Score PORTUGUÊS SUAVE

 Maestoso
  
      
 
   
   
Carlos Marques (1998)



Flute

 
   
 Maestoso
          

    
Maestoso 
Clarinet in E 

 
 
    
          
  
Maestoso 
Clarinet in B  1
    
  


                  

Maestoso 
Clarinet in B  2
    
  


 
              

Maestoso 
      
Clarinet in B  3
    
  
  

                      


  
Soprano Sax.

 
     
 Maestoso
  
  


           

Maestoso 
Alto Sax.

   
           
          

Maestoso 
 
Tenor Sax.

 
   
        
                  

Maestoso 
Trumpet in B  1
  
 3 3
3

                  
           

Maestoso 
Trumpet in B  2
   
 3 3
3

               
              

 Maestoso 
Trumpet in B  3
   
 3 3
3

                    
  
 
      
 
     
3 3 3

 Maestoso 
    
 
Horn in F 1

 
 
                                  
3 3 3

    
      
 
Horn in F 2

 
                       
     
Maestoso          

        
Trombone 1

  
3 3 3


Maestoso                        
     

         
Trombone 2

  
3 3 3


Maestoso                          
 

Maestoso 
Baritone

 
3 3 3

   
           


           
Tuba

    
Maestoso
   
         


Timpanos
 



Maestoso
     
       
           
                 
 


Bateria
        
  

Maestoso     
      
         

    

Maestoso 
    
Bombo e Pratos

  

Acessórios         

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE
2
    
     
     
8

Fl.

 
         
E  Cl.       
 
       
    
B  Cl. 1     
 
           
B  Cl. 2    
 

B  Cl. 3         

        
     
S. Sx.

 
     
A. Sx.              

                    
  

    
     
T. Sx. 
3 3

       
8

B  Tpt. 1 


      
B  Tpt. 2
 


      
B  Tpt. 3
 

      
Hn. 1                           

                        
       
Hn. 2

              
               
Tbn. 1 

               
Tbn. 2
  
              
  
                        
         
Bar. 
3 3

   
                           
Tuba
        

        
8

Timp. 

8
                                                       
                            
             
Bat.

             
8

B. P.                             

      
8

Ass.. 
 PORTUGUÊS SUAVE
3
        
                   
       
 
15

Fl. 

3 3 3 3 3

      
                       

       
E  Cl.


3 3 3 3

 
3

          
    
  
 
             
B  Cl. 1   

3 3 3 3 3

 
     

         
           
    
  
3

B  Cl. 2
 

3 3 3
3

 
    

         
           
    
   
3

B  Cl. 3
 

3 3 3
3

 
     

         
           
    
  
3

S. Sx.
 

3 3 3
3

     
        
 

      
      

A. Sx.

  5

   
              
 
5

T. Sx.   
  
        
15

  
Tutti


só 1
B  Tpt. 1

        
B  Tpt. 2
  


       
B  Tpt. 3
   

                         
Hn. 1 

                 
Hn. 2          

             
  
Tbn. 1            

                
Tbn. 2            

            
Bar.
 
          
  5


                            
Tuba
       

        
15

Timp. 

15
                                                
                       
          
Bat.


           
15

B. P.                         

                    
15
    
Ass.. 

 PORTUGUÊS SUAVE
4

                          
accel. Poco Mais

        
21

Fl.  

3 3 3 3 3


                 
accel. Poco Mais

               
E  Cl.
    
3 3 3 3
   
                     
accel. Poco Mais

                  
B  Cl. 1
 

3 3 3 3

Poco Mais
              
accel.

           
            
3 3

B  Cl. 2 
  
3 3

Poco Mais

accel.

    
     

                 
3 3


3

B  Cl. 3
  
3 3
accel.
 Poco Mais
  
    
     

                         
3 3


  
S. Sx.
3 3

    
accel. Poco Mais

                
A. Sx.   
 3

  
3

      
accel. Poco Mais
             
T. Sx.  

3 3

 
accel. Poco Mais
    
       
21


3

B  Tpt. 1    
accel.
 Poco Mais

        
      
3
B  Tpt. 2
 
accel.
 Poco Mais

    
      
3
B  Tpt. 3
      

      
    
accel. Poco Mais

Hn. 1                              
3


accel. Poco Mais

                                     
Hn. 2
 

            
3

     
accel. Poco Mais

                  
Tbn. 1 

             
Poco Mais

accel.

Tbn. 2
  
                   

         
        
accel. Poco Mais

Bar.
 
      

3 3
Poco Mais

accel.

        
    
            
 
    
Tuba


Poco Mais

         
21

Timp. 
accel.
                                               
Poco Mais
       
              
21

             
     
Bat.

accel. Poco Mais

     
21

B. P.                             
Poco Mais

                    
21
 
Ass..  
 PORTUGUÊS SUAVE
5
     
              
              
    
28

Fl.

 
3 3 3 3

 
                                
E  Cl.
          
     3
3

   
               
B  Cl. 1                              
  
3 3

   
            
B  Cl. 2

                               
 
  
3 3

         

                        
  
3

B  Cl. 3  
3
 
  
3

        
3

  

                                
 
S. Sx.

  3 
               
3

A. Sx. 
  
 
        
      
 
3 3 3 3

            
     
                  
3

T. Sx.

 
3
3 3

      
             
28


3

B  Tpt. 1

 3 3 3

               
      
3

B  Tpt. 2

 3 3
 3

                     
3 3

B  Tpt. 3 
 3
 3

                 
Hn. 1                       
  
3 3


                               
3

   

Hn. 2

  
                 
3

         
Tbn. 1          
 
3 3

 
                        
Tbn. 2           
 
3 3

              
              
       
3 3 3

Bar.
 
 
3

                    
Tuba
         
 
         
28

 
Timp.

 
                                             3   3         
                  
28

Bat.          
 
28 
B. P.                       

 
 
      
28

Ass.. 
 PORTUGUÊS SUAVE
6    
           

rit.

  
Andante

        
35

Fl.

 
   
                   
rit. Andante

E  Cl.     
 3 3

         
   
rit. Andante

    
 
   
3


3
B  Cl. 1


           
 
rit. Andante

      
   
3

 
3
B  Cl. 2


               
rit. Andante

  
   
3

 
3
B  Cl. 3
   

             
rit.


Andante

S. Sx.             
 
    
               
Andante
    
rit.

A. Sx. 
3 3


                 
Andante

      
rit.

T. Sx.
   

              
        
Andante

    
35
Solo
B  Tpt. 1
 
3 3
  expressivo
 
        
Andante

B  Tpt. 2  
      

     

3 3

   
Andante

                     
3

B  Tpt. 3

3

              
          
Andante

    
rit.
Hn. 1
 
3 3
  

   
Andante
                       
3

  
rit.


Hn. 2

   
       
3

         rit.    
 
Andante

Tbn. 1         
 
3 3 3


                       
Andante
       
rit.
Tbn. 2 
 
3 3 3

        

Andante

                   
rit.

 
Bar.


Andante

        
rit.

        
  
Tuba

 
   
Andante
          
35

 
Timp.

 
                           
  
Andante
     
35


rit.

           

Bat.


  Andante
      
35

  
rit.
B. P.         

Andante
         
35

Ass.. 
 PORTUGUÊS SUAVE
 
7
      

        
44

Fl.


              
E  Cl.  


B  Cl. 1          

     


B  Cl. 2             
                 


B  Cl. 3             
                 

       
S. Sx.          


A. Sx.          


T. Sx.                   


   
             
44

B  Tpt. 1   

B  Tpt. 2          

B  Tpt. 3          

                     
   
Solo


Hn. 1

Hn. 2                      

    

 

 





   
  
Tbn. 1 

      
Tbn. 2                 

    


  
       
Solo
Bar.

     
    
Tuba


     
         
44

 
Solo
Timp. 

        
44

Bat. 

