Roland Cloud User’s Guide

FANTOM-6EX
FANTOM-7EX
FANTOM-8EX

© 2023 Roland Corporation

04
 Contents
Importing the sound files by using Roland Cloud
Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Installing the Roland Cloud Manager. . . . . . . . . . . . . . . . . . . . . . . . . 3

Purchasing a Lifetime Key for the contents. . . . . . . . . . . . 3

Downloading content files. . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Saving the sound files to a USB flash drive . . . . . . . . . . . . . . . . . . . . 4
Adding the sounds to the FANTOM EX. . . . . . . . . . . . . . . . . . . . . . . . 4

Selecting and editing tones. . . . . . . . . . . . . . . . . . . . . . . . . . 6

Selecting a SuperNATURAL Acoustic Piano tone. . . . . . . . . . . . . . . 6
Editing a SuperNATURAL Acoustic Piano tone. . . . . . . . . . . . . . . . . 6
Selecting a SuperNATURAL E.Piano tone. . . . . . . . . . . . . . . . . . . . . . 6
Editing a SuperNATURAL E.Piano tone. . . . . . . . . . . . . . . . . . . . . . . . 6
Selecting a model tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Selecting a ACB tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Editing a model tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Adding n/zyme to the model tones. . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Deleting the license information . . . . . . . . . . . . . . . . . . . . . 14

Error messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Parameter list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
SuperNATURAL Acoustic Piano/E.Piano tone parameter. . . . . . . . 16
EXM001: JUPITER-8 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . 17
EXM002: JUNO-106 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . 18
EXM003: JX-8P Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
EXM004: SH-101 Model Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
EXM005: JD-800 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 24
EXM007: n/zyme Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 30
ACB001: JUPITER-8 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 37
ACB002: SH-101 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
ACB003: JX-3P ACB Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
ACB004: JUNO106 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Scene list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Sound list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
EXSN01: SuperNATURAL Acoustic Piano 1 Expansion. . . . . . . . . . . 48
EXSN02: SuperNATURAL Electric Piano 1 Expansion. . . . . . . . . . . . 48
EXSN03: SuperNATURAL Acoustic Piano 2 Expansion. . . . . . . . . . . 49
EXSN04:SuperNATURAL Acoustic Piano 3 Expansion. . . . . . . . . . . 49
EXM001: JUPITER-8 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . 49
EXM002: JUNO-106 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . 50
EXM003: JX-8P Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
EXM004: SH-101 Model Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
EXM005: JD-800 Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 53
EXM007: n/zyme Model Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 55
M09X01: V-Piano Expansion 01 German Concert Expansion. . . . . 58
ACB001: JUPITER-8 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . 58
ACB002: SH-101 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
ACB003: JX-3P ACB Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
ACB004: JUNO106 ACB Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

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 Roland Cloud user’s guide
This guide explains how to use the sound files (*1) found in Roland Cloud on the FANTOM EX.
Read this guide along with the Reference Manual included with your FANTOM EX product.

(*1) Sound Pack, Wave Expansion, SuperNATURAL Expansion, Model Expansion

Purchasing a Lifetime Key for the contents

Using Roland Cloud Manager
You must purchase a Lifetime Key by following the steps below to use
Use Roland Cloud Manager to download the sound files from paid contents.
Roland Cloud to your computer. To use free contents, refer to “Downloading content files” on the next
Next, use a USB flash drive to import the sound files that you page.
downloaded to your computer into the FANTOM EX.
1. Launch Roland Cloud Manager.
¹ Click here for more information on Roland Cloud.
¹ Click here to download the Roland Cloud Manager. 2. Click “Hardware Instruments” (Hardware) on the menu
tab.
¹ Click here to download the Owner’s Manual for Roland Cloud
Manager. A list of hardware group appears at the top of the screen.

¹ Click here for the latest support information on Roland Cloud. 3. On the hardware group tab, click “Keyboards”.
NOTE A list of hardware appears on the left side of the screen.
¹ You must purchase a Lifetime Key for the data if you want to
use Roland Cloud Manager.
4. Click the model name of the FANTOM EX that you’re
using.
¹ Data that was downloaded with only a Roland Cloud
The contents list appears.
membership can’t be loaded into the FANTOM EX.

5. Click the (Add to cart) icon for the contents you

wish to purchase.
This adds the contents to your cart.

Importing the sound files by using 6. Click the (Move to cart) button at the top
Roland Cloud Manager right-hand part of the screen.
The cart screen appears.
This explains how to use Roland Cloud Manager to download and
import the sound files.
7. Check the contents onscreen, and click “Proceed to
checkout”.
Installing the Roland Cloud Manager A payment screen appears in your Web browser. Proceed to
payment, and close your Web browser when you’re finished.
1. On your computer, download Roland Cloud Manager.
8. Return to the Roland Cloud Manager screen and click
Access the website listed below to download the appropriate
“Accept” in the “Purchase Complete” dialog box. This
installer for your computer.
closes the message.
https://roland.cm/RolandCloudManager

2. Double-click the installer you downloaded to begin the 9. Click the (Download) icon for the contents you
installation. wish to download.
A dialog box for specifying the download destination folder
Proceed with the installation by following the directions shown
appears.
onscreen.
When you see a message saying that the installation was successful, 10. Specify the folder to which you want to download the
click the [Close] or [Finish].
contents, and close the dialog box.
3. Start the Roland Cloud Manager that you installed, and The content files are downloaded into the folder that you specified
register your account. on your computer.

Follow the onscreen instructions to register.

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Roland Cloud user’s guide

Downloading content files Adding the sounds to the FANTOM EX

Follow these steps to import or install the sounds you would like to
1. Launch Roland Cloud Manager. add, according to their type.
Ø “Importing a Sound Pack” (p. 4)
2. Click “Hardware Instruments” (Hardware) on the menu Ø “Installing a EXPANSION” (p. 5)
tab.
A list of hardware group appears at the top of the screen.
Importing a Sound Pack
3. On the hardware group tab, click “Keyboards”.
A list of hardware appears on the left side of the screen.
1. Connect the USB flash drive in which you saved the
4. Click the model name of the FANTOM EX that you’re tone file to the FANTOM EX.
using.
2. Press the [MENU] button.
The contents list appears.
The MENU screen appears.
5. Click the (Download) icon for the contents you
wish to download.
3. Touch <UTILITY>.
The UTILITY screen appears.
A dialog box for specifying the download destination folder
appears. 4. Touch <IMPORT>.
6. Specify the folder to which you want to download the The IMPORT MENU appears.
contents, and close the dialog box.
5. Touch <IMPORT TONE>.
The content files are downloaded into the folder that you specified
on your computer. 6. Select the tone type to import.
The folders and files on the USB flash drive are shown.
Saving the sound files to a USB flash drive
* If you’re using the USB flash drive for the first time, format it using
the FANTOM EX.

1. Prepare the sound file that you will add on the

FANTOM EX.
Number of tones
2. Connect the USB flash drive to your computer. and drum kits in
the sdz file

3. Save the file in the appropriate directory of your USB

flash drive.
Sound Pack (extension: .sdz): ROLAND/SOUND folder MEMO
Wave Expansion (extension: .exz): Root directory If you want to import a drum kit, touch <IMPORT DRUM>.
SuperNATURAL Expansion (extension: .exz): Root directory
Menu Explanation
Model Expansion (extension: .exz): Root directory
[E1] Scrolls the cursor up or down.
USB flash drive folder architecture [E6] SELECT Selects an .sdz file.

Copy the following files (.exz) to

the root directory. 7. Touch the .sdz file that you want to import.
¹ Wave Expansion
¹ SuperNATURAL Expansion
8. Select [E6] SELECT.
ROLAND ¹ Model Expansion The IMPORT TONE (SELECT SOURCE) screen appears.

Number marked / Number of items

SOUND
Copy the Sound Pack files (.sdz) to
the ROLAND/SOUND folder.

4. Disconnect the USB flash drive from your computer.

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 Roland Cloud user’s guide

9. Touch the box at the left of each tone that you want to
import, adding a check mark.
Menu Explanation
[E1] Scrolls the cursor up or down.
[E2] CLEAR ALL Clears all check marks.
[E3] SELECT ALL Adds a check mark to all tones.
Select the corresponding check boxes to
[E5] with SAMPLE
include the Kbd samples on import.
[E6] NEXT Proceeds to the next step.
Adds a check mark to multiple tones in a
Hold down the [SHIFT]
single action, starting from the tone at the
button and touch a
check box
cursor location to the tone that you touched 4. Select the EXPANSION tab you want to install.
while holding down the [SHIFT] button.

10. Select [E6] NEXT.

The IMPORT TONE (SELECT DESTINATION) screen appears.
This is a list of the user tones in the FANTOM EX.
Tab Explanation
Number marked / Number of items
EXPANSION Expansions except for V-Piano, ACB
V-Piano EXPANSION V-Piano EXPANSION
ACB EXPANSION ACB EXPANSION
Tones used in a scene

Tones already imported

5. Press the [E6] (INSTALL).
The tone data saved on the USB flash drive is shown.

6. Use the cursor [á] [à] buttons or the [E1] knob to select
the tone data to install.
To select a continuous series of tone data, press the cursor [á] [à]
buttons or the [E1] knob while holding down the [SHIFT] button.
11. Touch the box at the left of the import-destination user When one of the tone data items is selected and you touch a
tone (user drum kit) to add a check mark. different tone data item while holding down the [SHIFT] button,
you can select multiple tone data items.
NOTE
The user tone(s) selected as the import-destination are overwritten. 7. Press the [E6] (INSTALL).
A confirmation message appears.
12. Select [E6] EXECUTE. To cancel, touch [E6] CANCEL.
A confirmation message appears.
If you decide to cancel, select [E6] CANCEL. 8. Select [E5] OK.
Once the data is installed, the tone data titles are shown in the on-
13. Select [E5] OK. screen list.
The import is executed, and you return to the IMPORT MENU To install more tone data, repeat steps 5–7.
screen.
NOTE

Installing a EXPANSION Never turn off the power or remove the USB flash drives while the
screen indicates “working”.

1. Save the tone data you downloaded (only the EXZ and 9. Turn the power back on once the tone data has been
PNG files) to the root directory (the topmost level) of installed.
your USB flash drive.

2. Turn off the FANTOM EX, and connect the USB flash
drive to the USB MEMORY port.

3. Turn the power on while holding down the [TEMPO]

button.
The EXPANSION screen appears.

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Roland Cloud user’s guide

Selecting and editing tones Tab Explanation

MFX
Settings for controlling MFX via MIDI.
NOTE CONTROL
You must install the SuperNATURAL expansions shown below (available via
Roland Cloud) to use the SuperNATURAL tones.
Ø Click here for the latest support information on Roland Cloud. SuperNATURAL E.Piano

Selecting a SuperNATURAL E.Piano tone

SuperNATURAL Acoustic Piano
1. In the TONE LIST screen, select a category group and a
Selecting a SuperNATURAL Acoustic Piano tone category tab.
MEMO
1. In the TONE LIST screen, select a category group and a
The FANTOM EX’s SuperNATURAL E.Piano tones are added to the
category tab.
categories “E.Piano”.
MEMO
The FANTOM EX’s SuperNATURAL Acoustic Piano tones are added to 2. Select a tone whose tone type is “SN-EP”.
the categories “A.Piano”.

2. Select a tone whose tone type is “SN-AP”. Editing a SuperNATURAL E.Piano tone
For SuperNATURAL E.Piano tones, you can select one instrument and
edit parameters that are specific to that instrument.
Editing a SuperNATURAL Acoustic Piano tone
For SuperNATURAL Acoustic Piano tones, you can select one
Inst MFX
instrument and edit parameters that are specific to that instrument.

Inst MFX
1. Select a tone whose TONE TYPE is “SN-EP”, and then
touch [MENU] button Ó <TONE EDIT>.
The TONE EDIT screen appears.
1. Select a tone whose TONE TYPE is “SN-AP”, and then
touch [MENU] button Ó <TONE EDIT>.
The TONE EDIT screen appears.

Menu Explanation
[E1] knob Scrolls up or down through the tabs.
[E2] knob Scrolls the cursor up/down to select a parameter.
Menu Explanation [E6] knob Edits the parameter selected by the cursor.
[E1] knob Scrolls up or down through the tabs. <UTILITY> Accesses the UTILITY window.
[E2] knob Scrolls the cursor up/down to select a parameter.
[E6] knob Edits the parameter selected by the cursor. 2. Move the cursor to the desired parameter and edit the
<UTILITY> Accesses the UTILITY window. value.
Tab Explanation
2. Move the cursor to the desired parameter and edit the COMMON Settings for the entire tone.
value. Settings for the instrument and its corresponding
INST
Tab Explanation parameters.
COMMON Settings for the entire tone. MFX Settings related to multi-effects.
Settings for the instrument and its corresponding MFX
INST Settings for controlling MFX via MIDI.
parameters. CONTROL
MFX Settings related to multi-effects.
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 Roland Cloud user’s guide

Model Expansion ACB Expansion

Selecting a model tone Selecting a ACB tone

The Model tone type recreates the sound of certain vintage ACB (Analog Circuit Behavior) brings an authentic analog sound
synthesizers. You can select the Model bank for specific models when experience to life in the digital realm, faithfully recreating analog
the tone type is set to “Model”. Each model bank has parameters that circuitry and all their interactive behaviors at a deep component level.
are unique to each model, and the sounds change in different ways
NOTE
when you operate the knobs and other controllers.
You must install the ACB expansions shown below (available via Roland Cloud)
This means that with just a single FANTOM EX, you’re able to use a to use the ACB expansions.
variety of other models as well, as if you owned them.
Ø Click here for the latest support information on Roland Cloud.
NOTE
You must install the MODEL expansions shown below (available via Roland
Cloud) to use the MODEL expansions. 1. Switch to the ZONE VIEW screen.
Ø Click here for the latest support information on Roland Cloud.
2. Move the cursor to TYPE, and select “ACB”.

1. Switch to the ZONE VIEW screen.

2. Move the cursor to TYPE, and select “MODEL”.

3. Move the cursor to BANK, and select a ACB bank.

4. Move the cursor to the tone name (number), and use
the [VALUE] dial or the [INC][DEC] buttons to select a
3. Move the cursor to BANK, and select a model bank. tone.

4. Move the cursor to the tone name (number), and use

the [VALUE] dial or the [INC][DEC] buttons to select a
tone.

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Roland Cloud user’s guide

Editing a model tone Using the Edit Knobs

With the Model tones, you edit the parameters that are unique to their Use the knobs and buttons of the SYNTH control sections to make
respective model bank. changes to the sound in real time. The corresponding parameters
change depending on the model bank.
Model Bank: JP8

VCO-1 Adding n/zyme to the model tones

HPF VCF VCA MFX
n/zyme offers the following advantages, letting you create new kinds
VCO-2 of tones that differ from the previous model banks.

LFO ENV-1 ENV-2

The OSC section includes two wave types, “Wavetable OSC” and
“Drawing OSC”.

In a Shape section which lets you dynamically change the waveform,

1. Select a tone for which the tone type is “MODEL”, and you can control two types of modulation, phase modulation and
touch the [MENU] button Ó <TONE EDIT>. shaping modulation at the same time; and use motion control to create
complex tonal changes over time.
Accesses the TONE EDIT screen.

The Step Modulator section features two step modulators that let you
make cyclical tonal changes in time with the beat.

The Effects section now features an independent Spread function that

adds breadth and depth to the sound, in addition to the existing EQ
and MFX.

What is the Wavetable OSC?

The Wavetable OSC features a varied collection of single-cycle
Menu Explanation waveforms called a “table”. Different waveforms are arranged in
continuous order inside the table, and you can specify the position
[E1] knob Scrolls the tab up/down.
from which to begin playback to play unique sounds whose
Edits the corresponding parameters. (The
[E2]–[E6] waveforms change in various ways over time.
corresponding parameter changes depending on the
knobs
cursor position.) What is the Drawing OSC?
<To PRO> Displays the TONE EDIT PRO screen.
<UTILITY> Displays the UTILITY window. This is an oscillator for drawing and playing single-cycle waveforms.
The waveform is divided up into a maximum of 32 ranges, and you
2. Move the cursor to the desired parameter, and edit the can specify the value for each range. When the waveform is played
value. back, each range is connected together in a continuous way to let you
freely create and play the waveform.
The tabs and parameters differ depending on the model bank
selected.
What is phase modulation?
For details on the parameters, see the “Parameter list” (p. 16).
Phase modulation is used to alter the output waveform by
modulating the phase of the input waveform. By increasing the phase
of even a simple input waveform, you can make dramatic changes to
the waveform to get a distinctive tone.

What is shaping modulation?

With shaping modulation, you can modulate the input waveform
signal using a waveform table called a “shaper”. The more complex the
shaper is, the greater the change you can make, even to simple input
waveforms. This lets you make tones that are rich in high-frequency
components.

Selecting a n/zyme Tone

1. Press the [ZONE VIEW] button.

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 Roland Cloud user’s guide

The ZONE VIEW screen appears. ZOOM EDIT (Wavetable) screen

When the WAVE TYPE is “Wavetable”, you can use two layers to stack
tone type Model Bank together and play different wavetable sounds.
Select a model. Select the n/zyme.

Touch the “WAVE TYPE” icon to switch between “Wavetable” and “Drawing”.
The WAVE TYPE does not change when you turn the [E1] knob.

Tab <UTILITY>
Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
between tabs. You can also touch the icons
in the tabs to switch to a different page
within the same tab.
[E1]–[E6] knobs
Parameters used exclusively by the n/zyme tone are assigned.

Position
Drag the Position slider to
switch between waveforms
Editing a n/zyme Tone within the wavetable.
You can also use Position Mod
to control the waveform via
envelope, LFO or other source.

LFO / Env
Layer Mix
Adjusts the volume balance of
each layer. You can also adjust
OSC FX this from the [VALUE] knob in
the OSC section on the right
Wavetable Phase side of the panel.
OSC Modulation
Filter Amp EQ MFX

Drawing
[E2]–[E6] knobs
Shaping
OSC Use [E2] knob and [E5] knob to select the wavetables used by the respective layers. Use [E3] knob to open the Position
Modulation
Spread modulation window, and [E4] knob to open the Layer Mix modulation window.
Press or turn the knobs to edit a parameter.
MEMO
When you turn layer 1 off (by selecting wavetable “000:OFF”), layer 2 turns off at the same time.
Shape You can’t use layer 2 by itself.

Step Modulator

Position Mod/Layer Mix Mod

Open the respective windows and use [E3]–[E6] knob to edit the parameters.

1. Select a n/zyme tone, and touch the [MENU] button Ó

<TONE EDIT>.
The TONE EDIT n/zyme ZOOM screen appears. MEMO
When you select “STRUCTURE” from the UTILITY window menu, you can check the current connections
for each section in graphical form.

Menu Explanation
[E1] knob Scrolls the tab left-right.
[E2]–[E6] Used for editing the corresponding parameters and
knobs opening the edit windows.
<To PRO> Displays the TONE EDIT PRO screen.
<UTILITY> Displays the UTILITY window.

2. Move the cursor to the desired parameter, and edit the

value. The overlaying windows such as the Structure window and each Mod window can be closed by tapping
outside of the window area.

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Roland Cloud user’s guide

ZOOM EDIT (Drawing) screen Menu Explanation

When WAVE TYPE is “Drawing”, you can freely draw the waveform to be Sets how rough the sound quality is. When
OSC [Value] knob
used by the oscillator. you change this parameter, the results are
Morph Rough
* The waveform you draw plays as a single-cycle waveform. immediately applied to the waveform.

Touch the “WAVE TYPE” icon to switch between “Wavetable” and “Drawing”. ZOOM EDIT (Shape) screen
The WAVE TYPE does not change when you turn the [E1] knob.
Two settings are available on the Shape screen, P-MOD (Phase
Modulation) and S-MOD (Shaping Modulation).

Tab <UTILITY> Tab <UTILITY>

Use the [E1] knob to scroll and switch between Touch this to show the tone initialization menu. Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
tabs. You can also touch the icons in the tabs to between tabs. You can also touch the icons
switch to a different page within the same tab. in the tabs to switch to a different page
within the same tab.

Shape area
P-MOD sets the phase angle
(the X/Y-axis positions), and
S-MOD sets the waveshape
Draw area table (X-axis: depth; Y-axis:
drive).
You can drag on the screen When Shape is OFF, drag the
to freely draw a waveform. screen to edit the indicator
position. When Shape is
selected, the indicator moves
over time by tracing over the
lines of the shape.
(Dragging is disabled.)

[E6] knob [E2]–[E5] knobs

Press [E6] knob to open the Drawing Tool Use the [E2]–[E5] knobs to edit the Shape parameters.
window.
Press a knob to switch to the settings for another parameter.

Drawing Tool P-MOD Modulation/S-MOD Modulation

Tap here to open the P-MOD and S-MOD modulation windows.
You can use Drawing Tool to render a waveform by entering its Open the respective windows and use [E1]–[E6] knobs to edit the parameters.
numerical values.

Current waveform
The original waveform.

Preview
The waveform you’re
drawing with the Drawing
P-MOD SHAPE/S-MOD SHAPE
Tool. Your edits are not Touch <SHAPE> to open the SHAPE window for P-MOD and S-MOD respectively.
applied to the actual sound Here you can check the available shapes and select SHAPE.
until you confirm it.

[E1]–[E6] knobs
[E1]–[E5] knobs are Drawing Tool parameters. You can use the knobs to draw a wide range of waveforms.
When you’re finished with the Drawing Tool, press [E6] knob to confirm the waveform.

Menu Explanation
Morphs between the waveforms as follows: Sine
[E1] Form (Form 1)
(0)–Triangle (42)–Saw (84)–Square (127).
Morphs between a sine wave (0) and a metallic S-MOD Table
[E2] Mod (Form 2) Touch <TABLE> to open the S-MOD Table window.
sound (127).
Here you can check the available shapes and select a table.
Narrows the width of the waveform that’s
[E3] Sync
currently set, and repeats it.
Narrows the width of the waveform that’s
[E4] Width
currently set.
Deforms the currently set waveform by applying
[E5] AM Depth
a comb filter to thin out the data.
Applies the changes you made using the Drawing
[E6] EXECUTE
Tool to the waveform.
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 Roland Cloud user’s guide

ZOOM EDIT (Step Modulator) screen

Relationship between phase angles and The Step Modulator screen has two Step MODs and settings for the
waveforms Step Kick Switch.

Phase Angle Tab <UTILITY>

Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
between tabs. You can also touch the icons
in the tabs to switch to a different page
within the same tab.

Position

Step MOD
Features two Step MODs.
The top row is for the OSC
and Shape, and the bottom
row is for the Filter and
Amp. You can drag these
freely to set the values of
each step.
You can also set the curves,
point by point.

Waveform
[E2]–[E5] knobs
Use [E2] knob to zoom in on the selected portions within the respective areas of Step MOD1, Step MOD2, Step Switch
and Step Kick Switch. Use [E3] knob to set the size of the steps to loop. Use [E4] knob to set the envelope trigger on/
off. Use [E5] knob to set the step length as a note length.
Relationship between waveshape tables and
waveforms

Waveshape
Table
Step Switch/Step Kick Switch
Step Switch sets whether each step is on or off. Steps that are off are disabled.
The Step Kick Switch creates a kick (bass drum)-like effect at the timing of the “on” steps by applying a downward-
sloping pitch envelope to the sound.
Output
Waveform
Curve selector
Double-tap at any step
position to open the curve
selector window. Select the
curve you want to edit by
Input touching it and press [E6] OK
to confirm.
Waveform

When Step MOD1 or Step

MOD2 are zoomed in,
“Target” is shown in [E6]
knob.

Motion control Press [E6] knob to open the

Target window for editing
the modulation parameters
You can control the X/Y-axis parameters via motion control, by and other settings.
Each time you press the
using the shapes you selected in P-MOD SHAPE and S-MOD knob, the setting toggles
between the current value
SHAPE. and “0”.

By setting the P-MOD Tempo Sync and S-MOD Tempo Sync

switches to “ON”, you can synchronize the motion with the tempo
of the sequencer. When P-MOD Speed and S-MOD Speed are set
to “x1”, their indicators trace a full cycle over approximately four
measures of time.
Setup Tool
1Measure 5Measure 9Measure 13Measure 17Measure Touch <Setup Tool> to open the window. You can select the target with the [E1] and [E2]
knobs, and use [E5] knob to reset the target parameter.
P-MOD=x1/5

S-MOD=x3

11
Roland Cloud user’s guide

ZOOM EDIT (LFO) screen ZOOM EDIT (Filter) screen

Use the LFO screen to configure the LFO-related settings.
Tab <UTILITY>
Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
Tab <UTILITY> between tabs. You can also touch the icons
Use the [E1] knob to scroll and switch in the tabs to switch to a different page
Touch this to show the tone initialization menu.
between tabs. You can also touch the icons within the same tab.
in the tabs to switch to a different page
within the same tab.

[E1]–[E6] knobs
The [E2]–[E6] knobs correspond to each parameter in the same series. Use these knobs to directly edit
the settings.
[E1]–[E6] knobs Press the [E1] knob to move the cursor row.
The [E2]–[E6] knobs correspond to each parameter in the same series. Use these knobs to directly edit the settings.
Press the [E1] knob to move the cursor row.
Touch here to show the modulation window.

ZOOM EDIT (MOD) screen

Use the MOD screen to configure the Control Env. (the OSC and shape FILTER ENVELOPE screen
envelopes) and the Bend Range.

Tab <UTILITY>
Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
between tabs. You can also touch the icons
in the tabs to switch to a different page
within the same tab.

This screen shows the current position of the envelope in real time when you play a key.
When you play a chord, the current position of the envelope is shown for the last note
you played.

