The Use of Therapeutic Music Training To Remdiate Cognitive Impairment Following An Aquired Brain Injury
The Use of Therapeutic Music Training To Remdiate Cognitive Impairment Following An Aquired Brain Injury
Article
The Use of Therapeutic Music Training to Remediate
Cognitive Impairment Following an Acquired Brain
Injury: The Theoretical Basis and a Case Study
Cheryl Jones
Department of Music, Wilfrid Laurier University, Waterloo, ON N2L 3C5, Canada; [email protected]
Received: 30 July 2020; Accepted: 1 September 2020; Published: 8 September 2020
Abstract: Cognitive impairment is the most common sequelae following an acquired brain injury
(ABI) and can have profound impact on the life and rehabilitation potential for the individual.
The literature demonstrates that music training results in a musician’s increased cognitive control,
attention, and executive functioning when compared to non-musicians. Therapeutic Music Training
(TMT) is a music therapy model which uses the learning to play an instrument, specifically the piano,
to engage and place demands on cognitive networks in order to remediate and improve these
processes following an acquired brain injury. The underlying theory for the efficacy of TMT as
a cognitive rehabilitation intervention is grounded in the literature of cognition, neuroplasticity,
and of the increased attention and cognitive control of musicians. This single-subject case study is
an investigation into the potential cognitive benefit of TMT and can be used to inform a future more
rigorous study. The participant was an adult male diagnosed with cognitive impairment as a result
of a severe brain injury following an automobile accident. Pre- and post-tests used standardized
neuropsychological measures of attention: Trail Making A and B, Digit Symbol, and the Brown–
Peterson Task. The treatment period was twelve months. The results of Trail Making Test reveal
improved attention with a large decrease in test time on both Trail Making A (−26.88 s) and Trail
Making B (−20.33 s) when compared to normative data on Trail Making A (−0.96 s) and Trail Making
B (−3.86 s). Digit Symbol results did not reveal any gains and indicated a reduction (−2) in free recall
of symbols. The results of the Brown–Peterson Task reveal improved attention with large increases in
the correct number of responses in the 18-s delay (+6) and the 36-s delay (+7) when compared with
normative data for the 18-s delay (+0.44) and the 36-s delay (−0.1). There is sparse literature regarding
music based cognitive rehabilitation and a gap in the literature between experimental research and
clinical work. The purpose of this paper is to present the theory for Therapeutic Music Training
(TMT) and to provide a pilot case study investigating the potential efficacy of TMT to remediate
cognitive impairment following an ABI.
Keywords: music training; acquired brain injury; cognitive rehabilitation; attention; executive
function; memory
1. Introduction
An acquired brain injury (ABI) can result in impairment in a variety of domains including
motor, speech, emotional, and cognitive. Cognitive impairment is the most common sequelae
following an ABI [1–4] and is a result of deficit in one or more areas of cognition such as the various
forms of attention, working memory, memory, executive function, or processing speed [5–11].
An individual with cognitive impairment may experience challenge to suppress distraction, remain on
task, shift between tasks, follow directions, organize and initiate a response, or have difficulties with
memory. Cognitive impairment can impact participation and progress in rehabilitation therapies
for any of the above domains due to reduced attention, poor executive functioning, or impaired
memory. The inability to attend to instructions of the therapist, to cognitively plan and organize
a response, or to remember rehabilitation objectives outside the therapy session can potentially
disqualify an individual from participation in rehabilitative programs or may impede progress in them.
Furthermore, cognitive impairment is reported by family and caregivers as a significant source of
stress [8,12–14]. Addressing cognitive impairment should be a priority in patient treatment following
an acquired brain injury. Therefore, it is important to have on-going research into potentially effective
cognitive rehabilitation tools.
Music training has been noted in the literature to impact areas of non-musical functioning
including phonological awareness [15], speech processing [16], listening skills [17], perceiving speech in
noise [18] and reading [19,20]. Of significance to the theory of Therapeutic Music Training, the literature
demonstrates the impact of music training on cognitive abilities including attention and executive
functioning [21–27].
