www.eye-photomagazine.

com

Edition June 2016

InFocus
Interview with
Jasper TEJANO

InFrame
Photo Review with
• R J POOLE
• Tatiana MERTSALOVA
• Artur BASHIROV
• O tt o M E Y E R H O F F
• L a u r e n t BAILLEUL
• Giuseppe MILO
• Pat r i c k M A R I N O
• Salvuccio CAPPELLO
• Mark WILMAN
• Roy ROZANSKI

photo by Jasper Tejano ©

InFocus Giuseppe MILO
Interview with Jasper TEJANO

Pa t r i c k M A R I N O

InFrame S a lv u c c i o C A P P E L L o
Photo R e v i e w s w i t h :

R J POOLE Mark WILMAN

Ta t i a n a M E R T S A L O V A
Roy ROZANSKI

Artur BASHIROV

O tt o M E Y E R H O F F

Laurent BAILLEUL Because getting your work published DOES matter!

Are YOU in
Fine Art
Photography?

W !
t e r NO
En s u e
T i s
I R S
F
t i n 6 ! ! ! EYE-Photo Magazine is an independent, online magazine, providing a platform

ou 1

Edition
0
to talented and enthusiastic photographers from all over the world to present

e r 2 their work, regardless their genre, to an international readership. The

b
magazine can be read and downloaded for FREE!

t e m
Sep
All images and text, published in EYE-Photo Magazine are the sole property of
the featured authors and artists and subject to copyright!

Without written permission of its legal owner, no photo or text can be

reproduced, edited, copied or distributed in any form.

EYE-Photo Magazine proudly presenting its newly J u ly 2 0 1 6 EYE-Photo Magazine © - all rights reserved

launched format „Fine EYE“ magazine! Founder, Editor in Chief and Art Director:
Stefan Cimer web: www.eye-photomagazine.com
email: [email protected]

Join the Fine Art Photography Facebook group! Cover photo by: Jasper TEJANO ©

Selected photos will be published in our quarterly issues! Would you like to be featured in EYE-Photo Magazine?
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 Jasper, you are a very experienced and busy
photographer. We are really happy that we
already could invite you to a photo feature in
our March issue. It is absolute fantastic and
a great honor to us now, that we even could
spark your interest to giving this interview
to us!

Please tell us a little bit about yourself to

begin with.

My day job is in human resources. When I‘m not

wearing my HR hat, I‘m out there with my wife
Photographer
photographing places, people and experiencing fo- I am and will always be a life-long
reign and far away local culture. We go to places student of photography.
enjoying our deliberate misadventures. I am and
Welcome to Street Photography
will always be a student of photography and my fa-
Studies!
vorite subject is Street Photography.
InFocus

Interview with
Jasper Tejano

Page 9
 Interview wiht Jasper TEJANO

Could you share with us how you first became interested in photography? Have you been involved in arts in some other form than photography?

I started exploring photography when I was in my pre-teens. I used to borrow my mom’s Minolta Photography is the only art form that I practice extensively.
Pocket Autopak 450E and would use it to photograph school and family events. I was always the
designated photographer during family events. It was my wife, who was then my girlfriend, who Could you share with us how you first became interested in street photography?
jumpstarted my passion for photography. My first serious camera was a Pentax Auto 110 which I
borrowed from her. She was also the one who taught me the fundamentals of photography. What There was at some point between 2010 and 2011 that I felt that my photography was on a
plateau and needed a “creative jolt”. Most of my photographs were in the category of travel pho-
inspired me to dedicate myself to this craft is the idea that people can always “freeze the moment”
tography – which were too manicured, too clean and technical. Nothing wrong with that but I
and cherish that moment over and over again through photographs.
guess I was looking for something else. For a while I explored macro photography, still
photography and even fashion photography but none of these were giving me fulfilment. I wanted
Your photographs have a real certain twist, where do you get your inspiration?
something different - something raw and edgy that somehow defies convention that can bring out
my style. It was perfect timing that I started to get interested with the works of Magnum
I would always find myself looking at the works of Magnum Photographers particularly the images
Photographers. The photographs of Henri Cartier Bresson, Alex Webb, David Allan Harvey and
created by Alex Webb, David Alan Harvey and Harry Gruyaert – my greatest influences and source Harry Gruyaert blew me away. In 2012, I began seeing the world through a different lens. Street
of inspiration in color street photography. photography has become my genre of choice.
 Interview wiht Jasper TEJANO