[E1]–[E6] knobs
The [E2]–[E6] knobs correspond to each parameter in the same series.
Use these knobs to directly edit the settings. Press the [E1] knob to move the cursor row.

12
 Roland Cloud user’s guide

ZOOM EDIT (Amp) screen ZOOM EDIT (FX:SPREAD/EQ) screen

Tab <UTILITY> Tab <UTILITY>
Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu. Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
between tabs. You can also touch the icons between tabs. You can also touch the icons
in the tabs to switch to a different page in the tabs to switch to a different page
within the same tab. within the same tab.

[E1]–[E6] knobs
The [E2]–[E6] knobs correspond to each parameter in the same series. Use these knobs to directly edit
[E1]–[E6] knobs
the settings. The [E2]–[E6] knobs correspond to each parameter in the same series. Use these knobs to directly edit the settings.
Press the [E1] knob to move the cursor row. Press the [E1] knob to move the cursor row.

Touch here to show the modulation window.

MEMO
For the EQ, the values that were set are applied when a note sounds.

Amp ENVELOPE screen

ZOOM EDIT (FX:MFX) screen
Tab <UTILITY>
Use the [E1] knob to scroll and switch Touch this to show the tone initialization menu.
between tabs. You can also touch the icons
in the tabs to switch to a different page
within the same tab.

XY pad
The MFX parameter
changes when you drag
and move the onscreen
This screen shows the current position of the envelope in real time when you play a key. indicator.
When you play a chord, the current position of the envelope is shown for the last note Touch here to open the
you played. category selector.

[E2]–[E6] knobs
The [E2]–[E6] knobs correspond to the parameters of the selected effect. Use these knobs to directly edit the settings.

Category selector

Use the [E3] knob to select the category, and the [E4]
knob to select the type within the category.

13
Roland Cloud user’s guide

Using the Edit Knobs Deleting the license information

Use the knobs and buttons of the SYNTH control sections to make This deletes Roland Cloud license information from the FANTOM EX
changes to the sound in real time. unit and also deletes the previously-installed content data that is
authorized by that license information.
Controller Wavetable Wave Drawing
[TYPE] knob Wavetable/Wave Drawing switch If you are installing content that is distributed from Roland
[VALUE] knob Cloud, and the message “Incorrect License! Please Remove
Layer Mix Morph Rough
(when lit) License” appears, use the Remove License function to delete the
[VALUE] knob previously-installed license information.
Mix Curve –
(when blinking)
NOTE
[CUTOFF] knob Cutoff Frequency Cutoff Frequency When you use the Remove License function to delete the previously-
installed license information, the content data that is authorized by the
[RESONANCE] deleted license information is also deleted, and will no longer be usable.
Resonance Resonance
knob
[FILTER TYPE]
Filter Type Filter Type
button
[A] knob
CTRL Env Attack CTRL Env Attack
(PITCH ENV) 1. Turn the power on while holding down the [TEMPO]
[D] knob button.
CTRL Env Decay CTRL Env Decay
(PITCH ENV) The EXPANSION screen appears.
[S] knob
– –
(PITCH ENV)

[R] knob
– –
(PITCH ENV)

[A] knob
Filter Env Attack Filter Env Attack
(FILTER ENV)

[D] knob
Filter Env Decay Filter Env Decay
(FILTER ENV)

[S] knob
Filter Env Sustain Filter Env Sustain
(FILTER ENV)

[R] knob
Filter Env Release Filter Env Release
(FILTER ENV) 2. Select [E4] REMOVE LICENSE.
[A] knob A confirmation message appears.
Amp Env Attack Amp Env Attack
(AMP ENV)
If you decide to choose, select [E6] CANCEL.
[D] knob
Amp Env Decay Amp Env Decay
(AMP ENV) 3. Select [E5] OK.
[S] knob The license information is deleted.
Amp Env Sustain Amp Env Sustain
(AMP ENV)

[R] knob NOTE

Amp Env Release Amp Env Release
(AMP ENV) Never turn off the power or remove the USB flash drives while the
[AMP LEVEL] screen indicates “working”.
Amp Level Amp Level
knob
[EFFECT TYPE]
4. Turn the power off, and then on again.
MFX Type MFX Type
knob (when lit)
[EFFECT TYPE]
MFX OFF MFX OFF
knob (when unlit)
[EFFECT
Changes according to the selected MFX TYPE
DEPTH] knob
Position
[USB AUDIO] * This operation works only
while the n/zyme TONE
–
slider
EDIT screen is shown.

MEMO
To switch a knob between lit and blinking, press the knob in.

14
 Roland Cloud user’s guide

Error messages
Display Meaning Explanation
This file cannot be
installed because it is
an EXPANSION for a
Incorrect File! different model. –
The sound file that you
are attempting to install
is damaged.
Use the Remove License
Incorrect License! A sound file with a
function to delete the user
Please Remove different user license is
license that is written into
License already installed.
the unit.
There is insufficient
Uninstall unneeded
Wave Memory Full! memory capacity for
expansions.
installation.
It has already been This EXPANSION is
–
installed already installed.
Wave Memory Installation is not
Execute the OPTIMIZE
is fragmented. possible because the
function to optimize the
To install, run free area of memory is
tone storage area.
Optimize first. fragmented.
In a situation
where licenses are
not installed, you
are attempting to
Multiple License! –
simultaneously select
and install EXPANSION
that have different user
licenses.
Wave Memory The internal file is Execute the UNINSTALL
Consistency Error damaged. ALL operation.
There is not enough free Allocate the lacking
Tone Full! tone area to execute number of tones for each
IMPORT SCENE. tone type.

15
Roland Cloud user’s guide

Parameter list

SuperNATURAL Acoustic Piano/E.Piano tone MFX CTRL

parameter
Parameter Value Explanation
Specifies the MIDI message that will control the
COMMON corresponding MFX CONTROL parameter.
OFF MFX CONTROL will not be used.
Parameter Value Explanation CC01–31 Controller number 1–31
Control 1–4
Category 00–49 Selects the category of the tone. CC33–95 Controller number 33–95
Source
Level 0–127 Adjusts the volume of the tone. BEND Pitch bend
Specifies the pan of the tone. “L64” is far AFT Aftertouch
Pan L64–0–63R
left, “0” is center, and “63R” is far right. Use the controller that is assigned by
Adjusts the pitch of the sound up or SYS-CTRL1–4
Coarse Tune -48–+48 the System Control Source 1–4.
down in semitone steps (+/-4 octaves). Specifies the multi-effect parameters
Adjusts the pitch of the sound up or that are controlled by MFX CONTROL.
Fine Tune -50–+50 [cent] Control 1–4
down in 1-cent steps (+/-50 cents).
The multi-effects parameters available
Adjusts the pitch of the tone’s sound Destination
for control will depend on the multi-
Octave Shift -3–+3 up or down in units of an octave (+/-3
effects type.
octaves).
Specifies the depth of MFX CONTROL.
Specifies whether the patch will play polyphonically
Specify a positive (+) value if you want
(POLY) or monophonically (MONO).
to change the value of the assigned
Mono/Poly MONO Only the last-played note will sound.
destination in a positive direction
Two or more notes can be played
POLY Control 1–4 (larger, toward the right, faster, etc.),
simultaneously. -63–+63
Sens or specify a negative (-) value if you
Specifies the depth of chorus that does
want to change the value in a negative
Chorus Send not pass through MFX.
0–127 direction (smaller, toward the left,
Level If you don’t want to add the chorus slower, etc.). Larger values will allow a
effect, set it to 0. greater amount of control.
Specifies the depth of reverb that does
Reverb Send not pass through MFX.
0–127
Level If you don’t want to add the reverb SuperNATURAL Inst Parameter
effect, set it to 0.
SuperNATURAL Acoustic Piano tone

Parameter Value Explanation

INST
Stereo Width 0–100 Adjusts the spread of the sound.
Parameter Value Explanation
Parameters SuperNATURAL E.Piano tone
Specifies the parameters of the selected instrument.
for each
Refer to “SuperNATURAL Inst Parameters”. Parameter Value Explanation
instrument
Noise Level 0–127 Adjusts the amount of noise.

MFX NOTE
Tones that are shown as “No Parameter” in the INST tab do not have Inst
parameters.
Parameter Value Explanation
MFX Type Selects the MFX type.
MFX Switch OFF, ON Switches the MFX on/off.
Adjusts the amount of chorus.
MFX Chorus
0–127 If you don’t want to add the chorus
Send Level
effect, set it to 0.
Adjusts the amount of reverb.
MFX Reverb
0–127 If you don’t want to add the reverb
Send Level
effect, set it to 0.
Edit the parameters for the selected MFX. The available
MFX
parameters differ depending on the type of the effects
Parameter
you selected in MFX Type.

16
 Roland Cloud user’s guide - EXM001: JUPITER-8 Model Expansion

EXM001: JUPITER-8 Model Expansion Parameter Value Explanation CC#

Selects whether OSC2 operates as
VCO2 RANGE NORMAL, NORMAL (in the audible frequency
TONE COMMON SW range) or as LFO (in the low
111
LOW FREQ
frequency range).
Parameter Value Explanation
VCO2 LOW Specifies the octave when OSC2
(name) Tone name 0–127
FREQ MODE is set to LOW FREQ.
CATEGORY CATEGORY Selects the tone’s category.
VCO2 RANGE -12–+24 Specifies the octave of OSC2. 62
VCO2 FINE Specifies a fine adjustment to the
-50–+50 56
TUNE pitch of OSC2.
TONE SINE,

Parameter Value Explanation CC# VCO2 SAW, Selects the waveform that is the basis
LFO RATE 0–1023 Specifies the rate of the LFO cycle. 29 WAVEFORM PW, of the OSC2 sound.
Adjusts the time from when the key is NOISE
LFO DELAY
0–1023 pressed until the LFO starts to apply 27 VCO1 LEVEL 0–255 Adjusts the volume balance of OSC1. 16
TIME
modulation. VCO2 LEVEL 0–255 Adjusts the volume balance of OSC2. 17
SINE, HPF CUTOFF Adjusts the cutoff frequency of the
0–1023 79
LFO SAW-DW, FREQ high-pass filter.
Selects the waveform of the LFO. Selects one of three response curves,
WAVEFORM SQR,
FILTER TYPE R, M, S each modeling the LPF of an analog 108
S&H
synthesizer of the past.
VCO1 LFO Adjusts the depth at which the LFO
0–100 26 Specifies the cutoff frequency of the
MOD modulates the OSC.
low-pass filter.
VCO1 ENV Adjusts the depth at which the LFO FILTER CUTOFF
-100–+100 22 0–1023 The frequency region above the 3
MOD modulates the ENV1. FREQ
cutoff frequency is cut, producing a
VCO-1,
VCO FREQ Selects the OSC that is modulated by more mellow tonal character.
BOTH,
MOD LFO MOD. Boosts the region of the filter’s cutoff
VCO-2
frequency.
Specifies the pulse width mode. FILTER
0–1023 Higher values produce a stronger 9
The pulse width is changed by the RESONANCE
LFO result, giving the sound a distinctively
LFO.
PULSE WIDTH synthesizer-like character.
The pulse width is changed by PULSE
MOD SEL MANUAL -12dB/OCT, Selects the type of slope for the low-
WIDTH MOD. FILTER SLOPE
The pulse width is changed by the -24dB/OCT pass filter.
ENV FILTER ENV ENV-1, Selects the envelope that is used to
ENV1.
PW MOD SEL ENV-2 control the cutoff frequency.
MODE = Adjusts the pulse width. Adjusts the amount by which the
FILTER ENV
PULSE WIDTH MANUAL 0–+1023 cutoff frequency is controlled by the 81
0–127 50 MOD
MOD PW MODE envelope.
Adjusts the modulation FILTER LFO Adjusts the amount by which the LFO
= LFO/ 0–100 28
depth. MOD modulates the cutoff frequency.
ENV
Uses the OSC2 waveform to change Adjusts the amount by which the
the frequency of OSC1. keyboard pitch affects the cutoff
FILTER KEY frequency (key follow).
Higher values cause the sound of 0–200 82
CROSS MOD 0–10800 FOLLOW
OSC1 to be more complex, allowing With smaller values, the cutoff
you to create metallic sounds or frequency becomes lower as you play
sound effects. higher notes.
VCO1 RANGE 16’, 8’, 4’, 2’ Specifies the octave of OSC1. 47 AMP LEVEL 0–127 Adjusts the volume of the tone. 110
TRI, Uses the LFO to vary the AMP volume
AMP LFO MOD 0–3 (tremolo effect). Higher values 30
VCO1 SAW, Selects the waveform that is the basis
produce a greater effect.
WAVEFORM PW, of the OSC1 sound.
ENV1 ATTACK 0–1023 Specifies the ENV1 Attack time. 83
SQR ENV1 DECAY 0–1023 Specifies the ENV1 Decay time. 80
This is oscillator sync. ENV1 SUSTAIN 0–1023 Specifies the ENV1 Sustain level. 85
It produces a complex waveform ENV1 RELEASE 0–1023 Specifies the ENV1 Release time. 86
by forcibly resetting OSC1 to Specifies the ENV1 key follow.
VCO SYNC OFF, ON
the beginning of its cycle in ENV1 KEY If key follow is on, ADR times become
OFF, ON
synchronization with the cycle of FOLLOW longer for lower notes and shorter for
OSC2. higher notes.

17
Roland Cloud user’s guide - EXM002: JUNO-106 Model Expansion

Parameter Value Explanation CC# EXM002: JUNO-106 Model Expansion

ENV1 NORMAL, When this is set to “REVERSE”, the ENV
POLARITY REVERSE is reversed (inverted).
ENV2 ATTACK 0–1023 Specifies the ENV2 Attack time. 89
TONE COMMON
ENV2 DECAY 0–1023 Specifies the ENV2 Decay time. 90
Parameter Value Explanation
ENV2 SUSTAIN 0–1023 Specifies the ENV2 Sustain level. 102
(name) Tone name
ENV2 RELEASE 0–1023 Specifies the ENV2 Release time. 103
CATEGORY CATEGORY Selects the tone’s category.
Specifies the ENV2 key follow.
ENV2 KEY If key follow is on, ADR times become
OFF, ON
FOLLOW longer for lower notes and shorter for TONE
higher notes.
Specifies the range of pitch change Parameter Value Explanation CC#
BEND PITCH 0–1200 41
produced by pitch bend. LFO RATE 0–1023 Specifies the speed of the LFO cycle. 29
Specifies the range of filter change Adjusts the time from when the key is
BEND FILTER -63–+63 14 LFO DELAY
produced by pitch bend. 0–1023 pressed until LFO modulation starts 27
MODULATION Specifies the amount of LFO applied TIME
-63–+63 to apply.
LFO by modulation. DCO RANGE 16’, 8’, 4’ Specifies the octave of the oscillator.
Sets how much aftertouch changes Uses the LFO to vary the pitch
AFTER-TOUCH the tone volume. DCO LFO MOD 0–100 26
-63–+63 (vibrato).
LEVEL * This is only enabled for keyboards
with aftertouch. PM MODE Adjusts the modulation
Sets how much aftertouch changes = LFO: depth.
50
AFTER-TOUCH the low-pass filter intensity. PULSE WIDTH 0–127 PM
-63–+63
FREQ * This is only enabled for keyboards MODE = Adjusts the pulse width.
with aftertouch. MANUAL:
Sets how much aftertouch changes Selects whether the pulse width is
AFTER-TOUCH the LFO intensity. LFO, modulated by the LFO (LFO) or kept
-63–+63 PWM MODE
LFO * This is only enabled for keyboards
at the fixed value specified by PULSE
with aftertouch. MANUAL
WIDTH MOD (MANUAL).
Specifies how notes are sounded. 119
PWM OFF, ON Turns the pulse wave on/off.
POLY Polyphonic
SAW OFF, ON Turns the sawtooth wave on/off.
KEY MODE SOLO Monophonic
Adjusts the volume of the sub
UNISON Unison SUB OSC LEVEL 0–255 18
oscillator.
SL-UNISON Monophonic unison
NOISE LEVEL 0–255 Adjusts the volume of the noise. 19
If this is “ON”, the range of change for
HPF CUTOFF Sets the high-pass filter’s cutoff
PARAM LFO RATE, CUTOFF, RESONANCE, and 0–3
OFF, ON FREQ frequency in four steps.
EXPANSION FILTER ENV DEPTH is wider than on
Selects one of three response curves,
the original model.
FILTER TYPE R, M, S each modeling the LPF of an analog 108
Simulates the changes that occur as
CONDITION 0–100 synthesizer of the past.
a unit ages.
Specifies the cutoff frequency of the
Adjusts the slight pitch drift that
low-pass filter.
PITCH DRIFT 0–255 occurs when notes are played on an FILTER CUTOFF
0–1023 The frequency region above the cutoff 3
analog synthesizer. FREQ
frequency is cut, producing a more
Turns portamento on/off.
mellow tonal character.
PORTAMENTO If this is on, the pitch will change
OFF, ON 118 Boosts the region of the filter’s cutoff
SW smoothly from one note to the next-
frequency.
played note. FILTER
0–1023 Higher values produce a stronger 9
Specifies the pitch change curve for portamento. RESONANCE
result, giving the sound a distinctively
Change according to the original
ORIGINAL synthesizer-like character.
curve of the model.
FILTER ENV NORMAL, When this is set to “REVERSE”, the ENV
PORTAMENTO LINEAR Change in a linear curve.
POLARITY REVERSE is reversed (inverted).
CURVE Change in a non-linear curve (gentle
EXP-1 Adjusts the amount by which the
slope). FILTER EMV -1023–
cutoff frequency is controlled by the 81
Change in a non-linear curve (steep MOD +1023
EXP-2 envelope.
slope).
FILTER LFO Adjusts the amount by which the LFO
PORTAMENTO Adjusts the time over which the 0 - 100 28
0–1023 5 MOD modulates the cutoff frequency.
TIME portamento pitch change occurs.

18
 Roland Cloud user’s guide - EXM002: JUNO-106 Model Expansion

Parameter Value Explanation CC# Parameter Value Explanation CC#

Adjusts the amount by which the PORTAMENTO Adjusts the time over which the
0–1023 5
keyboard pitch affects the cutoff TIME portamento pitch change occurs.
FILTER KEY frequency (key follow).
0 - 200 82
FOLLOW With smaller values, the cutoff
frequency becomes lower as you play
higher notes.
AMP LEVEL 0–127 Adjusts the volume of the tone. 110
Specifies whether the volume is
AMP ENV
ENV, GATE controlled by the ENV (ENV) or by the
MODE
gate signal (GATE).
ENV ATTACK 0–1023 Specifies the ENV Attack time. 89
ENV DECAY 0–1023 Specifies the ENV Decay time. 90
ENV SUSTAIN 0–1023 Specifies the ENV Sustain level. 102
ENV RELEASE 0–1023 Specifies the ENV Release time. 103
Specifies the range of pitch change
BEND PITCH 0–1200 41
produced by pitch bend.
Specifies the range of filter change
BEND FILTER -63–+63 14
produced by pitch bend.
MODULATION Specifies the amount of LFO applied
-63–+63
LFO by modulation.
Sets how much aftertouch changes
AFTER-TOUCH the tone volume.
-63–+63
LEVEL * This is only enabled for keyboards
with aftertouch.
Sets how much aftertouch changes
AFTER-TOUCH the low-pass filter intensity.
-63–+63
FREQ * This is only enabled for keyboards
with aftertouch.
Sets how much aftertouch changes
AFTER-TOUCH the LFO intensity.
-63–+63
LFO * This is only enabled for products with
aftertouch.
Specifies how notes are sounded. 119
POLY Polyphonic
SOLO Monophonic
KEY MODE
UNISON Unison
SL-
Monophonic unison
UNISON
When this is set to “ON”, the LFO RATE,
PARAM
OFF, ON CUTOFF and RESONANCE produce
EXPANSION
greater change.
Simulates the changes that occur as a
CONDITION 0–100
unit ages.
Adjusts the slight pitch drift that
PITCH DRIFT 0–255 occurs when notes are played on an
analog synthesizer.
Turns portamento on/off.
PORTAMENTO If this is “ON”, the pitch will change
OFF, ON 118
SW smoothly from one note to the next-
played note.
Specifies the pitch change curve for portamento.
Change according to the original curve
ORIGINAL
of the model.
PORTAMENTO LINEAR Change in a linear curve.
CURVE Change in a non-linear curve (gentle
EXP1
slope).
Change in a non-linear curve (steep
EXP2
slope).

19
Roland Cloud user’s guide - EXM003: JX-8P Model Expansion

EXM003: JX-8P Model Expansion Parameter Value Explanation CC#

HPF CUTOFF Sets the cutoff frequency of the high-
0–3
FREQ pass filter in four steps.
TONE COMMON Selects one of three response curves,
FILTER TYPE R, M, S each modeling the LPF of an analog 108
Parameter Value Explanation
synthesizer of the past.
(name) Tone name
Specifies the cutoff frequency of the
CATEGORY CATEGORY Selects the tone’s category.
low-pass filter.
FILTER CUTOFF
0–1023 The frequency region above the cutoff 3
FREQ
frequency is cut, producing a more
TONE
mellow tonal character.
Parameter Value Explanation CC# Boosts the region of the filter’s cutoff
frequency.
DCO1 RANGE 16’, 8’, 4’, 2’ Specifies the octave of OSC1. 47 FILTER
0–1023 Higher values produce a stronger 9
SAW, RESONANCE
result, giving the sound a distinctively
DCO1 PULSE, Specifies the waveform that is the basis
synthesizer-like character.
WAVEFORM SQR, of the OSC1 sound.
FILTER LFO Adjusts the amount by which the LFO
0–100 28
NOISE MOD modulates the cutoff frequency.
DCO1 TUNE -12–+12 Adjusts the OSC1 pitch. 20 Adjusts the amount by which the
FILTER ENV -1023–
DCO1 LFO Adjusts the depth to which LFO envelope selected by FLT ENV MODE 81
0–100 26 MOD +1023
MOD modulates OSC1. controls the cutoff frequency.
Adjusts the depth to which the ENV Adjusts the amount by which the
DCO1 ENV
0–100 specified by OSC ENV MODE affects the 22 keyboard pitch affects the cutoff
MOD
OSC1 pitch envelope. FILTER KEY frequency (key follow).
0–200 82
DCO2 RANGE 16’, 8’, 4’, 2’ Specifies the OSC2 octave. 62 FOLLOW With smaller values, the cutoff
SAW, frequency becomes lower as you play
DCO2 PULSE, Selects the waveform that is the basis higher notes.
WAVEFORM SQR, of the OSC2 sound. FILTER Adjusts the sensitivity at which velocity
OFF, 1–3
DYNAMICS controls the depth of FILT ENV DEPTH.
NOISE
NORMAL1,
X-MOD,
Selects the MOD MODE type (OFF, FILTER ENV REVERSE1, Selects the envelope that is used to
CROSS MOD SYNC,
SYNC, X-MOD). MODE NORMAL2, control FILTER.
OFF
REVERSE2
DCO2 TUNE -12–+12 Adjusts the OSC2 pitch. 87
AMP LEVEL 0–127 Adjusts the volume of the tone. 110
DCO2 FINE
-50–+50 Finely adjusts the OSC2 pitch. 56 AMP Adjusts the sensitivity at which velocity
TUNE OFF, 1–3
DYNAMICS controls the AMP ENV depth.
DCO2 LFO Adjusts the depth to which the LFO
0–100 Selects whether the volume is
MOD modulates OSC2.
AMP ENV ENV2, controlled by ENV2 (ENV2) or stays at a
Adjusts the depth to which the ENV
DCO2 ENV MODE GATE fixed volume as long as the key is held
0–100 specified by OSC ENV MODE affects the
MOD down (GATE).
OSC2 pitch envelope.
SINE,
Adjusts the sensitivity at which the
PITCH LFO
OFF, 1–3 velocity controls the depth of the pitch SQR, Specifies the LFO waveform.
DYNAMICS WAVEFORM
envelope. RANDOM
NORMAL1, LFO RATE 0–1023 Specifies the rate of the LFO cycle. 29
DCO ENV REVERSE1, Selects the envelope that is used to Adjusts the time from when a key is
LFO DELAY
MODE NORMAL2, control the OSC. 0–1023 pressed until LFO modulation starts 27
TIME
being applied.
REVERSE2
ENV1 ATTACK 0–1023 Specifies the ENV1 Attack time. 83
DCO1 LEVEL 0–255 Adjusts the OSC1 volume balance. 16
ENV1 DECAY 0–1023 Specifies the ENV1 Decay time. 80
DCO2 LEVEL 0–255 Adjusts the OSC2 volume balance. 17
ENV1 SUSTAIN 0–1023 Specifies the ENV1 Sustain level. 85
Adjusts the depth to which the
ENV1 RELEASE 0–1023 Specifies the ENV1 Release time. 86
MIXER ENV 0–63 envelope specified by MIXER ENV
Specifies the ENV1 key follow in four
MODE controls the OSC2 level.
levels. With higher values, ADR times
Adjusts the sensitivity at which the ENV1 KEY
MIXER OFF, 1–3 become longer as you play lower on
OFF, 1–3 velocity controls the depth of MIXER FOLLOW
DYNAMICS the keyboard, and shorter as you play
ENV.
higher.
MIXER ENV ENV-1, Selects the envelope that is used as
ENV2 ATTACK 0–1023 Specifies the ENV2 Attack time. 89
MODE ENV-2 MIXER ENV.
ENV2 DECAY 0–1023 Specifies the ENV2 Decay time. 90

20
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Parameter Value Explanation CC#

ENV2 SUSTAIN 0–1023 Specifies the ENV2 Sustain level. 102
ENV2 RELEASE 0–1023 Specifies the ENV2 Release time. 103
Specifies the ENV2 key follow in four
levels. With higher values, ADR times
ENV2 KEY
OFF, 1–3 become longer as you play lower on
FOLLOW
the keyboard, and shorter as you play
higher.
Specifies the range of pitch change
BEND PITCH 2, 3, 4, 7 produced by pitch bend in four levels: 49
2, 3, 4, or 7 semitones.
MODULATION
-63–+63 Adjusts the depth of modulation.
LFO
Sets how much aftertouch changes
AFTER-TOUCH the tone volume.
-63–+63
LEVEL * This is only enabled for products with
aftertouch.
Sets how much aftertouch changes
AFTER-TOUCH
-63–+63 the low-pass filter intensity.
FREQ * This is only enabled for products with aftertouch.

