Flower Festival
Flower Festival
Authors’ contributions
This work was carried out in collaboration among all authors. All authors read and approved the final
manuscript.
Article Information
DOI: https://doi.org/10.9734/acri/2024/v24i8859
Received: 02/07/2024
Original Research Article Accepted: 03/09/2024
Published: 05/09/2024
ABSTRACT
The current study provides a comprehensive coverage of the Sngo lha or Mendok rgyaspa, the
ethnic flower festival of Ladakh, India, a remote, high-altitude region known for its unique cultural
traditions. In the face of modernization and religious restrictions, this time-tested festival has been
abandoned or practiced on a limited scale, necessitating urgent efforts to revive it. Using a
qualitative, ethnographic approach, the researchers conducted semi-structured interviews with 19
festival organizers and 42 prominent villagers, complemented by a review of 76 previously
documented resources. The findings reveal how this annual celebration marks a transformative
moment when Ladakh's barren landscapes blossom into a vibrant tapestry of colors, offering a
_____________________________________________________________________________________________________
Cite as: Hussain, Anwar, Rinchan Dolkar, Shabber Hussain, and Nazir Hussain. 2024. “The Ethnic Flower Festival of Ladakh,
India: A Comprehensive Coverage of Sngo Lha or Mendok Rgyaspa”. Archives of Current Research International 24 (8):156-
68. https://doi.org/10.9734/acri/2024/v24i8859.
Hussain et al.; Arch. Curr. Res. Int., vol. 24, no. 8, pp. 156-168, 2024; Article no.ACRI.122609
unique glimpse into the region's rich traditions and the resilience of its residents. The study
underscores the festival's multifaceted benefits, including its contributions to the sustainability of
Ladakh's culture, environment, economy, and holistic development. Additionally, the research
highlights how reviving this overlooked tradition could provide a significant boost to the region's
tourism industry. As one of the few empirical studies documenting this festival, the current work
lays the foundation for future research that can further explore the cultural, environmental, and
socioeconomic dimensions of this endangered community practice.
Keywords: Flower festival; Sngo lha; mendok rgyaspa; mendok stanmo’ paba; ladakh.
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Society (PCLS) Kargil, in collaboration with the 3.4 Sngo lha of Kuksho Village
villagers of Pashkum [18]. The same
organization celebrated the festival at Kartse The traditional flower festival of Kuksho village is
Khar in 2023. Prominent personalities, literary very famous among all. In Kuksho village of
figures, historians, senior citizens of Kargil and Kargil district, according to Shakspo [19] Muslims
villagers of Pashkum village, students from and Buddhists used to organize sngo lha festival
various schools of Pashkum, volunteer groups jointly and participated by all villagers. The
among others attended the programme. inhabitants celebrate this festival in the spring
Speeches, poetry recitation, asking meanings of season when the valley is in full bloom with wild
idioms and phrases, cultural exhibitions were roses. Several days before the beginning of the
main attractions of the festival. festival, eighteen young boys, especially those
born in Tiger Year go to the mountains where
3.3 Mendok Stanmo they spend the night to collect flowers. Similarly,
eighteen young girls born in Sheep Year also
It is somewhat similar to sngo lha, but is collect flowers from nearby areas and make
celebrated in the month of August among the garlands to offer to the village god. They collect
non-dard Buddhist community of Kargil district the rare flowers endemic to the region, which
and Nubra valley of Leh district. The word comprise of Himalayan poppy, Himalayan rose
‘mendok’ means flower and ‘stanmo’ and Persian rose [20,21]. Garlands out of
corresponds to a festival in the local dialect. It is Himalayan rose and Persian yellow rose flowers
celebrated for two days. In the early morning, the are made. The Himalayan poppy is the main
flowers plucked by youth from mountains and flower of the festival. This flower is highly fragrant
fields are arranged on sticks. The elders sing a and is burnt in with juniper twigs. The admixture
special traditional song while the youth dance is believed to be auspicious and is burnt to purify
with the flower sticks (Fig. 3). the surroundings. Besides, the branches of
Fig. 1. Villagers bringing flowers during sngo lha. Photo credit: Vaneet Jitshu
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willow and wheat from the field are collected and 3.5 Mendok stanmo of Fokar and Mulbekh
all these are then presented as offerings to the Villages
local deity. After making collections, these girls
return down the hill slopes. Accompanied by the In Buddhist-dominated villages of the Kargil
villagers and the local village band, singing and district viz. Wakha, Mulbekh, Fokar, Shargole,
dancing merrily they proceed towards the etc. a similar festival is held in the month of
common place of worship in the village. The August every year which is locally referred to as
religious ceremony is held while chanting of the Mendok Stanmo [23,24]. It is generally
Lamas. The offerings are meant to fulfill their celebrated on the 15th day of the 6th month
aspirations as well as for the peace and (Tukpe chonga) of the Tibetan calendar [25]. In
prosperity of the village. The villagers dressed in Fokar village, on the day of the festival, the
traditional dresses gather at a specific location unmarried boys and girls used to offer all kinds of
on the festival day. The lha-rdak recites lha-gsol flowers to their territorial god. The boys decorate
