Do Not Go Gentle Into That Good Night Notes
Do Not Go Gentle Into That Good Night Notes
Dylan Thomas
https://www.youtube.com/watch?v=xJxW3KgU_XE
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trochee = stressed then unstressed eg. season
Spondee = two stressed syllables eg. rage rage
Defiance
Old age
Family relationships
Fathers
Light imagery
Focus: death
How does the poet present death in this poem?
The speaker uses a euphemism to refer to death: ‘that good night’. His emotional anguish means that he
is unable to confront the reality of his father’s death directly.
The speaker seems terrified of the silence of death and encourages his father to ‘rave’, ‘rage’ and
‘curse’. Although these verbs suggests a speech that is uncontrolled, angry or even violent they are at
least a sign of the energy of life. These verbs are aso monosyllables which give them a certain power
There is no hint of an afterlife in Thomas’s poem (Thomas was an atheist) and this increases the
speaker’s fear of the finality of his father’s death. The refrains (at the end of each tercet) serve to
‘return’ us to the opening stanza as if they are resisting the movement of the poem towards closure. The
repeated reference to the ‘dying of the light’ implies that the process is irreversible.
Both poems - ‘Remember’, which we have not done yet - involve a change in the speaker’s approach
to death. In the final stanza of Thomas’s poem the shift to a quatrain signals, perhaps, a ‘relaxation’ in
the poem’s cyclical structure and an acceptance of the inevitable. Now both refrains come together to
form a rhyming couplet that feels complete and which emphasises that this is very definitely the end.
In Thomas’s poem, the nearness of death is more poignant because of the contrasting images of energy
and of passionate commitment to life. In one example, ‘Blind eyes’ are given an almost cosmic power
when we are told that they could ‘blaze like meteors’. Another image captures the joy, the immersion in
life and the expressiveness of ‘Wild men who caught and sang the sun in flight’. The villanelle uses
many examples of sensory language, especially the sense of sight
The speaker gives examples of the sense of regret that is often felt as death approaches. This regret is
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the feeling that more could have been achieved in life. We are presented with an image of ‘wise men’
who are frustrated by their belief that their words have ‘forked no lightning’. Thomas here seems to
imply that wisdom, whilst highly prized, is not enough; what seems to matter most is the impact that we
have had on the world. This impact is visualised in the dramatic celestial metaphor of something having
the ability to cause something as powerful as lightning to fork.
The pattern of the refrains in Thomas’s villanelle (the name for the particular poetic form that he is
using) creates a sense of an almost flickering movement between night and day as the words ‘light’ and
‘night’ interchange, like the way that someone who is dying exists on a threshold between life and
death.
Remember Death
Grief
Longing
Passion / emotions
death
Giving advice
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