Sets how much aftertouch changes

AFTER-TOUCH the LFO intensity.
-63–+63
LFO * This is only enabled for products with
aftertouch.
Specifies how notes are sounded. 119
POLY Polyphonic
SOLO Monophonic
KEY MODE
UNISON Unison
SL-
Monophonic unison
UNISON
If this is ON, the range of change for
PARAM LFO RATE, CUTOFF, RESONANCE, and
OFF, ON
EXPANSION FILTER ENV DEPTH is wider than on the
original model.
Simulates the changes that occur as a
CONDITION 0–100
unit ages.
Adjusts the slight pitch drift that
PITCH DRIFT 0–255 occurs when notes are played on an
analog synthesizer.
Turns portamento on/off.
PORTAMENTO If this is on, the pitch will change
OFF, ON 118
SW smoothly from one note to the next-
played note.
Specifies the pitch change curve for portamento.
Change according to the original curve
ORIGINAL
of the model.
PORTAMENTO LINEAR Change in a linear curve.
CURVE Change in a non-linear curve (gentle
EXP1
slope).
Change in a non-linear curve (steep
EXP2
slope).
PORTAMENTO Adjusts the time over which the
0–1023 5
TIME portamento pitch change occurs.

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Roland Cloud user’s guide - EXM004: SH-101 Model Expansion

EXM004: SH-101 Model Expansion Parameter Value Explanation CC#

Adjusts the amount by which the
FILTER ENV
0–1023 cutoff frequency is controlled by the 81
TONE COMMON MOD
envelope.
FILTER LFO Adjusts the amount by which the
Parameter Value Explanation 0–100 28
MOD LFO modulates the cutoff frequency.
(name) Tone name
Varies the filter’s cutoff frequency
CATEGORY CATEGORY Selects the tone’s category. FILTER KEY
0–200 according to the note played on the 82
FOLLOW
keyboard.
AMP LEVEL 0–127 Adjusts the volume of the tone. 110
TONE Specifies whether the volume is
AMP ENV controlled by the ENV (ENV) or stays
Parameter Value Explanation CC# ENV, GATE
MODE at a fixed volume as long as the key
VCO RANGE 16’, 8’, 4’, 2’ Specifies the oscillator’s octave. 47 is held down (GATE).
Adjusts the depth at which the LFO Specifies what causes the envelope to attack.
VCO MOD 0–100 26
modulates the OSC.
GATE+TRIG Attack each time a key is pressed.
PW MODE Adjusts the pulse width
Attack when a key is pressed anew.
= MANUAL value. ENV MODE GATE
No attack when playing legato.
PULSE WIDTH 0–127 PW MODE 50
Adjusts the depth of Attack repeatedly at each cycle of
= LFO/ LFO
modulation. the LFO as long as the key is held.
ENV:
ENV ATTACK 0–1023 Specifies the ENV Attack time. 89
Specifies the pulse width mode.
ENV DECAY 0–1023 Specifies the ENV Decay time. 90
The pulse width is affected by the
LFO ENV SUSTAIN 0–1023 Specifies the ENV Sustain level. 102
LFO.
PWM MODE ENV RELEASE 0–1023 Specifies the ENV Release time. 103
The pulse width is affected by PULSE
MANUAL Specifies the range of pitch change
WIDTH MOD. BEND PITCH 0–1500
produced by pitch bend.
ENV The pulse width is affected by ENV.
Specifies the range of filter change
LFO RATE 0–1023 Specifies the speed of the LFO cycle. 29 BEND FILTER -63–63 14
produced by pitch bend.
TRI,
LFO MODULATION Specifies the amount of LFO applied
SQR, Specifies the LFO waveform. -63–63
WAVEFORM LFO by modulation.
RANDOM
Adjusts the volume of the pulse Sets how much aftertouch changes
PULSE LEVEL 0–255 16
wave. AFTER-TOUCH the tone volume.
-63–+63
Adjusts the volume of the sawtooth LEVEL * This is only enabled for products
SAW LEVEL 0–255 17 with aftertouch.
wave.
Specifies the SUB OSC type. Sets how much aftertouch changes
AFTER-TOUCH the low-pass filter intensity.
SUB1 OCT -1 One octave lower -63–+63
FREQ * This is only enabled for products
SUB OSC SEL SUB1 OCT -2 Two octaves lower with aftertouch.
Two octaves lower (small pulse
SUB2 OCT -2 Sets how much aftertouch changes
width) AFTER-TOUCH
-63–+63 the LFO intensity .
SUB OSC Adjusts the volume of the sub LFO * This is only enabled for products
0–255 18
LEVEL oscillator. with aftertouch.
NOISE LEVEL 0–255 Adjusts the noise volume. 19 Specifies how notes are sounded. 119
Selects one of three response curves, POLY Polyphonic
FILTER TYPE R, M, S each modeling the LPF of an analog 108 KEY MODE SOLO Monophonic
synthesizer of the past. UNISON Unison
Specifies the cutoff frequency of the SL-UNISON Monophonic unison
low-pass filter. If this is “ON”, the range of change for
FILTER CUTOFF
0–1023 The frequency region above the 3 PARAM LFO RATE, CUTOFF, RESONANCE, and
FREQ OFF, ON
cutoff frequency is cut, producing a EXPANSION FILTER ENV DEPTH is wider than on
more mellow tonal character. the original model.
Boosts the region of the filter’s cutoff Simulates the changes that occur as
CONDITION 0–100
frequency. a unit ages.
FILTER Higher values produce a stronger Adjusts the slight pitch drift that
0–1023 9 PITCH DRIFT 0–255 occurs when notes are played on an
RESONANCE result, giving the sound a
distinctively synthesizer-like analog synthesizer.
character.

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 Roland Cloud user’s guide - EXM004: SH-101 Model Expansion

Parameter Value Explanation CC#

Turns portamento on/off. If this is on, the pitch
will change smoothly from one note to the next-
played note.
Regardless of the portamento time
OFF
setting, portamento is not applied.
PORTAMENTO ON Portamento is always applied.
SW Portamento is applied only when
you play legato (pressing the next
key before completely releasing
AUTO
the previously-played key). This lets
you use your playing technique to
control portamento on/off.
Specifies the pitch change curve for portamento.
Change according to the original
ORIGINAL
curve of the model.
PORTAMENTO LINEAR Change in a linear curve.
CURVE Change in a non-linear curve (gentle
EXP1
slope).
Change in a non-linear curve (steep
EXP2
slope).
PORTAMENTO Adjusts the time over which the
0–1023 5
TIME portamento pitch change occurs.

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Roland Cloud user’s guide - EXM005: JD-800 Model Expansion

EXM005: JD-800 Model Expansion Parameter Value Explanation CC#

NORMAL: Portamento is
always applied.
TONE COMMON
LEGATO: Portamento is only
Parameter Value Explanation CC# Portamento NORMAL, applied when you play in
118
Mode LEGATO legato style (playing one key
Category CATEGORY Selects the tone category.
Adjusts the overall volume for and then playing the next
Tone Level 0–100 110 while holding down the first
all tones.
Sets the amount of change (in one).
semitones) made when the When portamento is used,
pitch bend wheel is pushed all this sets the time taken for the
the way down. pitch to change.
Bender Range Portamento Time 0–100 5
0–48 49 Higher settings cause the
Down For example, if you set this to
“48” and push the pitch bend pitch to take longer when
wheel all the way down, the gliding to the next note.
pitch goes down four octaves.
Sets the amount of change (in
GENERAL
semitones) made when the
pitch bend wheel is pushed all Parameter Value Explanation
Bender Range the way up.
0–12 41 These buttons turn the partials on/
Up For example, when this is set Partial Switch OFF, ON off, and select which partials are to be
to “48” and you push the pitch stacked when played.
bend wheel all the way up, the Selects the partials to edit. Any
pitch goes up four octaves. Active Switch OFF, ON edits you make apply to all selected
Aftertouch Bend -36, -24, partials.
Sets the aftertouch sensitivity.
Sens -12–0–+12 You can select from one of four
Sets whether the tones curves, which affect how much each
play as single notes type of envelope is applied according
Velocity Curve 1–4
Solo Switch OFF, ON (ON=monophonic) or as 115 to how hard you play the keys. The
chords (OFF=polyphonic) envelopes that are affected include
when you play multiple keys. the PITCH ENV, TVF ENV and TVA ENV.
This effect is applied when Sets whether the sound of the partial
Hold Control
SOLO is on. When this is on OFF, ON is sustained (held) when you operate
Switch
and you hold down a key and the hold pedal.
Solo Legato then play another key, the Set the keyboard range in which each
OFF, ON 116
Switch sound of the second note partial will sound.
played smoothly transitions
Make these settings when you want
from the first note without an
Key Range Low C-–G9 different key ranges to play different
attack.
tones.
This layers a single tone. When
Specify the lower limit of the key
this is on, a certain number of
Unison Switch OFF, ON range.
sounds (set in each tone) are
Set the keyboard range in which each
layered.
partial will sound.
Turns the portamento on/
off. When this is on, the pitch Make these settings when you want
of the second note you play Key Range High C-–G9 different key ranges to play different
glides continuously from the tones.
first note. Specify the upper limit of the key
Portamento OFF, ON range.
OFF: Portamento is not
Switch applied, regardless of the
portamento time setting.
LFO1
ON: Portamento is always
applied. Parameter Value Explanation
* Portamento does not operate when the Solo switch is off, TRI, SAW, SQU,
regardless of the Porta Switch setting. Waveform These buttons set the LFO waveform.
S&H, RND
Turn this on to sync the LFO cycle
Rate Sync OFF, ON
with the tempo.

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 Roland Cloud user’s guide - EXM005: JD-800 Model Expansion

Parameter Value Explanation Parameter Value Explanation

0–100 Sets the time it takes before the LFO
1/64T, 1/64, effect begins after you press a key.
1/32T, 1/32, When Rate sync is off, the LFO cycle The larger the value, the longer it
1/16T, 1/32., is set irrespective of the tempo. The takes for the LFO effect to start after
larger the value, the shorter the LFO Delay Time 0–100, REL
1/16, 1/8T, you play the keyboard. The setting
Rate
1/16., 1/8, 1/4T, cycle. above 100 is “REL”. The “REL” setting
1/8., 1/4, 1/2T, When Rate sync is on, the LFO cycle is makes the LFO start right after you
1/4., 1/2, 1T, set to a note length. release the key.
1/2., 1, 2T, 1., Sets the time-based change of the
2, 4 LFO as it takes effect.
Sets the time it takes before the LFO
Set this to “+” to make the LFO
effect begins after you press a key.
amplitude gradually ramp up to
The larger the value, the longer it maximum. Set this to “-” to make the
takes for the LFO effect to start after Fade Time -50–+50 LFO amplitude gradually ramp down
Delay Time 0–100, REL
you play the keyboard. The setting to zero.
above 100 is “REL”. The “REL” setting
No time-based change occurs
makes the LFO start right after you
when this is set to “0”. The larger
release the key.
the absolute value, the more time
Sets the time-based change of the
required for change.
LFO as it takes effect.
Moves the center value for the
Set this to “+” to make the LFO Offset +, 0, - LFO waveform (the pitch or cutoff
amplitude gradually ramp up to frequency) up or down.
maximum. Sets whether to synchronize the
Set this to “-” to make the LFO start of the LFO cycle with the timing
Fade Time -50–+50 Key Trigger OFF, ON
amplitude gradually ramp down to you use to play the keys (“ON” to
zero. synchronize, “OFF” to disable).
No time-based change occurs
when this is set to “0”. The larger
WG
the absolute value, the more time
required for change. Parameter Value Explanation
Moves the center value for the Waveform WAVEFORM Sets the waveform that sounds.
Offset +, 0, - LFO waveform (the pitch or cutoff Sets the waveform gain (amplitude).
-18dB, -12dB,
frequency) up or down. The value changes in units of 6dB
Wave Gain -6dB, 0dB,
Sets whether to synchronize the (decibels). Raising the value by 6dB
+6dB, +12dB
start of the LFO cycle with the timing increases the gain by a factor of two.
Key Trigger OFF, ON
you use to play the keys (“ON” to Pitch Coarse -48–+48 Shifts the pitch in units of a semitone.
synchronize, “OFF” to disable). Finely adjusts the pitch in units of
Pitch Fine -50–+50
one cent.
Sets the width of change at which the
LFO2
pitch randomly changes with each
Parameter Value Explanation Pitch Random 0–100
key press. To disable this random
TRI, SAW, SQU, change, set this to “0”.
Waveform These buttons set the LFO waveform.
S&H, RND Sets the width of pitch change when
Turn this on to sync the LFO cycle the key is shifted one octave (12
Rate Sync OFF, ON
with the tempo. -100%, -50%, keys) up.
0–100 -20%, -10%,
To make the pitch change over one
1/64T, 1/64, -5%, 0%, +5%,
octave like regular keyboards, set this
1/32T, 1/32, When Rate sync is off, the LFO cycle +10%, +20%,
to “+100”. To make the pitch change
1/16T, 1/32., is set irrespective of the tempo. The Pitch Keyfollow +50%, +98%,
two octaves over the range of one
1/16, 1/8T, larger the value, the shorter the LFO +99%, +100%,
Rate octave, set this to “+200”. Set this to a
1/16., 1/8, 1/4T, cycle. +101%,
negative value to make the pitch go
1/8., 1/4, 1/2T, +102%,
When Rate sync is on, the LFO cycle is down as you play higher notes.
1/4., 1/2, 1T, +150%, +200%
set to a note length.
To play the same pitch no matter
1/2., 1, 2T, 1.,
which key you press, set this to “0”.
2, 4
Sets whether MIDI pitch bend
Bender Sw OFF, ON messages are received (ON) or not
(OFF) for each partial.

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Parameter Value Explanation Parameter Value Explanation

Sets whether MIDI aftertouch bend L0 -50–+50 These knobs set the pitch envelope
messages are received (ON) or not L1 -50–+50 levels. Use these knobs to determine
Aftertouch Bend
OFF, ON (OFF), and whether these messages how much the pitch changes at each
Sw
are used to apply pitch bend for each point in relation to the base pitch.
partial. L2 -50–+50 Use “+” values for pitches higher than
LFO1 Depth -50–+50 Adjusts the intensity at which LFO1/ the base pitch, and use “-” values for
LFO2 Depth -50–+50 LFO2 modulates OSC. pitches lower than the base pitch.
Sets the depth of vibrato that is T1 0–100 These knobs set the pitch envelope
controlled by the modulation lever. T2 0–100 times.
LFO2: 50 When this is set for LFO1, the LFO1 Larger values make the time to reach
Lever Sens –0– waveform is used for vibrato; and the next pitch longer (for example,
T3 0–100
LFO1: 50 when this is set for LFO2, the LFO2 Time 2 sets the time it takes to go
waveform is used for vibrato. from Level 1 to Level 2).
Set this to “0” to turn vibrato off.
This sets the depth of vibrato that is
LFO2: 50 controlled by aftertouch.
TVF
Aftertouch Mod Parameter Value Explanation
–0– Set the value to the maximum vibrato
Sens
LFO1: 50 depth you want when applying These buttons select the TVF filter
maximum aftertouch. type.
HPF: High-pass filter. This cuts
off frequencies below the cutoff
Pitch Env frequency (Cutoff Freq). This filter
Parameter Value Explanation type is useful for creating percussion
Use this to set how much the pitch sounds and the like that have a
envelope changes in response to distinctive high end.
how hard you play the keys. BPF: Band-pass filter. This cuts off
Set this to a “+” value to make the Filter Mode LPF, BPF, HPF frequencies except for those around
Velocity Sens -50–+50
pitch envelope respond more when the cutoff frequency (Cutoff Freq).
you play harder, and set this to a “-” This filter type is useful for making
value to make it respond less when sounds with a unique character.
you play harder. LPF: Low-pass filter. This cuts off
Use this to set how much the Time frequencies above the cutoff
1 (time) value of the pitch envelope frequency (Cutoff Freq). Cutting
changes in response to how hard you off the high frequencies makes the
play the keys. sound more mellow. This is the most
Time Velocity
-50–+50 Set this to a “+” value to make the frequently-used type.
Sens
Time 1 value longer when you play Sets the frequency at which the
harder, and set this to a “-” value to filter applied to the frequency
Cutoff Freq 0–100
make the value shorter when you components of the waveform begins
play harder. to take effect (the cutoff frequency).
Use this to set how much the Time Emphasizes the portion of the sound
2–Time 4 values (pitch envelope around the cutoff frequency, giving
time) change according to the keys Resonance 0–100 character to the tone. Excessively
you play. high settings can produce oscillation,
causing the sound to distort.
When you set this to a “+” value,
Set this to make the cutoff frequency
playing higher notes makes the time
TIme Keyfollow -10–+10 change according to the keys you
shorter (with the pitch envelope time
play.
at C4 or middle C as the base value);
and when you set this to a “-” value, When you set this to a “+” value,
playing higher notes makes the time playing higher notes raises the cutoff
longer. Larger values produce greater Cutoff Keyfollow -100%–150% frequency (with the cutoff frequency
change. of the key you specified by Cutoff
Freq as the base value); and when
you set this to a “-” value, playing
higher notes lowers the cutoff
frequency.

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Parameter Value Explanation TVA

Set this to make the cutoff frequency Parameter Value Explanation
Aftertouch Sens -50–+50 change according to how much Level 0–100 Adjusts the volume of the partial.
aftertouch you use. UP: Changes the volume of the high
Selects whether to apply either LFO1 end from the bias point.
LFO Select LFO1, LFO2
or LFO2 to the cutoff frequency.
LOW: Changes the volume of the low
Sets how much LFO1 and LFO2 affect
LFO Depth -50–+50 Bias Direction UP, LOW, U&L end from the bias point.
the cutoff frequency.
U&L: Symmetrically changes the
This sets the intensity of the TVF
volume of the high and low end,
envelope.
centered around the bias point.
Larger values produce a greater
ENV Depth -50–+50 Sets the base key from which the
change in the filter envelope. Bias Point C-–G9
volume is changed.
Setting this to a negative value Sets the slope of volume change
inverts the envelope’s shape. respective to the bias direction.
Larger values produce greater
Bias Level -10–+10
TVF ENV change.

Parameter Value Explanation The change is inverted when this is

set to a “-” value.
Use this to set how much the TVF
Sets the degree to which the partial
envelope changes in response to
Aftertouch Sens -50–+50 volume changes in response to
how hard you play the keys.
aftertouch.
Set this to a “+” value to make the
Velocity Sens -50–+50 Selects whether to apply either LFO1
filter envelope respond more when LFO Select LFO1, LFO2
or LFO2 to the partial volume.
you play harder, and set this to a “-”
Sets how much LFO1 and LFO2 affect
value to make it respond less when LFO Depth -50–+50
the partial volume.
you play harder.
Use this to set how much the Time
1 (time) value of the TVF envelope TVA ENV
changes in response to how hard you
Parameter Value Explanation
play the keys.
Time Velocity Set this to change the partial volume
-50–+50 Set this to a “+” value to make the
Sens according to how hard you play the
Time 1 value shorter when you play
keys.
harder, and set this to a “-” value to
Velocity Sens -50–+50 Set this to a “+” value to make the
make the value longer when you play
partial louder when you play harder,
harder.
and set this to a “-” value to make the
Use this to set how much the TVF
partial softer when you play harder.
envelope times (Time 2–Time 4)
Use this to set how much the Time
change according to the key you play.
values of the TVA envelope change
When you set this to a “+” value,
in response to how hard you play
playing higher notes makes the time
the keys.
shorter (with the filter envelope time Time Velocity
Time Keyfollow -10–+10 -50–+50 Set this to a “+” value to make the
at C4 or middle C as the base value); Sens
Time 1 value shorter when you play
and when you set this to a “-” value,
harder, and set this to a “-” value to
playing higher notes makes the time
make the value longer when you play
longer.
harder.
Larger values produce greater
Set this to change the TVA envelope
change.
times (Time 2–Time 4) according to
L1 0–100 These knobs set the TVF envelope
the keys you play.
L2 0–100 levels.
When you set this to a “+” value,
Sustain Level 0–100 Use these knobs to determine how
playing higher notes makes the time
much the cutoff frequency changes Time Keyfollow -10–+10 shorter (with the AMP envelope time
L4 0–100 at each point in relation to the base
at C4 or middle C as the base value);
cutoff frequency.
and when you set this to a “-” value,
T1 0–100 Sets the TVF envelope times. playing higher notes makes the time
T2 0–100 Larger values make the time to reach longer. Larger values produce greater
T3 0–100 the next cutoff frequency longer (for change.
example, Time 2 sets the time it takes
T4 0–100
to go from Level 1 to Level 2).

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Parameter Value Explanation Chorus

L1 0–100 This sets the TVA envelope levels. Parameter Value Explanation CC#
L2 0–100 Use these to determine how much Sets the rate of modulation
the volume changes at each point in Chorus Rate 0.1Hz–10.0Hz for the chorus. Higher values
Sustain Level 0–100
relation to the base volume. produce a faster rate.
T1 0–100 This sets the TVA envelope times. Sets the depth of modulation
T2 0–100 Larger values make the time to reach for the chorus. Higher values
Chorus Depth 0–100
T3 0–100 the next volume level longer (for produce a greater modulation
example, Time 2 sets the time it takes depth.
T4 0–100
to go from Level 1 to Level 2). Sets the delay time for the
chorus. This sets the time it
takes from the start of the
EQ Chorus Delay 0.1–50.0 [msec] original sound to when the
Parameter Value Explanation CC# chorus effect begins. Larger
Switch OFF, ON Turns the equalizer on/off. values produce longer delays,
Adjusts the amount of boost/ creating a wider sound.
-24.0dB– Sets the feedback value,
Low Gain cut of the low frequency
+24.0dB meaning how much of the
range.
Adjusts the amount of boost/ chorus output signal is sent
-24.0dB– back to the effect input.
Mid Gain cut of the mid-frequency
+24.0dB Set what percentage of the
range. CH Feedback -98%–98%
Adjusts the amount of boost/ normal phase/reversed phase
-24.0dB– (+/-) of the output signal goes
High Gain cut of the high frequency
+24.0dB back to the input. When this
range.
is set to “0”, no feedback is
Sets the center frequency of
Low Frequency 20–16000 applied.
the low range.
Chorus Level 0–100 Sets the chorus volume. 93
Sets the center frequency of
Mid Frequency 20–16000
the mid-frequency range.
Sets the center frequency of Delay
High Frequency 20–16000
the high range.
Parameter Value Explanation CC#
Sets the width of the mid-
frequency range. Higher Delay Center
Mid Q 0.5–16.0 OFF, ON Turn this on to synchronize the
values make the width more (sync sw)
delay times of the left, center
narrow. Delay Left (sync sw) OFF, ON
and right delay sounds with
Delay Right
OFF, ON the tempo.
(sync sw)
MFX B 0.1–600.0
Delay Center
[msec] When each Sync Sw is off, the
Parameter Value Explanation CC#
0.1–600.0 delay times of the left, center
Selects the order in which the Delay Left
[msec] and right delay sounds can be
effects are connected. set irrespective of tempo.
0.1–600.0
Delay Right
Sequence Sequence CHO: Chorus [msec]
DLY: Delay
REV: Reverb Delay Center
Chorus Switch OFF, ON Turns the chorus on/off. 1/64T, 1/64,
1/32T, 1/32,
Delay Switch OFF, ON Turns the delay on/off.
1/16T, 1/32., When each Sync Sw is on, the
Reverb Switch OFF, ON Turns reverb on/off.
1/16, 1/8T, delay times of the left, center
Delay Left
1/16., 1/8, 1/4T, and right delay sounds can be
Output 1/8., 1/4, 1/2T, set by note length.
1/4., 1/2, 1T,
Parameter Value Explanation CC#
1/2., 1, 2T, 1., 2
Sets the volume balance DL R Note
D100:0W–
Balance between the dry sound (D)
D0:100W
and the effect sound (W).
Center Level 0–100 94
Level 0–127 Sets the volume level. 12 Sets the levels of the left,
Left Level 0–100 92
center and right delay sounds.
Right Level 0–100 95

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Parameter Value Explanation CC# Parameter Value Explanation CC#

Sets the feedback value, Sets the sound level of the
which is how much of the direct reflections from the
center delay output signal is walls and the early reflections
sent back to the effect input. after the original sound is
Set what percentage of the produced. This indicates the
normal phase/reversed phase distance from the sound
(+/-) of the output signal goes source (the original sound)
Delay Feedback -98%–98%
back to the input. When this to the walls. Larger values
is set to “0”, no feedback is indicate a shorter distance to
applied. Reverb ER Lev 0–100 the walls.
When the center delay sound ¹ This parameter is disabled
if the “GATE”, REVERSE”,
is fed back, the delay sounds
or “FLYING1/2” types are
fed back from the left and selected.
right will be input as well.
¹ The early reflection level
and reverb level work
separately. For this reason,
Reverb the early reflection can still
Parameter Value Explanation CC# be heard even when the
Selects the reverb type. Use reverb level is “0”.
this to select the reverberation Sets the frequencies to cut in
characteristics, which are a the high-frequency portion of
result of the hall size, wall the reverberation.
materials and so on. The high-frequency portion
500Hz–16kHz,
ROOM1/2: A reverb that Reverb HF Damp of reverb sounds decays
BYPASS
simulates a room. ROOM2 has differently depending on the
a more reflective and brighter wall material. This parameter
sound than ROOM1. simulates this kind of high-
ROOM1,
frequency decay.
ROOM2, HALL1–4: A reverb that
Sets the reverberation time.
HALL1, HALL2, simulates a concert hall.
Higher values produce longer
Reverb Type HALL3, HALL4, Types 1–4 differ in room size, 0.1–20.0 s (*1)
Reverb Time reverberations. 13
GATE, REVERSE, reflections and so on.
5–500 [ms] (*2) * 1 Reverb Type: ROOM1/2, HALL1–4
FLYING1, GATE: A reverb to which a * 2 Reverb Type: GATE, REVERSE,
FLYING2 gate is applied. This mutes the FLYING1/2

reverberations at a fixed time. Reverb Level 0–100 Sets the reverberation volume. 91

REVERSE: Makes the

reverberations grow louder
and then mute at a fixed time.
FLYING1/2: Pans the
reverberations from left to
right (FLYING1) or right to left
(FLYING2).
This sets the pre-delay time,
meaning the time it takes for
the reverberations to sound
after the original sound is
Reverb Pre Delay 0–120 [msec]
heard.
Larger values give an
impression of being in a larger
room.

