ICSE ENG 2 10 BookRevision Notes-Final
ICSE ENG 2 10 BookRevision Notes-Final
CHAPTER-1
JULIUS CAESAR (ACTS III, IV & V)
—William Shakespeare
Learning Objectives
l Understand the assassination plot against Caesar. l Explore the themes of betrayal and power.
l Analyse Brutus’s speech and its persuasive techniques. l Compare the leadership styles of key characters.
l Examine Antony’s response and its impact.
A. C. Bradley, on the other hand, argues that the play Caesar’s rival and now celebrate Caesar’s triumph. The
is a masterpiece of characterisation, with each character tribunes are worried about Caesar’s growing power and
representing a different aspect of human nature. He the potential threat to the Roman Republic. Meanwhile,
notes that the contrast between the noble Brutus and the Caesar is warned by a soothsayer to “Beware the Ides of
ambitious Caesar is particularly striking, as is the complex March”, but he dismisses the warning. Caesar’s growing
relationship between Cassius and Brutus. arrogance and ambition make some of his allies uneasy.
T. S. Eliot suggests that Julius Caesar is a play that Among these is Brutus, a respected Roman senator,
explores the nature of tragedy and the human condition. who is concerned about Caesar’s increasing power.
He argues that the characters are flawed and complex, Cassius approaches him, attempting to persuade him
and that their actions have far-reaching consequences that Caesar's ascent poses a threat to Rome. Cassius
that ultimately lead to their downfall. He notes that the believes that Caesar is becoming too powerful and will
play raises important questions about the relationship soon declare himself king, thus destroying the republic.
between the individual and society and the nature of Cassius subtly appeals to Brutus’s sense of honour and
power and authority. patriotism, suggesting that Brutus should act to protect
Jan Kott, meanwhile, argues that the play is a Rome by joining a conspiracy to assassinate Caesar. At
commentary on the corrupting influence of power and the same time, Caesar shows his arrogance in a public
the dangers of political ambition. He suggests that it setting, refusing the crown offered to him by Mark
shows how easily people can be manipulated and how Antony. Despite his rejection, it is clear that Caesar is
quickly loyalty can be betrayed and offers a damning aware of the power he is accumulating and his ambitions
critique of the political systems and institutions that seem to be growing. Brutus is torn between his loyalty to
enable such corruption. Caesar, whom he loves as a friend and his concern for the
Finally, Northrop Frye offers a unique perspective on future of the Roman Republic. Cassius convinces Brutus
the play, suggesting that it is a work of literature that in a private conversation that he must stop Caesar before
offers insight into the collective consciousness of its he becomes too powerful.
time. He notes that the play reflects the anxieties and In Act II the conspiracy to kill Caesar begins to take
uncertainties of a society in transition and speaks to shape. Brutus, although still unsure, agrees to join the
the hopes and fears of its audience in a way that is both
plot, motivated by his belief that Caesar’s ambition would
timeless and deeply rooted in its historical context.
lead to tyranny and the end of the Roman Republic.
In terms of character analysis, the play offers a complex
Brutus’s wife, Portia, senses that something is troubling
portrait of its central figures. It portrays Julius Caesar as
him and demands to know what is wrong. She presses
a charismatic and powerful leader who is nevertheless
him to confide in her, and he eventually admits to being
flawed by his own hubris and arrogance. A cast of
involved in a conspiracy against Caesar but swears her to
ambitious and often duplicitous figures surrounds him,
secrecy. Meanwhile, the conspirators, including Cassius,
including Cassius, who plots to overthrow him and Mark
Antony, who seeks to avenge his death. Meanwhile, the Casca, and others, meet at Brutus’s house to finalise their
noble Brutus is torn between his loyalty to Caesar and his plans. They discuss how to carry out the assassination
sense of duty to the Roman Republic, ultimately joining and agree that it must be done without appearing to act
the conspiracy against Caesar out of a belief that it is the out of personal jealousy or malice but rather as a noble act
only way to save Rome from tyranny. for the good of Rome. They also decide not to kill Mark
The story of the play is both tragic and cautionary, Antony, Caesar’s loyal supporter, as they fear it might be
showing the dangers of political ambition and the considered too violent and unnecessary. This decision
consequences of taking power into one’s own hands. shows Brutus’s idealism and his desire to preserve the
It explores the complexities of human nature and the appearance of nobility in the assassination. The night
competing desires for power, loyalty and honour. It raises before the assassination, Caesar’s wife, Calpurnia, has
important ethical and philosophical questions about a nightmare in which she sees Caesar’s statue spouting
leadership, the role of the individual in society and the blood. She is terrified and begs Caesar to stay home from
corrupting influence of power. the Senate. At first, Caesar is persuaded, but then Decius
In conclusion, ‘Julius Caesar’ is a timeless masterpiece Brutus, one of the conspirators, arrives and reinterprets
of literature that continues to captivate audiences around Calpurnia’s dream. He tells Caesar that the dream is a
the world. It offers a complex and nuanced portrait of good omen, suggesting that Caesar’s blood will revive
human nature and the complexities of political power, Rome. Caesar, flattered and convinced, decides to go to
exploring themes of loyalty, betrayal, ambition and the the Senate despite his wife’s pleas. At the Senate, the
consequences of taking power into one’s own hands. conspirators are ready to strike. They plan to assassinate
The play’s enduring appeal is a testament to its rich and Caesar during his coronation. As Caesar arrives at the
powerful themes and its ability to speak to the hopes and Senate, the conspirators surround him. Brutus delivers
the fatal blow, and Caesar, seeing Brutus among them, is
fears of audiences in any age.
reportedly shocked and cries, “Et tu, Brute?” —expressing
his disbelief that Brutus, whom he trusted, would betray
Recall Acts I & II him. After Caesar’s death, chaos erupts in Rome.
In conclusion, Act I sets up the political climate and
In Act I the play opens in Rome, where the commoners are the tension surrounding Caesar’s rise to power, while
celebrating the return of Julius Caesar, who has recently Act II deepens the conspiracy against Caesar, leading to
defeated Pompey’s sons in battle. Two Roman tribunes, the fateful decision to assassinate him. Both acts explore
Flavius and Marullus, scold the crowd for their fickleness, themes of power, loyalty and betrayal, setting the stage
reminding them that they once supported Pompey, for the tragedy that will unfold in the subsequent acts.
Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10 | 3
Play Going Forward Acts III, IV and V Julius Caesar: A great general and a statesman of Rome,
who returns to the city as a powerful dictator. He is
In Act III of Julius Caesar, the conspirators assassinate ambitious, confident and egotistical but also has a noble
Caesar, believing it will save Rome from his rising power. side that is admired by many.
While Brutus justifies the murder to the public, Antony’s Lucilius: A soldier who impersonates Brutus during the
funeral speech turns the crowd against the conspirators, battle and is captured by Antony's army.
leading to a riot. In Act IV, the Second Triumvirate—
Marcus Brutus: A senator of Rome, who joins the
Antony, Octavius and Lepidus—forms and begins
conspirators to assassinate Caesar out of his love for
purging their enemies, while Brutus and Cassius prepare
for war against them. Tensions rise between the two, but Rome and his fear that Caesar will become a tyrant. He is
they eventually reconcile. In Act V, the forces of Brutus an idealist, a man of principle and a skilled orator.
and Cassius face Antony and Octavius at the Battle of Mark Antony: A loyal friend and supporter of Caesar,
Philippi. After heavy losses, both Cassius and Brutus who becomes his successor after his assassination. He
commit suicide. Antony, victorious, mourns Brutus as is cunning, ambitious and manipulative, and uses his
“the noblest Roman of them all”, signalling the fall of the charisma and public speaking skills to turn the Roman
conspirators and the rise of the triumvirs. citizens against the conspirators.
Octavius Caesar: Julius Caesar's adopted son and heir,
Characters of the Play who later becomes the first emperor of Rome. He is young,
ambitious and determined skilled military commander.
Artemidorus: A Roman citizen who attempts to warn
Caesar of the conspiracy through a letter. Portia: Brutus' wife, who dies by suicide after her
husband leaves for battle. She is supportive of his cause
Calpurnia: Caesar's wife, who has a premonition of his
but is worried about his well-being. She is strong-willed
death and tries to dissuade him from going to the Capitol.
and independent, and commits suicide after Brutus'
Cassius: A senator of Rome who organises the conspiracy death.
to kill Caesar. He is intelligent, cunning and manipulative
and is driven by his hatred of Caesar and his desire for Soothsayer: A fortune teller, who warns Caesar to
power. "Beware the Ides of March".
Cinna – the Poet: A poet who is mistaken for one of the Titinius: A friend of Cassius, who is mistakenly believed
conspirators and is killed by an angry mob. to be captured by the enemy and causes Cassius to kill
Flavius and Marullus: Tribunes who are critical of himself.
Caesar and removed from their positions for removing Trebonius: A conspirator who is tasked with taking Mark
decorations from Caesar's statues. Antony away from Caesar's assassination.
ACT III, SCENE 1 (out of 3): Rome. Before the Capitol; the Senate Sitting
ACT III, SCENE 2 (out of 3): Rome. Before the Capitol; The Forum
for his honour. He clarifies that his actions against Caesar Moreover, this scene sets the stage for the ensuing chaos
were not driven by a lack of love for Caesar, but rather by and conflict in the play. The crowd's revolt marks the
a greater love for Rome. He argues that Caesar's ambition beginning of the downfall of Brutus and the conspirators,
was a threat to Roman liberty, which led him to eliminate leading to the tragic climax of the play. Essentially, Act
Caesar. He assures the crowd that he would willingly III, Scene 2 serves as a turning point in the play "Julius
accept the same fate for the welfare of Rome, if necessary. Caesar", marking the transition from political intrigue to
The crowd, influenced by Brutus' logical reasoning and open conflict.
apparent nobility, vocally expresses their approval.
After Brutus' speech, Mark Antony
enters the scene with Caesar's body. Act-III —
Critical Analysis
Brutus leaves, allowing Antony to Scene-2
address the crowd. Antony's speech, The funeral orations scene in “Julius Caesar” (Act III,
which famously begins with "Friends, Scene 2) is a compelling study of rhetoric’s power,
Romans, countrymen, lend me your contrasting Brutus’ logical but detached appeal to Roman
ears", is a brilliant display of rhetoric honour with Antony’s masterful emotional manipulation.
and persuasion. He subtly challenges Brutus justifies Caesar’s assassination through reasoned
Brutus' arguments, questioning the argument—“Not that I loved Caesar less, but that I loved
Scan Me!
claim that Caesar was ambitious. He Rome more”—yet underestimates the plebeians’ volatility,
reminds the crowd of Caesar's refusal of the crown and while Antony, with calculated irony (“honourable men”)
his compassion for the poor, suggesting that these actions and visceral imagery (Caesar’s wounds, his will), incites
contradict the accusation of ambition. Antony's speech is the crowd’s fury, exposing their fickleness as they swiftly
emotionally charged, and he even pauses to weep at one turn from praise to violence. This pivotal moment critiques
point, further influencing the crowd's sympathies. mob mentality and political persuasion, revealing how
Antony's speech effectively turns the crowd against easily reason is eclipsed by passion, foreshadowing
Brutus and the conspirators. The crowd, initially the chaos of civil war and underscoring Shakespeare’s
swayed by Brutus' reasoning, is now moved by Antony's timeless warning about the dangers of demagoguery and
emotional appeal and begins to perceive the assassination unchecked rhetoric in leadership.
of Caesar as an act of treachery. The scene concludes with
the crowd stirred into a frenzy, ready to revolt against the
conspirators. Glossary
This scene is a powerful demonstration of the influence
of rhetoric and public opinion. Both Brutus and Antony Ambition: A strong desire for power or achievement.
use their speeches to manipulate the crowd to their In this context, it refers to Caesar’s alleged ambition to
advantage. However, while Brutus appeals to reason and become king, which Brutus presents as a threat to Roman
logic, Antony appeals to emotion, proving to be more liberty.
effective in influencing the crowd. The scene underscores
Plebeians: The common people of Rome, who form the
the volatile nature of public opinion, as the crowd's
allegiance shifts from Brutus to Antony. audience for Brutus and Antony’s speeches.