        
44

B. P. 

        
44

Ass.. 
 PORTUGUÊS SUAVE
8     
   
         
Allegro

       
53

Fl. 

    
Allegro

                  
E  Cl. 

  
  
Allegro


B  Cl. 1                                       
 
   
Allegro

B  Cl. 2                                       
       
Allegro

    
   
       
                          
B  Cl. 3

 
        
Allegro
  
S. Sx.           

 

    
Allegro

           
A. Sx.    


Allegro

    
                   

T. Sx.

 
   
Allegro

                      
53

B  Tpt. 1
 
Allegro
 

            
B  Tpt. 2
           
Allegro
 

            
B  Tpt. 3
           
Allegro
 
            

             
Hn. 1


Allegro

                 
Hn. 2


       
Allegro

Tbn. 1
 
          

  
Allegro

      
Tbn. 2           

  
Allegro

Bar.
  
                 

Allegro


 
     
     
Tuba


Allegro
   
   

53

Timp.
                

Allegro
                 
        
53

Bat.             

Allegro

           
53

B. P.         

Allegro

      
53 Pandeiro

  
   
Ass..
 PORTUGUÊS SUAVE
  9
     
    
  
  

 
    
61

Fl.

   
     
     
E  Cl.            
 
     
                     

 
B  Cl. 1       
 
                
B  Cl. 2                  
 
   
                            

 
 
B  Cl. 3

 
          
S. Sx. 


                 

 
 
           
A. Sx.                  
 
              
           
T. Sx.       
 
     
                               
61

    
      
B  Tpt. 1


                
B  Tpt. 2
                          
     

                
                        
B  Tpt. 3
     


                    
    
Hn. 1          

 
Hn. 2                                       



        
                  
   
Tbn. 1 


                     
  
  


Tbn. 2  

        
                   
  
 


Bar. 

                  
Tuba
       

         
61

Timp. 
 
61
                                                        
                       
 
        

Bat.


  
61

B. P.                              


        
61 Pandeiro

   

       
Ass..
 PORTUGUÊS SUAVE
10   
     

   
          
69 Tempo de Chula
Fl.

    
     

            
Tempo de Chula
E  Cl. 
 
    
                     
        
Tempo de Chula
B  Cl. 1

 
             
                    
Tempo de Chula
B  Cl. 2

 
   
                             
Tempo de Chula
B  Cl. 3

 
           

                    
Tempo de Chula
S. Sx. 
 
        
                 
Tempo de Chula
A. Sx.  
 
             




         
Tempo de Chula
T. Sx.

 

                      

69

  
Tempo de Chula
  
        
B  Tpt. 1

    

   
   
            
Tempo de Chula
B  Tpt. 2
                   
        
   
  
            
Tempo de Chula
B  Tpt. 3
                   
    

                            


 
Tempo de Chula
   
  

Hn. 1

 
  
                           
Tempo de Chula
        

Hn. 2

 
     
                   
    
Tempo de 
Chula 
Tbn. 1 

 
                      
 de Chula
    
Tempo 
Tbn. 2  

    
                    
 de Chula
    

Tempo
Bar. 

  de Chula
                          
Tempo
Tuba
     


 
    de Chula
           
69 Tempo
Timp. 

                                           de Chula
    
 
69 Tempo
Bat.                      

      


      
69 Tempo de Chula
B. P.                       

        
          
69 Tempo de Chula
 
   
Ass..


 PORTUGUÊS SUAVE
11
 
                    
  
77

Fl.

 
 
E  Cl.                       
 
             
B  Cl. 1                
 
       
B  Cl. 2                   
 

B  Cl. 3                         
 
       
                   
 
S. Sx.

   
                
 
                      
A. Sx.
 
   
 
               
      
   
 
  
T. Sx.

 
 
       
            
77


   
B  Tpt. 1

    

   
   
                   
B  Tpt. 2
     

      

     
   
                   
B  Tpt. 3
   

 
                           

Hn. 1

 
 
                           

Hn. 2

 
       
            

 

    


Tbn. 1 

       
            

 

    


Tbn. 2 

              
Bar.
  
             

 
                   
    
Tuba


     
         
77

Timp. 

                  
              
77

Bat.            

 

        

 
       
77

B. P.              

                                                
   
77

Ass.. 

 PORTUGUÊS SUAVE
12
     
        
86

Fl.

E  Cl.              

  
B  Cl. 1       

 

   
 
   
 
   
 
   
 
   
 


  
B  Cl. 2     




 
 




  
 








 

B  Cl. 3            




 
  

  
      
 
  
S. Sx.           

  
A. Sx.              

                 

     
                                         
T. Sx.
         

  
                                         
86

B  Tpt. 1
            

B  Tpt. 2                
                                 



                  
B  Tpt. 3
                         

       
Hn. 1                                    


                                   
Hn. 2
  

                 
                    
Tbn. 1 

  
                 
Tbn. 2
 
                  

              

       
                
                
Bar.
 
                


         
   
 
    
Tuba


          
86

Timp. 

             
                    
86

Bat.                      

    
86

B. P.                 

        
        
86

Ass.. 
 PORTUGUÊS SUAVE
13
                                                          
    
95

Fl.


                                                            
E  Cl.   

                                                         
B  Cl. 1     

                                                             
B  Cl. 2   
 
                                        
B  Cl. 3               
 
                                                        

S. Sx.      

                                                        
      
A. Sx.   
 
      
T. Sx.                   
 
   
                             
95

B  Tpt. 1

 

                               

B  Tpt. 2 
 

                            

B  Tpt. 3     
 
                               
Hn. 1  
 

                        
         
Hn. 2

 
           
 
                     
Tbn. 1

 

 
                              
Tbn. 2

 
          
              
Bar. 
 

           
           
Tuba

 
          
95

Timp. 

95
                                   
Bat.                       

   
95

B. P.                   

        
95

Ass.. 
 PORTUGUÊS SUAVE
14
     

                      
           
104

Fl.

3 
  

                  
E  Cl.            
3 

               
B  Cl. 1                
 
3

                
B  Cl. 2              


B  Cl. 3                               


            
S. Sx.          
 
3

   
A. Sx.                            
 
 
T. Sx.                
 
  
              
             
104

B  Tpt. 1       

 
 
                      
B  Tpt. 2                      
 
 

   

                   
B  Tpt. 3                     
 
 
   
                     
                   
Hn. 1
      
 
  
      

                                 
          
Hn. 2

 
   
                                              
Tbn. 1             
 
     
                                            
Tbn. 2             
 
 
         
Bar.       
 
 
Tuba                  
 
    
        
104

Timp.      

   

104

Bat.  



  
        
    
        
   

 
  
104

B. P.  
           
 
                                               
 
104

Ass.. 

 PORTUGUÊS SUAVE
15

             
            
 
  
   
    
112

Fl. 
3


         
E  Cl.                      

     
3

   
                    
 
B  Cl. 1            
3
  
    
  
                
B  Cl. 2  

 
   
      
B  Cl. 3                 
 
 
  
          
 
S. Sx.

 
   

                   
 
A. Sx.

 
 


 
                                
 
T. Sx.
 
  

  
           
                         
112

B  Tpt. 1          

   
 
 
         
                                 
B  Tpt. 2
    
  
 



 
         
                   

      
B  Tpt. 3
        
 
  

        
 
                                     
Hn. 1
    
  
 
                  
                         
Hn. 2
  

                   
                  
Tbn. 1   

                   
                  
Tbn. 2   

                             
Bar.        

    
                        
Tuba
 

        
  
112

     

Timp.


112                                            
Bat.    
 


   


         


  
112

B. P.             

                
      
112

Ass.. 
 PORTUGUÊS SUAVE
16
  


         
           
120

Fl.

 

      
                 
E  Cl.

