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Art Appreciation and The Human Faculties: Ue. Dr. Allan C. Orate

This document outlines a lecture on art appreciation and the human faculties. It discusses defining art appreciation and relating it to philosophy and psychology. It examines the human faculties of mind, will, and senses as the basis for appreciating art. Works of art are analyzed according to four levels: perceptual elements, representations, emotional suggestions, and intellectual meaning. The lecture objectives are to apply these concepts to analyzing and evaluating artworks from different styles. It provides readings, videos, and outlines for three lectures on these topics.
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0% found this document useful (0 votes)
1K views62 pages

Art Appreciation and The Human Faculties: Ue. Dr. Allan C. Orate

This document outlines a lecture on art appreciation and the human faculties. It discusses defining art appreciation and relating it to philosophy and psychology. It examines the human faculties of mind, will, and senses as the basis for appreciating art. Works of art are analyzed according to four levels: perceptual elements, representations, emotional suggestions, and intellectual meaning. The lecture objectives are to apply these concepts to analyzing and evaluating artworks from different styles. It provides readings, videos, and outlines for three lectures on these topics.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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LECTURE 2

Art Appreciation and


the Human Faculties
UE. DR. ALLAN C. ORATE

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
OBJECTIVES
a. Define art appreciation.
b. Relate the study of art to the fields of philosophy and psychology.
c. Examine the human faculties as basis for the appreciation of art.
d. Analyze works of art according to four levels: perceptual elements,
representations, emotional suggestions, and intellectual meaning.
e. Make an artwork that shows the four levels of analysis.
f. Evaluate the merit or demerit of works of art based on the concept
of art as reality.
g. Apply the concept of art as reality to the Renaissance style of art,
cubism, de stilj, and ready-made art.

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE
READINGS
2.1 Gombrich, Ernest (1960). “Pygmalion’s Power,” excerpt
from Art and Illusion: A Study on the Psychology of Pictorial
Representation, pp. 80-83.
2.2. Orate, Allan (2000). “Art and Perception of the World,” in UE
Today, Vol. 12, No. 2., pp. 7-8 & 14.
 

VIDEOS
2.1. “What is art for? Alain de Botton’s Animated Guide,” (2015).
In https:// www.youtube.com/watch?v=ZVlQOyt FCRI.
2.2. “What is the Treachery of Images,” in https:// www.you
tube.com/watch? v=atH QpANmHCE.

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE
LECTURES

2.1. Art and the Human Faculties

2.2. The Process of Art Appreciation

2.3. Art and the Perception of Reality

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE
LECTURE 2.1
Art and the
Human Essence

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
Who am I?
THE BASIC QUESTION
IN THE HUMANITIES
UE. DR. ALLAN C. ORATE
Who am I?
“I am a human being.”
UE. DR. ALLAN C. ORATE
What is a
human being?
UE. DR. ALLAN C. ORATE
THE
HUMAN
ESSENCE

Leonardo, Vitruvian Man, 1490


???
UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
THREE HUMAN FACULTIES

MIND REASON THINKING

WILL EMOTION FEELING

SENSES PERCEPTION SENSING


Eyes Sensation Seeing
Ears Hearing
Nose Smelling
Tongue Tasting
Skin Touching
Imagination Imagining
UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
ANALYSIS OF ART BASED ON THE
THREE HUMAN FACULTIES

LEVEL OF THE SENSES


1. PERCEPTUAL ELEMENTS
Sense-Data: Lines, Color, Shapes, etc.
2. REPRESENTATIONS
Things, People, Objects, Events

LEVEL OF THE WILL


3. EMOTIONAL SUGGESTIONS
Happy, Sad, Afraid etc.

LEVEL OF THE MIND


4. INTELLECTUAL MEANING
Ideas, Concepts, Symbolism
UE. DR. ALLAN C. ORATE DR. ALLAN C
Mondrian,
Composition with
Red, Yellow and
Blue, 1924