How much does Can you tell us about your

your equipment work flow from the point
you first step onto the scene
help you to execute
(street) until you showcase
your artistic visions the developed picture?
and what kind of
I would first get a feel of the
equipment are you
scene by looking around, ori-
using? enting myself where the light is
and how the people enter and
exit the scene not to mention
evaluating the exposure in that
The articulated tilt
surrounding. At this point I start
screen of the new ge- to choose a specific location
neration of cameras in the area where I will make
provided that flexibi- my photographs and mentally
frame the “goings-on“ – how
lity in terms of com-
the people move in and out of
posing my frames. my frame and the story I could
The” shooting from possibly capture. If I sense that
I can come up with interesting
the hip” has never
photographs in my chosen area,
been more accurate that’s the time that I raise my
using the tilt screen. camera in shooting position
This way, I don’t have and start capturing the action.
After making several frames, I
to place the camera
would normally make a quick
in front of my face look at my outputs just to check
which would usually if my exposure that I wanted is
achieved and if my subjects are
intimidate or distract
placed in my frame according to
my subjects. how I imagined it.

As for my gear, I’m currently using an Olympus OMD EM10 mirrorless fitted with a pancake lens If these are all good, I continue to make several photographs usually exhausting the scene until
and my back-up is an old Fujifilm X10 compact. My iPhone also comes in handy. I feel that I was able to get enough studies for me to select the photo which I intend to develop
and share. When I get back home, post-processing is brief as this will only involve minor adjust-
ments on cropping, exposure, contrast and sharpness. After which, I save the post-processed
photos to my iPhone for uploading in my Facebook and Instagram accounts.

Page 17 Page 18
 Interview wiht Jasper TEJANO

Do you interact with your subjects on street and if yes, how do they react on you? What would you say characterizes your work in comparison to other street photo-
graphers?

The only time that I interact with my subjects is when they sense that I am photographing them.
You will see that in many of my street photographs the images that stand out are the silhouettes
If there is already awkwardness with their body movements, it would only mean that they are
of people doing their usual every day “human” activities like walking, tinkering with a mobile
already conscious of my presence. At this point, I just stop, give them a smile and just wait for phone or carrying an umbrella in a noticeable urban scene to name a few. The primary elements
them to leave the scene. in the frame are always distinct and often complemented by the details of the background.

Have you ever had to face unpleasant or even dangerous situation on street?
Do you see your personality reflected in your work? In what image does that come ap-
parent to you?
Nothing really extreme like being shouted at or people getting too aggressive towards me. The
worst that I received was a very cold stare which I would counter with a warm smile. After that I Very much. I am a naturally shy person but somehow have learned to manage my shyness and
just walk away. introversion. In my photographs of silhouettes, I often see this as my shy self trying to hide in the
shadows.
What can you tell us about the factor "luck" Interview wiht Jasper TEJANO 15. What do you think about color in com-
in street photography? parison to B&W in street photography?

Luck in street photography for me will always be Though I admire many street photographers
about location, opportunity and your readiness. who present their work in black and white, color
The location will provide you with the scene. street photography has its way of presenting life
Once you’ve chosen what you think and feel as
with much more realism and dynamism. Especi-
the right scene, you wait for the opportunity for
ally with my work on silhouettes, the blackness
something interesting to happen or someone
of my subjects will just drown in the different
interesting to show up in your scene. Luck will
shades of gray. I need color to make my sub-
really kick in if you are ready and alert enough
to see the resulting photograph in your mind and jects emerge from the frame.

instinctively pressing the shutter button to cap-

ture that interesting moment. If what you have 16. Has your style of shooting changed
imagined in your mind is what comes out in your since you started?
frame that makes you a one lucky street photo-
grapher. It did. Before, I interpreted street photography
as photojournalism (telling it as it is) or docu-
mentary photography. In the recent years, my
We have realized that you the play between
street photography has become really subjec-
lights & shades and silhouettes is a recur-
tive. What matters to me now is how my subject
ring element in your photographic work.
Would you say that you prefer a certain interact with the scene considering light quality,

daytime/season for getting this impressive how the colors complement my subject, how the
street captures? small details strengthen my subject and lastly,
what fantasy would my finished frame be revea-
Most of my favorite street photographs that I led to me.
created were done during the afternoon. The
country that I am based in is a hot and humid
place and since I am very cautious of the hot
climate, I prefer to go out and shoot in the late
afternoon starting at around 3:30PM when the
surroundings start to get cooler.

