Guidance Book 10TH Sdgicf 2025 - Eng PDF
Guidance Book 10TH Sdgicf 2025 - Eng PDF
Guidance
Book
Organized by :
Satya Dharma Gita Choir
Faculty of Law, Universitas Diponegoro ENG
ORGANIZATION
10th Satya Dharma Gita International Choir Festival 2025 (September 9-13, 2025)
Organized by the Satya Dharma Gita Student Choir
Faculty of Law, Universitas Diponegoro, Semarang, Indonesia
Dean of the Faculty of Law, : Prof. Dr. Retno Saraswati, S.H, M.Hum.
Universitas Diponegoro
RONI SUGIARTO
Artistic Director of the 10th Satya Dharma Gita
International Choir Festival 2025
Creativity comes in many forms when it comes to creating harmony. The diversity of
tones and tempos blended into music serves as a way to express one’s true colors.
Art speaks what lies within our hearts and minds, channeled through various
melodies.
As members of the Artistic Panel, our mission is to bring together a shared passion for
music. It is with great pride that we present to you one of Indonesia's most
prestigious choir festivals, the 10th Satya Dharma Gita International Choir Festival
2025. As the Artistic Council, we are responsible for shaping the artistic vision and
mission of this festival, focusing on the beauty of music to be realized, developed,
and implemented during the event, which will be held from September 9 to 13, 2025.
Our team is committed to providing the best facilities for all participants, supported
by experienced juries and experts, along with engaging entertainment and
competitive activities to refine everyone’s musicality. Our greatest ambition is to
expand this choir festival, reaching greater heights and welcoming more talented
individuals to participate. With the small yet significant steps we have taken over the
years, we genuinely hope that as an integral part of the Satya Dharma Gita Student
Choir, Faculty of Law, Diponegoro University, we can go even further and set a
leading standard for future musical events.
On behalf of the Artistic Council of the 10th Satya Dharma Gita International Choir
Festival 2025, we send our warmest regards to every musician out there and invite
you to join us in creating unforgettable memories at this event. We look forward to
your participation. So, let your talents shine!
AMABEL JOELLE
TRIFENA TOBING
Project Officer of the 10th Satya Dharma Gita
International Choir Festival 2025
First of all, I thank my Almighty God for allowing us to hold this event.
The Satya Dharma Gita Choir Festival is one of the most prestigious choir festivals in
Indonesia. After successfully hosting our choir festival nine times, we are grateful to
God for the opportunity to elevate the Satya Dharma Gita Choir Festival (SDGCF) to a
broader scale this year.
Let me present to you the 10th Satya Dharma Gita International Choir Festival 2025,
organized by the Satya Dharma Gita Choir, Faculty of Law, Universitas Diponegoro.
This event is not only a competition but also a platform to show creativity, hard work,
and harmony that every participant has prepared.
On this valuable occasion, I, on behalf of the organizing committee of the 10th Satya
Dharma Gita International Choir Festival 2025, am delighted to invite you to join us for
this event, which will take place from September 9-13, 2025. Let us make this
upcoming event a celebration of talent, unity, and the power of music. We hope this
festival runs smoothly and provides a memorable experience for everyone involved.
Your dedication and hard work will surely make this event remarkable.
Thank you for your enthusiasm and support. We look forward to seeing you on the
festival day and let us work together to make this event a success!
GENERAL
SCHEDULE OF THE
10 SDGICF 2025
TH
Registration
Stage Rehearsal
Focus Group Discussion
09 September
Choir Ateliers
Verbal Jury for Arrangement &
Composition Competition
Opening Ceremony & Friendship Concert
Stage Rehearsal
10 September Solo Vocal Competition
Choir Competition
Stage Rehearsal
11 September Solo Vocal Competition
Choir Competition
Choir Ateliers
Choir Exchange
Choir Studio
Choir Competition
13 September
Verbal Jury
Vocal & Conducting Class
Grand Champion
Special Concert
Awarding & Closing Ceremony
Competition Categories
The Choir Composition Competition has only one (1) category:
Sacred Music Category
In this category, participants compose choral works with a sacred music theme.
The composition is based on liturgical texts and written in Latin.
General Provisions
The Choir Composition Competition is open to the public, with a minimum age
requirement of 17 years old (as of September 9, 2025).
Members of the Artistic Board, Jury, and Choir Experts of the 10th SDGICF 2025 are
NOT ALLOWED to participate in this competition as participants.
