Architecture
Architecture
Architecture
The Development of Philippine
Architecture
Architecture is the planning, designing, and construction of buildings and other physical
structures. Creative mind in thinking how the materials will be used and combined, the design,
structural outcome, perfect blend of colors, and durability are essential. Architecture is
considered an art because of its transcendental beauty and message to its audience/viewers in
every design space or building.
Prior to the arrival of the Spaniards, the fundamental forms of architecture in the Philippines
were influenced by the building’s practical purpose as a shelter and were dependent on
available materials. Houses in rural design huts are erected one to two meters above the
ground depending on the region’s water level in the area. A steep roof over a one or two-room
living area is a common feature.
In 1898, the victory of the Philippine Revolution and the mark of independence from Spain were also
the transfer of power from Spain to the United States of America after the Spanish-American War and
Treaty of Paris. In the same year, the Americans arrived in the country, and a new style of
architecture arose with the settlement of the Americans. The founding of civil government was the
most significant American gift to the country. As a result, government structures were built from the
city to the municipal level. Every village had a government building. These government buildings
resembled Greek or Roman temples, filled with veranda and pediments, and were built in the most
respectable fashion.
World War II left numerous buildings destroyed. As a result, rebuilding and renovation were the
ultimate priorities in 1945. Various building constructions entered the modern period using the
“International Modern Style’s”-basic straight lines as its primary form of expression.
The Filipino architectural design re-appeared in 1970s. The bahay-kubo and bahay na bato
were popularly reproduced and modified. This time, Filipino style in architecture was found and
re-emerged with the use of traditional themes such as in Batasang Pambansa and BLISS
Housing projects.
1. Dolly Perez
The twenty-first century Filipino landscape architects are few and far between, but Dolly Perez was one in
the 1960s. She was regarded as the “Mother of Landscape Architecture.” She studied landscape
architecture at the University of California, Berkeley, and was “the first female landscape architect in the
Philippines.” She built high-profile public projects including Rizal Park, Bataan’s Dambana ng Kagitingan,
and the Libingan ng mga Bayani.
He was an “outspoken advocate of indigenous architecture,” making Philippine architecture more popular
among Filipinos. Mañosa’s signature style dubbed Contemporary Tropical Filipino Architecture as a dizzying
combination of seemingly disparate components. Mañosa was named a National Artist in Architecture in
2009. Mañosa’s advocacy is reflected by the Coconut Palace at the Cultural Center of the Philippines
complex.
Rex Curriculum Resource WWW.REX.COM.PH
Architecture
Famous Filipino
Architects
3. Isabel Asuncion
In an industry characterized by alpha males, she has emerged as one of the industry’s most
powerful design masters, demonstrating a level of intellect and character strength that has
propelled her to the forefront of a battleground of technological ability and genetic distinctions. Her
work focuses on clubs, hotels, resorts, residential, institutional, and commercial projects for
customers in the Philippines, Thailand, China, and the Hong Kong Special Administrative Region.
Her key projects are Discovery Shores Boracay Spa and De La Salle University’s Henry Sy, Sr. Hall.
He was the son of the Philippine Revolution soldiers who believed that architecture should
represent the culture and people of the Philippines. From the Manila Jockey Club and Quiapo
Church to the Mabini Shrine and government offices, Nakpil worked on dozens of structures around
the country. Despite his effort to create structures particularly for Filipinos, the public deemed
some of his ideas to be too extreme. He was named National Artist for Architecture in 1973 and
considered the “Father of Philippine Architecture.”
Locsin was keen on adapting Western architectural norms to the needs of Filipinos. The Cultural Center
of the Philippines, a group of five buildings that exemplify the architect’s search for a vernacular form
of modernist architecture, is his most significant contribution to Filipino architecture. Within the
complex, the National Theater building is an excellent example of Locsin’s distinctive design. The
theater is modeled like traditional Filipino housing huts, although on a grander scale, Locsin’s
colleagues dubbed him as the “poet of space” because of his ability to make the most monolithic
materials look weightless. He also gracefully mixed Western brutalism with vernacular themes.
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