(FREE PDF Sample) Play The Dutch An Opening Repertoire For Black Based On The Leningrad Variation First Edition Neil Mcdonald Ebooks
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The Chess Advantage in Black and White Opening Moves of
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Neil McDonald
EVERYMAN CHESS
Gloucester Publishers pic www.everymanchess.com
First published in 2010 by Gloucester Publishers plc (formerly Everyman
Publishers plc ) , Northburgh H ouse, 10 Northburgh Street, London EC1V OAT
The right of Neil McDonald to be identified as the author of thi s work h as been
asserted in accordance with the Copyrights, Designs and Patents Act 1988.
Distributed in North America by The Globe Pequot Press, P.D Box 480,
246 Goose Lane, Guilford, CT 06437-0480.
All other sales enquiries should be directed to Everyman Chess, N orthburgh H ouse,
10 Northburgh Street, London EC1V OAT
tel : 020 7 2 5 3 7887 fax: 020 7490 3 708
em ail : [email protected] ; website: www.everymanchess.com
Everyman is the regi stered trade m ark of Random H ouse Inc. and is used in thi s
work under licence from Random H ouse Inc.
Preface 5
Introduction 7
It is an appealing feature of the Dutch that 1 .. .fS can be played again st virtually
any opening move apart from 1 e4.
H owever, this is slightly misleading if it suggests that you only h ave to learn
one basic sequence of moves after 1 .. .fS and then you are ready for anything. In
reality the Dutch l eads to a range of pawn structures, each of which requires its
own special treatment. For example, thi s book is built around the Leningrad
Dutch, but in many cases Bl ack will do best to set up a Stonewall centre with ... d7-
dS, rather than play the 'characteristic' ... d7-d6 Leningrad move.
Likewise after 2 ttJC3, 2 ..tg s and other early divergences by White, the pawn
structure h as little, or sometimes nothing at all, in common with the traditional
Leningrad Dutch . Thus at times the centre is characteri stic of the Queen 's Gambit;
at other times the King's Indi an ; and after 2 ..tg s it feel s like a strange Sicilian
Hedgehog !
So more preparation is required to play the opening than is apparent at first
glance, when 1 . .fS appears such a great l abour-saving device. On the plus side you
.
are going to h ave more fun playing the Dutch - its variety mean s you aren 't going
to grow bored of it any time soon .
In view of the range of possibilities after l...fS, can we say that there is any one
strategic theme that run s through the openin g ? I find the varied adventures of
Black's f-pawn the most intriguing aspect of the opening. The pawn is cast for
ward irretrievably into the world on move one, and ends up performing varied
5
Play t h e D u tc h
roles, sometimes i n the same game: a battering ram when i t advances t o f4; a pil
lar of the state in the Stonewall, perhaps supporting a knight on e4; and the de
stroyer of the white centre when it is exchanged for a pawn on e4. In a less aggres
sive role it sits patiently on fS, restraining the white centre. Destroyer, restrainer,
pillar: the impact of the f-pawn is felt throughout the game, even if it vanishes
from the board at an early stage.
The Dutch i s a difficult opening for both players to h an dle, and sometimes it all
goes wrong for Black. H owever, there are al so great moments when the f-pawn
shows its power. Even the strongest opponents can find their position ripped up
by the dynamism of this little pawn .
Let me wish you good luck in your Dutch adventures. H ave fun with the f
pawn !
N eil McDonal d
Gravesend
September 2008
6
I ntr o d ucti on
7
Play t h e D u tc h
e4. Its effect i n 1836 is such that White guard thing s on g7. H ere the dark
immediately blunders a pawn . squares around the black kin g are en
tirely unprotected. Still, even after this
positional blunder the wedge of pawn s
on the light squares acts as a barrier
against the white attack.
25 f4 �b8 26 l:!.b1 iLe8 27 �b6
The manoeuvre 27 iLe1 and 28 iLh4
to infiltrate the dark squares on the
kingside l ooks strong .
2 7. . .�a7 28 iie7 d4 29 e 4 fxe4 30 f5?
A clever attackin g idea but with a
fatal flaw. H e should prefer 30 iLxe4.
14 b5? tiJxe3 15 iLxe3 axb5 16 �xb5
.l::txa 3 17 l:.xa 3 iLxa 3 18 .l::. a 1 i.. d 6 19
i.. d 3 �e7 20 iLd2 i.. d 7 21 iib3 J:tb8 22
l:te1 l:!a8 23 tiJe5 i.. x e5 24 dxe5
Now Black could keep his extra
pawn with 24 ... iixe 5 25 �xb7 l:ta7 26
"iVb6 ':a1 followed by simplifying. How
ever, it seem s that Saint Amant wanted
to strengthen the f5 -pawn against any
possible i.. xf5 sacrifice.
30 ... 'iWb8!
Walker was hoping for 30 ... exd3 ? 3 1
f6 ! b 6 (to stop mate on g 7) 3 2 f7+ �g 7
3 3 iLh 6+! �xh 6 34 f8ii+ completing a
brilliant career for the f-pawn . In stead
he is obliged to exch ange queen s and
after some further adventures was de
feated in the endgame by the pretty
finishing stroke 40 ... tiJf7.
