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ENG Greenberg Protected
York University
cpeh.ca
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Day 1
Theory of Emotion
The Originality of Repetition
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Therapy Combines Two Components.
Following & Leading
1. FOLLOWING:
• Presence & Empathic Attunement
• Communication of relational
attitudes
2. GUIDING/LEADING:
• Facilitation of particular modes
of emotion processing at
particular times
GOAL: Change emotion with emotion
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Therapeutic Presence (Geller & Greenberg, 2011)
▪ Being completely in the moment.
▪ Bringing one’s whole self into the encounter with
the client – physically, emotionally, cognitively and
spiritually
▪ Being grounded in one’s own body
▪ Receptively taking in the verbal and bodily
expression of the client’s moment by moment
emotional experience
▪ Extending to meet the other in an empathic and
congruent manner
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Keeping your finger
on the client’s
emotional pulse ---
moment by moment
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Marker Guided Tasks
TASK INTERVENTION CLIENT END STATE
MARKER PROCESS
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Self-Interruption
Unfinished Split
Self-critical Business
Split
islands of work in
an ocean of empathy
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Reprocessing Tasks
TASK MARKER INTERVENTION PROCESS END STATE
Trauma Trauma Relief,
Narrative Retelling restoration of
(internal pressure to narrative gaps
tell difficult life
stories, eg., trauma)
Meaning Meaning Revision of
Protest Work cherished
(life event violates belief
cherished belief)
Problematic Systematic New view of
?
Reaction Point Evocative the self in-the-
(puzzling over- Unfolding world-
reaction to specific functioning
situation)
Unfolding Problematic Reactions
Meaning Examine
Problematic Modes of Broadening
Reaction Bridge Functions
Subjective
Emotional Construal
Reaction of the
Stimulus
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Evidence Based Treatment
Depression
• Watson, Gordon, Stermac, Kalogerakos, & Steckley(2003). Journal of
Consulting and Clinical Psychology, 71, 773-781).
• Goldman,Greenberg,Angus,(2006).PsychotherapyResearch,16,536-546.
• Ellison,J., Greenberg, L., Goldman, R.N., & Angus, L. (2009). Journal of
Consulting and Clinical Psychology, 77, 103-112.
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Survival Functions to Follow up
1.1•
1.0 • Therapy
Group
.9•
-----
.8• EF
•CC
Survival
Rate .7•
.6• _____
EF
.5• CC
•
.4• • • • • • • •
10 20 30 40 50 60 70 80
Number of Weeks
Survival curves. Time to first relapse by condition.
Means (and Standard Deviations) and F values for each Outcome Measure (Watson et al 2003)
CBT PE F value
n M (SD) n M (SD) Time T X Group
BDI
Pre 33 26.00 33 23.24 14.53 .08
Post 33 (9.03) 33 (7.81) ***
10.27 9.03
(9.62) (8.63)
RSE
Pre 29 31.28 31 33.06 5.32* .23
Post 29 (7.32) 31 (6.64)
36.45 38.74
(7.76) (6.11)
DAS Total
Pre 28 144.04 28 132.57 11.21 .06
Post 28 (27.90) 28 (32.32) **
121.93 112.21
(30.75) (34.18)
IIP Total
Pre 29 1.33 (.51) 30 1.40 (.38) 11.89 5.54*
Post 29 1.18 (.53) 30 1.05 (.54) ***
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Hierarchical Regression: Peak Emotional Experiencing on Outcome
Therapy Predictor Total R R square F
Type Variable Square change change df Beta
EFT Peak EXP
BDI Early .16 .16 4.24* 1,23 -.40*
Working .31 .15 4.83* 1,22 -.51*
Peak EXP
SCL Early .20 .20 5.59* 1,23 -.44*
Working .42 .22 8.46** 1,22 -.44*
CBT Peak EXP
BDI Early .15 .15 4.29* 1,24 -.39*
Working .32 .16 5.47* 1,23 -.47*
* p < .05, ** p < .01; N = 25 in all cells; EXP = Experiencing; BDI = Beck Depression
Inventory; SCL-90R = Symptom Checklist R.
* Note: The regression model was run controlling for early peak EXP on outcome for the
BDI and SCL-90R, the unique contribution of the peak EXP in the working-phase on
both outcome measures was significant for EFT; and significant only on the BDI for CBT.
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Process Outcome Research
Moderate to high aroused emotions that
are deeply experienced and reflected on
in order to make narrative sense
in the context of
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Processes & Sequence
Moderately aroused primary emotions
that are processed productively & that
progress from secondary symptomatic to
primary maladaptive to adaptive emotions
in the context of
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Global EFT Task: approaching feelings
Pandora’s Box
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We want clients to be comfortable with
feelings so they can go in and explore...
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to find valuable life and
what is important to them.
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They are afraid they will drown.
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Definition
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Emotions: fundamentally adaptive
▪ Emotions tell us what is personally important and
whether things are going our way (information)
▪ Emotions help us to survive by providing an
efficient, automatic way of responding rapidly to
important situations
▪ Emotions prepare us for action
▪ Emotions involve wishes/needs, which generate
action
▪ Emotions integrate experience; give us meaning,
value and direction
▪ Basic concepts: Emotion Schemes; Emotion
Assessment; Emotion Change Principles
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Affect System Feeling
words are
confident suspicious the leaves.
Emotions
shame fear are the
sadness anger branches.
smooth
rough Sensory Feelings
are the bark of
the tree
Affect is
calm excited the trunk &
roots.