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EXM007: n/zyme Model Expansion OSC TYPE

Parameter Value Explanation
GENERAL Waveform Type DRAWING, TABLE Selects the OSC type.

Parameter Value Explanation

Category
0:No Assign–
Tone category OSC TABLE
49:Zone
Sets whether the tones play in Parameter Value Explanation
polyphonic (POLY) or monophonic When Waveform Type is “TABLE”,
(MONO) mode. Position 0–127 this sets the wavetable position for
MONO: Only one sound at a time layers 1 and 2.
Mono/Poly MONO, POLY When Waveform Type is “TABLE”,
plays, and only the last key you
played produces sound. Wave Layer1 this selects the wavetable no. for
OFF, 001–063
Number layer 1. If this is set to “000:OFF”, no
POLY: More than one sound can
waveform is selected.
play at the same time.
When Waveform Type is “TABLE”,
Sets the pitch of the tone’s sound
Octave Shift -3–+3 Wave Layer2 this selects the wavetable no. for
in octaves (up to ±3 octaves). OFF, 001–063
Number layer 2. If this is set to “000:OFF”, no
You can select from one of
waveform is selected.
seven curves, which change the
When Waveform Type is “TABLE”,
intensity of the cutoff frequency, Layer2 Octave
0–2 this sets how much to lower the
filter envelope and tone volume Down
octave for layer 2.
according to how hard you play
When Waveform Type is “TABLE”,
Velocity Curve FIXED, 1–7 the keys.
Layer Mix 0–127 this sets the mix ratio for layer 1
If you don’t want the intensity to and 2.
change according to how hard you
When Waveform Type is “TABLE”,
play the keys, set this to “FIXED”.
Layer Mix Curve 0, 1 this sets the mix curve for layers 1
and 2. 0: linear; 1: tapered
When Waveform Type is “TABLE”,
Select “ON” to apply portamento, Position LFO
-63–+63 this sets how much the LFO affects
or “OFF” if you don’t want to apply Depth
Wavetable Position.
portamento.
* Portamento is a glide effect that When Waveform Type is “TABLE”,
Position Env
Portamento smoothly connects the pitches -63–+63 this sets how much OSC Envelope
OFF, ON of the first and second notes that
Depth
Switch affects Wavetable Position.
you play on the keyboard. When
“MONO/POLY” is set to “MONO” When Waveform Type is “TABLE”,
Position Velocity
and portamento is applied, you -100–+100 this sets how much the key
can obtain slide effects like the Sens
velocity affects Wavetable Position.
sound of playing a violin.
When Waveform Type is “TABLE”,
This sets the playing style for Position Random this sets the degree of randomness
applying portamento. 0–63
Sens of the Wavetable Position when
NORMAL: Portamento is always you press a key.
applied. When Waveform Type is “TABLE”,
Portamento Layer Mix LFO
NORMAL, LEGATO LEGATO: Portamento is only -63–+63 this sets the intensity (depth) of
Mode Depth
applied when you play in legato the LFO applied to Layer Mix.
style (playing one key and then When Waveform Type is “TABLE”,
playing the next while holding Layer Mix Env this sets the intensity (depth) of
-63–+63
down the first one). Depth the OSC Envelope applied to Layer
This sets the curve used by the Mix.
portamento effect to change the When Waveform Type is “TABLE”,
Layer Mix
pitch. -100–+100 this sets the depth of the mix for
Portamento Velocity Sens
LINEAR, EXP LINEAR: A linear curve of change Layer Mix when you press a key.
Curve Type When Waveform Type is “TABLE”,
is applied. Layer Mix
0–63 this sets the degree of randomness
EXP: A non-linear curve of change Random Sens
for Layer Mix when you press a key.
is applied.
When portamento is used, this
sets the time taken for the pitch to
Portamento Time 0–1023 change. Higher settings cause the
pitch to take longer when gliding
to the next note.

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OSC DRAWING Parameter Value Explanation

Sets the shape used by the shape
Parameter Value Explanation
P-MOD Shape OFF, 1–31 function. The function is disabled
When Waveform Type is
when “OFF” is selected.
Morph Rough 0–127 “DRAWING”, this sets how rough
P-MOD Size 1–127 Sets the size of the shape.
the sound quality is.
Sets how fast the indicator moves
When Waveform Type is
along the shape when the P-MOD
Wave Data 1-32 -72–+72 “DRAWING”, this sets the Wave
Tempo Sync switch is “ON”.
Data 1–32 waveform data.
P-MOD Speed 1/16–x16 This sets the multiple of time
When Waveform Type is
“DRAWING”, this morphs between (times four measures) that it takes
Drawing Tool for the indicator to trace the shape
0–127 the waveforms as follows: Sine
Form 1 (*1) once.
(0)–Triangle (42)–Saw (84)–Square
(127). Sets how fast the indicator moves
When Waveform Type is P-MOD Rate 0–1023 along the shape when the P-MOD
Drawing Tool “DRAWING”, this morphs between Tempo Sync switch is “OFF”.
0–127 Sets whether to synchronize the
Form 2 (*1) a sine wave (0) and a metallic
sound (127). P-MOD Tempo speed that the indicator moves
OFF, ON
When Waveform Type is Sync Sw around the shape with the scene’s
Drawing Tool “DRAWING”, this narrows the width tempo.
0–127 Sets the direction that the
Sync (*1) of the waveform that’s currently P-MOD Direction BWD, FWD
set, and repeats it. indicator moves around the shape.
When Waveform Type is
Drawing Tool “DRAWING”, this narrows the width
Width (*1)
0–127
of the waveform that’s currently S-MOD
set. Parameter Value Explanation
When Waveform Type is
S-MOD Shaping
“DRAWING”, this deforms the 0–127 Sets the shaping depth intensity.
Drawing Tool AM Depth
0–127 currently set waveform by
Depth (*1) S-MOD Drive 0–127 Sets the amount of Drive.
applying a comb filter to thin out
S-MOD LFO When the LFO is applied to
the data. -63–+63
Depth Shaping Depth, this sets the depth.
When Waveform Type is
S-MOD Env When OSC Envelope is applied to
Drawing Tool “DRAWING”, this applies the -63–+63
- Depth Shaping Depth, this sets the depth.
Exec (*1) changes you made using the
S-MOD Shaping Sets how much Shaping Depth
Drawing Tool to the waveform.
Depth Velocity -100–+100 changes according to how hard
(*1) This is only shown on the ZOOM EDIT screen.
Sens you play the keys.
Set this to change the Drive
P-MOD S-MOD Drive
-100–+100 according to how hard you play
Velocity Sens
Parameter Value Explanation the keys.
S-MOD Shaping Sets the degree of randomness
P-MOD-X -63–+63 Sets the depth of the X direction.
Depth Random 0–63 for the Shaping Depth when you
P-MOD-Y -63–+63 Sets the depth of the Y direction.
Sens press a key.
P-MOD LFO When the LFO is applied in the Y
-63–+63 S-MOD Drive Sets the degree of randomness for
Depth direction, this sets the depth. 0–63
Random Sens the Drive when you press a key.
When the OSC Envelope is applied
P-MOD Env S-MOD Table
-63–+63 in the X direction, this sets the 1–15 Selects the table.
Depth Number
depth.
Sets the shape used by the shape
Sets the degree of randomness
P-MOD-X S-MOD Shape OFF, 1–31 function. The function is disabled
0–63 in the X direction when you press
Random Sens when “OFF” is selected.
a key.
S-MOD Size 1–127 Sets the size of the shape.
Sets the degree of randomness
P-MOD-Y Sets how fast the indicator moves
0–63 in the Y direction when you press
Random Sens along the shape when the S-MOD
a key.
Tempo Sync switch is “ON”.
Sets how much the X direction
P-MOD-X S-MOD Speed 1/16–x16 This sets the multiple of time
-100–+100 changes according to how hard
Velocity Sens (times four measures) that it takes
you play the keys.
Sets how much the Y direction for the indicator to trace the shape
P-MOD-Y once.
-100–+100 changes according to how hard
Velocity Sens Sets how fast the indicator moves
you play the keys.
Restricts the depth of the X S-MOD Rate 0–1023 along the shape when the S-MOD
P-MOD Limiter OFF, ON Tempo Sync switch is “OFF”.
direction.
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Parameter Value Explanation Parameter Value Explanation

Sets whether to synchronize the Chromatic, Major,
S-MOD Tempo speed that the indicator moves Major Pentatonic,
OFF, ON
Sync Sw around the shape with the scene’s Minor,
tempo. Harmonic Minor,
Sets the direction that the Melodic Minor,
S-MOD Direction BWD, FWD
indicator moves around the shape. Whole Tone, Blue
Scale Table note, Japanese Sets the Scale Table.
Minor, Ryukyu,
STEP COMMON Bari, Spanish,
Gypsy, C, C G, C
Parameter Value Explanation
Eb G, C Eb G Bb, C
Step Size 1–16 Sets the step size for looping. D Eb G Bb, C D Eb
When using Step to trigger the F G Bb
Envelope Trigger OFF, ON OSC, Filter or Amp Envelope, set Sets the depth of the Pitch, Phase
this to “ON”. OSC Step Depth Modulation, Shaping Modulation
1/64T, 1/64, -72–+72
1–16 and Wavetable Position for each
1/32T, 1/32, step.
1/16T, 1/32., 1/16, Sets the length per step as a note Sets the curve of the Pitch, Phase
Rate (note) 1/8T, 1/16., 1/8, length.
OSC Step Curve Modulation, Shaping Modulation
1/4T, 1/8., 1/4, 0–36
1–16 and Wavetable Position for each
1/2T, 1/4., 1/2, 1T, step.
1/2., 1, 2T, 1., 2, 4

STEP MOD2
STEP MOD1
Parameter Value Explanation
Parameter Value Explanation
To control the depth of Filter-Amp
Step Mod Pitch When using OSC Step Depth to Step Mod Filter
OFF, ON OFF, ON Step Depth when it is used to
Switch operate the pitch, set this to “ON”. Switch
control the Filter, set this to “ON”.
When using OSC Step Depth to To control the depth of Filter-Amp
Step Mod P-MOD Step Mod Amp
OFF, ON operate Phase Modulation Y, set OFF, ON Step Depth when it is used to
Switch Switch
this to “ON”. control the Amp, set this to “ON”.
When using OSC Step Depth to Step Mod Filter
Step Mod S-MOD -100–+100 Sets the depth of the Filter.
OFF, ON operate Shaping Modulation and Depth
Switch
Shaping Depth, set this to “ON”. Filter-Amp Step Sets the depth of Filter and Amp
When using OSC Step Depth to -72–+72
Depth 1–16 for each step.
operate Wavetable Position, set Filter-Amp Step Sets the curve of Filter and Amp for
Step Mod this to “ON”. 0–36
OFF, ON Curve 1–16 each step.
Position Switch * This works for tones for which
the Waveform Type is set to
“Wavetable OSC”.
Sets the depth of the Phase STEP SW
Step Mod P-MOD Modulation Y direction.
-63–+63 Parameter Value Explanation
Depth * This is enabled when Step Mod
P-MOD Switch is “ON”. Sets whether each step plays or
Step Switch 1–16 OFF, ON
Sets the depth of the Shaping not (on/off).
Step Mod S-MOD Modulation and Shaping Depth.
-63–+63
Depth * This is enabled when Step Mod
S-MOD Switch is “ON”.
STEP KICK
Sets the intensity of the Wavetable
Step Mod Position movement. Parameter Value Explanation
-63–+63
Position Depth * This is enabled when Step Mod When this is “ON” for a given step, a
Position Switch is “ON”.
downward-sloping pitch envelope
To make the pitch set in Scale Step Kick Switch is applied to the step to create a
OFF, ON
Depth follow the notes that 1–16 kick (bass drum)-like effect.
make up the Scale Table that you * This is enabled when Step Mod
Scale Switch OFF, ON selected in “Scale Table”, set this Pitch Switch is “ON”.
to “ON”.
* This is enabled when Step Mod
Pitch Switch is “ON”.

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CTRL ENV Parameter Value Explanation

Parameter Value Explanation Specifies the cutoff frequency of

HPF Cutoff 0–1023 the -6dB high-pass filter.
CTRL Env Attack Sets the CTRL Envelope attack * This works when Filter Type is
0–1023
Time time. “VCF”.
CTRL Env Decay Sets the CTRL Envelope decay Sets the frequency at which
0–1023
Time time. the filter that is applied to the
frequency components of the
waveform begins to take effect
FILTER (the cutoff frequency).

Parameter Value Explanation When TVF Filter Type is set to “LPF”

or “VCF”, a lower cutoff frequency
Selects the filter type.
* TVF stands for “Time Variant produces less higher overtones,
Filter”. This is a filter that you can which results in a more mellow
configure in detail to create time-
sound. Larger values make the
Filter Type TVF, VCF based changes to the frequency
of the sound. sound brighter.
When VCF is selected, the When Filter Type is set to “BPF”, the
polyphony of the instrument is
less than when TVF is selected. harmonic components that sound
Cutoff Frequency 0–1023
change depending on the cutoff
Selects the TVF filter type.
* When “VCF” is selected for Filter frequency value. This filter type is
Type, this is “LPF”. useful for making sounds with a
unique character.
LPF
Low-pass-filter. This cuts off When Filter Type is set to “HPF”,
frequencies above the cutoff a higher cutoff frequency
frequency. Cutting off the high produces less lower overtones,
frequencies makes the sound which emphasizes the sound’s
more mellow. This is the most brightness.
frequently-used type. When Filter Type is set to “PKG”, the
BPF harmonic components that are
Band-pass filter. This cuts off emphasized change depending on
frequencies except for those the cutoff frequency value.
around the cutoff frequency. This Emphasizes the portion of
TVF Filter Type LPF, BPF, HPF, PKG filter type is useful for making the sound around the cutoff
sounds with a unique character. frequency, adding character to the
HPF sound. Excessively high settings
High-pass filter. This cuts off can produce oscillation, causing
frequencies below the cutoff the sound to distort.
Resonance 0–1023 LPF BPF HPF PKG
frequency. This filter type is useful High
Level

for creating percussion sounds Frequency

Cutoff Frequency

and the like that have a distinctive

parameter value

high end.
PKG
Peaking filter. This emphasizes Low

frequencies around the cutoff

Set this to change the cutoff
frequency. You can use the LFO to
frequency according to how
cyclically vary the cutoff frequency,
hard you play the keys. Set this
creating a wah effect.
Cutoff Velocity to a “+” value to increase the
This works when Filter Type is -100–+100
Sens cutoff frequency when you play
“VCF”.
harder, and set this to a “-” value
All of these settings simulate to decrease the cutoff frequency
how the LPF works on an analog when you play harder.
VCF Type VCF1, JP, MG, P5
synthesizer. In particular, the MG, Sets how much the resonance
JP and P5 types are suitable for depth changes in response to how
recreating the synthesizer sounds hard you play the keys. Set this to
of the past. Resonance a “+” value to make the resonance
-100–+100
Selects the filter slope. Velocity Sens increase when you play harder,
* When this is set to -24dB, the
Filter Slope -12, -24 [dB/Oct] and set this to a “-” value to make
polyphony of the instrument is
less than when -12dB is selected. the resonance decrease when you
play harder.

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Parameter Value Explanation Parameter Value Explanation

This sets the intensity of the Filter Sets how much the attack time
envelope. Larger values produce of the Filter envelope changes in
Filter Env Depth -63–+63 a greater change in the filter response to how hard you play
envelope. Setting this to a negative Filter Env Attack the keys.
value inverts the envelope’s shape. Time Velocity -100–+100 Set this to a “+” value for a faster
Use this to set how much the Filter Sens attack time when you play the keys
envelope changes in response to harder, and set this to a “-” value for
how hard you play the keys. Set a slower attack time when you play
Filter Env this to a “+” value to make the filter the keys harder.
-100–+100
Velocity Sens envelope respond more when you Sets how much the release time
play harder, and set this to a “-” of the Filter envelope changes
value to make it respond less when in response to how quickly you
you play harder. release the keys.
Filter Env Release
Set this to make the cutoff Time Velocity -100–+100 Set this to a “+” value for a faster
frequency change according to the Sens release time when you release
keys you play.
the keys quickly, and set this to a
When you set this to a “+” value, “-” value for a slower release time
playing higher notes raises the when you release the keys quickly.
cutoff frequency (with the cutoff
frequency as the base value); and
when you set this to a “-” value, AMP
playing higher notes lowers the
cutoff frequency. Parameter Value Explanation
Cutoff Keyfollow -200–+200
Larger values produce greater Adjusts the overall volume for all
Amp Level 0–127
change. tones.
Cutoff frequency Set this to change the volume
(Octave)

+200
according to how hard you play
+100

+2 the keys.
+50
+1
Amp Level Set this to a “+” value to make the
o 0 -100–+100
-1
Velocity Sens volume bigger when you play
-50
-2 harder, and set this to a “-” value
-200
-200 -100
C1 C2 C3 C4 C5 C6 C7 Key
to make the volume smaller when
you play harder.

FILTER ENV AMP ENV

Parameter Value Explanation Parameter Value Explanation
Specifies the attack time of the Specifies the attack time of the
Filter envelope. Amp envelope.
Filter Env Attack Amp Env Attack
0–1023 Higher settings lengthen the time 0–1023 Higher settings make the pitch
Time Time
it takes to reach the next cutoff take longer when gliding to the
frequency. next volume.
Specifies the decay time of the Specifies the decay time of the
Filter envelope. Amp envelope.
Filter Env Decay Amp Env Decay
0–1023 Higher settings lengthen the time 0–1023 Higher settings make the pitch
Time Time
it takes to reach the next cutoff take longer when gliding to the
frequency. next volume.
Filter Env Sustain Specifies the sustain level of the Amp Env Sustain Specifies the sustain level of the
0–1023 0–1023
Level Filter envelope. Level Amp envelope.
Specifies the release time of the Specifies the release time of the
Filter envelope. envelope.
Filter Env Release Amp Env Release
0–1023 Higher settings lengthen the time 0–1023 Higher settings make the pitch
Time Time
it takes to reach the next cutoff take longer when gliding to the
frequency. next volume.

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Parameter Value Explanation Parameter Value Explanation

Sets how much the attack time Sets the depth of the LFO when it
LFO Filter Depth -100–+100
of the Amp envelope changes in is applied to the cutoff frequency.
response to how hard you play Sets the depth of the LFO when it
LFO Amp Depth -100–+100
Amp Env Attack the keys. is applied to the volume.
Time Velocity -100–+100 Set this to a “+” value for a faster
Sens attack time when you play the keys
harder, and set this to a “-” value for BEND / MOD
a slower attack time when you play
Parameter Value Explanation
the keys harder.
Sets the amount of change (in
Sets how much the release time
semitones) made when the pitch
of the Amp envelope changes
bend lever is set to maximum.
in response to how quickly you
Bend Range Up 0–48 For example, when this is set to
Amp Env Release release the keys.
“48” and you push the pitch bend
Time Velocity -100–+100 Set this to a “+” value for a faster
lever all the way up or to the right,
Sens release time when you release
the pitch goes up four octaves.
the keys quickly, and set this to a
Sets the amount of change (in
“-” value for a slower release time
semitones) made when the pitch
when you release the keys quickly.
bend is set to minimum.
Bend Range
0–48 For example, if you set this to “48”
Down
LFO and push the pitch bend lever all
the way down or to the left, the
Parameter Value Explanation pitch goes down four octaves.
Sets the LFO waveform. PIT-LFO,
SINE: sine wave FILTER-LFO,
TRI: triangle wave AMP-LFO,
SIN, TRI, SAW-UP,
SAW-UP: sawtooth wave P-MOD,
LFO Waveform SAW-DW, SQR,
Selects what the modulation
RND SAW-DOWN: sawtooth wave Mod Destination S-MOD,
applies to.
(negative polarity)
P&S-MOD,
SQR: square wave
WT-POS,
RND: random wave
MIX/ROUGH,
Turn this “ON” to sync the LFO
LFO Rate Sync OFF, ON WT-POS&MIX
cycle with the tempo.
Sets the depth of modulation
1/64T, 1/64, Mod Pitch LFO
-63–+63 when it is used to control the Pitch
1/32T, 1/32, Depth
LFO Depth.
1/16T, 1/32., 1/16,
This works when Rate Sync is “ON”. Sets the depth of modulation
LFO Rate (note) 1/8T, 1/16., 1/8, Mod Filter LFO
Sets the LFO cycle as a note length. -63–+63 when it is used to control the Filter
1/4T, 1/8., 1/4, Depth
LFO Depth.
1/2T, 1/4., 1/2, 1T,
Sets the depth of modulation
1/2., 1, 2T, 1., 2, 4 Mod Amp LFO
-63–+63 when it is used to control the Amp
This works when Rate Sync is “OFF”. Depth
LFO Depth.
Sets the LFO cycle irrespective of
LFO Rate 0–1023 Sets the depth of modulation
the tempo. The larger the value, Mod P-MOD
-63–+63 when it is used to control Phase
the shorter the LFO cycle. Depth
Modulation X, Y.
Sets the time it takes before the
Sets the depth of modulation
LFO effect begins after you press
Mod S-MOD when it is used to control the
LFO Delay Time 0–1023 a key. -63–+63
Depth Shaping Modulation, Shaping
(Delay and Fade Time works in Depth and Drive.
tandem with this.) Sets the depth of modulation
Sets whether to synchronize the when it is used to control the
start of the LFO cycle with the Mod P&S-MOD
-63–+63 Phase Modulation X, Y, the Shaping
LFO Key Trigger OFF, ON timing you use to play the keys Depth
Modulation, Shaping Depth and
(“ON” to synchronize, “OFF” to Drive.
disable).
Sets the depth of the LFO when it
LFO Pitch Depth -63–+63
is applied to the pitch.

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Parameter Value Explanation Parameter Value Explanation

Sets the depth of modulation Sets the width of the mid-
when it is used to control frequency range.
Mod WT Pos Mid Q 0.5–16.0 (0.1step)
-63–+63 Wavetable Position. Higher values make the width
Depth * Wavetable Position works for
tones for which the Waveform more narrow.
Type is set to “TABLE”.
Sets the depth of modulation
MEMO
when it is used to control Layer For the EQ, the values that were set are applied when a note sounds.
Mix and Morph Rough.
Mod Mix/Rough * Layer Mix works for tones for MFX
-63–+63 which the Waveform Type is set to
Depth “TABLE”. Parameter Value Explanation
* Morph Rough works for tones for
which the Waveform Type is set to
MFX Switch OFF, ON Switches the MFX on/off.
“DRAWING”. MFX Type Selects the MFX type.
Sets the depth of modulation Sets the amount of chorus.
when it is used to control the Chorus Send 0–127 If you don’t want to add the chorus
Mod WT Pos&Mix Wavetable Position and Layer Mix.
-63–+63 effect, set it to 0.
Depth * Wavetable Position and Layer
Sets the amount of reverb.
Mix work for tones for which the
Waveform Type is set to “TABLE”. Reverb Send 0–127 If you don’t want to add the reverb
effect, set it to 0.
Edit the parameters for the selected MFX. The available
SPREAD MFX parameters parameters differ depending on the type of the effects
you selected in MFX Type.
Parameter Value Explanation
Spread Switch OFF, ON Turns the spread on/off.
Spread Depth 0–20 Sets the depth of the spread. MFX CTRL
To synchronize the Delay Time of
Spread Timing Parameter Value Explanation
OFF, ON the delay with the tempo, set this
Tempo Sync
to “ON”. Specifies the MIDI message that will control the
1/64T, 1/64, corresponding MFX CONTROL parameter.
1/32T, 1/32, OFF MFX will not be used.
1/16T, 1/32., 1/16, This works when Spread Timing CC01–31 Controller number 1–31
Control 1–4
Delay Time (note) 1/8T, 1/16., 1/8, Tempo Sync is set to “ON”. Set the CC33–95 Controller number 33–95
Source
1/4T, 1/8., 1/4, Delay Time to a note length. BEND Pitch Bend
1/2T, 1/4., 1/2, 1T, AFT Aftertouch
1/2., 1, 2T, 1., 2 Use the controller that is assigned
SYS-CTRL1–4
Sets the time it takes to hear the by the System Control Source 1–4.
Delay Time 0–1023
delay sound after you press a key. Specifies which of the multi-effect
parameters are controlled using
MEMO Control 1–4 MFX CONTROL. The multi-effects
When Spread is “ON”, the polyphony of the instrument is reduced. Destination parameters available for control
will depend on the multi-effects
EQ type.
Specifies the depth of MFX
Parameter Value Explanation
CONTROL.
Turns the equalizer on/off for the
EQ Switch OFF, ON Specify a positive “+” value if you
tone.
want to change the value of the
Adjusts the amount of boost/cut of
Low Gain -24.0–+24.0 [dB] assigned destination in a positive
the low-frequency range.
direction (larger, toward the right,
Adjusts the amount of boost/cut of Control 1–4 Sens -63–+63
Mid Gain -24.0–+24.0 [dB] faster, etc.), or specify a negative
the mid-frequency range.
value “-” if you want to change
Adjusts the amount of boost/cut of
High Gain -24.0–+24.0 [dB] the value in a negative direction
the high-frequency range.
(smaller, toward the left, slower,
Sets the center frequency of the
Low Freq 20–16000 [Hz] etc.). Larger values will allow a
low range.
greater amount of control.
Sets the center frequency of the
Mid Freq 20–16000 [Hz]
mid range.
Sets the center frequency of the
High Freq 20–16000 [Hz]
high range.