The composition must be written in standard music notation (staff notation),
acapella (for Mixed Voices, consisting of at least 4 voices such as S–A–T–B); with a
duration of 2 to 4 minutes.
The composition must be created after February 17, 2025, and must not have been
published, entered into any similar competition, or performed by any choir
ensemble. Any violation of this rule will result in DISQUALIFICATION from the
competition.
The composition may be created using music software such as Sibelius, Finale,
Encore, and others.
The composition must be submitted in .pdf format (portrait orientation, A4
paper size).
Participants are required to submit a midi file (audio in .mp3 format) of the
composition. Participants must also submit a statement letter (in .pdf format).
The statement letter can be downloaded from the official 10th SDGICF 2025
website.
Note: Please upload your midi file to your Google Drive first, copy the link, and paste it into the
Choir Composition Competition registration form (Google Form) on the official 10th SDGICF 2025
website. (Please ensure your Google Drive is not set to private).
The Jury Panel for the Choir Composition Competition consists of three (3) judges
with an esteemed reputation at the international level.
Each composition will be evaluated based on the following criteria:
Originality & clarity of theme in the composition
Appropriateness of the lyrics to the music in the composition
Creativity in melody & harmony of the composition
Creativity in dynamics & rhythm of the composition
Creativity in chords used in the composition
Feasibility of the composition to be performed by a choir
Each jury will assign a whole number score for each criterion, with a scoring range
of 60–100 points.
All scores from the jury panel will be summed and then divided by three (3) to
obtain the preliminary average score.
If the composition’s duration is shorter or exceeds the time limit (measured based
on the MIDI file duration), there will be a penalty of a 2-point deduction from the
preliminary average score.
The final score is the preliminary average score minus the duration penalty.
Final scores will be calculated using two decimal places.
The jury's decision is final (cannot be contested) for subjective matters and not
final (can be contested) for objective matters.
Participants who achieve at least a gold medal and the highest score will be the
champion category.
The champion category will receive a certificate, medal, trophy, and a prize
money of IDR 5,000,000.00
All participants will receive a certificate of appreciation.
CRITERIA
NO. PARTICIPANT COMPOSITION
TOTAL
NAME TITLE
A B C D E F
Jury Assessment
Composition Evaluation by
20 August - 01 September 2025
the Jury Panel
Competition Categories
The Choir Arrangement Competition is divided into two (2) categories:
The Choir Arrangement Competition is open to the public, with a minimum age
requirement of 17 years old (as of September 9, 2025).
Members of the Artistic Board, Jury, and Choir Experts of the 10th SDGICF 2025 are
NOT ALLOWED to participate in this competition as participants.
Arrangements must be written in standard music notation, acapella, for a mixed
voices (with at least 4 voices such as S-A-T-B). Medleys (combinations of more
than one song) are not allowed, and the duration of the arrangement must be
between 2 and 4 minutes.
The arrangement must be created after February 17, 2025, and it must not have
been published, entered into any similar competition, or performed by any choir.
Any violation of this rule will result in DISQUALIFICATION from the competition.
In the Folk Song Arrangement Category, the song must be in the regional
language corresponding to the origin of the song.
Arrangements may be created using music software such as Sibelius, Finale,
Encore, and others.
For the Popular Song Arrangement Category, the arrangement must include
the name of the songwriter.
For the Folk Song Arrangement Category, the arrangement must include the
regional origin of the song and the songwriter's name if known (if unknown, it
can be written as "NN").
The arrangement must be submitted in .pdf format (portrait orientation, A4
paper size).
Participants are required to submit a midi file (audio in .mp3 format) of the
arrangement and the original notation of the song (block notation in .pdf
format). Participants must also submit a statement letter (in .pdf format). The
statement letter can be downloaded from the official 10th SDGICF 2025
website.
Note: Please upload your midi file to your Google Drive first, copy the link, and paste it into the Choir
Arrangement Competition registration form (Google Form) on the official 10th SDGICF 2025 website.
(Please ensure your Google Drive is not set to private).
CHOIR ARRANGEMENT COMPETITION (CAC)
The Jury Panel for the Choir Arrangement Competition consists of three (3) judges
with an esteemed reputation at the international level.
In the Popular Song Arrangement Category, each arrangement will be assessed
based on the following criteria:
Arrangement suitability with the theme of the song.
Creativity in arrangement (melody creativity, harmonization, chords,
dynamics, and rhythm).
Technicality (whether the arrangement can be sung well technically).
