0% found this document useful (0 votes)
75 views3 pages

Bugsy Malone Script

The document presents a comedic script featuring Bugsy Malone, who navigates the chaotic underworld of New York City filled with rival gangs and quirky characters. Bugsy's monologue introduces the setting and characters, while subsequent scenes depict humorous interactions among dancers and a showdown between rival gang leaders, culminating in a pie fight. The story highlights themes of love, ambition, and the absurdity of gang warfare in a light-hearted manner.

Uploaded by

Richard Bailey
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
75 views3 pages

Bugsy Malone Script

The document presents a comedic script featuring Bugsy Malone, who navigates the chaotic underworld of New York City filled with rival gangs and quirky characters. Bugsy's monologue introduces the setting and characters, while subsequent scenes depict humorous interactions among dancers and a showdown between rival gang leaders, culminating in a pie fight. The story highlights themes of love, ambition, and the absurdity of gang warfare in a light-hearted manner.

Uploaded by

Richard Bailey
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
You are on page 1/ 3

SCENE 1: BUGSY’S MONOLOGUE (45 seconds)

(Spotlight. Bugsy leans on a lamppost, adjusts fedora.)


BUGSY:
New York City. The Big Apple. The Bee’s Knees if you got dough in your pocket and your shoes
ain’t filled with custard. Name’s Malone. Bugsy Malone. I got charm, a crooked smile, and no
interest in dyin’ in a bakery.
The city’s in a jam—Fat Sam’s holdin’ onto his empire like a jelly donut. But Dandy Dan? He’s
got new toys. Cream guns. You get hit—you’re toast. Add a girl named Blousey, a dame with
dreams, and Tallulah, a firecracker with legs for days—and you got yourself a recipe for
mayhem, murder, and maybe… romance?
Stick around, folks. This tale’s got more twists than spaghetti. (He tips his hat. Lights change.)
SONG: FAT SAMS GRAND SLAM
(Placed directly after “Fat Sam’s Grand Slam.” Lights shift to a small backstage
dressing room—cramped, chaotic. Feathers, boas, and makeup everywhere.
Dancers slump in exhaustion. Blousey is centre, holding a snapped shoe heel.)
BLOUSEY:
This place is a disaster. My heel snapped, the spotlight fried my curls, and some guy just
tipped me with a meatball.
GINNY (exhausted):
At least you got tipped. I got sneezed on mid-spin.
MONA (fanning herself):
Last week, a rat stole my feather boa. Wore it better than me, too.
LOUELLA:
We do three shows a night, share one dressing room with a family of raccoons, and our
“mirrors” are just spoons taped to the wall.
TINA (deadpan):
I used to dream of Paris. Now I dream of socks without holes.
GINNY:
I miss the circus. At least the tigers respected me.
BLOUSEY (to audience, flat):
Some girls dream of Broadway. Me? I just want a chair that’s not haunted and a paycheck
that’s not in expired coupons.
(A sudden cream puff falls from the ceiling and splats on Tina’s head. Beat.)
TINA (still deadpan):
Make that two chairs.
(Lights snap to black. Quick transition back into the main story.)
SCENE 2: SPLIT STAGE – DAN VS. FAT SAM’S OFFICE (3 mins)
(Stage split. Left: DAN’S OFFICE—sleek, stylish. Dan polishes his splurge gun. Snake Eyes flips
a coin. Smiles eats a cream puff menacingly. Right: SAM’S OFFICE—cluttered, loud, everyone
yelling.)
DANDY DAN:
Gentlemen… Fat Sam’s time is up. This city needs class. Elegance. Less mustard on suits.