 
       
      
B  Cl. 1            
 
    
                
B  Cl. 2




                
B  Cl. 3
      

   
                 
S. Sx.

 
        

A. Sx.                  
 
     
T. Sx.                                       
 
     
                         
120

B  Tpt. 1   

   

                            

B  Tpt. 2
   

  

                             

B  Tpt. 3
   

    
                         

Hn. 1


 
               
         
Hn. 2
    
 
   
 
 
                   

Tbn. 1


     
             
         
Tbn. 2


        
            
   
        
 
Bar.  
 
   
      
Tuba                    

         
   
120

Timp.       

                                          
 
120

Bat.         



  
  
 

  
120

B. P.             

       
      
120

Ass.. 

 PORTUGUÊS SUAVE
17
      
                
       
         
128

Fl.  
3

   
        
E  Cl. 
                       


3

            
B  Cl. 1                               
3

      
                     
B  Cl. 2            

    
B  Cl. 3                                    

      
S. Sx.                                    

    
3

 
A. Sx.                                     

   
                       

T. Sx.

          
                                           
128

B  Tpt. 1

   

                           
B  Tpt. 2                     
 
             

 
            
      
             
B  Tpt. 3
   

 
                                                 
Hn. 1         

 
       
               
                             
Hn. 2

  
                                                    
Tbn. 1             

                                               
            
Tbn. 2        

                
Bar.             

   
                       

Tuba

             
  
128

     

Timp.

   

128

Bat.      

  


             
     




   


   

 
 
128

B. P.              

   

                                                        
  
128

Ass..  
 PORTUGUÊS SUAVE
18
   
Allegro


        
136

Fl.


   
Allegro
 
E  Cl.          

    
Allegro
 
B  Cl. 1                      


Allegro
 
                      
B  Cl. 2
     
 
Allegro
 
B  Cl. 3     




  
        
      
 
    
Allegro
   
                    

S. Sx.


                  
Allegro
 
A. Sx.          

                               
Allegro

T. Sx.                       

 
Allegro

        
136

B  Tpt. 1

Allegro


B  Tpt. 2             
Allegro


B  Tpt. 3           

           
Allegro
 
Hn. 1                

Allegro
 
                         

Hn. 2


                                
      
Allegro

             
Tbn. 1  

                            
              
Allegro

       
Tbn. 2  

         
            
             
        
Allegro

       
Bar.  

Allegro
 
Tuba                         

Allegro

 
136

Timp.                         

Allegro

                                               
136

Bat.                         

Allegro


136

B. P.                         

Allegro


136

                                                
           
Ass..


 PORTUGUÊS SUAVE
19
        
               
 
        
   
142

Fl.

 
      
               
E  Cl.                  
 
                   
               

  

B  Cl. 1


                 
                 

  

B  Cl. 2


        
                  
    
   
 
B  Cl. 3


        
                  
    
    

S. Sx.


              
A. Sx.         
    
  
      

  

                       
              
T. Sx.


              
                
142

B  Tpt. 1 
 
  
                              
B  Tpt. 2
  
  
  
                            
B  Tpt. 3
  
  
                
Hn. 1            

       
Hn. 2                    

                         
        
Tbn. 1 

              
                   
Tbn. 2 

                    
          
Bar.      

 
                        
Tuba
   

       
   
142

     
Timp.
      
142
                                               
Bat.                         

142

B. P.                         

142

                                       
        
Ass..
 PORTUGUÊS SUAVE
20


             
     
        
     
 
148

Fl. 

         
     
    
       

     
E  Cl.     

    
            
       
     
    
B  Cl. 1
 
    
           
       
      
    
B  Cl. 2
 

        
       
  
   

   
   
    
B  Cl. 3
  

        
       
  
   

   
   
    
S. Sx.
  

   
         
  
         
      
   

A. Sx.
  
     
         
                
T. Sx.
     
 



     
   

                 
148

B  Tpt. 1 

  
                             
B  Tpt. 2


     
B  Tpt. 3                          


       
       
Hn. 1          

    
                   

Hn. 2


               
        

Tbn. 1 

     
                   

Tbn. 2 

       
                 
Bar.

      
 

                          
Tuba
 

       
148

Timp.   


148
                                              
Bat.                         


148

B. P.                        


                          
148

                 
         
Ass..
 PORTUGUÊS SUAVE
21
                        
           
   
154

Fl. 

            
           
  
    
   
E  Cl.      

           
  
          
  

      
  
B  Cl. 1


                
  

         
  

    
B  Cl. 2


  
              
    
        
  
   

 
B  Cl. 3


  
              
    
        
  
   

 
S. Sx.


      
      
A. Sx.          

    
    
  
   

                        
    
     
T. Sx.

 
                    
        
154

B  Tpt. 1 

              
B  Tpt. 2                
 

  
B  Tpt. 3                            
 

                 
Hn. 1     

       

            
Hn. 2                   
      
                
     
 
Tbn. 1  
 
    
      
                 
Tbn. 2  

                 
     
  
    
Bar.     
 
 
                      
Tuba
       

       
154

 
Timp.

154
                                                     
                          
  
Bat.

  
   
154

B. P.                      

                          
154

            
           
Ass..
 PORTUGUÊS SUAVE
22
            
                
      
161

Fl.
 

                            
            
E  Cl.       


     
   
  

 
  
B  Cl. 1

 
       
           
B  Cl. 2

 
              
B  Cl. 3     
 
       
    
   
S. Sx.    
 
             
A. Sx.         
 
          
                 
T. Sx. 
   
      
        
161

B  Tpt. 1  
 
     
             
B  Tpt. 2

 
   
            
B  Tpt. 3
 
 
            
Hn. 1    
      

    
              
 
Hn. 2


                
Tbn. 1

            

            
    
Tbn. 2

            

     
 
        
            
Bar. 

 
                     
Tuba
        

      
161

Timp. 

161
                                               
                        
     
Bat.


    
     
161

           

   

B. P.

             

161

Ass..       
 PORTUGUÊS SUAVE
23
 
                 
            
167

Fl. 

                


E  Cl.                 

   
B  Cl. 1  
Solo
                 

   
       
B  Cl. 2
      

   
 
B  Cl. 3
         

    
        
S. Sx.   

  
         

A. Sx.    

   
       
T. Sx.
     

 
            
167


Solo
B  Tpt. 1


         
B  Tpt. 2 

         
B  Tpt. 3 


 
         
Hn. 1      

  
           
Hn. 2
 



 
Tbn. 1          

 


Tbn. 2          

           

 

Bar.                     

    
  
     
      
    

  
   
   
Tuba


         
167

Timp. 

     

             
167

Bat. 

       
167

B. P. 

       
167

Ass.. 
 PORTUGUÊS SUAVE
24 Moderato

        
175

Fl. 
Moderato

E  Cl.         

         
Moderato

                          
B  Cl. 1
 
 3 
        
Moderato

                   
B  Cl. 2
     
 3 
        
Moderato

                  
      
B  Cl. 3

Moderato
 3 

S. Sx.         
Moderato

A. Sx.         
Moderato

T. Sx.         

       
Moderato

                  
175 3

B  Tpt. 1     
3 3 3 3
Moderato

B  Tpt. 2         
Moderato

B  Tpt. 3         
Moderato
        
Hn. 1     
               
Moderato
      
Hn. 2                        
Moderato
                  
           
Tbn. 1 
Moderato
                      
Tbn. 2         
Moderato
         
Bar. 
Moderato

  
   
             
           
Tuba

Moderato
         
175

Timp. 

                                                        
Moderato

    
175

Bat.                            
Moderato
175

B. P.                                 
Moderato
       
175

Ass.. 
 PORTUGUÊS SUAVE
25
   
  
Allegro
 
          
183

Fl.

 
      
Allegro
  
E  Cl.          
 
