year. thread rods and j-bolts the nodes taking the joint are filled up to
DESIGN STATEMENT The office was built adjacent to the
The form of the building is derived from Natural Ventilation: 100% strengthen the joints. The joints at the floor level are filled with rich
the fact that nature adapts around a Open building so minimum doors and windows cement slurry, while the joints at the roof level are filled with with
"An architect is a Catalyst providing principal architect's newly-
problem to find a solution. The rain water and it has pleasing, peaceful and therapeutic bamboo pieces and bamboo dust mixed with fevicol.The roof has 1"
social and culfural stage sets for all constructed residence on a very fight
overflowing from the roof of the Residence views. bamboo splits at 6"c/c as the major reinforcement modified roof
human activities. budget. All the waste wood, bamboo,
Hence the magnitude of stone boulders and debris from house
was collected in the rain water harvesting SPACE PLANNING with Bamboo
sump. Thus, a rain water harvesting pond
Responsibility on his/her shoulders is construction and mud were used The office has an open plan with four split
was created to channelize the water.
of staggering magnitude! with Bamboo as the main construction
Creative minds should be boundaries limit levels, wrapped around a central lotus pool
Hence a mix of Responsible Creativity material in the most innovative manner.
the capacity of how a human mind can with the Architects' cabin sitting at the bottom
and Creative Responsibility should
grow. Thus, the planning for a office to be level. The building's orientation and roof form
determine the Architectural
democratic in its functioning should be allows for strong North-East and South-West
Character of any Bulding."
seamless. be to self-governed, winds to blow over the structure. without any
drafts inside, despite the structure being fully
open to the South, planned to maximise the
durability of the Bamboo members used in the
building.
MATERIALS
The engineering qualities of Bamboo and its intrinsic
DESIGN PROCESS AND
Buildings designed with the structure anticipate the principles of many high-tech
Five Elements of Nature: materials, making it economically efficient, Bamboo- EXECUTION
Air, Earth, Water, Fire and crete walling system , Flooring, Interiors etc. Free The design and construction of
Space - the form Shell Roof over a network of bamboo columns Bamboo Symphony was done in a
PANCHMAHABHUTAS caters & beams. Bamboo Reinforced Concrete. KEY FEATURE truly symbiotic and informal manner
to the needs of all the three Bamboo splits as reinforcement, and bamboo fibers along with the artisans and the
faculties of Man - Physical, added to concrete to reduce weight, improve bonding supervisory staff. This construction
Psychological and Spiritual. and thermal insulation.
system with humble materials
Concrete Shell Roof with Bamboo
available mud, bamboo and stone
Fibres and Reinforcement
available universally, can be adopted
for several other uses, tested locally by
Bamboo columns and beams unskilled artisan and constructed with
in a Synergetic frame.
ELEVATIONS
SUBMITTED BY:
BHAVIKA SHARMA,
RISHI LUTHRA, TRIPTI
GOYAL
CLASS: 4A B.ARCH
SERI JATI APARTMENTS, SHAH ALAM, SELANGOR SHEET 5 IBS CASE STUDY
MANUFACTURING TO INSTALLATION
8. WALL TO STAIRCASE:
4. WALL TO WALL:
Vertical joint: Vertical joints between precast wall panels are
typically cast in-situ type joints. A horizontal reinforcing bar from a
precast panel projects into the joint zone and is overlapped or welded
with the horizontal reinforcing bar from an adjacent panel.
Alternatively, the two panels can also be joined together using
embedded plates, bolts and welds and connecting plates.
Horizontal joint : Vertical reinforcement in precast walls is usually
lapped at horizontal joints. Proprietary grouted steel sleeve splices may
be used. Alternatively, the lap can be formed by grouting a bar
SUBMITTED BY: BHAVIKA SHARMA,
extending from one unit into the metal duct in the matching unit
RISHI LUTHRA, TRIPTI GOYAL
CLASS: 4A B.ARCH
HALL OF NATIONS SHEET 4A