From I HATE HAMLET by Paul Rudnick
A huge New York apartment is haunted by the ghost of John Barrymore. Its
new tenant, ANDREW RALLY, a TV star in his late twenties, is persuaded
by Barrymore to play Hamlet in Central Park. After the first performance,
ANDREW analyzes his performance.
ANDREW
Last night, I knew from the start I was bombing. I sounded phony, real thee
and thou and then I started rushing it hi, what’s new in Denmark? I just
couldn’t connect. I couldn’t get a hold of it. And while I’m…babbling, I
look out and there’s this guy in the second row, a kid, like 16, obviously
dragged there. And he’s yawning and he’s jiggling his legs and reading his
program and I just wanted to say, hey kid, I’m with you – I can’t stand this
either! But I couldn’t do that, so I just kept feeling worse and worse, just
drowning.
And I thought, okay, all my questions are answered – I’m not Hamlet, I’m
no actor, what am I doing here? And then I get to the soliloquy, the big job,
I’m right in the headlights, and I just thought oh Christ, the hell with it, just
do it!
To be or not to be, that is the question;
Whether ‘tis nobler in the mind to suffer
the slings and arrows of outrageous fortune,
or to take arms against a sea of troubles
and by opposing, end them.
And I kept, going, I finish the speech, and I look out and there’s the kid –
and he’s listening. The whole audience – complete silence – total focus.
And I was Hamlet. And it lasted about ten more seconds, and then I was
back in Hell. And I stayed there. But for that one little bit – that one speech
– I got it. I had it. Hamlet. And only eight thousand mores lines to go.