3 1 'i\¥xb8 tiJxb8 3 2 i..x e4 gxf5 3 3 i.. x b7
24 ... g6?? iLxb7 34 Itxb7 :a1+ 35 �f2 tiJe6 36
The Leningrad Dutch king side pawn iLh6 tiJxe5 37 l:tg7+ �h8 38 h3 l:[a2+ 39
structure is ri sky enough for Black even �g3 f4+ 40 �xf4 tiJf7! 41 l:[xf7 .l:.f2+ 42
when there is a bishop available to �e4 l:txf7 43 �xd4 J:tf6 0-1
8
I n t ro d u c t i o n
9
Play t h e D u t c h
W.Buehl-L.Reifurth
Chicago 1994
10
I n t ro d u c t i o n
11
Play th e D u tc h
12
I n t ro d u c t i o n
The white bishop is shut in on g 2 by arrang e ... dS-d4, whereas White can
a solid barrier on e4. If f2-f3 i s ever only m ake moves with his pieces and
played to free it then the white pawn wait.
structure and pieces will be exposed to But still, can we really say th at the
tactical blows from the black pieces position is anything other than a draw?
that are m assed on the e-file and f For the sake of fairness I should point
files. H ere i s the paradox of the Dutch out this was a rapidplay g ame. On the
e2, f2, g 3 and h 2 pawn structure: it is other h an d, the fact th at Karpov
incredibly solid, but it can become a couldn't defend it shows that it isn 't
tomb for the bishop on g 2 - and in easy. Simple endgame position s are a
some cases for the king on g l. Being forte of the great masters, even after
behind h eavy fortification s is okay so their opening knowledge h as withered
long as you don 't want to get out. and their tactical sight declined.
In contrast, the black bishop on c4 is 2 S .. :ilt'f61
active. Unlike its opposite number on
g2, it h as escaped outside the pawn
chain and h as a target on e2. Further
more, and this is an important factor
on a board that is so open, it is de
fended by the pawn on dS and so is
secure from attack.
Whereas the pawn on dS is soundly
defended by the bishop on c4, White
has two pawn s that are potentially
vulnerable. The first is the pawn on e2
- it cramps the white queen 's mobility By threatening to mobilize the
to have to defend it. The second vul pawns with 26 ... d4 N akamura per
nerable pawn is on f2. Its defen sive suades White to exchange off his active
alliance with the bishop on e3 is less rook.
secure than th at between the black 26 l:txf7 'ili'xf7 27 �fl
bishop and pawn on dS, because of the Intending to unwind with 28 �d4
possible disruptive move ... dS-d4. and 29 e3. If all the bishops vanish
Whereas the white pawn structure from the board, Karpov could even try
is solid but inert, the black pawns con to prove that the ds-pawn is a weak
trol more space and are more dyn amic. ness.
To h ave pawns on dS and e4 versus 27 ...'iff61
pawn s on e2 and f2 gives Black a lot Denying Karpov his plan .
more potential to expand. H e can try to 28 �gs 'iffs
13
Play t h e D u tc h
14
I n t ro d u c t i o n
15
Chapter One
16
G a m b i t L i n es a n d Ea rly O dd i t i e s
Black can develop with moves like the retreat ... ii.f7 followed by ... e7-e6
6 ... e6, 7 ... ii.d6, 8 ... 0-0 and 9 ... lLlc6. An would turn it into a kind of French in
attempt to throw a spanner in the which the black bishop is on the good
works with 6 lLlc3 e6 7 e4 is well an- f7-square.
17
Play t h e D u tc h
1 d4 f S 2 h 3 lDf6 3 84
18
G a m b i t L i n es a n d Ea rly O dd i t i e s
can exchange off the light-squared .tf4 liJf6 6 liJf3 .td6 7 liJ e 5 liJh 5 8 e 3 !
bishops in a Stonewall set-up is a far and the knight h ad a strong outpost
from encouraging sign for White) 12 square on e5 in H .Teske-A. Berelowitsch,
.txd5+ 'iVxd5 13 liJgf3 liJa6 14 'iVb3 Miilheim 2009.
'i'xb3 1 5 liJxb3 lUe8 16 l:.dl :ad8 17 So m aking it messy with 3 .. .fxg4
l:td2 litd5 and in B.Heberla-P. Nguyen, looks best. In the followin g illustrative
Warsaw 2008, Black h ad achieved a full g ame, we see a theme characteristic of
development without incurrin g any g ambit lines in the Dutch : a white
weaknesses. H e possessed the best mi knight on gl dominated by a black
nor piece in the shape of the dark pawn on e4.
squared bishop and had pressure on
the white centre. White was rated Elo
L.l ba rra Chami
248 5, Black 2 3 2 7, but Heberla still h ad
A. Rodriguez Vila
to struggle to draw after his poor open
Mexico City 2007
ing.
1 d4 fS 2 'i'd3 dS 3 g4
Pa rt Th ree: 2 1fd3
If White doesn't act quickly then
Black can build up with ... liJf6, ... e7-e6,
1 d4 fS 2 'ii'd 3 ... c7-c5, ... liJc6, etc, when White has
A direct attack o n the f 5 pawn by Her trouble in justifying his queen move -
Majesty. Now 2 dS with a Stonewall
•.. in fact she could become a target of the
centre looks the best respon se. After 3 black pieces.
g4 ... 3 fxg4 4 h3 g3!
..•
... Black can be very solid with 3 ... e6, An important strategical device in
but this to some extent justifies this type of position. Black doesn 't
White's play: for example, 4 gxf5 exf5 5 want to take on h 3 as 4 ... gxh 3 5 liJxh 3
19
Play t h e D u tc h
20
G a m b i t L i n es a n d Ea rly O dd i t i e s
21
Play t h e D u tch
22
G a m b i t L i n es a n d E a rly O dd i t i e s
t'Llf4 h S draw.