Therapeutic Music Training (TMT) is a music therapy model in which the use of music training,
specifically learning to play the piano, is used to address and remediate cognitive impairment
following an acquired brain injury [28]. TMT is informed by clinical work and is grounded in
literature. The hypothesis of the efficacy of TMT to remediate cognitive impairment is supported
by literature regarding the influence of music training on cognition [23–25,29], musician’s enhanced
abilities in attention, working memory, and cognitive control [26], theories of attention [30–35] and
the neuroplasticity of the brain, including following injury [36–40]. Because of the engagement
of the prefrontal cortex and the demands placed on working memory and attention during TMT,
it can be an effective tool to address cognitive impairment. Although functionally interconnected,
specific aspects of cognition such as working memory, attention, executive function, and memory are
targeted in TMT tasks. TMT is a remedial approach to cognitive rehabilitation, that is, the goal is
to drive, strengthen, and improve the underlying neural processes involved in the target cognitive
areas. This is in contrast to a compensatory approach to cognitive rehabilitation, in which the goal is to
provide the individual with strategies and accommodations to deal with the outcomes of cognitive
impairment. The tangible outcome of producing a song provides motivation for the client to engage
in cognitive rehabilitation and to remain in the rehabilitative process for an extended period of time
as is required to stimulate a neuroplastic response and for the remediation of neural processing to
take place.
TMT is distinct from modified music education in that the goal of TMT is the remediation of
cognitive processes rather than music performance. Tasks involved in learning to play the piano are
designed with the goal of placing demands on the various components of cognition. The sequencing
and pacing of tasks are determined by the cognitive goals with consideration to target cognitive
processes and the time required to drive and strengthen the networks involved. Novelty and the
gradual increase in complexity of tasks are utilized to place on-going demands on attention networks
and to gradually benefit higher cognitive processes. This is in contrast to modified music education,
in which the primary goal is the acquisition of musical abilities and performance.
TMT is distinct from other models of music therapy in that it uses music training as the intervention
for rehabilitative purposes. TMT contrasts from other music therapy models which use music primarily
for expressive purposes, lack corrective feedback from the therapist, or use isolated music tasks which
are not intended as music training. TMT is distinct from Neurologic Music Therapy (NMT) [41]
in addressing cognitive goals as NMT does not use music training in its music-based rehabilitative
interventions. Bruscia highlighted the importance of the music therapist’s “non-judgemental acceptance
of what the client does musically” [42] (p. 3). While the TMT therapist would express empathy and
support to the client, s/he would also provide constructive and corrective feedback as required in
the learning to play an instrument. As in other models of music therapy, the therapist’s use-of-self and
the role of the client–therapist relationship are important contributors to the success of the therapy.
Healthcare 2020, 8, 327 3 of 17
Remarkably, much of cognitive rehabilitation is not grounded in the literature [36,43–45]. This may
be due in part to the fact that rehabilitation therapy used to address cognitive impairment is most
often based on a compensatory approach, accommodating or supporting the impairment, rather than
attempting to remediate the cognitive processes that have been impaired. While the use of music and
instrument playing for motor rehabilitation has been widely investigated [41,46–48], there is sparse
literature investigating the potential efficacy of music-based cognitive rehabilitation interventions.
This paper provides a brief introduction to the theory for TMT. This case study investigates
the hypothesis of the potential effectiveness of therapeutic music training, TMT, to remediate cognitive
impairment and serves as a pilot project to inform future, more rigorous studies. This investigation
can contribute to the literature regarding music-based cognitive rehabilitation and inform clinical
practice. There is a gap between cognitive experimental research and treatment applications [49].
The hypothesis for TMT has been informed by clinical work and this study can help fill in the gap
between experimental research and clinical application.
involved in music training provides opportunity to repeatedly drive the cognitive processes engaged,
thereby potentially strengthening these processes and cognitive networks, stimulating re-organization.
Based on theories of cognition and attention, TMT tasks have been developed to include
the following criteria:
(a) Detection and response to a target stimulus to place demands on attentional processing and
to engage cognitive control networks
(b) Goal-directed behavior
(c) Effortful processing
2. The intervention places demands on working memory.
3. The intervention is designed to target a specific aspect of cognition informed by models of
attention identified by Sohlberg and Mateer [63]. These include focused, sustained, selective,
and alternating attention.
4. Interventions are administered following the hierarchy of attention and cognition, beginning with
the level appropriate to the client.
