THELONIouS THELONIOUS MONK QUARTET WITH JOHNNY GRIFFIN esLight Blow Coming on the Hudson Rhythmning Episrophy (theme) Blve Monk Eridence Epinrophy (heme) {all sclestions composed by Thelonious Monk) JOUNNY GRIFFIN, the xin Chico. enorman, EE ae ote eatin a Re y Mans include four abume af his‘ow ns A The tg Soultand: JOHNNY GRIFFIN Orche (CRLP 3315 and Sterew 1179) ‘The Lite Giant: JOHNNY GRIFFIN, with ‘Blue Mitchell (RLP 12-304: and Stereo 1149) Way Out: JOHNNY GRIFFIN Quartet, with ‘Pailly Jor Jones (RLP 12278) JOHINNY GRIFFIN Sextet, with Donald Byrd, ‘Pepper Adame (REP 12364) Monk's distinguished serie of Riverside LPs ies — ‘THELONIOUS MONK atthe Blackhawk (REP 123233 and Stereo 1171) "The THELONIOUS MONK Orchestra a Town Hal ‘CREP 12.300; and Stereo 1138) Mulligan Mects Monk —~ with GERRY MULLIGAN ‘CREP 12247; and Stereo 1106) Miserioso: THELONIOUS MONK. Quartet ‘Five Spot (RLP 12.279; and Stereo 1133) Five by Monk by Five: THELONIOUS MONK ‘with Thad Jones (RLP 123033 and Screw 1130) Thelonious Alone in Sam Francisco: vole piano (GREP T3312; and Stereo 1138) Thelonious Wimae:solo plano (LP 12-235) Monk's Music: THELONIOUS MONK Septet, ‘ith John Coltrane, Coleman Hawkinn Ietlilakey (HLP 13.2491 and Stereo 1102) Brillant Corners: THELONIOUS MONK, wi ‘Sony Woline (HLP 12226; aed Sterca 1174) ‘The Unique THELOMOUS MONK (RLP 12209) ‘THELONIOUS MONK plays Duke Ellington (HLP-12201), theRIVERSIDE 'STEREOPHONIC Thelonious in Action: THELONIOUS MONK Quartet Joey Gti tere Then Man, pe Ame Aa ab May Mea dram Mere te Fv pt Cf Sew Yer Gay Ang 58 “This album captures the exiting core ofan een formance by unique jan gros ‘oda TEL LBWots Wo MONK bal been a eal bar Bae Sie, conte sharply Si foal not he ante ere ey of mest f today's jas tol Pn, when titre fess Rly, the com sity of ok ed he Fe Sp ey oem scab at Thelonious apnt the rat bl of is etki hours ites the jorment vale (eta eps, vous ewoon mem a plaee 'LinceleCatdens, where Louis Arte joted Hin: Benny Goodman and Ye Parmoant te New Yorks where the dancing in the asl is hr 1d The coming of the Sang craze. For modern jane {tole there te hey place names already Mino fie Playhoue, in Harlem, where Monk and Gillie and sin et Keni “a a re he # ‘Mion col slong teleoly late n Monk's ater and in ihe of meer jar; ut the fact that Teloio For [eit tnta tn acai tnt, bat In'yar out of th genuine compleity and Self alms aod i partout of the way Tanaway pre Seetry and rumor bad exaggerated his “rad seat aa ae copay te ie nec {nthe Summer of‘Theloniooe worked the rot of the year atthe Five ‘got then tool's bone, bat wae roy back i ne Str of She rod ade eis cierto angel he Sigal Sc wit ake Case on anor? Wier Wie Shae, Wi rms avr ec ee ee me une Sctugioe mine setae ee RE eters Deine na ec pn per ce Beh ey ie aie ree, te ad hen ore ae ee ce wi ae on ete ek ete, Jn Cotta ate not the same man, and Monk i fay he Car en ee an ta © Tee et aot 1 i Aa ea et a ie rem cnet Ce ‘Monk patern) clearly show that This ie troe not ealy Te tee et spi tna en Met cope eid bo ote ie meen meals abs yeu e gt ‘shew arrangement oa ld standard enamel es baie melody and ractar, but tants fo eo ings vent for-sever Mean Toe only ‘Tference et Mosk taking adrantngr of he fc that ‘hy ea wth io ex shin on rat sche ome ih he om Mons Maney 12 368 fw ring expended sorings of Monk elas, was bul ound pres this concept) "This he it time that Thlonioon has Boon reorded “ine” ou of the studio Perapn the mest inmaditaly sparetdiferenoe stat Monk onthe job seme more enced ieelf aw pani, a pero at (and thie i very much apart of thi are) show imum There cao af courte th giveand take of ral ‘cr reaction: apps, conversation, the comingy td figs ol tpial Fi Spt cred (sede up Sn vary E isk neo Bohemian types who live ear, inline jt a me ‘Banege ts combone ware then one of thse enegorio TE sae si fa heat Shep dice» Wt saaent af Baap Fe a aca RIVERSIDE RECORDS