This scene is significant, as it shows the chaos and mob ominous premonition and forced departure mirror the
mentality that has overtaken Rome following Caesar’s play’s themes of fate and helplessness, while the mob’s
assassination. The plebeians, who were once swayed by cries—“Burn all!”—foreshadow the impending civil
Brutus’ speech justifying Caesar’s murder, are now easily war. Shakespeare underscores the collateral damage
incited to violence against an innocent man. The scene of rhetorical manipulation, as Antony’s calculated
underscores the disintegration of order in society and the incitement spirals into indiscriminate brutality, exposing
dangerous power of mob mentality. the fragility of social order when emotion overpowers
judgment. In just 35 lines, the scene delivers a powerful
warning: in times of political upheaval, the first casualty
Critical Analysis is often truth, followed swiftly by the innocent.
Act IV, Scene 1 demonstrates the uneasy alliance reveals their personal ambitions and shows how their
between the three leaders: Antony, Octavius, and alliance is built on manipulation and expediency rather
Lepidus. The Triumvirs are attempting to solidify their than genuine loyalty. The scene foreshadows the violent
rule, but underlying tensions between them are already confrontations that will define the second half of the
evident. Antony takes the lead, using Lepidus as a mere play, emphasising themes of power, corruption and
pawn, and displays his contempt for him by questioning the inevitable collapse of political systems founded on
his loyalty and ability. This foreshadows the eventual betrayal and bloodshed.
breakdown of the alliance. Octavius, on the other hand,
is more reserved but equally ambitious, hinting that he Glossary
may soon rival Antony for power. Act IV, Scene 1 of Julius
Caesar portrays the corrupting influence of power and Triumvirate: A group of three people working together,
the moral ambiguity that accompanies political struggles. especially in leadership roles of some kind.
The interaction between Antony, Octavius and Lepidus Shrewd: Cunning or tricky.
ACT IV, SCENE 2 (out of 3): Before Brutus’ tent, in the camp near Sardis
is further highlighted in the verbal duel between the one of these outcomes is achieved.
triumvirate and the conspirators. The exchange of words culminates in
2. Language and Persuasion: The exchange of insults a poignant farewell between Cassius
and accusations underscores the power of language and Brutus, who fear that this might
and its role in persuasion. The characters use words be their last meeting. They part on
Scan Me!
as weapons, attempting to undermine each other’s a sombre note, with Cassius saying,
authority and resolve. ‘Forever, and forever, Brutus! / If we do meet again, we’ll
smile indeed; / If not, is true this parting was well made.
3. Fate vs. Free Will: Cassius, who previously dismissed
The opening of the final act with a battle of words is
omens as an Epicurean philosophy that believes that the
fitting, given the play’s emphasis on language, persuasion
gods do not involve themselves directly in the fate of
and power. The power struggle between Octavius and
man, starts to believe in them due to the gravity of the
Antony and the verbal duel between the triumvirate and
situation. This shift suggests a tension between fate and
free will, a recurring theme in the play. the conspirators underscore the importance and potential
power of language. This was particularly relevant in the
4. Friendship and Loyalty: The poignant parting
Elizabethan era, where language was seen as deriving its
between Cassius and Brutus highlights the theme of
authority from God’s Word.
friendship and loyalty. Despite the impending battle and
The scene opens with a tense confrontation between
their differing views, their bond remains strong.
the triumvirs (Octavius and Antony) and the conspirators
5. Public Image vs. Private Perception: The characters (Brutus and Cassius), reflecting the ongoing conflict for
grapple with their public roles and private emotions. control of Rome. Its impact has already been felt, leading
Brutus, for instance, suppresses his personal feelings for to violence and war. Yet, the scene concludes on a poignant
the perceived greater good of Rome. note with the parting of Cassius and Brutus, reminding
6. Fear of Death: The characters’ contemplation of the the audience of the divine source of language. Brutus’
impending battle and potential death brings forth the contemplation at the end of the battle hints at a desire to
theme of mortality. Their reactions vary, reflecting their understand life’s purpose and the possibility of an end
personal philosophies and attitudes towards life and death. beyond this life, returning the audience to the word, a
These themes not only shape the actions and motivations concept deeply ingrained in Elizabethan consciousness.
of the characters in this scene but also contribute to the This scene serves as a microcosm of the themes of
overall narrative and message of the play. They provide a the play—power, language, friendship and fate—and
deeper understanding of the characters’ dilemmas and the sets the tone for the dramatic conclusion. The power
tragic consequences of their actions. dynamics, the tension, and the emotional depth of the
scene are all amplified, setting the stage for the climax
Synopsis of the play. The scene ends with a sense of foreboding,
setting the stage for the final confrontation. The parting
The scene unfolds on "Plains of Philippi", where Octavius words of Cassius and Brutus underscore the gravity of
and Antony, along with their forces, are preparing for the the situation and the uncertainty of their fate, adding
arrival of Brutus, Cassius and their armies. Antony a layer of poignancy to the scene. The power of their
suggests Octavius take the left side of the battlefield, but friendship and their shared cause is highlighted in their
Octavius, asserting his authority, insists on taking the farewell, serving as a stark contrast to the animosity
right. As the opposing generals meet, a verbal and conflict that pervade the rest of the scene. This
confrontation ensues. Antony accuses Brutus of juxtaposition underscores the tragic nature of their
10 | Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10
predicament and the high stakes of the impending more pragmatic and cynical, worries about the outcome
battle. The scene ends on a note of suspense, leaving the of the battle, and there is a sense of doom surrounding
audience in anticipation of the final act. him. Brutus, however, believes they are fighting for a
noble cause and that fate is on their side. This tension
between fatalism and self-determination is central to the
Critical Analysis scene. Act V, Scene 1 of Julius Caesar is a pivotal moment
that sets the stage for the final resolution of the political
Act V, Scene 1 of Julius Caesar is a critical turning point in and personal conflicts. Through its portrayal of ideological
the play, as it sets the stage for the final battle between the differences, omens and the tension between fate and free
forces of the conspirators, led by Brutus and Cassius, and will, the scene explores the tragic consequences of political
the army of the triumvirs, led by Antony and Octavius. The ambition and the complex relationship between power,
scene is filled with political tension, dramatic confrontations morality and responsibility. Ultimately, it underscores the
and philosophical reflection on the consequences of cyclical nature of history, where even the most idealistic
Caesar’s assassination. Scene 1 takes place on the plains attempts to protect Rome lead to its destruction.
of Philippi, where the armies of the conspirators and
the triumvirs are about to engage in battle. This scene
marks the culmination of the power struggle that has Glossary
been building since the assassination of Julius Caesar in
Act III. The battle will determine the future of Rome and Hypocrisy: The practice of claiming to have higher
the fate of Brutus, Cassius, Antony and Octavius. The standards or more noble beliefs than is the case.
philosophical dimension of the scene is heightened by Juxtaposition: The fact of two things being seen or placed
the contrast between Brutus and Cassius. Cassius, often close together with contrasting effects.