In the Folk Song Arrangement Category, each arrangement will be evaluated
based on the following criteria:Suitability of the arrangement with the song's
theme.
Suitability of the arrangement with the song’s theme.
Creativity in the arrangement (creativity in melody, harmonization, chords,
dynamics, and rhythm).
Authenticity (participants in this competition must arrange the song without
removing the original elements that remain inherent in Indonesian folk songs).
Each jury will assign a whole number score for each criterion, with a scoring range
of 60–100 points.
All scores from the jury panel will be summed and then divided by three (3) to
obtain the preliminary average score.
If the arrangement’s duration is shorter or exceeds the time limit (measured
based on the MIDI file duration), there will be a penalty of a 2-point deduction
from the preliminary average score.
The final score is the preliminary average score minus the duration penalty.
Final scores will be calculated using two decimal places.
The jury's decision is final (cannot be contested) for subjective matters and not
final (can be contested) for objective matters.
CHOIR ARRANGEMENT COMPETITION (CAC)
Awards are given to each participant in each category under the following
conditions:
Participants who achieve at least a gold medal and the highest score will be the
champion category.
The champion category will receive a certificate, medal, trophy, and a prize
money of IDR 5,000,000.00
All participants will receive a certificate of appreciation.
Bohemian
2. Participant 2 84 82 78 81,33
Rhapsody
Composition Evaluation by
20 August - 01 September 2025
the Jury Panel
General Provisions
Youth One folk song from the The folk song has been adapted
Category participant’s country into a classical performance.
SONG NOTES
The video recording must be a live performance (not recorded in a studio) and
should be submitted unedited (adding a title page to the video is allowed).
In the Classical Music Category, the performance must be live without using a
microphone. In the Popular Music Category, the use of a microphone is allowed.
The video must be recorded after February 17, 2025.
SOLO VOCAL COMPETITION (SVC)
Competition Round
In this round, participants must perform three (3) repertoires according to the
following guidelines:
SONG NOTES
Performance Duration
The maximum solo vocal competition performance time is 13 minutes.
Time starts when the participant begins singing or when the accompanist
starts playing the first repertoire until the last repertoire ends.
Repertoire Selection & Requirements
Participants are free to determine the order of the repertoires performed.
For compulsory repertoires, the committee will provide only the original
repertoire and original key.
Participants may change the key but must submit a new score reflecting the
adjusted key.
The repertoire must be an original composition (including original language).
Participants are fully responsible for copyright issues related to their chosen
repertoire.
Repertoires composed by 20th-century composers must be performed in their
original key, unless the composer has given written permission to change it.
Approval & Performance Rules
All repertoires must be approved by the Artistic Panel.
The Artistic Panel has the right to reject repertoires that do not comply with
competition regulations.
Performances must follow the musical score provided.
Accompaniment & Technical Rules
Only live (acoustic) accompaniment is allowed.
The use of any kind of playback or soundtrack is strictly prohibited.
Amplification is not allowed (including microphones and sound systems).
The committee will provide an acoustic/classical piano.
The committee does not provide accompanist and the participant may bring
up to 2 accompanists.
Competition Guidelines
Repetition of performances is not allowed, unless requested by the Jury.
The list of participants will be randomly drawn and announced by August 9,
2025.
Stage rehearsal will be arranged for 7 minutes and announced by August 9,
2025.
Final Regulations
Any matters not covered in these rules will be decided by the committee, with
approval from the Artistic Panel and Jury.
SOLO VOCAL COMPETITION (SVC)
Performance Duration
The maximum solo vocal competition performance time is 13 minutes.
Time starts when the participant begins singing or when the accompanist
starts playing the first song until the last song ends.
Song Selection & Requirements
Participants are free to determine the order of the songs performed.
The committee will provide a song (original song) and a minus one.
Participants may freely sing in their own key.
Medleys are not permitted.
Participants are fully responsible for copyright issues related to their chosen
songs.
Approval & Performance Rules
All songs must be approved by the Artistic Panel.
The Artistic Panel has the right to reject songs that do not comply with
competition regulations.
Participants must perform using a minus one.
Minus one tracks must be submitted by August 9, 2025, in .mp3 format.
The jury for the Solo Vocal Competition consists of five (5) judges with an
esteemed reputation at the National and International levels.
Participants will be evaluated based on the following criteria:
A. Intonation
B. Accuracy to the score, including correct pronunciation
C. Interpretation of the repertoire
D. Vocal quality & technique
E. Overall artistry
Each judge will assign a whole number score for each criterion, with a scoring
range of 60 – 100 points.