VISUAL ELEMENTS
COLORS: Red, Yellow,
Blue, White, Black

SHAPES: Rectangles,
Square

LINES: Straight,
Horizontal and Vertical

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE


Amorsolo
Winnowing VISUAL ELEMENTS
Rice, 1957 COLOR
SHAPES
LINES

REPRESENTATIONS
PEOPLE:
Woman
Farmers
ANIMALS:
Chicken
Carabao
THINGS:
Trees
Nipa Hut
Sky
Clouds
Mountain
EVENTS
Winnowing
Planting
UE. DR. ALLAN C. ORATE DR. ALLAN Cooking
C. ORATE, UE
Munch
The Scream
1893

VISUAL ELEMENTS
COLORS, SHAPES, LINES

REPRESENTATIONS
PEOPLE, THINGS, EVENTS

EMOTIONAL SUGGESTION
FEAR OR TERROR: Shown by the
facial expression of the woman,
and by the curving lines of red,
yellow, orange of the sky
UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
Stynweck,
The Vanities
of Human
Life 1645

VISUAL ELEMENTS
COLORS, etc.

REPRESENTATIONS
THINGS, etc.

EMOTIONS SUGGESTIONS
SADNESS

INTELLECTUAL MEANINGS
CONCEPTS, IDEAS, SYMBOLS
UE. DR. ALLAN C. ORATE
INTELLECTUAL MEANING: Ideas, Concepts and Symbols in Art

From the Book


of Ecclesiastes
in the Bible

MEMENTO MORI
Reflecting about
Death

Stynweck
The Vanities
of Human Life
1645

UE. DR. ALLAN C. ORATE


LIGHT Optimism SHELL Wealth SKULL Death DARK Pessimism
Hope, God
MUSICAL CLOCK Time
INSTRUMENTS
Beauty LAMP End of Life

HELMET Power SAMURAI Suicide

JAR Celebration

BOOK Knowledge

UE. DR. ALLAN C. ORATE


DUST IN THE WIND
Composed by Kerry Livgren
Sung by The Kansas, 1977
The meaning of
the lyrics is based I close my eyes, only for a moment and the moment's gone.
on the verse from All my dreams pass before my eyes, a curiosity.
the Bible, Genesis
Dust in the wind, all they are is dust in the wind.
3:19: “You are
from dust, and
into dust you shall Same old song, just a drop of water in an endless sea.
return.” All we do crumbles to the ground though we refuse to see.
Dust in the wind ,all we are is dust in the wind.

Now, don't hang on, nothing lasts forever but the earth and sky.
It slips away, and all your money won't another minute buy.
Dust in the wind, all we are is dust in the wind.
Dust in the wind, everything is dust in the wind.

UE. DR. ALLAN C. ORATE


INTEGRATION
Western Ethnic
MAGKAUGNAY Folk Philippine
Joey Ayala Music Music

Lupa, laot, langit ay magkaugnay


The lyrics is about Hayop, halaman, tao ay magkaugnay
the interrelation and
interdependence of
people and all living
Ang lahat ng bagay ay magkaugnay
non-living things Magkaugnay ang lahat
in nature.
Tayo ay nakasakay sa mundong naglalakbay
Sa gitna ng kalawakan, umiikot sa bituin
Sa nagbibigay buhay sa halaman, sa hayop at sa atin

Iisang pinagmulan, iisang hantungan ng ating lahi


Kamag-anak at katribo ang lahat ng narito
Sa lupa, sa laot at sa langit.
UE. DR. ALLAN C. ORATE
.

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE


ACTIVITY AND
ASSESMENT

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
GROUPING
Who are professional artists?
Who are tech savvy?

Who knows how to play musical


instruments?
Who have been in the teaching
profession for more than 20 years.
10 to 19 years?
Less than 10 years? DR. ALLAN C. ORATE, UE
UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, U
LESSON 2.2
The Process of
Art Appreciation

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
Video 2.1

What is
art for?
UE. DR. ALLAN C. ORATE
ART
APPRECIATION

?? ?
UE. DR. ALLAN C. ORATE
?? ?
ART APPRECIATION

APPRECIATION

PERSON as WORK OF ART


spectator/viewer as object
UE. DR. ALLAN C. ORATE
ART APPRECIATION
Positive Wow!
perceptual Sense-Data and Representation

emotional Feelings
intellectual Meanings

response to Communication and Reaction


the beauty Value that delights

of artworks Painting, Sculpture, Music


UE. DR. ALLAN C. ORATE
Wow!
or
Yak!