ACT V, SCENE 2 (out of 5): The plains of Philippi. The field of battle
This repetition not only conveys Brutus’s anxious of the larger events at play in Julius Caesar, which reveal
determination to seize a perceived opportunity but also that despite the nobility of their cause, the conspirators
heightens the dramatic tension for the audience. This act of are ultimately doomed by the forces of history and the
loyalty plays a crucial role in the moral and philosophical ruthlessness of their enemies.
undertones of the scene. Act V, Scene 2, though brief, is
laden with significant thematic content that furthers the
play’s exploration of loyalty, honour and the tension Glossary
between idealism and pragmatism. Lucilius’s loyalty to
Swordplay: the activity or skill of fencing with swords
Brutus and his ultimate sacrifice speak to the moral and
or foils.
philosophical core of the play. Yet, despite this loyalty, the
play underscores the tragic nature of Brutus’s leadership Heighten: to become or to make something greater or
and the downfall of his ideals. The scene is a microcosm stronger.
sympathy he gains through his powerful friendship setting of the battle symbolises the final confrontation
with Cassius sweeps away any doubts about his between the forces of democracy (as represented by
nobility. This scene, therefore, serves as a turning point Brutus) and those of autocracy (represented by Antony
in the play, highlighting the tragic consequences of and Octavius). The chaos of the battlefield reflects
miscommunication and the evolving perceptions of its the turmoil and breakdown of the political order in
central characters. Rome, which Brutus hoped to prevent but ultimately
accelerates. This scene is crucial in the dramatic arc of
Critical Analysis the play because it marks the collapse of the conspirators’
cause. It’s a denouement where the consequences of the
Act V, Scene 3 of Julius Caesar is one of the key moments earlier actions come to fruition. The scene also echoes the
of the play, marked by conflict and the consequences of theme of conflict, both internal (Brutus’s struggle with
political betrayal. In this scene, Brutus and Cassius face his conscience) and external (the battle with Antony and
off against the forces of Mark Antony and Octavius in the Octavius). The confrontation in this scene, though brief,
final battle at Philippi. The sense of inevitable fate plays a serves to underscore the failure of the conspiracy and
significant role in this scene. Both Brutus and Cassius, in the fall of the noble ideals that drove it. Act V, Scene 3 is
their final moments, seem to be resigned to the idea that essential in portraying the moral and political decay that
they cannot escape the consequences of their actions. results from the assassination of Caesar. It illustrates the
Brutus, who is the more idealistic and honourable of the tragic flaws of the protagonists—Brutus’s idealism and
two conspirators, feels that his actions were justified for Cassius’s pragmatism—and serves as a reminder of the
the good of Rome. However, by the end of the scene, destructive power of ambition and betrayal. In this scene,
it becomes evident that the conspirators, despite their Shakespeare emphasises the inescapable consequences
greatest efforts, are powerless to change their fate. of their actions, bringing the play to a sombre, reflective
Brutus’s recognition of this fatalism contrasts sharply conclusion.
with his earlier idealism when he justified Caesar’s
assassination to protect Rome from tyranny. In this scene,
Brutus is a tragic figure, bound by his sense of duty and Glossary
honour. He is the first to accept the fact that they have
Melancholy: a feeling of pensive sadness, typically with
lost the battle and that his life has been marked by his
no obvious cause.
flawed decisions. His decision to kill Caesar, once driven
by a belief in the good of Rome, ultimately leads him to Manipulative: Exercising unscrupulous control or
this moment of self-doubt and personal collapse. The influence over a person or situation.
will never be taken captive. Antony, recognising Lucilius’ deception, he pretends to be Brutus. He hopes to protect
loyalty, assigns guards to him and orders his soldiers to his master by drawing attention away from him. The
continue their search for Brutus, reporting back to him at ruse is unsuccessful, and Lucilius is taken by Antony's
Octavius’ tent later. forces, but his loyalty to Brutus and his willingness to
This scene is marked by a series of errors, with Antony’s sacrifice himself for his leader speak volumes about the
soldiers mistaking Lucilius for Brutus. Lucilius had relationships between the characters. The scene acts as a
assumed Brutus’ identity in an attempt to protect him, brief but poignant moment of respite amid the chaos of
hoping that the soldiers, believing they had captured battle. It shifts the focus away from the larger strategic
Brutus, would cease their search. However, Antony conflicts and highlights personal honour and loyalty. In
corrects their mistake, depriving Lucilius of a noble death. the midst of the external conflict, Lucilius’s story offers a
Now a prisoner, Lucilius’ value as a friend is
quieter, more intimate moment that underscores one of
questioned. Despite being the least likely to switch sides,
the central moral themes of the play: the conflict between
the play leaves it unclear if he will. Antony’s belief that
soldiers will always act in their best interest, disregarding personal honour and political power. This scene also
principles and loyalty, hints at his future rule—one helps build anticipation for the final outcomes in the play.
that is willing to abandon both principles and loyalties. The action, though minimal in the context of the overall
Antony’s views, while partially accurate, suggest that battle, serves as a reminder that the war is not only
his rule, along with the triumvirate, will lack the nobility about political leaders but also about the people who
of men like Brutus and Lucilius. This scene underscores serve them and the personal costs they bear. Lucilius’s
the harsh realities of war, where loyalty is fleeting and fate and the symbolism of his actions set the stage for
survival often necessitates changing sides. the final, tragic moments of the play. Act V, Scene 4 of
Julius Caesar serves as a microcosm of the play’s larger
themes of loyalty, deception, and the complex morality
Critical Analysis of political life. Through the character of Lucilius,
Shakespeare contrasts personal loyalty with the larger
Act V, Scene 4 of Julius Caesar is an important scene in
political machinations that drive the tragic events of the
the final act of the play, depicting the chaotic and tragic
play. This scene emphasises the cost of honour, as well
fallout of the battle at Philippi. This scene shifts the
as the unpredictable nature of fate, which continues to
focus away from the central characters like Brutus and
unfold even in the final moments of the battle for Rome.