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What is Emotion?
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Emotion Generation
Visual Cortex
Pre-frontal Cortex
Gatekeeper
Fight, Flight or Freeze
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Emotion Sets Problems
for Reason to Resolve
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Psycho-affective Motor Programs
Children come into the world with the
capacity for basic emotions
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Emotion Schemes
▪ Emotion schemes provide value appraisals; is
something good or bad for me; I like/dislike it
▪ Cognitive schemes provide truth appraisals; is
something true/false, right/wrong
▪ Action and experience producing structures
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Expectancies
▪ When expectancies are violated by experience
(errors of anticipation) a loss of organismic
balance occurs
▪ Produces organismic arousal (affect), motivates
automatic attention to search for and resolve
anomalies and rebalance
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Emotion Scheme (Narrative Structure)
Belief: I am going to fail
an expectation
Heart rate
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Neuroscience
▪ Neurons are interconnected within
complex networks
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Neurons
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Emotion Schemes
1. Represent internally our emotional reactions
plus the evoking stimulus situation
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A Picture Theory of Emotional Dysfunction
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Emotional Memories
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Development of Maladaptive Emotion Schemes
Primary
Maladapative
Emotion
Primary NOT Schematic
Emotion & Symbolized, Memories
Needs regulated (Fear, sadness &
(initially shame)
and soothed
adaptive)
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Secondary Responses
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What is Meaning
Organisms organize
Make sense of their world, others and themselves
Meaning is actively created by people as they experience
new things and integrate new information with current
knowledge.
When they experience something that challenges their way
of negotiating the world they have to go through the
transformative process of evaluating their own processes
of making meaning.
Experience forces individuals to engage in reconstruing
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Will to Meaning
▪ The search for meaning is a drive within all of us.
▪ We are born to create differentiations and
narrative meaning.
▪ Searching for meaning is a form of happiness.
▪ Use language to shape personal experiences into
narratives
▪ Our first narrative is a nonverbal imagistic
narrative of our feeling of what happened.
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First Narratives; Non-verbal Imagistic
▪ Knowing, which is the most fundamental level of
consciousness, springs to life in the feeling of what
happened when changes in the status of the body-self –are
connected to environmental impacts (Damasio, 1999).
▪ First stories were constructed by pre-linguistic primitive
human beings who coded experience into something like
“you throw a stone at me; it hits my body, and it hurts”.
▪ It is through the storying of affect that we come to know
what has happened to our body.
▪ Thus meaning was created long before language -
experience organized into stories that have beginnings,
middles and ends, agents, actions and intentions.
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Generation
Emotion results from automatic appraisals of
situations in relation to needs/goals/concerns.
▪ Appraisal of features, i.e., size, speed, not thoughts
▪ Emotion is adaptive, not rational or irrational
▪ Variety of Levels
- neurochemical
- physiological
- muscular
- cognitive
- social
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Components
Situation
Meaning
Emotion Sensation/Feeling
Need
Action tendency
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The Dialectical Articulated Self-Beliefs + Self-Representations Narrative
Construction
of the Self Explaining Reflection Culture
Language
Dialectical & Myth
Symbolizing
Told Cycle
Story Experiencing
Selective Attention
Lived Operating Self-
Story Organization
(felt referent of experience)
(attractor states)
Other possible
self-organization Emotion Schemes
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EFT Compasses
Systematic work with emotion uses
Four Central Orientation Systems.
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Emotion Assessment
Biologically adaptive
http://th73.photobucket.com/albums/i214/ruthanthonygardner/th_shame.jpg
1. Primary
Maladaptive
2. Secondary
Masks
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Differential Intervention
Primary Adaptive Access for good information
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Assessment
Adaptive
1. Primary Productive
Maladaptive
Unproductive
2. Secondary
3. Instrumental
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Manner of Processing
Attending
Differentiation Symbolization
Contactfully
Aware
Regulation Congruence
Agency Acceptance
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Differential Intervention
Primary Maladaptive
Productive Access in order to transform
Unproductive Regulate
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Interruptions/Blocks/Avoidance
Physiological: Musculature
Breathing
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Characteristics
Adaptive Affects
Fresh & new
In the moment in response to shifting circumstances
Changes when circumstances change
Externally cued; are rapid & action oriented (environment)
Internally generated are slower
Explore until you get yes that’s it!
Feel whole, deep
▪ Feel good even if not happy
▪ Nothing that feels bad is ever the last step
▪ First experienced in the body translated into action
▪ Brings relief/changes
▪ Enhance self and relationships
▪ Cues: complete, full, sureness, calm, integrated, alive,
clarity
Primary Maladaptive (Disorganizing)
▪ Feels bad
▪ Stuck in it
▪ They don’t shift with change in circumstances
▪ Familiar old feeling
▪ Difficult
▪ It is overwhelming
▪ Each time feels as bad as the last time
▪ Often about self
▪ Part of our identity
▪ Destructive voice
▪ Destructive to self and others
▪ Cues: deep, distressing, sobbing, can include tantrums or
ranting
Secondary
▪ Obscures
▪ Reactive
▪ Diffuse
▪ Emotion in response to an emotion
▪ Cues: upset, hopeless, confused, inhibited, low energy,
whining, complaining
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6 Major Emotional Change Processes
A. ACCESSING EMOTION
1. Increase emotional awareness & symbolization
in the context of salient personal stories
Symbolizing emotional experience in awareness in order
to make sense of one’s experience. What am I feeling?