Page 25 Page 26
 Interview wiht Jasper TEJANO

This is a tricky question :)

Among all your fantastic work, could you name one as your favorite, and if yes, why?

Firstly, thank you for regarding my work as fantastic. In my current body of work, the photograph that is always on top my mind is the one I call “The Lady in her Overcoat“. This particular photograph
has all the elements that define my style, my vision and creative pursuit. It has a prominent foreground subject – the silhouette of a lady complemented by strong diagonal lines leading to the subject
and supporting details like a person walking and a vehicle terminal in the background that add scale and perspective to the scene. When you look closer at the subject, even if it is just a silhouette,
you can sense that she is in deep contemplation. Until now, whenever I look at this photograph, I would still ask myself what she was thinking during that moment.

Page 29 Page 30
 Interview wiht Jasper TEJANO

What are some of the most important Based on your experience, what ad-
lessons you have learned from shoo- vice would you give people who are
ting on street? just starting out in street photogra-
phy?
Street photography will always be a reflec-
tion of yourself. It reveals who you are, If you’re serious about street photogra-
your imagination, your hopes and even phy, study the works of
your fears. By presenting your work to the Magnum photographers, go out often and
world, you are also opening a window for make lots of studies by exhausting your
people to see who you really are. Question scene. Don’t
is, are you ready to reveal yourself to your spend too much time on forums on gear
audience? That window will reveal to every- talk. Photography is never about how cool
one that you are either authentic with your your gear is, but about your creative visi-
vision or a mere copy cat just trying to get on and
“likes“ from photography communities. I le- output.
arned that to define your vision, you need
to build a solid body of work that your au-
dience can say is your signature work. You
can only achieve this if you are consistent Jasper, thank you very much for ta-
with your outputs. king your precious time and let us
have your thoughts and views!

Please visit Jasper at:

Facebook:
www.facebook.com/jasper.tejano

Instagram:
www.instagram.com/jaspertejano

Page 31 Page 32
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in Ireland for the first time.
These are published photographers with international reputations
and with top class exhibition and show achievements across the
world.

Their work will feature in Obscure Street alongside the work of Getting tired of changing those settings in
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 RJ Poole - photo artist / Australia

My art is heavily influenced by my upbringing.

I grew up in a very masculine environment that included football, athletics, boxing, shooting and
a fascination with military affairs. At the age of seventeen I joined the Regular Australian Army
and by the age of nineteen I entered the SAS Regiment where I served a total of six years.

This extreme start to life has since moved me in the opposite direction, igniting a strong interest
in the spiritual. Part of this interest includes the feminine aspect of the male psyche – the anima.
For years I’ve collaborated with various people who provide an alter ego through which I express
my anima. I call this on-going process the ‘Anima Series’.

The Anima Series is a lifelong project involving many people and includes themes of lost innocen-
ce, spiritual awakening, emotional struggle and cultural identity.

These themes are woven together in a dream-like landscape that depicts the spiritual, rather than
the material side of life. They focus on the timeless and enduring parts of the human condition
InFrame and collectively, they are my attempt to discover the feminine aspect inherent in the masculine.

Photo Review
with
R J POOLE
Entering the world of photographic artist R J Poole reveals a hauntingly beautiful place
that simultaneously captivates and challenges the onlooker. A gothic, dream-like
landscape stripped of power lines, motor vehicles or any reference to the modern
material world. Populated by innocent looking women in long, flowing dresses staring
unnervingly at the viewer.
R J Poole is an Australian-based photographic artist, whose signature body of
work – The Anima Series – is inspired by the feminine aspect of the male psyche.
This series has been on-going for over thirty years and includes many symbols and refe-
rences to the mystic, esoteric traditions of the past.

Having recently exhibited in Sydney and London, Poole is looking to show in places
throughout Europe and North America.
 Photo Review wiht RJ POOLE

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 Photo Review wiht RJ POOLE

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 Photo Review wiht RJ POOLE

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 Photo Review wiht RJ POOLE

Page 43 Page 44
 Photo Review wiht RJ POOLE

Visit RJ Poole:

Web:
www.rjpoole.com

Flikr:
www.flickr.com/photos/rjpoole/

Page 45 Page 46
 InFrame

Photo Review
with
Tatiana MERTSALOVA

My name is Tatiana and I'm 25 years old. I live and work in Russia, St. Petersburg. Fond's photos
beginning in 2008. I take pictures of friends and animals. I graduated from St. Petersburg State
University of Service and Economics in 2014. During training, but I soon realized that it was not
mine.
I seriously started practicing photography since 2013. One of my favorite genres became nude
and artistic portrait, and I plan to continue to develop in this direction.