Cassius and highlights the fate of the lesser characters,
including Lucilius, who plays a key role in protecting
Brutus. Here's a critical analysis of this scene. The scene Glossary
opens with the battle between the forces of Brutus and
Cassius on one side, and those of Antony and Octavius Depriving: Prevent (a person or place) from having or
on the other. Lucilius, a loyal servant to Brutus, is using something.
captured by the enemy, but in a display of loyalty and Steadfast: Resolutely.
Learning Objectives
l A nalyse the core themes and underlying messages of the poem. with traditional representations.
l Evaluate how literary devices contribute to the poem's l Assess the philosophical perspective presented in the poem's
effectiveness. conclusion.
l Compare the unconventional portrayal of supernatural elements
Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10 | 15
About the Poet haunting that persists even after a physical absence.
Longfellow writes about how homes, once filled with
Henry Wadsworth Longfellow (1807–82) is one of the life and joy, become “haunted” by the memories of those
most celebrated literary figures of the 19th century. Born who once inhabited them. The homes are not inhabited
in Portland, Maine, New England, he developed a love by spirits in the traditional sense but by the presence of
for literature and language. He began his career as a love, loss and nostalgia.
professor of modern languages. He later held positions
at Harvard University, teaching modern languages and Literary Devices
literature. He was the first American to translate Dante
Alighieri's Divine Comedy into English. There are several figures of speech that contribute to the
Longfellow’s poetry gained international acclaim for poem's vivid imagery and overall impact. Here are some
its lyricism and themes of love, nature and American examples.
history. Some of his famous works include ‘Paul Revere's 1. Metaphor:
Ride’, ‘The Song of Hiawatha’ and ‘Evangeline: A Tale of
• Haunted Houses: The entire poem is an extended
Acadie’, which are living proofs of his uncanny ability
metaphor. The houses themselves are not literally
to capture the spirit of the times and convey universal
haunted by ghosts, rather, they symbolise the lingering
themes. Longfellow received numerous honours during memories and impressions of past inhabitants. They are
his lifetime. He is the first American poet to have a bust our bodies, the containers of impressions of people from
in the Poets' Corner of Westminster Abbey in London. He the past.
also had a U.S. commemorative postage stamp issued in
2. Personification:
his honour.
• Harmless phantoms on their errands glide: The
phantoms are personified by suggesting that they have
Summary of the Poem ‘errands’, giving them a sense of purpose or direction.
3. Simile:
Longfellow’s poem is reflective and affirms that all • As silent as the pictures on the wall: Silent ghosts are
houses where people have lived and died are haunted. compared to pictures on the wall.
The strangers in the house cannot perceive the spirits, • Floats like an atmosphere: The spirit-world is likened
but the ghosts are visible to those familiar with the place. to an atmosphere, using a simile to convey the idea that
The poem emphasises the continuity of life beyond the it surrounds the tangible world like air surrounds the
physical, with the spirits of those who once lived in the Earth.
house; even in death, these spirits retain a connection
4. Symbolism:
to the places they inhabit. These houses are not solely
• Bridge of light: The bridge of light is a symbolic
the property of the living; instead, they hold a spiritual
connection to the past, even in the absence of legal representation of the connection between the world of
ownership or titles to the property. The spirit-world, spirits and the earthly realm. It symbolises a pathway or
a link between the seen and the unseen.
described as an atmosphere, surrounds the world of the
living. The poem concludes with a metaphorical image of 5. Assonance:
a bridge of light connecting the two realms. This bridge • Above the dark abyss: The repetition of the short ‘a’
serves as a metaphor for the mysterious connection sound in ‘above’ and ‘abyss’ is an example of assonance,
between the tangible and intangible aspects of existence. creating a rhythmic and melodic quality.
In essence, ‘Haunted Houses’ reflects the coexistence 6. Imagery:
of the living and the dead, suggesting that houses retain • The stranger at my fireside cannot see/The forms I see:
the imprints and memories of past lives; the spiritual The use of visual imagery helps convey the idea that the
presence transcending time and connecting different
speaker perceives something that is invisible to others.
generations.
7. Metonymy:
• Bridge of light: The ‘bridge of light’ is a metonym for
Critical Appreciation the connection or pathway between the spirit-world and
the world of the living.
‘Haunted Houses’ by Henry Wadsworth Longfellow is These figures of speech contribute to the poem's
a poignant and thought-provoking poem that explores richness and depth, helping to explore the themes of
the theme of loss, the passage of time, and the impact memory, the spirit-world and the connections between
of memories on the human soul. The poem reflects on different realms of existence.
the idea of homes that are not haunted by ghosts, but
by the memories of loved ones who have passed away.
These memories and the emotions they evoke make Explanation of the Poem
these houses “haunted”, creating an atmosphere of
Stanzas 1 and 2
melancholy and reflection. The poem is written in a
lyrical style, with a consistent rhyme scheme (ABAB) and All houses wherein men have lived and died
metre that contributes to its smooth, reflective tone. This Are haunted houses. Through the open doors
form reinforces the contemplative mood of the poem. The harmless phantoms on their errands glide,
The central theme of ‘Haunted Houses’ is the emotional With feet that make no sound upon the floors.
16 | Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10
We meet them at the door-way, on the stair, From graves forgotten stretch their dusty hands,
Along the passages they come and go, And hold in mortmain still their old estates.
Impalpable impressions on the air,
The spirit-world around this world of sense
A sense of something moving to and fro.
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
Glossary A vital breath of more ethereal air.
Haunted: deeply influenced and replete with memories
of the inhabitants of the past. Glossary
Open doors: vulnerability or openness in our lives.
Harmless phantoms: ghostly figures who do not hurt Title-deeds: claims or rights to ownership
anyone; they are memories and impressions. Mortmain: estate papers
Errands: (here) the purposes or reasons for influencing Ethereal: pure
our lives Exp The living survivors have no legal documents of
Glide: move smoothly and silently; indicates the subtle ownership of the houses. They are held by the dead
influences they have on the living. ancestors holding their hands from their forgotten graves.