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 Roland Cloud user’s guide - ACB001: JUPITER-8 ACB Expansion

ACB001: JUPITER-8 ACB Expansion VCO-1

Parameter Value Explanation
TONE COMMON Modifies the VCO-1 frequency
according to the VCO-2 waveform.
Parameter Value Explanation
Moving the slider upward makes
Category 00–49 Selects the tone category. CROSS MOD 0–255
OSC 1 become a more complex
sound, allowing you to create
metallic sounds or sound effects.
LFO Specifies the octave of the
RANGE 64, 32, 16, 8, 4, 2
oscillator.
Parameter Value Explanation
Selects the waveform that is the
RATE 0–255 Determines the speed of the LFO.
basis of the sound.
Specifies the time from when
SAW (Saw wave)
DELAY TIME 0–255 the key is pressed until the LFO’s
amplitude reaches the maximum. WAVE SAW, PWM, TRI, PWM (Asymmetrical pulse wave)
SIN (Sine wave) FORM SIN, SQR, NOISE TRI (Triangle wave)

SIN, TRI, SAW, TRI (Triangle wave) SIN (Sine wave)

WAVE FORM SQR, RANDOM1, SAW (Saw wave) SQR (Square wave)
RANDOM2 SQR (Square wave) NOISE
RANDOM (1/2) (Random wave)
Specifies whether the LFO cycle
starts at the moment you press the
VCO-2
KEY TRIG switch OFF, ON
key (ON) or is not synchronized Parameter Value Explanation
with the key-press (OFF).
If LOW FREQ is on, VCO-2 operates
If this is ON, the envelope starts
as an LFO.
TRIG ENV switch OFF, ON repeatedly at intervals of the LFO
NORMAL/LOW NORMAL, LOW In this case, SUB RANGE varies the
cycle.
FREQ switch FREQ pitch (frequency), so the pitch will
be the same regardless of which
key you play.
VCO MODULATOR
This is oscillator sync. It generates
Parameter Value Explanation a complex waveform by forcibly
Adjusts the depth by which LFO SYNC switch OFF, ON resetting VCO-2 to the beginning
LFO MOD -128–127
modulate the VCO. of its cycle in synchronization with
Adjusts the depth by which ENV-1 the VCO-1 frequency.
ENV MOD -128–127
modulate the VCO. Specifies the octave of the
RANGE 64, 32, 16, 8, 4, 2
Selects the VCO (1, 2) that is oscillator.
modulated by LFO MOD/ENV Adjusts the VCO-2 pitch in
MODULATOR VCO-1, BOTH, SUB RANGE -36–36
MOD. semitone units.
DEST VCO-2
If you select BOTH, both VCOs are FINE TUNE -128–127 Finely adjusts the VCO-2 pitch.
modulated. Selects the waveform that is the
When the switch is “MAN” basis of the sound.
(MANUAL): SAW (Saw wave)
Adjusts the value of the pulse WAVE SAW, PWM, TRI, PWM (Asymmetrical pulse wave)
PULSE WIDTH 0–255 width. FORM SIN, SQR, NOISE TRI (Triangle wave)
When the switch is “LFO”, “E1+”, SIN (Sine wave)
“E1-”, “E2+”, “E2-”:
SQR (Square wave)
Adjusts the modulation depth.
NOISE
Select the source that controls the
pulse width of the square wave.
MAN: PULSE WIDTH value VCO-1/VCO-2
VCO PWM MAN, LFO, E1+, LFO: LFO
Parameter Value Explanation
SOURCE E1-, E2+, E2- E1+: ENV-1
LEVEL (VCO-1) 0–255 Adjusts the VCO-1 volume.
E1-: ENV-1 (inverse characteristic)
LEVEL (VCO-2) 0–255 Adjusts the VCO-2 volume.
E2+: ENV-2
E2-: ENV-2 (inverse characteristic)

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Roland Cloud user’s guide - ACB001: JUPITER-8 ACB Expansion

HPF ENV-1/ENV-2
Parameter Value Explanation
Specifies the cutoff frequency of
the high-pass filter. Frequency
CUTOFF FREQ 0–255
components below the cutoff
frequency are cut.

Parameter Value Explanation

VCF A 0–255 Attack time
Parameter Value Explanation D 0–255 Decay time
Specifies the cutoff frequency S 0–255 Sustain level
of the low-pass filter. Frequency R 0–255 Release time
CUTOFF FREQ 0–255
components above the cutoff If key follow is on, ADR becomes
frequency are cut. longer as you play lower notes, and
Resonance boosts the sound in ADR becomes shorter as you play
KEY FLW OFF, ON
the region of the filter’s cutoff higher notes. This is appropriate
frequency. when simulating the sound of
RES 0–255
Higher settings produce stronger decay-type instruments.
emphasis, creating a distinctively
“synthesizer-like” sound.
-24dB, -18dB, Selects the slope (steepness) of the EFFECT
SLOPE
-12dB low-pass filter.
Parameter Value Explanation
Adjusts the sensitivity with which
OVERDRIVE,
VEL SENS 0–255 the filter envelope is affected by
DISTORTION,
your keyboard dynamics.
EFFECT TYPE METAL, FUZZ, Selects the effect type.
Adjusts the depth to which the
CRUSHER,
ENV MOD -128–127 cutoff frequency is controlled by
PHASER
the ENV (envelope).
Specifies the character of the
ENV MOD Selects the envelope that is used TONE 0–255
ENV-1, ENV-2 effect.
SOURCE for control.
DEPTH 0–255 Specifies the depth of the effect.
Uses the LFO to vary the cutoff
LFO MOD -128–127
frequency.
Adjusts the way in which the
TEMPO
pitch of the note affects the cutoff
frequency (key follow) when Parameter Value Explanation
using the keyboard to control The modulation speed (RATE) of
KEY FLW -128–127
cutoff frequency. Moving the the LFO section is synchronized to
slider downward causes the cutoff the tempo.
TEMPO SYNC OFF, ON
frequency to fall as you play higher
Synchronization tempo range:
on the keyboard.
40–300

VCA
KEY
Parameter Value Explanation
Parameter Value Explanation
LEVEL 0–255 Adjusts the volume of the patch.
MONO Plays monophonically.
Allows the LFO to modulate the
LFO MOD -128–127 UNI Plays all sounds in unison.
VCA volume (producing tremolo). ASSIGN MODE
POLY-1
TONE -128–127 Adjusts the tonal character. Plays polyphonically.
Adjusts the sensitivity with which POLY-2
VEL SENS 0–255 the volume is affected by your These buttons let you shift the
keyboard dynamics. OCTAVE -3–3 pitch range of the keyboard in
one-octave units.

38
 Roland Cloud user’s guide - ACB001: JUPITER-8 ACB Expansion

COMMON Parameter Value Explanation

Parameter Value Explanation Simulates the calibration trimmer

on the motherboard.
Tunes the entire unit. The
MASTER TUNE 430.0–450.0 displayed value is the frequency of Raising the value creates more
the A4 key (middle A). differences in calibration between
Adjusts the time over which pitch the voices, adding a unique kind of
PORTAMENTO OFF, 1–255 change occurs when portamento (CIRCUIT MOD) 0–255 unevenness or expressiveness to
is applied. the sound.

1: The pitch changes within the The state of the calibration starting
time specified in PORTAMENTO, point (0) controlled by the trimmer
regardless of the distance differs with the [CONDITION] knob
between the keys you press. settings.
TYPE 1, 2
2: The pitch changes at the speed
255 (large degree of unevenness)
specified in PORTAMENTO,
regardless of the distance
+127 (large degree of
between the keys you press. degradation)

Applies portamento only when 0

-128 (small degree of
you play legato (i.e., when you degradation)
LEGATO OFF, ON
press the next key before releasing CONDITION CIRCUIT MOD
the previous key). (degradation over time) (calibration using the trimmer)
Specifies the amount of pitch bend
BEND RANGE 1–24
range.
Specifies a multiplier for the BEND
BEND GAIN x1–x4 RANGE, extending the range of
change.
Specifies the amount of the pitch
BEND SENS VCO 0–255 change produced by pitch bend
operations.
Specifies the amount of the filter
BEND SENS VCF 0–255 change produced by pitch bend
operations.
Specifies the amount of the pitch
MOD SENS VCO 0–255 change produced by modulation
operations.
Specifies the amount of the filter
MOD SENS VCF 0–255 change produced by modulation
operations.

CONDITION/CIRCUIT MOD (Circuit Modification)

Parameter Value Explanation
This simulates the slight
degradation of the analog sound
generator circuit over the passage
of several decades, which might
occur on the original model.
With this condition as the zero
point, you can increase the value
CONDITION -128–127
to simulate even more degradation
for a warmer, more imprecise
sound that’s characteristic of
analog circuitry; or you can
decrease the value to simulate
a more ideal sound with less
degradation over time.

39
Roland Cloud user’s guide - ACB002: SH-101 ACB Expansion

ACB002: SH-101 ACB Expansion VCF

Parameter Value Explanation
TONE COMMON Specifies the cutoff frequency of
FREQ 0–255
the low-pass filter.
Parameter Value Explanation
Resonance boosts the sound in
Category 00–49 Selects the tone category. RES 0–255 the region of the filter’s cutoff
frequency.
Specifies the direction and amount
LFO ENV -128–127
by which the envelope changes.
Parameter Value Explanation Allows the filter cutoff frequency
KEYBD -128–127 to vary according to the key that
SIN (Sine wave)
you play.
TRI (Triangle wave)
ADSR 0–255 Specify the envelope.
SIN, TRI, SAW,
SAW (Saw wave)
WAVE FORM SQR, RANDOM,
SQR (Square wave)
NOISE
RANDOM (Random wave) VCA
NOISE (Noise) Parameter Value Explanation
Allows to modulate the pitch, Adjusts the brightness of the
VCO -128–127 TONE -128–127
producing a vibrato effect. sound.
Allows to modulate the VCF
VCF -128–127 Adjusts the overall volume of the
CUTOFF. VOLUME 0–255
SH-101.
Determines the speed of the
RATE 0–255 Specifies what triggers the
modulation.
envelope.
GATE+TRIG: The envelope is
VCO triggered each time you press a
key.
Parameter Value Explanation GATE+TRIG, GATE, LFO: If you hold down a key, the
ENV TRIG
Specifies the octave of the LFO envelope is triggered repeatedly at
RANGE 64, 32, 16, 8, 4, 2
oscillator. each cycle of the modulator.
Adjusts the modulation depth
GATE: The envelope is triggered
when MOD is set to A. ENV, F. ENV,
when you newly press a key. The
PULSE WIDTH 0–255 or LFO.
envelope is not triggered when
Adjusts the pulse width when you play legato.
MOD is set to MAN. ENV: The sound follows the
Selects the source that modulates envelope specified by the ADSR
the pulse width of the pulse wave. settings.
VCA MODE ENV, GATE
A.ENV, F.ENV, LFO, A. ENV: VCA envelope GATE: The sound has a fixed
MOD
MAN F. ENV: VCF envelope volume as long as you hold down
the key.
LFO: Modulator
ADSR 0–255 Specify the envelope.
MAN: No modulation

SOURCE MIXER EFFECT

Parameter Value Explanation
Parameter Value Explanation
Modifies the tonal character by
SQR LEVEL 0–255 Square wave CRUSHER 0–255
distorting the waveform.
SAW LEVEL 0–255 Saw wave
SUB OSC LEVEL 0–255 One or two octaves below
Selects the type of the sub TEMPO
oscillator.
1OCT DOWN, Parameter Value Explanation
1 OCT DOWN: One octave below
OSC TYPE 2OCT DOWN, The modulation speed (RATE)
2 OCT DOWN: Two octave below of the MODULATOR section is
2OCT DOWN
2 OCT DOWN: Two octave below TEMPO SYNC OFF, ON synchronized to the tempo.
(narrow width) Synchronization tempo range:
NOISE LEVEL 0–255 Noise 40–300

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 Roland Cloud user’s guide - ACB002: SH-101 ACB Expansion

KEY Parameter Value Explanation

Parameter Value Explanation Simulates the calibration trimmer

on the motherboard.
Let you shift the pitch range of the
OCTAVE -3–3 Raising the value creates more
keyboard in one-octave units.
differences in calibration between
the voices, adding a unique kind of
COMMON CIRCUIT MOD 0–255 unevenness or expressiveness to
the sound.
Parameter Value Explanation
The state of the calibration starting
Tunes the entire unit. The point (0) controlled by the trimmer
MASTER TUNE 430–450 displayed value is the frequency of differs with the [CONDITION] knob
the A4 key (middle A). settings.
PORTAMENTO Adjusts the time over which the
OFF, 1-255
TIME pitch change occurs. 255 (large degree of unevenness)
OFF: Portamento is not applied.
AUTO: Portamento is applied only +127 (large degree of
PORTAMENTO degradation)
OFF, AUTO, ON when you play legato.
MODE 0
-128 (small degree of
ON: Portamento is applied at all
degradation)
times.
CONDITION CIRCUIT MOD
Specifies the amount of pitch (degradation over time) (calibration using the trimmer)
BEND RANGE 1–24 change that occurs when pitch
bend messages are received.

CONDITION/CIRCUIT MOD
Parameter Value Explanation
This recreates the slight
degradation of the analog sound
generator circuit on the original
SH-101 model after the passage of
several decades.
With this condition as the zero
point, you can increase the value
CONDITION -128–127
to simulate even more degradation
for a warmer, more imprecise
sound that’s characteristic of
analog circuitry; or you can
decrease the value to simulate
a more ideal sound with less
degradation over time.

41
Roland Cloud user’s guide - ACB003: JX-3P ACB Expansion

ACB003: JX-3P ACB Expansion Parameter Value Explanation

Adjusts the depth at which ENV-1
DCO ENV1 MOD -128–+127
pitch-modulates DCO-1/2.
TONE COMMON
Parameter Value Explanation
Category 00–49 Selects the tone category.
VCF / VCA
Parameter Value Explanation

DCO1 LEVEL 0–255 Adjusts the DCO-1 volume.

LFO/DCO
DCO2 LEVEL 0–255 Adjusts the DCO-2 volume.
Parameter Value Explanation
Specifies the cutoff frequency of
Adjusts the brightness (tonal
BRILLIANCE -128–+127 the high-pass filter which cuts the
character) of the sound.
low frequencies and allows the
VCA LEVEL 0–255 Adjusts the overall volume. HPF CUTOFF 0–255
higher frequencies to pass. The
SIN, SQR, SIN (Sine wave), SQR (Square frequency region below the cutoff
LFO WAVEFORM
RANDOM wave), RND (Random wave) frequency is cut.
LFO RATE 0-255 Determines the speed of the LFO. Specifies the cutoff frequency of
Specifies the time from when VCF CUTOFF the low-pass filter.
LFO DELAY TIME 0-255 the key is pressed until the LFO’s 0–255
FREQ Frequency components above the
amplitude reaches the maximum.
cutoff frequency are cut.
Specifies whether the LFO cycle
Resonance boosts the sound in
starts at the moment you press the
LFO KEY TRIG OFF, ON the region of the filter’s cutoff
key (ON) or is not synchronized
frequency.
with the key-press (OFF). VCF RESONANCE 0–255
Higher settings produce stronger
If this is ON, the envelope starts
emphasis, creating a distinctively
LFO TRIG ENV OFF, ON repeatedly at intervals of the LFO
“synthesizer-like” sound.
cycle.
Adjusts the sensitivity by which
Selects the waveform that is the VCF VELOCITY
0–255 the low-pass filter is affected by
DCO1 WAVE basis of the sound. SENS
SAW, SQR, PULSE keyboard dynamics.
FORM SAW (Sawtooth wave), SQR (Square
Adjusts the way in which the
wave), PULSE (Pulse wave)
pitch of the note affects the cutoff
Specifies the octave of the frequency (key follow) when using
DCO1 RANGE 64, 32, 16, 8, 4, 2
oscillator. VCF PITCH the keyboard to control cutoff
Turns on/off the pitch modulation -128–+127
DCO1 LFO OFF, ON FOLLOW frequency. Moving the knob to the
applied by the LFO to DCO-1. left causes the cutoff frequency to
Turns on/off the pitch modulation fall as you play higher range on the
DCO1 ENV OFF, ON
applied by ENV-1 to DCO-1. keyboard.
Selects the waveform that is the Adjusts the amount by which the
basis of the sound. VCF LFO MOD -128–+127 LFO modulates the VCF cutoff
DCO2 SAW, SQR, PULSE,
SAW (Sawtooth wave), SQR (Square frequency.
WAVEFORM NOISE
wave), PULSE (Pulse wave), NOISE Adjusts the amount by which
(Noise) VCF ENV1 MOD -128–+127 ENV-1 controls the VCF cutoff
Specifies the octave of the frequency.
DCO2 RANGE 64, 32, 16, 8, 4, 2
oscillator. ENV1 ATTACK 0–255 Attack time
DCO2 TUNE -128–+127 Adjusts the DCO-2 pitch.
ENV1 DECAY 0–255 Decay time
DCO2 FINE TUNE -128–+127 Finely adjusts the DCO-2 pitch.
Metal: Creates a waveform ENV1 SUSTAIN 0–255 Sustain level
that synchronizes DCO-2 to the ENV1 RELEASE 0–255 Release time
oscillation frequencies of both
DCO2 CROSS Selects whether the volume
OFF, SYNC, METAL DCO-1 and DCO-2. ENV-1, ENV-2,
MOD VCA MODE change is controlled by ENV-1,
Sync: Creates a waveform that Gate
ENV-2, or the gate signal.
synchronizes DCO-2 to the
Adjusts the sensitivity with which
oscillation frequency of DCO-1. VCA VELOCITY
0–255 the volume is affected by your
Turns on/off the pitch modulation SENS
DCO2 LFO OFF, ON keyboard dynamics.
applied by the LFO to DCO-2.
ENV2 ATTACK 0–255 Attack time
Turns on/off the pitch modulation
DCO2 ENV OFF, ON
applied by ENV-1 to DCO-2. ENV2 DECAY 0–255 Decay time
Adjusts the depth at which the LFO
DCO LFO MOD -128–+127 ENV2 SUSTAIN 0–255 Sustain level
pitch-modulates DCO-1/2.
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 Roland Cloud user’s guide - ACB003: JX-3P ACB Expansion

Parameter Value Explanation Parameter Value Explanation

ENV2 RELEASE 0–255 Release time Specifies the amount of the pitch
MOD SENS DCO 0–255 change produced by modulation
operations.
Specifies the amount of the filter
EFFECT
MOD SENS VCF 0–255 change produced by modulation
Parameter Value Explanation operations.
OVERDRIVE, This recreates the slight
DISTORTION, degradation of the analog sound
EFFECT TYPE CHORUS, FUZZ, Selects the effect type. generator circuit on the original
CRUSHER, JX-3P model after the passage of
PHASER several decades.
Specifies the tone character of the With this condition as the zero
EFFECT TONE 0–255
effect. point, you can increase the value
CONDITION -128–+127
This adjusts the amount of effect to simulate even more degradation
EFFECT DEPTH 0–255
applied. for a warmer, more imprecise
The modulation speed (RATE) of sound that’s characteristic of
TEMPO SYNC OFF, ON the LFO section is synchronized to analog circuitry; or you can
the tempo. decrease the value to simulate
UNISON: Plays all sounds in a more ideal sound with less
POLY, MONO, unison. degradation over time.
ASSIGN MODE Simulates the calibration trimmer
UNISON MONO: Plays monophonically.
on the motherboard.
POLY: Plays polyphonically.
Specifies the octave shift. -3–+3 Raising the value creates more
OCTAVE SHIFT -3–+3 differences in calibration between
octaves
the voices, adding a unique kind of
CIRCUIT MOD 0–255 unevenness or expressiveness to
COMMON the sound.
The state of the calibration starting
Parameter Value Explanation
point (0) controlled by the trimmer
Tunes the entire unit. The differs with the [CONDITION] knob
MASTER TUNE 430.0–450.0 displayed value is the frequency of settings.
the A4 key (middle A).
Adjusts the time over which pitch 255 (large degree of unevenness)
PORTAMENTO 0–255 change occurs when portamento
is applied. +127 (large degree of
degradation)
1: The pitch changes within the
0
time specified in PORTAMENTO, -128 (small degree of
degradation)
regardless of the distance between
the keys you press. CONDITION CIRCUIT MOD
PORTA TYPE 1, 2 (degradation over time) (calibration using the trimmer)
2: The pitch changes at the
speed specified in PORTAMENTO,
regardless of the distance between
the keys you press.
Applies portamento only when
you play legato (i.e., when you
LEGATO OFF, ON
press the next key before releasing
the previous key).
Specifies the range of pitch change
BEND RANGE 1–24 controlled by pitch bend, in
semitone units.
Specifies a multiplier for the BEND
BEND GAIN x1–x4 RANGE, extending the range of
change. 1x–4x
Specifies the amount of the pitch
BEND SENS DCO 0–255 change produced by pitch bend
operations.
Specifies the amount of the filter
BEND SENS VCF 0–255 change produced by pitch bend
operations.
43
Roland Cloud user’s guide - ACB004: JUNO106 ACB Expansion

ACB004: JUNO106 ACB Expansion Parameter Value Explanation

Resonance boosts the sound in
the region of the filter’s cutoff
TONE COMMON
frequency.
VCF RESONANCE 0–255
Parameter Value Explanation Higher settings produce stronger
Category 00–49 Selects the tone category. emphasis, creating a distinctively
“synthesizer-like” sound.
Adjusts the depth by which
DCO VCF ENV MOD -128–127 the ENV1 controls the cutoff
frequency.
Parameter Value Explanation
Uses the LFO to vary the cutoff
VCF LFO MOD -128–127
LFO RATE 0–255 Determines the speed of the LFO. frequency.
Specifies the time from when Adjusts the way in which the
LFO DELAY TIME 0–255 the key is pressed until the LFO’s pitch of the note affects the cutoff
amplitude reaches the maximum. frequency (key follow) when using
Specifies whether the LFO cycle the keyboard to control cutoff
starts at the moment you press the frequency.
LFO KEY TRIG OFF, ON
key (ON) or is not synchronized VCF KEY FOLLOW -128–127 With the increasing value, the
with the key-press (OFF). cutoff frequency becomes higher
If this is ON, the envelope starts as you play higher notes. With the
LFO TRIG ENV OFF, ON repeatedly at intervals of the LFO minus value, the cutoff frequency
cycle. becomes lower as you play higher
64, 32, 16, 8, 4, 2 Specifies the octave of the notes.
DCO RANGE
FEET oscillator. Adjusts the sensitivity with which
VCF VELOCITY
Allows the LFO to modulate the -128–127 the low pass filter is affected by
DCO LFO MOD -128–127 SENS
pitch, producing a vibrato effect. your keyboard dynamics.
DCO PWM When the switch is “MAN” Selects whether the volume
0–255
DEPTH (MANUAL): VCA MODE ENV1, ENV2, GATE change is controlled by ENV1,
Adjusts the value of the pulse ENV2, or the gate signal.
width. VCA TONE -128–127 Adjusts the tonal character.
MAN, LFO,
DCO PWM When the switch is “LFO”, VCA LEVEL 0–255 Adjusts the volume.
ENV1+, ENV1-,
SOURCE “ENV1+”, “ENV1-”, “ENV2+”, Adjusts the sensitivity with which
ENV2+, ENV2- VCA VELOCITY
“ENV2-”: 0–255 the volume is affected by your
SENS
Adjusts the modulation depth. keyboard dynamics.
Adjusts the volume of the Square
PWM LEVEL 0–255
wave/Asymmetrical pulse wave.
Adjusts the volume of the
ENV1/ENV2
SAW LEVEL 0–255
Sawtooth wave. Parameter Value Explanation
Adjusts the volume of the sub
SUB LEVEL 0–255 ATTACK 0–255 Attack time
oscillator.
DECAY 0–255 Decay time
NOISE LEVEL 0–255 Adjusts the volume of the noise.
SUSTAIN 0–255 Sustain level
RELEASE 0–255 Release time
VCF/VCA
Parameter Value Explanation EFFECT
Specifies the cutoff frequency of
Parameter Value Explanation
HPF CUTOFF the high-pass filter.
0–255 Switches the type of chorus.
FREQ Frequency components below the
cutoff frequency are cut. OFF: Chorus is not applied.
CHORUS TYPE OFF, I, II
Specifies the cutoff frequency of I: Chorus 1
the low-pass filter. II: Chorus 2
VCF CUTOFF
0–255 Frequency components above the OVERDRIVE,
FREQ
cutoff frequency are cut, making DISTORTION,
the sound mellower. EFFECT TYPE JUNO CH1, JUNO Selects the effect type.
CH2, CRUSHER,
PHASER
Specifies the character of the
EFFECT TONE 0–255
effect.