Black's king can't run away as 17 ... .:xh S 18 t'Llxf6+ �e7 19 t'Llg8+ Va-Va
13 ... 0-0-0 loses the queen to 14 .te6. It A very exciting g ame. I'm curious to
seem s that the text move permanently know how much of this was the pl ay
stops the white queen giving a check ers' opening preparation, and how
on h S, but there i s going to be another much was over-the-board in spiration . I
surprise ... hope they didn 't both h ave the position
after 17 "ii'xh S+! on their computer
screen s before th e g am e !
23
Play t h e D u tc h
But no matter: 4. . .liJc6 is a n attrac liJxe4?? liJxe4 1 3 .l:txe4 'iVds ! and White
tive altern ative. was unable to defend both e4 and g s .
b ) 5 �bs a 6 and now Black has a
good version of the 4 f3 gambit style
J.Cha uca-L.Rodi
centre after 6 �xc6 dxc6 ! ? intending
B ra s i l i a 2010
7 ... �fs etc. 50 White might retreat the
bishop with 6 �a4 when 6 ... bs 7 �b3
1 d4 fs 2 e4 fxe4 3 liJC3 liJf6 4 �gs liJc6 liJas ! hunts down the important white
bishop, and after, for example, 8 .i.ds
liJxds 9 liJxds �b7 10 liJf4 g6 11 h4
�g8 12 hs cs 13 hxg6 hxg6 14 dxcs
"fiC7 Black h ad good play in R.Cifuentes
Parada-V.Malaniuk, H astings 1994/9 5 .
s liJes
•••
S dS
The purpose o f thi s move i sn 't only
to force the knight to es, where it can
be attacked by the white queen . A sec
ond objective is to stop Black support
ing the pawn on e4 with ... d7-ds . How
ever, if White avoids 5 ds, the ... d7-ds 6'i1i'd4
move remains a motif: After 6 f3 Black can't support the
a) 5 f3 ds 6 .i.bs a6. Now Black had e4-pawn, but he can sell its life in re
a good g ame after 7 �a4 b s 8 �b3 turn for g aining time to equalize:
liJas 9 �xf6 liJxb3 10 �xg 7 �xg 7 11 6 ... liJf7 7 �e3 (naturally 7 �xf6 exf6 8
axb3 0-0 in A.Matviychuk-R.Khaetsky, fxe4 �b4 is simply terrible for White)
Evpatoria 2007. In stead 7 .i.xc6+ bxc6 8 7 ... e s ! (unfortunately bypassing the f3-
fxe4 dxe4 is unclear. In the g ame pawn with 7 ... e3 8 �xe3 just strikes me
A.5chlosser-M.Urban, German League as good for White) 8 dxe6 dxe6 9
1994, White decided to get rid of the 'ii'x d8+ �xd8 10 0-0-0+ (or 10 fxe4
pesky e4-pawn as quickly as possible, liJg4) 10 ... �d7 1 1 liJxe4 liJxe4 1 2 fxe4
but it turned out to be a bad mistake: 9 �d6 13 liJf3 rJ;e7 with equality.
liJge2 g 6 10 0-0 �g 7 1 1 l:tf4?! 0-0 12 6 ... liJf71
24
G a m b i t L i n es a n d Ea rly O dd i t i e s
25
Play th e D u tc h
26
G a m b i t L i n es a n d Ea rly O dd i t i e s
Black h as not only g ained the f2- Stopping 16 l::t d4 and threatening to
pawn, he h as also opened up the e3- exchange queen s if wished with
and f4-squares for co-operation be 16 ... 'ili'b4. Black went on to win in
tween his queen and dark-squared rather straightforward fashion :
bishop. 1 6 d6 e 6 17 lLl b 5 b 6 1 8 i.C4 .i.b7 19
27
Play t h e D u tch
.::t hf1 'ifg3 20 ttJC3 �h8 21 ttJe1 ttJes 22 Assuming the 7 ... c6 line i s under the
.tbS a6 2 3 .te2 bS 24 .tf3 ttJxf3 2 S gxf3 weather, Black should turn his atten
'ii' h 3 26 l1f2 :g8 27 ttJe2 'ifxh4 28 l:.f1 tion to 7 ... eSI.
�d S 29 l:.xd S exd s 30 'ii'x d s l:.ae8 3 1
'ili'd1 c 4 3 2 f4 'ili'h2 3 3 ttJd4 :g1 0-1
28
G a m b i t L i n e s a n d Ea rly O d d i t i e s
20 lIe2
If 20 ':'del, threatening 21 ':'e7+,
20 ... rtifS breaking the pin on ds l ooks
the most precise reply.
20 lIxe2 21 iLxe2 rtie7
..•
29
Play t h e D u t c h
Another interesting idea for White inflict doubled and isol ated pawns on
in the Staunton Gambit is 1 d4 fS 2 e4 him with 9 d6.
fxe4 3 liJc3 liJf6 4 ..tgs liJc6 5 dS liJes 6 We h ave reached one of the most
'iie 2!?, which has to some extent su critical position s in the modern theory
perseded 6 'iid 4. of the Staunton Gambit, so we'll take a
good l ook at Black's options. If you wish
you can skip straight to 8 . :�e 7 ! in Sce
.