SNAKE EYES:
And more cream in their face?
DANDY DAN:
Exactly. We splurged Roxy Robinson yesterday. He went down quicker than a soufflé in a
stampede.
SMILES (mouth full):
Delicious.
DANDY DAN:
Today—it’s Fat Sam’s laundry, then his club, then him.
(Crosscut to FAT SAM’S OFFICE. Loud arguing.)
FAT SAM (yelling):
My best guy—Roxy! Splurged! My club’s got holes like Swiss cheese and Knuckles thinks
'subtle' is a type of sandwich!
KNUCKLES (late):
It’s not?
FAT SAM:
No!
LOUELLA:
Boss, maybe we use brains instead of brawn. We could bribe a judge, fake our deaths, or—
hear me out—hire the school orchestra to scare 'em off.
RAZAMATAZZ:
Or a musical number! I got tap shoes!
BABYFACE (tiny but fierce):
I say we go in like shadows. Like ninjas. With pies.
KNUCKLES:
What if we just throw spoons?
FAT SAM:
You’re all nuts! Nuts with frosting! I need someone with smarts. Someone with charm.
Someone… not you.
Get me Bugsy Malone!
(Music sting. Lights centre. TALLULAH steps forward with flair.)
TALLULAH:
Men with plans and cream on their ties. Geniuses. All of 'em. Me? I work the floor. I see the
secrets. And I know one thing—where there's love, there's usually a pie fight.
(Blackout on chaos. Transition.)
SCENE 3: BUGSY & BLOUSEY’S CAFE DATE
(Cute diner scene. Jazz music. Trixie wipes the counter. Bugsy and Blousey sit awkwardly. He
straightens his tie.)
BUGSY:
Blousey, I’m tellin’ ya—this gig with Fat Sam? Easy money. I drive a car. No guns, no danger.
Just me and the road.
BLOUSEY (dry):
Last time you said that, we got chased by a guy dressed as a pastry.
BUGSY:
He came outta nowhere. I thought he was a dessert, not a threat.
TRIXIE:
I had to clean up banana cream for two days. (Danny rushes in, panting.)
DANNY:
Bugsy! Fat Sam’s lookin’ for ya! Dan’s got a new stash of splurge guns arriving at the docks!
BLOUSEY:
Oh great. Here comes another “easy job.”
BUGSY (to audience):
Listen—I never ask for this kinda life. But sometimes a guy’s gotta pick between love… and
custard justice.
SCENE 4: THE SHOWDOWN - (Alley. Bugsy rallies the kids—his “army.” They wear pots,
colanders, bike helmets.)
BUGSY:
Alright, troops. Dandy Dan’s lair is full of goons, cream, and probably croissants.
We hit ‘em where it hurts—the pride. We bring pies, cans, and a kazoo. [Big Ears toots kazoo.]
BIG EARS:
Intimidation through music!
GINNY (holding a mop):
This is either a weapon… or I clean up after.
LEROY:
Let me punch just one guy. Just one.
BUGSY:
No real violence. Just classic custard vengeance.
(DANDY DAN enters with SNAKE EYES and SMILES.)
DANDY DAN:
Well, if it ain’t Fat Sam’s charity case and the pastry patrol.
BUGSY:
Careful, Dan. Your tie’s about to meet a very disrespectful éclair.
SMILES (horrified):
You wouldn’t dare.
(Tense beat. Bugsy lifts a pie. Suddenly—SPLURGE ATTACK! Massive cream fight.
TALLULAH:
The war ended not with a bang… but a banana cream pie.
BUGSY (wiping face):
Blousey’s gonna kill me. This was my last clean shirt.
(Final tableau: everyone frozen mid-splurge. Blousey holds a towel. Officer O’Malley walks in,
stunned.)
OFFICER O’MALLEY:
I leave for one coffee and the city turns into a bakery.
ENDING (30 seconds) (Spotlight on Bugsy.)
BUGSY (final direct address):
New York’s cleaned up—well, sort of. Dan’s outta cream, Fat Sam’s got his club back, and me?
I got Blousey… if she ever speaks to me again. Lesson learned: Never start a turf war with a
guy who knows how to throw a pie.

You might also like