    
 
Allegro

       
3

    
3
B  Cl. 1

  
Allegro

 
             
3 3

  
B  Cl. 2

  Allegro
3

 
        
3

    
3 3

  
B  Cl. 3

 
    
Allegro
 
S. Sx.           

 
3 3
3
Allegro
        
            
3

A. Sx.

 3
 Allegro
3

 
           
3

T. Sx. 
 Allegro

         
                      
183 3

B  Tpt. 1
 
3 3 3 3
Allegro

          
3

B  Tpt. 2 
Allegro

            
3
B  Tpt. 3

Allegro
                      
Hn. 1           

3 3 3

Allegro
                 
               
3 3

Hn. 2     

   
3

               
Allegro

            

Tbn. 1  

3 3 3

              
Allegro

      
     



 
 
Tbn. 2  

3 3 3

  
Allegro

     
Bar.        

3

Allegro

 
                     
3

        
Tuba

Allegro

  
         
183

Timp.  
 
                                            3   3   3   3    3
Allegro

                        
183

Bat.      

  3
Allegro


183

   
3
B. P.                           
 
Allegro

       
183

   
3

Ass.. 
 PORTUGUÊS SUAVE
26
                
   
  
191

Fl.

 
                 
E  Cl.       

            

        

B  Cl. 1   

     
   

         
B  Cl. 2      

 

     
                 
B  Cl. 3
 

     
                 
S. Sx.
 

                  

A. Sx.        

 
                                                     
T. Sx.


    
                 
191

B  Tpt. 1    

              

       
B  Tpt. 2
    

      
B  Tpt. 3        
       
    

  

              
Hn. 1    


Hn. 2                  

             
  
Tbn. 1 

              
Tbn. 2   

                   

                   
Bar.


    
                                  
Tuba
      

 
               
191

Timp.

191                                                      
 
                           
             
Bat.

             
 
191

B. P.                           


              
191

Ass.. 
 PORTUGUÊS SUAVE
27
                
 
     
205

Fl.

 
                  
E  Cl.       

               

       
B  Cl. 1   

     
   

         
B  Cl. 2      

 

     
                  
B  Cl. 3
 

     
                  
S. Sx.
 

                   

A. Sx.        

 
                                                     
T. Sx.


    
                  
205

B  Tpt. 1    

               

      
B  Tpt. 2
    

              
        
        
B  Tpt. 3

             
Hn. 1      


Hn. 2                   

             
   
Tbn. 1 

              
Tbn. 2    

                    

                   
Bar.
 

    
                                  
Tuba
      

             
205

Timp.   



205
                                                       
                            
             
Bat.

             
205

B. P.                             

             
205

Ass.. 
 PORTUGUÊS SUAVE
28
        
  
             
219

Fl.  
   
           
E  Cl.                
   
      
   
B  Cl. 1                
   
       
                 
B  Cl. 2

   
    
                     
 
B  Cl. 3

   
    
                     
 
S. Sx.

   
        
   
A. Sx.               

   
                        
           
T. Sx.
    
  
   

                        
219

B  Tpt. 1  
 
  
    
                     
B  Tpt. 2
   
  
     
                      
B  Tpt. 3
   
  
    
                     
 
 

Hn. 1

  
    
                           
Hn. 2
   
  
                       
              
Tbn. 1 
  
    
    
           
  

              

 
Tbn. 2
 
    
                     
Bar.


               
 

  
      
                         
Tuba
          
  
   
              
219

Timp. 

      
    
              
                   
219

 
               

         
          
Bat.

 
              
           
219

  
    
 
    

        
 
 
   
B. P.

 
                          
219

Ass..     
 
 PORTUGUÊS SUAVE
29
                      
   
    
234

Fl.


                        

E  Cl.          

   
                 
       
B  Cl. 1  

           

                



B  Cl. 2


            

B  Cl. 3                 
 


                
S. Sx.                

           

              
A. Sx.    

   

   
                         
 
T. Sx.

                    

    
234

B  Tpt. 1         

        

B  Tpt. 2   


     
 
 



    

   
B  Tpt. 3                               

 
            
         
Hn. 1        

  
                              
Hn. 2
    
                
           
Tbn. 1 

                    

Tbn. 2         

    
                    
Bar.      


                  
Tuba
                

           
             
234

Timp.
  
234
                                                       
                            
             
Bat.

             
234

B. P.                             

                        
234

Ass..    
 PORTUGUÊS SUAVE
30 
        
        
Tempo de Marcha

       
248

Fl. 
 
3

          

           
Tempo de Marcha

E  Cl.           
 
3


                                  
Tempo de Marcha

         
B  Cl. 1 

3

           
Tempo de Marcha

                  
B  Cl. 2   

           
Tempo de Marcha

                  
B  Cl. 3   

           
Tempo de Marcha

                  
S. Sx.   

  
Tempo de Marcha

                      
A. Sx.      
Tempo de Marcha


T. Sx.    
     
 
               
Tempo de Marcha

  
                   
248

      
B  Tpt. 1
  
Tempo de Marcha

               
            
B  Tpt. 2
   
Tempo de Marcha

               
            
B  Tpt. 3
   
Tempo de Marcha

   
Hn. 1                                        




Tempo de Marcha

                                         
Hn. 2    
 
             
Tempo de Marcha

                                     
Tbn. 1  
 
 
Tempo de Marcha

               
Tbn. 2                                    
 
         
   
Tempo de Marcha

  
Bar.                  

Tempo de Marcha

                    
Tuba     
                

Tempo de Marcha

             
248

Timp.   

        
Tempo de Marcha

                            
248

    
 
    

             

Bat.


Tempo de Marcha 
 
  
248

B. P.                     

Tempo de Marcha

                               
    
248

Ass..  

 PORTUGUÊS SUAVE
  
31
       
                   
  
   
260

Fl.

 
3

        

                   
E  Cl.       
 
3

      
                
B  Cl. 1    
3

                 
             
B  Cl. 2   

                 
             
B  Cl. 3   

                 
             
S. Sx.   

       
A. Sx.            
 
 
          

  
T. Sx.      
  
                   


    
            
260

            

B  Tpt. 1
 
      
                       

B  Tpt. 2
 
      
                       

B  Tpt. 3
 
                
Hn. 1                               
       

                  
Hn. 2                                              

                         
                       
Tbn. 1 

                              
Tbn. 2                         

 
Bar.


    
  
                   


      
                                              
Tuba
   

           
260

Timp. 

260
                                           
Bat.                       

260

B. P.                       

                                             
260

Ass.. 
 PORTUGUÊS SUAVE
32  
                                    
   
   
271

Fl.

 
3 3

                  
    
E  Cl.   
    

  
3 3

               
             
B  Cl. 1    
3 3

     
      



              
B  Cl. 2    
3

           
                 
3

B  Cl. 3     

     
      



              
S. Sx.    
3

               
A. Sx.   


           
  
3

  
T. Sx.            
    
         

 
                     
271

   
B  Tpt. 1
       
3

           
3

B  Tpt. 2                       

           
3

B  Tpt. 3                       

                      
Hn. 1        
 
   
 
   
 
       
      

                                       
Hn. 2      

                     
Tbn. 1                                    

           
Tbn. 2

                                      

                     

      
Bar. 

     
                                             
Tuba
     

           
271

Timp. 
 
271
                                        
                      

Bat.


 
271

B. P.                     

                                          
271

Ass.. 
 PORTUGUÊS SUAVE
 33
   
                    
Presto

             
282 1. 2.

Fl.

Presto 
3

           
                              
1. 2.

E  Cl. 
Presto
3

     
 1.         2.                   
B  Cl. 1              
Presto
3

    1.  2.                 

 
B  Cl. 2               
Presto
3

 
         
                    
1. 2.

   
3

B  Cl. 3    
Presto
    1.  2.                 

 
S. Sx.               
Presto
3

   
 
                     
              
1. 2.

A. Sx. 
Presto
3

  
                                  
  
1. 2.

T. Sx.    
Presto

 
           
               
282 1. 2.

      
B  Tpt. 1

3
Presto
  
   
              
1. 2.