while offering libation where names of various the flower into the stick, which already cut into
village gods such as Chomo of Fokar, Chomo of four parts on the top of the stick, so that the
Hagnis, Yagra Chomo of Domkhar, Daknak flower can easily put on the stick, locally known
Chomo of Khaltse, Lhamo of Dargo, Zangldan of as chak-shing. The girls hung the garlands of the
Hanu, Zangnam of Skubuchan, Stakpa Lhachen flowers over the stick, which is known as patta. It
of Kuksho, etc. are lauded. The lha-rdag of a is carried in a group of three to five girls. Later it
village is the caretaker of the gods, belongs to is offered to the various gonpas [26]. The festival
the Rus-cen lineage, and owns the hereditary celebrated at Mulbekh is a special one. This
responsibility of servicing the village deity. He festival is celebrated at the famous 9th-century
sacrifices animals on behalf of the villagers and rock-carved Buddha Maitreya statue (Chamba
attains elevated status in the village. Folk songs statue) of Mulbekh for 2-3 days. The prayer flag-
in honor of gods, folk dances while holding changing ceremony is the specialty of this
flowers in hands, eating delicious foods, drinking festival where an old villager climbs the statue
of local beer, chang are some of the specialties without ropes or harnesses, and barefoot to
that follow the lha-gsol ceremony. It is interesting change the prayer flags (Fig. 4). The event
to note that, married women are not allowed to witnesses a massive local as well as tourist
offer flowers or are even not allowed to the gathering [27]. Special prayers are performed by
particular birch tree where the village deity is the head lama followed by a flower dance. All the
believed to be resided. Similarly, a newly sticks arranged with flowers are then kept on the
engaged girl offers her last sngo lha prayers for feet of the statue. During this festival participants
the prosperity of herself, her new home, her are entertained through songs, dances, games,
village, and her village god. However, with time, etc. Food stalls serve local dishes.
this old-aged tradition is badly affected by
external religious influences. The Muslims of the 3.6 Mendok stanmo of Nubra Valley
village have now disassociated themselves and
participate in the traditional festivals as In Nubra, collected flowers are worn on heads.
spectators only [22,17]. People from surrounding Similarities between the flowers are believed to
villages also participate in this festival of Kuksho be friends (chuspun) or marriage pairs [28].
village.
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Dressed in traditional dresses all the villagers offered to Mahandeo deity and the Kalasha
sing, dance, eat, and drink during the event. people pray for welfare of the community. With
the start of second phase, celebrations of the
3.7 Similar Festivals in Other Parts of the festivals begin. During the second phase of the
World festival a ceremony called gulprik is celebrated in
which all those babies who born after the last
Similar festivals are also celebrated in other parts Joshi are brought to highlands in each village
of the world particularly in Pakistan which was with their mothers. They all are allowed to go
once a part of Indian Sub-continent by the Dards even the most sacred place of the Kalasha; goat
or Aryans. Khan [29] writes that sngo lha sheds or barns and an onjesta suda (a virgin
resembles the Sheenu-Bozanoo spring festival of boy) throws milk on them as a ritual to purify
Gilgit, the capital of Baltistan, Pakistan, where them. In this way in fact all the babies become
apart from merry-making, people use the the part of the Kalasha tribe. At the end of the
occasion to pray for a good crop. Ali and Chawla celebration, the Kalasha elders sing the songs
[30] reported a similar festival known as Joshi and dance. The girls enjoy the Cha, an up-tempo
(also called as Zoshi) celebrated in Chitral district dance in which groups of girls clasp each other’s
of Khyber Pakhtunwa, Pakistan in the month of shoulders and dance in spinning circles. Joshi’s
May to welcome the spring by the Kalasha (of third stage is celebrated for two days in the
Indo-Aryan race) community. The first preparing valleys. Different types of songs are sung and
phase of Joshi festival consists of ten days. The dances are performed during these two days.
shepherds live in goat-houses and do not visit The songs attributed to love, tragedies and wars
their homes for nine days. During the very days are sung by the community. The songs of Joshi
the shepherds clean the goat-sheds and all festival reflect themes ranging from Kalasha
utensils. The people start storing milk in barns history to romance. At the last day of the festival,
before ten days when elders of the community elders sing Gatch, a very secret song, and all
announce the dates for the festival. After the first participants wave branches of walnut and they
phase of the festival, young boys and girls fetch pray for abundance of milk of goats. Kalashas
yellow flowers (Sophora Mollis) from the pastures believe that fairies come to participate in this
and branches of walnut to decorate their houses, ritual and they also wave walnut branches.
doorways, walls and also decorate barns and the
Jestak han, the temple of Jestak. Practically, this 3.8 Folk Songs
is the first day of the festival. On the said day, the
collected milk is distributed among the fellow Folk songs are one of the main parts of this
tribes on the day of festival. The ceremony of festival along with other important activities
distributing and drinking the milk is called chirik associated. These songs belong to the zung lu
pipi. On the first day, men visit the shrine of (public song) category of the Ladakhi folk songs.