5. Interventions are shaped throughout the treatment period, based on client progress, to gradually
increase in complexity, and include novelty to ensure on-going engagement and stimulation of
attentional processes. [61,63]. This may also support generalization of cognitive gains to ADLs.
6. The interventions are varied, highlighting melody, rhythm, or harmony and focusing on various
senses such as sight, hearing, and motor to continue to engage and drive attention processes and
prevent the acquisition of a “trained task” within a specific activity type, and thereby reducing
the requirement for attentional effort.
7. Interventions are administered with consideration to the intensity and frequency of treatment,
recognizing that a neuroplastic response is stimulated through experience.
The piano is the instrument used in TMT because the training can be adapted to the use of one
hand or both, depending on any motor impairment the individual may experience in the hand or arm.
Because music composed for the piano involves two clefs, this provides opportunity for engagement
of alternating attention, an increased cognitive load, and a vast hierarchy of potential tasks to ensure
on-going attentional demands and novelty throughout the training period.
Learning to decode notation, select the appropriate piano key(s), and evaluate the accuracy
of the pitch and duration of the note(s) engages the PFC by placing demands on target selection,
organized behavioral response, and monitoring of error. Reading note duration value (rhythm)
also engages these cognitive networks. Playing a line of music engages working memory:
short-term maintenance of the note’s name and location of the correct piano key; sustained attention:
visually tracking from one note to the next note; long-term memory: recall of notes previously
learned; alternating attention: reading two clefs; and focused attention: suppressing distraction from
the environment or within the music itself in order to remain on task and to execute the line(s) of music
as written. Throughout the treatment period, the TMT therapist must consider the cognitive goal,
which music training tasks will place demands on the appropriate cognitive networks, and how to
gradually shape the tasks and the music training assignments to continuously engage and strengthen
those networks.
The assigned TMT homework given to the client provides opportunity for the driving of
the cognitive networks between sessions, supporting the repetition and training required for
a neuroplastic response and the strengthening of these networks. In addition to the cognitive processes
involved in TMT, learning to play an instrument is a multi-model experience. The engagement of several
senses such as vision, auditory, and motor may serve as a greater stimulus or support the learning
process of an individual with an acquired brain injury who may be experiencing impairment in one or
more modalities.
Healthcare 2020, 8, 327 5 of 17
2. Case Study
The purpose of this case study was to investigate the potential effectiveness of TMT to engage
and drive attentional processes, thereby improving the cognitive networks involved and increasing
attentional abilities of the individual who has experienced cognitive impairment due to an acquired
brain injury, and to inform a future, more rigorous study. Earlier clinical work of the author with
several clients supported and informed the development of the hypothesis for TMT. This study was
created, using standardized neuropsychological measures for pre- and post-treatment tests, to formally
investigate TMT and its effectiveness. The case study, A single subject pre-test–post-test study to investigate
the effectiveness of Therapeutic Music Training to remediate attention and executive functioning impairments
following an acquired brain injury, received ethical approval from Wilfrid Laurier University (REB#5866,
16 January 2019).
The participant was recruited using purposeful sampling, specifically criterion sampling due
to the participant meeting pre-determined criteria of importance, through an invitation letter which
described the purpose of the investigation. The following were the criteria for inclusion in the study:
(1) age ≥ 18; (2) has experienced an acquired brain injury; (3) has been diagnosed with cognitive
impairment following an ABI with no known pre-existing cognitive deficit; (4) has the ability to
complete the pre-and post-tests independently; (5) will not be receiving any other form of cognitive
rehabilitation and (6) be a minimum of two years post-injury. The participant was a recent music
therapy client of the investigator. The dual role of researcher–therapist was described and the invitation
letter stated that any decision not to participate or to withdraw from the study would not impact
the receiving of TMT. The participant signed a written consent form prior to the study.
a neurologist and test results revealed impairment in attention, memory, and executive functioning.
Due to the level of impact of the ABI on various domains, the injury was identified as a catastrophic
ABI. He was later also diagnosed with Post-Traumatic Stress Disorder (PTSD).
Prior to the MVA, B.J. was the Chief Executive Officer (CEO), the highest-ranking executive,
of a high-tech company in a major city where he excelled in his work. He had excellent organizational
skills and successfully multi-tasked throughout the typical workday. He was equally successful with
technology and the interpersonal aspects of the company. He mentally calculated multi-million-dollar
math equations. Post-ABI, B.J. could no longer count backwards or do mental math.