2. Express Emotion
Expressing changes the self and changes interactions
both by mobilizing and revealing self. Overcome control
and inhibition. Completion of expression. Neuro-
chemical changes.
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Putting Emotion into Words
has adaptive value
▪ Information about situation & self’s reaction and
possible courses of action
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Spinoza
▪ “An emotion which is a passion, ceases to be a
passion, as soon as we form a clear and distinct idea
of it." (Ethics 1677, Part V: Of the Power of the Understanding, or of Human
Freedom Prop:III)
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6 Major Emotional Change Processes
B. MODULATING & UNDERSTANDING
3. Enhance Emotion Regulation
Explicit regulation. Use deliberate cerebral capacities to
contain and regulate maladaptive amygdala reactions
(especially fear, rage and shame). Implicit self soothing.
Allowing, tolerating, accepting and soothing.
4. Reflect on Emotion
Making sense of experience. Dis-embedding. Creation of
new meaning. Insight. Seeing patterns, understanding in a
new way. New narrative construction.
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Window of Tolerance
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6 Major Emotional Change Processes
C. TRANSFORMING EMOTION
5. Change Emotion with Emotion
An alternate self-organization, set of emotion schematic
memories or ‘voices’ in the personality based on primary
emotions are accessed by 1) attentional re-allocation or 2)
focus on a new need/goal.
REACTIVATION
RECONSOLIDATION
UNFIXED TRANSFORMED
MEMORY MEMORY
NEW/ALTERED EXPERIENCE
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Overall Conclusion
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Accessing Alternate Emotion
0. The empathic relationship
1. Shift attention to present subdominant emotion
2. Access adaptive need/goal and associated emotion
3. Expressive enactment of alternate emotion
4. Imagery to evoke emotion
5. Evoke emotion memory of alternate emotion
6. Mood induction via music
7. Humour
8. Cognitive creation of new meaning
9. Therapist expresses emotion for client
10.Relationship evokes new emotion
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Basic Change Process
Secondary
Distress
Primary
Maladaptive
NEED
Primary
Adaptive
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S Model of
LOW
E Global Emotional
C
Distress Processing
Degree of Emotional Processing
O Pascual-Leone &
N Greenberg 2007
Phases of Treatment
&
Two-Chair Work for
Self-Criticism
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Case Formulation
b. identify
underlying core
d. secondary emotion c. identify needs
emotions (S) schemes either (N)
adaptive or
maladaptive (E)
Adaptive Maladaptive
Guide Transform
4. Narrative reconstruction
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Transformation
Challenge with internal resources
Emotional Self Emotional Self
Organization Organization
Maladaptive Internal Resources
Scheme Adaptive Emotions
(bad, weak, alone self) (essential healthy self)
Worthless, Can’t survive, Lonely Worth, Strengths, Caring
Shame, Fear, Sadness Anger, Sadness, Compassion
Needs for Mastery,
Safety & Connection
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Phases of Treatment
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PHASE 1: Bonding & Awareness
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PHASE 2: Evocation & Exploration
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PHASE 3: Generation of Alternatives
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Three Levels of Intervention
1. Empathic Symbolization
2. Guiding Attention
3. Stimulating Experience
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Empathic Attunement to Affect
Types of Responses
Empathic Understanding
Empathic Affirmation/Validation
Empathic Evocation
Empathic Exploration
Empathic Conjectures
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Empathic Understanding
Checking understanding
CLIENT: I have spent the entire day running
after job interviews. I am so fed up.
THERAPIST: Just running all day for the
interviews and it’s like “I’m tired and I’ve
had enough”?
CLIENT: Oh! Yes. I am quite worn out and
frustrated.
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Empathic Affirmation
These responses validate the client’s
perspective.
CLIENT: He was so cutting. He treated me
like a fool and after I put so much effort into
it.
THERAPIST: No wonder you felt so put down
after all your effort not being valued but
being diminished.
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Empathic Evocation
Using connotative, metaphoric language
THERAPIST: Like standing alone in a cavern
calling out for help and all hear is the echo of
your own voice.
THERAPIST: Feeling like a motherless child...
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Empathic Exploration
Making implicit explicit
CLIENT: I am continuing to stay with him in
the apartment.
THERAPIST: So somehow staying keeps the
door open?
CLIENT: Yes. I guess I have been reluctant
to move on.... It makes me feel so sad,
but I am beginning to realize there is no
point in hanging around.
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Exploratory Question
Stimulate client open-ended self-
exploration
THERAPIST: What comes up inside when you
hear that from the critic?
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Fit Question
Encourage client to check representation of
experience with actual experience
THERAPIST: Does that fit your experience?
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Empathic Conjecture
Tentative guess at immediate, implicit client
experience (usually with a ‘Fit Question’)
CLIENT: My mother cancelled her visit,
something to do with helping my father...
sigh... there is always something more
important. I feel so angry.
THERAPIST: And there was a ‘sigh’ just then.
Am I right in guessing that you feel
disappointed, pushed aside, somehow
abandoned and left alone?
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Empathic Conjecture
In another example, a client was chastising
her brother for abusing alcohol.
The therapist became aware that the client
did not appear angry but looked sad. Her
therapist said,
“Your face looks very sad? Does that fit?”
The client nodded and burst into tears.