44
 Roland Cloud user’s guide - ACB004: JUNO106 ACB Expansion

Parameter Value Explanation Parameter Value Explanation

EFFECT DEPTH 0–255 Specifies the depth of the effect. This simulates the slight
Synchronizes the speed (RATE) of degradation of the analog sound
the modulation produced by the generator circuit over the passage
TEMPO SYNC OFF, ON LFO section as well as the delay of several decades, which might
time (TIME) of the EFFECT section occur on the original JUNO-106
to the tempo. model.
MONO: Plays monophonically. With this condition as the zero
CONDITION -128–127 point, you can increase the value
UNISON: Plays all sounds in
MONO, UNISON, to simulate even more degradation
ASSIGN MODE unison.
POLY1, POLY2 for a warmer, more imprecise
POLY-1/POLY-2: Plays
sound that’s characteristic of
polyphonically.
analog circuitry; or you can
Let you shift the pitch range of the
OCTAVE SHIFT -3–3 decrease the value to simulate
keyboard in one-octave units.
a more ideal sound with less
degradation over time.
Simulates the calibration trimmer
COMMON
on the motherboard.
Parameter Value Explanation Raising the value creates more
Adjusts the time over which pitch differences in calibration between
PORTAMENTO 0–255 change occurs when portamento the voices, adding a unique kind of
is applied. CIRCUIT MOD 0–255 unevenness or expressiveness to
1: The pitch changes within the the sound.
time specified in PORTAMENTO, The state of the calibration starting
regardless of the distance between point (0) controlled by the trimmer
the keys you press. differs with the [CONDITION] knob
PORTA TYPE 1, 2
2: The pitch changes at the settings.
speed specified in PORTAMENTO,
regardless of the distance between 255 (large degree of unevenness)
the keys you press.
+127 (large degree of
Applies portamento only when degradation)
you play legato (i.e., when you 0
LEGATO OFF, ON -128 (small degree of
press the next key before releasing
degradation)
the previous key).
CONDITION CIRCUIT MOD
Specifies the amount of pitch bend (degradation over time)
BEND RANGE 1–24 (calibration using the trimmer)
range.
Specifies a multiplier for the BEND
BEND GAIN x1–x4 RANGE, extending the range of
change.
Specifies the amount of the pitch
BEND SENS DCO 0–255 change produced by pitch bend
operations.
Specifies the amount of the filter
BEND SENS VCF 0–255 change produced by pitch bend
operations.
Specifies the amount of the pitch
MOD SENS DCO 0–255 change produced by modulation
operations.
Specifies the amount of the filter
MOD SENS VCF 0–255 change produced by modulation
operations.

45
Roland Cloud user’s guide

Scene list
No. Scene Name MSB LSB PC No. Scene Name MSB LSB PC No. Scene Name MSB LSB PC
A001 Piano+Pad EX 85 0 1 A056 Grv Split / Pd 85 0 56 A111 Fantom Overture 85 0 111
A002 Organ / Bass Duo 85 0 2 A057 Film Score 85 0 57 A112 Transmission 85 0 112
A003 EP Raindrop 85 0 3 A058 Str / Hrn / Ww 85 0 58 A113 Poly Scape 2 85 0 113
A004 JD Hallway 85 0 4 A059 Chamber Baroque 85 0 59 A114 Chill Syn 02 85 0 114
A005 Big Brass Max 85 0 5 A060 Breath of Wood 85 0 60 A115 Pulse Relay 85 0 115
A006 SH Ghost Bass 85 0 6 A061 Japan Tradition 85 0 61 A116 Underglimmering 85 0 116
A007 Macro Lush 85 0 7 A062 Chamber 4Strings 85 0 62 A117 Refracting Delay 85 0 117
A008 Sweet Spot 85 0 8 A063 Plasma S-Choir 85 0 63 A118 Rainy Drone 85 0 118
A009 German Concert 85 0 9 A064 Sunrise Horns 85 0 64 A119 Chill Syn 06 85 0 119
A010 Tine Mk1 85 0 10 A065 Dark Mode 85 0 65 A120 Chill Syn 04 85 0 120
A011 Compu Party 85 0 11 A066 Sunset solo 85 0 66 A121 Chill Syn 03 85 0 121
A012 Compu AfterParty 85 0 12 A067 Static 85 0 67 A122 Dreaming Alice 85 0 122
A013 Dm:Neo-Inception 85 0 13 A068 Cat Dance 85 0 68 A123 Chill Syn 01 85 0 123
A014 Demo:Feeling You 85 0 14 A069 No Tomorrow 85 0 69 A124 PWM Pad & Lead 85 0 124
A015 Demo:F.Bs C’monB 85 0 15 A070 Romantic 80s 85 0 70 A125 Chill Syn 05 85 0 125
A016 Single Tone Play 85 0 16 A071 80s Synth Pop 85 0 71 A126 8bit Family 85 0 126
A017 Rising Saw 85 0 17 A072 New Wave 85 0 72 A127 FM GAME 85 0 127
A018 Glacial Period 85 0 18 A073 Strange Pop 85 0 73 A128 You Need Funky 85 0 128
A019 Fade Into You 85 0 19 A074 Piece of Peace 85 0 74 B001 Intention 85 1 1
A020 Soft Scape 2 85 0 20 A075 Spring Train 85 0 75 B002 Floating 85 1 2
A021 Shimmering in 86 85 0 21 A076 90s ElePop 85 0 76 B003 Farewell Detroit 85 1 3
A022 In The Mist 85 0 22 A077 90s EleHouse 85 0 77 B004 Snowflakes 85 1 4
A023 Mist of Rune 85 0 23 A078 South Wind 85 0 78 B005 Dubtek One 85 1 5
A024 Architecture 85 0 24 A079 Progre House 85 0 79 B006 Symbiote 85 1 6
A025 Ambient 02 85 0 25 A080 Progre Trance 85 0 80 B007 Emeritus 85 1 7
A026 Apocalypse How? 85 0 26 A081 Wave Weaver 85 0 81 B008 Hello Berlin 85 1 8
A027 Borealis 85 0 27 A082 Synth Velo Brass 85 0 82 B009 Oriented Music 85 1 9
A028 Ember Glance 85 0 28 A083 Edge of Darkness 85 0 83 B010 Synth Edge 85 1 10
A029 Fanfare 85 0 29 A084 Poly Scape 1 85 0 84 B011 Innovation 85 1 11
A030 Everest 85 0 30 A085 Dreaming 85 0 85 B012 Drizzling Night 85 1 12
A031 Ephemera 85 0 31 A086 Bottom of Earth 85 0 86 B013 Feeling of Jazz 85 1 13
A032 Ambient 07 85 0 32 A087 Future Ensemble 85 0 87 B014 SH101 vs JUNO106 85 1 14
A033 Shea 85 0 33 A088 Tone of Jupiter 85 0 88 B015 Chip Backing 1 85 1 15
A034 Nice Nice 85 0 34 A089 Big Ensemble 85 0 89 B016 Chip Backing 2 85 1 16
A035 Pickin’ Up 85 0 35 A090 Big Room Synth 85 0 90 B017 Future Pluck 85 1 17
A036 C’mon Baby 85 0 36 A091 Sixth of Jupiter 85 0 91 B018 Saw Wave Piano 85 1 18
A037 Don’t Go 85 0 37 A092 Queen of Pagoda 85 0 92 B019 Velocity Mallets 85 1 19
A038 Our Mind 85 0 38 A093 Emotional Drone 85 0 93 B020 Ethnic Toy 85 1 20
A039 In the Sky 85 0 39 A094 World Of JUNO 85 0 94 B021 808 Sweet Snow 85 1 21
A040 Livin’ 85 0 40 A095 Faced Transonic 85 0 95 B022 Fantasy D-50+ 85 1 22
A041 Lost 85 0 41 A096 Washed 85 0 96 B023 Experimental 02 85 1 23
A042 Heaven 85 0 42 A097 Tech House 85 0 97 B024 Ethnic Minimal 1 85 1 24
A043 All In 85 0 43 A098 Pulsar Drift 85 0 98 B025 Pluck&PianoW 85 1 25
A044 Searching 85 0 44 A099 Chill Wave 85 0 99 B026 Synth Lounge 85 1 26
A045 Yaya 85 0 45 A100 Future Bass 02 85 0 100 B027 Deep V-Grand 85 1 27
A046 Learn 85 0 46 A101 Future Bass 01 85 0 101 B028 Stage V-Grand 85 1 28
A047 Flex 85 0 47 A102 Together On 85 0 102 B029 Eastcoast V 85 1 29
A048 Balearic 85 0 48 A103 Electro Disco 85 0 103 B030 Concerto V 85 1 30
A049 Lake Tahoe 85 0 49 A104 Space Disco 85 0 104 B031 Symphony V 85 1 31
A050 Metropolis 85 0 50 A105 Chiptune Disco 85 0 105 B032 Ac Pno+Bs Split 85 1 32
A051 SynthPhonic#01 85 0 51 A106 Electronic Space 85 0 106 B033 E.Bass & 90s PF 85 1 33
A052 Ambient 04 85 0 52 A107 Puzzlement 85 0 107 B034 Ac Pno+EP Layer 85 1 34
A053 Holding Samples 85 0 53 A108 Drum Step 85 0 108 B035 Ac Pno+Str Layer 85 1 35
A054 Infinite Hold 85 0 54 A109 Trance Transfer 85 0 109 B036 Ac Pno+Brs Layer 85 1 36
A055 Prophet of Boom 85 0 55 A110 Reshape 85 0 110 B037 When Poets Dream 85 1 37

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 Roland Cloud user’s guide

No. Scene Name MSB LSB PC No. Scene Name MSB LSB PC No. Scene Name MSB LSB PC
B038 Desired Piano 85 1 38 B095 Minimal 02 85 1 95 D118 Light&ShadeBrass 85 3 118
B039 Ambient 08 85 1 39 B096 Minimal 03 85 1 96 D119 Soft Scape 1 85 3 119
B040 Ambient 09 85 1 40 B097 Visitor JUNO 85 1 97 D120 Illumination 85 3 120
B041 Insomnia Night 85 1 41 B098 Progressive.H 85 1 98 D121 No Answer 85 3 121
B042 Ambient 01 85 1 42 B099 Synth Pop 85 1 99 D122 Classic Trap 85 3 122
B043 EP+Bs Split 85 1 43 B100 Dance Play Kit 85 1 100 D123 Complextro 85 3 123
B044 EP+Pop Hns Split 85 1 44 B101 Grv Split / Ld 85 1 101 D124 Think of U 85 3 124
B045 EP+Ld Split 85 1 45 B102 Robo has Gone 85 1 102 D125 Soft Illusion 85 3 125
B046 EP+Syn Brs Layer 85 1 46 B103 Electro House 2 85 1 103 D126 Ice Motion 85 3 126
B047 EP Comb 1 85 1 47 B104 808 Split Comb 85 1 104 D127 SH Pipe Lead 85 3 127
B048 EP+Pad Layer 85 1 48 B105 909 Split Comb 85 1 105 D128 Enchanted Lead 85 3 128
B049 EP Comb 2 85 1 49 B106 Synth Wave 04 85 1 106
B050 Crystallization 85 1 50 B107 MinimalAmb /Arp 85 1 107
B051 FM EP X 85 1 51 B108 Synth Wave 03 85 1 108
B052 Organ+Bs Split 85 1 52 B109 Ethnic Minimal 2 85 1 109
B053 Dream Organ 85 1 53 B110 Synth Wave 01 85 1 110
B054 Emitting Organ 85 1 54 B111 Experimental 03 85 1 111
B055 E.Gt vs JUNO 85 1 55 B112 Modular Split 85 1 112
B056 LOUD Dist E.G 85 1 56 B113 Ambient 03 85 1 113
B057 Bass & Poly 1 85 1 57 B114 Tangerine 85 1 114
B058 Bass & Poly 2 85 1 58 B115 Which TB? 85 1 115
B059 Bass & Poly 3 85 1 59 B116 Experimental 01 85 1 116
B060 Bass & Poly 4 85 1 60 B117 Arp / Dly 1 85 1 117
B061 Bass & Poly 5 85 1 61 B118 Arp / Dly 2 85 1 118
B062 BassLead / EpBrs 85 1 62 B119 Arp / Dly 4 85 1 119
B063 Solid Bass&2Lead 85 1 63 B120 Arp / Dly 8 85 1 120
B064 Bs Lwr / Ld Upr 85 1 64 B121 Arp7th & DubDly 85 1 121
B065 Bit Crusher J 85 1 65 B122 Arp / Dly 5 85 1 122
B066 Upper&LowerLeads 85 1 66 B123 Arp / Dly 7 85 1 123
B067 Lead to Lead 85 1 67 B124 Arp / Dly 9 85 1 124
B068 Buzz Ensemble 85 1 68 B125 Arp / Dly 3 85 1 125
B069 Progressive Neon 85 1 69 B126 Arp / Dly 6 85 1 126
B070 Kick+Bass / Plk 85 1 70 B127 Arp / Dly 10 85 1 127
B071 808 HiP Conga 85 1 71 B128 INITIAL SCENE 85 1 128
B072 Vox & Sine Lead 85 1 72 C001 Piano Menu 85 2 1
B073 Synth Wave 02 85 1 73 C002 Keyboard Menu 85 2 2
B074 FutureB /Arp&Ld 85 1 74 C003 Pad Menu 85 2 3
B075 Drone /FX 1 85 1 75 C004 Poly Key Menu 85 2 4
B076 Drone /FX 2 85 1 76 C005 Synth Bass Menu 85 2 5
B077 FX Scape 1 85 1 77 C006 Hard Lead Menu 85 2 6
B078 FX Scape 2 85 1 78 C007 Soft Lead Menu 85 2 7
B079 Cassiopea 85 1 79 C008 Pluck Menu 85 2 8
B080 Paranormalism 85 1 80 C009 Synth Brass Menu 85 2 9
B081 Ambient 05 85 1 81 C010 Strings Menu 85 2 10
B082 Neue Musik 85 1 82 C011 Bell Menu 85 2 11
B083 Fun Kung Fu 85 1 83 C012 FX Menu 85 2 12
B084 Above & Below 85 1 84 C013 E.Drum Kit Menu 85 2 13
B085 You Need A Beat 85 1 85 C014 Ac.Drum Kit Menu 85 2 14
B086 Electro House 1 85 1 86 C015 Pulsating Menu 85 2 15
B087 Electro House 3 85 1 87 C016 Groove Menu 85 2 16
B088 90s Synth Pop 85 1 88
B089 ElePop /Arp 85 1 89 No. Scene Name MSB LSB PC
B090 Run Highway 85 1 90 D113 Piano+Pad Layer 85 3 113
B091 Reggae Dub 85 1 91 D114 Jupiter Explored 85 3 114
B092 Electronic Onion 85 1 92 D115 Something Air 85 3 115
B093 IKASU!!!! BEAT 85 1 93 D116 Wobble HYP 85 3 116
B094 Minimal 01 85 1 94 D117 A Dark Edge 85 3 117
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Roland Cloud user’s guide

Sound list
EXSN01: SuperNATURAL Acoustic Piano 1 No. Tone Name Category MSB LSB PC

Expansion 9 1975 Phaser E.Piano1 105 65 9

10 Mk I Touch Wah E.Piano1 105 65 10
11 TineEP Tape Echo E.Piano1 105 65 11
Tone List 12 1975 Tape Echo E.Piano1 105 65 12
13 Mk I Mod Delay E.Piano1 105 65 13
No. Tone Name Category MSB LSB PC
14 Mk II Comp E.Piano1 105 65 14
1 Concert Jazz Ac.Piano 105 64 1 15 1975 Comp E.Piano1 105 65 15
2 Recording Grand Ac.Piano 105 64 2 16 1975 RingMod E.Piano1 105 65 16
3 Concert Grand Ac.Piano 105 64 3 17 Tine Mk I Trem 2 E.Piano1 105 65 17
4 Bright Concert Ac.Piano 105 64 4 18 Tine MkI TrmOff E.Piano1 105 65 18
5 Mellow Concert Ac.Piano 105 64 5 19 1975 EP Trem 2 E.Piano1 105 65 19
6 Concert Grand 2 Ac.Piano 105 64 6 20 Tine EP Mk II RD E.Piano1 105 65 20
7 Bright Concert 2 Ac.Piano 105 64 7 21 Tine EP Mk I RD E.Piano1 105 65 21
8 Mellow Concert 2 Ac.Piano 105 64 8 22 Tine E.Piano RD E.Piano1 105 65 22
9 Clear Grand Ac.Piano 105 64 9 23 1975 E.Piano RD E.Piano1 105 65 23
10 Mono Grand Ac.Piano 105 64 10 24 1975 EP Amp OD 2 E.Piano1 105 65 24
25 75 TremoloEP RD E.Piano1 105 65 25
26 75 Mellow EP RD E.Piano1 105 65 26
Scene List 27 Chorus TineEP RD E.Piano1 105 65 27
28 75 Chorus EP RD E.Piano1 105 65 28
No. Tone Name Memo 29 75 Phased EP RD E.Piano1 105 65 29
1 Jazz Concert Ac.Piano 30 Phaser TineEP RD E.Piano1 105 65 30
2 Recording Grand Ac.Piano 31 75 SweetEcho RD E.Piano1 105 65 31
3 Concert Grand Ac.Piano 32 75 ModDelayEP RD E.Piano1 105 65 32
4 Warm Concert Ac.Piano 33 75 ModDelay EP E.Piano1 105 65 33
5 Studio Sparkle Layer; Ac.Piano; Synth PolyKey 34 75 Driven EP RD E.Piano1 105 65 34
6 Padawareness Layer; Ac.Piano; Ensemble Brass 35 Mk I Keyoff RD E.Piano1 105 65 35
7 Piano Fanfare Layer; Ac.Piano; Ensemble Brass 36 1975 Keyoff RD E.Piano1 105 65 36
8 Echoes of Utopia Layer; Ac.Piano; Celesta
9 Pno Chorale+Bell Layer; Ac.Piano; Choir; Bell
Layer; Ac.Piano; Ensamble Strings;
10 Close to Rome Scene List
Pulsating
11 NaturalMass Layer; Ac.Piano; Synth Pad No. Tone Name Memo
12 Filtered Friend Layer; Ac.Piano; Ac.Piano
1 Tine EP Mk II E.Piano
13 Purified Pair Layer; Ac.Piano; E.Organ
2 Tine EP Mk I E.Piano
14 Delayed Gravity Layer; Ac.Piano; Synth Pad
3 Tine E.Piano E.Piano
15 Unusual Duo Layer; Ac.Piano; Ac.Bass
4 1975 E.Piano E.Piano
16 Piano Padder Spl Split; Ac.Piano; Synth Pad
5 Off the Spectrum E.Piano
6 Vienna Guru E.Piano
7 In a Dark Room E.Piano
EXSN02: SuperNATURAL Electric Piano 1 8 MkII Sust+SDD320 E.Piano
Expansion 9 Vulcan Road E.Piano
10 MkI Sust+CE-1 E.Piano
11 75 Sust+TapeEcho E.Piano
Tone List
12 Tine Euphoria Layer; E.Piano; Celesta
No. Tone Name Category MSB LSB PC 13 Murmerized Layer; E.Piano; Pulsating; E.Piano
14 EP Flickers Layer; E.Piano; Synth PolyKey
1 Tine Mk II Trem E.Piano1 105 65 1
Split; E.Piano; Synth Brass; Synth PolyKey;
2 Tine Mk I Trem 1 E.Piano1 105 65 2 15 EP Soft Brs/Hits
E.Piano
3 Tine EP Trem E.Piano1 105 65 3
16 1975/FR PBs Spl Split; E.Piano; E.Piano
4 1975 EP Trem 1 E.Piano1 105 65 4
17 EP/Organ Bass Split; E.Piano; E.Organ
5 1975 EP Amp OD 1 E.Piano1 105 65 5
18 MkI Sust+SSPhasr E.Piano
6 Mk II Chorus E.Piano1 105 65 6
19 Tribal Tines Layer; E.Piano; Plucked; Vox
7 1975 Chorus E.Piano1 105 65 7
20 Tine MkI TremOff E.Piano
8 Mk II Phaser E.Piano1 105 65 8

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 Roland Cloud user’s guide

EXSN03: SuperNATURAL Acoustic Piano 2 No. Tone Name Category MSB LSB PC

Expansion 2 Warm Artist Ac.Piano 105 67 2

3 Bright Artist Ac.Piano 105 67 3
4 Piano Performer Ac.Piano 105 67 4
Tone List 5 Studio Grand Ac.Piano 105 67 5
6 Lyrical Touch Ac.Piano 105 67 6
No. Tone Name Category MSB LSB PC
7 Grand Ballad Ac.Piano 105 67 7
1 Classic Piano Ac.Piano 105 66 1 8 Pop Rocker Ac.Piano 105 67 8
2 Classic Light Ac.Piano 105 66 2 9 Piano Rag Ac.Piano 105 67 9
3 Classic Heavy Ac.Piano 105 66 3 10 Dark Felt Pno Ac.Piano 105 67 10
4 Classic Warm 1 Ac.Piano 105 66 4 11 Warm Felt Pno Ac.Piano 105 67 11
5 Classic Warm 2 Ac.Piano 105 66 5 12 Soft Distance Ac.Piano 105 67 12
6 Classic Warm 3 Ac.Piano 105 66 6 13 Legato Static Ac.Piano 105 67 13
7 Clsc Brilliant 1 Ac.Piano 105 66 7 14 Make Me Phase Ac.Piano 105 67 14
8 Clsc Brilliant 2 Ac.Piano 105 66 8 15 Mod Acoustive Ac.Piano 105 67 15
9 Clsc Brilliant 3 Ac.Piano 105 66 9
10 Smooth Classic Ac.Piano 105 66 10
11 Winter Warm Ac.Piano 105 66 11 EXM001: JUPITER-8 Model Expansion
12 Oslo’s Finest Ac.Piano 105 66 12
13 Homegrown Ac.Piano 105 66 13
14 Nordic Breeze Ac.Piano 105 66 14 Tone List
15 Mazurka 1849 Ac.Piano 105 66 15
No. Tone Name Category MSB LSB PC
16 Wondermaze Ac.Piano 105 66 16
17 Stargaze Ac.Piano 105 66 17 1 Berlin Night Synth Pad/Str 97 64 1
18 Rev Expression Ac.Piano 105 66 18 2 Dirty Little Pad Synth Pad/Str 97 64 2
19 Chorus Baroness Ac.Piano 105 66 19 3 Metro Flute Synth Pad/Str 97 64 3
20 Piano Concrete Ac.Piano 105 66 20 4 Pluck Swell Synth Pad/Str 97 64 4
5 Sweeping Pulse Synth Pad/Str 97 64 5
6 Sweep JP Synth Pad/Str 97 64 6
7 Sunbeams Synth Pad/Str 97 64 7
Scene List 8 Reso Drone Synth Pad/Str 97 64 8
9 Reso Pad Synth Pad/Str 97 64 9
No. Scene Name Memo
10 Uni-Sync Synth Pad/Str 97 64 10
1 Homecoming Layer; Ac.Piano; Synth Pad
11 Flange Pad /Mod Synth Pad/Str 97 64 11
2 Concrete Dream Layer; Ac.Piano; Synth Pad
12 Fat 5 Fever Synth Pad/Str 97 64 12
3 Sweet Swell Layer; Ac.Piano; Strings Section
13 Thrift Store Synth Pad/Str 97 64 13
4 Classic Minimal Layer; Ac.Piano; Synth Pad
14 Delicate Bells Synth Bellpad 97 64 14
5 Heaven Express Layer; Ac.Piano; Synth Pad; Synth Brass
15 Bright Pad 1 Synth Pad/Str 97 64 15
6 Reverse Glory Layer; Ac.Piano; Synth Pad
16 Bright Pad 2 Synth Pad/Str 97 64 16
7 Fantasy Hallway Layer; Ac.Piano; Synth Pad
17 Bright Strings Synth Pad/Str 97 64 17
8 Wonder Choir Layer; Ac.Piano; Choir
18 Strings JP Synth Pad/Str 97 64 18
9 Ice Machine Layer; Ac.Piano; Synth PolyKey
19 Oct Pad Synth Pad/Str 97 64 19
10 Parallel Peaks Layer; Ac.Piano; Synth PolyKey; Flute
20 Retro Flute Synth Pad/Str 97 64 20
11 Sustained Haze Layer; Ac.Piano; Synth Pad
21 Sqr Soft Pad Synth Pad/Str 97 64 21
12 TMT the Giant Layer; Ac.Piano; Synth Pad
22 EPistle Synth Pad/Str 97 64 22
13 Time Traveller Layer; Ac.Piano; Synth Pad; Synth Brass
23 Soft Saw Pad Synth Pad/Str 97 64 23
14 Eastern Solice Layer; Ac.Piano; Synth Pad; Synth PolyKey
24 PWM Stac Pad Synth Pad/Str 97 64 24
15 Night Chaser Layer; Ac.Piano; Synth Pad
25 ModLoop EP! Synth Pad/Str 97 64 25
16 ClassicPianoMenu Ac.Piano
26 Soft Pad JP Synth Pad/Str 97 64 26
27 Big Bite Pluck Synth PolyKey 97 64 27
28 Fairy Tales Synth PolyKey 97 64 28
EXSN04:SuperNATURAL Acoustic Piano 3 29 Silk Stabber Synth PolyKey 97 64 29
Expansion 30 Soft Pluck Synth PolyKey 97 64 30
31 Memories Pulsating 97 64 31
32 Havana Pad Pulsating 97 64 32
Tone List
33 MW Studr Pulsating 97 64 33
No. Tone Name Category MSB LSB PC 34 Zip Lock Pluck Pulsating 97 64 34
1 Artists’ Choice Ac.Piano 105 67 1 35 Duster Pad Pulsating 97 64 35