Page 48
Photo Review wiht Tatiana MERTSALOVA
Photo Review wiht Tatiana MERTSALOVA
Photo Review wiht Tatiana MERTSALOVA
Photo Review wiht Tatiana MERTSALOVA
 Photo Review wiht Tatiana MERTSALOVA

O b scure Street
Irish street photography exhibition

In-Spire Galerie
Opening Hours:
Launch: 6pm 7 July Tue-Wed 11am-5pm
Running: 8-21 July Thu 11am-7pm
Fri-Sat 11am-5pm
Sun 12-5pm
Address:

In-Spire Galerie,
56 Lower Gardiner Street, Dublin 1
http://www.inspiregalerie.com/

Obscure Street
is an international and Irish street photography exhibition.
I t i s p r o u d t o f e a t u r e s o m e o f t h e w o r l d ’s b e s t c o n t e m p o r a r y, i n -
ternational street photographers, many of whom will be exhibiting
in Ireland for the first time.
These are published photographers with international reputations
and with top class exhibition and show achievements across the
world.

Their work will feature in Obscure Street alongside the work of

Visit Tatiana MERTSALOVA at:
s o m e o f I r e l a n d ’s b e s t k n o w n a n d e m e rg i n g s t r e e t p h o t o g r a p h e r s .
500px.com Instagram:
http://notename.500px.com/ https://www.instagram.com/notename/ T h e i n t e r n a t i o n a l n a m e s i n c l u d e : R i c h a r d S a n d l e r ( N e w Yo r k ) ,
Facebook: VK.com: Ta t s u o S u z u k i ( J a p a n ) , J e s s e M a r l o w ( A u s t r a l i a ) , D o u g i e W a l -
https://www.facebook.com/mertsalovatany http://vk.com/notename
l a c e ( S c o t l a n d ) , G a b i B e n A v r a h a m ( I s r a e l ) , N i c k Tu r p i n ( U K ) ,
Sarah Choi (China).

Open Submissions for the exhibition were judged by Rinzi Ruiz

(Los Angeles), Don Springer (Editor, Inspired Eye), Des Byrne
(Founder, Irish Street Photography Group) and Mierla Momanu
(Bucharest).
Page 57
 My name is Artur Bashirov, i was born in Orenburg, Russia
Basically, I'm a portrait photographer and I'm trying to convey my emotional state as well as to
combine photo model and an environment in order to create an interesting image

My hobby passed from my father, who used to take photos with a film camera back in the days.
When I was 15 years old, my brother gave me a SLR camera, so I started to go deep into the
world of photography

Now I'm going to college and I enjoy traveling around my country, because it helps me not only
to find an inspiration by nature but also to meet many interesting persons.

Visit Artur Bashirov at:

Website: http://bashirov-photo.ru
Instagram: www.instagram.com/bashirov_artur/
VK.com: https://vk.com/loki056
Facebook: https://www.facebook.com/hvrxn

InFrame

Photo Review
with
Artur BASHIROV
 Photo Review wiht Artur BASHIROV

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 Photo Review wiht Artur BASHIROV

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 Photo Review wiht Artur BASHIROV

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 Photo Review wiht Artur BASHIROV

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Photo Review wiht Artur BASHIROV
 Otto Meyerhoff, got his first camera, a gift from a friend, with 15, a simple Voigtlaender. Later he
purchased a single-lens reflex camera and that was the beginning of a long passion in
photography.

During his studies of food technology in Berlin hi continued to make progress in photography.
“The beginning of the digital photography age spoiled my hobby for a long time”, as Otto Meyer-
hoff says. In 2009 he finally returned to his old passion but this time in digital.

After three decades in responsible positions in the food industry, he finally made the step to quit
his job.
Photography became his main purpose in life. A course in photography and journalism and a
broad variety of professional photography workshops supported his enthusiasm in the genre of
documentary photography perfectly.

Otto Meyerhoff still has a great curiosity about things that happens in this world and he is always
eager to capture and document them in the best way possible. Whit his camera he introduce the
world to a wide audience.