Shingmou, they clean it, decorate it with new Among the three categories, the other two are
branches and offer some dried mulberries and ngal tsol lu (labor song) and ging lu (Gesar epic
walnuts to the shrine. During the Joshi festival song) [31]. The folk songs are recorded and
the Kalasha women sing the melodic songs and published by Francke, et al. [7]. Among the
dance on the beats of the drums. Some songs various folk songs of Baltistan, the song related
are sung in the praise of Dramui who was to the flower festival, mindok hltanmo is a
believed to be a great hunter in past days, while famous one [32]. Before the partition of India in
some songs represent affections and love. 1947, Baltistan and Ladakh were under one
Second phase of Joshi represents the religious wazarat (district) of the state of Jammu and
climax of respective festival. Many sacrifices are Kashmir [33].
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Some special folk songs related to the flower festival are elaborated below:
This song in the local dialect is taken from YouTube posted by Lhasal [34].
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The lines from the folk song documented by Francke, et al. [7] are described as:
While quoting the lines of an informant about sngo lha festival, Agarwal [35] writes:
A hundred boys born in the Tiger Year gather fragrant chondol flowers.
3.9 Poetry
The poetry associated with mendok rgyaspa, composed and recited by Kacho Isfindar Khan is
telecast by Ladakh Express [18].
The Quranic chapters that are recited by everyone during mendok rgyaspa festival on the graves of
their deceased family members, relatives, and friends are discussed as 4:
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Labo, Churku, Mar, Fating, Chuli, etc. The Ladakh's cultural heritage and strengthens bonds
traditional foods of Ladakh have tremendous between different communities. The increased
health benefits along with good nutritional tourism also provides economic opportunities for
attributes [40]. Society is moving towards fast- the region, boosting local businesses, and
food, ready-to-eat, and ready-to-cook systems hospitality services, and promoting sustainable
under the ages of modernization thus tasting the tourism practices.
local dishes less frequently. Mendok rgyaspa or
sngo lha festival along with the mamani festival 4.6 Community Engagement and
provide an opportunity for the locals as well as Conservation
the tourists to enjoy the flavor of the local
delicacies. Mamani is an ethnic food festival that Beyond the festivities, this festival also serves as
is celebrated annually by both Muslim and a platform to promote environmental awareness
Buddhist communities in Ladakh and Baltistan (a and conservation efforts. Recognizing the fragile
region separated from Ladakh during the ecosystem of the Ladakh and Himalayan
Partition of 1947, now in Pakistan-Occupied regions, the festival emphasizes the importance
Kashmir) [41]. of sustainable practices and the need to protect
the natural beauty that draws visitors from
4.3 Cultural Extravaganza around the world. This study addresses an
important gap in the literature and
The cultural significance of the festival is deeply offers valuable insights for reviving and
intertwined with the region's Bonism-inspired preserving this significant cultural practice. The
traditions. The Ladakhi people believe the flower manuscript can also make a valuable
festival is an occasion for spiritual renewal and contribution to the understanding and
community bonding. Beyond the floral spectacle, preservation of cultural heritage in the face of
the mendok rgyaspa or sngo lha or mendok modernization, a critical concern for scholars,
stanmo festival is an occasion for the Ladakhi policymakers, and development practitioners
people to showcase their vibrant cultural working in diverse cultural contexts around the
heritage. Traditional music and dance world. The study also helps in balancing
performances take center stage, filling the air economic, institutional, and contextual
with melodious tunes and graceful movements Considerations.
that reflect the spirit of the region. These
performances are a reflection of Ladakh's 5. CONCLUSION
diverse cultural influences, blending Tibetan, and
Central Asian elements. The mendok rgyaspa or sngo lha or mendok
stanmo flower festival of Ladakh is an
4.4 Unity and Community Spirit extraordinary celebration that encapsulates the
beauty, spirituality, and unity of the Ladakhi
This flower festival is more than just a celebration people. With its rich historical roots, colorful floral
of nature and culture; it serves as a unifying force displays, captivating performances, and
for the people of Ladakh. In a region where the emphasis on cultural preservation, the festival
harsh climatic conditions have shaped a resilient has evolved into a significant cultural event that
community, the festival acts as a symbol of not only brings joy and inspiration to the locals
collective strength and perseverance. It fosters a but also invites outsiders to partake in the magic
sense of belonging among the residents and of Ladakh's traditions. Thus, the revival of this
encourages a spirit of cooperation and solidarity. diminishing old tradition has been strongly felt at
this stage. All the stakeholders, including
4.5 Promotion of Tourism and Cultural villagers, government organizations, non-
Exchange government organizations, religious heads,
tourist agencies, historians, etc. should join
In recent years, this ethnic festival has garnered hands to promote this festival to enhance
increasing attention from tourists, scholars, and sustainability in terms of culture, tradition,
cultural enthusiasts from around the world. The environment, and profitability for the locals.
festival has become a unique platform for cultural
exchange, allowing visitors to immerse NOTES
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