6 ... liJf7
Black retreats his knight to a safe
square (kindly provided by 1 .. .fS ! ) and
forces White to choose wh at to do with
his bishop. Now we'll examine 7 h4
towards the end of this chapter, but
first we must see wh at h appen s if
White exchanges:
7 ..txf6 exf6 8 liJxe4
9 ... cxd6 10 0-0-0 0-0 and here White
can deprive the black knight of es with
11 f4! ?, as he did in D.Ortega H ermida
A.Menvielle . Lacourrelle, Las Palmas
2009:
11 .. :�a s?
A poor reaction . Black should try
11 . . b6 or offer to give back the pawn
.
30
G a m b i t L i n es a n d Ea rly O dd i t i e s
plays 8 ... �b4+ in the variation that fol This aim s t o develop with 1 2 �C4
lows. Now White now m akes full use of when the bishop exerts strong pres
Black's weak squares on C4 and dS. sure. Black stopped thi s with 11 'iiC 7 .•.
12 �d8
..• in V. Erdos-V.5ikul a, Budapest 2009, but
This position is h ardly an adver it still led to trouble for him :
tisement for the power of the bishop 12 ttJg3
pair! Not allowing the ch ance for 12 .. .fS .
13 ttJf3 l:tb8 14 .l::td S I bS 15 .l::tx bS l:txbS 12 ... 0-0 13 iLe2 ::te8 14 iLf3 fS
16 'ilixbs 'iiC 7 17 iLc4 �b7 18 ttJdS 'iic 6
19 'iib 3 iLa6 20 �xa6 'iix a6 21 ttJd4
Wh8 22 lte1 'iia s 23 c3 'iic s 24 'ilibs a6
25 'iix d7 !
A pretty combination t o put Black
out of his misery.
2S .. Ji'xd s 26 :e8 1-0
If 26 ... �g8 then 27 ttJe6 and splat!
31
Play th e D u tch
-
. .
32
G a m b i t L i n e s a n d Ea rly O dd i t i e s
33
Play t h e D u tc h
10 i.. xf6
If 10 ttJxf6+ gxf6 and Black will build
Freein g the black queen for action a m assive centre with ... d7-dS.
on as or b6, and preparing to complete 10 ... gxf6 11 'ii'xe4 i.. h 6+ 12 ttJe3 fs 13
the liquidation of the white pawn cen 'iVb4 'ike7
tre which began with 2 .. .fxe4. Securing the right to castle, as the
8 0-0-0 cxd S 9 ttJxd s endgame is poor for White after 14
After 9 i.. xf6 gxf6 10 ttJxdS Black �xe7+ cJ;;x e7.
can tran spose with 10 ... e6. 14 'YWb3 0-0
I can sympathize if you find this po
sition rather scary for Black, but let's
not forget that White no longer h as a
battering ram in the shape of a centre
pawn . Unless Bl ack blunders, there's no
good reason why White shoul d be able
to break through his defen sive line.
9 ...e6!
Here's a way for Black to blunder
and lose: 9 ... b6?? 10 i.. xf6 gxf6 (or
10 ... exf6 11 'iWxe4+ 1i.e7 - 11 ... ttJes 11
f4 - 12 ttJxe7, attacking a8) 1 1 �xe4 Black h as a big centre and the
i..h 6+ (if 11 ... i..b 7 it's m ate in one) 12 bishop-pair, including the dark-square
'it'b1 and Black h as no defence to the mon ster on h6.
double threats of 1 3 ttJxf6+ and 13 Realizing that his position was go
ttJxe7, uncovering an attack on a8. ing to go gradually downhill if he didn 't
In stead Black returns the extra do anything fast, White tried to attack
34
G a m b i t L i n es a n d Ea rly O d d i t i e s
along the g -file, but the bl ack king A n aggressive move pl anning to
proved to be safe on h8. The remaining drive back the knight with S g S .
moves were: 4 d5!?
..•
35
Play t h e D u tch
36
Chapter Two
37
Play t h e D u t c h
38
W h i t e Plays 2 ltJ C 3
light squares. In particular, White's e2- centre. From a strategic point of view
e4 space-gaining move is prevented or he has two options: play a violent e2-e4
made difficult to arrange. White's breakthrough or else arrange c2-c4 af
light-squared bishop is al so reduced in ter all .
scope, as on g2 it would be staring at a
wall on ds, or on d3 at a wall on fs . 50
The Immedia te
White's attacking chances are on the
Ciambit: 3 e4
whole reduced.
So the good news for Black is that
he has equal space in the centre and is 1 d4 f5 2 lDC3 d 5 3 e4 dxe4 4 f3 e 5 !
solidly entrenched on the light squares.
The m ain drawback is that Black has
renounced setting up a mobile pawn
centre with ... d7-d6 and ... e7-e s . In
stead the es-square is a hole in the
black centre, a perfect post for a white
knight, and h as to be carefully watched
over by the black pieces.
Perh aps the fundamental strategic
decision Black h as to m ake in the Dutch
is: shoul d I set up a Stonewall centre
(with ... d7-ds) or a mobile centre (with Bl ack i s at least equal after this free
... d7-d6 and ... e7-es). Black doesn 't al ing move, which explains why highly
ways h ave a choice - as in the 2 lDc3 rated players prefer to play 3 .i.f4 to
variation, where he is virtually obliged rule it out and only after 3 ... a6 go 4 e4
to set up a Stonewall to prevent White (not that it does them much good in
gaining space with an 'easy' e2-e4. the g ames in this ch apter).
