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Sculpting course

The document discusses a Sculpture Course II taught by Rita Siragusa, emphasizing the freedom and evolving nature of sculpture as an art form. It highlights various sculptures created by the author, exploring themes of expression, emotion, and personal reflection through different materials and techniques. The author expresses a deep connection to art as a means of expressing unspoken feelings and thoughts.

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Maria Eross
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24 views14 pages

Sculpting course

The document discusses a Sculpture Course II taught by Rita Siragusa, emphasizing the freedom and evolving nature of sculpture as an art form. It highlights various sculptures created by the author, exploring themes of expression, emotion, and personal reflection through different materials and techniques. The author expresses a deep connection to art as a means of expressing unspoken feelings and thoughts.

Uploaded by

Maria Eross
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Sculpture Course II

Semester II (2022)
Teacher: Rita Siragusa
Eröss Maria
Introduction

Sculpture is a form of art that gives so much freedom, from the different
forms it can take to the variety of the materials. This artistic subject is not a fixed
term that applies to a permanently circumscribed category of objects or sets of
activities. It is, rather, the name of an art that grows and changes and is
continually extending the range of its activities and evolving new kinds of objects.
This artistic domain is more about how much can you put from your imagination
in reality. Trough sculpture, I discovered so many ways to put my ideas in a new
perspective. I could observe my work from multiple angles and create different
sensations. Materials may be carved, modeled, molded, cast, wrought, welded,
sewn, assembled, or otherwise shaped and combined.
This artistic form, has the designs that may be embodied in freestanding
objects, in reliefs on surfaces, or in environments ranging from tableaux to
contexts that envelop the spectator.
``I can`t speak.``
sculpture in clay,
30x20cm
It represent the felling of
not being able to speak your
true thoughts, the fear of
being judged.

Different Angles
Sculpture in clay with acrylic painting, mixed technique
40x20cm
In this piece, I tried to experiment with sculpture in clay and acrylic painting. The
Sculpture has an interesting felling with the eyes and mouth put together. The
pastel colors gives more in weird vibes then creepy ones, due to the light tone. I
got inspired from these examples:

Paolo del
Toro
Stages and angles:
``Blue Cranium``

Sculpture in clay with acylic


15x10cm
This cranium it has more of a
fantastic tone. The vibrant
blue is more for the intriguing
felling that it gives the object.
It`s has the sensation that has
a video game or a story.

Different angles:
``The clown fly``
Sculpture in clay, metal, glass with acrylic
20x10cm
This sculpture has an fly body with a clown head, which
illustrated felling miserable. The clown represents being
ridiculed by others or being laugh at. And fly body s is more about
felling small in this big world.
Stages and angles:
``Monster of Glass``
40x30cm
Sculpture in clay, metal, glass with acrylic
I took inspiration from this artist:

John Powell-Jone
Stages and angles:
Art is a means of complete expression and it was way for me to say unspoken
things. The feeling that I had were much more simple to put them on paper or
clay. And the more I study, I realized that I don’t see myself doing anything in my
life.
The term artist is more than just an occupation put by academy and it s more
about a style of life. The freedom that art gives can t be replaced by something
else. The relationship between fellings and thoughts is seen more in my art, and
the more I seek it, the more I can do. Art is way to romanticize things around us,
that just observing them in reality is not enough.

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