   
3

B  Tpt. 2             
Presto
     
                  
1. 2.

   
3

B  Tpt. 3          
Presto
       
                            
1. 2.

Hn. 1       
Presto

       
                             
1. 2.

Hn. 2     
Presto
     2.             
 
       
               
1.

Tbn. 1

Presto
     2.  
 
                  
         
1.

Tbn. 2       
Presto 
1.      2.          
      

   
Bar.                 
Presto
 
              
           
1. 2.

Tuba                
Presto
 
         
282 1. 2.

Timp.           
Presto
  1.     
             
282 2.

    
 
                    



  
       
Bat.

Presto

         
                     
282 1. 2.

B. P.       
Presto

     
                
282 1. 2.

Ass..  

Flute PORTUGUÊS SUAVE
  
Carlos Marques (1998)


Maestoso 
                 
            
  
  
                      
               
 
14



3 3 3 3 3

                           
accel. Poco Mais
              
21



          
3 3 3 3 3

                        
 
28

    
                    
3 3 3 3

rit. 
 
      
Andante

        
34

        Allegro  
      
                
    
52


      
              
  
           
  
63

    
       

                          
71
Tempo de Chula

 
      
                 
     
80

  
                                                   

96

    
  
 
 
            
                  
    
103

3 
                

                    

 

110


3

   
  
                                   
  
117


 
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

      
              
2
127
              

                   
        
Allegro
   
           
134

  
            
3

     
            

145


                                 
          
      
153

   
                                               
   
   
162

 

        
 
                         
    
Moderato

  
168

 
  
               
               
Allegro
     
190

  

                                
      
201

           
       
              
215

 
   
                                        
    

233



         
         
Tempo de Marcha

       
246

          
                         
3

       
  
259

   
  
3

       
                   
           
    
269


     1.       
3

            

Presto
       
  
281 2.


3 3
 PORTUGUÊS SUAVE
 
Clarinet in Eb
Maestoso     
            
Carlos Marques (1998)

          
   
  
     
                        
     
12

  
 
3 3 3 3

                      
accel. Poco Mais

    
           
20

    

3 3 3 3 3

          
  
                    
27

                  
     
 
3
3

 Andante
   
                         
rit.

  
34

  3


3
Allegro

               
             
49

  
        
59
         
                        
 
     
           
                 
69 Tempo de Chula
 
 
   
                                  
79

 
  
 
                                                 

96

       
                         
103

3 
       
        
  
                            
110


 
3

                    
                
118

 
 
               

                                
128

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

                               
2 Allegro

             
136

  
      
                  
           
147

 

                                         
 
154

 

                                    
         
162



                                                
 
167


                           
Moderato Allegro
174
   
  
 
  
                         
     
 
196

                 
           
208


 
        


 

                       
 
  
225


 

                       
      
239


 
                             
  
Tempo de Marcha
        

250


  
                   
3

 
261
                  

 
                
3


                   
    
271


3

         

Presto
                    
    
281 1. 2.



3 3
 PORTUGUÊS SUAVE

Clarinet in Bb 1

Maestoso    
 
Carlos Marques (1998)

     
        
      
       
   
                                          
         
11


 
                       accel.
3 3 3 3 3

                          
Poco Mais

  
21

  

3 3 3 3

    
  
                             
           
29


  
3 3

       

rit. Andante
                        
36

 
3

 
3

      

      
                                         
53 Allegro

 
    
 
            
        
               
61

 
 
       Tempo de Chula
        
               
71


 
           
                          
80

    
   
                                        
               
91



                           

                 
101

 
3

  
                                         
108

   
3

       
             
      


         
  
115


  
    

                                           
127

©Roberto Carlos Brito Loureiro

 
PORTUGUÊS SUAVE

              
2

  
           
                   
135 Allegro
  



                                   
    
144

     
    
                 
  
          
152

      
         
                
        
159 Solo

 
   

             
Moderato

               
168

         
 3
     
     
               
178 3

   
3

  
  
           
   
190 Allegro    
            
   
   

                  
           
 
201

  
          
    
214
                  

  
                             
     
231

  

           
      
 
         
Tempo de Marcha
      

241




            
                            
255


 
                                      
   
268


      1.             

 
       
Presto
       
281 2.



3 3
 PORTUGUÊS SUAVE

Clarinet in Bb 2
Maestoso 
      
Carlos Marques (1998)

            
    
   
  
 
  
                                 
10

 
  
             
                       
 
18 3


3

3 3 3
3 3

                      
       
Poco Mais

23 accel.

 
3

    

         
3

                
            
29

   
  
3 3

Andante 
             
rit.

          
35


3

 
3

     
 
                                                 
51

           
                 
Allegro
 
                      
57

    
               
                 
67

 
                      
Tempo de Chula

          
75

  
         
              
85

            

                                                
 
95


                                    
      
102

 
   
                                 
111

    


©Roberto Carlos Brito Loureiro

   
PORTUGUÊS SUAVE

                                  
2

   
128

 Allegro          
                        
 
136

        
 
                          
           
145

                                   
          
152

     

                   
   
 
160

     
   
  Moderato 
  
                 
169

         
 3
           
    
      
179 Allegro
        
3 3

 
   3

                                  

         
192

              

        

207



    
     





 
     
       
 
220

 
  
                
               
235

    
       
               
Tempo de Marcha

           
246


   
258
                             


                
                
 
270

  

       1.                  
 
Presto
281

 
2.
  
   


3 3
 PORTUGUÊS SUAVE

Clarinet in Bb 3
Maestoso  Carlos Marques (1998)

 
                
     
    
  
  

       
                          
11

     

3 3 3
3

      3 
accel.

                  
     
20 3


3


3

 
3

                 
Poco Mais
         
26

         
3 3


3

                       
rit.

     
33

  
3

      
3

 
Andante 
3
3

             
41

                                    
                     

                            
56 Allegro
  
        
  
                             
               
65


 
 
              
                  
74 Tempo de Chula

  
                         
84

      
      

                                     
94


   
                                
100

 
 
       
            
         
107

 

           
                                  
125

 

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

    
2

            
Allegro
               
135

         
     
   
                       
       
144

    
            
     
151

        

    
                          
       
158

 
     

Moderato
 
165

          
 
 
                      
       
177

   
 3  
               
Allegro
   
188 3

     
3 3

     
 
                                 
 
195

   

                              

 
208

   

    
                     
221

        
  
                   
          
235

   

        
                 
Tempo de Marcha

         
246

  
 
                                   
   
258

                         
           
271 3


Presto
  
                           
1. 2.

    
282 3



Soprano Sax. PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso 
         
 
       
       
    
   
                               
10

 
  
                                     
18 3 3


3


3 3 3

  
3 3 3
Poco Mais
    
accel.

                    
       
24

   
    
 
                                  
30


 rit. 

3

           
3

               
Andante

 
36

  Allegro 
            
                 
53

  
   
                            
63

 
 
      
                         
70
Tempo de Chula

 
      
                  
78

 
                             
     

87



   
                           
   
99


3

    
             
            
105

   
  
                                
 
127

  
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

  
2
    
Allegro

                         
134

       

 
                                   
3

     
141

 

                        
          
149

    

    
        
            
156

 
 
 
                         
163

 
 

        
   
Moderato Allegro
173
      
     
3 
3 3

                             
  
194

   

                          

207

  

          
                     
219

          
   
         
          
235

       

  
              
Tempo de Marcha

           
246


                                     
  
257

 

                         
         
270

 

                     
 
Presto

    
   
281 1. 2.



3 3
Alto Sax. PORTUGUÊS SUAVE

Maestoso  
  
            

Carlos Marques (1998)

        
        
   
    
      
                        
    
10

  
                  
accel.

       
Poco Mais
           
19

  
 5   3 3
3


                                      
29

   
 
3 3 3

   rit.    
     