5 dxe5
Wh ite's strategy Black has opened the centre at a
Turning to the specific position after 2 bad time for White, as his knight on g l
ltJc3 ds, Black is planning to seize a is denied the f3 -square. I n fact this has
large share of space in the centre and, proved the downfall of White in all the
if left alone, will complete his devel g ambit games discussed here - he sac
opment with a safe and active g ame. rifices a pawn to speed up his devel
The weakness of the es-square isn't opment, only to find that it has made it
enough on its own to cause him any harder, not easier, to mobilize his king
trouble. White therefore h as to devise a side pieces.
plan of action to undermine the black 5 ... 1i'xd1+ 6 �xd1
39
Play t h e D u tch
40
W h i t e Plays 2 tD c 3
too far. Rather than speed up White's i n disposing of the fs-pawn, m aking
development with s ... exf3 6 tDxf3, the path more smooth for the bishop
Black brings his own knight into the that follows in its wake.
game.
11 'iVd2 e6 12 0-0-0
6 fxe4 fxe4 Mal akhatko h as made a lot of ag
The black pawn on e4 looks ugly, gressive moves, but it is Firman who
but just as ugly is the fact that the has the more dynamic chances th anks
white knight on g l can 't go to f3. And to his steady and preci se play.
ugliest of all from a strategic perspec 12 il.b4 13 h3 0-0 14 g4 iLg6 15 'ife3
•••
41
Play t h e D u t c h
white attacking front and prevent the Of course if 3 0 'iVC2, then 3 0... :a1+
bishop being driven backward with 18 31 'iltb2 .l:ita2+ win s the white queen .
hS. 30 l:.a6 3 1 :g2 :c6+ 3 2 ':C2 liJg3 !
..•
I.Lysyj-M.Narciso Dublan
E u ropea n C h a m pio n s h i p,
Plovd iv 2008
42
W h i t e Plays 2 lLl c 3
43
Play t h e D u tc h
K.Sa kaev-A.Volokitin
E u ro pea n C l u b C u p,
O h rid 2009
when 8 ... ttJd7 9 c4 ttJxC5 is bal anced) Immedi ately challenging i t s oppo
8 ... .i.xc5 9 gxf5 exf5 10 ttJe5 (White's site number. Now Volokitin intends
44
W h i t e Plays 2 ttJ C 3
... i.. d 6 and ... 0-0, which would leave pawn endgame. For the record here are
White in a positional dead-end. After the remaining moves:
all, how can he improve his position, as 15 .l:.gl 'ike7 16 'ikf4 i.. d 7 17 ttJd4 'ii'f7
f2-f3 can be answered by ... ttJh s, h ar 18 c4 ':g8 19 l:txg8 'ii'x g8 20 cxd 5 cxd 5
assing the bishop on f4? Perhaps the 21 'iti>bl 'it'g5 22 'it'h2 .l:.c8 2 3 h4 'it'g7 24
best ch ance would be ttJb1, ttJd2 and i.. d 3 'iti>b6 2 5 .:tgl 'ii'e 7 26 h 5 'ikb4 27 f4
ttJdf3, but this convoluted m anoeuvre 'iti>a7 28 'ii'f2 'ii' b 6 29 'ii'd 2 i.. e 8 30 i.. e 2
is hardly a vote of confidence in 2 ttJc3. i.. b 4 3 1 'iVdl i.. C 5 3 2 'iVd2 i.. a 4 33 i.. d l
In stead Sakaev tried to force m at i..x d4 34 'ii'x d4 'ii'x d4 3 5 exd4 i..x dl 3 6
ters: ':'xdl ':'g8 3 7 'iti>C2 :g4 38 :fl 'iti>b6 39
7 g4 ttJxe5 8 dxe5 ttJxg4 9 h 3 ttJh6 10 'iti>d3 :g3+ 40 'iti>d2 11g2+ 41 'iti>c3 'iti>b5 42
i.. x h6 gxh6 11 'ii' h 5+ 'iti>d7 12 0-0-0 1:[cl :h2 43 'iti>b3 ':'xh 5 44 ':'C7 l:th3+ 45
Threatening 13 ttJxds ! . 'iti>c2 .l:.h4 46 .l:.xb7+ 'iti>C4 47 .l:.a7 .l:.xf4 48
1 2... 'ii'g 5! 13 'ii'f3 c6 .:txa6 ':f2+ 49 'iti>bl 'iti>xd4 50 ':xe6 .:te2
51 a4 .l:.xe5 52 1:[f6 'iti>e3 53 'iti>C2 d4 54
b4 d3+ 55 'iti>C3 f4 56 .l:.d6 'iti>e2 57 .l:.xd 3
l:te3 58 ':xe3+ fxe3 0-1
45
Play t h e D u tc h
after 10 ... exf5 11 liJxd5 liJb6 ! . That okay in this position. However,
means that Bl ack will have time for 7 ... liJbd7 ! ? makes me feel a lot more
10 ... it.e7 and 11 ... 0-0 with a good game. confident about Black's chances.
Instead White can try 6 it.d3 c5 7 Thus it appears that White can't get
0-0 liJc6 8 liJe5, but 8 ... liJxe5 tran sposes l asting benefit through putting his
to the 7 ...liJbd7 8 0-0 liJxe5 line above. knight on e5.
White could al so play 6 it.e2 (rather
th an 6 it.d3) but I don't think thi s helps
White Tries for
him. For example, 6 ... C5 7 liJe 5 (7 0-0
Queenside Adion
will be seen in our next illustrative
g ame) 7 ... liJbd7 8 it.h 5+ g 6
F Elsness M Bartel
.