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Roland Cloud user’s guide

No. Tone Name Category MSB LSB PC No. Tone Name Category MSB LSB PC
36 Sanctuary Pad Pulsating 97 64 36 93 CHOIR VOICES Synth Pad/Str 97 64 93
37 Slice Pad Pulsating 97 64 37 94 CHIME Synth Bellpad 97 64 94
38 Sqr Stac Pad Pulsating 97 64 38 95 SOLAR WINDS Synth FX 97 64 95
39 Wah Pad Pulsating 97 64 39 96 FUZZY FIFTHS Synth Lead 97 64 96
40 Synth Brass JP Synth Brass 97 64 40 97 DOWN FOURTH Synth Lead 97 64 97
41 PWM Env Brass Synth Brass 97 64 41 98 MELLOW BLIP Synth Pad/Str 97 64 98
42 Future Brass Synth Brass 97 64 42 99 HARD BLIP Synth Pad/Str 97 64 99
43 Detuned Lead Synth Lead 97 64 43 100 CLARINET Synth Lead 97 64 100
44 SBF Saw Lead Synth Lead 97 64 44 101 FLUTE Synth Lead 97 64 101
45 Sync or Swim Synth Lead 97 64 45 102 VIOLIN Synth Pad/Str 97 64 102
46 Sync Lead JP Synth Lead 97 64 46 103 CELLO Synth Pad/Str 97 64 103
47 4th Stac Lead Synth Lead 97 64 47 104 HARMONICA Synth Lead 97 64 104
48 5th Dist Lead Synth Lead 97 64 48 105 INIT TONE No Assign 97 64 105
49 Solid Lead Lower Synth Lead 97 64 49
50 Solid Lead Upper Synth Lead 97 64 50
51 TB Squared Synth Lead 97 64 51 EXM002: JUNO-106 Model Expansion
52 Saw Lead Synth Lead 97 64 52
53 European Lead Synth Lead 97 64 53
Tone List
54 Sqr Bend Lead Synth Lead 97 64 54
55 Sine Pump Up Synth Lead 97 64 55
No. Tone Name Category MSB LSB PC
56 Reso Choke Bass Synth Bass 97 64 56
1 Heater Pad Synth Pad/Str 97 66 1
57 Polarity Bass Synth Bass 97 64 57
2 CE-Drone Synth Pad/Str 97 66 2
58 Jumpah Synth Bass 97 64 58
3 Saw Strings Synth Pad/Str 97 66 3
59 Tri Bass Synth Bass 97 64 59
4 PMW Crawler Synth Pad/Str 97 66 4
60 Gut Punch Bass Synth Bass 97 64 60
5 Soft Pad Synth Pad/Str 97 66 5
61 Pulse Basser Synth Bass 97 64 61
6 Tsukamu /Mod Synth Pad/Str 97 66 6
62 Bass Juice Synth Bass 97 64 62
7 Bright Pad Synth Pad/Str 97 66 7
63 Basser PW Synth Bass 97 64 63
8 Hi Strings Synth Pad/Str 97 66 8
64 8-Easy Synth Bass 97 64 64
9 Glorious Pad Synth Pad/Str 97 66 9
65 Burned Bass Synth Bass 97 64 65
10 Reso Swallow Synth Pad/Str 97 66 10
66 Tight Bass Synth Bass 97 64 66
11 Face Lift Synth Pad/Str 97 66 11
67 Saw Unison Bass Synth Bass 97 64 67
12 Juno Sweeper Synth Pad/Str 97 66 12
68 Sqr Unison Bass Synth Bass 97 64 68
13 Reso Sweep Synth Pad/Str 97 66 13
69 Tri Looper Synth Seq/Pop 97 64 69
14 Sweep ReleasePd1 Synth Pad/Str 97 66 14
70 Sqr Seq Tone Synth Seq/Pop 97 64 70
15 Feels Pad Synth Pad/Str 97 66 15
71 XMod Spike Synth FX 97 64 71
16 Kolibri Synth Pad/Str 97 66 16
72 Low Freq Tone Synth FX 97 64 72
17 Somber Pulse Pad Synth Pad/Str 97 66 17
73 NEG SYNC Synth Pad/Str 97 64 73
18 Mr PWM Synth Pad/Str 97 66 18
74 NEG PLUCK Synth Pad/Str 97 64 74
19 Sfz Swell Synth Pad/Str 97 66 19
75 SYNC SWEEP Synth Pad/Str 97 64 75
20 Seary Pad Synth Pad/Str 97 66 20
76 CARS SYNC Synth Pad/Str 97 64 76
21 Sweep ReleasePd2 Synth Pad/Str 97 66 21
77 SYNC LEAD Synth Lead 97 64 77
22 Gate Plucker Synth Pad/Str 97 66 22
78 HONKY TONK Synth PolyKey 97 64 78
23 PWM Soft Pad Synth Pad/Str 97 66 23
79 HARP Synth PolyKey 97 64 79
24 Ambient Pad Synth Pad/Str 97 66 24
80 LO STRINGS Synth Pad/Str 97 64 80
25 Noise Pad Synth Pad/Str 97 66 25
81 MID STRINGS Synth Pad/Str 97 64 81
26 m0t0n0v0 Synth Bellpad 97 66 26
82 HI STRINGS Synth Pad/Str 97 64 82
27 LFO Pad Synth Pad/Str 97 66 27
83 MELLOW STRINGS Synth Pad/Str 97 64 83
28 Enchanted Synth PolyKey 97 66 28
84 LO BRASS Synth Brass 97 64 84
29 Oboete iru? Synth PolyKey 97 66 29
85 HI BRASS Synth Brass 97 64 85
30 Uganda Poly Synth PolyKey 97 66 30
86 S&H BRASS Synth Brass 97 64 86
31 Ring Shorty Synth PolyKey 97 66 31
87 SYNTH BRASS Synth Brass 97 64 87
32 Hard Pluck Synth PolyKey 97 66 32
88 BELL ORGAN Synth PolyKey 97 64 88
33 Bright Pluck Synth PolyKey 97 66 33
89 COMBO ORGAN Synth PolyKey 97 64 89
34 Delay Pluck Synth PolyKey 97 66 34
90 PIPE ORGAN Synth PolyKey 97 64 90
35 X-Gamer Pulsating 97 66 35
91 ELECTRIC ORGAN Synth PolyKey 97 64 91
36 Garage Sale Pulsating 97 66 36
92 SOLO VOICE Synth Lead 97 64 92

50
 Roland Cloud user’s guide

No. Tone Name Category MSB LSB PC No. Tone Name Category MSB LSB PC
37 Wah LFO Pad Pulsating 97 66 37 94 SYNTH BASS II Synth Bass 97 66 94
38 TheUnexplored EP Pulsating 97 66 38 95 FUNKY III Synth PolyKey 97 66 95
39 Refuge Pad Pulsating 97 66 39 96 THUD WAH Synth Pad/Str 97 66 96
40 Bright Brass Synth Brass 97 66 40 97 GOING UP Synth FX 97 66 97
41 Reso Soft Brass Synth Brass 97 66 41 98 SNARE DRUM Synth FX 97 66 98
42 JUNO Lead 1 Synth Lead 97 66 42 99 TOM TOMS Synth FX 97 66 99
43 JUNO Lead 2 Synth Lead 97 66 43 100 TIMPANI Synth FX 97 66 100
44 Sacred Lead Synth Lead 97 66 44 101 SYNTH PAD Synth Pad/Str 97 66 101
45 Mr Sudz Lead Synth Lead 97 66 45 102 SWEEP I Synth Pad/Str 97 66 102
46 Sir Wah Synth Lead 97 66 46 103 PLUCK SWEEP Synth Pad/Str 97 66 103
47 Retroist Lead Synth Lead 97 66 47 104 REPEATER Synth PolyKey 97 66 104
48 Noise Lead Synth Lead 97 66 48 105 DARK SYNTH PIANO Synth PolyKey 97 66 105
49 Big Boy Bass Synth Bass 97 66 49 106 WAH RELEASE Synth PolyKey 97 66 106
50 Crensaw Ld/Bs Synth Bass 97 66 50 107 RESONANCE FUNK Synth FX 97 66 107
51 Revisit Bass Synth Bass 97 66 51 108 INIT TONE No Assign 97 66 108
52 Dizzy Bass Synth Bass 97 66 52
53 Shaker Bass Synth Bass 97 66 53
54 Bug Juice Bass Synth Bass 97 66 54 EXM003: JX-8P Model Expansion
55 Disto Click Bass Synth Bass 97 66 55
56 Halo Rez Bass Synth Bass 97 66 56
Tone List
57 Bass Y’all Synth Bass 97 66 57
58 Soft Subber Synth Bass 97 66 58
No. Tone Name Category MSB LSB PC
59 Saw Fatty Synth Bass 97 66 59
1 Mass-5 Synth Pad/Str 97 68 1
60 Low Boost Bass Synth Bass 97 66 60
2 Square Dimes Synth Pad/Str 97 68 2
61 PWM+SubOSC Bass Synth Bass 97 66 61
3 SaiYuSenJiKou Synth Pad/Str 97 68 3
62 SubOSC Bass Synth Bass 97 66 62
4 5th Synth 1 Synth Pad/Str 97 68 4
63 Ring My Wheel Bs Synth Bass 97 66 63
5 Scorched Pad Synth Pad/Str 97 68 5
64 Treat Bass Synth Bass 97 66 64
6 Dynamic Lush Pad Synth Pad/Str 97 68 6
65 Iron-8 Bass Synth Bass 97 66 65
7 Slow Atk Strings Synth Pad/Str 97 68 7
66 Seq Bass Synth Bass 97 66 66
8 Hollow Daddy Synth Pad/Str 97 68 8
67 Sub Reso Bass Synth Bass 97 66 67
9 Hinode Synth Pad/Str 97 68 9
68 Reso Seq Bs Synth Bass 97 66 68
10 Bowed Synth Synth Pad/Str 97 68 10
69 Fast Mod Pluck Synth Seq/Pop 97 66 69
11 Choir Pad Synth Pad/Str 97 68 11
70 Soft Pluck Synth Seq/Pop 97 66 70
12 Ancient One Synth Pad/Str 97 68 12
71 Saw Seq Synth Seq/Pop 97 66 71
13 Soft Pad 1 Synth Pad/Str 97 68 13
72 Sqr Seq Synth Seq/Pop 97 66 72
14 Poly JX Synth Pad/Str 97 68 14
73 Big Wave Synth FX 97 66 73
15 Clavcid! Synth Pad/Str 97 68 15
74 Console 80 FX Synth FX 97 66 74
16 Res-Plasto Synth Pad/Str 97 68 16
75 Synth Drum Synth FX 97 66 75
17 Dyna Reso Synth Pad/Str 97 68 17
76 BRASS Synth Brass 97 66 76
18 Descender Pad Synth Pad/Str 97 68 18
77 MOVING STRINGS Synth Pad/Str 97 66 77
19 5th Synth 2 Synth Pad/Str 97 68 19
78 BRASS & STRINGS Synth Pad/Str 97 66 78
20 Reso Sweep 1 Synth Pad/Str 97 68 20
79 CHOIR Synth Pad/Str 97 66 79
21 Reso Sweep 2 Synth Pad/Str 97 68 21
80 PIANO I Synth PolyKey 97 66 80
22 Reso Sweep 3 Synth Pad/Str 97 68 22
81 ORGAN II Synth PolyKey 97 66 81
23 Severed Strings Synth Pad/Str 97 68 23
82 CELESTE Synth PolyKey 97 66 82
24 Gross dude... Synth Pad/Str 97 68 24
83 ELECT. PIANO II Synth PolyKey 97 66 83
25 Mirror Pluck Synth Pad/Str 97 68 25
84 STEEL DRUMS Synth PolyKey 97 66 84
26 Soft Pad 2 Synth Pad/Str 97 68 26
85 XYLOPHONE Synth PolyKey 97 66 85
27 Porto Strings Synth Pad/Str 97 68 27
86 BRASS III Synth Brass 97 66 86
28 Dulci-Synth Synth Pad/Str 97 68 28
87 STRINGS III Synth Pad/Str 97 66 87
29 Bend Pad Synth Pad/Str 97 68 29
88 DARK PLUCK Synth PolyKey 97 66 88
30 Bell Chorus Synth Bellpad 97 68 30
89 FUNKY I Synth PolyKey 97 66 89
31 Two Chimes Synth Bellpad 97 68 31
90 SYNTH BASS I Synth Bass 97 66 90
32 Bright Keys Synth PolyKey 97 68 32
91 LEAD I Synth Lead 97 66 91
33 Syniano EP Synth PolyKey 97 68 33
92 LEAD II Synth Lead 97 66 92
34 Quiver Pulsating 97 68 34
93 FUNKY II Synth PolyKey 97 66 93

51
Roland Cloud user’s guide

No. Tone Name Category MSB LSB PC No. Tone Name Category MSB LSB PC
35 BC Pluck Pulsating 97 68 35 92 PIANO 5 Synth PolyKey 97 68 92
36 Tremolo Synth Pulsating 97 68 36 93 STRINGBRASS Synth Brass 97 68 93
37 Rnd Filter Synth Pulsating 97 68 37 94 STRINGS 1 Synth Pad/Str 97 68 94
38 JX Poly Brass Synth Brass 97 68 38 95 STRINGS 2 Synth Pad/Str 97 68 95
39 JX Powerbrass Synth Brass 97 68 39 96 CHOIR Synth Pad/Str 97 68 96
40 Polyheimer Synth Brass 97 68 40 97 MAY.S WIND Synth Pad/Str 97 68 97
41 Bend Brass Synth Brass 97 68 41 98 MARIMBA Synth Seq/Pop 97 68 98
42 Velo Brass Synth Brass 97 68 42 99 HARPSICH Synth PolyKey 97 68 99
43 Velo Brassman Synth Brass 97 68 43 100 XMAS BEL Synth Bellpad 97 68 100
44 Classic Poly JX Synth Brass 97 68 44 101 VIBES Synth Bellpad 97 68 101
45 Horn Pad Synth Brass 97 68 45 102 UPRITEBASS Synth Bass 97 68 102
46 Amazement Ld Synth Lead 97 68 46 103 LOG DRUM Synth Seq/Pop 97 68 103
47 Square Bottom Synth Lead 97 68 47 104 MALLET Synth Seq/Pop 97 68 104
48 Miss Maiden Lead Synth Lead 97 68 48 105 POLY SYNTH Synth Pad/Str 97 68 105
49 Sqr Lead Synth Lead 97 68 49 106 INIT TONE No Assign 97 68 106
50 Mod Bot Synth Lead 97 68 50
51 X-Mod Lead Synth Lead 97 68 51
52 8bit Lead Synth Lead 97 68 52 EXM004: SH-101 Model Expansion
53 Low Blow Synth Bass 97 68 53
54 Bit Basher Synth Bass 97 68 54
Tone List
55 Delay Bass Synth Bass 97 68 55
56 5th Stac Bass Synth Bass 97 68 56
No. Tone Name Category MSB LSB PC
57 Dark Chorus Bass Synth Bass 97 68 57
1 Gimme Lead Synth Lead 97 70 1
58 Velo Reso Bass Synth Bass 97 68 58
2 Long Note Synth Lead 97 70 2
59 Velo Filter Bass Synth Bass 97 68 59
3 Mod Shatter Synth Lead 97 70 3
60 DoubleFilter Bs Synth Bass 97 68 60
4 Saw Boz Synth Lead 97 70 4
61 Sqr Pluck 1 Synth Seq/Pop 97 68 61
5 Fireflies Synth Lead 97 70 5
62 Sqr Pluck 2 Synth Seq/Pop 97 68 62
6 T-Holiday Synth Lead 97 70 6
63 Velo Pluck Synth Seq/Pop 97 68 63
7 Lazor Boy Synth Lead 97 70 7
64 Toy Darts Synth Seq/Pop 97 68 64
8 Throttle Lust Synth Lead 97 70 8
65 Puny Pluck Synth Seq/Pop 97 68 65
9 Lizard King Synth Lead 97 70 9
66 Fat Fifth 2 Synth Seq/Pop 97 68 66
10 Blisters Synth Lead 97 70 10
67 Vel Seq Tone Synth Seq/Pop 97 68 67
11 Pulse Leader Synth Lead 97 70 11
68 XMod Compu Synth FX 97 68 68
12 Solo Sweet Synth Lead 97 70 12
69 Tech Chord Synth FX 97 68 69
13 Porta Saw Lead Synth Lead 97 70 13
70 Synth Tom Synth FX 97 68 70
14 PW+SubOSC Ld Synth Lead 97 70 14
71 Telephone Synth FX 97 68 71
15 Porta Sqr Lead Synth Lead 97 70 15
72 Noise Sweep Synth FX 97 68 72
16 Sqr Atk Lead Synth Lead 97 70 16
73 C5 FX Sweep Synth FX 97 68 73
17 Calc Lead Synth Lead 97 70 17
74 PIANO 1 Synth PolyKey 97 68 74
18 PWM LFO Lead Synth Lead 97 70 18
75 PIANO 2 Synth PolyKey 97 68 75
19 PWM Env Lead 1 Synth Lead 97 70 19
76 PIANO 3 Synth PolyKey 97 68 76
20 PWM Env Lead 2 Synth Lead 97 70 20
77 LOW STRINGS Synth Pad/Str 97 68 77
21 Reso PW+Saw Ld Synth Lead 97 70 21
78 VOICES Synth Pad/Str 97 68 78
22 Chiptune Lead Synth Lead 97 70 22
79 ORGAN I Synth PolyKey 97 68 79
23 Saw Flutter Ld Synth Lead 97 70 23
80 ORGAN II Synth PolyKey 97 68 80
24 Bit Crusher Lead Synth Lead 97 70 24
81 SYNTH BASS Synth Bass 97 68 81
25 Oct Bass Synth Bass 97 70 25
82 SOUNDTRACK Synth Pad/Str 97 68 82
26 Le Bass Synth Bass 97 70 26
83 FAT FIFTH Synth Pad/Str 97 68 83
27 Cone Pleaser Synth Bass 97 70 27
84 TOMS Synth FX 97 68 84
28 THAbass Synth Bass 97 70 28
85 CLAV Synth PolyKey 97 68 85
29 Reester Bass Synth Bass 97 70 29
86 SQUARELEAD Synth Lead 97 68 86
30 PWM PortaDrone Synth Bass 97 70 30
87 POLY BRASS Synth Brass 97 68 87
31 Shlob Bass Synth Bass 97 70 31
88 SOFT BRASS Synth Brass 97 68 88
32 Choice Bass Synth Bass 97 70 32
89 STAB BRASS Synth Brass 97 68 89
33 Shorty Enhancer Synth Bass 97 70 33
90 AGOGO BELL Synth FX 97 68 90
34 Filter Env Bs 1 Synth Bass 97 70 34
91 PIANO 4 Synth PolyKey 97 68 91

52
 Roland Cloud user’s guide

No. Tone Name Category MSB LSB PC No. Tone Name Category MSB LSB PC
35 PW+Saw Bass Synth Bass 97 70 35 92 Noise Hit 1 Synth FX 97 70 92
36 Slow FltEnv Bass Synth Bass 97 70 36 93 Noise Hit 2 Synth FX 97 70 93
37 Noise Bass Synth Bass 97 70 37 94 Noise Percussion Synth FX 97 70 94
38 Reso Bass Synth Bass 97 70 38 95 Sonar Noise Synth FX 97 70 95
39 Long Reso Bass Synth Bass 97 70 39 96 PhaserNoise /Mod Synth FX 97 70 96
40 Reso Sqr+Saw Bs Synth Bass 97 70 40 97 INIT TONE No Assign 97 70 97
41 Organ Bass Synth Bass 97 70 41
42 Filter Env Bs 2 Synth Bass 97 70 42
43 Dark Bass Synth Bass 97 70 43 EXM005: JD-800 Model Expansion
44 SubOSC Soft Bass Synth Bass 97 70 44
45 Delta Bass Synth Bass 97 70 45
Tone List
46 Punisher Synth Bass 97 70 46
47 Ye Olde 101 Synth Bass 97 70 47 No. Name Category MSB LSB PC
48 Porta Bass Synth Bass 97 70 48 JD001 Millennium 42:Pulsating 97 72 1
49 Seq Bass Synth Bass 97 70 49 JD002 Massive Pad 36:Synth Pad/Str 97 72 2
50 Reso Seq Bs Synth Bass 97 70 50 JD003 Crystal EPs 5:E.Piano2 97 72 3
51 Flanger Seq Bs Synth Bass 97 70 51 JD004 Synthadelic Bass 21:Synth Bass 97 72 4
52 Phaser Seq Bs Synth Bass 97 70 52 JD005 Wailing Guitar 18:Dist.Guitar 97 72 5
53 Heady Flange Synth Seq/Pop 97 70 53 JD006 Fantasia 90’s 37:Synth Bellpad 97 72 6
54 Tape 101 Synth Seq/Pop 97 70 54 JD007 Spun Glass 37:Synth Bellpad 97 72 7
55 Moon Worm Pulsating 97 70 55 JD008 Mother Afrika! 22:Plucked/Stroke 97 72 8

56 Disto Shorty Synth Seq/Pop 97 70 56 JD009 Swimotion 42:Pulsating 97 72 9

JD010 Classic Sweeper 36:Synth Pad/Str 97 72 10
57 True Pluck Synth Seq/Pop 97 70 57
JD011 LA MIDI’d Piano 5:E.Piano2 97 72 11
58 Sqr Seq SH Synth Seq/Pop 97 70 58
JD012 Meaty Bass 21:Synth Bass 97 72 12
59 Reso Sqr Seq Synth Seq/Pop 97 70 59
JD013 ST Master 17:E.Guitar 97 72 13
60 PWM Pluck Synth Seq/Pop 97 70 60
JD014 Perc-Vox Stack 32:Vox/Choir 97 72 14
61 3Tap Dly Seq Synth Seq/Pop 97 70 61 JD015 Killer Pad 36:Synth Pad/Str 97 72 15
62 MultiTap Dly Seq Synth Seq/Pop 97 70 62 JD016 Waveblower 36:Synth Pad/Str 97 72 16
63 Reso Bell Synth Seq/Pop 97 70 63 JD017 Pulsating Pad 42:Pulsating 97 72 17
64 This Old Game Synth Pad/Str 97 70 64 JD018 Mr.Brass! 35:Synth Brass 97 72 18
65 Main Pull SH Synth Pad/Str 97 70 65 JD019 Bruiser Tines 4:E.Piano1 97 72 19
66 Poly 101 1 Synth Pad/Str 97 70 66 JD020 Wet Bass 21:Synth Bass 97 72 20
67 Shuno Pad Synth Pad/Str 97 70 67 JD021 Throaty Clav 10:Clav 97 72 21

68 Poly-101 2 Synth Pad/Str 97 70 68 JD022 Rockin’ Wire 36:Synth Pad/Str 97 72 22

JD023 Iceman 36:Synth Pad/Str 97 72 23
69 Sharimba Synth Pad/Str 97 70 69
JD024 Ming Dynasty 22:Plucked/Stroke 97 72 24
70 Porto Bells Synth PolyKey 97 70 70
JD025 Planetarium 42:Pulsating 97 72 25
71 Echo Pluck Synth PolyKey 97 70 71
JD026 Pulse Pad 36:Synth Pad/Str 97 72 26
72 Shorty /Mod Synth PolyKey 97 70 72 JD027 All Stops Out 6:E.Organ 97 72 27
73 Suggestive... Synth PolyKey 97 70 73 JD028 Fusion Solo 34:Synth Lead 97 72 28
74 Star Message Pulsating 97 70 74 JD029 MIDI Guitar 17:E.Guitar 97 72 29
75 rAnDOm Pads Pulsating 97 70 75 JD030 Pain&Injury Keyz 38:Synth PolyKey 97 72 30
76 Side Repeater Pulsating 97 70 76 JD031 Deep Breath Pad 36:Synth Pad/Str 97 72 31
77 LFO 1/4 Trancer Pulsating 97 70 77 JD032 Harlequin 37:Synth Bellpad 97 72 32
78 Afterthought Pulsating 97 70 78 JD033 Slow Bell Pad 37:Synth Bellpad 97 72 33

79 Retro Cycle Pulsating 97 70 79 JD034 Analog Brass 35:Synth Brass 97 72 34

JD035 Ac.Piano 1 2:Pop Piano 97 72 35
80 Pulse Pad Pulsating 97 70 80
JD036 Modular Bass 21:Synth Bass 97 72 36
81 Buzz Shorty Pulsating 97 70 81
JD037 MIDI Clav 10:Clav 97 72 37
82 R2 Wheel Synth FX 97 70 82
JD038 Voco ST 17:E.Guitar 97 72 38
83 SelfOSC Kick 1 Synth FX 97 70 83
JD039 Invocation 37:Synth Bellpad 97 72 39
84 SelfOSC Kick 2 Synth FX 97 70 84 JD040 Ethnic Logs 22:Plucked/Stroke 97 72 40
85 SelfOSC DistKick Synth FX 97 70 85 JD041 2-way Slide 36:Synth Pad/Str 97 72 41
86 SelfOSC Zap Synth FX 97 70 86 JD042 Macho Swell 36:Synth Pad/Str 97 72 42
87 SelfOSC Perc Synth FX 97 70 87 JD043 Doo Organ 7:Pipe Organ 97 72 43
88 SelfOSC LFO Perc Synth FX 97 70 88 JD044 Synth Pipe Solo 34:Synth Lead 97 72 44
89 SelfOSC Sweep Synth FX 97 70 89 JD045 Nylon Choir 16:Ac.Guitar 97 72 45
90 SelfOSC Tone Synth FX 97 70 90 JD046 Scraping Bone 36:Synth Pad/Str 97 72 46