Andante

         
37


3 3

   
Allegro
                           

57

    
 
Tempo de Chula   
                    
             
67

 
  
                   
     
                     
77

 
                       

    
     
88



                                       
100

 
  
    
      
                           
107

         

 
                    
115

 
    
                                            
Allegro
  
131

 

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2
       
                            
 
141

    

                                    
 
148

         

          
                           
155

  
 
                   
 
    
163

 
 

                    
Moderato

     
Allegro
 
174

 
3

 3
 3

                             
     
195

                    

  
207

                  
             
219

   
                       
  
   
     
235

 

   
Tempo de Marcha
                         
 

246

  

          
                                
259

                           
   

272


3

 
                                 
Presto

 
282 1. 2.



3
Tenor Sax. PORTUGUÊS SUAVE
Maestoso        
Carlos Marques (1998)
    
    
 
       
    
                             
        
9


3 3

                        
accel.

             
5


16

  
   
             
3

          
             
Poco Mais

 
26 3


3 3

Andante
3 3

 
                      
    
34 rit.

    
 
  
                            
50 Allegro


   
               
                        
59

  
  
                 Tempo 
               
de Chula

69

 
 
          
                   
79

 

 
           
        
       
    
                    
   
      
87

   

                                
95

     
   


                            
107



                                          
116

  
  
                            
123

  
 

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE
Allegro   
                           
2

             
133

  


                          
           
           
139


 
                               
         
145

     
  
 
              

                        
152

     
 
                      

      
159



           
Moderato

           
165

    
 
                         
Allegro

      
190 3

      

       
                                     
200


                                        

210

       

             
            
221

      
 
 
                       
233

      

Tempo de Marcha
                            
       
246

 


                                 
260

         
                      
270

     
 
Presto
                
           
281 1. 2.


Trumpet in Bb 1 PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso 
                 
 
           
  
 3 3
3
 accel.
     só 1       
    
15

  
Tutti


     
                 
Poco Mais

            
25

 
3


3

 

3 3 3 3 3

        
Andante
              
36


Solo

 
  expressivo

   
                
44


   
                                 
Allegro

  
57

    
 
             
        
     
64

     
   

       
Tempo de Chula

               
71

    
 

 
      
                           
83

      
 

                    
             
91

    

                                

98


  


            
 

          
105

       

    

   
 
     
 
                   

111

         
  
      
   
          
             
118

    

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2
     
                                     
127

       

 
                
Allegro
     
133


 
                            
       
143



                            
          
151

 
   
           
     
      
 

159


  
     
Moderato
      
               
167 3

  
Solo

   
 3 3

          
                      
180

 
3 3 3 3

  
                                
188 3 Allegro

3 3

    
                         
199

 
  
                        
212

    
 
                       
       
228

     

 
                     
Tempo de Marcha
     
 
241

    


                        

254

          


                               
267

         
 

 
Presto
        
            
1. 2.

 
281

     
3 3

Trumpet in Bb 2 PORTUGUÊS SUAVE

Carlos Marques (1998)

Maestoso               
                   
   
 3


3 3
accel.

          
14

        
 

Poco Mais
    
                  
25

     
3 3


  3 3
 3

    
            
Andante
            
35

 
3 3


                                  
57 Allegro

              
 

                   
64

                
  
Tempo de Chula 
                   
71

       
  
  
    
  

                              
83

      
  
        
 
 
                                    
91


                             
    
98

 
   
 
                         
     
105

          

    
  
 
     
                      
111

 

                       
            
117

          

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2

          
 
               
127

                    

                  
       
Allegro
 
133

   

                          
                   
142


  
 
   
                     
             
149

    

              
                
157


 
     
Moderato Allegro

                  
166 3

     

 
                                       
196

 
                               
209

 
 

     
                        
   

226

     
 
                 
     
239

            

 
                     
Tempo de Marcha

  
249

         

   
                
262

         
  
272
           
3

                        
Presto
      
                    
1. 2.

    
282 3

   

Trumpet in Bb 3 PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso  
              
                
       
 3


3 3

     
15 accel.

       
 


 
Poco Mais

           
           
25 3

       
3 3


3

  3  3 3

   
   
Andante Allegro

           
36

 



                        
58

               
 
  

                
65

                
 
        
 

Tempo de Chula 
                   
72

        
 

                       
84

           


                          
92

     

  
                                    
99

  
        
                                   
106


 
   
                                   
112

       


        
                                  
119

   

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2

       
                                        
128

 
          
  
Allegro

              


134

 
  
    
           
             
144

       
    

    
           
152

                   
  

                
          
160

   

 
 
Moderato Allegro

                     
175


3

          


                        
200

   

     
                                
213

 
 
      
                                  
231

    

 
           
Tempo de Marcha

                    
243

  

     
         
256

                     

    
                
268

                      

Presto
            
              
1. 2.

 
280


3 3

           

Trumpet in Bb 3 PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso  
    
              
      
3 3 3

    
    
 
    
15 accel.

       
 


 
Poco Mais

  
             
25 3

       
3 3 3 3

      
   3 3

   
   
Andante Allegro

           
36

 



                        
58

               
 
  

                
65

                
 
        
 

Tempo de Chula 
                   
72

        
 

                       
84

           


                          
92

     

  
                                    
99

  
        
                                   
106


 
   
                                   
112

       


        
                                  
119

   

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2

     
                                       
128

   

         
  
Allegro

              


134

 

  
    
           
             
144

       
    

    
           
152

                   
  

                
          
160

   

 
 
Moderato Allegro

                     
175


3

          


                        
200

   

     
                                
213

 
 
      
                                  
231

    

 
           
Tempo de Marcha

                    
243

  

     
         
256

                     

    
                
268

                      

Presto
            
              
1. 2.

 
280


3 3

           

Trumpet in Bb 3 (A) PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso  
    
              
      
3 3 3

    
    
 
    
15 accel.

       
 


 
Poco Mais

  
             
25 3

       
3 3 3 3

      
   3 3

   
   
Andante Allegro

           
36

 



                        
58

               
 
  

                
65

                
 
        
 

Tempo de Chula 
                   
72

        
 

                       
84

           


                          
92

     

  
                                    
99

  
        
                                   
106


 
   
                                   
112

       


        
                                  
119

   

©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2

     
                                       
128

   

         
  
Allegro

              


134

 

  
    
           
             
144

       
    

    
           
152

                   
  

                
          
160

   

 
 
Moderato Allegro

                     
175


3

          


                        
200

   

     
                                
213

 
 
      
                                  
231

    

 
           
Tempo de Marcha

                    
243

  

     
         
256

                     

    
                
268

                      

Presto
            
              
1. 2.

 
280


3 3

           

 PORTUGUÊS SUAVE

Horn in F 1
Maestoso 
 
Carlos Marques (1998)

                     
                
  
3 3 3

 
  

      
                                    
         
9


       
                               
accel.

           
19 Poco Mais

 

                                         
3


28

     
 3
  3 3 3

  rit. 
     
                      
36
Andante

  

              
47


                
Solo



       
 
     

        
56 Allegro
  
      

                                       

64

     

   Tempo de Chula   
                                 
72

 
                                          
80

 

  
           
                                     
90


                              
        
100

           
  
           
                 
108

    
    

      
                                       
115

 
 

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

 
2
                                        
      
126

          

                           
                      
Allegro
     
133

 

 
                 
         

      
142



 
        
                       
152



              
          
162

       
 
 
                                     
174 Moderato



  
                                           
182

 3 3
                      
190 Allegro

      
  
    
         
205


    
                         
221

         
 
 
                        
238

                                         
Tempo de Marcha

250


 
                                         
261

       
                                            
271

Presto

                    

    
281 1. 2.

       

 PORTUGUÊS SUAVE

Horn in F 2

Maestoso 
Carlos Marques (1998)

                                     
  
3 3 3

             
  
                           
                    
9

      

             
accel.
     Poco Mais 
                                 
19

3

               
       
28 3

                 
3

   
3

   
  3

rit. 
   