-
.
E u ropea n Tea m
C h a m pions h i p, Novi Sad 2009
46
W h i te P l ays 2 lD c3
47
Play t h e D u t c h
'iVxC5+ is similar t o the g ame, and after moves. In fact, it was preparation for a
2 5 cxd6 l:1xbl+ 26 'ii'fl ':'xfl+ 27 'it>xfl nasty trap as 30 f41 followed.
�e8 Bl ack will pick up the d6-pawn
with a winning endgame.
2 5 :ii'xc5+ 26 �hl l:txb2 27 l:txb2 e5 28
.•
48
W h i te Plays 2 tD c 3
S.H uerta-A.Ciraf
Merida 2006
1 d4 fs 2 tDc3 d s 3 i.gs h6
Played in the spirit of 2 i.g s h 6 as
seen in Chapter Three. But in those
lines the intention i s to build a small
centre with ... d7-d6, whereas here we 6 i.es
are committed to a Stonewall centre A challenging move. The threat i s 7
with ... d7-dS . The upshot is that once i.xf6, doubling our pawn s, which
White's bishop is chased to g 3 , it will would be bad enough anyway without
enjoy an open diagonal and access to the disruptive queen check after
the es-square. Do we care? Let's see 7 ... exf6 by 8 Vh s+.
how Graf, a 2600-rated pl ayer, m akes it If White had played more peaceably
work for Black. with 6 i.g3 I assume th at Graf would
have developed his king side normally:
6 ... i.g 7 7 tDf3 0-0 8 tDe s, but now, de
spite being an advocate of ... tDe4 in the
Stonewall set-up, I have to say that
8 ... tDe4 i s prem ature and bad, as White
h ad an obvious advantage after 9 tDxe4
dxe4 10 i.C4+ e6 11 'ili'd2 'ili'e8 12 h4 in
R.Geisler-K. Renner, German League
1994.
More appropriate is the immediate
advance 8 ... cS to attack the white cen
4 i.f4 tre.
49
Play t h e D u tch
50
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In a certain system of schools once known to me, the boys had prizes
of money on certain occasions, but the successful girls at those times
received simply a testimonial of honor for each; “the committee
being convinced,” it was said, “that this was more consonant with the
true delicacy and generosity of woman’s nature.” So in the new
arrangements for opening the University of Copenhagen to young
women, Karl Blind writes to the New York Evening Post, that it is
expressly provided that they shall not “share in the academic
benefices and stipends which have been set apart for male students.”
Half of these charities may, for aught that appears, have been
established originally by women, like the ten Harvard scholarships
already named. Women, however, can avail themselves of them only
by deputy, as the Alp-climbing young lady is represented by her dog.
It is all a beautiful tribute to the disinterestedness of woman. The
only pity is that this virtue, so much admired, should not be
reciprocated by showing the like disinterestedness toward her. It
does not appear that the butchers and bakers of Copenhagen propose
to reduce in the case of women students “the benefices and stipends”
which are to be paid for daily food. Young ladies at the university are
only prohibited from receiving money, not from needing it. Nor will
any of the necessary fatigues of Alpine climbing be relaxed for any
young lady because she is a woman. The fatigues will remain in full
force, though the laurels be denied. The mountain-passes will make
small account of the “tenderness and delicacy of her sex.” When the
toil is over she will be regarded as too delicate to be thanked for it;
but, by way of compensation, the Alpine Club will allow her to be
represented by her dog.
XVIII.
THE GOSPEL OF HUMILIATION.
“The silliest man who ever lived,” wrote Fanny Fern once, “has
always known enough, when he says his prayers, to thank God he
was not born a woman.” President —— of —— College is not a silly
man at all, and he is devoting his life to the education of women; yet
he seems to feel as vividly conscious of his superior position as even
Fanny Fern could wish. If he had been born a Jew, he would have
thanked God, in the appointed ritual, for not having made him a
woman. If he had been a Mohammedan, he would have accepted the
rule which forbids “a fool, a madman, or a woman” to summon the
faithful to prayer. Being a Christian clergyman, with several hundred
immortal souls, clothed in female bodies, under his charge, he thinks
it his duty, at proper intervals, to notify his young ladies, that,
though they may share with men the glory of being sophomores, they
still are in a position, as regards the other sex, of hopeless
subordination. This is the climax of his discourse, which in its earlier
portions contains many good and truthful things:—
“And, as the woman is different from the man, so is she relative to him. This is
true on the other side also. They are bound together by mutual relationship so
intimate and vital that the existence of neither is absolutely complete except with
reference to the other. But there is this difference, that the relation of woman is,
characteristically, that of subordination and dependence. This does not imply
inferiority of character, of capacity, of value, in the sight of God or man; and it has
been the glory of woman to have accepted the position of formal inferiority
assigned her by the Creator, with all its responsibilities, its trials, its possible
outward humiliations and sufferings, in the proud consciousness that it is not
incompatible with an essential superiority; that it does not prevent her from
occupying, if she will, an inward elevation of character, from which she may look
down with pitying and helpful love on him she calls her lord. Jesus said, ‘Ye know
that the princes of the Gentiles exercise dominion over them, and they that are
great exercise authority upon them. But it shall not be so among you; but
whosoever will be great among you, let him be your minister; and whosoever will
be chief among you, let him be your servant, even as the Son of man came, not to
be ministered unto, but to minister, and to give his life a ransom for many.’ Surely
woman need not hesitate to estimate her status by a criterion of dignity sustained
by such authority. She need not shrink from a position which was sought by the
Son of God, and in whose trials and griefs she will have his sympathy and
companionship.”