Criteria A, B, and C will be assessed for each repertoire performed.
Criteria D and E will be evaluated based on the overall performance.
All scores from the jury will be summed and divided by 5 to obtain the
preliminary average score.
Deductions
Participants who fail to appear (perform) according to the scheduled order
(lateness) will receive a 3-point deduction from the preliminary average score.
If a participant exceeds the maximum performance duration (13 minutes), they
will receive a 1-point deduction per 30 seconds from the preliminary average
score.
Final Score Calculation
The final score is the preliminary average score minus any penalties for
lateness and time violations.
Final score calculations will use a two-decimal system.
The jury for the Solo Vocal Competition consists of five (5) judges with an
esteemed reputation at the National and International levels.
Participants will be evaluated based on the following criteria:
A. Intonation
B. Vocal quality & technique
C. Creativity in rhythm
D. Song interpretation
E. Overall artistry
Each jury will assign a whole number score for each criterion, with a scoring range
of 60 – 100 points.
Criteria A, B, and C will be assessed for each song performed.
Criteria D and E will be evaluated based on the overall performance.
All scores from the jury will be summed and divided by 5 to obtain the
preliminary average score.
SOLO VOCAL COMPETITION (SVC)
Deductions
Participants who fail to appear (perform) according to the scheduled order
(lateness) will receive a 3-point deduction from the preliminary average score.
If a participant exceeds the maximum performance duration (13 minutes), they
will receive a 1-point deduction per 30 seconds from the preliminary average
score.
Final Score Calculation
The final score is the preliminary average score minus any penalties for
lateness and time violations.
Final score calculations will use a two-decimal system.
The jury’s decision is final (cannot be contested) for subjective matters and not
final (can be contested) for objective matters.
Awards are given to each participant in each category under the following
conditions:
SCORE PREDICATE CERTIFICATE OF APPRECIATION
The jury will determine the winners in each category (champion category) based
on the highest final score, with a minimum requirement of a Gold B Certificate.
The champion category in each category will receive a certificate, trophy, and a
prize money of IDR 5,000,000.00
The jury may decide to grant special awards to:
Participants who demonstrate the best interpretation of the compulsory
repertoire for the Classical Music Category.
Special awards from the jury.
Winners of special awards will receive a certificate and a trophy.
All participants will receive a certificate and a medal.
SOLO VOCAL COMPETITION (SVC)
CRITERIA
REPERTOIRE TITLE
A B C D E
86,38
Preliminary Average
458,46 : 5 → 91,692→ 91, 69
Score
Certificate of
Gold A Certificate
Appreciation
SOLO VOCAL COMPETITION (SVC)
One arranged or
CHILDREN CHOIR B Only acoustic accompaniment is allowed.
composed repertoire
MIXED YOUTH CHOIR One composed repertoire Only acoustic accompaniment is allowed.
Acapella
MIXED CHOIR One composed repertoire Using of non-define pitch
accompaniment is allowed
Acapella
EQUAL CHOIR One composed repertoire Using of non-define pitch
accompaniment is allowed
One composition or
RELIGION SONG arrangement repertoire
Only acoustic accompaniment is allowed.
with a religious theme
Competition Round
Categories in this group are classified based on age
NUMBER
VOICE
NO. CATEGORY OF AGE REPERTOIRES NOTES/REMARK
TYPE
SINGERS
One song
Number of Songs: 2
must be in the
Duration: max. 9
folk song
Max. 6 minutes
KINDERGARTEN 16-40 genre.
1 UNISONO years Acoustic musical
CHOIR Singers One song
old instruments may be
must be in the
used for
popular music
accompaniment.
genre.
One song
must be in the Number of Songs: 2
folk song Duration: max. 9
Max. 9
CHILDREN 16-40 genre. minutes
2 UNISONO years
CHOIR A Singers One song At least one song must
old
must be in the be performed a
popular music cappella.
genre.
CHOIR COMPETITION AND GRAND CHAMPION
NUMBER
VOICE
NO. CATEGORY OF AGE REPERTOIRES NOTES/REMARK
TYPE
SINGERS
One Compulsory
Song (a cappella).
One composition or
arrangement by a
Max. 12 Number of Songs: 3
CHILDREN 16-40 composer or arranger
3. S/MS/A years Duration: max. 13
CHOIR B Singers born before 1970.
old minutes
One composition or
arrangement by a
composer or arranger
born after 1970.
One Compulsory
Song (a cappella).