Impalpable: difficult to feel or grasp; elusive nature of They move around like an atmosphere, and through
memories. it, a vital breath of purer air comes out. In other words,
Exp The poet of ‘Haunted Houses’ firmly believes that all
the ethereal life breathes into our perceptions, a wider
houses where men have lived and died are haunted, not understanding that enriches our experience.
in the horrific sense but in a gentle and intangible way. Stanzas 7 and 8
The harmless ghosts which glides through the doorways,
Our little lives are kept in equipoise
staircase and passages without making any sound, intent
on fulfilling their errands. They are without substance By opposite attractions and desires;
and, hence, outside our grasp. However, we can feel them The struggle of the instinct that enjoys,
moving to and fro, due to the imperceptible movements of And the more noble instinct that aspires.
the air. They are, in fact, the indelible marks or influence
left by the people whom we interact with in life. They These perturbations, this perpetual jar
leave a subtle but meaningful imprints on us. Of earthly wants and aspirations high,
Stanzas 3 and 4 Come from the influence of an unseen star
There are more guests at table than the hosts An undiscovered planet in our sky.
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts, Glossary
As silent as the pictures on the wall.
Equipoise: balance, equilibrium
The stranger at my fireside cannot see Perturbations: disturbances
The forms I see, nor hear the sounds I hear; Perpetual: long-lasting
He but perceives what is; while unto me Jar: a container of the memories and experiences of the
All that has been is visible and clear. individuals.
Exp Our lives are balanced by equal opposing forces of
Glossary our desires and attractions. They strike a balance between
our basic instincts and high aspirations. We are made of
Guests: (here) ghosts instincts of mortal life, which give us enjoyment as well
Illuminated hall: our subconscious mind as higher aspirations of spirituality. Some people we
Thronged: crowded encounter may pull us into a world of material pleasures
Inoffensive: harmless whereas some may pull us into a higher level of thinking
and spiritual experiences. They may be unseen and
Perceives: feels
mysterious but they guide our inner beings.
Exp The guests, in the form of quiet, harmless invisible
ghosts, are more in number than the hosts around the Stanzas 9 and 10
dining table. They are as silent as the pictures on the wall. And as the moon from some dark gate of cloud
The stranger at the fireside cannot see their forms or hear Throws o’er the sea a floating bridge of light,
the sounds made by them as the narrator does. However,
he can perceive their presence. He may be aware of our Across whose trembling planks our fancies crowd
current state but we are vividly aware of our history and Into the realm of mystery and night,—
the multitude of influences that lend us added perceptions
and feelings. So from the world of spirits there descends
A bridge of light, connecting it with this,
Stanzas 5 and 6
We have no title-deeds to house or lands; O'er whose unsteady floor, that sways and bends,
Owners and occupants of earlier dates Wander our thoughts above the dark abyss.
Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10 | 17
CHAPTER-2
THE GLOVE AND THE LIONS
—Leigh Hunt
Learning Objectives
l Explore the customs, pastimes and social structures of medieval l istinguish between genuine romantic devotion and superficial
D
life. infatuation.
l Appreciate the rhythmic and narrative qualities of the ballad form. l Analyse how poetic techniques enrich the storytelling and
l Examine the code of chivalry and its associated virtues in medieval thematic depth.
society.
the act and pronounces that it has not been love but pride
About the Poet and vanity which has prompted her to test her lover in
An English critic, essayist, poet and editor, Leigh Hunt such an unreasonable manner.
(1784–1859) was a literary figure of the Romantic era. He
is known for his contributions to literature, criticism and
journalism. He was associated with prominent Romantic
Critical Appreciation
poets, including Percy Bysshe Shelley and John Keats. He ‘The Glove and the Lion’ is a narrative poem written by
collaborated with Shelley on various literary projects. Leigh Hunt, first published in 1819. It is a moral fable
In 1813, he was imprisoned for two years for criticising that uses a mix of humour, adventure and allegory to
Prince Regent (the future King George deliver a cautionary tale about human nature, bravery
IV). Although it was a challenging The Glove and and the consequences of actions. The poem centres on a
the Lions peculiar situation where a lady throws down her glove,
experience, it established his popularity
as a champion of free speech. and a lion, in an unexpected act of chivalry, retrieves it.
Leigh Hunt’s poetry, essays and critical Through this seemingly trivial act, Hunt subtly critiques
works include ‘The Story of Rimini’, a the dynamics of human behaviour, courage and the
narrative poem, and ‘Captain Sword and sometimes misplaced nature of honour.
Captain Pen’, a satirical work. His essays The poem is written in rhymed couplets (AA, BB,
Scan Me!
cover a wide range of topics, including CC...), giving it a smooth, rhythmic flow. The use of a
literature, politics and social issues. simple, direct structure is fitting for the light-hearted,
yet moralistic nature of the poem. The poem explores
the theme of bravery, particularly the contrast between
Summary of the Poem human courage and the animalistic bravery displayed
by the lion. The knight, who is supposed to be the
‘The Glove and the Lions’ begins with the speaker
embodiment of valour, falters in the face of the challenge,
describing King Francis and the courtiers that surround while the lion acts without hesitation. Hunt suggests that
him. The king is lively and good-natured and enjoys courage is not defined by one’s status or title but by one’s
games and bloody sports, which were an accepted norm actions, often in the most unexpected ways.
in those times. The poem begins with him watching
one of his favourite sporting activities, lion fighting. He
is surrounded by aristocrats—lords and ‘ladies in their Literary Devices
pride’. The Court of Lorge is also present, with whom he
sighs. The lady wants to test the love of the count and 1. Alliteration: Repetition of the same sound or letters at
throws her glove into the arena posing a challenge to the beginning of adjacent or closely connected words to
her admirer. The count jumps into the arena and alights provide a rhythm and auditory experience that helps in
quickly retrieving the glove. However, he throws it on the movement of the poem. For example, ‘ramped and
the face of the lady with scorn. King Francis approves of roared the lions’.
18 | Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10
2. Internal rhyme: Words sounding similar are used within The court is described as a carefully arranged social
the line to provide a musical quality. For example, ‘love stage — “nobles filled the benches”, “ladies in their
and king above’ and ‘dropped her glove to prove his love’. pride”. The phrase “in their pride” does not merely refer
3. Simile: Comparison of unlike objects to create word to beauty or dress, but implies social awareness and
pictures. For example, ‘gave blows like beams’ and ‘brave competitive elegance, foreshadowing the lady’s later
performative challenge.
as brave can be’.
