QUIZ NO. 1 22.

These dances are found throughout the islands with little or no

modification.
1. Like the motion of the hands of the clocks. Right shoulder is toward National Dances
the center of an imaginary circle.
Clockwise 23. She is the legendary "Mother of Philippine Folk Dancing."
Francisca Reyes Aquino
2. The couple occupy the length of the hall when the dancers are in
square formation (side pair). 24. This type of dance depicts action of certain occupation Industry, or
Tostados human labor.
Occupational
3. To displace quickly one foot with the other. 25. This type of dance depicts funny movements for entertainment.
Cut Comic Dances

4. The foot not bearing the weight of the body. 26. This type of dance is performed in connection with religious vows
Free Foot and ceremonies.
Religious or Ceremonial
5. Weight on one foot, hit the floor with the ball of the foot or heel of the
other foot, and lift that foot from the floor to any direction. 27. This type of dance depicts love making.
Brush Courtship Dances
6. The couples occupying the width of the hall when the dancers are in
square formation (head couple). 28. This type of dance is suitable for special occasion or any social
Cabeceras gatherings.
Festival Dances
7. Place hands at the waistline, knuckles in, fingers pointing rear.
Hand on waist 29. This type of dance is performed during wedding feasts.
Wedding Dances
8. A spring on one foot landing on the other foot in place or in any
direction. 30. This type of dance shows imaginary combat or duel. Fundamental
Hop arm and feet position (1th-5th)
War Dances
9. To tap slightly with the ball of the foot or toe of the free foot keeping
weight of the body on the other foot. There is no transfer in weight. 31. Arms raised in a circle in front of the chest with finger tips about an
Tap inch apart.
1st
10. To make fast turns by executing small steps in place, right or left.
Whirl 32. Arms raised sideward with a graceful curve a little below shoulder
level.
11. Partners turn around clockwise with the right elbows almost 2nd
touching, or counterclockwise using walking or any kind of dances.
Jaleo 33. Heel of one foot close to the in-step of the other foot.
3rd
12. Swinging the arm downward-upward passing in front of the body as
if scooping, the trunk is bent forward following the movement of the 34. Feet apart sideward of about a foot apart.
arm. 2nd
Salok
35. One arm raised in front of chest in a half circle, other arm raised
13. A dance formation like square formation or unit formation composed overhead.
of two or more pairs. 4th
Set
36. Arm raised as in 2nd position, other arm raised overhead.
14. To bring the foot forcibly and noisily on the floor. 3rd
Stamp
37. Both arms are raise overhead.
15. To advance or recede by moving one foot to another resting place 5th
with a complete transfer of weight from one foot to the other.
Step 38. Heels close together, toes apart making an angle of about 45 degrees.
1st
16. Spring from one foot landing on the other foot in any direction.
Leap 39. One arm bent in front at waist level. The other bent behind at waist
level as well.
17. Moving the hand from the wrist either in a clockwise or Hayon-hayon
counterclockwise direction.
Kumintang 40. Both arms raised at sides and bent at the elbows so that the upper
arms are at shoulder level.
18. To turn with the ball, heel, or whole, on a fixed place or point. T-Position
Pivot

19. Cross the right in front of the left, bend the body slightly forward and
cross hands down in from with the right hand over the left.
Sarok