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Exercise: Opening Channels
of Receptivity
➢ Visual (what you can see)
➢ Auditory (what you can hear)
➢ Somatic/affective (what you can feel in your body,
including emotions)
➢ Meaning/context (what you read into/ intuit
between the words/in their context)
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Exercise : Opening
Channels of Receptivity
➢ This exercise involves 4 (or 5) positions and
takes about 90 min
➢ Position A: Speaker (5 mins): Sit in the
middle [or: face the camera so as much of
your body can be seen as possible] and talk
about how you experience yourself now. You
are offering yourself for the benefit of your
observers/listeners, so select something you
can can talk about without getting a
response. (This can feel a bit awkward.)
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Exercise : Positions
➢ Position B: Visual observer: Sit opposite A [or: face
your computer screen; leave your camera on].
Observe body language, facial expression, eye gaze,
flushing, posture.
➢ Hold A with open, kind regard, but do not offer verbal responses.
➢ (You can nod or smile, or let your empathy show on your face)
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Exercise : Positions
➢ Position C: Listener: Sit back-to-back with A [or: turn
your chair so you are facing away from the
computer screen]. Listen to the quality of the story,
but also to tone/quality of voice, including
intonation, breathing, pace and pauses. Do not offer
verbal responses.
➢ Good position for time-keeping
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Exercise : Positions
➢ Position D: Embodied empathy: Sit to the side of A
[or: turn your chair so that you can see them out of
the corner of your eye]. Try to mirror A’s position
and to experience your body in relation to A. Notice
changes in your body, your breathing, your
temperature, how you are affected.
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Exercise : Positions
➢ Position E: Meaning Understander: This is an extra (but
important) position if there are 5 people in the group.
➢Sit on the other side of A from D but a back a bit and
at an angle to them [or: move your chair back a bit from the computer and
slightly at an angle].
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Exercise : Processing, Timing
& Structure
➢ When A’s 5 minutes are up, briefly offer A each of your
experiences and observations from your position; try to stay in
“role”
➢ You have 15 minutes for this part of the exercise in a group of
4 or 10 minutes in a group of 5.
➢ Please keep time rigorously! (You’ll run out of time if you
don’t.)
➢ After each of the observers, A can let B, C, D (and E) know
whether or not their observations are useful.
➢ Make sure you don’t go back into your story
➢ After each round of processing, make sure to rotate positions
until you have experienced each position.
➢ A becomes B; B becomes C; etc.
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Exercise : Take home points
➢ The purpose of the exercise is to experience and focus on
each of your channels of receptivity in turn.
➢ You may discover through this exercise that you have a
strength or limitation in a particular channel of receptivity.
➢ Your continuing journey as an EFT therapist may involve
you deepening this strength, or you may wish to develop
the other channels to bring more balance to your capacity
to be more fully receptive.
➢ Be aware of how you are affected when you are being
receptive.
➢ Being self-aware is your best resource to supporting
yourself and to discerning the difference between yourself
and others. FACULTY OF HEALTH
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Opening up Empathy:
Tracks/Channels/Expressions
Input.
Process
Output
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Opening up Empathy: Tracks/Channels/Expressions
Listening for
different tracks
of experience =>
Produces different
ways of listening
Gives rise to =>
different kinds of
empathic
response =>-
Gives our
empathy broader FACULTY OF HEALTH
range/ flexibility
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Markers & Tasks
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Relationship Tasks
TASK MARKER INTERVENTION END STATE
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Empathic Affirmation at Vulnerability Marker
VULNERABILITY MARKER (SHAME/STIGMA/DEFECTIVE)
EMPATHIC AFFIRMATION ANXIETY REDUCTION
READINESS FOR MOVING INTO EXPLORATION
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Stage 1: Marker
Intense Generalized Vulnerability
CLIENT: THERAPIST:
▪ Intense fragility, ▪ Provides validation,
shame, confusion & safety
hopelessness ▪ Slows process, staying
▪ Intense emotion, with vulnerability,
reluctant exposure, assists self-soothing
overwhelmed ▪ Reflects emptiness,
fragility, shame
▪ Disconnection ▪ Reflects isolation,
▪ Long-term experience disconnection & thus
▪ Feels trapped provides connection
▪ Reach out – pull back ▪ Highlights importance
of staying with this
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difficult state
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T53: Do you think you could put your sister in the chair
and talk to her?
C54: No [pause]
T54: It’s really hard a one for you. [Pause] What are you
feeling right now?
C55: [small voice:] Scared. [=Vulnerability begins to
emerge]
T55: [gently: ] Scared. [Pause] Uh-huh. Just so scared
about…
C56: What will happen to the little [rueful laugh: ]
relationship that we have.
T56: Uh-huh, scared that if you assert yourself here, you
could lose her.
C57: What change will it bring in her, towards me. I don’t
think I could handle it. (T: mhm)
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T58: “If I assert my feelings or if I express my true
feelings of jealousy towards her, will it ruin the
shared of a relationship that we do have? (C:
mhm) Will it ruin the little bit of e-mail I do get.” It
might destroy even those little threads, and it’s so
scary to think about not having that relationship.
(C: mhmm mhm)
C59: Yeah. It is such a risk. I don’t know if I can bear the
loss. Without her it’s like I would have nothing.
T59: Just a feeling that, “Without that connection I will
be left totally alone.”
C60: Yes, that’s how I would feel, totally alone, not
anything to anybody.
T60: Uh-huh, without any value to anyone.
C61: Yes, it’s like feeling that I could die without anyone
knowing.
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T62: No one would even know.
C62: Yes. I feel tight in my throat. (T mhm) My stomach
hurts.(T Uhhuh….)