                           
36 Andante


  
      
    
Allegro
     
47

             

 
            
63

                             
  
 Tempo
 de Chula
              
71

                         
 
  
                               
79

   
  
 
                                           
89


    
                  
99

                  
    
  
           
                            
107

 

              
            
115

         
 
 
  
        
       
 

                    
127

                
            
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

      
2

                
134 Allegro
                       
 
   
                                
144

  
 

      
      

153

                   

     
  
161

 
                       
   
 
                                
174 Moderato


                          
181

      

                     
Allegro
    
188

  
3 3


 3

         
201

      

    
                  
        
217

   
   
  
       
                 
234

 
          
  
Tempo de Marcha
                               

245


 
                 
                                            
258

             
                                            
269

    
Presto

                    
 
1.2.

              
280

      

 PORTUGUÊS SUAVE

Horn in Eb 1
Maestoso  Carlos Marques (1998)

                 
3 3 3

                      
  
        
                  
9

    
             
      
accel. 
    
                      
                         
19
3
Poco Mais

   

  
                       
28

                
3 3 3 3

   
  
rit. 
      
                   
36
Andante

   
  

         
47
Solo

      

           
   
      
Allegro
 
56

           
     

     
          
64

            

  
Tempo de Chula

                               

72

   
  
  
                        
80

          
  

                                       
90

   

   
                                    
100

      
  
        
                                         
108

   
      
               
115

      
               
   


©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

   
2

             
                
126



    
                                           
 
133 Allegro

       

                                           
142

     


                                         
152

    
  
    
162

                          
  
 
                   
174 Moderato

             

 
                         
182

      
3 3

     

  
               
190 Allegro3

      

  
          
205

          
 
 
              
                    
221

  
      
    
238

          

                     

Tempo de Marcha

 
250

       
 
                                          
261

       
                                             
271

  
Presto

                       
 


281 1. 2.

  

 PORTUGUÊS SUAVE

Horn Eb 2

Maestoso 
Carlos Marques (1998)
   
                        
3 3 3

    
          
          
 
      
                                           
9



 
  
accel.
     Poco Mais 
                                          
19

 
3

    
                                 
       
28 3 3

  
  3 3

   rit. 
                           
36 Andante


  
 
           
Allegro
     
47

                


                                  
64

      
 Tempo
 de Chula
                                             
72

 
   
                                        
81


  
   
                                               
91


 
 
                                     
102


  
       
                         
109

   

         
                          
116

      
  

          
                
127

                       
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

 
2
  Allegro
                                         
134



   
                                     
144



    
                                 
153

       
                 
161

 
         

 
                      
             
174 Moderato


181
                        
        

 
     
                 
Allegro
     
188 3 3


 3


                 
201

       
          
             
217

    
  
           
                 
234

    

               
Tempo de Marcha

                              

245


 
                  
                                             
258

                      
                       
269


Presto
                
                           
2. 1.

   
280

 

 PORTUGUÊS SUAVE

Trombone 1
Maestoso 
 
        
         Carlos
  Marques
  (1998)
 
                
    
                  
 
3 3 3

                     
    
8

 
              accel.     Poco
          
 Mais
                          
18



                        
                 
28



 
3 3 3 3

        
              
Andante
         
36 rit.


 
3

      
                             
46 Allegro

 

         
                              
63


 Tempo de Chula   
                                   
72



                    
    
     
       
81

 
 
           
                           
90


 
   
                      
                   
 
100

      
  
           

                  
                  
108

  
                      
     
115

                 
 
 
                                                   
127

     
©Roberto Carlos Brito Loureiro
                                  
PORTUGUÊS SUAVE
2 Allegro

                   
134



                     
                  
        
141

                       
          
149



                      
           
159


      
Moderato
             
                    
167


                         
        
     
182

 

3 3

                 
Allegro

        
190

       
3

       
    
   
 
206



                   
  
        
223

 
                     
            
233

           

Tempo de Marcha

      

  
245


 
                       
          
257

                         
           
268

        2.         
Presto
    
 
           
280 1.


 PORTUGUÊS SUAVE
          
Trombone 2
Maestoso 

          
        
Carlos Marques (1998)

   
 
               
3 3 3

   
                               
7


               
                        
accel.

          
16


 

 Mais
                     
      
Poco
       
26


 3


                              

33


rit.


 
3 3 3 3


                               
41 Andante


                           
   
 
57 Allegro

 

                               deChula 
     
67
Tempo
 

      
                
      


   
77



           
    
       
                     
85



  
                             
94



                                     
      
103

     
  
                                      
    
  
109

   
  
               
                 
                  
116

   


©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

                                
2
                
128

          

   
Allegro
                           
                   
135

 

                        
                        
141

 
          
                          
149



            
                       
158



                       
     

                
165 Moderato


                 
                        
181

          
Allegro

       
         
189


3 3 3

                        
203

  

                               
  
221

   
 
                  
           
 
        

233

                      
Tempo de Marcha
  
245


 
                                    
               
257

                                                  
268

        

Presto

           
                          
 
1. 2.


280

      

 PORTUGUÊS SUAVE

Trombone 1
Maestoso 
               
Carlos Marques (1998)
                 
  
3 3

    3  
  
          
                                      
8


 Mais
                          
accel. Poco

                                  
18

 

                   
                          
28

  
 
 3 
3 3 3

      
                        
Andante

 
36 rit.

 

3

                  
              
Allegro
  
46



    
                                 
63

  

   
                                        
72 Tempo de Chula


           
                            
81

 
 
                                      

90

  

      

                                           
100


  
                    
108

             

                                             

115

    
 
       
                                                   
127

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

                                           
2
          
Allegro


134

     

141

                                             
      

                           
       
 
149

 

               
                    
159

 

  
Moderato

                                           
167


                                          
182

     

3 3
Allegro
                        
  
190

 
3

 
             
      
   
206


 

                         
223

   
 
                       
              
233


Tempo de Marcha

            
        
245

       
 
                                 
             
257

           

                                                  
268


Presto

                          
 
            
280 1. 2.



 PORTUGUÊS SUAVE

Trombone 2
Maestoso 
    
Carlos Marques (1998)
         
                    
3 3


     
 3

                             
                       
7




accel.

                       
                        
16

 

   Poco
                   
 Mais
             
26 3

          


  
             
33

                
3 3 rit.

 
 

3 3

  Andante                            
41



     
                                   
57 Allegro


         Tempo  de Chula
   
                      
67

   

        
                        
77

    


                              
   
85

       

  
                                         
94


                       
  
103

              

  
                        
             
109



                                             
116

        


©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE
2
       
                                              
128

                                               
Allegro

   
135

   

               
                  
                
141

    
  
          
                          
149

   
             
             
158

         

  
                                               
165 Moderato

  

   
                                         
181

  
                        
189 Allegro

    
 3 3 3

  
                       
203



  
             
221

              
  
 
                                     
233

    

 
Tempo de Marcha
       
           
245

   
 
                                          
     
257

              
                     
                                                 
268


Presto
    
             
         
280 1. 2.

      

 PORTUGUÊS SUAVE

Baritone C

                   
Maestoso 
 
Carlos Marques (1998)

   
  

              

 3 3 3

                                 
 
       
8

    
              accel.
3

  
3

    
       
        
16


  5 
3


     
                             
 
Poco Mais

26

  
3
3 3 3 3

 
                                   


34


rit.

