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The Reason Why-Ayasa

The document is a musical score for '告白の夜 (The Reason Why)' arranged for solo violin and piano, originally performed by Ayasa. It includes performance instructions such as the use of vibratos and editorial phrasings. The score is structured in sections with detailed notation for both instruments.

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isamaxs902
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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0% found this document useful (0 votes)
8 views4 pages

The Reason Why-Ayasa

The document is a musical score for '告白の夜 (The Reason Why)' arranged for solo violin and piano, originally performed by Ayasa. It includes performance instructions such as the use of vibratos and editorial phrasings. The score is structured in sections with detailed notation for both instruments.

Uploaded by

isamaxs902
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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告白の夜 (The Reason Why)

for Solo Violin and Piano Original Performer: Ayasa


arr. by Tze Heng Tan
Adagio appassionato ( = ca. 70) 


    
  
can be performed with occasional wide vibratos and glissandos/portamentos

 
phrasings written are editorial suggestions


         
          
       
Solo Violin

          
8va

    
 
   
            
Piano Accompaniment

     


con Ped. (freely)  



A

            
5
            

   
    
Solo Vln.

         
                

   
        
     
   
Pf.

  


  

                         
9
          

Solo Vln.

              


           
     
 



          
    
Pf.

 
 
        


              
B

       
13
Solo Vln.

        
           
    

   
             
     
Pf.

     

 


    
                     
17
       
  

   
Solo Vln.

    
                     
3

    
    
          
     
 
Pf.

   

     


   
         
C

          
21

            
               
Solo Vln.

                    
  
        
               
Pf.

                

1
      
      
    


  
25
    
 

       
                                                 
Solo Vln.

   
    
3

            


       
            
Pf.

   
                
    
              


           
D

   
29
   
 

 
Solo Vln.


              
 3


      
build up!

  

                  
   

    
Pf.

        
build up!

   

     

             
        


          
33


          
              
Solo Vln.

    
    
3


sub.
                  
         
   
Pf.

        
  

    
E


        
37
 
   
Vln(s). (Opt.)

  

 
 

 

                   


Solo Vln.


                     



    
        
              
Pf.

       
     


 
41
  

   
 

                 
      
 
 
   

     
Solo Vln.


               
       
                                     
              
Pf.


   
F 
              

  

 

               
45 Play


 
   

 
          

   
Solo Vln.

 
             
      
           


  




   
                 
                       
Pf.

     
          
2
    
          


            

       
   
 
49

      
              
Solo Vln.

                        


       
      
           
                      
Pf.

   
                   

        

       
          
      
53



Solo Vln.

        
6

    
6 8va

             
     


  
 
       
       
Pf. cresc.

        
            
    
                           
G

    



56
   

Solo Vln.

  
 
3

   
 sub. cresc.

            

build up!

           
      
8va


 build up!
sub.
cresc.

              
Pf. (8va)


 
 

     

             
       
  
      


60


        
 
Solo Vln.

            
         
3

  
(8)

  
                      
       
               
Pf.

    

       
         


          
  
H

          
64

     

      
Solo Vln.

         
           
3 3

   
3


             
          
Pf.

   
       

         
           
             


   
68


        
                 
Solo Vln.

      
           

                            

                
Pf.

   

3
   
        
I

          
72


 
 
    

                 

Solo Vln.

             
sub.

         



 
  
              
Pf. sub.

           

    


 
   
76

                               
  
                   
Solo Vln.

 
   
        
    
  
     
Pf.

 
     


80

     
                  
Solo Vln.

           
8va

 


   
     
                    
          
Pf.

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