After the collision and for the following six years, B.J. experienced chronic neck and back
pain, regularly occurring headaches, and severe migraines. He also experienced cognitive deficits
of reduced attention, slowed cognitive processing, impaired memory, poor executive functioning,
and word-finding challenges. He attempted to resume his career, but cognitive deficits, cognitive
fatigue, and persistent headaches resulted in him being requested to retire from his position. He was
unable to engage in any cognitively demanding task for more than 15–20 min, at which time a headache
would typically be triggered. Cognitive tasks limited to 15–20 min included attending a meeting
and tracking information, reading, writing, or watching a movie. B.J. stated he was unable to read
more than one page of a book or magazine and could only complete simple addition and subtraction
math equations. B.J. describes himself post-MVA as being “ADHD to the limit”, unable to remain
focused on a task. Two years post-MVA, with minimal symptom improvement, B.J. began to also deal
with depression. To address his symptoms, since the MVA, B.J. has been receiving case management,
physiotherapy, occupational therapy, and psychotherapy. In Year 6, he also began receiving music
therapy, specifically TMT.
The month prior to commencing TMT, B.J. received back surgery to address pain related to the MVA.
This reduced neck and back pain and increased sensation in hands and feet. However, chronic migraine
headaches remained. At the beginning of TMT, B.J. was demonstrating cognitive deficits to the same
degree that he had been in the previous six years and continued to experience word-finding difficulties.
He was referred to TMT by his occupational therapist to address cognitive impairment and to provide
an opportunity to engage in music, an activity of personal significance, which could serve to reduce
depressive symptoms.
2.2. Methodology
This study was approved by the ethics review committee of Wilfrid Laurier University.
The participant was recruited through an invitation letter describing the study and the dual-role of
therapist–researcher. The participant signed a consent form prior to the commencement of the study.
The participant had received nine sessions, over nine months, prior to the formal commencement
of the study and the administration of pre-tests. Session continuity of the pre-treatment sessions
was interrupted due to a family emergency of the therapist and regular migraine headaches for
the participant, which resulted in cancelled sessions.
TMT sessions initially focused on sustained and focused attention. Information was presented
and practiced in 10–15-min blocks followed by a break. This allowed the participant to remain on task
and acquire information, but not experience cognitive fatigue or to trigger a headache. Information was
provided in small amounts to support attention and successful memory retention. Note identification
was initially limited to five notes on a single (treble) clef and music was limited to one or two lines
(4–8 bars). As information was successfully retained, novelty and increased complexity of information
were introduced. This ensured on-going engagement of attention. New cognitive tasks were shaped
and paced according to participant’s cognitive abilities and included new notes in the bass clef,
alternating reading of both treble and bass clef, simultaneous reading of treble and bass clef, and varied
rhythmic patterns. Music reading increased to a maximum of 32 bars. However, when reading
32 bars, cognitive fatigue often became evident after approximately 16 bars. Therefore, this task
was balanced with shorter and varied tasks within the session and a break. At the end of treatment,
Healthcare 2020, 8, 327 7 of 17
the participant was beginning to read harmonic intervals, more than one note at a time, per clef.
Selective attention was targeted in the final two months of treatment. The therapist played duet
accompaniment, requiring the participant to remain focused on his own music while simultaneously
hearing new and distracting music. Working memory was inherently engaged in the de-coding of
notes and their execution on the keyboard.
2.4. Results
Table 1. Results of Trail Making Test A and B and Comparison to Normative Data
Norms
Participant Adults. Normal or Neurologically Stable
Trail Making Test (n = 384)
Pre-Test Post-Test T2-T1 Test 1 Test 2 T2-T1
Test A 54.78 27.9 −26.88 26.52 25.56 −0.96
Test B 76.13 55.8 −20.33 72.05 68.19 −3.86
Norms Age
Participant
Digit Symbol Test >50
Pre-Test Post-Test
Incidental Learning 3 3 4.86
Free-recall 6 4 N/A
Norms
Participant Adults. Normal or Neurologically Stable. Age 50–69
(n = 30)
Brown-Peterson Task
Pre-Test Post-Test Test 1 Test 2
T2-T1 T2-T1
Number Correct/15 Number Correct/15 Number Correct/15 Number Correct/15
9-s delay 15 14 −1 11.47 11.70 +0.23
18-s delay 7 13 +6 10.23 10.67 +0.44
36-s delay 3 10 +7 8.67 8.57 −0.1
of treatment, the participant’s attention span increased during TMT sessions from 15–20 min of
cognitive tasks before cognitive fatigue resulted in the need for a break to 30–40 min. This increased
attention span also became evident in between-session homework practice, which increased from 15 to
30–40 min. After the first three months of treatment, the participant’s family reported that his ability
to attend and remain on task generalized and was maintained for approximately 2 h post session.