UE. DR. ALLAN C. ORATE


UE. DR. ALLAN C. ORATE
UE. DR. ALLAN C. ORATE
UE. DR. ALLAN C. ORATE
UE. DR. ALLAN C. ORATE
Which art do you appreciate most?

UE. DR. ALLAN C. ORATE


LECTURE 2.3
Art and the
Perception of Reality

DR. ALLAN C. ORATE, UE


UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
ART is . . .
?
UE. DR. ALLAN C. ORATE
talent
skill
passion
emotion
idea
truth
ART is . . . reality
goodness
beauty
form
expression
representation
power
UE. DR. ALLAN C. ORATE
Art is
reality.
UE. DR. ALLAN C. ORATE
What is
this?

UE. DR. ALLAN C. ORATE


Who is
this?
UE. DR. ALLAN C. ORATE
Leonardo,
The Mona Lisa,
1501

RENAISSANCE ART

Does this
art look real?
UE. DR. ALLAN C. ORATE
Picasso,
The Weeping
Woman,
1924

CUBISM

Does this
art look real?
UE. DR. ALLAN C. ORATE
Which art looks more real?

UE. DR. ALLAN C. ORATE


You see only
the front view
of the woman.
UE. DR. ALLAN C. ORATE
You see many
views of the
woman.
UE. DR. ALLAN C. ORATE
Which art looks more real?

UE. DR. ALLAN C. ORATE


Mondrian,
Composition
with Red,
Yellow and Blue,
1924

CONCRETISM

Does this
art look real?
UE. DR. ALLAN C. ORATE
You see red,
yellow and blue.
UE. DR. ALLAN C. ORATE
Which art looks most real?

UE. DR. ALLAN C. ORATE


Malevich,
White on
White,
1917

SUPREMATISM

Does this art


look real?
UE. DR. ALLAN C. ORATE
You see
white on
white.
UE. DR. ALLAN C. ORATE
Which art looks most real?

UE. DR. ALLAN C. ORATE


Fajardo,
From Rags
to Riches
1984

READY
MADE
ART

Does this
art look real?
Judy Sibayan, Rags to Riches
UE. DR. ALLAN C. ORATE
You the object
Judy Sibayan, Rags to Riches itself.
UE. DR. ALLAN C. ORATE
Duchamp,
The Fountain
(Urinal), 1917

UE. DR. ALLAN C. ORATE


Which art looks most real of all?

UE. DR. ALLAN C. ORATE


Art seen as
representational image

Art seen as abstract image


but still representational

ART AND
Art seen as form composed
REALITY of shapes, colors etc.

Art seen as
pure form

Art seen as the


UE. DR. ALLAN C. ORATE object itself
Matisse,
Portrait of
Mrs. Matisse

This is not a
blue woman!
This is a blue
painting!

UE. DR. ALLAN C. ORATE


What is
this?

This is not a chair.


This is a painting!

Van Gogh,
Chair with
a Pipe
UE. DR. ALLAN C. ORATE
Cover of Time
Magazine, June
24, 2002.

This is not Tom


Cruise. This is a
picture!

Who is
this?

UE. DR. ALLAN C. ORATE


Picasso, Marie Therese Picasso, Dora Maar Picasso, Jacqueline with
Walter 1937 with Cat, 1941 Crossed Hands 1941
UE. DR. ALLAN C. ORATE
Burnt-Jones
Pygmalion
1878

“A moment of complete
happiness never occurs in the
creation of a work of art. The
promise of it is felt in the act of
creation, but disappears towards
the completion of the work. For
it is then that the painter realizes
that it is only a picture he is
painting. Until then he has
almost dared to hope that the
painting might spring into life.”
Lucian Freud, from Gombrich
(1960), Art and Illusion, p. 80.
UE. DR. ALLAN C. ORATE
Rene Magritte
The Treachery
of Images

Video 2.2

THIS IS NOT A PIPE


UE. DR. ALLAN C. ORATE

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