There is a comforting aspect to this discourse, after all. It holds out
the hope, that a particularly noble woman may not be personally
inferior to a remarkably bad husband, but “may look down with
pitying and helpful love on him she calls her lord.” The drawback is
not merely that it insults woman by a reassertion of a merely
historical inferiority, which is steadily diminishing, but that it
fortifies this by precisely the same talk about the dignity of
subordination which has been used to buttress every oppression
since the world began. Never yet was there a pious slaveholder who
did not quote to his slaves, on Sunday, precisely the same texts with
which President —— favors his meek young pupils. Never yet was
there a slaveholder who would not shoot through the head, if he had
courage enough, anybody who should attempt to place him in that
beautiful position of subjection whose spiritual merits he had been
proclaiming. When it came to that, he was like Thoreau, who
believed resignation to be a virtue, but preferred “not to practise it
unless it was quite necessary.”
Thus, when the Rev. Charles C. Jones of Savannah used to address
the slaves on their condition, he proclaimed the beauty of obedience
in a way to bring tears to their eyes. And this, he frankly assures the
masters, is the way to check insurrection and advance their own
“pecuniary interests.” He says of the slave, that under proper
religious instruction “his conscience is enlightened and his soul is
awed; ... to God he commits the ordering of his lot, and in his station
renders to all their dues, obedience to whom obedience, and honor to
whom honor. He dares not wrest from God his own care and
protection. While he sees a preference in the various conditions of
men, he remembers the words of the apostle: ‘Art thou called being a
servant? Care not for it; but, if thou mayst be free, use it rather. For
he that is called in the Lord, being a servant, is the Lord’s freeman;
likewise, also, he that is called being free, is Christ’s servant.’”[4]
4. Religious Instruction of the Negroes. Savannah, 1842, pp. 208–211.
I must say that the Rev. Mr. Jones’s preaching seems to me
precisely as good as Dr. ——’s, and that a sensible woman ought to be
as much influenced by the one as was Frederick Douglass by the
other—that is, not at all. Let the preacher try “subordination”
himself, and see how he likes it. The beauty of service, such as Jesus
praised, lay in the willingness of the service: a service that is serfdom
loses all beauty, whether rendered by man or by woman. My
objection to separate schools and colleges for women is, that they are
too apt to end in such instructions as this.
XIX.
“CELERY AND CHERUBS.”
There was once a real or imaginary old lady who had got the
metaphor of Scylla and Charybdis a little confused. Wishing to
describe a perplexing situation, this lady said,—
“You see, my dear, she was between Celery on one side and
Cherubs on the other! You know about Celery and Cherubs, don’t
you? They was two rocks somewhere; and if you didn’t hit one, you
was pretty sure to run smack on the other.”
This describes, as a clever writer in the New York Tribune declares,
the present condition of women who “agitate.” Their Celery and
Cherubs are tears and temper.
It is a good hit, and we may well make a note of it. It is the danger
of all reformers, that they will vibrate between discouragement and
anger. When things go wrong, what is it one’s impulse to do? To be
cast down, or to be stirred up; to wring one’s hands, or clench one’s
fists,—in short, tears or temper.
“Mother,” said a resolute little girl of my acquaintance, “if the
dinner was all spoiled, I wouldn’t sit down, and cry! I’d say, ‘Hang
it!’” This cherub preferred the alternative of temper, on days when
the celery turned out badly. Probably her mother was addicted to the
other practice, and exhibited the tears.
But as this alternative is found to exist for both sexes, and on all
occasions, why charge it especially on the woman-suffrage
movement? Men are certainly as much given to ill temper as women;
and, if they are less inclined to tears, they make it up in sulks, which
are just as bad. Nicholas Nickleby, when the pump was frozen, was
advised by Mr. Squeers to “content himself with a dry polish;” and so
there is a kind of dry despair into which men fall, which is quite as
forlorn as any tears of women. How many a man has doubtless
wished at such times that the pump of his lachrymal glands could
only thaw out, and he could give his emotions something more than
a “dry polish”! The unspeakable comfort some women feel in sitting
for ten minutes with a handkerchief over their eyes! The freshness,
the heartiness, the new life visible in them, when the crying is done,
and the handkerchief comes down again!
And, indeed, this simple statement brings us to the real truth,
which should have been more clearly seen by the writer who tells this
story. She is wrong in saying, “It is urged that men and women stand
on an equality, are exactly alike.” Many of us urge the “equality:” very
few of us urge the “exactly alike.” An apple and an orange, a potato
and a tomato, a rose and a lily, the Episcopal and the Presbyterian
churches, Oxford and Cambridge, Yale and Harvard,—we may surely
grant equality in each case, without being so exceedingly foolish as to
go on and say that they are exactly alike.
And precisely here is the weak point of the whole case, as
presented by this writer. Women give way to tears more readily than
men? Granted. Is their sex any the weaker for it? Not a bit. It is
simply a difference of temperament: that is all. It involves no
inferiority. If you think that this habit necessarily means weakness,
wait and see! Who has not seen women break down in tears during
some domestic calamity, while the “stronger sex” were calm; and
who has not seen those same women, that temporary excitement
being over, rise up and dry their eyes, and be thenceforth the support
and stay of their households, and perhaps bear up the “stronger sex”
as a stream bears up a ship? I said once to an experienced physician,
watching such a woman, “That woman is really great.”—“Of course
she is,” he answered: “did you ever see a woman who was not great,
when the emergency required?”