Meyerhoff-Photography
Dernburgstraße 37
14057 Berlin / Germany
Phone: +491726664391
InFrame mail: [email protected]
web: http://www.meyerhoff-photography.com

Photo Review
with
Otto MEYERHOFF
 Photo Review wiht Otto MEYERHOFF

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 Photo Review wiht Otto MEYERHOFF

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 Photo Review wiht Otto MEYERHOFF

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 Photo Review wiht Otto MEYERHOFF

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 To me, photography is a family history. Under
the influence of passionate Dad and a brother
studying photography, I started to take pictures
at 14 years old.
My studies in Graphic Art enabled me to
learn most of the photography techniques.
Nonetheless, after a while, drawing took over
photography. Later, as a graphic designer and
artistic director in communication, photography-
was always there, as a part of my reality.
However, I really went back to practice three years ago. Since then, I always had a camera at
hand! Photography became part of my day to day life. An endless quest to try to instinctively
grasp the essence of the moment.

Contact Laurent BAILLEUL:

InFrame Facebook: www.facebook.com/laurent.bailleul62

Photo Review
with
Laurent BAILLEUL
 Photo Review wiht Laurent BAILLEUL

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 Photo Review wiht Laurent BAILLEUL

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 Photo Review wiht Laurent BAILLEUL

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 Photo Review wiht Laurent BAILLEUL

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 Photo Review wiht Laurent BAILLEUL

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 Giuseppe Milo is an Italian street photographer based
in Dublin, Ireland. He's been taking
pictures for almost 2 years mainly in Dublin city and
around the world while on holiday.
The main subject of his photography is light which he
believes is very important to create
captivating pictures.

Giuseppe Milo
Design & development since 1997
E-mail: [email protected]
Website: www.pixael.com
Mobile Italy: +39.3451873291
Mobile Ireland: +353.870958053
Skype: pixael.com
Flickr: www.flickr.com/photos/giuseppemilo
InFrame Facebook: www.facebook.com/giuseppemilophoto

„Love - Oslo, Norway“

Photo Review
with
Giuseppe MILO

„Gardiner street - Dublin, Ireland“

 Photo Review wiht Giuseppe MILO

„Kjeragbolten - Kjerag, Norway“ „Small - Reykjavik, Iceland“ „Texting - Venice, Italy“

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 Photo Review wiht Giuseppe MILO

„The shot - Los Angeles, United States“ „The Getty museum - Los Angeles, United States “

„Venice beach - Los Angeles, United States“ „The foggy bridge - Dublin, Ireland “
„The blue lagoon - Iceland“

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 Photo Review wiht Giuseppe MILO

„Opera house - Oslo, Norway“ „Man going out of a tunnel - Helsinki, Finland “

„Arch rock - Joshua tree national park, USA “ „Man by the sea - Howth, Ireland “ „The corner - Dublin, Ireland “

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 Photo Review wiht Giuseppe MILO

„Mesquite Sand Dunes - Death Valley, United States “ „Sunset boy - Page, United States“

„On the edge - Bryce Canyon, United States “ „Sunset girl - Joshua tree national park, United States“
 The photo bug bit me when I was in the US Air Force and had
access to darkrooms in the late 60‘s.

After discharge in 1971 I took some formal classes in college

as part of my minor in Art History and became interested in the
history of art photography - a portfolio review earned me a spot
in an honors class my last semester before graduation that was
mentored by Walter Rosenblum at Brooklyn College - a former
member of the Photo League and good friend of Paul Strand and
Patrick MARINO
Helen Levitt just to name a few.
Photographer / USA

Gradually my interests and personal style gravitated from large format Art (Weston, Stieglitz et
al.) more towards the Social Documentary style of the FSA photographers and the great LIFE Ma-
gnum shooters.

In 1977 after graduation I spent six months in Ecuador reacquainting myself with my country
of birth and was invited to be part of a team of photographers involved in a book project on the
InFrame country and its people.

That was a great learning experience on many levels but the reality of making a living and sup-
porting myself and family upon my return to New York made me realize that photography was
Photo Review
more of a passion and hobby than a career. I retired 3 years ago from a job in the IT field.

with
In retirement I enjoy documenting and following good local musicians, drinking craft beer and
Pa t r i c k M A R I N O capturing moments on the streets, pubs, music venues and events in and around New York City.