Count de Lorge’s love is not a private affair — it exists
4. Symbolism: Use of an object, person or situation to in full view of the court. The verb “sighed” is significant:
represent something else. For example, a glove represents it suggests a romantic melancholy, a quiet, interior
a test of chivalry, love and bravery. emotion in contrast to the public spectacle unfolding
• Lions represent ferocity and pride as well as danger around them. Thus, a tension is introduced: love (private,
and unpredictability. personal) vs. courtly performance (public, performative).
5. Personification: Attributing human qualities to non- The use of the oxymoron in the last oi 'royal beasts'
human forms. For example, ‘horrid laughing jaws’. underlines the contradiction in the court- between
outward show (royal) and inherent nature (beast or
• The lions with open jaws looked as though they were bestiality).
laughing. The ‘beasts’ here represents both the lions and the
6. Repetition: Same word used for poetic effect. For nobles who must fight amongst themselves for the king’s
example, ‘The leap was quick, return was quick’. favour. The ladies are majestic and sitting in pride, an
allusion to the pride of lions.
7. Hyperbole: For example, ‘The bloody foam above the
bars came whisking through the air’. Stanza 2
Ramped and roared the lions, with horrid laughing jaws;
8. Metaphor: Word used in place of another to suggest a
likeness. For example, the sand and the tangle of mane They bit, they glared, gave blows like beams, a wind went
said to be a thunderous smother. with their paws;
With wallowing might and stifled roar they rolled on one
9. Irony: The retrieval of the glove is a chivalrous act to
another;
impress the lady love but throwing it on her face is an
ironical, unexpected gesture negating the code of the Till all the pit with sand and mane was in a thunderous
knights. smother;
The bloody foam above the bars came whisking through the air;
Said Francis then, "Faith, gentlemen, we're better here than
Explanation of the Poem there."
Stanza 1
King Francis was a hearty king, and loved a royal sport, Glossary
And one day as his lions fought, sat looking on the court; Ramped: prowled
The nobles filled the benches, and the ladies in their pride, Wallowing might: immense, crushing power
And 'mongst them sat the Count de Lorge, with one for Thunderous smother: deafening roars
whom he sighed:
Whisking: spraying
And truly 'twas a gallant thing to see that crowning show,
Exp This stanza thrusts us into the raw, chaotic energy
Valour and love, and a king above, and the royal beasts below.
of the lion fight, in stark contrast to the polished courtly
setting described earlier. The lions “ramped and roared…
Glossary with horrid laughing jaws”, a grotesque personification
that lends a nightmarish vitality to the animals. The
Hearty-king: natured, cheerful, vigorous phrase “gave blows like beams” elevates their combat
Gallant: brave, chivalrous to a mythic scale, while “a wind went with their paws”
Valour: bravery likens their force to a natural element, emphasising their
untamed power. As the lions “rolled on one another” with
Royal beasts: (here) the lions in the palace of the king
“wallowing might and stifled roar”, the imagery becomes
Exp The poem opens with a tone of regal exuberance, increasingly suffocating, culminating in the line “all the pit
introducing King Francis as a monarch who “loved a royal with sand and mane was in a thunderous smother.” Here,
sport” — likely referencing the tradition of staging animal the arena transforms into a violent blur.
combats for entertainment. The use of monosyllabic,
The line “the bloody foam above the bars came
strong-beat words like “hearty,” “king,” “sport,” creates a
masculine and martial rhythm, immediately evoking the whisking through the air” marks a symbolic rupture
court's performative power dynamics. The phrase “sat — the violence spills beyond the boundaries of the pit,
looking on the court” reverses expectations: rather than threatening even the detached observers.
the court watching the king, it is the king who observes This intensity is suddenly undercut by the king’s
his nobles, reinforcing his position at the apex of hierarchy cool, ironic remark: “Faith, gentlemen, we're better here
and spectacle. than there.” King Francis’s tone reveals the privilege of
Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10 | 19
distance — he can enjoy the thrill of danger without risk, Her plan crystallizes in the climactic line: “I'll drop
asserting both his physical safety and social superiority. my glove, to prove his love; great glory will be mine.”
The court watches from safety while the arena becomes a The rhymed internal pairing (glove/love, prove/mine)
site of existential struggle, reinforcing a key theme of the mimics the symmetry of manipulation — love is reduced
poem: spectacle entertains, but only for those not caught to proof, and proof becomes a route to glory. The glove,
in its grip. traditionally a token of courtly favor or challenge, is
Stanza 3 weaponised here into a public trap, testing not love’s
depth but a man’s willingness to risk life for show.
De Lorge's love o'erheard the King, a beauteous lively dame
Stanza 4
With smiling lips and sharp bright eyes, which always
She dropped her glove, to prove his love, then looked at him
seemed the same; and smiled;
She thought, the Count my lover is brave as brave can be; He bowed, and in a moment leaped among the lions wild:
He surely would do wondrous things to show his love of me; The leap was quick, return was quick, he has regained his place,
King, ladies, lovers, all look on; the occasion is divine; Then threw the glove, but not with love, right in the lady's face.
I'll drop my glove, to prove his love; great glory will be mine. "By God!" said Francis, "rightly done!" and he rose from where he
sat:
"No love," quoth he, "but vanity, sets love a task like that."
Glossary
A beauteous lively dame: a woman of exceptional beauty Glossary
and liveliness
Wondrous: wonderful, spectacular Regained: sat back in his seat
Occasion is divine: godsend, right occasion, providential Quoth: archaic word for said
Vanity: pride, arrogance, a feeling of importance
Exp This stanza presents a turning point where private
Exp This stanza brings the poem’s central tension —
desire is transformed into public performance, driven
between true emotion and social performance — to its
not by affection but by ego and the spectacle of court life.