 
Andante
     
41

 
Solo
                 

Allegro 


                                        
56



  
       
                                

65



        
                       
Tempo de Chula
        
75

 
    
                  
         
                     
84


  
 
 
        
                    
          
              
92


 
     
        

 
        
        
102

 
  
                                                   
114



                                         
122

  
 
©Roberto Carlos Brito Loureiro
            
PORTUGUÊS SUAVE

              
2

Allegro

                    
131

 

                                   
                
139

            
 
                      
          
147


                                 
   
     
155


 
 
    
                                      
163

   

              
Moderato Allegro
               
      
171

   
 3

             

                   
194


            
                    


     
      
205

     
           
   
          
          
219

  
                                  
233

     
          
Tempo de Marcha
    
     
247

 
  
                        
260

             
  
   
   
   
270

 
  1.    
2.         
          
Presto

  
    
281



 PORTUGUÊS SUAVE

Baritone C
Maestoso 
Carlos Marques (1998)

                             
3 3

        
     
 3 
   
                        
8

                
3 3

   

                        
accel.

             

16


5

  
   3

         
                    
Poco Mais
  
26 3

      
3 3


 3 3

                       
    
34

 
    
rit.

   
 
Andante
              
         
41 Solo

Allegro 
 
                                        
56


    
                                       
65


               
Tempo de Chula
         
75

        
   

                 

             
             
84


                             
    
92

                 
     


                 
                      
102



  
   
                                          
114



           
122

                          
 
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

                           
2 Allegro
    
       
131

        


                                        
      
       
139

    

            
                              

147

   
 
                
                  
  
155


 
                                             
163

     
   
Moderato Allegro

                         
 
171

 
3

      


                                   
194

         
                                                 
205

                          
       
219

    
  

              
233

         
       
Tempo de Marcha

             

247

       
 
      
                   
260

    
                  
  
270


Presto

                   
            
1. 2.

   
281

      

 PORTUGUÊS SUAVE

Baritone Bb
Maestoso 
Carlos Marques (1998)

                    
           
       
  3
3
3
   
               
                  
8 3

    
3

          

                   
accel.

                 
16 5

  
   3

     
                 
Poco Mais
       
26

         
3 3

3
 3 3

                       
    
34

 
 
rit.

 
 
Andante
                     
41

  
Solo

Allegro 
 
                       
                
56


                            
         
 
65

   

Tempo
  de Chula
                  
            
75

     


 
             
     
 
 
           
             
84




                            
           
92

          

                  
               
102

  
  

 
                                          
114



                 
   
122

            
 
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE

                     
2 Allegro
 
                      
131

 

             
                           
                        
139

 

             
                           
147

        
 
          
                            
 
155

 
 
                              
         
163

   
  
     
        
Moderato Allegro

             
171 3

          

194
                                 


            
                                          
205

219
                           
            
    
  
  
                            
233

    

Tempo de Marcha

                            
247

   
 
  
                       
260

                       
      
270

   

     
 
Presto
                   
           
1. 2.

  
281

     

Tuba Eb PORTUGUÊS SUAVE

Carlos Marques (1998)
 Maestoso 
         
            
       
       
 
  
                       
9


             
       
accel.

                          
17

          
        
Poco Mais

 
25

              
                    
Andante
    
33


rit.


                     

  

45 Allegro

                      
59

                               


    
65

                    
        
 
   
72

                 
Tempo de Chula

             

  
    
81

 
               
     
     
92

                
    

 
     
103


                      
 
  
          
114

        
               

   
 
                 
125

                 


©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE
2
136
   Allegro
                                  
  

                          
144

           

                         
153

                

                            
162

        
        
          
 
      
169 Moderato
             
      


    
177

                   
        
  3           
Allegro

  
185

 
                        

                               
196

              
 
                      
209

                  
   
 
223
                       
       
         
 

                 
235

                  
                 
      
248

      
Tempo de Marcha

           
 

                                              
260

           
 
                                     
272

            
Presto
  1. 
                 
283 2.

         
     

Tuba Bb PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso   
           
         

        
   
             
                          
9

     
 
accel.

   
                                           
17

Poco Mais
 
                                   
25

 Andante

                     
    
33
rit.

  
  
Allegro

      
45

           
 
 
                              
59

 

                                   
65

 
 de Chula
 Tempo
                               
72

   
 
 
             
81

             
 
                        
92

 

  
                       
103

   
  
    
                    
114

             

    

                                  
125




©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE
2 Allegro

                                    
136



 
                                  
144

   
                                         
153

   
                                         
162

 Moderato
   

                              
169


  

    
                     
177

  
  
Allegro
   
                              
185

 
3

   
         
                                      
196

          
                                    
209

 

                           
       
223

       
 

                                   
235


Tempo de Marcha
                    
            
248

       
 
                 
                       
260

        
       
                                            
272


Presto
     
                              
283 1. 2.

 

Timpani PORTUGUÊS SUAVE


Carlos Marques (1998)

  
Poco Mais

  Maestoso 
          
     


 
 
             
Andante
    
34 Solo

   
 
  
Allegro

                                      

52

 
    
                  

                  
75 Tempo de Chula



              
             
112

     



           
Allegro

  
         
127

     



 
                    
140

              

    
Moderato

   
              
152

   

     
Allegro

                         
 
   
190


 

                       
                     
233



  
Tempo de Marcha Presto

 
            
247 1. 2.

            

©Roberto Carlos Brito Loureiro
 
Drum Set PORTUGUÊS SUAVE
Maestoso 
 Carlos Marques (1998)

                                            
Pandeiro

Poco Mais 
     Pandeiro
Allegro
 
Andante

                   

25

       
 Pandeiro       Tempo de 
   
   
     
  
  
64 Chula
     
       

78                                       
               


106                                                   
          
 
 
129                                    
Allegro
         
    
     

139

                                  

              

                                        
148

               

                
 
157

                           

     
     
Moderato Allegro

    
                               
174
3


                                           
227

de Marcha

Tempo
                       
                                                   
249


                        
                                                    
265


Presto
          
                                  
278 1. 2.

©Roberto Carlos Brito Loureiro

Drum Set PORTUGUÊS SUAVE

Carlos Marques (1998)
Maestoso 
       

                               
       
                
           

9
                                                        
                           
            
16
                                                       
                            
  accel.           

                                           
Poco Mais

                                            
23

 
                             3   3                                 
                                
30

    
 Andante  Allegro         
      rit.     
                                 
38


 
61
                                                            
                              
 
                                                 
Tempo de Chula

                                  
69


78
                                        
                    


89
                             
                                            

                                             
           
100

         

110                         
  
      
       
     
     
         
   

                                                            
     
118

           

127  
 
      
        
             
      
       
       
     

©Roberto Carlos Brito Loureiro

 PORTUGUÊS SUAVE

 
2 Allegro

                                                        
135



  
                           
143
                                               
                                

                                
151
                             
                             

159
                               
                               
                                
       
    
        
   
Moderato
             
167


 
                                                     
                                                      
176

                                 3   3   3   3    3    
Allegro

                 
185

   


  3
192
                          
                                       
            
205
                       
                                    
           
   
                                       
 
217

                        
         

231
                                               
                        
           

                Tempo de Marcha       
                                        
243

     
 
256
                                               
                       
268
                       
                        
  
          1.           
Presto

            
280 2.

                  

 
 
         
Percussion PORTUGUÊS SUAVE
Carlos Marques (1998)

    
   
 
      
                 
Maestoso
  
  
  

                                          
9

                                          
16

 accel. Poco Mais

                                  
23

  
 
31

         
rit.

             
 Allegro 
Andante  
           
40

            


                               
62

                        
70 Tempo de Chula
   

 
       
78

            


          
87

           

96

                  
 


      
105

             

115

                
 
©Roberto Carlos Brito Loureiro
 PORTUGUÊS SUAVE
2
   
  
126

               
   
Allegro

                                     
136

                                   
145

    
                                  
154


Moderato

         
163

                         


178

                                   
Allegro

 3        
                   
187

         
 

                                          
199

            
        
213

                      
            
 
 
   

                                       
229

 

                      
Tempo de Marcha

 
242

     
 
254

                       
266

                             

  
Presto

        
               
281 1. 2.

 