Now, will women carry this same quality of temperament into
their public career? Doubtless: otherwise they would cease to be
women. Will it be betraying confidence if I own that I have seen two
of the very bravest women of my acquaintance—women who have
swayed great audiences—burst into tears, during a committee-
meeting, at a moment of unexpected adversity for “the cause”? How
pitiable! our critical observers would have thought. In five minutes
that April shower had passed, and those women were as resolute and
unconquerable as Queen Elizabeth: they were again the natural
leaders of those around them; and the cool and tearless men who sat
beside them were nothing—men were “a lost art,” as some one says—
compared with the inexhaustible moral vitality of those two women.
No: the dangers of “Celery and Cherubs” are exaggerated. For
temper, women are as good as men, and no better. As for tears, long
may they flow! They are symbols of that mighty distinction of sex
which is as ineffaceable and as essential as the difference between
land and sea.
XX.
THE NEED OF CAVALRY.
“In respect to the powers and rights of married women, the law is
by no means abreast of the spirit of the age. Here are seen the old
fossil footprints of feudalism. The law relating to woman tends to
make every family a barony or a monarchy or a despotism, of which
the husband is the baron, king, or despot, and the wife the
dependent, serf, or slave. That this is not always the fact, is not due
to the law, but to the enlarged humanity which spurns the narrow
limits of its rules. The progress of civilization has changed the family
from a barony to a republic; but the law has not kept pace with the
advance of ideas, manners, and customs.”—W. W. Story’s Treatise
on Contracts not under Seal, § 84,—third edition, p. 89.
XXIII.
WANTED—HOMES.
Nothing throws more light on the whole history of woman than the
first illustration in Sir John Lubbock’s “Origin of Civilization.” A
young girl, almost naked, is being dragged furiously along the ground
by a party of naked savages, armed literally to the teeth, while those
of another band grasp her by the arm, and almost tear her asunder in
the effort to hold her back. These last are her brothers and her
friends; the others are—her enemies? As you please to call them.
They are her future husband and his kinsmen, who have come to aid
him in his wooing.
This was the primitive rite of marriage. Vestiges of it still remain
among savage nations. And all the romance and grace of the most
refined modern marriage—the orange-blossoms, the bridal veil, the
church service, the wedding-feast—these are only the “bright
consummate flower” reared by civilization from that rough seed. All
the brutal encounter is softened into this. Nothing remains of the
barbarism except the one word “obey,” and even that is going.
Now, to say that a thing is going, is to say that it will presently be
gone. To say that any thing is changed, is to say that it is to change
further. If it never has been altered, perhaps it will not be; but a
proved alteration of an inch in a year opens the way to an indefinite
modification. The study of the glaciers, for instance, began with the
discovery that they had moved; and from that moment no one
doubted that they were moving all the time. It is the same with the
position of woman. Once open your eyes to the fact that it has
changed, and who is to predict where the matter shall end? It is sheer
folly to say, “Her relative position will always be what it has been,”
when one glance at Sir John Lubbock’s picture shows that there is no
fixed “has been,” but that her original position was long since altered
and revised. Those who still use this argument are like those who
laughed at the lines of stakes which Agassiz planted across the Aar
glacier in 1840. But the stakes settled the question, and proved the
motion. Pero si muove: “But it moves.”
The motion once proved, the whole range of possible progress is
before us. The amazement of that formerly “heathen Chinee” in
Boston, the other day, when he saw a woman addressing a
missionary meeting; the astonishment of all English visitors when
young ladies hear classes in geometry and Latin, in our high schools;
the surprise of foreigners at seeing the rough throng in the Cooper
Institute reading-room submit to the sway of one young woman with
a crochet-needle—all these simply testify to the fact that the stakes
have moved. That they have yet been carried half way to the end, who
knows? What a step from the horrible nuptials of those savage days
to the poetic marriage of Robert Browning and Elizabeth Barrett—
the “Sonnets from the Portuguese” on one side, the “One Word
More” on the other! But who can say that the whole relation between
man and woman reached its climax there, and that where the past
has brought changes so vast the future is to add nothing? Who knows
that, when “the world’s great bridals come,” people may not look
back with pity, even on this era of the Brownings? Probably even
Elizabeth Barrett promised to obey!
At any rate, it is safe to say that each step concedes the probability
of another. Even from the naked barbarian to the veiled Oriental,
from the savage hut to the carefully enshrined harem, is a step
forward. It is another step in the spiral line of progress to the
unveiled face and comparatively free movements of the modern
English or American woman. From the kitchen to the public lecture-
room, from that to the lecture-platform, and from that again to the
ballot-box,—these are far slighter steps than those which have
already lifted the savage girl of Sir John Lubbock’s picture into the
possession of the alphabet and the dignity of a home. So easy are
these future changes beside those of the past, that to doubt their
possibility is as if Agassiz, after tracing year by year the motion of his
Alpine glacier, should deny its power to move one inch farther into
the sunny valley, and there to melt harmlessly away.
XXV.
THE LOW-WATER MARK.
5. Story’s Treatise on the Law of Contracts not under Seal, p. 89, § 84.
We know that the law is greatly changed and ameliorated in many
places since Story wrote this statement; but we also know how
almost every one of these changes was resisted: and who is
authorized to say that the final and equitable fulfilment is yet
reached?
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