C65: Sometimes it’s just like I want to go crawl in my
bed and just stay in there and nobody bother me
[=vulnerability emerges further]
T65: Mhm, mhm. “I just want to shut my eyes and shut
all the pain shut out (C: Mhm, mhm) And shut all
the people out. Yeah. (C: mhm) I just want to
make all the pain go away” [Pause] Yeah, even on
the level that you were talking about last week of
not even wanting to wake up sometimes, (C:mhm)
really just thinking that death would be preferable
(C: mhm) to the pain that you’re living right now.
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C66: Again, just no thought of future. If you ask me
what I think will happen in two years, three
years: Nothing. (T: mhm)
T66: Because you are so hopeless. “Two or three
years from now I may not be here.”
C67: Mhm, or “where will I be?”
T67: Mm, “I can’t see my future, I can’t see any point
to this.”
C68: Right, right.
T68: Really, really hopeless. [Pause] Really, really
hurting. [Pause] Just so full of, hurt, but so
empty at the same time. [C: large sigh] Like all
the wind’s been knocked out of you.
C69: Or like I’m drowning, (T: [whispered:] drowning)
and I keep reaching up, and I’ve been struggling
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since I was a kid.
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T69: [whispering:] Like you’re drowning, and a little
piece of you, one hand, one arm just keeps
reaching up, (C: Mhm). (C: mhm) And drowning in
all this pain. And suffocating, can’t breathe, can’t
even move after a while.
C70: Mhm. And my pain, my physical pain [C has a
chronic autoimmune disease]
T70: Mhmm, just surrounded by pain, and sinking,
can’t move my body, can’t breathe. [Pause]
C71: To me one of the scariest things, is, [deep breath]
diving into a pool of water and being under water,
that is so, [Pause] It’s just you, your awareness of
everything else is cut off (T: Mhm) You can’t, you
don’t hear that well, um. (T: mm) Of course you
can’t breathe or smell. You can see sometimes,
but it’s still, I don’t know…
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T71: You’re just utterly cut off .
C72: Underwater.
T72: Underwater.
C73: And it’s like, it’s just you, that’s it, that’s all there is.
T73: [Gently:] That’s all that exists. (C: mhm) There’s not a
past. (C: Mhm) There’s not a present. (C: mhm)
There’s not other people. (C: mhm, mhm) It’s just
you. (C: mhm) And in that pool, you’re terrified,
(C: mhm) that just you is going to drown. (C: mhm)
Because just you is there. (C: mhm) And what are
you going to do when you start to sink. (C: Mhm)
[Pause] That’s absolutely terrifying. [Pause]
(C: mhm) [Pause] It’s like not even knowing how to
get, outside the boundaries, (C: right, right) to even
grasp onto what you might need (C: mhm, mhm,FACULTY OF HEALTH
mhm) Yeah.
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C74: [stronger:] And, and you know, reaching, and just
keep reaching (T: mhm, hm) and I think it was one
of my brothers who [rueful laughter:] realized I
was drowning [laughs], you know, pulled me up,
and uh, um, I don’t even know how old I was, but,
but very traumatized by that.
T74: And right now, it’s like you’re saying, “Is there
anyone that can reach me and pull me up out of
this?” (C: mhm)
C75: I want to say, sort of, [Pause] there is no image of
anyone comforting or preparing (T mhm) to say,
“Don’t worry. It’ll be fine.”
T75: And so you just don’t have any comforting image.
C76: No, I don’t.
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T76: And it’s not just from your childhood, it’s also from
your life, from your present. (C: Mhm) You don’t
have a comforting image. (C: mhm, mhm) So it’s
feeling like you’re supporting yourself the best way
you can, but you’re drowning.
C77: Mhm, And I’m reaching for something, somebody.
(T: mhm, mhm) [large sigh] You know, thinking
back, I think, OK, I did have an unrealistic
expectation of getting married to Dave, and moving
away. And that was just so exciting to me.
T77: So you reached for him, (C: mhm) then, to pull you
out of the childhood drowning (C: mhm) that you
were doing, reaching for someone to pull you out
(C: Mhm) of this lake, (C: mhm mhm) or this ocean.
That’s what you want.
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T77 (cont.): [Long pause] What are you experiencing
right now?
C78: I guess that’s why therapy is so important to me. I
really need someone to help me find my way. And
so it feels good in a way for me to be able to tell
someone about these things.
T78: It’s just nice knowing that I know what it’s like for
you, and how much you want reach out and
connect to other people.
C79: Uh-huh. And I don’t feel so desperately in need of
someone in my family like my brother or sister to
rescue me, or so angry when they’re too tied up in
their own lives. But still I would like to hold onto
my relationships with them. There are moments
when I know I can make it. It’s just sometimes it
feels so overwhelming and I go to that place.