Some of the bands I shoot actually pay me now but I don‘t depend on it. My current digital
cameras of choice are the Ricoh GR and Fuji XT1 with basic primes.
I have also started shooting film again with a vintage Rollie 35T and plan on re-editing and
scanning some more of my early film negatives from the 70s now that I have the time to do it.

I prefer to think of myself more as a documentarian capturing moments in time and not so much
a street photographer. My images for me are my hedge against Alzheimer‘s that bring back me-
mories about time and place.

Contact or visit Patrick Marino at:

http://patminnyc.blogspot.ch
[email protected]
Page 106
 Photo Review wiht Patrick MARINO

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 Photo Review wiht Patrick MARINO

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 Photo Review wiht Patrick MARINO

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 Photo Review wiht Patrick MARINO

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 InFrame

Photo Review
with
S a lv u c c i o C A P P P E L L O
 Photo Review wiht Salvuccio CAPPELLO

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 Photo Review wiht Salvuccio CAPPELLO

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 Photo Review wiht Salvuccio CAPPELLO

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 Photo Review wiht Salvuccio CAPPELLO

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 Originally from the Notting Hill area of London, I spent many years in Milan, a city which
introduced me to several significant qualities such as ambition, beauty, creativity,
excellence, humour, patience, precision and timing through a teaching career with a client
list that included: Stefano Gabbana of Dolce e Gabbana, Gabriele Albertini - 8 year Mayor
of Milan, Giampiero Vigorelli - a leading voice in Italian advertising, and many PhDs at the
Università degli Studi di Milano.
Milan also unexpectedly introduced me to Maurizio Cattelan in person, an encounter one

InFrame afternoon some years ago that has caused my curiosity towards art to grow ever since.
Those experiences bound together with an involving photographic career at the Milan
Cricket Club, the fact that I have three younger sisters and no brothers, was born on
International Woman’s Day (for me it has to be said) and a father who was deeply involved
Photo Review in diving, all prepared me for what came next: an impressive camera set and free time on
my favourite Greek island.
with The result is ‘Discovering the beauty of Ios - Wild, natural beauty blended with human

Mark WILMAN beauty of the female kind’, my project and website theme officially accepted for
consideration by MOMA, J.Paul Getty Museum, Louis Vuitton Foundation and Fondazione
Benetton.
I forgot to mention regular exercise in preparation for freediving and spearfishing
adventures with heaps of overland trekking, and the love of being with people, like the love
of being alone, but happy to tell of my adventures alone when back with people. If I can
voice my ambition, it is to succeed as an artist whose value for natural beauty encourages
people to see it as an essential value.

Mark & Roxana Photography Srl

Website: www.markwilmanphotography.com
Contact: [email protected]
Facebook
Instagram Page 126
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 Photo Review wiht Mark WILMAN

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 My name is Roy Rozanski (37). I am an aspiring street photo-
grapher for the past couple of years.

Born and raised in Israel. My main “hunting ground” is Tel Aviv,

which possessed a highly versatile street life packed full of different
vibes, sounds and smells. This fact is impressive on its own
especially for such a small city in comparison to some other big
metropolis.

I am influenced and inspired by great photographers such as

Martin Parr and Elliott Erwitt and I try my best to incorporate their
style into my own photography. I am always looking to represent the street life through my own
looking glass. In my personal photographic way I try to capture the light and motion at its col-
orful way.

I don’t care much for compositional rules, leading lines and the rule of thirds. I am only
interested in capturing a story or emotion in my shots.
Shooting street photography is the most challenging type of photography in my mind, nothing
is staged or rehearsed beforehand and you have to be at your top game when you wandering
InFrame the street for that ‘decisive moment’ shot.
My camera has become an extension of me and sometimes reflects my inner soul more than
just capturing others’ souls in the street.

Photo Review I like to shoot with mirrorless cameras or compact ones (currently own Fujifilm X-T1) with very
wide prime lenses. Like the famous Robert Capa’s saying “If your pictures aren’t good enough,
with you aren’t close enough” I try to get as close as I can without the use of zoom and it comes

Roy ROZANSKI with its own perils since people react differently when you get close to their private space. But
the rewarding captured shot, which is always around the corner, keep me passionate for street
photography.

Links
Flickr: https://www.flickr.com/photos/roy286/
Tumblr: http://roy-rozanski-photography.tumblr.com/
Facebook: https://www.facebook.com/roy.photoshoot Page 136
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