91 SelfOSC Rnd FX Synth FX 97 70 91 JD047 Hybrid Strings 36:Synth Pad/Str 97 72 47

53
Roland Cloud user’s guide

No. Name Category MSB LSB PC No. Name Category MSB LSB PC
JD048 JD-bells 1 14:Bell 97 72 48 JD110 Bell E.Piano 5:E.Piano2 97 72 110
JD049 1974! 36:Synth Pad/Str 97 72 49 JD111 Vocal Tines 4:E.Piano1 97 72 111
JD050 Polysynth 36:Synth Pad/Str 97 72 50 JD112 Speaking Clav 10:Clav 97 72 112
JD051 Metallic EPs 5:E.Piano2 97 72 51 JD113 Bellisma 14:Bell 97 72 113
JD052 Face Bass 21:Synth Bass 97 72 52 JD114 Cele-Bells 14:Bell 97 72 114
JD053 Velo-Crunch 34:Synth Lead 97 72 53 JD115 Market Bells 14:Bell 97 72 115
JD054 Stack Attack! 36:Synth Pad/Str 97 72 54 JD116 Reso Pearl 14:Bell 97 72 116
JD055 Girlish Vox 32:Vox/Choir 97 72 55 JD117 Partikle /Mod 15:Mallet 97 72 117
JD056 Shakuflute 34:Synth Lead 97 72 56 JD118 Trickle Seq 40:Synth Seq/Pop 97 72 118
JD057 Aurora Borealis 42:Pulsating 97 72 57 JD119 Flutter Pluck 40:Synth Seq/Pop 97 72 119
JD058 Pulsation 36:Synth Pad/Str 97 72 58 JD120 One Drop 40:Synth Seq/Pop 97 72 120
JD059 Waveola Keys 38:Synth PolyKey 97 72 59 JD121 Stab -93 44:Hit 97 72 121
JD060 Tekno Funk Bass 21:Synth Bass 97 72 60 JD122 Bit Chord Stack 44:Hit 97 72 122
JD061 Backwards 60’s 34:Synth Lead 97 72 61 JD123 Vapor Cave 44:Hit 97 72 123
JD062 MetalVox/Bass 49:Zone 97 72 62 JD124 Bit Stab 44:Hit 97 72 124
JD063 Bottle It 36:Synth Pad/Str 97 72 63 JD125 Vibe Knock 44:Hit 97 72 125
JD064 Doo Pipes 32:Vox/Choir 97 72 64 JD126 Bell Brain 44:Hit 97 72 126
JD065 Muscle Beach 36:Synth Pad/Str 97 72 65 JD127 Vintage Stab 44:Hit 97 72 127
JD066 JD Buzzed 36:Synth Pad/Str 97 72 66 JD128 ASMR U there? 39:Synth FX 97 72 128
JD067 Kiruna Pad 36:Synth Pad/Str 97 72 67 JD129 Init Tone 0:No Assign 97 73 1
JD068 Cloud Keys /Mod 36:Synth Pad/Str 97 72 68
JD069 Lonely City 36:Synth Pad/Str 97 72 69
JD070 Frost Freeze 36:Synth Pad/Str 97 72 70 Waveform
JD071 Requiem /Mod 36:Synth Pad/Str 97 72 71
JD072 The Summoner 36:Synth Pad/Str 97 72 72 No. WaveName Category
JD073 Krystals Pad 37:Synth Bellpad 97 72 73
001 Syn Saw 1 130:Singl | Saw
JD074 JD Keys 37:Synth Bellpad 97 72 74
002 Syn Saw 2 130:Singl | Saw
JD075 Liquidy Worms 37:Synth Bellpad 97 72 75
003 FAT Saw 130:Singl | Saw
JD076 Asian Dream 38:Synth PolyKey 97 72 76
004 FAT Square 131:Singl | SqPls
JD077 Soft Knock 38:Synth PolyKey 97 72 77
JD078 Irish Eyes 38:Synth PolyKey 97 72 78 005 Syn Pulse1 131:Singl | SqPls
JD079 Our Story 38:Synth PolyKey 97 72 79 006 Syn Pulse2 131:Singl | SqPls
JD080 Strummy /Mod 38:Synth PolyKey 97 72 80 007 Syn Pulse3 131:Singl | SqPls
JD081 Bell Vox Key 38:Synth PolyKey 97 72 81 008 Syn Pulse4 131:Singl | SqPls
JD082 Simple Shocks 38:Synth PolyKey 97 72 82 009 Syn Pulse5 131:Singl | SqPls
JD083 SleepLess 38:Synth PolyKey 97 72 83 010 Pulse Mod 142:Synth | Dtune
JD084 Baptist Pad 32:Vox/Choir 97 72 84 011 Triangle 132:Singl | Tri
JD085 Padtergeist 32:Vox/Choir 97 72 85
012 Syn Sine 133:Singl | Sine
JD086 Koyona 42:Pulsating 97 72 86
013 Soft Pad 143:Synth | PdStr
JD087 404 Pad /Mod 42:Pulsating 97 72 87
014 Wire Str 135:Singl | Digi
JD088 Bell Phases 42:Pulsating 97 72 88
015 MIDI Clav 030:Keys | Clav
JD089 Bot Swarm 42:Pulsating 97 72 89
JD090 String Wave 42:Pulsating 97 72 90
016 Spark Vox1 141:Synth | Voice
JD091 Droid Crew 42:Pulsating 97 72 91 017 Spark Vox2 141:Synth | Voice
JD092 Null Split 42:Pulsating 97 72 92 018 Syn Sax 145:Synth | Lead
JD093 Straight Shot 34:Synth Lead 97 72 93 019 Clav Wave 030:Keys | Clav
JD094 Velo Voc Lead 34:Synth Lead 97 72 94 020 Cello Wave 135:Singl | Digi
JD095 CH Cutter 34:Synth Lead 97 72 95 021 BrightDigi 135:Singl | Digi
JD096 YooDoo Sequel 34:Synth Lead 97 72 96 022 Cutters 135:Singl | Digi
JD097 JD Shredder! 34:Synth Lead 97 72 97 023 Syn Bass 082:Bass | SynBs
JD098 Semi-Orbit 34:Synth Lead 97 72 98
024 Rad Hose 119:WWind | Other
JD099 Flicker 34:Synth Lead 97 72 99
025 Vocal Wave 141:Synth | Voice
JD100 Sine Of Life 34:Synth Lead 97 72 100
026 Wally Wave 135:Singl | Digi
JD101 Gee Funk Bass 21:Synth Bass 97 72 101
027 Brusky lp 135:Singl | Digi
JD102 Frenzy Bs /Mod 21:Synth Bass 97 72 102
JD103 Slime Slap! 21:Synth Bass 97 72 103
028 Digiwave 135:Singl | Digi
JD104 Extreme Bot! 21:Synth Bass 97 72 104 029 Can Wave 1 135:Singl | Digi
JD105 800 Bass 21:Synth Bass 97 72 105 030 Can Wave 2 135:Singl | Digi
JD106 Proison 21:Synth Bass 97 72 106 031 EML 5th 135:Singl | Digi
JD107 Gear Grease 21:Synth Bass 97 72 107 032 Wave Scan 135:Singl | Digi
JD108 Cog Punch 21:Synth Bass 97 72 108 033 Nasty 135:Singl | Digi
JD109 Piano Memories 1:Ac.Piano 97 72 109 034 Wave Table 135:Singl | Digi

54
 Roland Cloud user’s guide

No. WaveName Category No. WaveName Category

035 Fine Wine 140:Synth | Bell 092 Flute Tone 110:Wwind | Flute
036 Funk Bass1 081:Bass | E.Bs 093 Pan Pipe 119:WWind | Other
037 Funk Bass2 081:Bass | E.Bs 094 BottleBlow 119:WWind | Other
038 ST Sust 071:Guitr | E.Gtr 095 Shaku Atk 119:WWind | Other
039 Harp Harm 146:Synth | KyPlk 096 FlugelWave 100:Brass | Solo
040 Full Organ 049:Organ | Other 097 French 100:Brass | Solo
041 Full Draw 049:Organ | Other 098 WhiteNoise 149:Synth | Other
042 Doo 141:Synth | Voice 099 Pink Noise 149:Synth | Other
043 ZZZ Vox 141:Synth | Voice 100 Pitch Wind 149:Synth | Other
044 Org Vox 141:Synth | Voice 101 Vox Noise1 149:Synth | Other
045 Male Vox 141:Synth | Voice 102 Vox Noise2 149:Synth | Other
046 Kalimba 069:Pluck | Other 103 CrunchWind 149:Synth | Other
047 Xylo 050:M.Prc | Malet 104 ThroatWind 149:Synth | Other
048 Marim Wave 050:M.Prc | Malet 105 Metal Wind 149:Synth | Other
049 Log Drum 231:Perc | Wood 106 Windago 149:Synth | Other
050 AgogoBells 232:Perc | Metal 107 Anklungs 059:M.Prc | Other
051 Bottle Hit 059:M.Prc | Other 108 Wind Chime 233:Perc | Ratle
052 Gamelan 1 059:M.Prc | Other
053 Gamelan 2 059:M.Prc | Other
054 Gamelan 3 059:M.Prc | Other EXM007: n/zyme Model Expansion
055 Tabla 230:Perc | Mmbrn
056 Pole lp 149:Synth | Other
Tone List
057 Pluck Harp 060:Pluck | Pluck
058 Nylon Str 070:Guitr | A.Gtr No. Name Category MSB LSB PC
059 Hooky 239:Perc | Other
1 Geometric Wave Pulsating 97 79 1
060 Muters 071:Guitr | E.Gtr
2 Wave StepModular Pulsating 97 79 2
061 Klack Wave 135:Singl | Digi
3 Electro Waltz Pulsating 97 79 3
062 Crystal 140:Synth | Bell
4 Earth & Space Synth Pad/Str 97 79 4
063 Digi Bell 140:Synth | Bell
5 Chip Stutter Phrase 97 79 5
064 FingerBell 050:M.Prc | Malet
6 Electro 1 Phrase 97 79 6
065 Digi Chime 140:Synth | Bell
7 Dyow Synth Bass 97 79 7
066 Bell Wave 140:Synth | Bell
8 Square Folder Synth Bass 97 79 8
067 Org Bell 140:Synth | Bell
9 Mega Sweep Synth Lead 97 79 9
068 Scrape Gut 079:Guitr | Other
10 Draw Sync Sweep Synth Lead 97 79 10
069 ST Atk 079:Guitr | Other
11 Phaser Pad Synth Pad/Str 97 79 11
070 Hellow Bs 082:Bass | SynBs
12 Waveswarm Synth Pad/Str 97 79 12
071 Piano Atk 010:Piano | AcPno
13 Panning Pad Synth PolyKey 97 79 13
072 EP Hard 029:EP | Other
14 Santa Monica Synth PolyKey 97 79 14
073 Clear Keys 049:Organ | Other
15 Prismatic Piano E.Piano2 97 79 15
074 EP Distone 029:EP | Other
16 Shorty Key Pulsating 97 79 16
075 Flute Push 110:Wwind | Flute
17 Tender Twitch Pulsating 97 79 17
076 Shami 069:Pluck | Other
18 Future PulseTone Pulsating 97 79 18
077 Wood Crak 231:Perc | Wood
19 Cinematic 1 Pulsating 97 79 19
078 Klmba Atk 069:Pluck | Other
20 Cinematic 2 Pulsating 97 79 20
079 Block 231:Perc | Wood
21 Cinematic 3 Pulsating 97 79 21
080 Org Atk 1 049:Organ | Other
22 Drawing Pad Pulsating 97 79 22
081 Org Atk 2 049:Organ | Other
23 Multi Voxylor Pulsating 97 79 23
082 Cowbell 232:Perc | Metal
24 Pulsar Keys Pulsating 97 79 24
083 Sm Metal 169:FX | Other
25 Wavemarillion MW Pulsating 97 79 25
084 StrikePole 169:FX | Other
26 StepMod Dance MW Pulsating 97 79 26
085 Pizz 092:Strng | Pizz
27 Geometric Wave 2 Pulsating 97 79 27
086 Switch 163:FX | SndFX
28 Draw Step Seq Pd Pulsating 97 79 28
087 Tuba Slap 109:Brass | Other
29 Chop Bots Pulsating 97 79 29
088 Plink 169:FX | Other
30 Flange Step Pad Pulsating 97 79 30
089 Plunk 169:FX | Other
31 Steputation Pulsating 97 79 31
090 EP Atk 029:EP | Other
32 Ambi Step Pulsating 97 79 32
091 TVF_Trig 160:FX | SynFX

55
Roland Cloud user’s guide

No. Name Category MSB LSB PC No. Name Category MSB LSB PC
33 Storm Pad Pulsating 97 79 33 90 Kioku Synth PolyKey 97 79 90
34 Runner Pulsating 97 79 34 91 Waterwhirl Synth PolyKey 97 79 91
35 DrawPulsating Pd Pulsating 97 79 35 92 HPF Shooter Synth PolyKey 97 79 92
36 Sine Mine Pulsating 97 79 36 93 Noise Chimes Synth PolyKey 97 79 93
37 Tri Pulse Pad Pulsating 97 79 37 94 Synth Guitar Synth PolyKey 97 79 94
38 Quiver Pad Pulsating 97 79 38 95 Guitar Bell Synth PolyKey 97 79 95
39 FM Dist Pad Pulsating 97 79 39 96 Diganna Synth PolyKey 97 79 96
40 Stun Dance Pulsating 97 79 40 97 Dimensions Synth Bellpad 97 79 97
41 Romance Pulsating 97 79 41 98 Air Blow Synth Bellpad 97 79 98
42 A.Guitar Cutting Pulsating 97 79 42 99 Sine Garden Synth Bellpad 97 79 99
43 Mantra Phrase 97 79 43 100 Dream Bell Synth Bellpad 97 79 100
44 Electro 2 Phrase 97 79 44 101 Pop Bell Keys Synth Bellpad 97 79 101
45 Electro 3 Phrase 97 79 45 102 Bell Pluck Pad Synth Bellpad 97 79 102
46 Ninth Street Phrase 97 79 46 103 FM Bells Synth Bellpad 97 79 103
47 Draw Bell Seq Phrase 97 79 47 104 Draw Bell Pad Synth Bellpad 97 79 104
48 Gen X Bells Phrase 97 79 48 105 Glassy Keys Synth Bellpad 97 79 105
49 Busted Modular Phrase 97 79 49 106 Hiyoyah Vox/Choir 97 79 106
50 Warrior Phrase 97 79 50 107 Vocal Shift Vox/Choir 97 79 107
51 Off Road Synth Bass 97 79 51 108 Aye Aye Vox/Choir 97 79 108
52 Intruder Synth Bass 97 79 52 109 Chatter Bots Synth Seq/Pop 97 79 109
53 Velo Rez Synth Bass 97 79 53 110 Mullet Mallet Synth Seq/Pop 97 79 110
54 Hawk-i Synth Bass 97 79 54 111 Sparkle Synth Synth Seq/Pop 97 79 111
55 Dist LFO Bass Synth Bass 97 79 55 112 Engines On Synth FX 97 79 112
56 Morse Code Synth Bass 97 79 56 113 Sine Sweep Up Synth FX 97 79 113
57 WT Wobble Synth Bass 97 79 57 114 INIT TONE No Assign 97 79 114
58 Delta Bass Synth Bass 97 79 58
59 EffEmm Bass Synth Bass 97 79 59
60 Blue Bass Synth Bass 97 79 60 Wavetable List
61 WT Sweep Lead Synth Lead 97 79 61
62 Sync Lead Synth Lead 97 79 62 No. Name
63 Mod To Feedback Synth Lead 97 79 63 1 4waves morph
64 Last Satellite Synth Lead 97 79 64 2 Sine Garden
65 Interrupt Lead Synth Lead 97 79 65 3 SineToDist 1
66 Dark Anthem Synth Lead 97 79 66 4 SineToDist 2
67 Wailing WaveLead Synth Lead 97 79 67 5 Sine Blend
68 FBK Osc Lead Synth Lead 97 79 68 6 Sqr To Saw
69 Comb Sine Lead Synth Lead 97 79 69 7 Saw Sync
70 Wave Particles Synth Pad/Str 97 79 70 8 Square Sync
71 Garden of Waves Synth Pad/Str 97 79 71 9 EM Piano
72 Blockbuster Synth Pad/Str 97 79 72 10 Morph Mode
73 AEIOU Pad Synth Pad/Str 97 79 73 11 SyncShift WT
74 Draw Saw Pad Synth Pad/Str 97 79 74 12 Growl FM
75 Zenu Pad Synth Pad/Str 97 79 75 13 EffEmm One
76 Time Travel Synth Pad/Str 97 79 76 14 FM Bells
77 EffEmm Worlds Synth Pad/Str 97 79 77 15 Organ Sweep
78 Scan Pad Synth Pad/Str 97 79 78 16 EffEmm Two
79 Draw Sweep Pad Synth Pad/Str 97 79 79 17 FM Parade
80 IYBITWC Synth Pad/Str 97 79 80 18 FM Sweep
81 Warm Wow Synth Pad/Str 97 79 81 19 FM Oct Mod
82 Thoughtful Synth Pad/Str 97 79 82 20 Crystalshyft
83 Hubble Synth Pad/Str 97 79 83 21 Bell
84 Floating WT Synth PolyKey 97 79 84 22 Spectra
85 Velo Purl Synth PolyKey 97 79 85 23 Circuit
86 Vapour Pluck Synth PolyKey 97 79 86 24 Shiner
87 Bright Future Synth PolyKey 97 79 87 25 Inharmonic
88 Bounce Key Synth PolyKey 97 79 88 26 Can Tank
89 Morning Organ Synth PolyKey 97 79 89 27 Spect2

56
 Roland Cloud user’s guide

No. Name No. Name

28 Spectrum Swp 17 Cinematic 1
29 UniSqr Spctl 18 Cinematic 2
30 Saw Spectral 19 Electro Cinema 1
31 Hubble 20 Electro Cinema 2
32 Weaow
33 Harmonic
34 Seared
35 JP-8K FbkOSC
36 AEIOU Warp
37 Uni Sqr Warp
38 Rhythm Warp1
39 Rhythm Warp2
40 Mosquito
41 Robovoxxy
42 Why Bass
43 VowelSweep 1
44 VowelSweep 2
45 Voxylite
46 Voxylor
47 AEIOU
48 Wavefold
49 Future Acid
50 Livepianna
51 Guitar Sweep
52 Syn Guitar
53 Guitar WT 1
54 Guitar WT 2
55 Acoustic Gtr
56 Ac Gtr Slide
57 OnceWasNoise
58 IntrmissivWT
59 Ripple
60 Modulant
61 Phase Ride
62 Saw Stortion
63 Vector

Scene List
No. Name
1 Sine Mine Pad
2 Bustered Modular
3 Hesitation
4 Choir Future
5 Universal Voices
6 Passpoly
7 Nineth Street
8 Assumption
9 Punch Punk Bass
10 Epic Romance Bs
11 Robber’s Lead
12 Wait Up Lead
13 Earth Pad
14 Pad & Bell
15 Padded Pleasures
16 Desert Aire

57
Roland Cloud user’s guide

M09X01: V-Piano Expansion 01 German No. Tone Name MSB LSB PC

Concert Expansion 28 1981 Harp 107 64 28

29 1981 Lo Strings 107 64 29
30 1981 Hi Strings 107 64 30
Tone List 31 1981 Mellow Str 107 64 31
32 1981 Lo Brass 107 64 32
No. Tone Name MSB LSB PC
33 1981 Hi Brass 107 64 33
1 German Concert 103 64 1 34 1981 S/H Brass 107 64 34
2 Bold Grand 103 64 2 35 1981 Pipe Organ 107 64 35
3 Calm Focus 103 64 3 36 1981 Drawbar Org 107 64 36
4 Open Warm 103 64 4 37 1981 Solo Voice 107 64 37
5 Open Warm 2 103 64 5 38 1981 Choir Voice 107 64 38
6 Studio Pop 103 64 6 39 1981 Fat Fifth 107 64 39
7 Studio Rock 103 64 7 40 1981 Fuzzy Fifth 107 64 40
8 Ballad Warm 103 64 8 41 1981 Hard Blip 107 64 41
9 Bright & Clear 103 64 9 42 1981 Flute 107 64 42
10 Feelin’ Hopping 103 64 10 43 1981 Whistle 107 64 43
11 Short Stick 103 64 11 44 1981 Chime 107 64 44
12 Quiet Phrase 103 64 12
13 Bright Baby 103 64 13
14 Deep Open 103 64 14 ACB002: SH-101 ACB Expansion
15 Presence 103 64 15
16 Water Piano 103 64 16
17 Low Lifted Cncrt 103 64 17 Preset List
No. Tone Name MSB LSB PC

ACB001: JUPITER-8 ACB Expansion 1 SH Sub Bump 107 66 1

2 SH Res Baby 107 66 2
3 Pulse Shaper 107 66 3
Preset List 4 LFO Ghoulli 107 66 4
5 Reso Back 107 66 5
No. Tone Name MSB LSB PC
6 Big Bass 107 66 6
1 Soft & Subtle 107 64 1 7 Round Fatty 107 66 7
2 Straight Poke 107 64 2 8 Hollow Shooter 107 66 8
3 Reso Polloy 107 64 3 9 Repeart Offense 107 66 9
4 City Scape 107 64 4 10 Charlatan 107 66 10
5 Echo Gems 107 64 5 11 Bail Echo 107 66 11
6 Gasser 107 64 6 12 Saw Blazer 107 66 12
7 Round Boy 107 64 7 13 Pulse Pleasure 107 66 13
8 India Pulse 107 64 8 14 Soft and Sweet 107 66 14
9 Klang Swallow 107 64 9 15 Juice Squawk 107 66 15
10 Bump Sub 107 64 10 16 Give Me Rings 107 66 16
11 Wet Reso 107 64 11 17 Reflections 107 66 17
12 Wide P 107 64 12 18 Reso Slash 107 66 18
13 Stutter Mod 107 64 13 19 Suspended 107 66 19
14 Pulse Phase 107 64 14 20 Deep Sweeper 107 66 20
15 Disto Sing 107 64 15 21 LD the real 101 107 66 21
16 Trust Me 107 64 16 22 BS SH-101 Bass 1 107 66 22
17 Summer Brass 107 64 17 23 DR Analog Kick 1 107 66 23
18 Brass Panner 107 64 18 24 BS Low Bass 107 66 24
19 Brass Baby 107 64 19 25 BS SH-101 Bass 2 107 66 25
20 eJungle Brass 107 64 20 26 BS SH-101 Bass 3 107 66 26
21 1981 NEG Pluck 107 64 21 27 BS Solid Bass 107 66 27
22 1981 Cars Sync 107 64 22 28 BS Electro Bass 107 66 28
23 1981 Hammer Lead 107 64 23 29 BS G House Bass 107 66 29
24 1981 Clav 107 64 24 30 BS Hard Reso Bs 107 66 30
25 1981 Echo Piano 107 64 25 31 BS Reso Low Bass 107 66 31
26 1981 Honky Tonk 107 64 26 32 DR Analog Kick 2 107 66 32
27 1981 Xylo 107 64 27

58
 Roland Cloud user’s guide

No. Tone Name MSB LSB PC No. Tone Name MSB LSB PC
33 FX Zap Boom 107 66 33 4 Strings II 107 70 4
34 BS SH Low Bass 107 66 34 5 Choir 107 70 5
35 BS Sinwave Bass 107 66 35 6 Organ 107 70 6
36 BS Bow Bass 107 66 36 7 Piano 107 70 7
37 BS Deep Reeze 107 66 37 8 E Piano 107 70 8
38 DR G Kick 107 66 38 9 Clav 107 70 9
39 SQ Aliens 107 66 39 10 Celesta 107 70 10
11 Dark Pluck 107 70 11
12 Pluck Sweep 107 70 12
ACB003: JX-3P ACB Expansion 13 Synth Pad 107 70 13
14 Sweep 107 70 14
15 Reso Rise 107 70 15
Preset List
16 Pluck Bell 107 70 16
17 ChorusVibes 107 70 17
No. Tone Name MSB LSB PC
18 Lead I 107 70 18
1 String 1 107 76 1
19 Lead II 107 70 19
2 String 2 107 76 2
20 Funky 107 70 20
3 Organ 2 107 76 3
21 Synth Bass 107 70 21
4 Organ 1 107 76 4
22 Trumpet 107 70 22
5 Organ 3 107 76 5
23 Drum Boon 107 70 23
6 Brass 1 107 76 6
24 Caverns 107 70 24
7 Brass 2 107 76 7
8 E.Piano1 107 76 8
9 E.Piano2 107 76 9
10 Harpsichd 107 76 10
11 Clav 107 76 11
12 Vibrphone 107 76 12
13 Chime 107 76 13
14 Celesta 107 76 14
15 Accordion 107 76 15
16 Voice 107 76 16
17 Violin 107 76 17
18 Flute 107 76 18
19 Oboe 107 76 19
20 Whistle 107 76 20
21 SynBrs1 107 76 21
22 SynBrs2 107 76 22
23 DistGtr 107 76 23
24 JuicyFunk 107 76 24
25 FiltrFlw 107 76 25
26 SynthWah 107 76 26
27 FatFifth 107 76 27
28 SyncSwp 107 76 28
29 FunkyClv 107 76 29
30 Pulsar 107 76 30
31 Planet 107 76 31
32 Jet 107 76 32

ACB004: JUNO106 ACB Expansion

Preset List
No. Tone Name MSB LSB PC
1 Brass 107 70 1
2 Brass & Str 107 70 2
3 Strings I 107 70 3

59