A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce.
The story describes the formative years of the life of Stephen Dedalus, a fictional alter ego of Joyce and an allusion to the consummate craftsman of Greek mythology, Daedalus.A novel written in Joyce's characteristic free indirect speech style, A Portrait is a major example of the bildungsroman in English literature. Joyce's novel traces the intellectual and religio-philosophical awakening of young Stephen Dedalus as he begins to question and rebel against the Catholic and Irish conventions with which he has been raised. He finally leaves for abroad to pursue his ambitions as an artist. The work is an early example of some of Joyce's modernist techniques that would later be represented in a more developed manner by Ulysses and Finnegans Wake. A Bildungsroman is a novel of development, which is sometimes referred to as a coming of age story. The Bildungsroman is a novel of education. Point of view Although most of A Portrait of the Artist as a Young Man is in the third person, the point of view is Stephen's: as Stephen develops as a person, the language and perspective of the narration develop with him. We see everything in the manner in which he thinks and feels it. At the very end of the novel, there is a brief section in which the story is told through Stephen's diary entries. This section is in the first person. THEMES Development of Individual Consciousness The main character undergoes a transformation growing up and we can see that by the word choice and sentence structure. The Pitfalls of Religious Extrimism Stephen first believes in the morals of the church. As a teenager, he goes to one extreme, sinning constantly with prostitutes. After Father Arnalls speech, Stephen bounces to the other extreme, being a devout, near fanatical model of religious obedience. In the end, he takes neither extreme, embracing life and celebrating humanity. The Role of the Artist In the novel, becoming an artist means abandoning family, religion and community, and isolating yourself. The Need for Irish Autonomy Stephen does not want Ireland to be controlled by others. He tries to use his art to bring autonomy to Ireland. Literary style Stylistically, the novel is written as a third-person narrative with minimal dialogue, though towards the very end of the book dialogue-intensive scenes involving Dedalus and some of his friends, in which Dedalus posits his complex, Thomist aesthetic theory, and finally journal entries by Stephen, are introduced. Since the work describes Stephen's life from the time he was a child to his increasing independence and ultimate abandonment of Ireland as a young man, the style of the work progresses through each of its five chapters, with the complexity of language gradually increasing. The book's opening pages have examples of Stephen's thoughts and conscious experience when he is a child. Throughout the work, language and prose are used to describe indirectly the state of mind of the protagonist, and the subjective effect of the events of his life. The writing style is notable also for Joyce's omission of quotation marks; he indicated dialogue by beginning a paragraph with a dash, as is commonly used by French publications. STYLISTIC TECHNIQUES The stream of consciousness - a stylistic form in which written prose seeks to represent the characters' stream of inner thoughts and perceptions rather than render these characters from an objective, external perspective. Epiphany - a moment in which a character makes a sudden, profound realizationwhether prompted by an external object or a voice from withinthat creates a change in his or her perception of the world.