Reprocessing Tasks
TASK MARKER INTERVENTION END STATE
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Unfolding Problematic Reactions
Meaning Examine
Problematic Modes of Broadening
Reaction Bridge Functions
Subjective
Emotional Construal
Reaction of the
Stimulus
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Systematic Evocative Unfolding [SEU]
▪ Processing difficulty
▪ problematic
▪ intense
▪ automatic reactions
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Stages of Model
▪ Problematic reaction
▪ Re-evoke experience
▪ Identify salience
▪ Meaning bridge
▪ Resolution
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STAGE 1
Marker
▪ Client describes puzzling,
unexpected personal reaction
▪ Identify marker
▪ Propose task
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STAGE 2
Building the Scene
▪ Client describes the situation vividly &
concretely, almost as if they were playing a
movie of the scene
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STAGE 3
Identify Salience
▪ Track the feelings
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STAGE 5
Recognition & Re-examination
of Self-Schemes
▪ Listen for and encourage broadening
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STAGE 5
▪ Examine origin
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STAGE 6
Consideration of New Options
▪ Listen for and explore emerging new
understand
▪ of self in relation
▪ self-in-the-world
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Example of SEU
Client: I had a weird experience this weekend I just
found myself shutting down silenced it was almost as
if I could not talk. I just felt so constrained. I don’t
understand it or what happened I just felt awful
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Therapist: I would like you to help me get a picture of
what happened – almost as if you were playing me a
movie of the situation. When did this feeling happen?
(Beginning to recreate scene)
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Client: Umm let me think umm good. Yes I felt O.K. in
the morning. I was a little tired and impatient to get
some order. We had moved on the Friday and I was
hoping to unpack some boxes
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Client: Yes! We were also expecting Mark’s parents to
come over in the afternoon to help as well as some
friends
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Client: Yes! I feel responsible and that I have to
take care of them. (Meaning Bridge)
Therapist: So somehow you are responsible when
others are hurt?
Client: Yes, well that is how it was at home. I
remember always being so conscious of my mother
and trying to read her. When she looked hurt or
sad I tried to take care of her and I think I got lost
in the process.
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Experiencing Tasks
TASK MARKER INTERVENTION PROCESS END STATE
Attentional Clearing a Work
Focus Difficulty Space productively
(confused, with experiencing
overwhelmed) (working distance)
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Splits and Two Chair Dialogues: Control
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Model of Resolution of Self Criticism
Self Set
Critical Boundary
Marker
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Harsh Criticism: The first time he hit you, you
should have walked away.
Specific Criticism: You are stupid.
Affective Reaction: I feel I am stupid.
Differentiated Feelings: It really hurts.
Core Maladaptive: Shame
Wants and Needs: I need understanding.
Emerging Experience: Anger
Values and Standards: I need reassurance that
you won’t do it again.
Softening (Initial) “I love you.” Compassion.
I forgive you BUT → MICRO-MARKER
Two Chair Dialogue for Self Criticism
STEP 1: Identify the marker
STEP 2: Enact the critic
STEP 3: Selfs secondary and primary emotional
reaction to the critic
STEP 4: Self Expresses need to critic
STEP 5: Critic responds to the need
STEP 6: Self responds to the critic’s response
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Two Chair Task-Steps in Chairs
Experiencing chair Other chair
STEP 1: Identify the marker STEP 2:Enact Critic
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Client Therapist
1 . I’m really a bad mother. I am so critical of Step 1. Identify the Marker & Enact
myself the Critic
“So it sounds like there are two
2. You’re a failure as a mother. You just never parts. Lets try something . Come
get anything right. over here and criticize her”
Step 2. Get self’s reaction to the critic
“Come back here. What happens inside
3. I feel bad,hopeless, sort of flawed & kind of when you get that?”
worthless. (Deepened to shame.)
Step 3. Express the Need
“What do you need when you feel
4. I need you to give me a break.Im angry this?
I’m not going to let you push me around
anymore.Recognisse what I do offer Step 4. Critic Responds to Self Come
: back to this side. What happens when
you hear her?” “What do you feel
when you hear her feelings”
5. I don’t want to cause you pain. I feel
compassion for you Step 5. Self Reaction to the Critic
“Lets go back. What happens inside
6. It’s a relief. It feels good. when she says this?”
Coach Critic
“You shouldn’t be so
depressed/anxious/
insecure” “You should be
more confident” hopeless/anxious/insecure
Catastrophizing
The Fear
Chair
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Therapist Operations
Predialogue Stage
1. Establish collaboration
2. Structure the experiment
Opposition Stage
3. Identify the 2 aspects of self
4. Separate and create contact between
the 2 sides
5. Promote taking responsibility for each
side’s position
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Contact Stage
6. Promote client’s awareness of
automatic self-criticisms & injunctions
7. Increase the specificity of the client’s
self-criticisms & injunctions
8. Identify core self-evaluations &
injunctions
9. Access & express underlying feelings in
the experiencer
10. Encourage recognition of and affirm
wants & needs of experiencer
11. Increase awareness of values and
standards
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Integration Stage
12. Focus critic on inner experience when
softening appears and promote
expression
13. Facilitate negotiation or integration
Post-dialogue Stage
14. Create meaning perspective
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Day 3: Empty-Chair Dialogue for
Resolving Unfinished Business
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What is Unfinished Business?
▪ When important needs from significant others have not
been met:
➢The normal cycle of experience cannot be completed
➢Unresolved or “stuck” emotion schemes connected to
these needs and the significant “other” are present in us.
Attachment
▪ Support and love is conditional
▪ Neglect or abandonment, absence of warmth or caring
▪ Other makes unreasonable demands
▪ Other is frightening
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Markers for UFB
▪ Chronic lingering bad feelings such as hurt, resentment,
resignation, complaint, blaming, longing.
▪ These feelings are connected to another person who has
played a significant attachment role in the client’s life.
▪ These feelings are currently being experienced often.
▪ The experienced feelings are being blocked or interrupted
in some way and remain undifferentiated.
▪ Client is stuck in the cycle of lingering bad feelings about
the other that will not go away.