One composition by a
Max. 15 Number of Songs: 3
TEENAGE 16-40 composer born
4. S/MS/A years Duration: max. 13
CHOIR Singers before 1900.
old minutes
One composition by a
composer born after
1900.
One Compulsory
Song (a cappella).
One composition by a
MIXED Max. 18 Number of Songs: 3
16-40 composer born
5. YOUTH S/A/T/B years Duration: max. 13
Singers before 1900.
CHOIR old minutes
One composition by a
composer born after
1900.
CHOIR COMPETITION AND GRAND CHAMPION
NUMBER
VOICE NUMBER OF SONGS
NO. CATEGORY OF AGE REPERTOIRES
TYPE AND DURATION
SINGERS
One Compulsory
Song (a cappella).
One composition
Number of Songs: 3
MIXED 16-40 Min. 18 years by a composer
6. S/A/T/B Duration: max. 13
CHOIR Singers old born before 1900.
minutes
One composition
by a composer
born after 1900.
One composition
by a composer
from the
participating Number of Songs: 3
country. Duration: max. 13
S/MS/A
EQUAL 16-40 Open to all One composition minutes
7. or
VOICES Singers ages by a composer One composition
T/Bar/B
from outside the must be performed
participating a cappella.
country.
One free
composition.
One arrangement
of a popular song
EQUAL from the
OR participating Number of Songs: 3
MIXED country. Duration: max. 13
(S/MS/A One arrangement minutes
POPULAR 16-40 Open to all
8. or of a popular song One arrangement
SONG Singers ages
T/Bar/B from outside the of a popular song
or participating must be performed
S/A/T/B) country. a cappella.
One free
arrangement of a
popular song.
CHOIR COMPETITION AND GRAND CHAMPION
NUMBER
VOICE NUMBER OF SONGS
NO. CATEGORY OF AGE REPERTOIRES
TYPE AND DURATION
SINGERS
One arrangement or
composition of sacred
music. Number of
EQUAL OR One arrangement or Songs: 3
MIXED composition of spiritual Duration: max. 13
(S/MS/A Open gospel. minutes
RELIGION 16-40
9. or to all One arrangement or One composition
SONG Singers
T/Bar/B ages composition that is or arrangement
or neither sacred music nor must be
S/A/T/B) spiritual gospel, or a performed a
general song with a cappella.
theological or spiritual
theme.
Number of
One arrangement of a
EQUAL OR Songs: 3
folk song from the
MIXED Duration: max. 13
participating country.
(S/MS/A Open minutes
FOLK 16-40 One arrangement of a
10. or to all One
SONG Singers folk song from outside
T/Bar/B ages arrangement of
the participating country.
or a folk song must
One free arrangement of
S/A/T/B) be performed a
a folk song.
cappella.
Each judge will assign a whole number score for each criterion, with a scoring
range of 60 – 100 points.
Criteria A, B, and C will be assessed for each repertoire performed.
Criteria D and E will be evaluated based on the overall performance.
All scores from the judges will be summed and divided by 7 to obtain the
preliminary average score.
Deductions
Participants who fail to appear (perform) according to the scheduled order
(lateness) will receive a 3-point deduction from the preliminary average score.
If a participant exceeds the maximum performance duration (13 minutes), they
will receive a 1-point deduction per 30 seconds from the preliminary average
score.
Final Score Calculation
The final score is the preliminary average score minus any penalties for
lateness and time violations.
Final score calculations will use a two-decimal system.
The jury’s decision is final (cannot be contested) for subjective matters and not
final (can be contested) for objective matters.
CHOIR COMPETITION AND GRAND CHAMPION
The jury will determine the winners in each category (champion category) based
on the highest final score, with a minimum requirement of a Gold B Certificate.
The champion category in each category will receive a certificate, trophy, and a
prize money of IDR 5,000,000.00
The jury can decide to award special prizes to:
Participants who demonstrate the best interpretation of the compulsory
repertoire in each category.
The best conductor (to be selected from the Grand Champion finalists).
Any other participant deemed worthy by the judges.
Winners of special prizes will receive a certificate and a trophy.
All participants will receive a certificate and a medal.
89,33
CHOIR COMPETITION AND GRAND CHAMPION
Jury Assessment
JURY 1 JURY 2 JURY 3 JURY 4 JURY 5 JURY 6 JURY 7
JURY SCORES
89,33 89,37 93,67 92,33 95,67 92,33 87,00
Steps To Register
Non-Competition Activities
ACTIVITIES DOCUMENT
Forum Group
Participant details for registration form
Discussion (FGD)
Competition Activities
ACTIVITIES DOCUMENT
ACTIVITIES DOCUMENT
ACTIVITIES DOCUMENT
IMPORTANT NOTES
Please add a title (participant's name, category of the activity) to all document files!