dramatic resolution, exposing the emptiness of courtly
The focal character — “De Lorge's love” — is immediately spectacle and the dangers of vanity disguised as love. At
described as “a beauteous lively dame / With smiling lips the heart of the collapse is the woman’s calculated act:
and sharp bright eyes, which always seemed the same.” “She dropped her glove, to prove his love, then looked at
The contrast in this line is crucial: the soft, charming him and smiled” —This line lays bare her manipulative
exterior (“smiling lips”) is juxtaposed with keen intent. The rhyme of “glove” and “love” underscores
observation and intent (“sharp bright eyes”), suggesting the transactional logic she follows, and her smile reveals
her satisfaction in orchestrating a public test. Love is
a woman who is both socially graceful and strategically
reduced to performance under pressure, intended not
perceptive. The phrase “which always seemed the same” to deepen affection but to win “great glory” for herself
implies emotional consistency as a performance — her (Stanza 3). The Count’s response is immediate but
expressions are fixed, suggesting calculated poise rather emotionally distant: “He bowed, and in a moment leaped
than sincerity. among the lions wild” — His bow suggests formality, not
She reflects inwardly: “The Count my lover is brave as passion, and the repetition in “The leap was quick, return
brave can be; / He surely would do wondrous things to was quick” emphasises duty over drama. His efficiency
show his love of me.” This is not a spontaneous thought deflates the romantic tension; it is not an act of passionate
of affection — it's a mental setup for a public test. The desperation, but of controlled resolve. The real rupture
comes with his rejection: “Then threw the glove, but not
repetition of “brave as brave can be” adds a mock-epic
with love, right in the lady’s face.” Here, the internal
flourish, but also a hint of overconfidence. She assumes rhyme is disrupted (“not with love”), marking a shift
his love will compel him to act, but her focus is on his from romantic stylisation to emotional truth. The glove
performance, not his well-being. — a traditional token of favour — becomes a symbol of
The stakes are elevated by the surrounding spectacle: contempt, reversing the dame’s intention and shaming the
“King, ladies, lovers, all look on; the occasion is divine.” courtly values that enabled it. King Francis’s exclamation
The alliteration of “ladies, lovers, look” underscores the seals the thematic arc: “No love,” quoth he, “but vanity,
collective gaze, heightening the performative tension. sets love a task like that.” This line is the poem’s moral
The word “divine” adds ironic grandeur — she sees punchline. It unmasks the entire courtly ritual — lions,
spectators, glove, and gaze — as a structure that prioritises
the moment not as sacred, but as a stage for her social
ego over affection, where vanity demands sacrifice for the
ascendancy. sake of spectacle.
20 | Oswaal ICSE Revision Notes | ENGLISH PAPER-2 (Literature) | Class-10
CHAPTER-3
WHEN GREAT TREES FALL
—Maya Angelou
Learning Objectives
l A ppreciate the aesthetic and thematic richness of a skillfully l E xamine the psychological stages of public mourning for
constructed poem. significant figures.
l Analyse the symbolic parallel between deforestation and the loss l Evaluate how poetic techniques create rhythmic flow and
of cultural icons. emotional resonance.
Glossary slowly but surely. The sense of void begins to fill with the
spirit of upliftment and understanding. The primordial
Electric vibrations: (here) positive vibes or stimulations energy starts resonating. Our lives move on but we are
Restored: brought back, re-established, return to former forever changed. We are more receptive because of the
condition shaking experience; the great souls whisper to us and
We can be: we exist, function, we are what we are push us forward. The fact that they existed, and still exists,
makes our life fuller and more meaningful. We are better
Exp The poem now moves from despair to bloom. Time off having had them in our lives.
brings peace and reconciliation with the loss. Peace blooms
CHAPTER-4
THE POWER OF MUSIC
—Sukumar Ray
Learning Objectives
l E njoy the playful absurdity and rhythmic charm of nonsense l E valuate the social implications of imposing noise on others.
verse. l Explore how hyperbole and wit convey the poet’s message.
l Analyse the poetic techniques that create the poem’s entertaining
quality.
Exp The trees are badly affected by the song. They shiver Stanza 7
and fall as though in fear. They crash to the ground with But now there comes a billy goat, a most
such a force that the vibrations are heard miles away. sagacious fellow,
He downs his horns and charges straight, with
Stanza 6
bellow answ'ring bellow.
Again we cry, 'We're going to die, oh won't you
The strains of song are tossed and whirled by
stop your singing? '
blast of brutal violence,
But Bhisma's soared beyond our reach, howe'er
And Bhisma Lochan grants the world the golden
we plead and grumble; gift of silence
The welkin weeps to hear his screech, and mighty
mansions tumble. Glossary
Billy goat: male goat, sagacious-wise, discerning, shrewd,
Glossary Bellow answering bellow: answering in the same kind,
screech to screech,
Soared: moved ahead,
Tossed and whirled: thrown about,
Plea: pray,
Blast of brutal violence: scattered around with merciless
Grumble: complain, force.
Welkin: sky, Exp Then, relief arrives with the entrance of a male goat.
Mansions: big buildings. Wisely, he senses the situation and chooses to take a
Exp Again, the people desperately plead him to stop.
bold stance. Lowering his head in a challenging posture,
he bleats loudly. The high-pitched sound disrupts the
They grumble that they are going to die but Bhisma
singer’s music, overpowering it. Realising the impact of his
pushes along outside the range of their pleadings. The
uncontrolled noise, the singer admits defeat. In a moment
sky cries in anguish, and giant buildings fall unable to of understanding, he grants the precious gift of silence to
withstand the vibrations. those around him.
CHAPTER-5
A CONSIDERABLE SPECK
—Robert Frost
Learning Objectives
l A ppreciate the depth and artistry of seemingly simple poetry. l Admire the adaptive brilliance and resilience of microscopic
l Analyse the deliberate contrasts between the poem’s title and its organisms.
thematic content. l Evaluate how poetic techniques enhance the poem’s meaning
l Recognise evidence of sentience in even the smallest life forms. and impact.
and creativity. The mite interacts with the wet ink on Glossary
the paper, tasting or smelling it, before turning away
in disgust. Eventually, it rests in the centre of the page, Speck: a tiny dot,
seemingly submitting to its fate. The poet reflects on Poised: ready to take action at any moment,
his own attitude towards the mite, expressing a sense Period: full stop mark,
of admiration for its survival instinct and its desire to
Inclinations: instincts, natural tendencies.
live, even as a small creature. He contrasts himself with
those who are overly concerned and destroy creativity or Exp The poet was working on a manuscript when he saw
kill harmless creatures. By observing the mite’s actions, a tiny speck on the paper. He would not have noticed it but
the poet is reminded of the value of life, no matter how for the contrast it made on the white paper. He thought it
small, and the philosophical importance of survival and was a speck of dust blown by his breathing. He thought
creativity. of obliterating it with a full stop mark and poised his pen
over it but soon realised that it was moving with a purpose
across the sheet. It showed an inclination that proved it as
Critical Appreciation a living being.