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Resolution of Unfinished Business
Change in
Specific View of/
Negative
Negative feelings about
Other
Aspects other RESOLUTION
- self-affirmation
- self-assertion
Client - holds other accountable
experiences Dysfunctional - boundary setting
unresolved Belief - new view of others
feelings - understands other
- forgive other
Global
Distress Differentiation Intense
Blame/ of feelings expression Expression/
Complain/ Adaptive/ of primary entitlement
Hurt Maladaptive emotions need to do
Episodic memories
“can you think of a time?”
Self Interruption/ Optional: Letting go of trying
Conflict to get unmet need met by SO
UFB: In-Depth Summary of Therapist Operations
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UFB: In-Depth Summary of Therapist Operations
STAGE 3: Expression
9. Differentiate feelings toward significant other.
➢ The therapist uses empathic reflection followed by a
direction to get the client to access and express feelings
to the other. “It sounds like you felt…. Tell her”
10. Promote full expression to significant other of
differentiated primary, adaptive emotion. Listen for sadness
under anger, etc.
➢ Help the client differentiate fused anger and sadness. “I
resent you for…” “I felt so unloved…”
11. Help maintain a balance between expression and contact
with inner experiencing.
➢ “What’s it like inside? What’s happening inside as you
say this?” 169
UFB: In-Depth Summary of Therapist Operations
(Stage 3: Expression cont.)
12. Facilitate expression to significant other of unfulfilled
needs and expectations in regard to significant other.
➢ What did you need that you didn’t get? What was it like
for you that you didn’t get this? What did you miss?
13. SWITCH to SIGNIFICANT OTHER to get other to
respond to client’s heartfelt feelings and needs
➢ “How do you respond?”
➢ “What happens when you hear her saying she felt…
And that she needed…
14. Promote Softening
➢ Tell her what you’re sorry for… That you do love her…
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UFB: In-Depth Summary of Therapist Operations
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• What is underlined is different than UFB
Current Interpersonal Issues/Conflict: Amended Dialogue
Specific Change in
Negative
Negative View of
Other - Clarity about current
Aspects Other feelings/needs from self & other
-self-affirmation
Client - self-assertion
experiences - holds other accountable
unresolved Dysfunctional - boundary setting
feelings that Belief - new view of others
are current - understands other
- forgive other
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Guidelines for Age Regression Work
1. Elaborate an experience of concern such as
childhood neglect: Eg. My parents just left me to
myself. They were too involved in their own stuff
to even know what I was doing, never mind
feeling.
2. Empathize, ask them to pay attention to a
feeling in the present, Just left so alone, feeling
I’m not important? Let’s stay with that feeling,
“can you feel any of that in your body right now.
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3. Seek permission and guide clients to go back to an
earlier time when they felt this before. Get them
to imagine vividly a memory of a younger self at a
specific time. Eg. If it’s ok with you, let’s go back to
an earlier age. Do you remember a specific age or
time when you were aware of feeling that? Take
your time. Eg. Can you imagine going back to that
time when you were 6 years old. What does that
little girl look like? What is she wearing?
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Self-Soothing
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Synthesized
I don’t like Model of Self-Soothing
this!
Fear of Emotion, Interruption I will be
there for
I can see you you.
crying.
Seeing hurt Caring/Compassion
(evocation of “I’m here” CARE
I can’t
compassion) “You are ok” GIVER
take it! Dad
sometime
Emotional played with Resilience,
Suffering/ Positive Episodic
me. Memory
(loving connection) Understand own
Anguish I’m so I need you to suffering
lonely. take care of I feel
me. strength
Primary Sad inside.
and Lonely Need Grieving
CARED
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All events were observed inEMOTIONFOCUSEDCLINIC.ORG
the context
PSYCHOLOGYof CHAIR WORK.
CLINIC
Refined Model of Self-Soothing (Goldman)
Protest, Fear of Emotion, Interruption
Existential
Confrontation
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Day 4
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FOCUSING
A Micro-Intervention for Deepening Emotional Process
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Experiencing Tasks
TASK MARKER INTERVENTION END STATE
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Prototypical Focusing Marker
Unclear Feeling: (Absent, Global, External, Stuck)
▪ Prototypical marker: unclear feeling signaling that
something is “not right” or “off” in some way and
one is not sure why.
▪ Clients are having difficulty describing their
experience.
➢ Clients are talking about something clearly important,
but does not seem like they are experiencing it.
▪ When a client says, “I’m not sure how I feel” or “I
feel something, but I don’t know what it is.”
▪ For external clients: “I don’t have anything to talk
about”.
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Felt Sense VS Emotion
▪ The felt sense has a concrete physical somatic sensation,
different than“I feel angry.”
▪ In contrast, an emotion is usually recognizable, “I feel
sad.”
▪ A person can feel the physical quality of a felt sense but
often does not know what it is.
▪ Felt sense is implicit higher level meaning: includes many
thoughts, emotions, meanings, perceptions, and context.
➢ Eg. not just “feeling hurt”, but the feeling you get in your
stomach when you run into someone you have unfinished
business with.
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Felt Sense: SHIFT
SHIFT IN SUCCESSFUL FOCUSING
▪ When our attempts to symbolize the felt sense
are on the right track.
▪ There is a distinct physical sensation of change
called a shift.
▪ A relief is felt inside
➢this signals that the symbols we have chosen “fit”
the felt sense adequately
▪ Check with the client if the felt sense has
changed
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Focusing Attitude - Receptivity
▪ Quietly and inwardly waiting and remaining present with the
not-yet-speakable, being receptive to the not-yet-formed.