20. Partners with the feet together bow to each other, to the audience,
opposite dancers or the neighbors.
Saludo

21. The area covered by the dance movements.

Space
QUIZ NO. 2 CHACHACHA

1. This type of flirtation dance is known all over the Philippines. 25. It is a smooth dance that travels around the dance floor. it is easy to
CARIÑOSA recognize this dance because of the "rise and fall" action.
WALTZ
2, This word means affectionate, lovable, or amiable.
CARIÑOSA 26. It is described as a very happy, boppy, lively dance, with many knee-
lifting, bending and rocking of the hips.
3. Folk Dance is always related to one's JIVE
CULTURE AND TRADITION
27. What is the classification of the dance carinosa?
4. A dance step in which partners turn crosswise and bow to each other, COURTSHIP
to the audience, or to the opposite dancers with feet together.
SALUDO 28. Cha-Cha Cha as a Latin-American dance originated from what
country?
5. It is a form of dance developed by a group of people that reflects the CUBA
traditional life of a people in a certain country, region, or community.
FOLK DANCE 29. The Is a fun, playful dance, a quick give-and-take and "chase" theme
between the partners
6. The oldest form of dance in the Philippines. CHACHACHA
FOLK DANCE
30. This is an all-American dance set to Jazz music and can be fast or
7. The most common version/movement of Carinosa dance. slow depending on the band.
FLIRTATION FOXTROT

8. How many music parts are there in Carinosa dance? 31. A fast ballroom dance of Latin American origin that follows a
2 PARTS, A AND B rhythmic pattern based upon a quick three-step movement.
CHACHACHA
9. In Carinosa dance, partners stand opposite and face each other about
____apart. 32. Ballroom dance of Afro-Cuban folk dance origin that became
6 FEET APART internationally popular in the early 20th century.
RUMBA
10. Is a Philippine dance of colonial era origin from the Maria Clara suite
of Philippine folk dances, where the fan or handkerchief plays an 33. A popular social dance that is often characterized by lifts, spins, and
instrumental role as it places the couple in romance scenario. flips.
CARIÑOSA SWING

11. In this dance the Girl wears balintawak style and boys wear Barong 34. This dance is mainly characterized by its fast footwork and its turning
tagalog and white trousers. variations.
ALITAPTAP SALSA

12. A dance where the dancers make a number of flirtatious movements 35. Best known for the dancers' side to side hip movements with the torso
as they hide behind fans or handkerchiefs and peek out at one another. erect.
CARIÑOSA RUMBA

13. A Philippine Folk dance that originated from the province of 36-47. Enumerate the Warm-up exercises for ballroom dance performers.
Batangas and is native to the Tagalogs. This dance mimics the movement 36. WALKING KNEE TO CHEST
of a firefly. 37. LUNGES
ALITAPTAP 38. PARTNER CALF STRETCH
39. PARTNER QUAD STRETCH
14. What is the time signature used in Carinosa dance? 40. FORWARD BEND
¾ 41. SHOULDER ROLLS
42. NECK STRETCH
15. What is the time signature used in Alitaptap dance? 43. SHOULDER ACTIVATION ON WALL
¾ 44. PARTNER SHOULDER STRETCH
45. PARTNER CHEST OPENER
16. What is the costume for male used in Carinosa dance? 46. PARTNER BACKBEND
BARONG TAGALOG, ANY COLOR OF TROUSERS AND 47. SIDE BODY STRETCH
HANDKERCHIEF IN HIS POCKET
48-59. Enumerate the basic positions in social dancing.
17. What is the costume for female used in alitaptap dance? 48. ONE-HAND HOLD POSITION
BALINTAWAK STYLE COSTUME 49. TWO-HAND HOLD
50. CLOSED POSITION
18. What is the formation used in alitaptap dance? 51. THE OUTSIDE RIGHT POSITION
Partners stand opposite each other, about six 52. THE OUTSIDE LEFT POSITION
feet apart. When facing the audience, a girl stands at the right side of the 53. PROMENADE POSITION
partner. One or more pairs may take part in this dance. 54. THE FALL AWAY POSITION
55. SHADOW POSITION
19.-22. What are the 4 figures/steps used in alitaptap dance? Enumerate. 56. SKATER'S POSITION
19. Kumintang step 57. CHALLENGE POSITION
20. Waltz step 58. VARSOVIENNE POSITION
21. Do-si-do step 59.WRAP POSITION
22. Flikiring steps

23. Social dances and dance mixers are also called

BALLROOM DANCE

24. It is a lively, fun, cheeky and playful dance