midterm
midterm
Date:
History of Western Art-Midterm
Prof. Holden
I. Multiple choice:
a. Byzantine Architecture
b. Etruscan Architecture
c. Gothic Architecture
d. Romanesque Architecture
2. This is called a
a. radiating window
b. flower window
c. church window
d. rose window
3. Artifacts belonging to deceased Saints and religious figures were kept in…
a. reliquaries
b. reliefs
c. tabernacles
d. The Chamber of Secrets
5.
a. an illuminated manuscript
b. an illustration
c. Medieval Calligraphy
d. really good handwriting
a. defeat
b. triumph
c. weakness
d. Caesar's death
a. big
b. commemorative and religious
c. for sports
d. for stabbing Caesar
9. This is an…
a. vesuvius
b. circle
c. oculus
d. Caesar's Palace
II. Compare and contrast the following. Identify both of the following works, and be able to articulate
the following. Demonstrate knowledge of architectural vocabulary 1o points total:
A. Last Judgment Tympanum, Saint-Lazare, Autun
Artist: Gislebertus
Date: c. 1120–1135 CE
Location: Cathedral of Saint-Lazare, Autun, France
Both are Romanesque tympanums, featuring hieratic scale (larger Christ gure), deep relief carving, and thematic emphasis on Christian
doctrine. The Autun tympanum focuses on judgment and the afterlife, using exaggerated gures to instill fear and moral contemplation.
The Vézelay tympanum emphasizes evangelization and spreading Christianity, with a calmer and more structured composition. Both use
architectural vocabulary, such as archivolts, voussoirs, and lintels, in their composition.
III. Short Answer-PROVIDE A SHORT ANSWER FOR 2 (ONLY 2) of the following 5 points each.
Life in a medieval monastery was highly structured and focused on religious devotion, labor, and study. Monks
followed the Rule of St. Benedict, which emphasized prayer (divine o ce), manual labor, and study. They lived
in self-su cient communities, growing their own food, copying manuscripts, and engaging in intellectual
pursuits. Silence, humility, and communal living were central to monastic life.
The process involved vellum/parchment preparation, sketching, applying gold leaf, painting with mineral
pigments, and detailed ornamentation. Monks in scriptoria meticulously copied religious texts, often
embellishing them with intricate designs.
3. Describe a pilgrim's journey, and what sorts of art they may have seen.
Pilgrims traveled to sacred sites (e.g., Santiago de Compostela, Canterbury). Along the way, they saw
Romanesque churches, reliquaries, and murals depicting biblical stories for religious education. Some sites
featured portal sculptures, like the tympanums above, reminding them of their spiritual journey.
San Vitale (Ravenna, Italy, 6th century) is a Byzantine church with an octagonal central plan rather than a
basilica layout. It features a domed clerestory, exedrae (semi-circular niches), and a complex interior with
mosaics depicting Emperor Justinian and Theodora. The use of brick and marble, along with a oating e ect
from the windows, demonstrates Byzantine architectural advancements.
5. Explain the origin of Gothic Architecture, and the significance of St. Denis.
Gothic architecture originated in France in the 12th century, pioneered by Abbot Suger at the Abbey of Saint-
Denis. It introduced pointed arches, ribbed vaults, and ying buttresses, allowing for taller structures and larger
stained glass windows. The design aimed to create a heavenly light- lled space, symbolizing divine presence.
Iconoclasm was the destruction of religious images due to theological disputes over their role in worship. The
Byzantine Iconoclasm (8th–9th century CE) saw emperors banning religious imagery, arguing it led to idolatry, while
supporters (Iconophiles) argued icons aided devotion.