▪ With curiosity and interest.
▪ With care and acceptance.
1)Encourage Accepting and Caring Attitude
T: “Can you be caring, and accepting towards the sensation even
though it is uncomfortable, recognizing that it is a part of you
that has important information for you.”
When this is not possible...
2)Encourage Curiousity and Interest
T:“Can you be curious and interested...”
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Focusing Prototypical Marker:
Unclear Feeling; stuck, blank, global, external
Focusing Micro-process/
Task Resolution Therapist Response
1. Clear a space
How are you? What’s between you and feeling
fine?
Don’t answer from your head. Let what comes in
your body do the answering.
Don’t go into anything.
Greet each concern that comes. Put each aside for
a while, next to you.
Except for that, are you fine?
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2. Felt sense
Pick one problem to focus on.
Don’t go into the problem analytically. What do
you sense in your body when you recall the whole
of that problem?
Sense all of that, the sense of the whole thing, the
murky discomfort or the unclear body-sense of it.
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3. Get a handle
What is the quality of the felt sense?
What quality-word would fit best?
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4. Resonate
Go back and forth between the word (or image)
and the felt sense. Is that word or image right?
If they match, have the sensation of matching
several times.
If the felt sense changes, follow it with your
attention.
When you get a perfect match, the words (or
images) being just right for this feeling, let
yourself feel that for a minute.
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5. Ask
What is it about the whole problem that makes
me so ________ ?
What is the worst of this feeling?
What’s really so bad about this?
What does it need?
What should happen?
What would if feel like if it was all okay?
Let the body answer: What is in the way of that?
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6. Receive
Welcome what came. Be glad it spoke.
It is only one step on this problem, not the last.
Now that you know where it is, you can leave it
and come back to it later.
Does your body want another round of focusing,
or is this a good stopping place?
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Self-Interruption
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Fear of Dangerous Emotion
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Overwhelmed
It is not that clients are avoiding the pain of the emotion;
rather, it is the fear that they will be overwhelmed, will
fall apart or drown
They are protecting against no longer being able to
function that.
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Example of SIE Marker: Sadness
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Another client interrupts anger
T: What’s happening inside now?
C: Ooh! I’m just (sigh), I’m oh! I want to scream at him so
badly.
T: What do you want to scream at him?
C: Ooh! He just, oh I can’t even express it I’m just so!
Furious with him (big sigh). I can’t tell him that. I can feel
my, I am just sucking it all in.
Here is an example of the blocking of tears
T: So what’s happening for you now as you speak?
C: Um (pause). I’m feeling kind of tearful.
T: Can you stay with that what words come? Tearful? Sad?
C: I don’t want to feel tearful. FACULTY OF HEALTH
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Intervening Using Two-Chair Enactment
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Intervening Using Two-Chair Enactment
• Clients are encouraged to act out how they stop
themselves from feeling, verbalize particular
injunctions, & exaggerate the muscular constrictions
involved in the interruption.
• This provokes a response from the suppressed
aspect - often a rebellion against the suppression.
• Then, the suppressed emotion bursts through
the constrictions, thus undoing the block.
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Two Chair enactment of Self-Interruption
Role play Specify Enact Recognition
agent interrupters interruptions of agency
Expression of
need
Contact with
environment
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Three Essential Steps
1. Bring the client’s attention to the fact that they are
interrupting (i.e., by noting that the client looks away
when they mention certain things, change the topic, or
smile).
2. Turn the passive to active and the automatic to
deliberate by inquiring and ascribing personal agency to
the client in the interruptive process (i.e., “How do you
stop yourself or interrupt yourself?”).
This is an awareness task that the therapist can use to
elaborate conscious experience and specify what the
interrupters are ( “What do you say to yourself?” “What
do you do muscularly?” “How would you do it to me?”).
3. Access what is being suppressed and integrate the two
sides of the struggle.
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Unblocking Emotion
A task analytic study (Vrana 2021) of the unblocking
of emotion found the following components of
resolution:
▪ How (actions) of interruption
▪ The purpose of the interruption
▪ Realization of the negative impact of the
interruption
▪ Reduction of fear of emotion
▪ Desire to, allow the emotion
▪ Support and encouragement by therapists
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Resolution of Self Interruption/Aversion to Emotion
Therapist Coaching and Support*
Desire to
Allow (with
Marker of Awareness Awareness Agency) Resolution:
Realization Allow and
Self- of Self- of of Negative
Interruption Interruption Protective Approaching Express
Impact of Emotion in
/Aversion to Function Interruption
Emotion Session
Aware that Reduce*
self- Fear of
Fear of Emotion
interrupting
consequences
Fear of Optional: Additional
Internalize components of resolution for
being
Validation clients who interrupted the
Aware of overwhelmed
how expression of the emotion
Damage to outside of therapy
interrupting identity/
attachment Resolution of the conflict
Internalize
(integration of both parts)
Safety
SIE 31:24-35:22
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Purpose of the Interruption
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Desire to Allow, Realization of the Negative Impact
SIE 35:29-36:59
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Client Process Measures
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Experiencing Scale
1. Objective and intellectual, giving no evidence of
the personal significance of events they describe.
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Narrative Processes Model
& Coding System (NPCS)
(Angus et al 1999; 1996)
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Client Emotional Arousal Scale (Warwar & Greenberg 2003)
External voice
Focused voice
Limited voice
Emotional voice
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