Interestingly, this improvement coincided with a reduction in word-finding problems and reduced pauses
in sentence fluency. This reduction in word-finding difficulties was also observed by the friends of
the participant in social settings and by the therapist during sessions. Generalization of improved attention
was also demonstrated in the increased time from 15 to 30 min for reading.
3. Discussion
The purpose of this pilot study was to determine if there was evidence of effect of treatment,
specifically TMT, on the cognitive performance of an individual with an acquired brain injury.
If treatment effect were indicated, this study could support the theory of Therapeutic Music Training,
serve to expand clinical practice by providing a music-based cognitive rehabilitation model, and inform
future research and a more rigorous study.
While several studies have investigated the impact of music or music training on cognitive abilities,
very few studies have explored the use of music for cognitive rehabilitation following ABI. The results
from earlier studies investigating the potential of music-based cognitive rehabilitation following ABI
are reflected in the results of this case study. Knox et al. [66] stated that music-based cognitive tasks
resulted in improved sustained and selective attention tasks, while alternating and divided attention
were noted as being more difficult and with less improvement. The post-test results of this study
reflect similar findings, with sustained attention showing improvement while the Digit-Symbol test
measuring alternating attention did reveal improvement. This may be due to a longer treatment time
needed in order for gains to be observed in alternating attention or may be due to the brain injury
site(s) involved.
While these early studies demonstrate the effectiveness of music to engage and improve
attention, TMT is unique in that it is a treatment model that includes learning to read music and
the active participation of playing an instrument rather than a computer-based music training program.
Within TMT, there is a wide range of potential cognitive tasks involved in the process of learning to
read music and play an instrument that can be structured and adapted to the individual’s need and
pace, providing an on-going hierarchy of cognitive demand and the driving of attentional processes
The engagement of multisensory involvement in playing an instrument can serve to be a stronger and
multi-site stimulus for the injured brain.
Following music training, Moreno et al. [26] observed improvements measured on verbal scores
and attributed these gains to increased attention and memory rather than verbal ability. Interestingly,
while not a goal area, as attention abilities began to improve, the participant in this study demonstrated
increased word fluency and a reduction in word-finding problems during the treatment period.
An important aspect of TMT is the intrinsic motivation involved when learning to play
an instrument. McPherson and O’Neil [109] highlighted the motivation that learning music inspires.
This motivation is important in order for the individual to remain engaged in the rehabilitation process
for the time required to gain benefit. The journey of rehabilitation is often lengthy and challenging.
Individuals with ABI may lack the insight to commit to the therapeutic process. They may become
discouraged during rehabilitation. TMT, with the rewarding and tangible outcome of producing a song,
can provide the needed motivation to remain in therapy for the period of time required to observe
gains. The positive emotions and reduced anxiety and agitation associated with music was proposed
by Peck et al. [110] to support enhanced attention
The findings of this study are reflected in other studies exploring the potential for cognitive gains
as a result of music training, including in individuals with cognitive impairment following an ABI.
The results of this case study favorably point to the potential effectiveness of TMT as a cognitive
rehabilitation tool to remediate cognitive impairment following an acquired brain injury, however more
research is required, optimally with control groups and experimental design.
4. Limitations
investigations with this clinical population. Although in-person treatment sessions were regularly
cancelled, the participant continued to practice TMT homework between sessions, thereby maintaining
the required cognitive stimulation and the driving of the PFC and cognitive networks.
The 12-month treatment period allowed for repeated driving of cognitive processing,
supporting the strengthening of attention and memory processes. Furthermore, the 12-month
treatment between pre-and post-tests could serve to reduce any potential “practice effect” of tests.
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