Selected participants of the Solo Vocal Competition and Choir Competition will be announced on
the official website and official social media accounts.
Participation Confirmation
Participants must submit a Participation Confirmation Letter (scheduled)
through the official website after the Selection Round announcement.
Participants who fail to submit the Participation Confirmation Letter
(scheduled) will be considered to have withdrawn from the competition. The
Artistic Council of the 10th SDGCF 2025 may select another participant as a
replacement.
Repertoire List and Hard Copy Submission
The repertoire list and hard copies of sheet music must be sent via post to the
10th SDGCF 2025 Secretariat and must arrive no later than Tuesday, 9 August
2025, except for the repertoire list and hard copies of sheet music for the Choir
Competition in the Grand Champion round, which can be sent after the
announcement of the Grand Champion finalists.
Submissions of hard copies of sheet music via email or the official website will
not be processed.
Submission and Collection of Hard Copy Repertoire (Sheet Music)
Participants are required to submit:
6 copies of the repertoire (sheet music) for the solo vocal competition.
8 copies of the repertoire (sheet music) for the choir competition and
grand champion round (will be collected after the announcement of Grand
Champion finalist).
One copy will be kept by the committee for archiving purposes.
The hard copy repertoire (sheet music) must be compiled together, except for
the Grand Champion repertoire, which does not need to be compiled.
The bundled hard copy sheet music must match the repertoire list;
Participants must use a cover for the bundled hard copy sheet music and
write their identification on the cover; The paper size must be Letter or A4, 70
gsm.
TheThe hard copy sheet music for the solo vocal competition (5 copies) & choir
competition (7 copies) can be received during the verbal jury session.
The hard copy sheet music for Grand Champion finalists (7 copies) can be
received after the awarding & closing ceremony.
One copy will be kept by the committee as an archive.
IMPORTANT NOTES
The committee does not provide delivery services for hard copies of sheet music.
Late Submissions:
Participants who submit the repertoire list and hard copies of sheet music late
will be fined IDR 500,000.00 for each category.
REGISTRATION
Payment Details
All participants of the 10th SDGICF 2025 are required to pay a registration fee based
on the category they are participating in.
The registration fee for the 10th SDGICF 2025 can be transferred via:
Bank Name : Bank Negara Indonesia (BNI)
Account Number : 1914924337
Account Holder's Name : Adinda Ayu Cahya Dewi Sitaresmi
Bank Code : 014
SWIFT Code : BNINIDJAXXX
Bank Address : KCP Pucang Anom
City : Surabaya
Country : Indonesia
Postal Code : 60282
Phone : (+62)31 5025667
Payment Description
When making the transfer, participants must include the following format in the
payment description:
SDGICF2025-Full Name of the Participant-Specific Activity Participated
Examples:
SDGICF2025-Amabel Tobing-CCC
SDGICF2025-Didrika Nugroho-CAC
SDGICF2025-Jonas Sandy-SVC
SDGICF2025-Satya Dharma Gita Choir-CCGC
REGISTRATION
IMPORTANT NOTES:
The committee will not issue refunds for incorrect transfers or transactions made without the
required payment description.
Registration fees are non-refundable under any circumstances (including withdrawals or
disqualifications by the committee), except in the event of cancellation by the committee.
For Further Information, Please Contact:
10th SDGICF 2025 Secretariat
Grand Diponegoro, Jl. Bulusan Selatan VII No. 26, RT 07 RW 05, Tembalang (50277)
City: Semarang
Province: Central Java
Country: Indonesia
Website: sdgcf.undip.ac.id
Email: [email protected]
Contact Persons:
Artistic: (+62) 819-0190-6163
Public Relations: (+62) 819-3815-2105
SMS & WhatsApp Available from 10:00 AM to 9:00 PM (WIB)
Follow Us:
Instagram: @sdg.icf
Facebook: Satya Dharma Gita
Important Notes:
Official correspondence and statements from the committee will only be
provided via email.
Participants are advised to stay updated by regularly checking the official
website and following the sdgicf social media accounts.
In the event of discrepancies or differences between the English and Indonesian
versions of the 10th SDGICF 2025 Guidebook, the English version will serve as the
primary reference.